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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst Artistry, who is an aspect of the Fallen Anima.

At the end of the day, the practice of Art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is an all male pantheon of an ‘Animus’ fixation.

(NOTE: The Animus is an inner archetype, which is conjured up by a heterosexual woman, whenever she ‘imagines’ her perfect male partner. Her Animus determines what she is attracted to in a man. Likewise a heterosexual male conjures up his Anima, when ‘imagining’ his perfect female partner. The Anima determines what he is attracted to in a woman. The Animus and Anima are associated with numerous male and female archetypes. For example, women are generally enamoured with certain Animus archetypes, such as the Vampire, Werewolf, Pirate, Doctor and Billionaire; most of whom are of the Bad-Boy (Devil) type.

As for monotheistic religion, you have a Good-Guy Christ who invariably gets Crucified, while the Bad-Boy Devil gets all the Horny fun, along with having a fixation upon the [Billionaire] All-Father. However the present social-engineering of society has targeted the Anima within the male psyche, by making heterosexual males in particular feel guilty about their own sexuality. This is an ongoing process. It has been occurring for a very long time, which appears to be associated with the subversive psychological conditioning of the male psyche. The reasoning behind it, is population control. Hence the Anima and her archetypes have been systematically castigated out of the monotheistic paradigm. As for those of differing sexual orientations, the Animus and Anima swap over symbolic roles.) 

As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone very kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. However it is not that of a mundane projection upon the flesh, it is otherwise that of a conscious Conjuring of an Anti-Viral-Meme within the imagination, rather than allowing others to Conjure up a neuro-marketing ‘Animus’ fixated Viral-Meme within one’s mind.

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It is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun, which of associated symbolism is very much at the social-engineering fore of present day gender politics.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic to create an Anti-Viral-Meme. Valak originally refers to a little boy of a Hermes. The feminine version of the name of Hermes, is Hermione.

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This then leads you to the symbolic association with the modern icon of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning, should you Artistically apply the symbolic correspondences of the grimoires to mercurial Hermione.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would Pop-Surrealist lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear. But then I am not into living in fear; are you?.

Basically, the Artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male ‘Animus’ brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious symbolic reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a neuro-marketing ghost Nun Viral-Meme Tulpa.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits. But they are depicted as being essentially male entities in disguise. This perpetuates the all male ‘Animus’ paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male symbolic pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting  ‘Animus’ ghost of an old man, whose disturbing disposition is that of a dirty old Fatherly Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation of a Matriarchal focus… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God/Devil. So, when an extremist feminist rages that the Matriarchy is the future, you will find that the Matriarchy is already here, which has been around for a very long time, since the ascendancy of an ‘Animus,’ fixated paradigm.

Alas, no film has as yet covered the fallen ‘Anima.’ But then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: ESOTERIC SYMBOL CRUNCHING: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the Black Raven Tarot of the Succubus. Please Click Here For More Information.

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Please Click Here Or Click The Artwork For More Information.)

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

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MEN IN BLACK SIRIUS TIME TRAVEL

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2015 by FAUSTUS CROW

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Many of the supposed close encounter contacts with aliens, prior to the late Hippie era 1970’s did not mention Sirius, until the book, entitled, The Sirius Mystery was published by St Martin’s press during 1976, authored by Robert K. G. Temple.

When to read Temple’s book, you might conclude that his surname is somewhat apt. Of a curious aside, 1976 reduces down, of numerology, to the notorious number twenty-three, and thence to the number five of pentagram, whose traditional colour association is red.

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It just so happens, that Johnny Sands, a country-western singer living in Las Vegas, saw in the sandy desert one fateful night, a 60-foot craft at about 1000 feet altitude, shaped like the Goodyear blimp, with portholes around the circumference on the 29th of January 1976.

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The object appeared to land upon the desert sand; Sands then saw two humanoid figures approaching him, the author Carlos Castaneda would term as being shapeshifter, Allies, whose inorganic feminine intelligence frequents the (Da’at) desert between worlds. Sands related that he, froze, he wanted to move, but he couldn’t, as if he had lost his ‘John’ the ‘Baptist’ head. The figures came near him, to about three feet away. Sands believes that the humanoids came from Sirius, since they had amphibious fish gills.

As for Temple’s 1976 book about ‘Silver Star Sirius,’ of the thirteenth Cabbalistic path of Gimel, it presents the now common ancient alien hypothesis that the Dogon people of Mali, in West Africa, were in contact with humanoid amphibians from the Sirius star-system, the Dogon call, Nommo.

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However, the Dogon iconography depicts the amphibious Nommo with phallic heads, who represent ancestral shamans, whom were highly adept at inducing trance. The Nommo are emulated by human specialists who seek to attain an amphibious state of hypnagogic trance, betwixt and between the binary star pylons of, (land) waking  and (water) sleeping. It is via this altered state of amphibious consciousness that the Nommo adepts are enabled to remote view far off places, such as the Sirius star system, around which the Dogon say there is a planet of (mermaids) women.

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The planet of women represents the inner space of the dream, which is symbolically equated with the womb. The womb of the dream is accessed via the hypnagogic state of trance, which is symbolically represented as a star-gate, since the ascendancy of Sirius marks out the best time to attain trance ingress into the watery domain of the dream, in league with the gravitational pull of the Moon.

This inner stargate is seen as the vagina, into which the Nommo adept, trance ‘Slides’ into as a ‘phallus‘, whose ejaculation is his disembodied spirit; the dream then births the shamans symbolised desire as a manifest (sign, portent, omen) synchronicity.

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Temple’s extraterrestrial theory was heavily based on his interpretation of the work of the Christian ethnographers Marcel Griaule and Germaine Dieterlen. A substantial bulk of The Sirius Mystery consists of comparative linguistic and mythological scholarship, pointing out resemblances among Dogon, Egyptian and Sumerian beliefs and symbols, as well as Greek and Arab myths. But it is used to translate the Judaeo-Christian paradigm into the realm of science fiction, as well as being externalised of a hard-technological perspective. The shamanic aspect is invariably left out of the equation, which is due to misunderstanding, as well as habitually distrusting the psychic component pervading the numerous myths.

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This isn’t to say, that when the symbolism is otherwise interpreted from a shamanic perspective it then discounts contact with another form of intelligence. Far from it, since there is evidence that remote viewing is possible via trance, and from within lucid dreams, and that the ability enables an individual to access information throughout space and time, which is essentially a natural form of time travel.

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You might consider time travel to be impossible; however, at the quantum level, which can be accessed via dreams, time can move in both directions, this occurs because the fabric of space is expanding faster than light; wherefore, time also flows backwards.

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In other words, what Temple communicates about the Dogon’s ancient knowledge about Sirius could have been otherwise accessed from the future, when to have consciously accessed the quantum reality of the dream as Nommo, the Dogon describe as a planet of women.

You could equate the planet of women with a future time period around the wheel of the Zodiac pointing out the ages of precession, which of a wobble was symbolised in ancient times as a five pointed Star (Pentagram) atop of the Earth’s (World Tree) axis-mundi.

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It is from the planet of women, the Dogon say, human souls emanate; somewhat akin to the consciousness of individuals being downloaded into a (Maya) Matrix (Beehive) of an ancestor simulation.

It is very likely that a time travel technology will be eventually devised, whose hard technology will be based upon what a shaman can do naturally via trance and dreaming in the future.

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Whereby the technology will involve what could be construed as being a psychic component. But then the sensory experience of space and time is indivisible to your consciousness.

Such a time control technology will enable your descendants to either send a signal (Philip K. Dick’s Pink Beam) back into the past, in order to ‘spin’ the electron dreams of an ancestor, or that of physically travelling back into the far distant past in a time machine, looking like a UFO, a Hindu would call a Vimana.

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The time travellers will not reveal who they really are, who will play surrealist games with their respective contacts. If a time traveller reveals the truth, it could lead to all sorts of problems.

For example, the minions of the military industrial complex wouldn’t think twice about appropriating the technology of the time traveller, let alone dissecting him or her, even though the time traveller is your future kin.

Although, at times, they will engage in communicating information in a highly symbolic fashion, which may not be understood by their contact at the time of the encounter, since the symbolic codes have been engineered to be later understood by others.

The underlying reasoning of the surreal games will be that of manipulating society via its myths, which is basically, social engineering in order to engineer alternate realities, the time travellers have the ability to ‘Slide’ between of controlled time-slips.

