Archive for the Vampire Category

CHAOS MAGIC COMIC ART: Faust Conjuring Mephistophina

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on January 31, 2020 by FAUSTUS CROW

The above Artwork is an example of some ‘enlarged panels’ from the Art I have done for a Chaos Magic comic, which depicts the Sorcerer, Faust, conjuring the Succubus, Mephistophina.

The Succubus Mephistophina is an aspect of the Fallen ‘Anima.’ Whereas Mephistopheles is an aspect of the deified ‘Animus,’ made as a God/Devil.

Hence, Mephistophina rebels against the three monotheistic constructs of the deified ‘Animus,’ from out of UR.

This leads to Faust falling down the rabbit hole, when he partakes of the banned Red Apple of an ‘Anima’ pill.

The Artwork was done in pen and ink on A4 Bristol Board, which has since been coloured.

If you are interested in seeing the Full Comic strip, Please Click Here.

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BABALON AND THE BEAST

Posted in Art, Chaos Magic, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 20, 2019 by FAUSTUS CROW

“Women don’t even like harmless men. They hate them! They like to claw them apart! What women want are dangerous men who are civilized, and they want to help civilize them. That’s Beauty (Babalon) and the (Animus) Beast.”

“I’ll tell you a funny story (and only engineers could have come up with this because they’re the only ones that have the unparalleled blindness to social convention that would allow them to discover it.”

“So the Google engineers (I like engineers by the way, because they’re very straightforward), the Google engineers wrote a book a while back called ‘A Billion Wicked Thoughts,’ which is a study of Internet searches, billions of them, literally.”

“They were looking at a lot of pornography use. There’s lots known about male pornography use and it’s easy to understand, I mean, males are pretty visually oriented and what attracts them to pornography is fairly straightforward.”

“You can tell that if you look at (Anima) graffiti in a men’s washroom…”

“y’know, it’s like, two circles and a triangle and the men are absolutely transfixed by it.”

“For (Babalon) women the story is more complex. They use pornography too, but it tends to be literary because women tend to like words more than they like visual stimuli.”

“So the Google guys tried to track down the archetypal structure (though they didn’t use those words) of female pornography use.

“How many of you know what a Harlequin romance is?”

“Okay good, so those are archetypal stories. That’s the taming of the wild (Unicorn/Beast) man, essentially, by the desirable and virginal (Babalon) woman.”

“If you think women don’t want that then you’d better bloody well come up with an explanation for Fifty Shades of Grey, which is the most rapid selling novel in human history, and it emerged at exactly the same time that all of this noise about the absence of gender roles is being produced en-masse.”

“It’s the perfect female fantasy. It’s exactly archetypically correct, it’s Beauty (Babalon) and the (Animus) Beast.”

“What the Google guys showed was the structure of Beauty (Babalon) and the (Animus) Beast (though they didn’t use that as a referent), that the female pornographic fantasy was: wild (Unicorn/Beast) guy, somewhat careless about the wants and desires of others, attractive to everyone (therefore high status), tamed by the magic of a single (Babalon) woman and brought into a relationship with her.”

“But here’s the comical part. This just made me laugh, man. What were the FIVE (Animus) categories of most desirable male entity used most broadly in female pornography? It’s so embarrassing.”

“Women you have to cover your (Babalon) heads while I say this: “Vampire, Werewolf, Billionaire, Surgeon, and Pirate.”

— Jordan Peterson at the  Ottawa Public Library, March 11 2017. (Transcript-Quoted)

The Five Elemental qualities of the Animus are symbolised by various associated archetypes. Many of these archetypes a Witch will conjure out of her Animus fixated Playgirl grimoires, whether they be classified as being Angelic or Demonic, who dance around her deified Animus made as a God/Devil.

AIR: Intellectual intelligence: SURGEON – Doctor – Healer – Guide – Teacher – Wise Man – Magician

WATER: Emotional Intelligence: PIRATE – Cowboy – Rancher – Rebel – Musician – Artist

EARTH: Physical Intelligence: WEREWOLF – Knight – Bodyguard – Sheriff – Warrior – Shaman

FIRE: Spiritual Intelligence: VAMPIRE – Prince (Prince of Darkness) Sorcerer

CENTRE: GOD/DEVIL/Father/Provider/Boss/BILLIONAIRE

 Great (ORION) Hunter (Fifty Shades Of [Christ-ian] Grey) King

NOTE: Some have pedantically argued that Jordan Peterson mentioned 5 Animus archetypes, which are not listed in the book, ‘A Billion Wicked Thoughts,’ apart from mentioning that women love paranormal romance books and highly popular films such as (Vampire-Necrophilia/Werewolf-Bestiality) Twilight.

(A Billion Wicked Thoughts lists 10 Cabbalistic sphere archetypes, which, by symbolic association, can be reduced down to 5!)

