Archive for conscious

FAUSTUS CROW CREATED TULPA WOMAN FRANKENSTEIN STYLE

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 9, 2016 by FAUSTUS CROW

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“Natural philosophy is the genius that has regulated my fate; I desire, therefore, in this narration, to state those facts which led to my predilection for that science.”
― Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus

“I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature. In spite of the intense labour and wonderful discoveries of modern philosophers, I always came from my studies discontented and unsatisfied.”
― Mary Wollstonecraft Shelley, Frankenstein; or, The Modern Prometheus

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“Men’s brains may be bigger, but women’s contain more brain cells. Also, male and female brains work differently. When men and women perform identical tasks, different areas of their brains light up in response. In addition, females use both hemispheres, while male brain activity is restricted to one side.”
— Kevin Leman (Feminist/Animus)

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“One of the most robust sex differences in personality research is the finding that women are higher in Agreeableness than men are. The difference is over half a standard deviation, which means that although there is plenty of overlap between the sexes, the average man scores lower than 70 per cent of women.”
— Daniel Nettle (Feminist/Animus)

“About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didn’t know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.”
― Stephenie Meyer, Twilight (Animus)

“Why don’t you like to be touched” Ana whispered, staring up into soft grey eyes. “Because I’m fifty shades of fucked-up, Anastasia.”
― E.L. James, Fifty Shades of Grey (Animus)

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“The projection-forming factor is the anima. Wherever she appears in dreams, phantasies or visions, she appears personified, thereby demonstrating that basically she possesses all the outstanding characteristics of a female person. She is not an invention of the conscious, but a spontaneous production of the unconscious; neither is she a substitute figure for the mother. On the contrary, there is every likelihood that those numinous attributes which make the Mother imago so dangerously powerful derive from the collective archetype, the anima, which is incarnated anew in every male child.”
― Carl Jung (Anima)

“The realities subsumed under the concept “anima” form an extremely dramatic content of the unconscious. It is possible to describe this concept in rational, scientific language, but in this way one entirely fails to express its living character. Therefore I deliberately and consciously give preference to a dramatic, mythological approach and terminology. In describing the living processes of the soul, such a terminology is not only more expressive but also more exact than abstract scientific terms.”
― Carl Jung (Anima)

“I am all that hath been, and is, and shall be; and my veil no mortal has hitherto raised.”
― Plutarch, quoting the ancient Egyptian Goddess, ISIS (Anima)

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“For decades I always turned to the anima when I felt that my emotional behavior was disturbed, and that something had been constellated in the unconscious. I would then ask the anima: “Now what are you up to? What do you see? I should like to know.” After some resistance she regularly produced an image. As soon as the image was there, the unrest or sense of oppression vanished. The whole energy of these emotions was transformed into interest in and curiosity about the image. I would speak with the anima about the images she communicated to me.”
― Carl Jung, Memories, Dreams and Reflections (Anima = Succubus = Muse)

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“To feed your Muse, then, you should always have been hungry about life since you were a child. If not, it is a little late to start.”
― Ray Bradbury (Anima = Succubus = Muse)

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“The Muses are ghosts, and sometimes they come uninvited.”
― Stephen King, Bag of Bones (Anima = Succubus = Muse)

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“The ‘Muse’ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.”
― Roman Payne (Anima = Succubus = Muse)

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of madness in his soul, comes to the door and thinks he will get into the temple by the help of art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the madman.”
― Plato, Phaedo (Anima = Succubus = Muse)

“This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.”
― Steven Pressfield, The War of Art: Break Through the Blocks & Win Your Inner Creative Battles (Anima = Succubus = Muse)

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KUNDALINI SHAKTI MEPHISTOPHINA, GOING BEYOND MEPHISTOPHELES

Posted in Addams Family, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2015 by FAUSTUS CROW

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The name of Mephistopheles is a composite of the Greek word, Megistos, which means, Greatest, and the name of the Olympic spirit of Mercury called, Ophiel, who is mentioned in many Grimoire.

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Ophiel is otherwise named Ariel in William Shakespeare’s, play, The Tempest. The name of Ophiel is also a composite name, which comprises of the Greek for Serpent (Oph) and the Hebrew El, meaning lord, or deity.

The translation of which would then be: ‘Greatest Serpent Deity.’ You then have, Megistos-Ophiel, thence leading you to Mephist and Opheles, who as Mephistpheles is essentially an alternate version of the ancient Greek God, called Hermes, the Roman’s called Mercury, whose symbol was the serpentine Caduceaus, looking like a (trident) trisula.

This is more so the case concerning the Hermetic deity, called, Hermes Trismegistos, Thrice ‘Greatest’ Hermes, the early Christian’s had demonised, whose name probably developed into the composite of Mephistopheles.

This invariably led to the name of Mephistopheles being commonly interpreted from the Hebrew word, Mephitz, meaning ‘destroyer,’ and Tophel, ‘liar.’

