Archive for David Leslie Johnson

THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry, who is an aspect of the Fallen Anima.

At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is a all male pantheon of an ‘Animus’ fixation.

As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic.

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But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image link for more information.)

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

Art Prints available from my Redbubble shop.

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JOHN CONSTANTINE CONJURES HELLBLAZER SCHOOLGIRL SUCCUBUS VALAK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 2, 2014 by FAUSTUS CROW

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Valak, who is otherwise known as Volac is the 62nd spirit of the Goetia. Volac has been portrayed down the grimoire years as an angelically winged cherub riding a two-headed dragon holding serpents.

However, the sweaty old scholars didn’t quite have the image of Volac correct for a rebellious fallen angel, who rages against the doomsday cult patriarchy of the celibate Abrahamic faiths. But then, their priestly all male patriarchal fixation, has a continued liking for choir boy cherubs, to evoke amidst their closeted triangle of art imaginations.

The maverick magician John Constantine flicked through the nicotine stained pages of a book to read what Collin de Plancy had said of Volac: “He appears as a child with angel’s wings and riding on a two-headed dragon.” Constantine smiled to himself as he puffed a Camel stick, saying to himself; “yeah, right; Plancy just copied all those stories passed down by the patriarchs for hundreds of years since Rome converted to Christianity; he didn’t even deviate of a rebellion against it.”

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Constantine continued further, of pondering; “even uncle Aleister fell for the trap. Oh! Yeah; I forgot, he was bisexual; that’s what really pissed off everyone at the time, as being rebelliously wicked. What a Great Beast laugh! Shit! The patriarchs were all doing it anyway, with their conjured up Angels and Demons, to be upended by, down ages. Lest we forget, we also have all those smiling Mary quite so contraries being ridden by their Incubi God and Devil of an Animus fixation, upending them as a Babalon.”

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Constantine sniggered, taking another puff, remembering Luciferian Übermensch Aaron C. Donahue and his fellow cultists conjuring up Volac as a quaint alien entity out of their fluoridated Hollywood brains, lorded over by calcified pineal glands, which wasn’t at all rebellious either.

Volac was still male of a symbolic continuum, dancing around their machismo Lucifer. Something was most definitely amiss.

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“It’s a bloody John the baptist’s skull and crossbones Illuminati brainwash! That’s what it is! those fucking serpents are not going to subversively indoctrinate my reptilian brainstem. They’re all New World Order Orwellian bastards, mass medicating the public water supply with a known neurotoxin; fucking criminal shit-holes. I am going to use my abilities to bring those insane serpents to task!” Constantine mumbled to himself.

Whereupon, Constantine decided to evoke Volac himself to see what would erupt forth from out of his infernal subconscious. By doing so, to determine whether he had been subversively brainwashed, which, if it was indeed the case, would most definitely piss him off. He would then have to utilise the ritual of the ‘Spirit Chain’ in order to negate the brainwashing of his own mind; that would be an exorcism pisser of a long Great Work overhaul.

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He made it a point to draw Volac’s Necronomicon manifestation during an exercise of remote viewing active imagination, as he meditated upon the grimoire seal of Volac. He was quickly taken aback when Volac manifested amidst his mind’s eye as a bat winged St Trinian’s schoolgirl frequenting an infernal Hogwarts.

“Fuck me! Volac is a Succubus, looking a bit like Cassie Hack out of the frigging Hack/Slash comics I regularly whack off to. She’s a salacious Hermione Granger riding a bloodstained caduceus broomstick, sporting two Slytherin dragon heads. Kind of reminds me of the Tibetan Dakini, Kurukulla. Instantaneous associative correspondences, or what!”

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Constantine smoked yet another Camel, to stave off a nervous coughing fit; while looking over his comic mandala drawn of automatism. “I have to give up these hellish Gimel’s someday; don’t do my throat any good at all, but my addicted reptilian brainstem doesn’t give a flying fuck. At least I know my reptile hasn’t been hypnotised by the subliminal neuro-advertising of the state religions. Must be because of all that alchemical whackng off I do in the prima materia bog.”