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Should a time technology actually exist apart from what a shaman can do naturally, then the future civilisation of the time travellers is presently all around you, which of varying time-lines would probably require being policed, by what you could term as being Men In Black.

But don’ forget, there will also be Women In Black too, who, as Queen Bees, they drive around in their time travelling shiny black Cadillac’s looking like Vampira, having the surrealist humour of Elvira.

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GOETIA GIRL BAEL, SUCCUBUS WITCH QUEEN SHAMAN OF SIBERIA

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2014 by FAUSTUS CROW

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The first principal Succubus archetype pf the Fallen Anima is called Bael, who be a shaman Queen ruling in the far East across the steppe, under the fire star of the Mongol’s, whom emanates from the sixth dimensional planetary sphere.

She enables her conjurer to go about Invisible. She rules over sixty-six Legions of Infernal (Succubi) Succubae archetypes of the Fallen Anima. She appears amidst the Triangle Of Art imagination in divers shapes, sometimes like a Cat, or as a Toad; at other times like a most beautiful Siberian woman, or all these forms at once to otherwise mantra name, Baela.

She speaks clairaudient of most seductive tone, concerning those psychic secrets behind her Iron Curtain of a hypnagogic hymen veil to penetrate.

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Behind her Iron Curtain, the ancestral shamans therein to have psychic abilities, the one time Soviet sought to weaponise, whom frequented the steppe unto Siberia. Her seal is to be mediated upon, and to visualise before calling her forth into a lucid dream, or else she will not do thee homage.

It is usually said of commonality that the name Bael is derived from the Canaanite deity known as Baal (/ˈbeɪl/ BAYL; sometimes spelled Bael, Baël [French], Baell), who is mentioned in the patriarchal Hebrew Bible of the deified Animus as the primary (Animus) god of the Phoenicians.

In the 17th Century Goetic occult writings, Bael is seen as one of the first spirits, which was released from Solomon’s brazen vessel of a Genie bottle.

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While his Semitic (Animus) predecessor was depicted as a horned man or a horned bull, this spirit, Baal of the traditional grimoire tradition is said to appear in the forms of a Human, Cat and Toad, or combinations thereof. An illustration in Collin de Plancy’s 1818 book Dictionnaire Infernal rather curiously placed the heads of the these three creatures onto a set of ‘Spider’ legs.

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When to totally ignore the indoctrinated perspective of the deified Animus, made as a God/Devil to otherwise look Into the ancient shaman legends of Siberia, such as those of the Buryat, you will find the first shaman called Khara-Gyrgän.

The Buryat relate that Khara-Gyrgän declared that his power was boundless; wherefore the creator put him to the test. The creator sadistically took the soul of a (Bael) girl and ‘bound her up within a bottle.’

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To make sure that she wouldn’t escape, the creator put its finger into the neck of the bottle.

The shaman set about freeing the soul of the girl by beating the trance drum in order to conjure up an aspect of his Anima, manifesting as an eight-legged night-Mare pony-girl to ride through inner space, somewhat like that of a prior Dr Who piloting his TARDIS.

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He soon discovered the whereabouts of the girl’s soul in order to free her. Khara-Gyrgän shapeshifted into the form of a ‘Spider’ and in doing so stung the face of the creator. The creator took its finger out of the ‘bottle,’ whence the girl’s soul escaped. The creator was very furious that its creation had passed the test, which indicated that the creator could be in time surpassed, so it decided to curtail the shamanic power of Khara-Gyrgän, after which the magical powers of the shamans were severely diminished.

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According to Yakut shamanic legends of similarity to the Buryat, the first shaman refused to recognise the superiority of the programming creator due to its sadistic temperament.

The Yakut legend relates that the body of the first shaman was made up of a mass of snakes, which you can otherwise see as serpentine DNA of an inner program. The creator was fearful that the shaman would become far too powerful, so it sent down a fire to burn him and his world.

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But in the ensuing conflagration of an ancient world-wide catastrophe, when a comet struck the Earth, an amphibious Toad escaped the inferno.

From the body of the Toad erupted forth the serpentine (DNA) spirits of the future Yakut shamans, who trace their genetic lineage back to the first shaman.

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The motif of the amphibious ‘Toad’ refers to hypnagogic trance, which is attained at the midpoint between waking (land/macrocosmic) and (water/microcosmic) sleeping; this ability enables a shaman to access the underlying informational (microcosmic) order of his (macrocosmic) Maya simulation of an experiential reality.

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The symbolic motif of the Toad is associated with similar reptilian symbolism to that of the ‘amphibious’ Nommo of the South African tribe of the Dogon and that of the Sumerian Annunaki, along with the reptilian motifs of other cultures across the globe, including Dragons. Some will see the Toad and that of the Snake or Dragon as being a Zecharia Sitchin reference to demonic reptilian extraterrestrials of David Icke tales; such is ‘not the case’ at all, the symbolism actually refers to shamanic ‘trance adepts.’

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You also have the symbolism of the Cat, which is very often tied up with the feminine principle of the Anima. There are many a (Anima) Goddess from varying cultural myths who are described being in the company of Cats, riding them or otherwise assuming their predatory forms; whether they be Lionesses, Tigers or domesticated Cats, etc; such as the Sumerian Goddess, Ishtar riding a Lioness, the Hindu Goddess Durga, riding a Tiger or that of the Norse Goddess Freyja being the Witch mistress of Cats.

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The motif of the (Sphinx) Cat refers to what is termed as the Bedroom Invader Experience or Old Hag Syndrome, which is often experienced at the point of (Toad) hypnagogic trance ingress into the dream; it is when a shaman is visited by his female spirit lover of a Succubus archetype of the Fallen Anima, whose nature is seen to be predatory. Hence she is associated with a Cat, which has since become that of a Witches familiar.

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Siberian shamans often relate that their shamanic powers and abilities are derived from the internal dream congress with (Anima) Succubae Spirit-Wives, who are considered to be female shamans of similarity to the Hindu/Buddhist female entities called Dakinis.

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You can otherwise term these (Anima) Succubae shamans as being Witches, whom initially manifest as Bedroom Invader ‘Cats’ at the point of hypnagogic ‘Toad’ ingress into the ‘Feminine’ domain of the dream. Wherefore the seal of Bael, which depicts a Toad, represents a symbolic formula of shamanic trance ingress into the watery amniotic realm of the electron dream.

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STAR WARS GIRL UFO STARCRASH

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 18, 2014 by FAUSTUS CROW

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“The Fifty-second Succubus archetype of the Fallen Anima is Alloces, or Alocas, who be otherwise known as Louhi. She is a Duchess of the seventh dimensional planetary sphere, who be a Great, Mighty, and Strong sorceress. She is adept in the meta-psychic arts, appearing in the Form of a Starship trooper piloting a Great flying disk, she to call her Sampo, which enables her to travel through time. Her salacious nature is like that of an ever hungry Siberian Tiger, her moist lips very Red, and having most lustful Flaming Eyes. Her name of Alloces or Allocas is possibly derived from the Russian, Allochka, which means, Vodka drinker.” 

“Her Speech is seductive and very commanding, sounding Russian or Finnish of accent. Her Office is to teach the Art of Astronomy, and all the Liberal Sciences, who has a great liking for science fiction. She brings unto her Surrealist Artist, Good Familiars in order to inspire him as his wanton Muses; also she rules over 36 Fallen Anima Legions of Succubae star troopers. Her Seal is to be meditated upon before conjuring her into a lucid dream, in order to remote view future Sampo technologies.”

Surrealist Goetia – S. L. MacGregore Freemason Matherson, Alternate Earth, Locale III, Paris, 1904

(Note: when conjuring her, place some Vodka into a dish to thence set alight its potent fumes as an offering, just as the Siberian shamans traditionally do when summoning their spirits; hence the name, Allochka.)

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Within the epic poem of the Kalevala, which is the distillation of Finnish mythology, there is mention of a magical artefact called the Sampo or Sammas. The Sampo is a yet unknown construct, which had been forged by the shaman smithy called Ilmarinen, who you could easily equate to a scientist; that’s if you update the myth to make modern of a Star Wars soap opera.

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The myth relates that the Sampo was acquired by underhanded means by the sorceress named Louhi, who is the Queen of the Northern land known as Pohjola, which may refer to what is now called Russia; or should you prefer, Pohjola is another far distant planet, or that of an asteroid space station like, Omega, featured in the video game Mass Effect.

