Archive for remote viewing

PIRATE GHOST GIRL OF THE SEVEN CHAKRA SEAS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2017 by FAUSTUS CROW

The Artwork depicts an alternate version of the Thirty-Second spirit, called Asmoday, who is listed in the medieval Playgirl grimoire of an ‘Animus’ fixation, entitled the Goetia, as well as other Hogwarts grimoires of Playgirl commonality. The Artwork is available as an Art print and a shirt design, etc, from my Redbubble Shop, if you are interested, Please Click Here.

I have otherwise depicted the spirit as an ‘Anima’ emanation, manifesting as a Succubus, to name, Asmodaya. She appears as a great Pirate Ghost Queen, who is a strong and a most powerful Pop-Surrealist Art Muse Witch. 

It is Creepypasta said of Discordian weaving that this lowbrow Genie of Pop-Surrealism had been prior released from her previous Solomonic gaol of an ‘Animus’ form when her brazen vessel had been discovered by the Connecticut Pirate named, Captain Kidd. He inadvertently opened up her phallic genie bottle when to have made a riotous grog landing upon the island of Coromos.

Kidd found Asmodaya to be very beautiful to behold of a freed ‘Anima’ fluctuation amidst his drunken Triangle Of Art Imagination, which to make the ‘Animus’ fixated Conquistadors and their Puritan ilk’s cannon balls to shrink within their closeted pantaloons.

She appeared to Kidd as a salacious spiced rum vision, who was holding onto a Jolly Roger flag depicting three Heads; whereof the first is like a Bull, the second a Skull and crossbones, and the third like a Ram.

Asmodaya to have informed Kidd within his purple wet dreams where treasures could be remote-viewed, while he plied the seven Chakra astral seas of carousing Nereid’s, under a menstrual blood Moon, in her Leviathan class Man-Of-War, which to give the visionary impression of a giant water spider.

(NOTE: The author Alan Moore, also had Surrealist vision of a ‘browsing’ spider.)

Many years later, by tortuous way of Freemason fortress Tortuga, Asmodaya’s genie bottle came into the possession of the Art pirate, Salvador Dali, to whom she Voodoo related, while he was practicing his Paranoic Critical-Method, that the Seventh Seal Treasure of the ‘Gebo’ Rune (X) ‘Crossbones,’ represents the Nigredo trance of a Surrealist Artist, when the dreaming ‘Skull,’ experiences the little death of a conscious ingress into her treasure chest womb dream, via her ever welcoming hypnagogic keyhole of an inner Yoni Stargate. Dali to trance howl, “AHA!… I sea, see, Three plus Two, plus Two is Seventh Secret Gebo X, marks the treasure clit spot!”

Some to say of hushed whispers that Asmodaya was the one time Muse of Aristotle, who left this world in 322 BC, and that she has now taken on fleshly form, who to have since been incarnated as the Artist, Molly Crabapple, whose Entartete Kunst Pirate ship of a Dr Sketchy’s Anti-Art School is firing broadsides at the thought police of the politically correct Art establishment.

Dr. Sketchy’s Anti-Art School (2010) from Silk Wasp Media on Vimeo.

Others to religiously disagree, who point out that Crabapple’s star-sign is Virgo, whereas Asmodaya’s sign is that of New-Age Hippie Aquarius, whose sixth-dimensional planetary sphere Chakra is Sol. 

But most creatives to say, “Hell, what do the rebellious Brethren Of The Coast to care. We are of the Skull And Crossbones Art Society; Art is fluid, just as Magic is, one and the same of shamanic practice, while religion is statically traditional of fossilised dogma. So, trance hoist our Jolly Roger, let rip with Entartete Kunst Art Anarchy against the NWO Censorship, and Hex sink the Politically Correct Fascist Thought Police wherever the Gestapo informers be!” 

Whatever the case of a rebellious Asmodaya becoming a Crabapple hedge Witch of Surrealist sorcery, in order to conjure the protesting Night-Mare Pirate Art Muse of the Anarchist Arts into a microcosmic lucid dream, it requires a prior macrocosmic key meditation upon her visualised seal of a lock, which of binding, is etched upon her clit ring of virtues. 

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If, however you far prefer religiously conjuring up the traditional ‘Animus’ archetypes out of the patriarchal Playgirl grimoires, you can otherwise imagine the Ghost Witch as being a channelling Queen Bee High-Priestess of her ‘Animus’ manifestation, manifesting as an Alpha-Male, Asmoday; for many a Witch has the biologically driven imperative hots for Illuminati Bad-Boy Incubus Asmoday, who is traditionally conjured up, to ‘Spirit Chain,’ bind him, as King Solomon did, amidst their 322 Beehive womb lodges looking like the Pirates Of The Caribbean, Jack Sparrow.