Constantine retreated to his torn up bed to slump upon, and in so doing lit up another Camel; “Kind of makes sense, really, that Volac came through as Cassie, I mean, St Trinian looking Cassie’s name is short for Cassandra who was an ancient prophetess; she had acquired her Witch ability when to have fallen asleep in a temple full of snakes. Then you have Hogwarts Hermione, which is the feminine version of the name of the ancient Greek shaman God Hermes, the Roman’s called Mercury, whose symbol is the Caduceus entwined with two snakes looking like the DNA helix.”

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Constantine looked over at the flickering flame of a candle, melting upon his detectives desk; “looks like my bio-photon vision came up trumps; burning through the indoctrinated symbolic interface of the blinded ages, from a far deeper informational level of qualia. But then, the bio-photon does emanate from the mitochondrial DNA, which is passed down from the mother to her children. However the information carried by the light comes from beyond the bio-molecular, of a Holy Guardian Angel signal.”

“So, what are Volac’s powers?” Constantine asked himself so as to remind; while peering into spiraling columns of Camel smoke, in order to divine further insights. “Hmmm, let’s seer further this Volac; she, apparently tells of the positions of the planets, revealing hidden treasures, and where to find serpents. In my line of psychic detective of work, I need to know where to find those criminal serpents, Cassie would call Slashers; I’m her bad-boy Vlad, there.”

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Constantine took a further draw of his Camel. “As for hidden treasures; my clients often seek out my remote viewing services in such matters; whereby Volac would be an informing asset; more so for myself, since I need the fucking finances. Then you have the planetary alignments, which are often associated with the opening up of quantum-wormhole Vesica Pisces, via which to attain trance ingress into other realities, at key-times of circadian rhythms. She also governs over 38 legions of spirits, who are no doubt Succubae like herself; who, I’m sure, will come in very left-jerk-off-handy.”

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Constantine then stamped out his Camel into an overflowing ashtray, followed by crashing into slumbering betwixt and between the pylons of sleep and waking, where he duly found himself being pounced upon by an awaiting entity. Constantine couldn’t move, his body paralysed, as the assailing weight of the formless entity pushed him deeper into his bed. He then felt himself falling backwards into a yawning abyss. At first there was sheer darkness as he fell, screaming out the name of Volac. Then the darkness started to formulate into a vortex of surrealistic imagery, wherein he found himself alighting somewhere quite other.

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When Constantine eventually regained control over his dream body, for his inner eyes to focus upon the vortex of blurred imagery all around him, which started to take on a definite form; he suddenly found himself seated behind a school desk, who was once again an acne ridden boy of a misbegotten Harry Potter youth.

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“Shit! I’m in a lucid dream; what’s more, I’ve fucking slid into my past of pained little boy memory, methinks.” Constantine slowly looked around him at the other school kids behind their tables, seated in front of an ominous inky black blackboard. He didn’t like the look of the students around him at all. The other kids all had rotten gunk filling their empty eye sockets, gaping mouths and clogged up ears, looking like gaunt zombies. The zombies seemed to be chanting a repetitive prayer through maggot gnawed holes in their throats, which praised the three faced deified Animus, made as a God of the ever warring Middle Eastern Illuminati cults of Judaism, Christianity and Islam.

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Constantine then became aware that the zombie kids surrounding him were all his school bullies, who had severely traumatised Constantine’s childhood. His schooldays were a living Hell. Each of the abusive monstrosities he had personally nicknamed, such as the, first of the fallen, who was a sadistic bully, a total shit-hole to be sure, make no mistake about it. He was the son of a psychopathic drunken priest. There was also slimy creep Nergal, whose speciality was spreading vile rumours, poisoning everyone against Constantine. He also recognised fat bitch Roscarnis, who led a druggie girl gang; she made it a point of relentlessly picking on him because of his crippling affliction of acne; as well as recognising wannabe protection racketeer Papa Midnite, who had daily bled Constantine dry of all his dinner money, wanting ever more. They were all there, let alone others of similar horrors.

