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SCHOOLGIRL SUCCUBUS (VALAK) VALAKA OF HOUSE SLYTHERIN

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2019 by FAUSTUS CROW

“The Sixty-second Spirit is Valaka, Volaca or Valuna. She is a President Mighty and Great, and appears of a vision, like a Schoolgirl with Angel’s Wings, riding upon a Two-headed Dragon, looking like a caduceus, which be her broomstick.” (Above: A4 Size Pen/Brush And Ink Original Artwork. Full Artwork Can Be Seen On Patreon.)

“Her Art Muse Office is to give True Remote-Viewing Answers of Hidden Treasures, and to tell where serpentine Slytherin girls may be seen.”

“The which she will bring as Dakini Art models, who will offer up their teacher’s apples unto the conjuring surrealist Artist’s Triangle Of Art imagination, without any force or strength being by him employed.” 

“She governs over 38 Legions of Naga (Succubi) Succubae, and her Mercurial sphere Seal is to be meditated upon before conjuring her salacious archetype into a lucid dream.”

“Wherein, she will manifest as an interactive three-dimensional reality. She makes her conjured appearance amidst a spectral school, whose foundations of past memories are made up ones Cabbalistic climb up the educational hierarchy of seven planetary spheres. She will thence enable the conjuring Surrealist Artist to reprogram his inner child of an indoctrinated imprint. As the saying goes: “Have a Child For ‘Seven’ Years, The Adult Is Then Owned By The Establishment.” – S. L. MacGregore Freemason Matherson (1904) Goetia

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GOETIA GIRLS SUCCUBUS ART BOOK GRIMOIRE 2

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2016 by FAUSTUS CROW

Shamanism is a widespread practice, which can be found in many cultures across the globe throughout human history, going back at least 30,000 yrs if not further into the dim mists of prehistory.

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Shamanism is not a religion as some make it out to be, it is a system of techniques, which enables the inducement of altered states of consciousness. The practice of Shamanism is seen by some anthropologists as being the inspiration behind Palaeolithic cave art.

A Shaman is able to disengage his consciousness from its corporeal abode by using certain techniques of trance inducement, so that he can transcend the physical limitations of space and time.

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The consciousness of the Shaman is then enabled to consciously access the spirit world of the dream, wherein he can then conjure up a spirit, such as a Succubus, whose intelligence emanates from another planetary sphere, alternate reality or some other Zodiac age.

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Could a Shaman actually access other realities from within the dream? well, Dr Rick Strassman found in his experiments, when giving DMT to volunteers that it allowed them to enter entirely different realities occupied by other forms of intelligence, as well as experiencing accessing other historical epochs.

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Their experiences, though similar of entoptic phenomena, varied of dream locales, depending on the recipients personal beliefs, which are very much tied up with their learn’t ‘languages’ conjuring up symbolic associations. In other words, their symbolic beliefs determined what type of information they tuned into of an internally conjured interactive reality.

But, what had formulated the beliefs of Strassman’s DMT  volunteers in the first place? You can determine that their beliefs had been moulded by their religious orientation of a symbolic ‘language’ form, which has been passed down to them by their parents, etc, as well as being surrounded by its subliminal influence upon their ‘setting’ of a culture.

Even non religious volunteers would be subliminally influenced by cultural influences, which in general, in the West, has been moulded by a patriarchal religious paradigm. Its influence has since been translated into the arena of science fiction, of onetime ever warring Angels and Demons seeking dominion over your fleecy soul, which have been otherwise transformed into Aliens invading the Earth, of a symbolic ‘language’ form.

You could argue that if this ‘language’ process is observed by those who seek to control the beliefs of individuals at a collective level of a shadowy Consciousness Project, then the Alien mystique has been engineered via the controlled media in order to sustain the patriarchal religious indoctrination. But in order to determine if this is a possibility, it would require having a ‘symbolic’ constant, which reveals its engineered nature, being that of an overriding gender focus upon the male. For example, you hear the gender term, God, being mentioned of regular commonality; whereas the word, Goddess is hardly used.

