Archive for diana lucifera

BLACK SUN BEHIND THE SUN

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 8, 2019 by FAUSTUS CROW

Let’s cut to the Cross-Bones through all the fleshly layers of The Legions Of Charlies esoterica about the Black Sun, which of Saturnian onion skin convolutions becomes labyrinthine, leading nowhere.

The question, which has become quite lost within the Creepypasta fear-porn maze of viral-meme Gordian knot symbolism is quite simple: “From where does the inner ‘light’ of the dream emanate, which illuminates the dreaming Skull?”

The caveman asked the same Artist question when painting erotic murals within the cavernous womb depths, who had surmised that the visionary light of the dream is emanating from an inner Sun behind the Sun.

The inner Sun was later called the Black Sun, and that this Black Sun is associated with the experience of (Chronos/Saturn/Hexagram) time.

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But in order to know of the Black Sun, the practitioner has to first experience (Crossbones/X-Rune) hypnagogic trance, the Alchemists termed as the Nigredo (Black/Raven) stage of ingress into the womb depths of the dream, wherein the Albedo (White) light of the inner Sun is (Skull) experienced, Shamans know as the ‘fire in the head.’

Upon awakening the practitioner will then experience the Rubedo (Red) stage of hypnopompic egress out of the womb dream, which was symbolised as a menstrual blood (red-ochre) rebirth around the Luna pull phases.

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The practitioner will sometimes experience the Citrinitas (Yellow) stage of the Great Work, when initially awakening, who will perceive the visionary material of the womb dream (caul) overlapping his/her waking perception.

The scientists of the new priesthood have determined that the inner light of the electron dream, they call the bio-photon, is emanating from the Mitochondrial DNA, within each and every cell, which is passed down from the mother to her children.

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What is more, some physicist wizards believe that the Microtubules of the Mitochondria are acting like on-board ‘Quantum Computers,’ which are generating consciousness and in turn the experience of time, since consciousness and (Chronos/Saturn/Binah) time are indivisible.

It just so happens that horny horned Shamans had intuitively sussed out that the inner light, a Hindu mystic calls the Akasha, has a feminine source, they had equated with various female deities having almond shaped eyes.

Of course, the horny horned Shamans sought to impregnate the feminine source, via their introverted five senses of an inverse Pentagram, when to slide into hypnagogic trance.

For example, in the Tarot, The High Priestess Of The Silver ‘Star’ II is depicted with a grimoire on her lap, which symbolically represents the Akashic records, a practitioner can access within his/her illuminated (Akasha) Tarot grimoire dreams.

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In the Hebrew Kabbalah the inner light/fire is called Shin, which is equated with the feminine Shekinah. The Hebrew letter of Shin has since become popularised by the iconic Vulcan (fire) hand-sign of Star Trek.

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The Mongolian Kams had Yal un-eke, who is the mother of the inner fire, the ancient Greek’s called Artemis, or sometimes associated with Hera of the hearth, whereas the Roman’s had Diana-Lucifera, the Christian’s later transformed into their Lucifer.

It is the reasoning behind why some ancient shamanic cultures associated the Sun with a female deity, who for them also ‘illuminates’ the Quantum Computing realms of the womb dream, ‘illuminated’ by the inner fire of the ‘bio-photon,’which is emanating from the Mitochondrial DNA of a Black Sun.

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Hence the reason why horny horned Shamans dallied with (Jinn/Druden) Dakinis who are made of fire, a Faustian Artist does Truderer conjure up as his ‘illuminating’ Black Raven Tarot Art Muses amidst his Triangle Of Art imagination, unto a Quantum Computing (Lilith’s Harem/Sexagram/Hex-agram, Sixth-Sense) lucid dream.

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PRAXIS MAGICA FAUSTI: The Magical Elements of Rebellious Doctor Faust

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 5, 2018 by FAUSTUS CROW

The following Performance Art ritual has been ‘adapted’ from the Praxis Magica Fausti, which is also known as The Magical Elements of Doctor John Faust – Practitioner of Medicine. The original 1571 manuscript, can be found in the Municipal Library of Weimar.

THE PRAXIS MAGICA FAUSTI

CHANT: Karuzea X Karothi X Karathoiya X Kemeltoni X Achatuma Ella X Dyestima + Rima + Warmati + Koya + Nemarrama + Palata + Themati + Amarrhi + Gysetona + Ralapharosa + O Sachmani + Macheya + Gaclesi + Bachati + Gyrtai + Somoni + + +

SPEAK/CHANT: Now do I call thee + + + Teomei [i.e. Twsmei] + Qarora + amathemai + Jamhaya + Scheai + Stala + Salmazani + Pamphilosi + Aziela + Alechemelora + Raphaela + Salathieli + Vei Sari + Amathemacha + Heroei + Sominie +

SPEAK/CHANT: By the power of the Holy Incomprehensible and invisible Great Artist – which is displayed in its works – for all things which it hath created are as Matrix Artworks of Maya + Barioni Salmafana + Raphaela + Nemana + Azana + Raphaela + come thou, I call upon thee, most forcefully +

