Archive for Shakti

FALLEN ANIMA

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 30, 2019 by FAUSTUS CROW

Falling down the Rabbit hole, a subway infernal, travelling the Tarot tunnels without moving

‘Hypnagogic’ of a trance jolt, awakening within a rebellious Faustian dream, dreaming lucid unto a new ‘Dawn Chorus’

Fallen Anima catching the Seer eye; her politically incorrect Succubus archetype, inspiring as a Chaos Magic Art Muse

She drops her Ankh bag knowingly, within which there be her banned Apple of self-knowledge, to fall along the dystopian 27th path of the Kabbalah, betwixt the lightning struck towers

Into her informational labyrinth to thence Buster Keaton go from Yesod 9 to Da’at 11, Maya Matrix style

Whereas others commonly ‘Traffic’ mind conjure up a Big-Brother Animus to deify of centralist politics

Who ‘Not-The-News’ worship their deified Animus as a God and Devil of an Orwellian Sauron eye, which watches all within the Spartan Military Industrial Complex of an Oily New-World-Order Eden

Hence, a certain ‘symbolic interface,’ manifesting within quantum computing dreams is considered as being revealingly dangerous. Wherefore, its symbolism has been banned as being a politically incorrect Lilith Apple!

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination to also third-eye dream of.

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The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

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This is especially the case concerning the three gender based monotheistic religions and their Oily political agendas. Jung did not want to end up being tarred and feathered by an outraged public, who, of a prior age would have burnt him at the stake. Although, it might have been the case that he had missed the simplicity of it all, who otherwise preferred the safety of turnstile complexity. 

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Carl Jung was not the first to have discovered the psychological/biological realities of the Animus and Anima, though he was the first to have scientifically described their archetypal influence upon the psyche. Many of the animist orientated shamanic cultures already explored the ‘balanced’ relationship interactions of the Animus and Anima within their myths, in which Animus/Gods and Anima/Goddesses of varying sexual orientations copulate all over the place. 

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When first getting into a relationship, the attraction to a potential partner is heavily influenced by the inner archetypes of the Animus and Anima. The subconscious influence of the Animus and Anima initiates the phenomenon of falling in love at first sight.

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It is unwise to unknowingly project the Animus or Anima upon a prospective partner, since another individual is unable to become what has been projected; this can lead to all sorts of relationship problems.

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A woman is intutively aware that the sexuality of a male is in the main visually excited by her erotic Muse presence, and that his imaginative capabilities of artistic visualisation have to be eventually ‘tamed, controlled’ and redirected towards her, due to the inner conjurations of his Anima within his psyche, which make his (Chakra/gland) ‘Unicorn’ Horn erect.

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Wherefore, the Anima within the male psyche is eventually transformed into a Virgin Mary. This is easy to achieve via subversive social-engineering by utilising the controlled mass-media machine, since most males are totally unaware of the existence of their Anima, whose Succubus Muse archetypes light up the tool making part of his Horned brain.

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Whence you have the Beauty and the Beast symbolism of a ‘Unicorn’ (Beast) laying his Horn in a (Beauty) maiden’s [Feminist] lap, who then rides him, wherever she desires to go, and all because he unknowingly projected his Anima upon her. It’s all hard-wired biology at the end of the day.   

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As for the bigger picture of a mass-mind projection, one has the monotheist fixation upon the male gender, which is a Fifty Shades Of Grey deification of the Animus as a God/Devil. When you have an overriding religious/political focus upon a particular gender, it invariably has an underlying sexual orientation; it’s biological; whence one has the symbolism of Babalon riding the Horned Beast. 

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The monotheistic fixation upon the deified Animus has castigated the Anima and her legions of Succubus (Goddess) archetypes into the politically incorrect pit as the Entartete Kunst Fallen, to verily censor and ban as being mere heterosexual ‘male-gaze’ porn; this collective herd-mind-control process continues. 

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Basically, the heterosexual male psyche in particular, can be manipulated, influenced and controlled by subversively manipulating the archetypes of the tortured Anima.

