Archive for Shakti

FALLEN ANIMA

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 30, 2019 by FAUSTUS CROW

Falling down the Rabbit hole, a subway infernal, travelling the Tarot tunnels without moving

‘Hypnagogic’ of a trance jolt, awakening within a rebellious Faustian dream, dreaming lucid unto a new ‘Dawn Chorus’

Fallen Anima catching the Seer eye; her politically incorrect Succubus archetype, inspiring as a Chaos Magic Art Muse

She drops her Ankh bag knowingly, within which there be her banned Apple of self-knowledge, to fall along the dystopian 27th path of the Kabbalah, betwixt the lightning struck towers

Into her informational labyrinth to thence Buster Keaton go from Yesod 9 to Da’at 11, Maya Matrix style

Whereas others commonly ‘Traffic’ mind conjure up a Big-Brother Animus to deify of centralist politics

Who ‘Not-The-News’ worship their deified Animus as a God and Devil of an Orwellian Sauron eye, which watches all within the Spartan Military Industrial Complex of an Oily New-World-Order Eden

Hence, a certain ‘symbolic interface,’ manifesting within quantum computing dreams is considered as being revealingly dangerous. Wherefore, its symbolism has been banned as being a politically incorrect Lilith Apple!

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination to also third-eye dream of.

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The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

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This is especially the case concerning the three gender based monotheistic religions and their Oily political agendas. Jung did not want to end up being tarred and feathered by an outraged public, who, of a prior age would have burnt him at the stake. Although, it might have been the case that he had missed the simplicity of it all, who otherwise preferred the safety of turnstile complexity. 

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Carl Jung was not the first to have discovered the psychological/biological realities of the Animus and Anima, though he was the first to have scientifically described their archetypal influence upon the psyche. Many of the animist orientated shamanic cultures already explored the ‘balanced’ relationship interactions of the Animus and Anima within their myths, in which Animus/Gods and Anima/Goddesses of varying sexual orientations copulate all over the place. 

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When first getting into a relationship, the attraction to a potential partner is heavily influenced by the inner archetypes of the Animus and Anima. The subconscious influence of the Animus and Anima initiates the phenomenon of falling in love at first sight.

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It is unwise to unknowingly project the Animus or Anima upon a prospective partner, since another individual is unable to become what has been projected; this can lead to all sorts of relationship problems.

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A woman is intutively aware that the sexuality of a male is in the main visually excited by her erotic Muse presence, and that his imaginative capabilities of artistic visualisation have to be eventually ‘tamed, controlled’ and redirected towards her, due to the inner conjurations of his Anima within his psyche, which make his (Chakra/gland) ‘Unicorn’ Horn erect.

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Wherefore, the Anima within the male psyche is eventually transformed into a Virgin Mary. This is easy to achieve via subversive social-engineering by utilising the controlled mass-media machine, since most males are totally unaware of the existence of their Anima, whose Succubus Muse archetypes light up the tool making part of his Horned brain.

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Whence you have the Beauty and the Beast symbolism of a ‘Unicorn’ (Beast) laying his Horn in a (Beauty) maiden’s [Feminist] lap, who then rides him, wherever she desires to go, and all because he unknowingly projected his Anima upon her. It’s all hard-wired biology at the end of the day.   

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As for the bigger picture of a mass-mind projection, one has the monotheist fixation upon the male gender, which is a Fifty Shades Of Grey deification of the Animus as a God/Devil. When you have an overriding religious/political focus upon a particular gender, it invariably has an underlying sexual orientation; it’s biological; whence one has the symbolism of Babalon riding the Horned Beast. 

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The monotheistic fixation upon the deified Animus has castigated the Anima and her legions of Succubus (Goddess) archetypes into the politically incorrect pit as the Entartete Kunst Fallen, to verily censor and ban as being mere heterosexual ‘male-gaze’ porn; this collective herd-mind-control process continues. 

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Basically, the heterosexual male psyche in particular, can be manipulated, influenced and controlled by subversively manipulating the archetypes of the tortured Anima.

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I am not saying that Feminist politics is manipulating the male psyche. It is more of a case of certain intelligence agencies have hijacked Feminist politics, along with the New-Age movement since the end of the Vietnam war era by infiltrating the paper strewn universities.

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Both of these movements had first stemmed from the universities, which were at the forefront of the anti-war protests that brought down the puppet government of the Military Industrial Complex.

The intelligence agencies have since worked towards negating any further anti-war protests by weaponising minorities, without them realising what is going on.

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This has led to the negation of free-speech, censorship and the initiation of draconian totalitarian/fascist laws being implemented, along with dividing and conquering the masses.

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The masses then become drawn into subversively engineered PsyOp New-Age protests about gender issues of a ‘distraction,’ while numerous Oily wars are being waged around them, whether they be economic wars, utilising crippling sanctions or that of hot wars using the bombing facade of bringing democracy to Oil rich lands, which invariably leads to the mass migration of peoples.