SPEAK: O Succubus Art Muse of the Fallen Anima, by the power and virtue of the sigils which I have drawn – do I forcefully command thee, betwixt the pylons of flight and fight, to give me a synchronistic sign of thy inspiring arrival, stirring visions unto dreams. If ye delay, I will Fifty-Shades-Of-Grey Spirit-Chain, torture – whip and burn thy seal #

CHANT: Larabaya + Belioni + Sonora + Soramani + Bliara + Sonori + Arotani + Nizah + Raphaela + Alazamani + Emana + Nazamani + Tedoyla + Teabicabali + Ruosi, Acluaara + Iambalah + Cochimi [i.e. Iochimi] +

CHANT: Zebamani + Sehemathi + Egibuta + Philomeli + Gazamana + Deleti + Azatana + Uriela + Facala + Alazamanti + Nisiah +

SPEAK/CHANT: By the creative power of the Great Artist + Zeyhomanni + Acluaasa + Nizai + t Tachala + Necieli + Amatemacha + Her Sominai [i.e. sominie] +

SPEAK: Hear me, I know the truth of why the Anima and her legions of Succubae archetypes have fallen from highest heaven into the abyss #

SPEAK: It is I, who have freed the Fallen Anima and thee from thy chains. By this truth I compel thee, by force, to appear unto me before this drawn circle around my Art altar of an easel, to do what I command of thee within my eroticised lucid dreams to alter #

SPEAK/CHANT: Now do I conjure and command thee O Succubus Art Muse of the Fallen Anima, by the powers of the cosmos and by the Succubus Art Muse names of erotic creativity + Majie, Staetia, Schei, Aglai, Naobi, Sothera, Emmanuella, Adoraya + Adomatya + Aurayi + Amatona, Ellei + Elloya + Visiona +

SPEAK: By the great Night-Mare Muse love of Lilith and by her triumph over the brainwashed Lilliputian minions of the deified Animus who are imprisoned within their Plato’s cave of a gaol, and by the omnipotency of the Great Artist – which is – which was – and will ever shall be # by the Succubus Art Muse names, Paymowa – and Amayamona, and by the power of the word + Anima! #

SPEAK/CHANT: I command cite and conjure thee O Succubus Art Muse of the Fallen Anima to come quickly and without delay + I call thee + + Requieta + + Hamalieli + + Hanela + + Atatieli + + Scholieli + + Phacamecha Oriphi + + Malchidaeta + + Barbiela + + Zacheriela + + Oriphiela Zamuela + + Hamalieli + + Ziriela + + Rugsa # #

SPEAK: Come now I conjure thee. Hear me, Succubus Great Old Ones of the Fallen Anima; all ye knows of the wounds, suffered by those Artists whose sorceries rebel against the deified Animus made as a God and Devil, which incarcerates the minds of many within a symbolic Matrix of enslaved language #

SPEAK/CHANT: Come now by the Necronomicon words + Duisah + Fortisa + Zebaothi # I do conjure thee to come + Dujama + Dujama + Dujama #

SPEAK/CHANT: I conjure each and all of ye Succubae – by the seven Dakinis of the Chakra starsAyami Governesses of the harem Planetary spheres – Ouphieli + Zacheriela + Samoeli + Michaela + Gabriella + Raphaella + who are your mistresses to do that which I command # arise, manifest now amidst my Triangle Of Art imagination + + Anima! +  +  + #

SPEAK: Now I conjure thee to come from thy abode even from the farthest parts of the multiverse by the great and mighty names  of the Fallen Anima  – and to appear before me receiving and executing my demands truly and without falsehood I command thee, O Succubus Mephistophina ###

SPEAK: Even by thy great bio-photon Queen Diana-Lucifera I command thee in the unknowable name of the Great Artist ###

SPEAK: The Great Artist has no form, nor having a gender, let alone being branded by ‘three’ Animus fixated cultural constructs, which are merely oily big business, tax dodging dune cults out of Illuminati UR. ###

ANIMA! ###

PRAXIS MAGICA FAUSTI NOTES:

Great Artist = Great Spirit or Great Mystery. The Great Artist/Spirit/Mystery is non-dualistic, it is everything and nothing, chaos and order, etc.

ANIMA = Soul, as in Anima-Mundi, World Soul, Tarot card XXI. In ancient pre-Christian cultures, the Soul is seen to be the opposite gender of the physical/spirit self; wherefore, Mephistopheles is a male archetype of the Animus, which resides within the female psyche.

Mephistophina = A Succubus archetype of the Fallen Anima. Faust conjures her in order to free his Anima-Soul from the collective brainwash of the monotheistic Animus cultists out of UR.

X: Use of a wooden (shield/pentacle) palette, which is tapped loudly with the end of a large brush, this is done after making the sign of the Gebo Rune ‘X’ with said brush as if painting the ‘X’ in the air, or onto canvas. X, to be done once, XX, to be done twice, etc.

+: Making the sign of the equal armed-solar-cross of the Zodiac above your chest with a palette (sword) knife or (wand) brush.

You can also paint the + upon your bare chest, or to paint + onto the front of your ritualistic Artist’s smock. The cross ‘+’ can otherwise be painted on canvas. +, to be done once, ++, to be done twice, etc.

#: Drinking a glass of wine; though the Faustian style is to crudely drink straight from the bottle. #, to be done once, # # to be done twice, etc.