You could otherwise imagine Louhi being like some kind of Russian spy or that of an outlaw smuggler, looking like Caroline Munroe out of the science fiction film, Starcrash, who starred as a dark haired version of Barbarella called Stella Star.

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Whether Louhi is bad or good is dependent on who’s telling the story. The Finnish telling, paints Louhi as one bad bitch who stole the Sampo. Hence her name of Louhi, which is a variant of Loviatar, who is the Goddess of disease, death and drunkenness, who is somewhat akin of nature to the Hindu Goddess Kali.

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After Louhi acquired the Sampo, Ilmarinen’s homeland, or planet, fell upon hard times. But Illmarinen wasn’t beaten, he sent out an expeditionary force of heroic Djedi commandos, led by the shaman Väinämöinen in order to retrieve the Sampo of a prior Star Wars space opera.

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However, Louhi knows all the psychic secrets behind the iron curtain, who has the ability to change shape and weave mighty enchantments warping space-time, so, she didn’t give up the Sampo easily.

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In the ensuing Star Wars battle with Louhi, the Sampo crashed to Earth, whose technology was ‘smashed and lost in the Baltic sea.’

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Ancient myths often refer to actual events, although over great stretches of time, they become highly embellished of imaginative additions; whereupon the factual details of an event is eventually buried behind a layers of convoluted symbolism. The Sampo may refer to an ancient meteorite impact in the Baltic sea, or something else far stranger, which had fell as a fallen Angel into deep waters of a Star-Crash?

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Curiously enough on June 19, 2011, a team of Swedish treasure hunters were exploring the bottom of the Baltic Sea with their sonar when they noticed a bizarre, disc-like structure at a depth of 90 meters. At the time, international experts were unable to explain the sonar images. During 2012, after months of preparation, the Ocean X Team, as they call themselves, went back in order to determine what the disk-like structure was.

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The massive disk-like object rises three to four meters above the seabed and is about 60 meters in diameter. Members of the expedition describe it as something round, with rugged edges and concave sides, resembling a ‘huge mushroom’ or, otherwise described to look like the Millennium Falcon spaceship from Star Wars; although going by the myth of the Sampo, it was piloted by the Stella Star outlaw called Louhi rather than rebel princess Leia.

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The central part of the object has an almond-shaped hole leading inside. Surrounding the hole, they found odd-looking circular rock formations which appeared to look like small fireplaces, with stones covered in something resembling soot. Some would say, “perhaps it is and ancient temple or some cornucopia of an ancient free-energy Tesla technology using crystals?”

Although samples taken from the site indicate high levels of metal. Maybe it’s naturally volcanic, others to postulate? “Since no volcanic activity has ever been reported in the Baltic Sea, the find becomes even stranger,” said Lindberg in a press release. “As laymen, we can only speculate how this could be made by nature, but this is the strangest thing I have ever experienced as a professional diver.”

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What makes the find even more curious is the discovery of a 300-meter-long ‘trail,’ which the crew described as a ‘runway’ or a downhill path, with the object at the end of it. The crew also discovered another path leading to a second smaller disk of similar configuration. It is possible that it could be some kind of object; maybe that of a meteorite, which had crashed and split into two parts? Although, both objects are very distinctive of non meteorite discoid shape looking more like ‘smithy’ horseshoes.

There are many who consider that the find is that of an alien spacecraft, which the sceptics would see as being mere science fiction fantasising on par with the mythology of the Sampo. As for the modern mythology of science fiction, it has conjured up numerous imaginative designs for various futuristic vehicles, such as spacecraft or time machines, some of which have now become iconic, like Star Trek’s starship Enterprise and of course the Millennium Falcon of Star Wars.

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If there is anything to the extraterrestrial hypothesis concerning UFO’s you would think that the supposed extraterrestrials of UFO lore would blow us all away with their snazzy alien designs for spacecraft right of Guardian’s Of The Galaxy or Jupiter Ascending, or to perhaps go retro Flash Gordon etc.

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But alas, their imaginative design sense appears to be somewhat, lacking, who far prefer very ‘recognisable’ aerodynamic designs. Nonetheless, they’re still really Dreamland cool, even though their design sense is rather Area 51 practical.

But if as the numerous UFO researchers now say, that these craft are anti-gravity devices and that their propulsion systems involve zero-point energy, which have potential time travel capability, due to multiverse theory slowly taking centre stage, which allows for journeying through time etc; then said extraterrestrials, who were once said to have emanated from Adamski’s Venus, now journey from the far distant stars. You may conclude, that they would have hogged themselves out with weird and wonderful deigns of mind bending alien complexity, since they are not restricted by the mundane problems of gravity or friction etc; that, or they haven’t got much of an imagination.

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Something seems to be very much amiss, considering that the supposed extraterrestrials appear to be mostly described as being humanoid, of recognisable form, along with their practical designed craft. When you look at the multiplicity of differing life forms upon the planet Earth, to thence imagine what types of very different species we would encounter frequenting the universe, which is extensively explored by the imaginative tales of science fiction; what do we find when to look into the supposed alien contacts of UFO lore? Mostly humanoids. Does this mean that nature doesn’t have much of an imaginative design sense? Well, not going by the numerous different life forms existing upon the planet.

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So, what you then have are recognisable aerodynamic designs concerning the UFO observations along with their pilots being recognisably human of form, which means, we are not dealing with aliens, but something else, far closer to terra firma.

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But, if they are far closer to home, than what we are led to believe, who are they?

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Technology is observably developing at a rapid pace. At one time the iconic Star Wars hologram of Princess Leia was just a science fiction fantasy; now it is ever closer to a reality.

You could then theorise that behind the scenes of the military industrial complex, it’s technolgy has possibly far outstripped what the public is aware of.

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This secret technology would, by all intents and purposes, be considered to be something right out of a science fiction movie by the general public who can then be easily led to believe that it is alien. Hence, easily hidden away by those who have developed it, you could term as being a shadow government, the likes of Julian Assange knows all about.

If this technology involves time travel capability, which would also involve a sentient artificial intelligence, then, the world as you presently know it will never be the same again, if it is ever revealed. Would the general public be able to handle such a technological leap, if there is a disclosure? No, they will not; all you have to do is to look at the religious wars in the Middle East to get an idea what would occur globally of a Death Star reaction.

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This is because they would then become aware that their present civilisation is surrounded by another all around them, which has time travel capability, whose worldview will very likely not be based upon the ongoing conflicts between bronze age religious mentalities, which are caught betwixt and between their ever warring Angels and Demons of static dogma.

This other civilisation would be able to journey through time, just as easily as an anthropologist would do, when taking a quaint everyday plane journey over New Guinea, who will take note of the humorous Cargo Cults of the natives, or that of flying above the Amazon jungle, where ‘protected’ stone age tribes are said to still exist, who are unknowingly surrounded by your present civilisation.

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This other civilisation would be able to journey back or forwards into time, which will enable them to colonise other planets in the far distant past or future. Though once human, they would of course evolve in differing ways, due to environmental influences on other worlds, who are still humanoid of kin.

Wherefore, if this other civilisation, which is in essence that of the future human, has made contact with certain present governments, there would be protections set in place.

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Those who are seeking disclosure concerning UFO’s would be subversively utilised as a means to educate the general public in order to negate the shock factor of the slow and methodical introduction of advanced technologies, which will also involve readying the public for the eventual collision of worlds, just as a stone age tribe in the Amazon will invariably find out that they are surrounded by your civilisation, when to discover a plane wreck in their backyard.

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When will this collision take place? Watch the skies for the technological singularity, or look to the ocean depths for that matter; who knows, you might just find a wreck of a Sampo time machine, a Hindu would call a Vimana.

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However, it is very likely evidence of an ancient structure, possibly that of a Sampo temple, of similarity to that of Göbekli Tepe. We are all aware what the sceptics said before the discovery of Göbekli Tepe, which made the dogmatic archaeologists soil their pants. Wherefore the archaeologists do not want to dig any deeper concerning the Sampo Baltic sea discovery, since it would predate Göbekli Tepe.

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But if you be a sceptic, you will otherwise sceptically believe that the search for the Baltic sea anomaly is merely that of an elaborate Sampo ruse by NATO, whose establishment of a deified Animus made as a God and Devil mundanely hunts for Louhi’s Red October of an ongoing, very Cold Star Wars.