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I am not saying that Feminist politics is manipulating the male psyche. It is more of a case of certain intelligence agencies have hijacked Feminist politics, along with the New-Age movement since the end of the Vietnam war era by infiltrating the paper strewn universities.

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Both of these movements had first stemmed from the universities, which were at the forefront of the anti-war protests that brought down the puppet government of the Military Industrial Complex.

The intelligence agencies have since worked towards negating any further anti-war protests by weaponising minorities, without them realising what is going on.

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This has led to the negation of free-speech, censorship and the initiation of draconian totalitarian/fascist laws being implemented, along with dividing and conquering the masses.

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The masses then become drawn into subversively engineered PsyOp New-Age protests about gender issues of a ‘distraction,’ while numerous Oily wars are being waged around them, whether they be economic wars, utilising crippling sanctions or that of hot wars using the bombing facade of bringing democracy to Oil rich lands, which invariably leads to the mass migration of peoples.

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Some years ago, you had Band Aid, which was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in civil war torn Ethiopia, although most were unaware that the Ethiopian crisis was being caused by a civil war. At the time the Ethiopian dictator, Mengistu, was backed by the the now defunct Soviet Union. While the civil war raged and its associated Western proxy-wars with the Soviet Union caused mass famine, Band Aid raised public donations by releasing the song “Do They Know It’s Christmas?”

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There is presently a humanitarian crisis in Oily Yemen, which is far worse than what had occurred in Ethiopia. There is no protesting Band Aid equivalent for Yemen, which is probably due to the music industry being heavily controlled since the late 60’s. In other words, a musician who toes the corporate owned controlled-media line, will be fine, attaining fame and fortune for a time.

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If however, a musician rebels against the engineered mainstream, said musician will be promptly ignored. Any musician who becomes involved in protesting about Yemen will have to highlight the American support for dictator Ali Adullah Saleh, whose civil war has totally wrecked Yemen since 2014.

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Yemen’s neighbor is Oily Wahhabi Saudi Arabia, itself among the region’s cruelest dictatorships and a staunch U.S. ally, became nervous in 2015 about the outcome of the conflict, and with support from nine regional Oily allies, began subjecting the country to a punishing barrage of airstrikes, along with imposing a blockade, which ended the inflow of food and supplies to Yemen through a major port.

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This has led to the worst humanitarian crisis this century, leading to an ensuing mass migration of peoples… So, where’s anti-war protesting Band Aid? The sad truth is, Band Aid was being subversively utilised by war profiteers, profiteering from a a forever war and its mass-migrations, who considered Band Aid to be their financially lucrative Christmas present.  

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As for the PsyOp engineered Band-Aid protests over gender, whose protesters might consider the Animus and Anima to be anathema to their nigh Orwellian New-Speak, the Animus and Anima change over symbolic roles for those of different sexual orientations. 

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NOTE: Thom Yorke’s film, Anima, which is directed by Paul Thomas Anderson, is set to three songs: Not the News, Traffic, and Dawn Chorus, of a ‘threefold coercion of the dream.’ The ‘threefold coercion of the dream’ is associated with the Nigredo stage of hypnagogic trance ingress into the (Not the News) dream. Then one has the Albedo stage of becoming consciously aware within a (Traffic) dream. This then leads to the Rubedo stage of Hypnopompic egress out of the dream, when to (Dawn Chorus) awaken.

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The Nigredo, Albedo and Rubedo of alchemical colours, Black, White and Red, are also known in Hinduism as the three Gunas, which are the three colours of Shakti, the psychologist Carl Jung would otherwise call, Anima. The manifestation of the Anima in the film is played by Dajana Roncione who is Yorke’s (Shakti) girlfriend. 

MAKE LOVE, NOT WAR!      