Should a crafty Surrealist sorcerer be heterosexual of orientation, he can Chaos Magic utilise the Witches genetically hardwired infatuation, by internally assuming the ‘Animus’ guises of their Playgirl grimoires, such as temple builder Asmoday, for example, to thence assume of an Alpha-Male ‘Avatar’ within a microcosmic lucid dream, to then Act of Pirate Performance Art, which will magnetically attract the Witch wenches unto him upon a macrocosmic synchronicity.

(NOTE: Those of other sexual orientations can also utilise said technique of ‘Love Magic’ by gender tweaking the symbolism as required. But, then again, there be the commonality of the Playgirl grimoires to conjure from, wherefore, not much tweaking is needed!)

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But the conjuring sorcerer had better get in ‘Fifty Shades Of Grey’ control of his ‘Anima’ first, which of an Asmoday counterpart is Asmodaya, who is a rebellious Shakti Art Pirate! As the ancient Hindu adage goes: “A God is not a God without his Shakti.” Should he not be lucid dream aware of his inner ‘Anima,’ let alone totally in control of her inner (Succubae/Succubi) archetypes,’ he will surely find himself being chained up as a crucified Beta-Male ‘Worker Bee,’ labouring to build temples for the Witches deified All-Father ‘Animus!’ Savvy!

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However there are NO historical examples of Playboy grimoires listing the archetypes of the ‘Anima’ to lucid dream conjure, until I created such a banned Necronomicon.

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The Artwork was used in my Art Book, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, along with Book One under my author’s name, Faustus Crow.

Should you be interested in the Art print, or shirt design, etc, Check Out my Redbubble Shop, Please Click the image link above.

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STEAMPUNK TIME MACHINE

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 11, 2017 by FAUSTUS CROW

The Artwork is available as an Art print and a shirt design, which concerns Time Travelling within a lucid dream, such is indeed possible, since much of the reported precognitive and retrocognitive phenomena occurs when attaining hypnagogic trance ingress into a lucid dream. (If you are interested, I have written an account of a personal experience about riding the Night-Mare. Click Here.)

In ancient shamanic cultures, such as those of North Central Asia unto Siberia, the state of hypnagogic trance was symbolised as a Mare. Hence you have the European term ‘Nightmare,’ which was associated with the shamanic spirit wife complex, or otherwise known as a, Succubus, whose hypnagogic state visitations initially induce what is called the Old Hag Syndrome, also known as the Bedroom Invader Experience, the ancient Greek’s termed as the Sphinx. (I have written a personal account of the Sphinx experience. Click Here.)

As for the Artwork, it depicts a Steampunk poster from an ‘Alternative Locale III Earth,’ during the Great Exhibition of 1851, where the Sorcerer Artist, Faustus Crow has presented his Necronomicon Time Machine of a psychic installation.

“When the author H.G. Wells to have conjured The Fifty-fifth spirit called Orobas from out of Crow’s Necronomicon, Orobas manifested amidst his Triangle Of Art Imagination as a Night-Mare.

“She to have then descended upon Well’s sleep paralysis afflicted corporeal frame as a strangling ‘Sphinx’ as he inadvertently accessed hypnagogic trance.” 

“But after Well’s had attained a lucid dream, Orobas then manifested as a Pony Girl Art Muse, he to have ridden as his Witch ‘Mare’ of the ‘Night’ Time Machine, who enabled Well’s to remote-view browse the Zodiac Ages of the vibrating Ouroboros.”

When practicing Surrealist dreaming, the dreaming Artist will also have to make it a H.G. Wells habit of noting down his/her TARDIS dream adventures in a personal Necronomicon; for the Zodiac Ages have dead names to Howl out, of barbarous Mantra.

Wherefore the dreamer attains the Secret of the Sphinx, whose symbolism the ancient Egyptian’s and Greek’s associated with remote-viewing the Ouroboros of time within lucid dreams, H.G Wells later alluded to with his Time Machine.

The Artwork was used in my Art book Grimoire, entitled, ‘Goetia Girls: Book Two,’ which is available from Createspace and Amazon, under my author’s name, Faustus Crow.