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Some years ago, you had Band Aid, which was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in civil war torn Ethiopia, although most were unaware that the Ethiopian crisis was being caused by a civil war. At the time the Ethiopian dictator, Mengistu, was backed by the the now defunct Soviet Union. While the civil war raged and its associated Western proxy-wars with the Soviet Union caused mass famine, Band Aid raised public donations by releasing the song “Do They Know It’s Christmas?”

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There is presently a humanitarian crisis in Oily Yemen, which is far worse than what had occurred in Ethiopia. There is no protesting Band Aid equivalent for Yemen, which is probably due to the music industry being heavily controlled since the late 60’s. In other words, a musician who toes the corporate owned controlled-media line, will be fine, attaining fame and fortune for a time.

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If however, a musician rebels against the engineered mainstream, said musician will be promptly ignored. Any musician who becomes involved in protesting about Yemen will have to highlight the American support for dictator Ali Adullah Saleh, whose civil war has totally wrecked Yemen since 2014.

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Yemen’s neighbor is Oily Wahhabi Saudi Arabia, itself among the region’s cruelest dictatorships and a staunch U.S. ally, became nervous in 2015 about the outcome of the conflict, and with support from nine regional Oily allies, began subjecting the country to a punishing barrage of airstrikes, along with imposing a blockade, which ended the inflow of food and supplies to Yemen through a major port.

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This has led to the worst humanitarian crisis this century, leading to an ensuing mass migration of peoples… So, where’s anti-war protesting Band Aid? The sad truth is, Band Aid was being subversively utilised by war profiteers, profiteering from a a forever war and its mass-migrations, who considered Band Aid to be their financially lucrative Christmas present.  

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As for the PsyOp engineered Band-Aid protests over gender, whose protesters might consider the Animus and Anima to be anathema to their nigh Orwellian New-Speak, the Animus and Anima change over symbolic roles for those of different sexual orientations. 

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NOTE: Thom Yorke’s film, Anima, which is directed by Paul Thomas Anderson, is set to three songs: Not the News, Traffic, and Dawn Chorus, of a ‘threefold coercion of the dream.’ The ‘threefold coercion of the dream’ is associated with the Nigredo stage of hypnagogic trance ingress into the (Not the News) dream. Then one has the Albedo stage of becoming consciously aware within a (Traffic) dream. This then leads to the Rubedo stage of Hypnopompic egress out of the dream, when to (Dawn Chorus) awaken.

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The Nigredo, Albedo and Rubedo of alchemical colours, Black, White and Red, are also known in Hinduism as the three Gunas, which are the three colours of Shakti, the psychologist Carl Jung would otherwise call, Anima. The manifestation of the Anima in the film is played by Dajana Roncione who is Yorke’s (Shakti) girlfriend. 

MAKE LOVE, NOT WAR!      

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THREEFOLD COERCION OF THE DREAM BLACK RAVEN TAROT

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on April 16, 2019 by FAUSTUS CROW

The name of the Black Raven Tarot is derived from Dr. Johannes Faust’s grimoire, which is entitled the Threefold Coercion of Hell. Faust’s grimoire is also called the, ‘Cabalae nigrae, Magiae naturalis et innaturalis,’ which was first published in Passau during 1505.

The Cabalae nigrae, Magiae naturalis et innaturalis has been fused with the Goetia, which lists 72 spirits.

Faust’s grimoire is commonly known as The Black Raven, due to its title page, depicting a Raven inside of a circle holding a plant in its beak.

There are numerous other Faustian grimoires, which are purported to have been authored by Faust.

A later version of the Black Raven was published by Scheible, Stuttgart 1849. The classical Black Raven is renowned for its rich illustrations.

The Black Raven is usually considered to be a black-magic grimoire, whose contents cover the art of conjuring, coercing, binding and making obedient various spirits and demons, which of classical commonality are seen to be all male expressions of the Animus archetype.

The main motif of the Dr Johannes Faust’s book is the ‘Harrowing of Hell.’ The harrowing of Hell alludes to the descent of Christ into the underworld of Hell, which is re-enacted by the practitioner.

The descent is somewhat akin to Neo out of the Matrix films following the Eostre Easter bunny White Rabbit into Wonderland.

In White Rabbit Latin the harrowing of Hell is the, “Christi ad Inferos.”

The descent into the infernal realms originally referred to the trance experience of the Shaman, who harrowed the inner reality of the dream.

My version of the Black Raven is about the shamanic harrowing of the dream, which of a ‘threefold’ dream Yoga process is aligned with the ‘three,’ Nigredo, Albedo, and Rubedo states of inner Alchemy.

The Nigredo stage is equated with hypnagogic trance ingress into the dream. The Albedo is the inner (bio-photon) light of the dream, which specifically alludes to attaining a lucid dream. The Rubedo stage refers to hypnapompic egress out of the dream upon awakening.

As for the spirits, one can otherwise see them as dream characters, a practitioner will encounter within a lucid dream. The 72 spirits of the Goetia have been transformed into (Succubae) Succubi aspects of the Fallen Anima.

The 72 Succubi, which are depicted in the Tarot cards can be equated with what the author Carlos Castaneda termed as being Allies, a Shaman would call his ‘spirit (Genie) wives,’ from whom he derives his Tantric power or should I say, his magical inspiration.