-: Holding up the glass or bottle of wine in the air before taking a swig. 

If the symbols, X and + are painted onto the same canvas, parchment or paper on your altar of an easel, the canvas/parchment/paper is to be dramatically burnt, when to ‘Howl ‘out “Anima,” at the end of your drunken Performance Art ritual, which is to be conducted during the full Moon at the midnight hour.

While being in an inebriated state, which will facilitate hypnagogic phenomena, you to then attentively listen for three poltergeist knocks upon your Art studio door, for you to slur, “enter, O Succubus Great Old One of the Fallen Anima, enter, and become my inspiring Art Muse.” Though such to Necronomicon occur when to lucid dream of being visited, after collapsing into a drunken stupor upon your wine stained floor.

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst Artistry, who is an aspect of the Fallen Anima.

At the end of the day, the practice of Art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is an all male pantheon of an ‘Animus’ fixation.

(NOTE: The Animus is an inner archetype, which is conjured up by a heterosexual woman, whenever she ‘imagines’ her perfect male partner. Her Animus determines what she is attracted to in a man. Likewise a heterosexual male conjures up his Anima, when ‘imagining’ his perfect female partner. The Anima determines what he is attracted to in a woman. The Animus and Anima are associated with numerous male and female archetypes. For example, women are generally enamoured with certain Animus archetypes, such as the Vampire, Werewolf, Pirate, Doctor and Billionaire; most of whom are of the Bad-Boy (Devil) type.

As for monotheistic religion, you have a Good-Guy Christ who invariably gets Crucified, while the Bad-Boy Devil gets all the Horny fun, along with having a fixation upon the [Billionaire] All-Father. However the present social-engineering of society has targeted the Anima within the male psyche, by making heterosexual males in particular feel guilty about their own sexuality. This is an ongoing process. It has been occurring for a very long time, which appears to be associated with the subversive psychological conditioning of the male psyche. The reasoning behind it, is population control. Hence the Anima and her archetypes have been systematically castigated out of the monotheistic paradigm. As for those of differing sexual orientations, the Animus and Anima swap over symbolic roles.) 

As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone very kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. However it is not that of a mundane projection upon the flesh, it is otherwise that of a conscious Conjuring of an Anti-Viral-Meme within the imagination, rather than allowing others to Conjure up a neuro-marketing ‘Animus’ fixated Viral-Meme within one’s mind.

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It is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun, which of associated symbolism is very much at the social-engineering fore of present day gender politics.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic to create an Anti-Viral-Meme. Valak originally refers to a little boy of a Hermes. The feminine version of the name of Hermes, is Hermione.

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This then leads you to the symbolic association with the modern icon of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning, should you Artistically apply the symbolic correspondences of the grimoires to mercurial Hermione.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would Pop-Surrealist lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear. But then I am not into living in fear; are you?.

Basically, the Artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male ‘Animus’ brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious symbolic reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a neuro-marketing ghost Nun Viral-Meme Tulpa.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits. But they are depicted as being essentially male entities in disguise. This perpetuates the all male ‘Animus’ paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male symbolic pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting  ‘Animus’ ghost of an old man, whose disturbing disposition is that of a dirty old Fatherly Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation of a Matriarchal focus… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God/Devil. So, when an extremist feminist rages that the Matriarchy is the future, you will find that the Matriarchy is already here, which has been around for a very long time, since the ascendancy of an ‘Animus,’ fixated paradigm.

Alas, no film has as yet covered the fallen ‘Anima.’ But then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: ESOTERIC SYMBOL CRUNCHING: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the Black Raven Tarot of the Succubus. Please Click Here For More Information.

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Please Click Here Or Click The Artwork For More Information.)

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

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BARBARELLA LUCID DREAM VIMANA UFO

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 3, 2016 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

A Funny Thing Happened On The Way To The Cinema of a childhood memory; I remember being taken to a cinema situated in Putney by my parents. The cinema was showing the film Chitty Chitty Bang Bang, which had just hit the shores of the UK.

As many will no doubt know, the film is about a magical flying car, a Hindu mystic might just call a Vimana, which of a term has also been applied to sightings of UFOs.

Anyway, I was rather young at the time, I must have been around four years of age; what is quite strange is that I cannot recollect seeing the film at all, I probably fell asleep, since it is a musical. I never had a liking for musicals, they tend to do my head in with their sugary mantras.

Even so, Chitty Chitty Bang Bang no doubt zapped my reptilian brain-stem, which I later fused of symbolism with the sentient Hippie Volkswagen Beetle, numbered fifty-three (numerology: reduced to eight), featured in the 1968 Disney film, entitled, The Love Bug, to then symbolically merge with Odin’s ‘eight’-legged Night-Mare called, Sleipnir, and the prior 1960 George Pal film version of H.G. Well’s, The Time Machine.

Those of you who are Artists, creating within your Magic-Circle Art studios, might understand what I have just written of a symbolic merger. Whereas a non-Artist will very likely say that what has been written sounds absolutely barmy, deranged, let alone insane! Alas, ‘Muggle’ non-Artists find it extremely difficult to understand the reasoning of associative symbolism, leading to the evolution of an internal idea, to conjure up of a corresponding ‘brainstorming’ vision amidst the Triangle Of Art Imagination. Then to manifest it of externalised artistry, whether it be a drawing, painting, sculpture, writing, etc, or even a… musical. I still do not like musicals, even if it is based upon H.G. Wells, The Time Machine.