The literal translation of the name would then be: ‘Destroyer Of Liars.’ This does not of course equate with the common Christian perception of Mephistopheles, who, as the, ‘Destroyer Of Liars,’ sounds more like a Hindu deity, as the ‘Destroyer of Maya/Illusion.’

Mephistopheles of German folklore leads you to the ancient Germanic tribes, who once worshipped the shamanic deity called Wotan, the Norse named as Odin, the Saxon’s knew as Woden, who the Roman’s had equated with Mercury.

Woden also has cultural links with ancient India; for his sacred colour is blue, as well as being singular of eye, who wields the trisula, called Gungnir; just like blue-nectar Shiva of the Hindu’s, who is the third-eye lord of Yoga, wielding the trisula, called Pashupatastra. Both of whom are the ‘Destroyers Of Worlds,’ being that of Maya/Illusions.

Although, one should actually say, that these deities communicate shamanic teachings of ‘Solve et Coagula,’ metaprogrmming, which destroy your limited illusions of reality. Woden’s name in particular was allocated to the third day of the week, which in German is Wodensdaeg, in English, Wodens-day, becoming Wednesday.

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Should you then seek out a feminine version of Mephistopheles, to make modern of expression, to otherwise name as Mephistophina, the closest associative parallel would be Charles Addams artistic creation of Wednesday Addams, who has since become rather archetypal of a Goth icon; although Wednesday Addams is more akin of Gothic characteristics to the sphere of Saturn, rather than Mercury.

However, there is a more Mercurial version of Wednesday Addams, whose Goth girl character was depicted in the TV series: Lost Girl, called Kenzi, who is somewhat of a witty comedian and a fast talking thief. It just so happens that Mercury was classically associated with comedy and thieves.

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You might say that a female version of Mephisopheles is pushing the envelope of symbolic believability or to otherwise point out that, such investigations into the symbolism behind an archetype, which has influenced popular culture down through the ages, has no value; or to growl, that one should not upset the established apple cart.

However, when to refer back to translation of,’Greatest Serpent Deity,’ you can equate said serpent with the Kundalini Shakti, as described in the practice of Yoga. The Kundalini Shakti is usually personified as a Goddess, who is also described as being a, ‘Fire Snake,’ which of an energy arises along your trisula spine of a Caduceaus, through the three levels of the unconscious, subconscious and conscious mind.

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The Kundalini Shakti is also associated with three trisula colours, known as the Gunas, being black, white and red, which in the practice of Alchemy equates with the Nigredo, Albedo and the Rubedo stages of the (Hermes Trismegistos) Great Work.

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The Nigredo is associated with hypnagogic trance ingress into the third-eye dream, wherein your emotion is implanted. This then leads to the Albedo of the bio-photon light, which illuminates your spun electron dreams of a fractal association, of thoughts, formulating into a corresponding dream scenario; said dream domain will be empowered by your initial emotional charge.

When to eventually awaken of rebirth, you then have the Rubedo of the Hypnapompic stage, where you feel that the dream experience has imprinted your nervous system; since the nervous system cannot tell the difference between a so called real experience, or that of a vividly imagined one; this is very much the case when you experience a (Great Work) lucid dream.

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When these three alchemical colours of the Gunas are seen in relation to the physical characteristics of a Goddess, you then have her black hair, white skin and red lips, which would make her look like a Goth chick.

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The Kundalini Shakti is also known of in the practice of Alchemy, as the, Philosophers Stone, Quintessence, Anima-Mundi (World ‘Soul’/Tarot XXI) or the Mercurius, which is described as being an inner light.

This inner light of the bio-photon, emanates from amidst the mitochondrial (Double-Helix/Caduceaus/Serpentine) DNA, which is passed down from the mother to her children; hence, being feminine (Shakti) of source, whose light illuminates your dreams.

In other words, the ‘Great Serpent Deity,’ probably refers to the Kundalini Shakti, which of an inner experience is known of by other cultures, to term by other names; although, of commonality the serpent motif entwined with the feminine principle, unifies them all.

Wherefore, Mephistopheles was originally a female character, who as the Kundalini Shakti , to otherwise name as Mephistophina, she is conjured up by Faust, to thence Coitus Pactum arise along his (Gungnir/Pashupatastra) Caduceaus of a spinal column, who then illuminates his skull, like that of the orgasmic Big-Bang birth of the universe.

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Whereupon, Faust is more akin to a Yogi, a Western practitioner would equate with a Hermes Trismegistos, upon whose lap is seated his Succubus, Mephistophina.

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A Yogi would consider a Succubus as being an energetic fluctuation of his (World ‘Soul’) Shakti, to call a Dakini.

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Faust does not sell his (Shakti) Soul of Abrahamic fear porn, he otherwise enters into a ‘Coitus Pactum’ with her of a ‘Sacred Marriage,’ when to contact his (Shakti) Soul within a (Great Work) lucid dream.

The ancient Norse shaman would call the Soul the, Fylgja; should the practitioner be a heterosexual male, the Fylgja will manifest as a (‘Anima’ Mundi) woman; hence Faustus Crow has conjured up Mephistophina.

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