Castaneda was taught the art of sorcery by his tutor Don Juan Matus who informed Castaneda that the Allies are an inorganic feminine intelligence.

Don Juan Matus communicated: “An “Ally”, he said, is a power a man can bring into his life to help him, advise him, and give him the strength necessary to perform acts, whether big or small, right or wrong. This Ally is necessary to enhance a man’s life, guide his acts, and further his knowledge. In fact, an ally is the indispensable aid to knowing.”

“Don Juan said this with great conviction and force. He seemed to choose his words carefully. He repeated the following sentence four times: “An Ally will make you see and understand things about which no human being could possibly enlighten you.”

The Allies a Hindu or a Tantric Tibetan Buddhist would know as Dakinis, a Japanese Buddhist would equate with Kitsune. The Ally has many names across numerous cultures. Whereas a mad surrealist Artist would know the Allies as Art Muses, he conjures up amidst his Triangle Of Art imagination unto an ensuing lucid dream, wherein the Black Raven Tarot Art Muses (Allies) can be conjured.

“The man who arrives at the doors of Artistic creation with none of the ‘madness’ of the Muses would be convinced that technical ability alone was enough to make an Artist… what that man creates by means of reason will pale before the Art of inspired beings.” – Plato

If you are interested in the Black Raven Tarot grimoire and the Tarot deck, please Click Here. 

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LEGION WORLD KILLER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2019 by FAUSTUS CROW

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

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Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

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But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’

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The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour.

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The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

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But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

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The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

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The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

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But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

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She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

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The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

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His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

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The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

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A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

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Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

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Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

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The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

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The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

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Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

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Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

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While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

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SHAMAN SPIRIT DRUM LUCID DREAMING

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2017 by FAUSTUS CROW

Shaman Spirit Drum Siberian Trance by MARDUN

The Artwork depicts a Yakut Shaman, whose trance drum is symbolically seen to be the genie bottle abode of the his Spirit Wife, who visits him within his lucid dreams.

The Artwork is available as an Art print or a shirt design, etc; if you are interested, Check Out my Redbubble shop, Please Click Here.

The European classification of the Spirit Wife is usually based upon a medieval perception, which considers the Spirit Wife to be a demonic entity, called a Succubus.

Western psychology, during the Soviet era, once considered the Spirit Wife complex of Siberian shamanism and that of other shamanic cultures to be a mental aberration, or that of fantasy prone individuals indulging themselves in erotic delusions. However, the psychologist Carl Jung otherwise saw the Spirit Wife/Succubus as being an archetypal aspect of the ‘Anima.’

Jung saw the feminine archetype of the ‘Anima’ as being the personified intermediary with the psychic powerhouse of the subconscious, whose myriad female forms are encountered within ‘lucid’ dreams, from whom a Shaman derives his psychic abilities, an Artist is inspired by as his Art Muses.

The motif of the Spirit Wife is known to the Yoga practitioner as Shakti, whose numerous feminine aspects are called Dakinis, which is also very much part of Tibetan Buddhist dream Yoga practices as well as Siberian shamanism.

For example, the Goldi tribe of Siberia clearly distinguish between a female tutelary spirit, known as an Ayami, which in Western occult practice is of similarity to the (HGA) Holy Guardian Angel, (Jung would also see the HGA as being the ‘Anima,’) who chooses the shaman.

Whereas the helping spirits, (Jung would see as being the myriad aspects of the ‘Anima’) the Goldi call Syven, an occultist would call (Succubae/Succubi) Demons, which are subordinate to the Ayami. The Syven are granted to the Shaman by the Ayami herself. The Altaic name, Ayami means, ‘Silk Twisted In Beauty,’ as in a horse’s mane. The Siberian shaman in particular sees the drum as his Mare, who too is his Spirit Wife, whom he trance rides as an eight-legged female centaur into conscious dreaming.

 

According to the ethnologist and anthropologist, Leo Sternberg, the Goldi explain the relations between the Shaman and his Ayami by a complex sexual emotion. Below is an experience related by a Goldi shaman:

“Once I was asleep on my sick-bed, when a spirit approached me. It was a very beautiful woman. Her figure was very slight, she was no more than half an arshin (71 cm.) tall. Her face and attire were quite as those of one of our Gold women.

Her hair fell down to her shoulders in short black tresses. Other shamans say they have had the vision of a woman with one half of her face black, and the other half red. She said: ‘I am the “Ayami” of your ancestors, the Shamans. I taught them shamaning. Now I am going to teach you. The old shamans have died off, and there is no one to heal people. You are to become a shaman.’

Next she said: “I love you, I have no husband now, you will be my husband and I shall be a wife unto you. I shall give you assistant spirits. You are to heal with their aid, and I shall teach and help you myself. Food will come to us from the people.”

I felt dismayed and tried to resist. Then she said, “If you will not obey me, so much the worse for you. I shall kill you.”

She has been coming to me ever since, and I sleep with her as with my own wife, but we have no children. She lives quite by herself without any relatives in a hut, on a mountain, but she often changes her abode. . . . Sometimes she comes under the aspect of an old woman, and sometimes under that of a wolf, so she is terrible to look at.

