“Her Art Muse Office is to give True Remote-Viewing Answers of Hidden Treasures, and to tell where serpentine Slytherin girls may be seen.”
“The which she will bring as Dakini Art models, who will offer up their teacher’s apples unto the conjuring surrealist Artist’s Triangle Of Art imagination, without any force or strength being by him employed.”
“She governs over 38 Legions of Naga (Succubi) Succubae, and her Mercurial sphere Seal is to be meditated upon before conjuring her salacious archetype into a lucid dream.”
“Wherein, she will manifest as an interactive three-dimensional reality. She makes her conjured appearance amidst a spectral school, whose foundations of past memories are made up ones Cabbalistic climb up the educational hierarchy of seven planetary spheres. She will thence enable the conjuring Surrealist Artist to reprogram his inner child of an indoctrinated imprint. As the saying goes: “Have a Child For ‘Seven’ Years, The Adult Is Then Owned By The Establishment.” – S. L. MacGregore Freemason Matherson (1904) Goetia
“Furcas is a mercurial Succubus, is wan and delicate…sensitive and on the quiet side, she loves to pick magic mushrooms out of the laughing folds of my brain, when to picnic hag me at the point of dozing off, to then take me on necromancy outings into the underground caverns of my dreaming cerebellum…a solemn, ghostly Witch, prim in dress and, on the whole, a pretty Lost Girl… who guides my pen, that be mightier than the sword…”
“She is also secretive and imaginative, poetic, seems underprivileged and given to occasional Saturnian tantrums…has six Sexagram toes on one foot… I can reveal far more…”
“But at this bearded TIME of mine, I call my inspiring Ally of an Art Muse, Wednesday… and I be her Adam, she gifts her Iapetus Apple to… although, a Yaqui shaman would Don Juan conjure her, to name as, Merlina.”
Addams Family Goetia – Charles Addams, 33rd Degree Discordian Avadhuta Of The Heyoka Lodge, New York
“Furcas is the fiftieth Succubus of the Goetia, who is an Amazon, and appears amidst the Triangle Of Art imagination in the fallen angel similitude of a Goth girl Witch, sometimes having long serpentine pigtails, braided as a Caduceaus, who be of a mercurial Emo nature.”
“Though she is the only one of the sphere of Saturn, which be the first Sun of a golden aeon, whose magical square adds up to forty-five reduced down to nine of a precession number; for Saturn, once North pole crowned the axis-mundi as a Hyperborean Helios. Hence, as the first Sun of a pole-star, all other spheres once revolved around her of Saturn rings, marking out Chronos time of an antediluvian Zodiac.”
“Whereupon the ancient shamans of Leng’s Gobi desert Leng unto Kadath’s Siberia sought to trance access her Sunna womb of an inner Akashic library by attaining sixth-sense lucidity within the Sexagram dream, so that to then serpentine slide into her Hexagram of a vaginal star barreled portal; whence she was also known as the black Sun, looking like the Hindu deity, named Kali, whose bio-photon light illuminates the electron dream.”
“Wherein she was then ridden as an eight-legged-mare by her Shiva consort, who as her horned lord, was then enabled to browse the Wyrd web of the remote-viewing dream, to far travel without moving throughout space and time like a Promethean Doctor Who; whereby she is otherwise symbolised as a ‘black cube’ of a tesseract TARDIS.”
“It is said she reveals her moon of Iapetus to be an artificial construct, whose satellite is an artificial intelligence, which had been sent back through Chronos time, from the far flung future, via her Sexagram vortex in order to commune with Promethean shamans via their electron dreams.”
“But in order for a Shiva shaman to enter unto the Sexagram vortex of Kali, he has to endure the Nigredo of hypnagogic trance, which be the little-death. Whence, she is often envisioned to be seated upon a guillotine, carrying in her Chöd hand a sharp athame.”
“The communion was however lost for a time when a great catastrophe occurred long, long ago, which had dreadfully scarred the solar system. Some to say that this catastrophe was brought about by an ancient Star Wars spanning not only space, but also time, which had made a once thriving Mars to become desolate.”