When you look at the popularity of male archetypes in the controlled mass-media, they are primarily made popular by the female audience, whether they be rebellious Cowboy’s during the late 40’s-50’s, detective Doctors/Surgeons during the 60’s-70’s or Vampires and Werewolves during the late 80’s-90’s, along with the Pirate motif unto a Fifty Shades Of Grey (GOD) Billionaire, while representations of the Anima are attacked as being Entartete Kunst sexist.

For example you now have the (Elric Of Melniboné) White Wolf (Werewolf) Shaman/Warrior appearing on the controlled mass-media scene as the Witcher, which has a Makhasheyfe-gaze on Henry Cavill’s Tuches!

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The various Animus archetypes are associated with five elemental qualities women find most attractive in males; whereupon the male audience gravitates towards those male-role models, women find attractive.

Hence, those who seek to socially engineer society for religious/political purposes via the controlled mass-media will systematically target the male role-models, which is more so the case concerning ‘visual’ representations of the Anima.  

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART IV

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on September 28, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 4, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part four of the Al Azif Necronomicon investigates from where Abdul Alhazred had derived his dark knowledge.

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Abdul Alhazred’s revelations about the origin of his occult practice is based upon connections between historical sources.

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As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART II

Posted in Alien, Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Science Fiction, Sex Magic, Shamanism, Succubus, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 28, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 2, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART I

Posted in Alien, archaeology, Art, Chaos Magic, Comics, Demonology, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

Lovecraft’s surrealist creation of the Al Azif Necronomicon transmuted the dualism of a religious fixation upon a war in Heaven and Hell into the realms of science fiction.

Ancient alien entities are in perpetual conflict with one another, whose shadowy existence has engendered bored humans to engage themselves in exotic cargo-cult religions.

Interestingly, you find the same transmutation of religious symbolism into the domains of science fiction when looking into the UFO mystique, where Angels and Demons have been transformed into Aliens, whether they be hovering around amidst the cosmos, or hiding away in underground bases.

Lovecraft described Al Ahazred’s book to be a very dangerous tome, because it revealed the archetypal theme of a cosmic war fought by deities as being, in actuality, a conflict between monstrously ancient alien races, who far predate humanity and even predating the formation of the solar system.

However, Lovecraft’s subject matter would not be too Earth shattering of a revelation to a cultist whom worships deities, who is then told that his/her deities are actually aliens, whose technology is indivisible from magic. The cultist would just shrug his/her shoulders and make the symbolic transition quite easily.

In other words, Lovecraft’s Al Azif Necronomicon wouldn’t be considered as being dangerous at all, nor would it be banned, since it validates the established religious orientation from a scientific perspective.

There are numerous historical examples of grimoires, which are in archetypal accord with the religious paradigm, even when they veer into what can be considered as being the arena of proto-science fiction, such as, for example, Dr John Dee’s Enochian system.

I am more concerned about what has actually been banned, and totally castigated out of the symbolic equation.

Also, I am not saying another order of alien intelligence does not exist, far from it, since what has been cut out of the equation is a particular expression of the ‘symbolic interface,’ which facilitates communication with other forms of intelligence via the informational realms of electron dreams.

Hence, a certain form of the ‘symbolic interface’ is considered as being dangerous. Wherefore, it has been banned!

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CHAOS MAGIC COMIC ART 3: Austin Osman Spare

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on May 15, 2019 by FAUSTUS CROW

The above Artwork is an example of some of the Art I have done for a Chaos Magic comic, which depicts the Sorcerer Artist, Austin Osman Spare.

The Artwork was done in pen and ink on A4 Bristol Board. If you are interested in seeing the Full Comic strip, Please Click Here.

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CHAOS MAGIC COMIC: TO THE SORCERER CROW A TULPA DAUGHTER

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2019 by FAUSTUS CROW

The above is part of an Chaos Magic comic, which is a pop-surrealist ‘experimental prelude’ to the traditionally hand-drawn comic Artwork.

The full experimental comic, which is Free, can be seen on Patreon. Please CLICK HERE.

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CHAOS MAGIC COMIC ART 2: Austin Osman Spare

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on May 11, 2019 by FAUSTUS CROW

The above Artwork is an example of some of the Art I have done for a Chaos Magic comic, which depicts the Sorcerer Artist, Austin Osman Spare.

The Artwork was done in pen and ink on A4 Bristol Board. If you are interested in seeing the Full Comic strip, Please Click Here.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

CHAOS MAGIC COMIC ART 1: Faust Conjuring Mephistophina

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 7, 2019 by FAUSTUS CROW

The above Artwork is an example of some of the Art I have done for a Chaos Magic comic, which depicts the Sorcerer, Faust, conjuring the Succubus, Mephistophina.

The Artwork was done in pen and ink on A4 Bristol Board. If you are interested in seeing the Full Comic strip, Please Click Here.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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