Sometimes she comes as a winged tiger. I mount it and she takes me to show me different countries. I have seen mountains, where only old men and women live, and Villages, where you see nothing but young people, men and women: they look like Golds and speak Goldish, sometimes those people are turned into tigers.

Now my ‘Ayami’ does not come to me as frequently as before. Formerly, when teaching me, she used to come every night.’

She has given me three assistants-the ‘Jarga’ (the Panther), the ‘Doonto (the Bear) and the ‘Amba’ (the Tiger).

They come to me in my dreams, and appear whenever I summon them while shamanising. 

If one of them refuses to come, the ‘Ayami’ makes them obey, but, they say, there are some who do not obey even the ‘Ayami.’ When I am shamaning, the ‘Ayami’ and the assistant spirits are possessing me; whether big or small, they penetrate me, as smoke or vapour would.

When the ‘Ayami’ is within me, it is she who speaks through my mouth, and she does everything herself.

When I am eating the ‘Sukdu’ (the offerings) and drinking pig’s blood (the blood of pigs is drunk by shamans alone, lay people are forbidden to touch it), it is not I who eat and drink, it is my ‘Ayami’ alone.”

NOTE: The quoted material concerning the Ayami is derived from: Mircea Eliade, Shamanism, op. cit., PP. 72-3, quoting Leo Sternberg, ‘Divine Election in Primitive Religion’ (1924), PP. 476 ff. cf.. Shamanism, PP. 42l ff., for autobiographies of South-Indian Savara male shamans and female shamans, whose marriages to (Anima – Animus) spirits are in striking parallel to the documents collected by Sternberg.

If you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click the image link above.

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PIRATE GHOST GIRL OF THE SEVEN CHAKRA SEAS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2017 by FAUSTUS CROW

The Artwork depicts an alternate version of the Thirty-Second spirit, called Asmoday, who is listed in the medieval Playgirl grimoire of an ‘Animus’ fixation, entitled the Goetia, as well as other Hogwarts grimoires of Playgirl commonality. The Artwork is available as an Art print and a shirt design, etc, from my Redbubble Shop, if you are interested, Please Click Here.

I have otherwise depicted the spirit as an ‘Anima’ emanation, manifesting as a Succubus, to name, Asmodaya. She appears as a great Pirate Ghost Queen, who is a strong and a most powerful Pop-Surrealist Art Muse Witch. 

It is Creepypasta said of Discordian weaving that this lowbrow Genie of Pop-Surrealism had been prior released from her previous Solomonic gaol of an ‘Animus’ form when her brazen vessel had been discovered by the Connecticut Pirate named, Captain Kidd. He inadvertently opened up her phallic genie bottle when to have made a riotous grog landing upon the island of Coromos.

Kidd found Asmodaya to be very beautiful to behold of a freed ‘Anima’ fluctuation amidst his drunken Triangle Of Art Imagination.

His rebellious Pirate conjuration caused the ‘Animus’ fixated Conquistadors and their Puritan ilk’s cannon balls to shrink within their closeted pantaloons.

She appeared to Kidd as a salacious spiced rum vision, who was holding onto a Jolly Roger flag depicting three Heads; whereof the first is like a Bull, the second a Skull and crossbones, and the third like a Ram.

Asmodaya to have informed Kidd within his purple wet dreams where treasures could be remote-viewed, while he plied the seven Chakra astral seas of carousing Nereid’s, under a menstrual blood Moon, in her Leviathan class Man-Of-War, which to give the visionary impression of a giant water spider.

(NOTE: The author Alan Moore, also had Surrealist vision of a ‘browsing’ spider, when to inadvertently access the collective unconscious focus upon the ‘Animus’ manifestation of Asmoday.

The collective unconscious of the masses can be programmed as well as nfluenced via symbolic stimuli, which is especially the case concerning religious symbolism.)

Many years later, by tortuous way of Freemason fortress Tortuga, Asmodaya’s genie bottle came into the possession of the Art pirate, Salvador Dali, to whom she Voodoo related, while he was practicing his Paranoic Critical-Method, that the Seventh Seal Treasure of the ‘Gebo’ Rune (X) ‘Crossbones,’ represents the Nigredo trance of a Surrealist Artist.

The Nigredo trance is experienced when the dreaming ‘Skull,’ of a Surrealist Artist experiences the little ‘phase’ death of a conscious ingress into her treasure chest womb dream, via her ever welcoming hypnagogic keyhole of an inner Yoni Stargate. Dali to trance howl, “AHA!… I sea, see, Three plus Two, plus Two is Seventh Secret Gebo X, marks the treasure clit spot!”

Some to say of hushed whispers that Asmodaya was the one time Muse of Aristotle, who left this world in 322 BC, and that she has now taken on fleshly form, who to have since been incarnated as the Artist, Molly Crabapple, whose Entartete Kunst Pirate ship of a Dr Sketchy’s Anti-Art School is firing broadsides at the thought police of the politically correct Art establishment.

Dr. Sketchy’s Anti-Art School (2010) from Silk Wasp Media on Vimeo.