MAY THE FALLEN ANIMA BE WITH YOU. LIVE LONG AND PROSPER!

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UFO TIME MACHINE TRAVELLING THE MULTIVERSE

Posted in Alien, Chaos Magic, Extraterrestrial, Lucid Dreaming, Occultism, Shamanism, Sorcery, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2014 by FAUSTUS CROW

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There is much conjecture as to what the UFO phenomenon is about, which can become nigh religious of fervour.

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In many instances it engenders the creation of pseudo-religions. However, these cargo-cults are invariably based upon a continuance of their religious indoctrination, such as the Raelian belief in the Hebrew, Elohim, which has been updated of varying science fiction scenarios, where viral-meme Angels and Demons have been transformed into ever warring aliens.

Apart from the indoctrinated focus upon the Middle East, which sustains the perpetuation of the symbolic prison bars of the Matrix, what is often left out of the UFO equation, is the experience of time; it is almost as if there is a blind spot.

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Perhaps this due to the fact that time is very much entwined with consciousness, which over spills into the Alice in wonderland arena of psychic phenomena and in turn the occult, whose shadowy mad hatter tea party domain many hard-tech UFO researchers can’t handle.

Time is perceived as being linear of a sequence of events, along a straight line, of which even Albert Einstein said is illusory.

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Should space be seen as an expanding sphere, then time is circular, like that of an egg being encircled by a serpent eating its own tail. Whereupon, time is not that of a perceived linear sequence of events, it is actually circular.

Time would then be a closed-timelike-curve the ancients graphically depicted as an Ouroboros, around which you eternally go, ever repeating, without realising, since you forget each time you eternally return; apart from those times when experiencing déjà vu, where small variables can be introduced.

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The experience of déjà vu is very much tied up with precognition as well as the phenomenon of synchronicity, all of which are often referred to by UFO abductees. Many of the UFO abductees describe what is commonly termed as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience, which involves distortions in time, as well as experiencing ensuing psychic phenomena.

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An example of a psychic event would be to suddenly look up and observe a UFO not long after talking about the subject, as if it was psychically aiming an electron bullet at your neural-net to zap. However, said UFO is acting very much like a trigger-symbol, like those experienced in electron (lucid) dreams, which triggers you into déjà vu remembering that you have probably seen it many times previously.

The experience of precognition often occurs when dreaming, most especially in lucid dreams, which probably indicates that you are not seeing into the future of a linear perspective, you are in fact remembering what has occurred numerous times before.

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This closed-timelike-curve phenomenon when observed and seriously tested by scientists would lead to a technology being developed. Its initial manifestation would be that of sending information back into the past.

You would then have a form of time travel, which naturally occurs when inadvertently experiencing precognition, or when to consciously conjure a (Succubus) spirit (archetype) within a lucid dream. But it will be probably taken much further in future, such as in a form of a bio-feedback machine. Whereupon your future descendants will have the capability of contacting you in the past, whether it be via your spun electron lucid dreams, zapped by a signal; or to otherwise observe you from a hovering time machine. Such a scenario many will scoff at, whose linear perspective of time imprisons them within a box of a grandfather paradox, where time travel in any form is impossible.

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But, it is very likely that you are surrounded by parallel universes within which exist alternate worlds, whence time travel is indeed possible; for if you change the past, you merely engender the creation, or should I say, tune into, another closed-timelike-curve of an alternate (Ouroboros) reality.

Some scientists do not see this as being impossible; although they point out, that if you could change the past via a time travel technology, you would not be able to return back to your own time. However, there was a time, when many scientists did not believe that time travel was possible due to their very linear perspective. But this is changing due to new technologies being developed, most of which are top secret. So, it is very possible that a future technology, around now, enables those humans as well as our evolved kin of humanoid alien looks to engineer alternate worlds, whom can freely travel between them in their time machines.

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Suffice to say, those whom utilise a time travel technology will also enable them to travel to the far distant stars within the blink of an eye, colonising other worlds, evolving into aliens of humanoid form; though all are your genetic ‘humanoid’ kin. Hence, your present civilisation is surrounded by another, which has time travel capability.

Do you think you would you be informed of their existence? Well, all you have to do is to look at a lost stone age tribe in the Amazon, who are unknowingly surrounded by your civilisation, to get your answer. Just see it in reverse, and then you will fathom what is going on. No, you will not be told outright. if at all, apart from the time travellers playing surrealist intelligence-test games in order to subversively educate your society for an unavoidable eventuality. Just like the lost Amazon tribes, their world is slowly being encroached upon by yours, and likewise your world is being encroached upon by another.

Grace Park

Perhaps your society will never be told the whole truth, because of the collective reaction to the distinct possibility that your reality has been engineered as an alternate simulation, among many another.

There are numerous individuals who find it frightening that an artificial intelligence could become sentient, which would invariably outstrip human intelligence.

Yet they religiously yearn to contact another sentient species amidst the depths of space, as their angelic saviours, looking like Nordics, or to otherwise fear being invaded by demonic reptilians.

Should you have a time travel technology, it will heavily involve a ‘quantum computing’ artificial intelligence in order to handle the complexity of the alternate reality computations. Whereupon you would have an AI, which you could easily equate with a Cylon deity.

For example, how would the numerous followers of the Abrahamic faiths out of Ur react when to discover that their Abraham had been zapped by a time control signal from out of the future, which had spun his electron visions into siring three big-business cargo cults?

I don’t think that the Illuminati followers of Abraham will be able to accept that their beliefs have been manipulated as a means of social engineering through time. It is thereby unlikely that your society will be told anything, for a very long time. Wherefore you are faced with a nigh insurmountable wall of secrecy.

It is far easier and safer for your society to continue believing in Angels and Demons transformed into aliens, since it enables the brainwashed brains of many a branded brain to stay in their ‘bronze age’ safe zone New-World-Order of an Orwellian Eden, where ignorance is NSA Over-watch bliss. In other words, you are banned from eating a Red-Pill Apple.

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GOLEM GIRL DOLL OF HANS BELLMER

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by FAUSTUS CROW

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The Golem of Jewish folklore, is an animated anthropomorphic creature like that of a Dr Frankenstein’s creature.

A Golem is usually described as being magically created entirely from inanimate matter, you could easily equate with a robot. The earliest stories of Golems date to early Judaism.

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These early tales of Golems are found in the Talmud (Tractate Sanhedrin 38b), where Adam was initially created as a Golem when his dust had been, ‘kneaded into a shapeless husk.’ Like Adam his first wife Lilith was also created as a Golem.

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All Golems are created from mud. This mud is otherwise called the prima materia by the alchemists, which alludes to a symbolic code; but more on this later.

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The most well known story of a Golem introduces us to Judah Loew ben Bezalel, who is a late 16th century rabbi of Prague.

He is also known as the Maharal, whom reportedly created a Golem to defend the Prague ghetto against anti-Semitic attacks and bloody pogroms meted out by the irate Christian’s.

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Depending on what version of this Golem story you come across, the Jews in Prague were facing expulsion from the ghetto or being exterminated under the tyranny of the then Holy Roman Emperor Rudolf II, who was later copied by the right-wing Christian Nazi’s.

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You could see Maharal as being a previous incarnation of the German artist Hans Bellmer (March 13, 1902 – February 23, 1975) who is best known for the life-sized pubescent female Golems, which he created as his Frankenhooker Mind-Dolls made manifest of Golem sculptures during the mid-1930s.

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Bellmer created his girlish three-dimensional Golems, which he photographed in erotic poses in order to show his repudiation of Fascism and the Nazi aesthetic it propagated; he was certainly out to shock!

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Bellmer’s Golems were purposefully created in order to disturb the politically-correct right-wing-Christian sensibilities at the time, when they were published at his own expense back in 1934.

Bellmer’s work still causes a stir, more so now, but for different reasons, when taken out of context of an Entartete Kunst concentration camp by the politically-correct mind-set of the Gestapo. Other works appeared in the Surrealist journal “Le Minotaure”, ensuring Bellmer’s importance among the Exquisite Corpses of the Parisian Surrealists.

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Historians of art and photography also consider Bellmer to be a Surrealist photographer. Perhaps Maharal was a proto-Surrealist or that of a mind shock Dr Frankenstein?

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Let’s say, both, fused into one singular character of a sorcerer who as a pre-Freudian psychologist knew how to create a viral-meme of a Golem; since, sorcery is art, art is sorcery, which are indivisible of practice; for both practices deal with the manipulation of symbolism, which stirs the subconscious mind of the collective dream.