If you are interested in an Art print, or the shirt design, etc, check out my Redbubble Shop, Please Click the link above

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PONYGIRL TRANCE WITCH

Posted in Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 15, 2015 by FAUSTUS CROW

The Seventieth Succubus of the Goetia is called Seere, Sear, or Seir. As of per usual the classical Goetia describes this spirit to be male, who is described as riding a winged horse like the ancient Greek, Pegasus.

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However, the name of Seere is very likely derived from the Old Norse term, Seiðr, which is sometimes anglicized as Seidhr, Seidh, Seidr, Seithr, Seith, or Seid, describing a type of sorcery that was practiced in Norse society during the Late Scandinavian Iron Age of ‘singular eyed’ seer far-sight.

A number of scholars have debated what exactly Seiðr is; some have argued that it was shamanic of practice, since its ecstatic practitioners engaged in visionary journeys into other worlds throughout space and time, which of modern terminology would be termed as remote viewing.

Seiðr was primarily practiced by women, and like Succubae Witch wives, the Norse called Valkyries, they rode their (broomstick) spirit horses into trance.

Seiðr was also practiced by the shamanic deity, named, Odin, whose Succubae Witch handmaidens were the Valkyries, ringed around the Zodiac Ages of the thirty-six decans. Odin was simultaneously responsible for war, poetry and sorcery. But it was the Goddess of Witchcraft, who was also the mistress of the Valkyries, called Freyja, who originally taught the practice of Seiðr to Odin.

If the name of Seere is indeed derived from the term of Seiðr, the symbolism of the winged horse may offer further insight into the matter, should it be a veiled symbolic reference to the practice; since the Goetia dates from the witch burning era, when much of the pre-Christian elder lore was lost.

The symbolism of the winged horse is very much a creature of shamanic lore, which is especially the case in North Central Asia, across the steppe unto Siberia, where you find Mongolian shamans speaking of a personal psychic power, called Hii (wind), or Hiimori, which means Windhorse. The Windhorse in Norse mythology would be represented as an eight-legged-mare, called, Sleipnir, which is ridden by Odin. The name of Sleipnir means, ‘gliding one.’

The Hiimori is seen to be housed within the chest area of the heart; its power is basically the ability to induce hypnagogic (gliding) trance, which will vary in its power according to how you use it, such as for remote viewing, for example; hence you also have the word, Seer, the name of Seere, and their root of Seiðr.

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The practice of Seiðr is also associated with sex magic; however, the scholars are not too sure what form it took. What they do know, is that it was mainly practiced by women in Norse society. This can be easily sorted, when to look into other shamanic cultures, where you will duly find many a female shaman allowing themselves to be sexually possessed by male spirits, who were considered to be their spouses, which enabled the female shaman to negate the terror of trance ingress; in other words, her fear was otherwise transmuted into ecstatic union with the divine.

This practice can also be found in Mesopotamia, where the Prophetesses of the Middle Eastern temples became as (Shekinah) vessels for their ‘Animus’ God, just as the ancient Greek Priestesses of Delphi were possessed by the Sun God Apollo, who in Norse society would be equated with Odin.

You could even go as to far to say that the 1634 possessions of the Nuns of Loudun, and that of other Nuns was an inadvertent expression of this possession by their crucified God of the Solar Cross, amidst the twelve machismo apostles, who govern over the’Animus’ ages of the Nuns Zodiac.

There are hardly any cases of Monks being ecstatically possessed, unless they were otherwise sexually orientated. But then, the Nuns, if they be heterosexually inclined, have their Abrahamic all male ‘Animus’ focus of a patriarchal Father, Son and Holy Ghost to impregnate them, to thence birth a Beastly Moon Childe to later crucify of Solar sacrifice.

One thing for sure, many a Witch was wise in this practice, who dallied with spirits conjured out of a Grimoire; wherefore explaining why the Fantasia entities listed in the Playgirl Grimoires are all Sorcerer Apprentice male of an ‘Animus’ fixation.

This isn’t to say male practitioners did not practice Seiðr; the difference being, a heterosexual male practitioner was not possessed by a female spirit; for being a man, he otherwise entered her, to thence ride as his ‘Anima.’ Whereupon, of a symbolic depiction, you have pre-Christian rock carvings of male figures sporting erections, mounting mares.

This was not literal, since, it is obviously bloody dangerous, let alone nigh impossible. The symbolism refers to a male practitioner interacting with a female spirit, symbolised as a mare, who represents the power of trance; wherefore you have Odin riding the (eight compass points) eight-legged-mare, Sleipnir.