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THREEFOLD COERCION OF THE DREAM BLACK RAVEN TAROT

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on April 16, 2019 by FAUSTUS CROW

The name of the Black Raven Tarot is derived from Dr. Johannes Faust’s grimoire, which is entitled the Threefold Coercion of Hell. Faust’s grimoire is also called the, ‘Cabalae nigrae, Magiae naturalis et innaturalis,’ which was first published in Passau during 1505.

The Cabalae nigrae, Magiae naturalis et innaturalis has been fused with the Goetia, which lists 72 spirits.

Faust’s grimoire is commonly known as The Black Raven, due to its title page, depicting a Raven inside of a circle holding a plant in its beak.

There are numerous other Faustian grimoires, which are purported to have been authored by Faust.

A later version of the Black Raven was published by Scheible, Stuttgart 1849. The classical Black Raven is renowned for its rich illustrations.

The Black Raven is usually considered to be a black-magic grimoire, whose contents cover the art of conjuring, coercing, binding and making obedient various spirits and demons, which of classical commonality are seen to be all male expressions of the Animus archetype.

The main motif of the Dr Johannes Faust’s book is the ‘Harrowing of Hell.’ The harrowing of Hell alludes to the descent of Christ into the underworld of Hell, which is re-enacted by the practitioner.

The descent is somewhat akin to Neo out of the Matrix films following the Eostre Easter bunny White Rabbit into Wonderland.

In White Rabbit Latin the harrowing of Hell is the, “Christi ad Inferos.”

The descent into the infernal realms originally referred to the trance experience of the Shaman, who harrowed the inner reality of the dream.

My version of the Black Raven is about the shamanic harrowing of the dream, which of a ‘threefold’ dream Yoga process is aligned with the ‘three,’ Nigredo, Albedo, and Rubedo states of inner Alchemy.

The Nigredo stage is equated with hypnagogic trance ingress into the dream. The Albedo is the inner (bio-photon) light of the dream, which specifically alludes to attaining a lucid dream. The Rubedo stage refers to hypnapompic egress out of the dream upon awakening.

As for the spirits, one can otherwise see them as dream characters, a practitioner will encounter within a lucid dream. The 72 spirits of the Goetia have been transformed into (Succubae) Succubi aspects of the Fallen Anima.

The 72 Succubi, which are depicted in the Tarot cards can be equated with what the author Carlos Castaneda termed as being Allies, a Shaman would call his ‘spirit (Genie) wives,’ from whom he derives his Tantric power or should I say, his magical inspiration.

Castaneda was taught the art of sorcery by his tutor Don Juan Matus who informed Castaneda that the Allies are an inorganic feminine intelligence.

Don Juan Matus communicated: “An “Ally”, he said, is a power a man can bring into his life to help him, advise him, and give him the strength necessary to perform acts, whether big or small, right or wrong. This Ally is necessary to enhance a man’s life, guide his acts, and further his knowledge. In fact, an ally is the indispensable aid to knowing.”

“Don Juan said this with great conviction and force. He seemed to choose his words carefully. He repeated the following sentence four times: “An Ally will make you see and understand things about which no human being could possibly enlighten you.”

The Allies a Hindu or a Tantric Tibetan Buddhist would know as Dakinis, a Japanese Buddhist would equate with Kitsune. The Ally has many names across numerous cultures. Whereas a mad surrealist Artist would know the Allies as Art Muses, he conjures up amidst his Triangle Of Art imagination unto an ensuing lucid dream, wherein the Black Raven Tarot Art Muses (Allies) can be conjured.

“The man who arrives at the doors of Artistic creation with none of the ‘madness’ of the Muses would be convinced that technical ability alone was enough to make an Artist… what that man creates by means of reason will pale before the Art of inspired beings.” – Plato

If you are interested in the Black Raven Tarot grimoire and the Tarot deck, please Click Here. 

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LEGION WORLD KILLER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2019 by FAUSTUS CROW

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

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Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

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But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’

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The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour.