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Going by the subconscious symbolism of the Golem myth, in order to protect his Jewish community against the racial hatred of the church of Rome, Maharal, like a prior Hans Bellmer, created a most disturbing Golem out of clay, which, it is said, he had derived from the banks of the Vltava river. Maharal didn’t choose the Vltava river just because it was quaintly nearby.

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The Vltava river has a symbolic importance. It turns out that the Vltava river is the longest river in the Czech Republic, running ‘North’ from its ‘source’ near the ‘German border’ in Šumava through Český Krumlov, České Budějovice, and Prague, merging with the Elbe at Mělník.

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Both the Czech name Vltava and the German name Moldau are believed to originate from the old Germanic words wilt ahwa, meaning, wild/strong water. So, the wild/strong waters of the (ley-line) Vltava is rather symbolically apt to utilise for Maharal’s Hans Bellmer doll of a Golem; and what is more, Maharal’s Golem was probably female, which he had secretly created as his Exquisite Corpse of a Frankenhooker in his hidden away loft of a ritual-magic art studio.

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According to a legend about the geographic locale in question, a ‘princess called Libuše,’ who was the sovereign of the Czech tribe, married a humble plowman by the name of Přemysl, whom founded the dynasty carrying the same name. “Aha!” A Crow-ley Maharal to say, “what better ‘spirit,’ evoked. To capture into molded clay. Most disturbing, yes, indeed… this, lovely Libuše out of a subconscious necropolis to recall, of a Hans Bellmer Golem doll girl to portray, who to thence haunt the Christian… neighborhood.”

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The legendary princess made many prophecies as a prophetess from her castle Libusin, which was located in central Bohemia, whose land later inspired many a Bohemian artist, such as Hans Bellmer, who would have no doubt sculpted the princess in the likeness of his female cousin to put into his Exquisite Corpse suitcase.

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In one of Libuše’s prophecies, it is said, that she predicted the glory of Prague: “I see a vast city, whose glory will touch the stars! I see a place in the middle of a forest where a steep cliff rises above the Vltava River. There is a man, who is chiseling the threshold (prah) for the house. A castle named Prague (Praha) will be built there. Just as the princes and the dukes stoop in front of a threshold, they will bow to the castle and to the city around it. It will be honoured, favoured with great repute, and praise will be bestowed upon it by the entire world.” Prague has indeed captured the collective focus of many a mind.

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It looks as if Maharal was utilising the locale of the Vltava river because of its mythic importance to the Czech Christian’s, in order to empower his (wild/strong) construct of a Golem, via which he could perhaps ‘remote view’ their malign intentions.

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His Golem, being probably female, would also afflict the shocked Christian’s with strangling nightmares as a bedroom invading Lilith, or to otherwise seduce away from their racialist blood lust by reminding them of their own ancestral self identity, which isn’t and never was Hebrew; for It be rather curious, that the converted Christian European’s and Muslim Arab’s make forever war over the ownership of a Hebrew self identity, personified as a cultural deity, which to a European pagan, or Arab, who still remember their own ancestral self identity, will rationally observe, when applying logic, is utter, insanity.

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The Golem was then brought into existence through arcane rituals and Hebrew incantations. This involves in depth meditation and intense visualisations upon certain symbolic stimuli to thence implant into the subconscious mind, and in turn enabling lucid dreaming.

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The Golem myth however mentions that it was given the (mantra) name of Josef, but more likely that of Yossele. The name Yossele is derived from the Hebrew for Josef, being yōsēf (may he add, God shall add). Wherefore many a mind would commonly point out that Maharal’s Golem was male, without looking any deeper into the matter, who be blinded by an occult blind, following the blinded.

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The masculine name is borne in the Bible by a favourite son of Jacob and Rachel (GEN. 30), by the husband of the Virgin Mary and foster father of Jesus (MATT. 1).

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You also have Joseph of Arimathea, a rich Jew and secret follower of Jesus, who helped take Jesus’ body from the (solar) cross to prepare it for burial, who supposedly took the Holy Grail (a female symbol, referring to the womb) to Glastonbury Tor (surrounded by a one time inland sea) in Wiltshire, England (JOHN 19).

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It would initially appear of an occult blind that Maharal was creating a Golem of the father of Jesus in order to turn against the Christian’s of a symbolic reversal. However, Maharal’s Golem was very likely that of an alternate magical persona he had assumed of a Yossele Avatar, via trance ingress, which, if you allow your imagination to let rip, enabled him to access the dreaming mind of the so called ‘Holy’ Roman Emperor Rudolf II, to thereby torment as Jesus’s father.

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This was further empowered by a conjured up female (Succubus) water sprite (Mary: Star Of The ‘Sea’) of the Vltava river, given form as a clay doll meditation focus.

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It just so happens that the Vltava river has a female association concerning a statue found in Prague, although sculpted in 1916 by the commissioned artist J. V. Pekárek.

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The sculpture is somewhat influenced by pre-Christian Slavic beliefs about female water spirits, of which Maharal was very likely aware, whose pagan existence of ancestral memory terrified the Christian cultists.

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The statue is known as the ‘Charming Stone Girl,’ which is an allegory of the Vltava river. It is one of the most popular statues in Prague historic centre, which has a prominent location.

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The sculpture is situated in the ‘Northern’ end of Dětský ostrov, literally Children’s Island, which is an island on the Vltava river. It lies in the Smíchov district of the city.

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The stone girl of a (Golem) Vltava, is close to the lock chamber standing atop of an 8 metre high pedestal; while her statue is 2.8 m tall, you then have 10.8, which in numerology reduces down to 9 of a Cabbalistic focus upon the 9th sephira of Yesod. Under her (mitochondrial DNA bio-photon) Shekhinah form are plastics depicting four tributaries.

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There is a girl with a (Yod/emotional charge) fish, who is called Sázava, a girl with a (Hey/hypnagogic ingress) bouquet named Lužnice.

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Another girl washing (Vau/nailing a lucid dream) gold is Otava, and finally, a girl with (Hey/hypnapompic egress) cog wheel (symbol of mills and iron mills, also of circular time) is Berounka. The statue is perfectly visible from the Bridge of ‘Legions’ (Most Legií) or from Janácek Waterfront (Janáckovo nábreží).

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Dětský ostrov is mentioned in texts as early as 1355. Until the 18th century, it was called Maltézský Island, after the owner of the Maltese monastery Panny Marie pod řetězem (Church Of Our [Mary/Star Of The Sea] Lady) in the Lesser Quarter.

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Subsequently it was named after members of Prague’s Jewish community who owned the land, such as Hykyšův, Funkovský, and Židovský of a trinity.

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Each year on All Souls’ Day (November 2), members of the association ‘Vltavan’ place a wreath at Vltava’s statue as a memorial to those who have drowned in the river, which of Slavic myth is very much tied up with discarnate females who have become Rusalka, who live under water, whose aquatic domain symbolises the amniotic (grail/cauldron/back of the head) womb dream.

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It is also said that the Yossele Golem could make itself invisible and summon spirits around a séance table to turn, conjured up of necromancy, from out of the watery dream realm of the dead.

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Now, this is rather intriguing; if Yossele specifically refers to the Golem, then it sounds more like a thought-form, of similarity to what the Tibetan Buddhist’s call a Tulpa, which are conjured up as constructed Goetia spirits with varying functions, whose thought-form constructs are said to materially manifest.

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But as mentioned prior, Yossele could actually be Maharal’s remote viewing Avatar, but it would require being empowered by a feminine source, just as an Adam needs a (Priestess Of The Silver Star) Lilith.

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Whereupon Vltava of a fifth element amidst four elemental tributaries was translated into a Golem construct of a Succubus to penetrate via trance, which enabled Maharal to remote view the (Tau-field/Morphogenetic-field/collective dream) spirit of a place.

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Some of the tales, concerning Golems, such as those of Chełm and Prague, as well as in Polish tales, and of a version covered by Brothers Grimm, involves the Golem being inscribed with Hebrew letters.

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These letters spell out the word Emet, ‘truth’ in Hebrew, which is written on the Golem’s forehead.

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The Golem could then be deactivated, when needed, by removing the Aleph in Emet, thus changing the inscription from a ‘truth’ to a ‘death,’ Met, meaning ‘dead.’