Others to religiously disagree, who point out that Crabapple’s star-sign is Virgo, whereas Asmodaya’s sign is that of New-Age Hippie Aquarius, whose sixth-dimensional planetary sphere Chakra is Sol. 

But most creatives to say, “Hell, what do the rebellious Brethren Of The Coast to care. We are of the Skull And Crossbones Art Society; Art is fluid, just as Magic is, one and the same of shamanic practice, while religion is statically traditional of fossilised dogma. So, trance hoist our Jolly Roger, let rip with Entartete Kunst Art Anarchy against the NWO Censorship, and Hex sink the Politically Correct Fascist Thought Police wherever the Gestapo informers be!” 

Whatever the case of a rebellious Asmodaya becoming a Crabapple hedge Witch of Surrealist sorcery, in order to conjure the protesting Night-Mare Pirate Art Muse of the Anarchist Arts into a microcosmic lucid dream, it requires a prior macrocosmic key meditation upon her visualised seal of a lock, which of binding, is etched upon her clit ring of virtues. 

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If, however you far prefer religiously conjuring up the traditional ‘Animus’ archetypes out of the patriarchal Playgirl grimoires, you can otherwise imagine the Ghost Witch as being a Queen Bee High-Priestess, channelling her ‘Animus’ manifestation, manifesting as an Alpha-Male, Asmoday; for many a Witch has the biologically driven imperative hots for Illuminati Bad-Boy Incubus Asmoday, who is traditionally conjured up, to ‘Spirit Chain,’ bind him, as King Solomon once did, amidst their 322 Beehive womb lodges looking like the Pirates Of The Caribbean, Jack Sparrow.

Should a crafty Surrealist sorcerer be heterosexual of orientation, he can Chaos Magic utilise the Witches genetically hardwired infatuation, by internally assuming the ‘Animus’ guises of their Playgirl grimoires, such as temple builder Asmoday, for example, to thence assume of an Alpha-Male ‘Avatar’ within a microcosmic lucid dream, to then Act of Pirate Performance Art.

This will then magnetically attract the Witch wenches unto him upon a macrocosmic synchronicity.

(NOTE: Those of other sexual orientations can also utilise said technique of ‘Love Magic’ by gender tweaking the symbolism as required. But, then again, there be the commonality of the Playgirl grimoires to conjure from, wherefore, not much tweaking is needed!)

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But the conjuring sorcerer had better get in ‘Fifty Shades Of Grey’ control of his Fallen ‘Anima’ first, which of an Asmoday counterpart is Asmodaya, who is a rebellious Shakti Art Pirate! As the ancient Hindu adage goes: “A God is not a God without his Shakti.”

Should he not be lucid dream aware of his inner ‘Anima,’ let alone being totally in control of her inner (Succubae/Succubi) archetypes,’ he will surely find himself being chained up as a crucified Beta-Male ‘Worker Bee,’ labouring to build temples for the Witches deified All-Father ‘Animus!’ Savvy!

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However there are NO historical examples of Playboy grimoires listing the archetypes of the ‘Anima’ to lucid dream conjure, until I created such a banned Necronomicon.

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The Artwork was used in my Art Book, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, along with Book One under my author’s name, Faustus Crow.

Should you be interested in the Art print, or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter.

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The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of an ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation as the Fallen.

Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel (Succubi) Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental Fallen ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans.

Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream.

Whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the ‘Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a most shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’

Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her backside.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan.

In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn historical grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche. Whereupon said ‘Animus’ fixated grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt also bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the SJW Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being a toxic-male, and thence PC considered… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as an assumed character on stage.

Although the male ‘role-models’ are initially seen as being external of a prior analysis, they are then quickly assumed for those sought for qualities. they represent. These male ‘role-models,’ towards which a heterosexual male in particular, naturally gravitates are defined by the sexual preferences of women, which is determined by their ‘Animus.’

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as a visualised external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the deified ‘Animus’ backside of Mephistopheles. Savvy!  

 

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GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image or here for further details.)

However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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KUNDALINI SHAKTI MEPHISTOPHINA, GOING BEYOND MEPHISTOPHELES

Posted in Addams Family, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2015 by FAUSTUS CROW

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The name of Mephistopheles is a composite of the Greek word, Megistos, which means, Greatest, and the name of the Olympic spirit of Mercury called, Ophiel, who is mentioned in many Grimoire.

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Ophiel is otherwise named Ariel in William Shakespeare’s, play, The Tempest. The name of Ophiel is also a composite name, which comprises of the Greek for Serpent (Oph) and the Hebrew El, meaning lord, or deity.

The translation of which would then be: ‘Greatest Serpent Deity.’ You then have, Megistos-Ophiel, thence leading you to Mephist and Opheles, who as Mephistpheles is essentially an alternate version of the ancient Greek God, called Hermes, the Roman’s called Mercury, whose symbol was the serpentine Caduceaus, looking like a (trident) trisula. (Mercury’s colour association is Orange.)

This is more so the case concerning the Hermetic deity, called, Hermes Trismegistos, Thrice ‘Greatest’ Hermes, the early Christian’s had demonised, whose name probably developed into the composite of Mephistopheles.

