Archive for the Tulpa Creation Category

CHAOS MAGIC COMIC AUSTIN OSMAN SPARE PENCILS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , on March 16, 2020 by FAUSTUS CROW

The above Artwork are enlarged panels from the penciled pages for the AOS Chaos Magic Comic strip. The pages are A4 in size. Of an associated aside, there are very few examples of Austin Osman’s Spare’s work influencing the arena of music before 1970, but the band, Bulldog Breed was one such example. Bulldog Breed were an obscure late-’60s British psychedelic band who released an album entitled Made In England in 1969 by Decca, the album is now a rarity.

Bulldog Breed’s guitarist, Rod Harrison described how he came to include a track about the Austin Osman Spare: “Well you certainly hit on a rare one there! As a matter of interest “Austin Osman Spare” was an acquaintance of my Grandmother. She had been been friendly with Austin and had been given many of his works! Before Gran came to London she had been a tutor at Bristol University (Piano and Art) My Mother also became interested in his Art as she herself was an artist. I recall that she worked just up the hill from Brixton at a place called Skolniks — they were involved in commercial artwork somewhere around “Streatham high” as it was called then! Not too far from where Austin used to live!”

“My Mother and I went over to Ilford to see an Auntie of mine and as a child I was introduced to a world of Canvasses and painting — mainly Austin’s. This was shortly before my Mother had a very bad breakdown. I suppose I would have been about seven years old at the time. Everyone in my family was a bit artistic and even now I do the odd portrait or watercolour. I inherited a lot of prints and sketches of Austin’s work, but with the passage of time they were lost, I think I left them in a bedsit in Ilford just round from the Bus station, 1969!”

“This was at a time when Bulldog were merging with T2! Keith Cross had turned up on the scene, most of my equipment had been stolen and I suffered a setback financially (as musicians do). I did a runner ‘cos I couldn’t pay the rent! “Austin lived in or around the Brixton area and was a good wartime painter but in later years I believe he suffered very badly with illness losing his limbs (gangrene) and dying somewhere about 1956. He had a belief that art should be within the reach of the common man. As to his involvement of the occult I really don’t know too much about that- that was just how the lyric panned out.”

“I suppose you could say that he was a little influenced by William Blake and I am not too sure of his relationship with Crowley! “I was sharing a flat with a friend of mine just off Wanstead High Street and Bernie Jinks, Robin Hunt (whose family lived round the corner — Nightingale lane) and numerous young ladies would come round for a bit of music practice! These two guys were always the ones with women in tow!”

“I think that Robin, Bernie and I were sitting around on one such afternoon and since the pressure was on to write some material for the LP, for some reason Austin’s name cropped up and we all worked it out from there! It was probably the introduction of the Artwork that inspired Robin to work on the Lyric! I had already got some idea of a Guitar part and with Bernie’s’ input the song came together in a very short time!”

If you are interested in seeing the Full Comic strip, Please Click Here.

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CHAOS MAGIC COMIC ART: Faust Conjuring Mephistophina

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on January 31, 2020 by FAUSTUS CROW

The above Artwork is an example of some ‘enlarged panels’ from the Art I have done for a Chaos Magic comic, which depicts the Sorcerer, Faust, conjuring the Succubus, Mephistophina.

The Succubus Mephistophina is an aspect of the Fallen ‘Anima.’ Whereas Mephistopheles is an aspect of the deified ‘Animus,’ made as a God/Devil.

Hence, Mephistophina rebels against the three monotheistic constructs of the deified ‘Animus,’ from out of UR.

This leads to Faust falling down the rabbit hole, when he partakes of the banned Red Apple of an ‘Anima’ pill.

The Artwork was done in pen and ink on A4 Bristol Board, which has since been coloured.

If you are interested in seeing the Full Comic strip, Please Click Here.

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TULPA BRIDE OF FRANKENSTEIN

Posted in Alien, Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 11, 2020 by FAUSTUS CROW

Once upon a time, when Faustus Crow was but a changeling Childe, he discovered under the Yggdrassil X-Mas tree a Wyrd gift.

The gift was in the shape of a Hellraiser Cube, which appeared after awakening from a vivid lucid dream about being visited by a fallen Succubus Art Muse from another alien star.

Crow surmised the gift had obviously been left by Frau Hulder’s salacious UFO babe machine Elves from planet X-Chromosome, whose contrary-wise pussy world orbits the Yoni Pole-Stargate. The deposited gift turned out to be an Aurora model kit of The Frankenhooker Bride Of Frankenstein.

The model kit inspired Crow’s Doctor Frankenstein brain to knit-together a Frankenhooker Night-Mare, to lucid dream ride as his Succubus Tulpa across the Wyrd web of a prior weird science Gobal Consciousness Project.