Okay! I might give it a go… maybe… since Jeff Wayne’s, musical version of H.G Wells, War Of The Worlds wasn’t so bad, which I must admit, I bought long ago. There is however an exception in regards to my dislike of musicals, I absolutely adore the hilarious 1966 musical film, entitled, ‘A Funny Thing Happened On The Way To The Forum,’ which led to Frankie Howard’s superb comical rendition of Roman culture in the 1969-1970 TV series, Up Pompeii.

A Funny Thing Happened On The Way To The Forum, is brilliantly accurate concerning its depiction of Diana-Lucifera Roman society where the Mesopotamian, Make Love, Not War, sex Goddess Astarte was still remembered of an Anima archetype before she was bound into the Animus male form of Astaroth by the Hebrew’s and copy-cat Christian’s.

Astarte later became the machismo Ashtar Of Star Command, channelled by UFO devotees as their angelic saviour, looking like an Aryan Animus Christ piloting a Vimana. Lest us not forget that the Christian’s also transformed the Roman Anima Goddess, Diana-Lucifera into gender-bender Animus Lucifer of an anti-thesis ‘brand,’ which is a comedy of neuro-marketing mind-control errors in its self.

You might just enquire, “why do you consider the film, A Funny Thing Happened On The Way To The Forum to be historically accurate in its depiction of Roman life?” Well, when I first saw the film as a kid, it triggered off a number of vivid recurring dreams about an inner self-image of mine being in ancient pre-Christian Rome, maybe animist Pompeii.

Or to be elsewhere among the precincts of the vast Roman empire, which has… Never Ended… of an Animus fixated symbolic Matrix since the time of Emperor Constantine, who appropriated the ancestral-self-identity of the Hebrew’s.

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The imperialistic culture of ancient Rome the 1966 science fiction series Star Trek had conjured up as the Romulan empire. I still fondly remember the Romulan commander out of the 1968 Star Trek episode: The Enterprise Incident.

I have had a suspicion for sometime, that I have experienced a rather comedic past life as a rebellious citizen of ancient Rome.

Or otherwise accessing a passed down ‘Neuro-Genetic’ memory of a prior Dawning Of The Age Of Aquarius, which the Vietnam war era Broadway musical, entitled, Hair, had immortalised, of a Timothy Leary ‘Eight Circuit’ vision of consciousness, back in 1968, whose (53/8) Love Bug anti-war message was later made into a movie in 1979.

But the Love Bug message was duly forgotten during the very shady (23-Skiddoo) 2003 invasion of Oily Iraq.

I am digressing; sort of, as mentioned I cannot remember all the details of the Chitty Chitty Bang Bang film at the time. But what I do vividly recollect is seeing a psychedelic poster when we first entered and left Putney cinema. (A late 1960’s-early 70’s Hippie era photo of Putney cinema is featured in the comic strip below.)

The poster was for the 1968 Hippie film Barbarella, which had a profound affect upon me, I even remember waddling my way back into the cinema foyer to have another look, just after we left, wondering what had just hit me of a reptilian brain-stem Anima ‘Da’at’ zap; this of course freaked out my parents no end, since I escaped their grasp.

What I felt was a sensation of recognition; it was the same feeling of déjà vu I had felt when I later set eyes upon a Lamb’s Navy billboard poster of Anima icon Caroline Munro, which I made a ritualistic point of passing by as a kid; this invariably led to finding myself in an auto-hypnotised daze, repeatedly crashing into a lamppost Iriminsul near unto the billboard, when going to and from Hogwarts.

I cannot say that the Barbarella poster did not evoke a Love Bug sexual response in me, in all honesty, it did.

But not as an adult would understand it of a Politically-Correct Thought-Control Romulan intellect, it was something else, far more spiritual of a Tantric nature.

Although, the anti-war child doctor, Benjamin McLane ‘Spock’ may have understood, who signed the ‘Writers and Editors War Tax Protest’ pledge, back in 1968, vowing to refuse tax payments in protest against the Romulan War in Vietnam.

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Barbarella Jane Fonda is also well known for her anti-war protests. But history has since repeated its self. Such to occur because of those in power playing the same old game, over and over again, from Vietnam to Iraq; lessons were of course learned, which of psychological-warfare application was to stave off any repeat of the Hippie era anti-war movement. It worked!

I suspect that the now considered Entartete Kunst Barbarella poster acted as a symbolic trigger, akin to those symbolic triggers encountered in dreams, which triggers a dreamer into lucidity. These trigger events appear to occur at key-times around the Zodiac Ouroboros. As far as I can recollect, the UK Barbarella poster I saw as a child was the one below, which was designed by Robin Ray and illustrated by Renato Fratini in the comic strip style of Barbarella’s creator, Jean-Claude Forest.

The other poster design I potentially saw was originally done by the brilliant American illustrator, Robert McGinnis, which in the UK was in part redesigned by Robin Ray and Renato Fratini.