This invariably led to the name of Mephistopheles being commonly interpreted from the Hebrew word, Mephitz, meaning ‘destroyer,’ and Tophel, ‘liar.’

The literal translation of the name would then be: ‘Destroyer Of Liars.’

This does not of course equate with the common Christian perception of Mephistopheles, who, as the, ‘Destroyer Of Liars,’ would be more like a Hindu deity, who is the ‘Destroyer of Maya/Illusion.

The destroyer of of Maya/Illusion you can otherwise equate with destroying a collective brainwash, which is based on lies.

Mephistopheles of German folklore leads you to the ancient Germanic tribes, who once worshipped the shamanic deity called Wotan, the Norse named as Odin, the Saxon’s knew as Woden, who the Roman’s had equated with Mercury.

Woden also has cultural links with ancient India; for his sacred colour is blue, as well as being singular of eye, who wields the trisula, called Gungnir; just like blue-nectar Shiva of the Hindu’s, who is the third-eye lord of Yoga, wielding the trisula, called Pashupatastra. Both of whom are the ‘Destroyers Of Worlds,’ being that of Maya/Illusions.

Although, one should actually say, that these deities communicate shamanic teachings of ‘Solve et Coagula,’ metaprogrmming, which destroy your limited illusions of reality. Woden’s name in particular was allocated to the third day of the week, which in German is Wodensdaeg, in English, Wodens-day, becoming Wednesday.

Should you then seek out a feminine version of Mephistopheles, to make modern of expression, to otherwise name as Mephistophina, the closest associative parallel would be Charles Addams artistic creation of Wednesday Addams, who has since become rather archetypal of a Goth icon.

Wednesday Addams has Mercurial traits considering her name, whose Goth girl character was depicted in the TV series: Lost Girl, called Kenzi, who is somewhat of a witty comedian and a fast talking Cat thief.

It just so happens that Mercury was classically associated with comedy and thieves.

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You might say that a female version of Mephisopheles is pushing the envelope of symbolic believability or to otherwise point out that, such investigations into the symbolism behind an archetype, which has influenced popular culture down through the ages, has no value.

Or to growl, that one should not upset the established symbolic apple cart of a collective fixation upon the deified Animus, made as a God/Devil.

However, when to refer back to translation of,’Greatest Serpent Deity,’ you can equate said serpent with the Kundalini Shakti, as described in the practice of Yoga.

The Kundalini Shakti is usually personified as a Goddess, who is also described as being a, ‘Fire Snake,’ which of an energy arises along your trisula spine of a Caduceaus, through the three levels of the unconscious, subconscious and conscious mind.

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The Kundalini Shakti is also associated with three trisula colours, known as the Gunas, being black, white and red, which in the practice of Alchemy equates with the Nigredo, Albedo and the Rubedo stages of the (Hermes Trismegistos) Great Work.

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The Nigredo is associated with hypnagogic trance ingress into the third-eye dream, wherein your emotion is implanted. This then leads to the Albedo of the bio-photon light, which illuminates your spun electron dreams of a fractal association, of thoughts, formulating into a corresponding dream scenario; said dream domain will be empowered by your initial emotional charge.

When to eventually awaken of rebirth, you then have the Rubedo of the Hypnapompic stage, where you feel that the dream experience has imprinted your nervous system; since the nervous system cannot tell the difference between a so called real experience, or that of a vividly imagined one; this is very much the case when you experience a (Great Work) lucid dream.

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When these three alchemical colours of the Gunas are seen in relation to the physical characteristics of a (Fallen Anima) Goddess, you then have her black hair, white skin and red lips, which would make her look like a Goth chick.

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The Kundalini Shakti is also known of in the practice of Alchemy, as the, Philosophers Stone, Quintessence, Anima-Mundi (World ‘Soul’/Tarot XXI) or the Mercurius, which is described as being an inner light.

This inner light of the bio-photon, emanates from amidst the mitochondrial (Double-Helix/Caduceaus/Serpentine) DNA, which is passed down from the mother to her children; hence, being feminine (Shakti) of source, whose light illuminates your dreams.

In other words, the ‘Great Serpent Deity,’ probably refers to the Kundalini Shakti, which of an inner experience is known of by other cultures, to term by other names; although, of commonality the serpent motif entwined with the feminine principle, unifies them all.

Wherefore, Mephistopheles was originally a female character, who as the Kundalini Shakti , to otherwise name as Mephistophina, she is conjured up by Faust, to thence Coitus Pactum arise along his (Gungnir/Pashupatastra) Caduceaus of a spinal column, who then illuminates his skull, like that of the orgasmic Big-Bang birth of the universe.

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Whereupon, Faust is more akin to a Yogi, a Western practitioner would equate with a Hermes Trismegistos, upon whose lap is seated his Succubus, Mephistophina.

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A Yogi would consider a Succubus as being an energetic fluctuation of his (World ‘Soul’) Shakti, to call a Dakini.

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Faust does not sell his (Shakti) Soul of Abrahamic fear porn, he otherwise enters into a ‘Coitus Pactum’ with her of a ‘Sacred Marriage,’ when to contact his (Shakti) Soul within a (Great Work) lucid dream.