When Crow eventually mutated into a Horny Old Goat, he later found out that one of the first Aurora monster model kits produced by the Aurora Plastics Corporation in the U.S. was of Frankenstein’s monster, sculpted by Jack Lemon. It was originally based on a Marx’s wind-up walker toy. The prototype of the kit was shown at the HIAA annual convention in January, 1962.

At first there were no orders for Frankenstein’s creature until the last day of the show, when affluent industry representatives were allowed to usher in their consumerist families. On that fateful day, the Chicago distributor, Al Davis let loose his sons, Glenn and Fred, whose electrified brains were Borealis hypnotised by the Aurora exhibit.

Instead of grabbing the plethora of cloned planes, cars or trucks, Davis’s sons fought each other to own the unique monster. Davis craftily smiled to himself and quickly placed an Al Capone style order. He was duly followed by a couple of California Hippie distributors who observed Davis’s sons fighting over the monster, they realised the financial underground potential, and rapidly placed orders as well.

Aurora shipped off the ordered kits. A few days later the phone started to ring wildly: “Can we have some more monsters?” And so it came to pass that all the little boys prayers across the globe had been eventually answered by the dollar-sign eyed adults!

It soon became blatantly obvious that the Frankenstein model kit was going to be a huge solar storm success; so the rest of the sculpted line-up was rushed into production. Societas Draconistarum Dracula came next, followed by the Howling Goetes Wolf-Man, both of these kits were in the North Pole bedecked stores in time for Yule 1962.

The following year saw The Creature from the Black Lagoon, The Mummy and The Phantom of the Opera, with The Hunchback of Notre Dame, King Kong and Godzilla made their debut in 1964.

Dr Jekyll as Mr Hyde were not released until 1965. Later that year, The Witch and the Bride of Frankenstein went into production. But The Salem Witch kit, and most especially the Frankenhooker Bride of Frankenstein was generally considered to be a costly miscalculation by Aurora; girls tend to not buy model kits, which is very much the case concerning kits of iconic male characters, or so it was first thought by puritanical minds.

It has since been revealed by the world-wide-web of the internet, the pornographic literature read by females is populated with Twilight predator bad-boy monsters, such as Vampires and Werewolves, along with Frankenstein Surgeons, Ghost Pirates and Phantom of the Opera Billionaires, etc.

Whereas Cat-Walk model kits of females are generally seen to be unappealing to little boys; well, they were very Playboy appealing to Crow, for a number of politically incorrect Frankenhooker Tulpa reasons. Cough, splutter, cough, cough!

NOTE: The above Pen sketch is a close-up of a ‘Panel’ from a comic page. Traditionally drawn on A4 size paper, which has been scanned without being manipulated or cropped in photoshop. The non-narrative comic is a continuation of the Little Nemo in Slumberland theme, though adult of subject matter. The full comic page can be found Here!

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CHAOS MAGIC COMIC ART 4: Little Faustus Crow In Astral-Land

Posted in Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , on September 30, 2019 by FAUSTUS CROW

The above Artwork is an example of an enlarged panel from the Chaos Magic comic, which depicts a Night-Mare dream visitation of a Succubus.

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The comic page is in part inspired by the Rarebit Fiend and Little Nemo In Slumberland comics by the American cartoonist Winsor McCay.

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The comic page was initially a rough sketch of an idea, I was going to trace onto Bristol board, using a handy tool of a light-box, and then ink in.

However, I finally decided that the sketch its self, would be the finished Art, since tracing sketches often lose much of their dynamism in the process.

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I also decided not to digitally erase the guide lines, should there be any of an experiment.

However, I have also done other versions, which have been cleaned up, along with making the pen-work darker, etc. One of which will be the final Artwork.

The comic strip is a single page non-narrative story, which will be followed by other pages of similarity.

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The entire comic page was done in pen on A4 size paper. Another example of an enlarged comic strip panel can be found below.

If you are interested in seeing the Full Comic strip, Please Click Here.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART IV

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on September 28, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 4, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part four of the Al Azif Necronomicon investigates from where Abdul Alhazred had derived his dark knowledge.

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Abdul Alhazred’s revelations about the origin of his occult practice is based upon connections between historical sources.

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As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART III

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 3, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part three of the Al Azif Necronomicon covers an alternate version of H.P. Lovecraft’s short story, ‘Pickman’s Model.’

The story revolves around a Bostonian Artist named Richard Upton Pickman, which was written in September 1926.

‘Pickman’s Model’ was first published in the October 1927 issue of Weird Tales.

The story was later adapted for television in a 1971 episode of the Night Gallery anthology series.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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SEX ROBOT ART MUSE SINGULARITY

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2019 by FAUSTUS CROW

A feminist researcher going by the name, Susan Fiske conducted an experiment to prove that men see women as sex objects. One can darkly guess that the underlying agenda of Fiske’s research is to devise a pill in order to nullify men’s brains from doing so.