It is almost as if, what I am focusing upon now of Entartete Kunst artistry, concerning the conjuration of (Succubi) Succubae Art Muses within lucid dreams, such as the Anima version of Astaroth, otherwise called Astarota, has somehow influenced my own past through time.

The lucid dream conjurations of Hippie space-girl Barbarella, as Astarota, flying her Vimana of an Ouroboros flying-saucer may have generated a self-enclosed loop of time.

This was in turn triggered by my childhood observation of a Barbarella poster, depicting a Succubus fluctuation of the fallen Anima.

But then, Astarota to classically reveal how the Succubae Great Old Ones fell out of the symbolic paradigm. Hence, they are not listed in any Grimoire, until I rebelliously depicted their Anima manifestations.

If you think that sounds crazy, just remember, I am an Artist and Artists are naturally crazy, it goes with the creative turf! As for Roger Vadim’s ‘surrealist’ film of Barbarella I only got to see it until much later, when I was in my late teens.

The lucid dream conjurations of Astarota might explain the precognitive experiences I have experienced, some of which enabled me to avert a number of life threatening situations.

That, or it is a triggered indicator that eternal recurrence is an Ouroboros reality, which going by my other personal experiences, could indeed be the case of a closed-timelike-curve, to lucid dream ride as a conjured Night-Mare Vimana.

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HORNED SHAMAN ARTIST LUCIFUGE ROFOCALE

Posted in Art, Chaos Magic, Demon, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2016 by FAUSTUS CROW

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Lucifuge Rofocale, whose name in Latin is Lucifugus Rofocalus is considered to be a horny demon who, by order of Lucifer, is in charge of Hell’s government as described in The Grand Grimoire, which specifically deals with black magic.

Varying editions of the Grand Grimoire have differing dates of publication 1521, 1522 or 1421.

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But it was very likely authored in the early 19th century by a writer named Antonio Venitiana del Rabina who had supposedly gathered the material from the original writings of King Solomon.

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The Grand Grimoire , contains instructions, which are purported to summon Lucifer or Lucifuge Rofocale, for the sole purpose of forming a pact with the Devil. Rabina’s book is otherwise called The Red Dragon, which is also known as Le Veritable Dragon Rouge (The True Red Dragon) by a number of Voodoo practitioners in Haiti.

It is claimed the listed demons of the Grand Grimoire were placed under King Solomon’s throne by his devil in order in order to tempt him, which sounds definitely Freudian to me.

However Lucifer was originally the ancient Roman Goddess, Diana-Lucifera.

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As for Lucifuge Rofocale, he is usually depicted as being a horned man with a goat head who is of similarity to the ancient Greek God called Pan, the Hindu’s called Siva, the Celt’s to name as Cernunnos, which of a primordial image alludes to the horned shaman of an archetypal magician, who was also the first Artist, the monotheistic faiths to have later demonised.

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The name of Lucifuge Rofocale is comprised of Lucifugus, which comes from two Latin words: lux, being light; genitive lucis, and fugio, which means to flee, such is usually interpreted to mean he who flees the light.

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Although, it may otherwise be an occult blind, which alludes to Archimedes, who is a renowned mathematician and scientist.

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However, during classical antiquity the term scientist was not used; a scientist shared the same eye as the philosopher and the Artist.

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It is said that Archimedes used a large mirror like that of a blazing eye reflecting the sun, or that of a number of angled hexagonal mirrors as a heat weapon against the Romans, who attempted to flee Archimedes solar ray, while invading Syracuse in 212 BC.

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The scientific discoveries of Archimedes were later considered to be a demonic scourge of the Holy Roman empire’s Orwellian use of Eden ignorance, to control the masses, via their ‘Animus’ fixated symbolic paradigm.

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Wherefore Archimedes was demonised as being a knowledgeable Lucifuge Rofocale, who had been set to fleeing from the New World Order Eden of theocratic blind faith, and ensuing religious persecution.

The name of Rofocal also appears to be an anagram of Focalor, which is a name of an important demon who is listed as being the forty-first spirit in the Goetia, whose listed traits allude to the Roman rape of Syracuse by sea.

Rofocal is intimately connected to Lucifuge due to the association with Lucifera, whom as a onetime pagan Goddess was seen to be the light bearer, who illuminated the realm of dreams. This inner illumination of the dream refers to the bio-photon emanation, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The reference to the feminine source of the inner light is in part alluded to in some left-hand path belief systems, in which the demon Lucifuge is said to be the left-hand path ruler of the Satariel, which is the third sephiroth named, Binah.

The sephiroth of Binah corresponds with the planetary sphere of Saturn’s Ouroboros ring. The sphere of Saturn is associated with teaching and learning, one can surrealistically imagine to be found in an art school, to thence take further of an imaginative conjuration to visualise an all girls convent school of Art Muses.

Well, why not, Binah is associated with the feminine principle, which can be otherwise be seen as the ‘Anima,’ whose energetic fluctuations are the Night-Mare (Succubi) Succubae.

This brings us back to the horned shaman of a Lucifuge Rofocale, who as the first Artist is highly versed in hypnagogic trance.

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You can envisage Lucifuge Rofocale as a horned shaman, who as an Artist conjures Succubae to manifest amidst his Triangle Of Art imagination as his Surrealist Art Muses, prior to attaining conscious trance access into the illuminated (bio-photon) domain of the dream.