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Constantine suddenly felt one of his childhood nervous attacks coming on; he started to uncontrollably shake. Constantine grabbed hold of a broken pencil to suck, imagining it to be a Camel to stave off his mind quake. He then made it a point not to make any sudden moves, just in case the chanting zombies became aware of his presence. Constantine then heard a hushed voice breaking through the chant, which seemed to have called out from the shattered classroom doorway behind him.

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It was a female voice. “Hey! Vlad over ere’.” It was then Constantine noticed the classroom looked like the rotting innards of a wrecked charnel house. “Over ere’ you twat!” The voice called again of a whisper, which seemed to have caressed his left ear, of fingering words. He slowly turned around and saw a ravishingly gorgeous Goth schoolgirl standing at the doorway, indicating he should follow her.

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Constantine very carefully got up and stealthily moved towards the beckoning Goth schoolgirl who was holding onto a baseball bat with two entwining serpents engraved into its wood, looking like a lethal Caduceus, with nails sticking out of it. Constantine’s memory lit up of recognition. “You’re Volac.” Constantine said out loud. The Goth schoolgirl smilingly answered; “that’s right, don’t wear my mantric name out!”

It was then that the first of the fallen became aware of Constantine’s presence, its head twisted completely around, facing him, whose body stayed put, to then gargle; “Consti, Consti, Consti, Jesus loves you; his serpent is in my pants, he wants to ream your virgin arse.” The first of the fallen proceeded to sickeningly arise from its mouldy chair, along with the others following suit, who then advanced towards Constantine, brandishing jagged knives.

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The zombies then gargled in unison, like some hideous choir. “We are God fearing children, Consti, Consti, Consti. We are but the demonic torturing tools in our father’s incestuous service, testing your love for him, and him alone; for he be a very jealous God. There is none other before him. He wants us to slash you with his love; like he did to your Roman namesake. Bend over, Consti, Consti, Consti, present your arse unto the loving God’s serpent, he desires to enter your anus, so as to possess. He loves you, Consti, Consti, Consti.”

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Constantine became panic stricken, he couldn’t move as the zombies blindly made their haphazard way towards him, who reminded Constantine of all the tortures he had endured as a child, making him feel he could never amount to nothing. He always felt like a total abject failure deep down, utterly stuck, unable to move ahead. Volac then shouted out behind him; “you’re Vlad, give the slashers back their Abrahamic Hell!”

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Constantine then remembered to assume the magical guise of a Vlad Avatar, which transformed his childhood panic into a berserker rage. He felt his body suddenly being pumped up with bristling muscles assuming the Pagan form of a disfigured masked giant, wielding meat cleavers. Volac then roared out; “It’s hacking time, baby!”

Both Constantine and Volac tore into the zombies, hacking away at their rotting bodies. As Volac’s Caduceus baseball bat met up with a zombie it exploded into masses of squirming worms, all of which liquefied into an inconsequential black goo of no importance.

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When the astral battle was over, Volac leapt upon Constantine like a lithe Cat pouncing upon a Mouse, impaling him on the floor. “I feel really turned on, and very, very wet after all that Hellblazer hacking of a Nigredo Hogwarts harrowing, Vlad. Now it’s time for some really juicy St Trinian impalement, so I can reveal my Hermione treasure to ya’, big boy. I want ya’ to possess my moist Slytherin hole, baby.” He then felt Volac mounting his Dracul erection, which she slowly lowered herself onto. As she did so, Constantine couldn’t help himself looking up, as he entered her welcoming softness. Constantine then observed an almond shaped vortex opening up upon the ceiling of the classroom, through which of a vaginal star barrelled tunnel he saw a certain alignment of stars, on the other side.

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Volac pumped Constantine’s wand into ejaculating its Dracul Albedo flame into her hungering Rubedo womb; at which point of a shared Big Bang orgasm, Constantine suddenly found himself flying through Volac’s vaginal Stargate back into his physical body, lying upon his torn up bed.