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The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

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But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

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The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

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The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

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But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

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She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

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The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

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His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

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The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

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A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

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A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

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Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

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Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

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The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

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The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

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Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

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Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

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While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

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SHAMAN SPIRIT DRUM LUCID DREAMING

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2017 by FAUSTUS CROW

Shaman Spirit Drum Siberian Trance by MARDUN

The Artwork depicts a Yakut Shaman, whose trance drum is symbolically seen to be the genie bottle abode of the his Spirit Wife, who visits him within his lucid dreams.

The Artwork is available as an Art print or a shirt design, etc; if you are interested, Check Out my Redbubble shop, Please Click Here.

The European classification of the Spirit Wife is usually based upon a medieval perception, which considers the Spirit Wife to be a demonic entity, called a Succubus.

Western psychology, during the Soviet era, once considered the Spirit Wife complex of Siberian shamanism and that of other shamanic cultures to be a mental aberration, or that of fantasy prone individuals indulging themselves in erotic delusions. However, the psychologist Carl Jung otherwise saw the Spirit Wife/Succubus as being an archetypal aspect of the ‘Anima.’

Jung saw the feminine archetype of the ‘Anima’ as being the personified intermediary with the psychic powerhouse of the subconscious, whose myriad female forms are encountered within ‘lucid’ dreams, from whom a Shaman derives his psychic abilities, an Artist is inspired by as his Art Muses.

The motif of the Spirit Wife is known to the Yoga practitioner as Shakti, whose numerous feminine aspects are called Dakinis, which is also very much part of Tibetan Buddhist dream Yoga practices as well as Siberian shamanism.

For example, the Goldi tribe of Siberia clearly distinguish between a female tutelary spirit, known as an Ayami, which in Western occult practice is of similarity to the (HGA) Holy Guardian Angel, (Jung would also see the HGA as being the ‘Anima,’) who chooses the shaman.

Whereas the helping spirits, (Jung would see as being the myriad aspects of the ‘Anima’) the Goldi call Syven, an occultist would call (Succubae/Succubi) Demons, which are subordinate to the Ayami. The Syven are granted to the Shaman by the Ayami herself. The Altaic name, Ayami means, ‘Silk Twisted In Beauty,’ as in a horse’s mane. The Siberian shaman in particular sees the drum as his Mare, who too is his Spirit Wife, whom he trance rides as an eight-legged female centaur into conscious dreaming.

 

According to the ethnologist and anthropologist, Leo Sternberg, the Goldi explain the relations between the Shaman and his Ayami by a complex sexual emotion. Below is an experience related by a Goldi shaman:

“Once I was asleep on my sick-bed, when a spirit approached me. It was a very beautiful woman. Her figure was very slight, she was no more than half an arshin (71 cm.) tall. Her face and attire were quite as those of one of our Gold women.

Her hair fell down to her shoulders in short black tresses. Other shamans say they have had the vision of a woman with one half of her face black, and the other half red. She said: ‘I am the “Ayami” of your ancestors, the Shamans. I taught them shamaning. Now I am going to teach you. The old shamans have died off, and there is no one to heal people. You are to become a shaman.’

Next she said: “I love you, I have no husband now, you will be my husband and I shall be a wife unto you. I shall give you assistant spirits. You are to heal with their aid, and I shall teach and help you myself. Food will come to us from the people.”

I felt dismayed and tried to resist. Then she said, “If you will not obey me, so much the worse for you. I shall kill you.”

She has been coming to me ever since, and I sleep with her as with my own wife, but we have no children. She lives quite by herself without any relatives in a hut, on a mountain, but she often changes her abode. . . . Sometimes she comes under the aspect of an old woman, and sometimes under that of a wolf, so she is terrible to look at.

Sometimes she comes as a winged tiger. I mount it and she takes me to show me different countries. I have seen mountains, where only old men and women live, and Villages, where you see nothing but young people, men and women: they look like Golds and speak Goldish, sometimes those people are turned into tigers.

Now my ‘Ayami’ does not come to me as frequently as before. Formerly, when teaching me, she used to come every night.’

She has given me three assistants-the ‘Jarga’ (the Panther), the ‘Doonto (the Bear) and the ‘Amba’ (the Tiger).