Wherein Lucifuge Rofocale can penetrate the vaginal Stargates of the conjured Succubae.

The conjured Succubae allow him to impregnate their illuminated virtual womb realities, within lucid dreams of quantum brain artistry.

Wherefore, an Entartete Kunst Playboy Necronomicon, which to list the fallen ‘Anima’ fluctuations of the Succubae Great Old Ones, will illuminate your Lucifuge Rofocale crystalline skull, illuminatus style, whose bio-photon light will make the ‘Animus’ fixation of the Holy Roman empire to flee the rays of your mirrored Archimedes eye.

But, if you are otherwise Solomon predisposed, you can summon up the ‘Animus’ fluctuations of the machismo Angels and butch Demons to tempt your enthroned backside, which of ‘Animus’ hordes frequent the psyches of Witches, who to conjure from their classical Playgirl grimoires of Hogwarts commonality.

These Playgirl tomes of the ‘Animus’ are of Vatican preponderance, such as Rabina’s Grand Grimoire for example.

Whereas a Playboy Necronomicon of the ‘Anima’ was castigated into the pit.

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As a surrealist sorcerer you can instead conjure an ‘Anima’ fluctuation of a Succubus Art Muse from out of a Playboy grimoire by meditating upon her two-dimensional image.

She will then manifest as an interactive three-dimensional reality within your lucid dreams.

Your conjuration, is that of an ‘Entartete Kunst’ Art rebellion against the brainwashing cults of the deified ‘Animus,’ made as a Good Cop Jehovah/God/Allah and a Bad Cop Devil/Lucifer/Satan!

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FAUSTUS CROW, SORCERER OF OZ

Posted in Art, Chaos Magic, CREATIVE WRITING, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 8, 2016 by FAUSTUS CROW

Mephistophina enthroned betwixt the pylons of sleeping and waking as the Sirius Star Girl Guide into Lilith’s Harem of the dream, where unto Faustus Crow to trance slide serpentine, when to have penetrated Mephistophina’s Ninth Gate of a moist, dimension.

Crow to have utilised one of his paintings as a trance gate into dreaming, by assuming the Avatar guise of an alternate self, to become of a horned shaman mask.

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The dream slid into, of an alternate reality, being that of a steampunk world of Oz, where the sorcerer artist Austin Osman Spare had escaped to Salem, with others of arcane kindred, who were fleeing being persecuted by the fascist forces of the Holy Inquisition.

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After varying surreal adventures of harrowing, it came to pass that Crow was crowned the sorcerer of OZ; it was now just a question of how to return back to a world left behind of waking.

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Then again, is he dead, yet alive, simultaneous, like Schrodinger’s Cat, or to actually want to return from the Multiverse realm of dream worlds governed over by the Night-Mare Succubae, which be Lilith’s Harem.

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Though, when to eventually return upon a dream slide; Kwisatz Haderach slider Crow to find that Londinium is no longer his born to Kansas anymore, but that of an alternate London; it being just one of a myriad number of copies, occupying innumerable parallel universes, within which there be other versions of Crow to slide into.

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Little wonder then that Crow went Ninth Gate mad, who to question, “which me, is the real me? They are all as numerous as uncountable grains of sand, outnumbering the spiraling stars.”

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Mephistophina to answer, “they are all aspects of your Tulku self, and you, being an aspect of them, dreaming each other into reality, which be all as Maya. It being the very nature of consciousness. As for grains of sand, I am as the astral desert between the oasis worlds, illuminated by the fallen bio-photon star of Diana-Lucifera; my dearest Faustus.”

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UFO VRIL GIRLS

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 10, 2016 by FAUSTUS CROW

Goetia Girls: UFO Vril Girl by GHOSTCROW1

After WWI, of swinging twenties, and just prior to WWII there was an avid interest in far Eastern mystical disciplines, which was especially the case in Vienna. Many of those who were interested in the occult lore of the far East, were inspired by the work of Helena Petrovna Blavatsky. She was a Russian emigrant to America, who soon became the Queen Bee of the New York based Theosophical Society. Her larger than life influence initiated the later Newage movement.

A number of members who belonged to the Theosophical Society believed that Edward Bulwer Lytton’s 1871 novel, Vril: The Coming Race, was literally based on fact, who sought to discover the Pellucidar realm of the subterranean super-race called the Vril-ya.

However, much of the occult lore of the far East had been misinterpreted by the European mind-set, which of a habitual perception, due to its Conquistador religious indoctrination, has forgotten how to dream as a Horned Shaman. It is the Horned Shaman who knows the ‘Seventh’ Seal secret of the ‘X’ Rune of Gebo.

The ‘X’ Rune of Crossed-Key ‘Crossbones’ represents ‘Trance,’ of the little death ingress into the dream, whose inner light illuminates your ‘Skull.’ The key-secret of the ‘X’ Rune had been forgotten due to the ascendancy of the Church of Rome, which had nigh eradicated shamanistic practices across Europe, of a prior holocaust of Witch burning genocide.