Hence, a shadowy Consciousness Project could subversively utilise a group of DMT volunteers in order to determine the statistic influence of their engineered Alien mystique upon the collective populace, as well as promoting its paradigm. It just so happens, that most of the reported cases of Alien visitations by UFO abductees since 1947 are described as being primarily humanoid males, or to otherwise manifest as ‘Politically Correct’ sexless Grey entities.

Imagine for a moment that you are a disembodied spirit travelling back into time via a lucid dream, to then hover as a ghostly winged eye over a A Palaeolithic Shaman. You observe him, as he seats himself, cross legged, Yoga style, within his womb like cave. You become aware that the Shaman is about to enter trance, whose sexual orientation is heterosexual.

You also notice that the Shaman is meditating upon a painted stick figure of a woman having horns, whose intention is that of conjuring her up as an informing Succubus within his own lucid dreams. But first he has to hunt her down with his erect spear, when to recognise her trigger-symbol within the cavernous depths of the dream, so as to conjure her of captured prey.

You become aware of the Shaman’s thoughts; he sees the menstrual blood of his Succubus as being the watery depths of the dream, which is as red ochre. The Shaman utilises the red pigment of his Succubus dream Muse to paint his initiatory womb cave wall, of artistically manifested visions, she to induce; let alone inspiring him to sculpt many a proto-Hugh Hefner Venus figurine.

The most developed form of Shamanism you will find is in North Central Asia unto the land of Siberia where you will discover the horned Shaman making contact with the inorganic intelligence of differing spirits, or that of conjuring Sucubae via the usage of trance and dreaming.

These spirits the later monotheistic religions of the Middle East had transformed into their ‘Animus’ fixation upon an all male pantheon of Angels and Demons, which is now the established symbolic paradigm permeating all levels of your culture.

“Widespread ancient reports of Jewish magic involving worship of Angels and Demons, as well as Yahweh, have now been confirmed by the recovery of Sefer ha-Razim, (‘the Book of Secrets’), a Jewish magical text of late Roman times that gives directions for such worship, prescribing the prayers and sacrifices to be made to these minor powers.” (Morton Smith,  Jesus the Magician: Charlatan or Son of God? 1978: pp. 91, 164)

The Sepher Ha-Razim is a Jewish mystical text, which had supposedly been given to Noah by the Angel Raziel.

It was then passed down to Solomon, who considered the Sepher Ha-Razim to be a great source of his wisdom. It is from the Sepher Ha-Razim of an ‘Animus’ fixation upon machismo Angels and their fallen Angel counterparts, Solomon had derived his purported magical powers over his people; but then, they too shared his symbolic ‘language.’

The Sepher Ha-Razim is the forerunner of the classical Goetia, which is part of a 17th-century grimoire, entitled: The Lesser Key of Solomon, featuring an Ars Goetia as its first section, being the Goetia.

It contains descriptions of seventy-two male Demons, which were conjured up by Aleister Crowley in Boleskine house near Loch Ness in Scotland, before his occult ascendancy to eventually become a Newage icon. In 1904, Crowley edited the Goetia as, The Book of the Goetia of Solomon the King.

However, even though Crowley is considered to be a rebellious Great Beast by his admirers, he did not reverse the ‘Animus’ focus of the Playgirl Goetia. But then, why would Crowley had done so, since he was bisexual.

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The Sepher Ha-Razim is also of similarity to the Sefer Raziel HaMalach, which was given to Adam by the same machismo Angel. Both of these ‘Animus’ texts stem from an ancient tradition; although over time, the focus upon the ‘Anima’ residing within the psyche of the male, gave way to the ‘Animus’ residing within the female psyche.

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As for the initial gender focus upon the ‘Anima,’ it hearkens back to a Palaeolithic Shaman of a proto-Hugh Hefner Adam, sculpting an Eve of a Venus figurine.

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Large parts of the ‘Animus’ fixated Sepher ha-Razim were later incorporated into the monotheistic Sepher Raziel under its original patriarchal title, which to have spawned the numerous other Playgirl grimoires of similarity, whose symbolic influence upon present day popular culture is undeniable.