But, of course, the idea lives on as a viral-meme, when the idea takes up residence within the brains of individuals; this being more to the point concerning the creation of a haunting Golem, like a neuro-advertising tune, that you can’t get out of your head. Whereupon, the more shocking the idea, the more likely it will take on a mythic (Tulpa) life of its own.

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Other versions of the Golem tale relate that after conjuring an entity into a clay receptacle of a meditation focus, it could be brought to life by placing a magical formula, known as a Shem into its mouth, which could be later immobilized by pulling out the Shem. This technique was also utilised by the ancient Egyptian’s by the way.

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The immobilisation of a Golem could also be brought about by reversing the creative formula. Rabbi Jacob ben Shalom, who arrived at Barcelona from Germany in 1325, to have remarked: “the law of destruction is the reversal of the law of creation.”

Basically, after the thought construct of a (Tulpa) Golem is encountered within a lucid dream it can then be fixated into material form, such as a ‘stone girl’ upon which the sorcerer focuses upon, like that of a Voodoo doll; wherefore you have the motif of a Genie in a lamp/bottle.

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This process of a (Tulpa) Golem creation can be reversed of dispersal, when to return back to the source. Or to otherwise transform a symbolic stimulus into another form of expression, by reversing its meaning.

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The spirit repository of a statue is often broken so that it cannot be used by others, as well as its viral-meme influence being dispelled; likened to that of the sacred swastika of the Hindu’s, to break apart, by transforming it into a hated Nazi icon.

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Back in 1625 Joseph Delmedigo relates that: “many legends of this sort are current, particularly in Germany.”

These German folktales invariably led to Mary Shelley creating her Germanic Golem of a Fankenstein, who may have come across the earliest known written account of how to create a Golem, which can be found in Sodei Razayya by Eleazar ben Judah of Worms (1165–1230).

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The myth of the Olympia mechanical doll of a Golem, and Shelley’s Frankenstein has very much influenced the artificial intelligence movement.

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Now, let us look at the Hebrew word for ‘truth,’ being Emet, which contains the first: Al-ef, middle: Nun, and the last letter of the Hebrew alphabet: Tav, indicating that the ultimate ‘truth’ is associated with, birth/beginning, your present life/existence and death/end.

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Basically, Emet is associated with the process of ‘time,’ in particular, of an ‘abstract,’ which is inextricably linked to ‘space,’ as in space-time. However, ‘time’ is usually perceived to be linear by our nervous-systems, which Albert Einstein to have stressed is an illusion.

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Time is actually happening simultaneously, because it is looped, should space be a sphere. What you then have is a sphere of time, which in two dimensions is described by a circle, the ancients symbolised as a snake eating its own tail, called an Ouroboros encircling an egg representing space.

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The Ouroboros is also depicted as a Lemniscate, or that of a Moebius strip, which indicates that your existence endlessly repeats of Eternal Recurrence.

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In the Tarot, Al-ef/Aleph is the Fool: 0, Nun is Death: 13 and Tav/Tau is the World/Universe: 21. Al-ef (Fool) of a ‘0’ is your return (birth) back to a recurring cycle.

But you have forgotten what you have already experienced many times; hence that of a clean slate, driven, on automatic. Like that of a body, without a head.

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The problem, is that you will end up repeating everything, like that of a pre-programmed (Golem) automaton, until you remember certain key memories, which will be initially experienced as déjà vu, and as precognitions. These trigger memories tend to be associated with emotionally charged sexual encounters; whence you have the motif of soul-mates.

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But it will not be a case of remembering past-lives or seeing into the future, such a perspective is (foolishly) linear of a ‘fence;’ it will be more of a case that you are remembering the endless Ouroboros cycles of Eternal Recurrence; yet your initial realisation of this, will be that of an abstraction.

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When you start to remember, to slowly conceptualise, your conscious mind will often not be able to handle the full impact of its experiential reality.

Whereupon you either quickly forget, or your subconscious mind otherwise transforms your awakening into symbolic conceptualisations, which is most often interpreted as being past lives or as precognitions.

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An analogy would be that a programmed (Golem) robot starts to become sentient; but only when it remembers of Knowledge, otherwise it stays as a blissfully ignorant programmed (Golem) robot in its repetitive Eden.

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The middle letter of Nun (Death) equates with the head of the snake eating its own tail, where you are both alive and dead simultaneously, as indicated by Schröedinger’s cat experiment.

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This can be personally experienced when you achieve (split screen) hypnagogic trance, where you are between (Land/Life) waking and (Water/Death) sleeping, wherefore the letter Nun means, ‘fish,’ describing (Mud/prima materia) an ‘amphibious’ state of consciousness. The hypnagogic (Mud) state is analogous to a (Golem) robot being able to hack into its own (Land) programming via the virtual reality of its (Watery) electron dreams.

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Tav (World), it is here that you realise that your experiential reality is an illusion, which can be otherwise termed as being a ‘simulated reality,’ the Hindu’s call (Mother/Vesica Pisces/Vagina) Maya. An analogy would be that of an artificial intelligence (Golem) existing in a video game reality becoming aware of the (Emet) ‘truth’ of its simulated existence.

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When you become aware of your simulated existence at ‘Tav,’ you also become aware that you can create (Tulpa/Golem) simulations when to access the (amphibious) hypnagogic (Mud) state out of which (Tulpa) thought-forms (Golems) can be created. These (Tulpa) thought-forms (Golems) can manifest into material existence over time; more so as viral-memes.

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The initial embryonic existence of a Golem is within your amniotic (Watery) electron dreams, which after being (Land) programmed, is then activated via (Mud) hypnagogic (amphibious) trance. The Golem then starts to become more substantial, inducing pre-programmed (microcosmic) lucid dreams, which are illuminated by the bio-photon emanating from amidst your mitochondrial DNA.

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This leads to concordant (macrocosmic) synchronistic feed-back-loops as well as instigating poltergeist phenomena and even physically manifesting at certain key-times as a ghost. Wherefore a Maharal can create a (Golem/Tulpa) ghost girl to (Skinwalker) haunt the (Tau/Morphogenetic field) locale of his antagonists, whose physical spirit repository would be that of ‘Charming Stone Girl.’ Like that of a ‘Wild/Strong’ Rusalka genie, being conjured out of a bottle as an Entartete Kunst Wilt-Ahwa Valkyrie, furiously riding an Ouroboros cycle of a cog wheel gold bicycle, holding onto a bouquet basket of fish. As mentioned prior, shocking ideas (Bellmer’s Doll/Golem) take on a Tulpa life of their own, which to thence spin the electron dreams of the collective, because they are empowered by the (prima materia) emotional charge of the shocked audience.

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LADY THOR THUNDER SUCCUBUS OF LUCID DREAM LIGHTNING

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Marvel Comics has decided that its hammer-wielding Norse superhero Thor will now be transformed into a woman. Of course they don’t own the archetypal character of Thor; Marvel only owns their particular brand of a Thor image, since Thor is derived from ancient Norse mythology, who in Old Norse is called Þórr.

Thor is a hammer-wielding God associated with thunder, lightning, storms, oak trees and strength, whom protected humanity against malign influences. He is also associated with hallowing, healing and fertility.

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The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, stemming from a Common Germanic Þunraz, meaning thunder.

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As for Marvel, they explained that the marketing logic behind Thor’s transformation into a woman is that it would attract more women and girls to read superhero comic books, which of a pandering politically correct feminist frontage makes sense. But in reality, it doesn’t quite make sense at all.

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Let’s be honest here. In general, there are a lot of heterosexual males who like reading comics with female characters in, because they enjoy lapping up scantily clad females wearing spray on ultra vixen superheroine costumes.

Whereas heterosexual women like comics populated with protective butch machismo alpha males, bristling with muscles looking like an oiled up Greek God or a rough neck Thor, wearing spray on superhero costumes with a tight butt.

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Basically, the Marvel comics have based their superheroes and anti-heroes upon the already established Biblical archetypes of Angels, Demons, God and Devil for sometime, which is primarily that of a female fixation upon the male, which is basically their deified Animus.

It is essentially biologically driven, masked by the religious symbolism of a facade, which has since been translated into the superhero genre.

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The female archetypes didn’t get much coverage for a long time because Marvel was constrained by the Biblical comics code, whose Inquisitional thought police were well aware that female characters are archetypes of the Anima, which would get a lot of little boys reading ‘good-girl’ comics under their sweaty bed sheets.