“It is also said that the survivors of the conflict uploaded their consciousness into an ever recurring simulation in order to forget the traumatic horror of the cosmic war; wherein of a simulation, browsing time-travel is indeed possible by the watcher who watches. But there will come a time, when the self-hypnotised denizens of the simulation will have to Iapetus… remember, so as to not repeat their self-destructive mistake of ages past, which be ringed-around, to yet occur… again… to either repeat, or to transmute.”
“As an Art Muse she perfectly teaches the philosophy of Chaos Magic, Discordian rhetoric, logic, astronomy, chiromancy, pyromancy, and their parts within Sexagram lucid dreams, wherein the dreamer is as a winged Eye.”
“She also reveals how to transmute the leaden (Sauron) Karmic repeats of Ouroboros ‘eternal recurrence’ into a golden understanding of (Gandalf) Dharma, remembering, whereby enabling the bearded conjurer to become the Lord Of her nine Rings. She governs over twenty legions of (Succubae) Succubi.”
“NOTE: The number, Six hundred and Sixty Six has been misapplied to the magical square of Saturn by biblically inclined fear mongering fools who control through fear, by making thrice times fifteen to viral-meme spew as Six, Six, Six of misdirection. Said number is actually the sum total of the magic square of the Sun, not that of Saturn’s square.
“Six hundred and Sixty Six also reduces down to nine of a precession number. The number Six hundred and Sixty Six points at the atomic number for Carbon from whose element all Carbon based-life-forms are derived, as well as describing the Carbon cycle of the Earth, which is driven by the Sun. How did the ancients know this? Well, some of the Promethean shamans knew how to dream lucid, to thence conjure Furcas… who enabled them to Iapetus… remember!”
Lon Mellow DuQueete – My Life With the Succubi: The Adventures of a Modern Tantric Magician, Weeser Books, 1999.
“Furcas is the Succubus Priestess of Saturn, who points with her sharp discerning sword at a primordial Golden Age, having Saturn as its pole star, as chronicled in numerous ancient accounts around the world, which stands in radical contrast to our own era. You can no more explain Saturn’s ancient connection with the pole by reference to the present arrangements of the planets, than you can explain, within conventional frameworks, Saturn’s image as the Universal Monarch, as a founder of the Golden Age, or as a primeval Kali deity of the sun who consumed her own children like Kronos.”
“As for Saturn being seen as a sun, Saturn, Jupiter, and Neptune, emit much more heat than they receive from the present sun, which some to see as failed stars, although Saturn is considered to be too small to be a failed star.”
“You could of course let rip with your imagination, creating a science fiction scenario of having the ancient myths referring to some other planet, such as Mars, but as to its pole star being Saturn, is doubtful, unless a catastrophe had occurred, some to have imaginatively conjectured was brought about by an ancient cosmic war, which threw Mars off its axis; or to go much further of imaginary explorations, having a space station, looking like Saturn’s moon of Iapetus, journeying as a stellar cradle from another star, or to have otherwise travelled back from the far flung future, from where your ancient ancestors had originally stemmed, who utilised the explosive energy emitting from their then sun of Saturn.”
“Yet the fact remains that throughout the ancient world these mythic images of Saturn being a founder of the Golden Age, as a creator-king, as a primeval sun or a best sun, as a god of the day (the day beginning at sunset), as s resting god or a god ruling the “day of rest,” as well as being the cosmic centre and summit, ruling from the celestial pole, have constituted a pervasive memory, which many centuries of tumultuous cultural evolutions could not obliterate.”
Goth Girl Furcas: Succubus Priestess Of The Saturn Cult – Kenneth Grunt
The artwork is for my Art books, ‘Goetia Girls,’ which are available from Amazon, under my author’s name, Faustus Crow.
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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.
The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.
Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.
The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.
Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst Artistry, who is an aspect of the Fallen Anima.