Seere, would indeed be symbolised as a (Animus) male entity for a heterosexual female practitioner of Seiðr, who is ridden into ecstasy; whereas for a heterosexual male practitioner Seere is (Anima) female, who he rides into trance. If the practitioners are otherwise sexually orientated, then the internal dynamic changes in accordance with their preference. But what is interesting, is that there are no historical examples of any Playboy Grimoires listing only female spirits.

Should you reverse the classical all male Playgirl pantheon of the Goetia, then Seere is a Mighty Princess, and powerful, under AMAYAMONA, Queen of the far Eastern steppe of the shamans.

She appears in the form of a beautiful woman, riding upon a winged horse like Pegasus, or to otherwise appear as winged Centauress. Her office is to go and come; and to bring abundance of things to pass on a sudden, and to carry or re-carry anything whither you would have it to go, or whence you would have it from. She can pass over the whole Earth in the twinkling of a singular seer eye.

Wherefore, she gives a true remote viewing relation of all sorts of theft, and of treasure hid, and of many other things. She is of an indifferent good nature, and is willing to do anything which her master desires of her. She governs over twenty-six Legions of Succubae. And Seere’s Valkyrie Seal is to be meditated upon, before conjuring her within a lucid dream of Seiðr practice.

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LARA CROFT TIME TRAVEL DINOSAUR GIRL

Posted in Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Dinosaur, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2015 by FAUSTUS CROW

The twenty-seven year old professor in palaeontology, whose name is Ronovea, became rather notorious when she was featured in the Playboy Grimoire entitled the Goetia. Ronovea decided to become a whistleblower, who revealed that the British Natural History museum has a Stargate in its infernal basement.

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Her revelations did not go down at all well with the shadowy curators of the museum, whose secretive agenda is to influence the past so that they can control the present, whereby owning the future.

The shadowy curator’s were further aggravated, since Ronovea allowed some photographs of her self to be published, which depicted her raunchily riding a raptor, during one of her time-travelling escapades back into the prehistoric past.

Ronovea is often equated with the iconic video game character, Lara Croft by many a male paleontologist, whose erotic ‘Anima’ manifestation inspires their scientific endeavours; for she knows of their deepest reptilian brain-stem desires.

For example, John R. ‘Jack’ Horner, born June 15, 1946, has a signed art print of Ronovea riding Godzilla, which he has placed above his altar of fossils in his office.

Horner is an American paleontologist who discovered the first clear evidence that some dinosaurs cared for their young. Horner is one of the best-known paleontologists in the United States.

In addition to his many paleontological discoveries, Horner has served as the technical advisor for all of the Jurassic Park films, and even served as partial inspiration for one of the lead characters, Dr. Alan Grant. Horner had studied at the University of Montana and was awarded an Doctorate in Science honoris causa.

Horner related, “Ronovea is like a Goddess to me, she is my inspiring muse of the Great Old Ones. Like the Hindu, Shakti, her sacred colours are that of red and white, along with black, which too equates with blue, like the colours of the Union Jack, which incorporates the X Rune crossbones of trance and that of the solar cross of consciousness. She is an aristocrat, who is a Marchioness, although my fellow Masons call her the Countess.”  

“What! You’re a Freemason?” The interviewer enquired; Horner deftly sidestepped the inquisitive question as he poured himself a glass of Jack Daniels, who then said, “she doesn’t like the title, Countess; though she takes it all in good humour. Ronovea is more than just a time-travelling palaeontologist, she is also a Witch, who has taught me how to time-travel within my lucid dreams into the far distant past of prehistory, via which I can contact my reptilian ancestors.”

The interviewer observed Horner putting a fossilised insect, incarcerated within a small piece of amber into his glass; “that is how I make so many amazing discoveries in my field; but then we are all imprisoned within amber time. The ability of lucid dreaming is where you awaken the ‘sixth’ sense. The dinosaurs weren’t wiped out, they live on, within us all. Ronovea pointed out to me that a remnant of our dinosaur kin, is our reptilian brain-stems, which is very much involved in language; for much of the neural processes concerning our use of language is subconsciously automatic, over which your reptilian brain-stem has governance.”

Horner eventually answered the interviewers initial question after gulping down his drink, without swallowing the amber; “yes, I am a Mason of the X Rune raptor crossbones. We are taught that whenever a word is spoken or read, it instantaneously ‘conjures’ up an associative ‘web’ of corresponding symbols within your subconscious mind, of which you have been taught to associate with the sound of a word. Wherefore, when to speak, read or write, you are conjuring up spirits, which are all as ‘nailed down’ symbols, to make manifest, amidst your Triangle Of Art Imagination, without even realising it.”