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To say that the Sepher Ha-Razim it is an unorthodox monotheistic text is an understatement; it is considered to be an ‘Animus’ Playgirl grimoire for patriarchal Jewish magic, which is used to conjure up a pantheon of all male spirits rather than approaching a jealous ‘Animus’ God-head to perform supernatural feats.

The Sepher Ha-Razim itself was once considered to be part of orthodox Judaism under the influence of Hellenism. The text, along with other similar works, are considered to be unorthodox at best, or heretical at worst in modern Judaism; this would be even more so the case if the Angels, Demons, God and Devil were seen to be all female of an ‘Anima’ orientated pantheon.

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Whereupon I have reversed the mind-control commonality of the ‘Animus’ fixation of the classical Playgirl Goetia towards that of an ‘Anima’ focus upon conjuring Succubae, who are now listed within a rebellious Playboy grimoire of an alternate Goetia.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR AVAILABLE ON AMAZON, CLICK HERE.

NOTE: BOOK ONE can be found HERE. Book One and Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon, which has taken over Createspace BORG style.

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GOETIA GIRL CROCELL, SHE EMPOWERS THE AVATAR OF AQUAMAN

Posted in Art, Chaos Magic, Comics, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2014 by FAUSTUS CROW

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While playing with his Yellow Submarine in his bath, the psychic Übermensch Aaron C. Donohoo conjured the Succubus archetype of the Fallen Anima, who is mantra named, Crocell amidst his triangle of art imagination. Donohoo envisioned a dark clad woman, who at first seemed to have Bat wings. “She is distinctly human of a divine form, looking a bit like Queen Marella out of the DC comics, who is a counterpart of their superhero Aquaman. Although, I must say, she looks more like a Steam-Punkette,” he related of magical diary reportage.

Donohoo also noted, “As I imagined myself assuming the internal guise of Aquaman, as my Avatar, I did seer a darkly clad woman, who is a consummate contortionist of a superb female body, whom is wearing spray on latex, looking like a Steam-Punkette of artistry.”

“She appears to be looking downward at a Victorian bath within an Atlantean sphere, as if she is within a cell. The amniotic entirety of liquid space surrounds Crocell, around whose arousing contortions, many galaxies and planets orbit.”

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“A noticeable sound of water is flowing upon these other planetary spheres, which are attracting the attentions of icy comets. She is pointing out that there is even stockpiles of frozen water captured within the bowels of asteroids.”

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“She also points out that the water contained within every cell of our bodies is the lifeblood of the universe and that of other universes; whereby it is the communication network of the multiverse, which is considered to be very sacred by those elder races, whom commune via the watery realm of dreams, such as the ancient Atlantean’s of lore.”

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Johann Weird, the considered official historian and authority of the Goetian Succubae, wrote in 1583: “Procell (Crocell) is a great and a strong Duchess, appearing in the shape of an Angellic Nymph of Atlantis, but wantonly speaketh verie darklie of things hidden. The waters, she to say binds thee with other creatures and other worlds (sic).”

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Weird also noted that Crocell has special talents involving water: “She maketh great noises, and causeth the waters to rore, where are none, she warmeth the waters within the steeming bodie of a damned sorcerer with her hot harrlot presence, she be most salaciouss of sexuall intents. Bewarre of her, yea Godly children of Abraham’s laws, drink nott of the waters she has touched with her sinfull fornications; remember the fall of Atlantis (sic).”

Another source goes into more detail: “Crocell appears in the form of an Atlantean dark angel with flowing silver hair and yellow cat’s eyes. Her Aqua-woman voice is great and all-pervading and she ever speaks of things mystical and hidden. . . she has the power to influence the body by making its watery cells to heat or to cool of a healing capability via her intense lucid dream lovemaking. She can enable her master to assume the internal guise of DC comic superhero Aquaman in order to find water even in the desert, of similarity to the Aboriginal Australian’s shaman ability to intuitively divine underground water in the dry outback.”

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Crocell related via an Ouija board communication that she inspired the erotic dreams of the Japanese author and entrepreneur, Masaru Emoto to seer that ‘human consciousness’ has an effect upon the molecular structure of water.