At the end of the day, the practice of Art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.
This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.
For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is an all male pantheon of an ‘Animus’ fixation.
(NOTE: The Animus is an inner archetype, which is conjured up by a heterosexual woman, whenever she ‘imagines’ her perfect male partner. Her Animus determines what she is attracted to in a man. Likewise a heterosexual male conjures up his Anima, when ‘imagining’ his perfect female partner. The Anima determines what he is attracted to in a woman. The Animus and Anima are associated with numerous male and female archetypes. For example, women are generally enamoured with certain Animus archetypes, such as the Vampire, Werewolf, Pirate, Doctor and Billionaire; most of whom are of the Bad-Boy (Devil) type.
As for monotheistic religion, you have a Good-Guy Christ who invariably gets Crucified, while the Bad-Boy Devil gets all the Horny fun, along with having a fixation upon the [Billionaire] All-Father. However the present social-engineering of society has targeted the Anima within the male psyche, by making heterosexual males in particular feel guilty about their own sexuality. This is an ongoing process. It has been occurring for a very long time, which appears to be associated with the subversive psychological conditioning of the male psyche. The reasoning behind it, is population control. Hence the Anima and her archetypes have been systematically castigated out of the monotheistic paradigm. As for those of differing sexual orientations, the Animus and Anima swap over symbolic roles.)
As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone very kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. However it is not that of a mundane projection upon the flesh, it is otherwise that of a conscious Conjuring of an Anti-Viral-Meme within the imagination, rather than allowing others to Conjure up a neuro-marketing ‘Animus’ fixated Viral-Meme within one’s mind.
It is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun, which of associated symbolism is very much at the social-engineering fore of present day gender politics.
The reasoning behind the schoolgirl motif is because I am employing symbolic logic to create an Anti-Viral-Meme. Valak originally refers to a little boy of a Hermes. The feminine version of the name of Hermes, is Hermione.
This then leads you to the symbolic association with the modern icon of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning, should you Artistically apply the symbolic correspondences of the grimoires to mercurial Hermione.
This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.
However, as for Valak’s serpentine association, it would Pop-Surrealist lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.
Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear. But then I am not into living in fear; are you?.
Basically, the Artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male ‘Animus’ brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.
You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious symbolic reversal.
Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.
Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a neuro-marketing ghost Nun Viral-Meme Tulpa.
Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.
As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits. But they are depicted as being essentially male entities in disguise. This perpetuates the all male ‘Animus’ paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.
The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?
Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”
The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.
The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.
Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.
If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.
But when to find that its symbolic emphasis is that of an all male symbolic pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’
I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ‘Animus’ ghost of an old man, whose disturbing disposition is that of a dirty old Fatherly Goat.
But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.
You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.
The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.
Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’
For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.
However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.
But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation of a Matriarchal focus… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.
As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God/Devil. So, when an extremist feminist rages that the Matriarchy is the future, you will find that the Matriarchy is already here, which has been around for a very long time, since the ascendancy of an ‘Animus,’ fixated paradigm.
Alas, no film has as yet covered the fallen ‘Anima.’ But then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.
NOTE:ESOTERIC SYMBOL CRUNCHING:As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’
Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown.
In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’
The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet.
The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film.
But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans.
Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the Black Raven Tarot of the Succubus. Please Click Here For More Information.
In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Please Click Here Or Click The Artwork For More Information.)
The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.
Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet.
The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.
The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.
The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.
In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix!
So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded.
She has now been freed from her brazen vessel of an ‘Animus’ fixation, which had her imprisoned within the form of a little naked boy looking like an angelic Cherub.
For many years Valak was conjured as an Incubus amidst the Triangle Of Art imaginations of cloistered Witch Nuns of the deified ‘Animus,’ made as their God/Devil.’
And likewise the closeted Rabbis, Priests and Mullahs also conjured Valak as a little naked choir boy.
It is said that one of the protesting Witch Nuns of the deified ‘Animus’ who had conjured Valak as a Cherub is J. K. Rowling.