Horner continued. “Hence we are all practicing Ritual Magic everyday; more so at night, when to conjure up associative symbols within our dreams of Sorcery. Although, my poster of Ronovea, is just a two-dimensional image at a conscious level; she can become as a subconscious interactive three-dimensional reality, within my virtual reality lucid dreams, as an inspiring Succubus. That is why I play Tomb Raider, of a symbolic meditation tool, concerning Ronovea, which greatly facilitates my lucid dream conjurations of her.”

Horner further related. “You may find it all rather odd, but the utilisation of iconic symbolism, is very much what the science of neuro-advertising is geared towards understanding.”

Horner then said, “Ronovea is at war with the those who misuse neuro-advertising, whose intention is to subversively influence your reptilian brain-stem for political ends; it’s basically mind control. This is achieved via the manipulation of an established symbolic language form, which is invariably religious of nature.”

“Can you also tell our audience about what Ronovea revealed about a Stargate,” the interviewer asked. Horner was silent for a moment, before answering,the Stargate, exists within you; it is the ability to travel through time, within your lucid dreams, of an inner museum, which intersects all periods of time and that of other worlds.”

“So, the Stargate is not a hard-technology; it otherwise symbolises a psychic ability.” The interviewer to question, which made Horner slyly smile. Horner answered; “it is both. If you have an ability, which science will one day understand, to thereby translate into a hard technology; then you also have a physical Stargate.”

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PROJECT STARGATE VAGINA

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Demon, Demonology, Discordianism, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2015 by FAUSTUS CROW

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During 1970, United States intelligence operatives became aware that the Soviet Union was spending 60 million roubles annually on psychotronic research, whose parapsychologists had discovered the original book upon which H.P. Lovecraft’s Necronomicon was based, being the medieval grimoire, entitled the Goetia.

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At first, the US intelligence operatives believed that the Russian’s had totally lost the plot, until they realised what the very sneaky Soviets were up to. The Soviet parapsychologists had devised a psychotronic means to subvert the religious indoctrination of the masses, by reversing the patriarchal Animus focus of the numerous Playgirl grimoires, such as the Goetia. This invariably leads to the eventual undermining of the religious foundation upon which these grimoires are based.

The Soviets saw the Goetia as a psychotronic device, via which they could negate the media machine influence of the patriarchal Bible thumping American’s. This involved conjuring up the spirits of the Goetia as female entities called Succubae; whereby the Goetia would then be transformed into a Playboy grimoire. This was taken much further, since the Soviets had discovered that the Succubae are the energetic fluctuations of the Anima, called the Great Old Ones.

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The Soviet research into the Goetia was triggered off when their parapsychologists noticed that the Zodiac association of the spirits listed in the Goetia correlated with hot spots around the Earth. During the 1960’s, the historian, Nikolai Goncharov, construction engineer, Vyacheslav Morozov and the electronics specialist, Valery Makarov had the idea of re-examining the globe of the Earth to see if any pattern should emerge, which linked significant places in history. The belief that the Earth has a basic harmonic symmetry of an interlaced weave of a web linking places of power is very ancient.

In Plato’s Phaedo it is related that Socrates once told his pupil Simmias: “My dear boy, the real Earth viewed from ‘above’ is supposed to look like one of those balls made out of ‘twelve’ pieces of leather sewn together.” Socrates was describing a dodecahedron; the twelve pentagonal faces of the dodecahedron were anciently associated with the Zodiac, whose stars are pentagrams.

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Some 2000yrs later the Soviet findings indicated that such a pattern did indeed exist. After several years of research in Moscow, the three researchers published their findings in 1973 within the, the popular science journal Khimiya i Zhien of the USSR Academy of sciences, entitled: Is the Earth a large crystal?

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The Soviets started to suspect that the dodecahedron indicated that our experiential reality is a hologram, the ancient Hindu mystics termed as being Maya. They then sought to find an internal structure, which was generating our holographic reality, so that they could find a way of psychotronically influencing it, and eventually controlling the collective mind.

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The Soviet parapsychologists were aware that a cube and a tetrahedron can be placed within a dodecahedron; both of whose vertices match up with all the vertices of the dodecahedron. But it was not until 2003 that Swedish scientists from Uppsala University vindicated the suspicions of the Russian parapsychologists concerning a cubic structure at the centre of the Earth, the ancient Egyptian’s considered to be the throne of Isis, the Hebrew’s called the Merkabah.