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Constantine awoke amidst his sweat laden bedclothes, feeling emotionally drained; although, he had a big fat grin on his face, to then winsomely say to himself. “I think I’ve just folded myself through the eighth dimension into an alternate timeline. Nah! That’s absolutely crazy. Weird dream. But I do feel kind of cleansed after the exorcism of all those serpents haunting my memories. For the first time, I sense that I am free.”

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“Anyway back to the daily grind of being a psychic detective for hire. The problem is nobody really takes me at all seriously; so. it’s probably going to be another quiet day; that, or remote viewing where some old granny’s budgerigar has flown off to, for the price of a pint down the local Goats Head.” He slowly got up from his psychonaut launch pad, shaking his head clear. He then looked around for a full pack of Camel’s to notice a small resin cast sculpture of Batman upending Spider-girl Sirius-doggy style upon the table, where he remembered leaving his candle, which was no longer there.

“Where the fuck has the candle gone? And where did this Tantric resin come from? I don’t remember getting that.” He said to himself. He then noticed that the resin cast was weighting down a letter, which read:

“Dear John, thank you for agreeing to let DC comics serialise your occult exploits. Please find the first issue of Hellblazer and a sizable cheque for your creative involvement and advisory input with DC. We at DC are sure that Hellblazer will be a huge success, with the distinct possibility that your own name will be the eventual title of the comic; should you allow for it. DC is very confident that your continued involvement will be very lucrative for you and our company.”

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Constantine looked wide eyed at his own physiognomy upon the first copy of Hellblazer. He couldn’t believe what he was seeing. “I think I’ve just become the Kwisatz Haderach.” He felt like fainting, hit by the reality of it all, to then hear of clairaudience, a disembodied whisper of a girl, to say into his left ear; “My hidden treasures, are within ya,’ big boy.” She then naughtily giggled.

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THE CONJURING 2

NOTE: The ‘Conjuration’ of Volac (Valak) by Hellblazer John Constantine, though written tongue in cheek is based upon personal experiences, concerning lucid dream ‘Conjurations’ of the described Succubus. 

Volac is also known as Valu, Ualac, Valax, Valic or Valak in the classical Grimoires; the spirit is usually described manifesting as a little naked boy having angel wings riding a two headed Dragon. The classical image of Volac is based upon the ancient Greek deity called Hermes, the Roman’s called Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires. 

Volac is also described as being a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. The symbolic reasoning behind my own rebellious ‘Conjuring’ of Volac as a Succubus ‘Schoolgirl’ is because the feminine name of Hermes is Hermione, which then leads you to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning. 

As for the (two headed Dragon) Caduceus, it symbolically refers to the arousal of the (fire snake) Kundalini Shakti.

The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, which lists a couple of female spirits out of 72; but they are described as being male, who have assumed female form, which is indicative of a symbolic brainwash.

This brainwashing is facilitated further by inducing a state of fear, which perpetuates the all male paradigm of a religious foundation, as described in the Grimoires. Basically you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.    

I am aware that the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan features the entity called (Volac) Valak.

The film was written by Carey Hayes, Chad Hayes, David Leslie Johnson and Wan. In the film, Valak is depicted in the classical Grimoire style, although, otherwise shown manifesting as a transgender Nun.

The Conjuring 1 and 2 horror films are just a perpetuation of the already established symbolic brainwash. So, if you are searching for real horror, look to the ongoing brainwash of the masses via subversively engineered symbolic stimuli, which leads to all sorts of horrors.

But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’  

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; they are just feeding into the already established symbolic Matrix, which is self-perpetuated.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams. For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation. The implanted symbol will then manifest as a three-dimensional interactive reality within a lucid dream.

However, a symbol can likewise be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the ‘Conjuration;’ this in turn perpetuates the already established brainwash.

But when you realise that the all male pantheon of angels and demons dancing around a God and a Devil is that of an ‘Animus’ fixation… Possessing… many a mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into Hell, along with all her legions of Succubae. Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire to… ‘Conjure’… from.

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