They come to me in my dreams, and appear whenever I summon them while shamanising. 

If one of them refuses to come, the ‘Ayami’ makes them obey, but, they say, there are some who do not obey even the ‘Ayami.’ When I am shamaning, the ‘Ayami’ and the assistant spirits are possessing me; whether big or small, they penetrate me, as smoke or vapour would.

When the ‘Ayami’ is within me, it is she who speaks through my mouth, and she does everything herself.

When I am eating the ‘Sukdu’ (the offerings) and drinking pig’s blood (the blood of pigs is drunk by shamans alone, lay people are forbidden to touch it), it is not I who eat and drink, it is my ‘Ayami’ alone.”

NOTE: The quoted material concerning the Ayami is derived from: Mircea Eliade, Shamanism, op. cit., PP. 72-3, quoting Leo Sternberg, ‘Divine Election in Primitive Religion’ (1924), PP. 476 ff. cf.. Shamanism, PP. 42l ff., for autobiographies of South-Indian Savara male shamans and female shamans, whose marriages to (Anima – Animus) spirits are in striking parallel to the documents collected by Sternberg.

If you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click the image link above.

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PIRATE GHOST GIRL OF THE SEVEN CHAKRA SEAS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2017 by FAUSTUS CROW

The Artwork depicts an alternate version of the Thirty-Second spirit, called Asmoday, who is listed in the medieval Playgirl grimoire of an ‘Animus’ fixation, entitled the Goetia, as well as other Hogwarts grimoires of Playgirl commonality. The Artwork is available as an Art print and a shirt design, etc, from my Redbubble Shop, if you are interested, Please Click Here.

I have otherwise depicted the spirit as an ‘Anima’ emanation, manifesting as a Succubus, to name, Asmodaya. She appears as a great Pirate Ghost Queen, who is a strong and a most powerful Pop-Surrealist Art Muse Witch. 

It is Creepypasta said of Discordian weaving that this lowbrow Genie of Pop-Surrealism had been prior released from her previous Solomonic gaol of an ‘Animus’ form when her brazen vessel had been discovered by the Connecticut Pirate named, Captain Kidd. He inadvertently opened up her phallic genie bottle when to have made a riotous grog landing upon the island of Coromos.

Kidd found Asmodaya to be very beautiful to behold of a freed ‘Anima’ fluctuation amidst his drunken Triangle Of Art Imagination, which to make the ‘Animus’ fixated Conquistadors and their Puritan ilk’s cannon balls to shrink within their closeted pantaloons.

She appeared to Kidd as a salacious spiced rum vision, who was holding onto a Jolly Roger flag depicting three Heads; whereof the first is like a Bull, the second a Skull and crossbones, and the third like a Ram.

Asmodaya to have informed Kidd within his purple wet dreams where treasures could be remote-viewed, while he plied the seven Chakra astral seas of carousing Nereid’s, under a menstrual blood Moon, in her Leviathan class Man-Of-War, which to give the visionary impression of a giant water spider.

(NOTE: The author Alan Moore, also had Surrealist vision of a ‘browsing’ spider, when to inadvertently access the collective unconscious focus upon the ‘Animus’ manifestation of Asmoday.

The collective unconscious of the masses can be programmed as well as nfluenced via symbolic stimuli, which is especially the case concerning religious symbolism.)

Many years later, by tortuous way of Freemason fortress Tortuga, Asmodaya’s genie bottle came into the possession of the Art pirate, Salvador Dali, to whom she Voodoo related, while he was practicing his Paranoic Critical-Method, that the Seventh Seal Treasure of the ‘Gebo’ Rune (X) ‘Crossbones,’ represents the Nigredo trance of a Surrealist Artist.

The Nigredo trance is experienced when the dreaming ‘Skull,’ of a Surrealist Artist experiences the little ‘phase’ death of a conscious ingress into her treasure chest womb dream, via her ever welcoming hypnagogic keyhole of an inner Yoni Stargate. Dali to trance howl, “AHA!… I sea, see, Three plus Two, plus Two is Seventh Secret Gebo X, marks the treasure clit spot!”