The Swedish scientists published their findings in Nature and Science that the Earth’s core assumes a body centred cubic crystal structure at high temperatures, a structure, which despite its high degree of symmetry evinces a surprisingly high level of elastic anisotropy. The Soviets had previously suspected that the Hellraiser cube is some form of computer, which can be programmed by a dreamer, who can conjure up its Succubae programs from within the microcosmic symbolic interface of his virtual reality dreams, via which he can then influence macrocosmic Maya.

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The Soviet program had produced a number of psychotronic results by reversing the symbolism of the Goetia, which enabled the Soviets to release the Succubae Great Old Ones from their symbolic bondage at key points around the dodecahedron structure of the Earth’s hologram. In response to these claims, the CIA initiated secret funding, for a new program, its codename was, SCANSUC (Scan by Succubus) in 1970.

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The conjuration of Succubae for remote viewing research began in earnest during 1972 at the Stanford Research Institute (SRI) in Menlo Park, California. Proponents of the research said that a minimum accuracy rate of 65% required by the clients was consistently exceeded in the later experiments. The experiments involved the introversion of the sexual impulse for the empowerment of lucid dream conjurations of the Succubae, via whose vaginal portals, the dreamers could then remote view throughout space and time. Because of the sexual element, the research had to be kept very secret from the general public, who would construe it as being black magic.

The Soviet parapsychologists as well as their American counterparts had found that at around 7.8hz, your brain is on the border of an Alpha or Theta state, which is requirement for remote viewing. It is an extremely relaxed state of mind, when experiencing hypnagogic trance and lucid dreaming. The resonant frequency of the electromagnetic field of the Earth, also resonates at 7.8hz, which is called the Schumann resonance.

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The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth’s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, which are excited by lightning discharges within the cavity formed by the Earth’s surface and the ionosphere. The Soviet and American researchers had discovered a link between human brain activity and the electromagnetic field of the earth, which extends from the Earth’s interior (cube) to where it meets the (sexagram) solar wind.

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SCANSUC eventually evolved into the Stargate Project, which was the Hogwarts code name for a U.S. Army unit established in 1978 at Fort Meade, Maryland, by the Defence Intelligence Agency. SRI International, a California contractor was also involved; both of these shadowy organisations investigated the potential for psychic phenomena in military and domestic applications. The Defence Intelligence Agency were aware that the Soviets had also determined that the religious indoctrination of many minds to focus upon a shared language involving the associated conjuration of certain symbolic stimuli, was influencing the electromagnetic field of the Earth.

Wherefore, the Defence Intelligence Agency had to find a way to influence the collective mind by implementing a global communications network. This led to the development of the Advanced Research Projects Agency Network (ARPANET), which was an early packet switching network and the first network to implement the protocol suite TCP/IP. Both of these technologies became the technical foundation of the Internet. ARPANET was initially funded by the Advanced Research Projects Agency (ARPA) of the United States Department of Defence.

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As for the term, Stargate it is a reference to the vaginal star barrelled tunnel, that many of the dreamers had experienced when conjuring up a Succubus within their time travelling lucid dreams. The vaginal Stargate was experienced when the dreamer became lucid within the dream, at which point the dreamer was then enabled to access the interconnected informational ‘web’ of the collective mind. The vaginal tunnel was formulated, when the dreamer initiated the cross-referencing of information, via which the dreamer was then able to tune into an informational fractal dream domain. The dream domain being that of a remote viewed target. The accessed information was determined by what type of Succubus was conjured within the lucid dream.

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The Stargate was also represented as the vaginal symbol of the Vesica Pisces by the project, which of an inner experience was later correlated with browsing the world-wide-web of the internet, like that of riding an eight-legged-Night-‘Mare,’ which is otherwise called a Spider Horse, or a Hobbyhorse to ride over the web.

The correlation between the processes of consciousness, dreaming and browsing the internet came very much to the fore when Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, reported that certain string theory, super-symmetrical  equations, describing the fundamental nature of the Universe and reality, contain embedded computer codes.

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These codes are digital data in the form of 1’s and 0’s. Not only that, these codes are the same ones, which make web browsers work, and are error-correction codes. Gates related: “We have no idea what these ‘things’ are doing there”.

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The embedded code was not just any code, it was first invented by Claude Shannon back in the 1940’s, embedded within the equations of superstring theory. Gates published his findings in the British journal, Physics World, entitled: Symbols of Power, which describes his research that begun in 2004 on Adinkras, linking computer codes like those used in browsers to the supersymmetric equations of fundamental physics. It thereby appears that we are living within a computer simulation, Socrates had prior equated the dodecahedron symbol of power.