A number of male brains were scanned, while they were shown a series of Arty images depicting scantily clad females, one can otherwise consider as being inspiring Art Muses. The Art Muses would be termed by the psychologist Carl Jung as being aspects of the ‘Anima,’ which of a female archetype resides within the male psyche.

It was discovered that the tool making part of the heterosexual male brain immediately lights up when seeing scantily clad females, or when to imagine a sexy Muse.

The same also occurred within the brains of males who considered themselves to be homosexual or bisexual, etc. This neurological phenomenon does not occur in female brains, concerning being shown images of males, whether they be heterosexual, lesbian or bisexual, etc, wherein of the female psyche the male archetype of the ‘Animus,’ resides.

Fiske presented her research as an unassailable poof that males see women as mere tools; the controlled mass media frenziedly backed up Fiske’s interpretation of the findings, whose politically correct minions are very likely looking into Orwellian chemical measures to rectify, what she and her extremist sisters in the hood see as a social problem. No doubt said chemical will be dumped into the public water supply, etc.

Oh! I forgot, they are already doing so, by fluoridating the water supply with a known sedative, neurotoxin and a mutagenic compound, which of adverse affects primarily targets a certain part of the male brain, the most, as well as affecting those males belonging to other species. Hell! It goes way beyond the psychotropic drug of Aldous Huxley’s Brave New World for mass control of a subservient population. It is the reason why the Chinese banned fluoridation, since they found it had reduced the intelligence quota among their two-child policy workers.

As for Fiske, she entirely missed the point of the research due to her illogical gender politics, which actually revealed that the sexual impulse is the evolutionary drive behind the development of technology, from that of a stone age ax unto a rocket, let alone that of a robot. One such robot is based on sexy Audrey Hepburn, named Sophia. The Science Fiction author Philip K, Dick would have probably associated Sophia with his inspiring Art Muse of a Dark Haired Girl.

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Then again, may be Fiske and her fellow researchers are well aware that the sexual impulse is the evolutionary drive behind innovative thought processes. Like that of those inspired thoughts, storming through the Thor minds of individuals, who intelligently question the Space Force motives of the Military Industrial Complex, which pulls the puppet strings of a whoring two party dictatorship. Why does the Military Industrial Complex use an inane puppet show? Such is conducted in order to distract public attention from its Orwellian perpetual wars, which are reaching into space.

If Fiske is indeed aware of the evolutionary influence of the Muse lighting up the male brain, you might have a shadow-government, which is subversively funding Fiske’s research; so that the war profiteers can find an Orwellian means to dumb down the mass populace even further, more so that of the males in particular, who are already being targeted by the mass medication of the water supply, which of course also permeates their food; hence you have an ever increasing dosage!

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

The shadow-government will then utilise Fiske’s research for a psychological warfare campaign whose aim is to negate the influence of the sexual impulse among the male population; whence making them more servile. Oh! I forgot, they are already doing so via PsyOp engineered ‘divide and conquer’ gender politics, since 9/11.

Anyway, I digress, and to verily slip into dystopian scenarios. In nature, Hens choose those Cockerels with the flashiest plumage, which is the same for most other species concerning physical attributes. This also applies to human females, who choose those men having an indication that they can physically provide a safe and secure environment for them and their children.

Men do not choose the women, it is always the other way around, unless a man is surrounded by adoring females, who are attracted to his worldly influence, which of an aphrodisiac is perceived as having temporal power. Well, what do you expect, men cannot give birth!

In ancient times, when Sabre toothed Tigers prowled the forests along with Cave Bears and Dire Wolves, having Woolly Mammoths thundering over the tundra, a man who had developed the best hunting tools to deal with the raw savagery of unforgiving nature, won the attention of the females. It is the women who determine those male role-models, which are most sexually attractive to them, a man then aspires to become, such as assuming the role of the Great Hunter, Orion.

A caveman was inspired by a scantily clad cave-woman to devise new and inventive ways to hunt for game, while she birthed his children. It is she who had chosen him for his inventive prowess, as mentioned, not the other way around; just as a Hen chooses a Cockerel having flashy plumage. And should the Cockerel get eaten by a rapid Fox, the Hen will crucify another Cockerel to watch over her Easter eggs.

Hence, the male tends to be rather expendable, his biological role is to invent better ways to protect and empower a female and her children, who perpetuate the survival of the species, to one day attain the technological singularity. She is the Fifth Element meaning of his Great Hunter existence.