Some to say of hushed whispers that Asmodaya was the one time Muse of Aristotle, who left this world in 322 BC, and that she has now taken on fleshly form, who to have since been incarnated as the Artist, Molly Crabapple, whose Entartete Kunst Pirate ship of a Dr Sketchy’s Anti-Art School is firing broadsides at the thought police of the politically correct Art establishment.

Dr. Sketchy’s Anti-Art School (2010) from Silk Wasp Media on Vimeo.

Others to religiously disagree, who point out that Crabapple’s star-sign is Virgo, whereas Asmodaya’s sign is that of New-Age Hippie Aquarius, whose sixth-dimensional planetary sphere Chakra is Sol. 

But most creatives to say, “Hell, what do the rebellious Brethren Of The Coast to care. We are of the Skull And Crossbones Art Society; Art is fluid, just as Magic is, one and the same of shamanic practice, while religion is statically traditional of fossilised dogma. So, trance hoist our Jolly Roger, let rip with Entartete Kunst Art Anarchy against the NWO Censorship, and Hex sink the Politically Correct Fascist Thought Police wherever the Gestapo informers be!” 

Whatever the case of a rebellious Asmodaya becoming a Crabapple hedge Witch of Surrealist sorcery, in order to conjure the protesting Night-Mare Pirate Art Muse of the Anarchist Arts into a microcosmic lucid dream, it requires a prior macrocosmic key meditation upon her visualised seal of a lock, which of binding, is etched upon her clit ring of virtues. 

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If, however you far prefer religiously conjuring up the traditional ‘Animus’ archetypes out of the patriarchal Playgirl grimoires, you can otherwise imagine the Ghost Witch as being a Queen Bee High-Priestess, channelling her ‘Animus’ manifestation, manifesting as an Alpha-Male, Asmoday; for many a Witch has the biologically driven imperative hots for Illuminati Bad-Boy Incubus Asmoday, who is traditionally conjured up, to ‘Spirit Chain,’ bind him, as King Solomon once did, amidst their 322 Beehive womb lodges looking like the Pirates Of The Caribbean, Jack Sparrow.

Should a crafty Surrealist sorcerer be heterosexual of orientation, he can Chaos Magic utilise the Witches genetically hardwired infatuation, by internally assuming the ‘Animus’ guises of their Playgirl grimoires, such as temple builder Asmoday, for example, to thence assume of an Alpha-Male ‘Avatar’ within a microcosmic lucid dream, to then Act of Pirate Performance Art. This will then magnetically attract the Witch wenches unto him upon a macrocosmic synchronicity.

(NOTE: Those of other sexual orientations can also utilise said technique of ‘Love Magic’ by gender tweaking the symbolism as required. But, then again, there be the commonality of the Playgirl grimoires to conjure from, wherefore, not much tweaking is needed!)

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But the conjuring sorcerer had better get in ‘Fifty Shades Of Grey’ control of his Fallen ‘Anima’ first, which of an Asmoday counterpart is Asmodaya, who is a rebellious Shakti Art Pirate! As the ancient Hindu adage goes: “A God is not a God without his Shakti.”

Should he not be lucid dream aware of his inner ‘Anima,’ let alone being totally in control of her inner (Succubae/Succubi) archetypes,’ he will surely find himself being chained up as a crucified Beta-Male ‘Worker Bee,’ labouring to build temples for the Witches deified All-Father ‘Animus!’ Savvy!

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However there are NO historical examples of Playboy grimoires listing the archetypes of the ‘Anima’ to lucid dream conjure, until I created such a banned Necronomicon.

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The Artwork was used in my Art Book, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, along with Book One under my author’s name, Faustus Crow.

Should you be interested in the Art print, or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter.

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The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation as the Fallen.

Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental Fallen ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans.

Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the ‘Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt also bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being toxic-male… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!  

 

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image or here for further details.)

However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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