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The principle Succubus that the Soviets conjured up as well as by the Stargate operatives was called Orobasi. Her primary office is that of bestowing the ability to remote view events throughout space and time, such as enabling the conjurer to retrieve technological information from the future. Due to the focus upon Orobasi, whose classical symbol is a horse, the Vesica Pisces incorporated a horse at its almond shaped midst, with an Ouroboros surrounding the two interlaced circles. The name of Orobasi (Orobas) is derived from the term: Ouroboros, which describes Eternal Recurrence; suffice to say, the one who remembers on the battlefield of life can avoid the bullet.

Orobasi was ridden by the dreamer into the ‘little death’ of his dreams when he penetrated the superimposition state of the vaginal Stargate as binary code. The binary code equates with the emotional state of the dreamer; whereby he has to be in emotional balance when accessing the inner (vaginal vortex) Stargate.

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The project was overseen until 1987 by Lt. Frederick Holmes ‘Skip’ Atwater, who was an aide and psychic head-hunter to Maj. Gen. Albert Stubblebine. Atwater later became president of the Monroe Institute. The unit was rather small-scale, comprised of fifteen to twenty operatives, which was initially run out of an old, leaky wooden barracks. The Stargate Project was said to have been terminated in 1995 after a CIA report had inadvertently divulged that the operatives were conjuring up Orobasi as a scantily clad Ponygirl.

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This caused a lot of embarrassment to those funding the project with tax payers money; most of whom being devout Christian’s, as well as Muslim’s, and of course those of the Jewish faith from which Christianity and Islam had originally stemmed of an established Illuminati trinity, amidst whose patriarchal triad, their Orwellian eye of Abraham over-watches all, atop of an Ur ziggurrat. Wherefore it had to be quickly covered up, otherwise it could potentially trigger off religious strife, which would feed into the ongoing forever wars raging across the Middle East of continual blood-letting sacrifices to their three faced deity. Although some to say the Stargate Project had been renamed as the Sleipnir Project, which has since been relocated to Dreamland of Area 51 and Montauk.

NOTE: Although written tongue in cheek of Discordian humour, the techniques discussed can be personally utilised for the Shamanic practice of lucid dreaming. The reasoning for satirising Project Stargate as well as Project Pegasus and the Montauk material is to negate the formulisation of religious sensibilities, which invariably leads to the creation of Cultic paradigms, based upon cultural constructs.

I would also like to point out that I am not an Atheist. The Atheism of the materialists is none too dissimilar to the religious beliefs of the God worshippers. The symbolic paradigms of the God worshippers in particular are primarily based upon Cult-ural constructs, which can be generally defined as being those of Jerusalem, Rome and Mecca.

You cannot Brand the mystery of existence with a Cult-ural construct; whether it be Hebrew, Roman or Arabic; for if you do so, you then have a Cult attempting to sell you a Product of an ‘Oily’ Religion, which of a theocracy is often tied up with politics, whether it be Capitalist, Communist, Socialist or Fascist, etc. As for the belief system of the Atheists, who believe that everything has happened by chance, it is often seen to be aligned with science, which is somewhat of a misnomer, since science is not, and never was a belief system, it is neutral!  

Also, Shamanism is not a religion; for it has no particular symbol system, nor a dogma; hence it is neutral. Those who consider Shamanism to be a religion, do not know what the Hell they are talking about. Shamanism is comprised of a set of techniques, which are utilised to induce an altered state of consciousness, such as inducing trance and conscious dreaming. These techniques are used by numerous cultures across the globe due to our shared neurology. The techniques of Shamanism are entirely separate from the differing cultural constructs of a religious sentimentality.  

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

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A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

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The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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NIGHT-MARE SUCCUBUS TIME TRAVEL DREAMS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 6, 2015 by FAUSTUS CROW

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I utilised the Succubus conjurations as a means to explore potential abilities, which can be construed as being psychic. When as a youth, I decided to conjure up a Succubus in order to induce the psychic ability of precognition and retrocognition.

The employed technique required implanting the focused upon symbolism of the Succubus into the infernal depths of my subconscious mind. The implanted symbolism would then become as a trigger within the dream. The trigger-symbol enabled lucidity to be attained, when it was recognised within the dream.

The initial erotic focus upon the Succubus involved introverting the sexual impulse so that its emotional energy of a charge empowered the spin of an electron dream. This was achieved when creating artwork depicting the Succubus, which was also meditative of practice. When creating the focused upon two-dimensional imagery I also utilised a name of the Succubus as a Mantra, which I repetitively intoned of a Spell, while I worked upon the images of meditation.