The ancient Norse shaman would call the Soul the, Fylgja; should the practitioner be a heterosexual male, the Fylgja will manifest as a (‘Anima’ Mundi) woman; hence Faustus Crow has conjured up Mephistophina.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon.

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AVATAR LUCID DREAMS OF BLUE SKINNED GUSION OF PANDORA

Posted in Alien, Chaos Magic, Extraterrestrial, Film, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2014 by FAUSTUS CROW

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The eleventh Succubus archetype of the Fallen Anima is mantra named, Gusion, who is described as being blue skinned in the Goetia. The blue skin of Gusion has puzzled occultists down the ages. It is likely that Gusion’s skin colour refers to the throat Chakra, which the practitioners of Yoga coloured blue.

During 1583 the Dutch occultist and demonologist, Johann Wier, had created a further symbolic puzzle when he wrote that Gusion (spelled Gusoin and Gusoyn in Wier’s text) manifests, “in the forme of a Xenophilus.” Many an occultist have wrecked their heads over Johann Wier’s usage of Xenophilus, who have come up with numerous colourful theories as to its meaning, and while doing so, avoided the obvious, which they did not want to see.

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The word Xenophilus does not appear in the dictionary, which isn’t at all surprising due to Wier’s Early English text having its own unique way of spelling. Yet it is used in every grimoire description of this spirit since Wier had used the phrase, which is derived from the Greek language.

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The problem is that there are various Greek words, which have been utilised in order to pigeonhole the term Xenophilus into the established structure of the Animus fixated grimoires.

Some see the scientific term of Xenopus, being associated with Xenophilus, which is a name for a puffy, South African Frog, which has a variety of psychedelic skin colours.

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The reasoning for looking to the Xenopus, is because the grimoire description has subliminally influenced the visionary state of the conjuring sorcerer; whereupon Gusion is perceived, having a head, which looks something like that of a demonic Frog.

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This is further compounded by the term Xenomophoric, which means having an unusual form, being brought about by an internal pressure; hence puffed out. But you also have the word, Xenophobis, which means to have a strong dislike of foreigners. Those who have a predilection for conjuring up medieval archetypes will utilise these words as a composite to describe their classical demon.

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However Xenophilus actually comes from two Greek words: Xenos ‘strange’ and -Phile ‘love.’ Whereupon you have, ‘strange love,’ or strange lover’.

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Suffice to say, a traditionalist mage of a heterosexual orientation will find the term Xenophilus somewhat disturbing, who will greatly fear being upended by an Incubus archetype of the deified Animus, made as a God/Devil. Hence its true meaning has been overlooked, ignored and duly buried, and what is more, said entity has blue skin, which refers to a pre-Christian influence of a sacred colour.

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Another puzzling word describing Gusion is the term, Cynocephalus; the word refers to the mythical tribe, called the Cynocephali, of ancient Greek reports, who were considered to be a race of dog-headed peoples. Going by the ancient Greek descriptions, though colourful of mythic interpretation, they seem to be describing the Cynocephali as being the aboriginal inhabitants of India.

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Although far more ancient of the pre-Aryan, who appear to be a shamanic hunter, gathering culture. The deity of the Cynocephali was very likely the pre-Aryan blue skinned Siva, since the dog was sacred to Siva, whose spouse is Kali, who is also depicted as having blue skin.

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Should you be a rebellious sorcerer, Gusion can be otherwise conjured up as a Succubus archetype of the Fallen Anima, looking like Kali, who is a great Duchess. She answers all things, present, past and to come, expounding all questions. She reconciles friendship, and distributes honours and dignities, and rules over 40 legions of Succubae.

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As mentioned prior, the blue skin of Gusion leads to an interesting association with India and in turn Hinduism, whose principle deities are usually shown having blue or dusky skin. The colour of the skin is shown as either blue or sometimes black, which symbolises the infinite heavens of space, and in turn inner space. Hindu religion extensively utilises symbolism; wherefore the blue colour is also a symbol. Most ‘Avatars’ of Hindu deities are also shown having blue coloured skin. This doesn’t mean that blue blooded dog headed extraterrestrial aliens had a strange love affair with humanity in ancient times.

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Although, during an interview with Time magazine back in 2007, the film director and producer, James Cameron was asked about his science fiction film title: Avatar, to which he replied, “It’s an incarnation of one of the Hindu gods taking a flesh form. In this film what that means is that the human technology in the future is capable of injecting a human’s intelligence into a remotely located body, a biological body.”

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In Cameron’s film he featured blue skinned humanoids called, Na’vi who are indigenous to a lush habitable moon of a gas giant, situated in the Alpha Centauri star system, named Pandora. The look of the Na’vi was said to have been inspired by a dream that Cameron’s mother had, long before he started work on Avatar.

In her dream, she saw a blue-skinned woman 12 feet (4 m) tall, which he thought was, “kind of a cool image”.

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Cameron also said, “I just like blue. It’s a good colour … plus, there’s a connection to the Hindu deities, which I like conceptually.” Cameron had included similar humanoids in his first screenplay, written back in 1976 or 1977, which featured a planet with a native population of gorgeous tall blue aliens. The Na’vi of Avatar were based on them.