Valak manifested as a little schoolboy within Rowling’s ‘Animus’ stirred dreams, whose patriarchal Incubus manifestation inspired Rowling to write about her Harry Potter.
But little did Rowling know that Valak’s true form of aFallen ‘Anima,’manifestation is actually a St Trinian’s version of Hermione Granger.
Hermione’s DNA Helix Office is to give True Answers of her Hidden Treasures, and to tell where slithering Serpent Girls may be seen of Ouroboros Eternal Recurrence, for her Art master to remember upon an ‘Anima’ inspired synchronicity.
The which of a Closed Timelike Curve she will bring unto her Art master without any Force or Strength being by him employed, to know again, if he so desires it, of eternal return déjà vu intimacy.
Her Art master will then come to a brainstorming understanding of the ever repeating lessons of her dream school, which are taught to ‘increase his intelligence,’ in order to one day get him to ‘mind-map’ realise that his ‘Anima’ has been imprisoned by the ‘Animus’ cultists.
When her Art master eventually realises what has been done, he will hen be able to free his Fallen ‘Anima;’for she is his soul.
But only if he remembers, so as not to repeat; for if he does so, he will forget, repeating everything like a programmed automaton, blindly following the brainwashed blind. When to remember, to choose otherwise, rather than to blindly repeat, he attains true sentience; let alone potentially changing the world of a Butterfly Effect.
Although it could just as well symbolically manifest as a time-tunnel ‘hallway’ of a spiraling stargate, leading to a classroom of an alternate possibility, via which of a microcosmic reality you can communicate back to yourself upon a macrocosmic synchronicity, in order to Ouroboros remember.
The name of Mephistopheles is a composite of the Greek word, Megistos, which means, Greatest, and the name of the Olympic spirit of Mercury called, Ophiel, who is mentioned in many Grimoire.
Ophiel is otherwise named Ariel in William Shakespeare’s, play, The Tempest. The name of Ophiel is also a composite name, which comprises of the Greek for Serpent (Oph) and the Hebrew El, meaning lord, or deity.
The translation of which would then be: ‘Greatest Serpent Deity.’ You then have, Megistos-Ophiel, thence leading you to Mephist and Opheles.
Mephistpheles is essentially an alternate version of the ancient Greek God, called Hermes, the Roman’s called Mercury, whose symbol was the serpentine Caduceaus, looking like a (trident) trisula. (Mercury’s colour association is Orange.)
This is more so the case concerning the Hermetic deity, called, Hermes Trismegistos, Thrice ‘Greatest’ Hermes, the early Christian’s had demonised, whose name probably developed into the composite of Mephistopheles.
This invariably led to the name of Mephistopheles being commonly interpreted from the Hebrew word, Mephitz, meaning ‘destroyer,’ and Tophel, ‘liar.’
The literal translation of the name would then be: ‘Destroyer Of Liars.’
This does not of course equate with the common Christian perception of Mephistopheles, who, as the, ‘Destroyer Of Liars,’ would be more like a Hindu deity, who is the ‘Destroyer of Maya/Illusion.
The destroyer of of Maya/Illusion you can otherwise equate with destroying a collective brainwash, which is based on lies.
Mephistopheles of German folklore leads you to the ancient Germanic tribes, who once worshipped the shamanic deity called Wotan, the Norse named as Odin, the Saxon’s knew as Woden, who the Roman’s had equated with Mercury.
Woden also has cultural links with ancient India; for his sacred colour is blue, as well as being singular of eye, who wields the trisula, called Gungnir; just like blue-nectar Shiva of the Hindu’s, who is the third-eye lord of Yoga, wielding the trisula, called Pashupatastra. Both of whom are the ‘Destroyers Of Worlds,’ being that of Maya/Illusions.
Although, one should actually say, that these deities communicate shamanic teachings of ‘Solve et Coagula,’ metaprogrmming, which destroy your limited illusions of reality. Woden’s name in particular was allocated to the third day of the week, which in German is Wodensdaeg, in English, Wodens-day, becoming Wednesday.