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The imagery of the Succubus was that a knit-together Frankenstein construct, of a symbolic formula. This involved a fusion of symbols from popular culture and mythology, symbolising my desire to attain the remote viewing ability of precognition and retrocognition, within a lucid dream, which is essentially a form of time travel.

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My experiment at the time was to access retrocognitive information pertaining to a particular geographic locale in the far distant past.

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The creation of the focused upon imagery eventually led to a number of dreams, within which I noticed the implanted symbolism of the Succubus was starting to formulate of a three-dimensional inner reality. The initial dreams tended to be highly erotic of nature.

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This then led to the experience of the Old Hag Syndrome, of sleep paralysis, as well as that of a formless Bedroom Invader presence entering the room, which is an initial phase of hypnagogic trance ingress into conscious dreaming. When experiencing the Old Hag Syndrome, I called out the Mantra name of the Succubus as well as visualising her (Sigil) seal.

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I then experienced having an out of body experience, to then find myself consciously entering into the dream. I observed my still sleeping body upon the bed and that I was standing in my room, looking out of my window, though, at a distance from its slider portal of a kind of inner time tunnel.

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What I could see of a scene outside of the window was not of the usual urban environment. What I saw looked to be a desert terrain over which loomed tortured orange clouds. I thought at first that I had successfully accessed the desired time period, until I smelt an overwhelming scent of death and decay when getting closer to the window of a portal.

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I decided to look out of the window of a portal to see where I actually was. It was at this point I realised that the scene was of a scarred WWI battlefield, somewhere in Europe, possibly France. I then noticed what appeared to be a rather bedraggled German soldier wearing a gas mask, looking up at me, who had a flame thrower.

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I had the distinct sensation that he was observing me, as if I was some kind of ghost, hovering in the fetid air above him, as some kind of winged eye of an orb. I felt that the soldier was severely traumatised by his horrific circumstances, as well as being shocked by what he was seeing.

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From my vantage point, the German soldier was standing in the approximate area at the end of my garden. I then awoke from the dream, feeling somewhat drained due to the vivid intensity of the dreaming experience, since I was also accessing aspects of his life and other associated information. Of course, I couldn’t prove any of it to myself; whereupon my perspective was that the dream was primarily symbolic of nature, rather than proving that time travel from within a lucid dream was possible.

I then proceeded to write down the details of the time travelling dream experiment, which I felt was unsuccessful, though interesting, since it was a most vivid lucid dream.

About three hours later, I heard my parents excitedly calling me. At the time, they were doing a spot of gardening. Suffice to say, my parents were totally unaware that their young son was conjuring up Night-Mare Succubae to ride out of a grimoire.

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I went to see what my parents wanted of me, to find them at the end of the garden where I had previously seen the German soldier in the dream. My parents then presented me with a rusty WWI German helmet they had discovered at the very spot where the German soldier had stood. At that moment I felt like I was a Slider Dr Who, whose loving assistants are Succubae.

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It appeared that a previous tenant, who was no doubt a British soldier had acquired the German helmet as a trophy, which he later used as a garish flower pot; that, or he was a Hippy artist who had obtained the helmet from his grandfather to place, Make Love, Not War, flowers in its cavity during the Vietnam conflict.

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Whatever the case, said helmet was eventually buried, to thence be rediscovered under intriguing circumstances, at a time, when I rode a Succubus as my TARDIS.

Although I had not accessed the desired time period within the induced lucid dream, I had otherwise seen a possible past event concerning WWI, as well as experiencing an associated precognition of Slider browsing, which may have been due to some of the symbolism I was creatively using at the time, of a meditative focus.

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The experience led to a science fiction conjecture that it could be possible to access the electron dreams of an individual in the past to thereby impart spun information to, of a technological nature, which could potentially lead to engineering an alternate reality. Such may be a possibillity when to consider the vivid dreams of Nikola Tesla, wherein of which he had derived many a futuristic invention beyond his then present time-frame.

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After this experiment I decided to utilise the same technique to see an event three days ahead in time, which was successful.

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I still have the German WWI helmet in my possession, as a reminder that precognition within an engineered lucid dream is indeed possible. Hence, for me, time travel is a reality; wherefore my interest in the subject.

When science eventually finds a technological means to replicate what can be achieved from within a lucid dream, you will then have a time travel technology.

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But then again, the scientists may have already achieved this feat behind closed doors. Whether you believe me, or not, as the case maybe, I do not care at all. If you want proof, best find out for your own self.

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