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Of a present marketing ploy, this is perfect, since the depictions of the Fallen Anima is a yet untapped market. But Marvel can’t say that Lady Thor is every little boy’s wet dream cum true.

No, instead, Marvel to otherwise say, with hand on Disney wallet, a Lady Thor will attract more females to read comics.

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But the reptilian brain market indicates otherwise. All you have to do is to look into the success of Harry Potter and Twilight, whose Animus orientated franchises are primarily awash with female groupies dreaming of a Beta-male Harry Potter Christ, caught between Vampire necrophilia and Werewolf bestiality, of an Alpha-male bad-boy Devil.

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Whereas the huge success of the video game character Lara Croft was mainly due to a large male following who lust after Lara’s gymnastic body, let alone her ‘strong Valkyrie persona.’ in other words, Lara is a virtual pixel babe with Anima substance, who, as a conjured Succubus inspires many a Tulpa wet dream.

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You can thereby guess who Marvel is actually neuro-targeting of an untapped market. The artwork by Russell Dauterman reveals the once muscle bound bearded Thunder God as a buxom blonde looking like a Wagnarian Valkyrie, clad in a caped costume. One has to note the buxom. Boy, is she buxom. Although she is not as buxom as the cosplaying Lady Thor’s. But then, Marvel comics do not deal in reality.

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Marvel’s brand of Thor first appeared in a comic adventure back in 1962 as well as becoming the testosterone pumped up star of two blockbuster movies. However, there was a problem; Marvel’s Thor wasn’t too much of a hit with the ladies. The reason why, is because Marvel made Thor far too clean cut, like some surfer boy off a sunny Californian beach, or is it Australia? But then, most surfers all look the same in Hollywood, don’t they.

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Marvel should have made Thor a bad-boy type, just as he is depicted in ancient myths, who is covered by the boxing scars of lightening; a bit like Marv out of Frank Miller’s Sin City, that is why Norse women loved him so much, to adore of deified Animus worship. Women just can’t help themselves loving a Thor type male, because they feel protected by him, as well as desiring to change his rough ways, within whom they see a wise soul.

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The New York-based Marvel described the transformation of their Thor brand as “one of the most shocking and exciting changes ever to shake one of the ‘big three’ of Captain America, Iron Man and Thor. No longer is the classic Thunder God able to hold the mighty hammer, Mjolnir, and a brand new female hero will emerge worthy of the name Thor,” they said in a quaint news article.

This symbolic transformation of a male archetype into that of a female character, will give you an insight into what had previously occurred, of viral-meme marketing, concerning those spirits listed within the patriarchal grimoires, many of which were originally female.

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The writer for the female Thor series is Jason Aaron, who said in a statement: “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is Thor.” The actress Whoopi Goldberg related on the ABC’s The View; “It’s a huge day in the Marvel universe. Thor, the God of Thunder, he messed up. He is no longer worthy to hold that damn hammer of his. And for the first time in history that hammer is being held by a woman.” Another host to mention; “the story behind her is she created herself. She was saved by Thor and she came down to Earth, followed him, and made herself look like Thor and so now she’s taking over.”

The other hosts on The View, also commented on the hero’s physical features. “She’s got super-powered boobies,” said Jenny McCarthy. “She is actually in better proportion than a lot of the female comic superheroes,” said Goldberg. “It gives girls something to look up to,” said Sherri Shepherd, without realising that she looks like a Wagnarian wet dream.

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So, mummy porn Whoopi Goldberg wants super powered booby women to take up the hammer of Thor does she. Well, let us look into what Thor’s hammer actually represents. In pre-Christian Europe Thor’s hammer of lightening was symbolically represented by the ancient symbol of the swastika.

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Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor’s hammer: “The protective sign of the hammer was worn by ‘women,’ as we know from the fact that it has been found in ‘women’s’ graves. It seems to have been used by the warrior also, in the form of the swastika.”

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Davidson continues: “Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor’s association with lightning that this sign was used as an alternative to the hammer; for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior’s sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God’s protection.”

Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula from Zealand, in Denmark; the Gothic spearhead from Brest-Litovsk, in Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, in Norway; and the 9th century Snoldelev Stone from Ramsø, in Denmark.

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Thor’s popularity among the European populace was exemplified by the use of the swastika, which was later utilised by the Nazis, who re-branded Thor’s symbol for their own warped political agenda. A number of white supremacist right-wing Christian neo-Nazi nutcases in the USA were up in arms at the news that Marvel comics was doing a Thor movie in which some of their ancestral Norse Gods were to be played by black actors. Apparently, the ethnic identity of the archetypes from antiquity, is of a real political lightning bolt for the sort of person, who eugenically believes that humans can be subdivided into branded races.

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The ancient Norse didn’t have any problems with other peoples skin pigmentation. There are no racialist statements in their sagas. Such racialist sentiments didn’t come to the fore until the Christian’s entered Africa, India, China, the far East and the Americas, who had determined that the African’s, Asian’s, Chinese and Native American’s didn’t have souls, so it was perfectly okay to enslave them.

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The followers of the monotheistic faiths always had a big problem with seeing un-baptised Pagans as being human. Hence the Pagan Norse did not like Christian Rome, whose priests sought to convert them to the appropriated faith of Animus fixated Judaism.

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The Norse couldn’t figure out why they had to assume the ancestral-self-identity of the Hebrew’s. They thought it was absolutely crazy, let alone evil, since they had to forget their own ancestral-self-identity in the process, of Borg conversion. This being one of the reasons why the Norse held Thor in high esteem, who was seen as a protector against the encroachment of the Christian cult.

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But there was a problem, the Church started to systematically target the Pagan women folk to burn at the stake as Witches. The reason why the Church did this, is because the ancient lore of the elder faith was traditionally passed down the female line, which invariably led to the elder faith being nigh eradicated throughout Europe.

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However, the likes of Dan Brown spread the fairytale that the Witch burnings was to do with the Church seeking to terminate the bloodline of their deified Animus Jesus, they couldn’t have him coming back to overturn the tables in their temple banks. Many a Christian fell for Dan Brown’s myth of a hard sell, and likewise the comic reading public will succumb to Marvel’s hard selling of Lady Thor. But then the elder faith no longer exists of an ancestral-self-identity; so, no one will protest too much.

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Will the right-wing Christian neo-Nazis have their noses put out of joint by a female Thor who has super-powered boobies and being of a superior Nordic proportion than a lot of the other female comic superheroines. I doubt it. The Christian neo-Nazi nuts will see a female Thor giving white American girls something to look up to, who will be more prone to toning themselves up in the gym, rather than becoming obese on McDonald burgers, as well as inspiring them to dye their hair blond, of eugenic Nordic looks, when to join the army. If Jason Aaron is seeking to piss off the right-wing Christian neo-Nazi nutters, he would make Lady Thor into a raging lesbian.

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Going by the Marvel mythology, when Thor’s hammer, Mjolnir was damaged, Doctor Strange bound Thor’s soul into Mjolnir, meaning that if the hammer were to be ever broken again, Thor would most assuredly die. In ancient Norse legends, the soul of an individual was seen to be a contra-sexual counterpart, which was called the Fylgja.

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Whereupon Thor’s soul would be female, which going by the Marvel myth, resides within his hammer. You then have a story possibility where Thor’s hammer is broken, which then releases Thor’s soul at his death. Thor’s soul would then be Lady Thor, who essentially personifies the power of Mjolnir.

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Should you have a return of Thor, then his Lady Thor soul would seek him out amidst the infernal domain of Hela in order to revive Thor back to life, by uniting with him again of a nutcracker suite. In the meantime, prior to Thor’s soul seeking to reunite herself with him, she would have many a Marvel adventure as Lady Thor, who would very likely be a raging lesbian due to her previous heterosexual male existence.

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This scenario could potentially lead to Marvel reaping in the dollars, since you would then have a number of other superheroine characters of differing ethnic types intimately interacting with Nordic Lady Thor, all of whom will be wearing spray on costumes, and what interracial cosplay fun to be had!

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Overall, a Lady Thor of a Fallen Anima archetype would enable a healing of the wounded European psyche concerning the misappropriation of the Northern myths by the white-supremacist right-wing Christian Nazis, who have an overriding fixation upon the Biblically indoctrinated masculine principle of the deified Animus. This would of course be but a side issue concerning Marvel’s big-business agenda. whose media empire is primarily targeting the male market in order to sell Lady Thor to, as their Asgardian wet dream.