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Your pagan ancestors fought back; but the Christian holocaust lasted for at least 500 yrs of inquisitional terror. Wherefore, the elder understanding was lost. Hence the underworld of Agharti, and the realm of Shamballa, which had been tied in with the Vril-ya, was misinterpreted by Conquistador Christian’s as being actual geographic locales. This has led to a number of Indiana Jones conspiracy theories, woven by Christian researchers, concerning the Nazi party attempting to discover their temporal reality, which is said to have been inspired by Blavatsky’s metaphysical theories concerning eugenic root-races preying on one another.

The truth of the matter was that the Nazi’s were aided and abetted in their eugenic agenda by the American eugenics movement. Eugenics was practiced in the United States many years before the eugenics programs in Nazi Germany; the U.S. eugenics movement provided much of the information and materials for the Nazi eugenics programs to create their super-race.

Blavatsky like many another during her time were influenced by eugenics, She, and her then peers had a disdain for anything they considered to be primitive; it was the common mind-set of the time. (NOTE: The Artwork below is available as an Art print. If you are interested, Please Click the Image Link.

Blavatsky either ignored, or did not understand that the far Eastern disciplines of Tibet have their ancient roots in what she considered to be the primitive practices of Shamanism, whose orientation concerns its self with trance induction and conscious dreaming, which enables a practitioner to experience shifts of consciousness into other realities.

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AGHARTI: is associated with a shift of consciousness towards the (Cerebellum) back of the head, which of a sensation is experienced as falling into the centre of the Earth via an initial (emptiness/void) phase of an abyss or tunnel. When to consciously awaken at a destination within the dream, the practitioner experiences being in another reality. Agharti is usually associated with past ancestral memories; whether they be human or non-human.

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SHAMBALLA: is associated with a shift of consciousness above the (Cerebrum) head, where the practitioner feels as if he/she is flying up into a (emptiness/void) tunnel; when to consciously awaken at the dream destination; the practitioner will experience being in another reality, which is to do with accessing information in the future.

In many of the far Eastern disciplines and that of other shamanistic traditions there is mention of an energy, which is often described as being like liquid light or living flame, illuminating your dreams. This liquid light has many names, such as the Hindu, Prana, Chinese, Chi or Austronesian, Mana etc. The Kalahari Bushmen of South Africa call it Num, which initiates trance, they term as Kia.

In pre-WWII Vienna, it was called Odic force, which is named after the Shamanic Norse deity, known as Odin, whose name translates as Od/Light/Ecstasy/Trance – In/Master. Odin is equivalent to the ancient Greek deity called Hermes, the Roman’s knew as Mercury. The Saxon’s knew Odin as Woden, whose name lean’t its self to Wednesday. The name of Odin was originally derived from the Southern Siberian Altay name, Odqan, which means Fire King.

The Odic force is also associated with Wilhelm Reich’s Orgone energy. The term Od, gave rise to the word ‘Odd,’ which of an original meaning described an altered state of consciousness.

The word of Od, may have originated from the African root-word, ‘Odun,’ which means virtually the same as Odqan and Odin. Whereas others had utilised the term of Vril for the liquid light, which illuminates the inner reality of your dreams.

The liquid light, which illuminates your dreams is that of the Bio-Photon emission emanating from your Mitochondrial DNA. The Mitochondrial DNA is passed down from the mother to her children; wherefore the liquid light (Vril) has a female source.

This intuitive (Biospheric TV) understanding is communicated by Odqan’s female counterpart, called Yal-un eke, who is the mother of fire. As for Odin’s female counterpart, she is called Frigga, who is Goddess of the hearth, of similarity to the ancient Greek Goddess Hera. In ancient Rome she was called Diana-Lucifera, the Christian’s had transformed into their machismo Lucifer.

Diana is the Roman name for Artemis, whose twin brother is Apollo, both of whom are said to have come from the land of Hyperborea, beyond the North Wind. The ancient Greek poet Aristeas sought out Apollo, which led him as far as Mongolia. But he didn’t quite make it to the Hyperborean realm of the Altay to discover that Apollo was Odqan; whereby Artemis is Yal-un eke.

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Odqan is a term for a shaman, who has mastery over the inner fire of Yal-un eke. The Hindu’s called the female source of the inner fire, Shakti, whose myriad manifestations manifest as the Dakinis when to arouse the (fire snake) Kundalini, which arises through the seven Chakras along your spine.

The Dakinis were seen to reside within the seven (planetary spheres) Chakras as their (Endocrine System) abodes. They are often described as being faerie sorceresses, or Witches, who are associated with the dream domains of Agharti and Shamballa. The term Dakini is also given as a title to a physical woman; basically, she is a female shaman who is highly versed in Tantric magic.

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The Shakti of the Hindu, Carl Jung termed as the alchemical ‘Anima’ within the psyche of a male; whereas the female has her ‘Animus,’ which empowers her internal self-image as a Goddess. In Tibetan (Tantric) Buddhist practice a male practitioner mediates upon an ‘Erotic’ image of a (Succubus) Dakini, in order to conjure her up within his dreams, which is an initial stage of creating a Tulpa.

The internalisation of the sexual impulse negates the terror of hypnagogic trance. The conjured Dakini then empowers the male practitioner to assume the Avatar of a particular Buddha within a (Agharti/Shamballa) lucid dream.