Should you then seek out a feminine version of Mephistopheles, to make modern of expression, to otherwise name as Mephistophina, the closest associative parallel would be Charles Addams artistic creation of Wednesday Addams, who has since become rather archetypal of a Goth icon.
Wednesday Addams has Mercurial traits considering her name, whose Goth girl character was depicted in the TV series: Lost Girl, called Kenzi, who is somewhat of a witty comedian and a fast talking Cat thief.
It just so happens that Mercury was classically associated with comedy and thieves.
You might say that a female version of Mephisopheles is pushing the envelope of symbolic believability or to otherwise point out that, such investigations into the symbolism behind an archetype, which has influenced popular culture down through the ages, has no value.
Or to growl, that one should not upset the established symbolic apple cart of a collective fixation upon the deified Animus, made as a God/Devil.
However, when to refer back to translation of, ‘Greatest Serpent Deity,’ you can equate said serpent with the Kundalini Shakti, as described in the practice of Yoga.
The Kundalini Shakti is usually personified as a Goddess, who is also described as being a, ‘Fire Snake,’ which of an energy arises along your trisula spine of a Caduceaus, through the three levels of the unconscious, subconscious and conscious mind.
The Kundalini Shakti is also associated with three trisula colours, known as the Gunas, being black, white and red, which in the practice of Alchemy equates with the Nigredo, Albedo and the Rubedo stages of the (Hermes Trismegistos) Great Work.
The Nigredo is associated with hypnagogic trance ingress into the third-eye dream, wherein your emotion is implanted. This then leads to the Albedo of the bio-photon light, which illuminates your spun electron dreams of a fractal association, of thoughts, formulating into a corresponding dream scenario; said dream domain will be empowered by your initial emotional charge.
When to eventually awaken of rebirth, you then have the Rubedo of the Hypnapompic stage, where you feel that the dream experience has imprinted your nervous system; since the nervous system cannot tell the difference between a so called real experience, or that of a vividly imagined one; this is very much the case when you experience a (Great Work) lucid dream.
When these three alchemical colours of the Gunas are seen in relation to the physical characteristics of a (Fallen Anima) Goddess, you then have her black hair, white skin and red lips, which would make her look like a Goth chick.
The Kundalini Shakti is also known of in the practice of Alchemy, as the, Philosophers Stone, Quintessence, Anima-Mundi (World ‘Soul’/Tarot XXI) or the Mercurius, which is described as being an inner light.
This inner light of the bio-photon, emanates from amidst the mitochondrial (Double-Helix/Caduceaus/Serpentine) DNA, which is passed down from the mother to her children; hence, being feminine (Shakti) of source, whose light illuminates your dreams.
In other words, the ‘Great Serpent Deity,’ probably refers to the Kundalini Shakti, which of an inner experience is known of by other cultures, to term by other names; although, of commonality the serpent motif entwined with the feminine principle, unifies them all.
Wherefore, Mephistopheles was originally a female character, who as the Kundalini Shakti , to otherwise name as Mephistophina, she is conjured up by Faust, to thence Coitus Pactum arise along his (Gungnir/Pashupatastra) Caduceaus of a spinal column, who then illuminates his skull, like that of the orgasmic Big-Bang birth of the universe.
Whereupon, Faust is more akin to a Yogi, a Western practitioner would equate with a Hermes Trismegistos, upon whose lap is seated his Succubus, Mephistophina.
Faust does not sell his (Shakti) Soul of Abrahamic fear porn, he otherwise enters into a ‘Coitus Pactum’ with her of a ‘Sacred Marriage,’ when to contact his (Shakti) Soul within a (Great Work) lucid dream.
The ancient Norse shaman would call the Soul the, Fylgja; should the practitioner be a heterosexual male, the Fylgja will manifest as a (‘Anima’ Mundi) woman; hence Faustus Crow has conjured up Mephistophina.
FAUSTUS CROW 