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The film is set in the mid-22nd century, when humans are mining a precious mineral called unobtanium (derived from: unobtainable-uim) on Pandora.

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The expansion of the mining colony threatens the continued existence of a local tribe of Na’vi whose spiritual focus is the great tree of souls, which is the shamanic epicentre of a vast living intelligence connecting all life-forms upon Pandora.

The film’s title refers to a genetically engineered Na’vi body with the mind of a remotely located human, which is utilised as a means to interact with the Na’vi.

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The utilisation of the tree of souls is very much a primary symbol of shamanic practice across the North Central Asian steppe unto Siberia. This is especially the case concerning the elder pre-Christian faith of Northern Europe, where you find the world tree of Yggdrassill, upon which the shamanic deity called Odin hung himself into trance, so that he could assume an Avatar, within whichever inner world of a lucid dream he desired to access.

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Cameron’s film is generally seen to be symbolically referring to the colonial imperialism of the West. However, many tend to forget that the blue skins of the Na’vi also refers to the pre-Christian culture of Europe, which had been decimated by Christian Rome; this led to the imperialist empire building in the first place.

The sacred colour of Odin, like Siva is blue; both of these shamanic deities had a singular eye; wherefore you could conjecture that Odin and Siva are one and the same third eye deity. The Saxon’s knew Odin as Woden; whereas the ancient Briton’s called him Myrddin, who derived a blue dye from Woad seeds to either dye their clothes, or to otherwise paint their skins with, so that they could emulate their deity, just as Hindu’s do, concerning Siva. The first archaeological finds of Woad seeds dates back to the Neolithic.

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Woad seeds have been found in the French cave of l’Audoste, Bouches-du-Rhône in France. Impressions of the seeds of Färberwaid (Isatis tinctoria L.) or German indigo, of the plant family (Brassicaceae), have also been discovered on pottery in the Iron Age settlement of the Heuneburg, Germany. The Hallstatt burials (Hochdorf Chieftain’s Grave) of Hochdorf an der Enz and Hohmichele contained textiles dyed with Färberwaid, Woad dye.

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It appears that Cameron is intuitively tapping into an ancient root of soul memory in his science fiction film Avatar, which can be otherwise interpreted in a shamanistic context. The principle character of the film called Jake has his consciousness technologically projected into a Na’vi construct, being his Avatar. Odin likewise does the same as a shaman, when to have accessed hypnagogic trance in order to leap into a construct of an Avatar within a lucid dream of a Yggdrassill world.

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The depth of trance ingress into a dream is determined by the reptilian brainstem, which of the throat (Da’at) area is associated with the colour blue in regards to a Chakra. The motif of Odin hanging upon the world tree, is not literal, it is a symbolic reference to the throat Chakra; whereupon Odin’s sacred colour is blue and likewise with Siva. Both of these deities are seen as dog headed guides into the realm of dreams, who have shamanic mastery over trance.

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The other principle character of the film is the love interest of Jake, who is a Na’vi female called Neytiri; she appears to have been inspired by Cameron’s mother, who had dream’t of a blue skinned woman. You could, if you feel so inclined, rebelliously equate the blue skinned woman with Gusion.

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Odin has a number of handmaidens called Valkyries, who are essentially Succubae, a Hindu would otherwise call Dakinis. The Dakinis are seen to be the energetic expressions of a female power called Shakti, a Norse shaman would call the Fylgja. Whereas a Saxon sorcerer knows the Fylgja as the Fetch Wife, or Necktie Woman, a ritual magician may recognise as being his (HGA) Holy Guardian Angel.

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Each Valkyrie is associated with an Avatar, which in the Old Norse language is called an ‘Ek.’ A conjured Valkyrie empowers a particular (Avatar) ‘Ek,’ since she is the energetic power of the dream, which surrounds the dream body of the dreamer. In Old Norse, the dream body is termed as the  Hamingja, which has shapeshift (Ek) capabilities.

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The dream is woven by a conjured Valkyrie into an experiential reality around the assumed ‘Ek’ of an Odinic practitioner, who as a howling sorcerer would have probably listed the Valkyries within a Runic code grimoire, hidden behind other forms.

This would have occurred since the Christian’s negated sexuality out of the spiritual equation, who castigated the feminine (Anima) principle into their Hell, along with burning Witches at the stake. Many of the followers of Animus fixated Judaism, Christianity and Islam still consider such Tantric dream practices to be mere pornography.

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You can then see Jake’s Avatar being empowered by blue skinned Neytiri who is his conjured Valkyrie, you can otherwise name Gusion. She is Jake’s strange Succubus lover who has woven the dream world of Pandora around him. But, when to open Pandora’s box, Jake regains the memory of the great tree of souls, whose ancient shamanic legacy has been cut down, and transformed into a cross, which he had inadvertently brought about. But in regaining his memory, he has won back his (Anima) Soul, which Woad skinned Gusion led him back to rediscovering, when he conjured her into his lucid dream, by assuming an ancestral Avatar.

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