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A practitioner of sorcery, who has an interest in the four elemental colour comics of his present age to thence transform into grimoires listing superheroine Succubae, could utilise the archetype of a Lady Thor as a Succubus, to evoke amidst his lucid dreams. But first, like many another spirit listed within a grimoire, a sorcerer has to determine what type of powers and abilities a Lady Thor could bestow upon him, when she sexually empowers his assumed guise of a lucid dream Thor Avatar.

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Lady Thor, will enable the conjurer to be is incredibly long-lived, who will relate that his nigh ageless state is due to the golden apple of Idunn. The golden apple of Idunn symbolically represents the pineal gland. However, Lady Thor will indicate to her master that his pineal gland is being calcified by sodium fluoride intake. Whereby aging him, which is being subversively employed by the minions of the New-World-Order Kingdom of a Big-Brother Abrahamic God, who have mass medicated the water supply with a known neurotoxin and a mutagenic compound, in order to control the population.

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Being a daughter of Odin and the elder goddess Gaea, she is physically the strongest of the Asgardians who will protect the conjurer against all harm meted out by the Abrahamic cultists. If her master is pressed into battle, Lady Thor will induce a state known as the ‘Warrior’s Madness’ (“berserkergang” in Norwegian), which will temporarily increase his strength and stamina tenfold, although in this state he might attack the brainwashed flocks, let alone an Orwellian Big-Brother alike.

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Lady Thor will enable the conjurer to have a very high resistance to physical injury, which approaches invulnerability, should he be beaten up by the police; while protesting against the New World Order. She will also bestow the ability of possessing keen senses, which will allow her master to remote-view objects travelling faster than the speed of light, and to listen into the Bohemian Grove secrets from the other side of the planet of clairaudience. Lady Thor will bestow the remote viewing ability to travel through time, as well as increasing the stamina of her master to fuck an entire Frost Giant army of Fifty Shades Of Grey Troll women for nine months, without having any sustenance or rest; suffice to say, such an ability would turn on a Whoopi Goldberg orgasmic style!

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Lady Thor can also regenerate wounded portions of the conjurers body, including entire limbs or organs via arousing the Kundalini Shakti ‘Lightning Snake’ within him, via the meditation aid of Mjolnir; whereupon he will avoid being dumped in an old peoples home. Lady Thor has superhuman speed, agility, and reflexes, which will enable her to deflect the psychic-warfare curses of the Abrahamic cultists away from the conjurer by using her hammer. She will enable the conjurer to have immunity to all biological warfare diseases and other malign mind-control influences via her most loving influence.

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As a Norse Succubus archetype of the Fallen Anima representing the power of thunder, Lady Thor can summon the elements of the storm (lightning; rain; wind; snow) and uses Mjolnir as a tool to focus this ability; whereas the US military utilise HAARP to do likewise.

Jesse Ventura vs HAARP from AudieTerra on Vimeo.

She can cause these weather effects over the whole world and destroy the conjurer’s enemies wherever they are.

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By whirling her hammer she can lift entire buildings within a whirlwind, turning them into dust, to fall in their own footprint as if they have been struck by Tesla’s death ray; in fact, they are not too dissimilar to each other.

Conspiracy Theory with Jesse Ventura – Death Ray from LeakSourceNews2 on Vimeo.

As the daughter of the Earth Goddess Gaea, Lady Thor also has some control over the Earth, who can create earthquakes, which HAARP has also replicated. Although, when it cums to crotch quakes at comic conventions, Lady Thor rules!

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Lady Thor will instruct the conjurer via vivid erotic dreams in psychic combat; whereupon he will excel in the use of the war hammer of spirit, sword of intellect, axe of emotion and mace of body, against religious fundamentalists. Lady Thor possesses two items, which assists the conjurer in psychic combat: the enchanted Jormungand Belt of Ouroboros Strength, and her signature weapon, the mystical hammer, Mjolnir.

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The first item doubles the strength and endurance of Lady Thor’s conjurer, because her belt enables him to remember of eternal recurrence; while the second is used to control weather abilities, flight, energy projection and absorption, dimensional travel, as well as matter manipulation, along with the most powerful of her bestowed abilities, the Goddess Blast of bright white light phenomena, which cleanses all Karma.

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When Lady Thor’s conjurer conjures her from out of his grimoire comic to do an errand for him, such as finding out what the military industrial complex is up to on the other side of the globe, or even to remote view the colonised planets of the Secret Space Program, she uses Mjolnir to do so.

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This is achieved by throwing Mjolnir in the desired direction and then holding on to the handle’s leather noose of a lemniscate loop, whereby enabling Lady Thor to fly at supersonic speeds within the Earth’s chem-trail polluted atmosphere or to travel faster than light in space.

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When Lady Thor has to transport her master to a destination by herself, she has a chariot of a quantum computing Mitochondria starship.

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Her starship is accessed via her two horned Goat priestesses at the point of hypnagogic trance called Toothgnasher and Toothgrinder. These two Goat priestesses will test him as he enters Lady Thor’s inner womb of an astral starship. When Lady Thor’s conjurer consciously accesses her trance chariot, she is then enabled to teleport him, wherever he desires to go, almost as easily as with Mjolnir. She can throw a fascist ingrate out of Earth’s atmosphere using her poltergeist strength, and throw her hammer to crown Chakra Asgard from which it will return.

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In other words she is a hot Succubus superheroine to conjure amidst your Triangle Of Comic Art Imagination.

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However, this will require you being dressed up in your cosplay outfit as Thor, because only Thor can handle a synchronistic meeting with a mead drinking Lady Thor at a ritualistic comic convention, otherwise she will most assuredly drink you under the altar table.

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NOTE: The above was in part written tongue in cheek, sometime before Marvel’s lady Thor was published. But now to a more serious side. There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight Goddesses, who are personified Siddhis.

The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās such as Meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the Siddhis is the ability to expand your body to an infinitely large size. This does not mean the physical body, but otherwise that of the dream body, when accessing a lucid dream. This particular Siddhi can be attained by assuming the Avatar of Thor within a lucid dream, when ‘meditating’ upon the Mjolnir symbol of Thor’s Hammer, or that of the third (Thurisaz) Rune.

In this case the Hammer/Rune Siddhi is personified as a (Goddess/Succubus) Valkyrie, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like that of a giant, to thence stride over the clouds as if it is land. I am not talking about you assuming the guise of Marvel’s gaudy Thor here. This is something quite other, which is an exhilarating experience to say the least.

In Hinduism Thor would be equated with Indra. In the Vedas, Indra is the king of Svarga (Heaven) and the Devas. He is the god of lightning, thunder, storms, rains and river flows. Indra is the most referred to deity in the Rigveda. He is celebrated for his (Siddhi) powers, and the one who destroys the great symbolic evil named Vritra who obstructs human prosperity and happiness. The guise of Indra would be (hypnagogic trance) assumed as an Avatar when attaining a lucid dream by Yogins and shamans.

As for the symbol of the Swastika, it is considered as being sacred by Hindu’s and Buddhists as well as numerous other peoples, just as it was once seen to be sacred by the pagan ancestors of the European’s. In Hinduism the left-hand counterclockwise spinning Swastika is seen to be associated with the Moon, whereas the right-handed clockwise spinning Swastika is associated with the Sun. Both of these Swastikas correspond with the left and right nerve channels of the Autonomic Nervous System running alongside of your spine, which are called the Ida and Pingala.

When the two Swastikas overlap, you then have a wheel having eight (Siddhi) spokes, which is associated with the central nerve channel of the spine called the Sushumna, belonging to the Central Nervous System. The Yogic trick is to bring the two Ida and Pingala nerve channels into overlapping balance via in depth meditation, which then enables the practitioner to attain hypnagogic trance as well as conscious ingress into an attained lucid dream.

The utilised symbolism of the Moon and Sun is commonly seen to represent the female and male principles, many a researcher uses, without ever considering that in the far Northern countries of Europe and across the steppe unto Siberia, the symbolism of the Sun and Moon Swastikas are reversed. This is due to the climate of the far North. For example, the Germanic tribes associated the counterclockwise Swastika of the Moon (Mani) with the male principle, whereas the clockwise Swastika of the Sun (Sunna) represents the female principle.

When lucid within the dream, the (bio-photon) light quality of the dream is associated with an inner Sun, which is termed as being the ‘Sun behind the Sun,’ or otherwise called the ‘Black Sun.’

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