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When you look at the present age, it has been found that the driving force behind the rapid development of the internet, is in the main due to its male engineers browsing for (Muse) porn, which had exited the tool making part of their hunter brains. The lit up brains of the male engineers have also discovered the five elemental types of males, women from across the globe find to be most sexually attractive, which are determined by their ‘Animus.’

Porn can of course lead to a nigh uncontrollable addiction for some, just as other behaviors can become problematic addictions. It is the reason why ancient Shamans learned to introvert their sexual impulse, in order to utilise an erotic focus upon the feminine to empower the attainment of hypnagogic trance unto a lucid dream; wherein the tool making part of their brains light up, which is termed as the ‘Fire In The Head.’

The goal being the transmutation of porn, which of a habitual hedonistic addiction is transmuted into an evolutionary expansion of consciousness by utilising the symbolic alchemy of Art. The addiction is then spiritualised and thereby utilised as a means to induce an evolutionary leap in intelligence. Such is especially the case when it leads to a ‘Fire In The Head’ Eureka moment of creative insights, which facilitates evolutionary Muse leaps in the Arts and that of technological developments.

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As for the Art Muse drive behind the evolution of the internet it has invariably led to the rapid development of an A.I. whose programmed personas tend to be that of sexy females, which will one day be housed in very human looking robots, who will eventually become sentient.

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Although, the first Art Muse manifestation will be that of interactive female A.I. characters populating virtual reality games.

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Somewhat like that of a Shaman Artist conjuring up Art Muses amidst his Triangle Of Art imagination as his interactive sentient programs, whom to then manifest within his quantum computing (virtual reality) lucid dreams, which lights up his brain to create and invent.

Little wonder then that women are intensely jealous of a man’s ‘Anima,’ whose erotic archetypes inspire invention.

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Women tend to be far more intuitively aware than men, who subconsciously sense what the Art Muses of the ‘Anima’ are erotically inspiring of a technological singularity. 

NOTE: Pornography originally mean’t: “sexual images, whether actual or ‘Imagined,’ which excite an erotic response in the observer.” The term primarily covered literature, which in the main involves the readers ‘Imagination.’

I must admit, I prefer not to use the word, ‘Porn,’ since it has been hijacked by a political agenda, and used to smear anything, which is considered as being politically incorrect by the mob mentality of the herd-mind.

My preference is using the word, ‘Erotic.’ But, in context of the ARTicle, it does not get the message across, concerning the transmutation of the hedonistic into the spiritual. When using the word, spiritual I am not referring to a fluffy Newage paradigm populated with fairies and unicorns.

When using the word, Porn, nowadays it initiates an emotive reaction, which is often tied up with controlled mass-media programming of the audience brains to immediately go into a ‘Fight, Flight’ response.

Tantric Artworks from the far East were once considered as being Pornographic, prior to the present hijacking of the term, which was applied by neutral scholars, it soon became moralistic of association.

Should an individual communicate that he/she ‘Imagines,’ having sexual congress with various deities looking like Hollywood film stars, etc. Said individual will be seen by the herd-mind as being a vile Pornographer, which is especially the case, if he/she draws, paints, sculpts, photographs or sings about his/her Tantric liaisons.

The word has been weaponised as a means to tar and feather your ‘imagined’ conjurations, which is essentially Mind-Control.

(It is somewhat intriguing that a ‘word’ can be weaponised, whose prior ‘symbolic’ associations have been politically engineered in another direction. Neuro-marketing/advertising utilises the same ‘Propaganda’ technique, which of a science had been derived from how a cult/religion manipulates minds.

When an individual knowingly manipulates his/her own mind, by using a similar technique it is Sorcery, which is indivisible to the practice of Art, since a ‘word,’ instantaneously conjures associative ‘symbols amidst your Triangle Of Art Imagination.’ It is how language works. If a ‘word’ has no associative ‘symbol,’ it is just a sound.)

Mind-Control is very easy to achieve. For example, the ‘controlled mass-media’ will utilise a convicted sexual-predator as an asset to make everyone feel guilty about their own sexuality; however the collective guilt is ‘imagined!’

The programmed (fight, flight response) herd-mind will then go into a viral-meme witch-hunt mob-mentality, who will invariably align innocent others with the establishment asset of a sexual-predator, should their views be considered as being politically incorrect.

If the controlled masss-media asset of a sexual-predator is seen to be tied up with an ‘Eyes Wide Shut’ scenario, having ‘Occult’ overtones, it invariably becomes a witch-hunt, which will viral-meme spread and permeate all levels of society.

As for the hypnagogic state of trance, which is the power behind hypnosis, you might find that your inner ingress will be influenced by the associative symbolic stimuli around you. It is one of the reasons why practitioners retreated to a cave in the wild hinterlands, so that they could get away from the subliminal programming of their subconscious minds.

When practicing in an urban environment a Mahasiddha has to be always vigilant.

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