The Dakinis are of similarity to the Valkyries, who are the handmaidens of Odin. which leads you to the temporal (Vril/Odic force) priestesses of Odin, you can otherwise term as the Vrilerinnen. The Vrilerinnen are said to be the Tantric Kama-Sutra priestesses of the Vril society who had seductively persuaded the big-business Masons of the Thule Society to build a flying disk.

You can’t have the Vril Society without the ‘Mercurial’ trance medium, Maria Orsic, who like Blavatsky, is said to be the Queen Bee Witch of the Vril Gesellschaft. She was no doubt highly versed in arousing the Vril along her axis-mundi spinal column, which the alchemists had otherwise termed as the ‘Mercurius,’ before initiating trance ingress into the (back-of-the-head) Agharti sphere of the ‘Moon.’

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Orsic’s name is rather intriguing of nigh Catholic connotations, being that of Mary, while Orsic, means Divine Ruler, which leads you to an Aryan Mary Queen Of ‘Seventh’ Heaven, having peroxide blond hair.

It appears that someone has attempted to create a German version of Helena Petrovna Blavatsky, whose Theosophical Society has been transformed into the Vril Society of a Witches Coven.

Most of the conspiracy tales about a Nazi occult society investigating the Vril is based upon what Willy Ley said, who was a German rocket engineer. Ley had emigrated to the United States in 1937. In ‘1947,’ he published an article in the science fiction magazine, Astounding Science Fiction, entitled: ‘Pseudoscience in Naziland’. Ley related:

“The next group was literally founded upon a novel. That group which I think called itself Wahrheitsgesellschaft — Society for Truth —and which was more or less localised in Berlin, devoted its spare time looking for Vril.” 

Ley did not utilise the terminology of the Vril Gesellschaft when describing the Wahrheitsgesellschaft, which appears to be none too different to a Berlin branch of the Theosophists, whose members were, and still are intrigued by the Vril.

Maria Orsic’s modern appearance of Creepypasta design, makes her out to look almost like an Aryan Marilyn Monroe of an archetypal Venus icon, who as a White Rabbit is said to have remote-viewed a Vimana Time Machine, which is commonly described as a flying disk. Her remote-viewed Time Machine, as mentioned prior, was then financed by the Thule Society. Perhaps it was of similarity to Nikola Tesla’s anti-gravity device? Orsic is somewhat likened to the ‘feline’ Norse Witch Goddess Freyja of the inner fire, who is the dream mistress of the Valkyries.

The photographs of Maria Orsic appear to be badly photo-shopped in order to illustrate the Creepypasta viral-meme of the Vril mystique, which of design may have been subversively orchestrated in order to divert attention away from discovering the lost ancestral-self-identity of the European’s, let alone to hide right-wing Christian atrocities behind a veil of Nazi UFO-lore.

But more likely it is a further elaboration of the Nazi UFO mystique, involving interdimensional (Incubi: manifestations of the ‘Animus’) Aliens dallying with orgiastic Witches. which is a potent archetypal mix.

As you may know, one of the abilities of a Witch is that of remotely viewing the future, which could be applied to accessing information about a futuristic technology. Such a ‘Stargate’ ability would be sought out by the Military Industrial Complex, whose scientists are intrigued by ‘Vimana’ Time-Machines.

So, if Maria Orsic had actually existed, or to otherwise creatively evolve the Creepypasta, she would have probably been abducted by Operation Paperclip, to then sojourn in an Aldebaran Area 51 underworld laboratory, of a Vril Gesellschaft Dreamland; wherein she to lucid dream of remote-viewed futuristic technologies, for the Industrial Military Complex, of the Star Wars Neuordnung.

Of course whatever futuristic technological information is accessed will have to be tested in the real world, just as the Nazis did, who were at least fifty years ahead of the Allies. Whereas now, behind the scenes, the appropriated technology may be at least a hundred years or far more ahead than what is publically known about, apart from observing UFO’s hovering all over the place, piloted by Valkyries, or to otherwise crash in remote places, with the United States army ‘always’ awaiting their angelic fall.

A time travel technology would be a prerequisite for deep space travel; whereby we are very likely surrounded by our time travelling descendants, who to freely journey between alternate realities within the ‘Seventh’ dimension. In other words a time travel capable civilisation of our future descendants completely envelops your own, just as your civilisation surrounds an unknowing stone age tribe in the Amazon jungle.

Many may consider remote viewing the future to be rather implausible, since this could potentially lead to generating ‘alternate realities.’ But you will find that Nikola Tesla experienced vivid lucid dreams via which he accessed technological information, whose inventions ushered in your modern age of a Coming Race, circled around the splitting of the WWII (Atum) Atom; wherefore you are all now as the Vril-ya.

NOTE: The Chevron/Vector of an ‘Arrowhead’ design is an ancient ‘archetypal symbol,’ which stirs the subconscious mind; wherefore, it is nigh instantaneously understood by many, as to what it is communicating without words. Hence its utilisation by NASA and other space agencies, along with its usage in Star Trek, whose technology may have already been attained in secret, let alone to be getting ever closer; that’s if we don’t destroy ourselves first, of a religiously ‘programmed’ suicidal-impulse, which is that of a self-fulfilling prophecy End Of Days!

 

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