Emoto’s dream inspired insights evolved over the years, guided by Crocell’s microcosmic influence, and his early work explored the theory that water could indeed react to positive thoughts and words, and that polluted water could be cleaned through prayer and positive visualization of a perceived perfection.

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However many of the subservient scientists who work for the fluoridation mafia, rubbish Emoto’s work as being mere pseudoscience. They certainly do not desire Emoto’s research taking root amidst public consciousness, since they have mass medicated the water supply with a known neurotoxin and a mutagenic agent. The unnatural chemicals used to fluoridate drinking water are derived from the manufacture of phosphate fertilizer.

Captured in the industry’s wet scrubbing systems, these noxious chemicals contain a number of contaminants (e.g. arsenic, lead) not found in pharmaceutical grade fluoride. Of greater interest is the fact that 2 recent peer-reviewed studies (Neurotoxicology, December 2000; International Journal of Environmental Studies, September 1999), have found an association between consumption of water containing hydrofluosilicic acid or sodium silicofluoride (the most commonly used fluoridation chemicals) and higher blood lead levels in children.

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Back in May 2007, approximately 67% of public water supplies in the United States are fluoridated. Of these water supplies, approximately 91% use hydrofluosilicic acid or sodium silicofluoride (together known as silicofluorides), while 9% use sodium fluoride. As with the silicofluorides, sodium fluoride is derived from the phosphate fertilizer industry.

Suffice to say, fluoridation is big business. But the attempts of the fluoride mafia to make Emoto look like a fool, did not stop his arcane penetrations into Crocell’s watery element of the feminine principle.

Since 1999, rebellious Crocell inspired rebel Emoto to assume the guise of Aquaman via his dreams, which led him to publish several volumes of a work entitled: ‘Messages from Water,’ which contain photographs of ice crystals and their accompanying experiments. Emoto’s experiments also appeared in the movie, ‘What the Bleep Do We Know!?.’

Crocell also Ouija board told of, water memory, which is the ability of water to retain a memory of substances previously dissolved even after an arbitrary number of serial dilutions. She claimed it is the mechanism by which homeopathic remedies work, even though they are diluted to the point that no single molecule of the original substance remains, apart from its ‘quintessence.’

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However, like Emoto’s investigation into the molecular structure of water, to freeze; water memory is said to defy present conventional scientific understanding of physical chemistry knowledge, which when needed by the fluoridation mafia, its elitist gangsters quaintly separate the physical from the nigh spiritual domain of quantum physics.

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Crocell further related via the Ouija board that she had also dream inspired Jacques Benveniste to assume the internal guise of Aquaman, who was a French immunologist, who sought to demonstrate the plausibility of homeopathic remedies, ‘independently of homeopathic interests,’ within a major scientific journal.

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To that end, Aquaman Benveniste and his team at Institut National de la Santé et de la Recherche Médicale (INSERM, French for National Institute of Health and Medical Research) diluted a solution of human antibodies in water to such a degree that there was virtually no possibility that a single molecule of the antibody remained in the water solution. Nonetheless, they reported, human Basophils responded to the solutions, just as though they had encountered the original antibody (part of the allergic reaction).

The effect was reported only when the solution was shaken vigorously during dilution. Benveniste stated: “It’s like agitating a car key in the river, going miles downstream, extracting a few drops of water, and then starting one’s car with the water.” At the time, Benveniste offered no theoretical explanation for the effect, which was later called, ‘water memory,’ by a journalist reporting on the study into its Rusalka fluidity, which the Russian scientists are of course also penetrating, I mean,  investigating.

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In 1988, Benveniste published a study supporting a water memory effect amid controversy in Nature, accompanied by an editorial by Nature’s editor John Maddox urging readers to, “suspend judgement,” until the results could be replicated. In the years following publication, the fluoridation mafia set about discrediting Benveniste’s research. Multiple heavily supervised experiments were run by Benveniste’s team, the United States Department of Defense, BBC’s Horizon program, and other researchers, but no team has ever reproduced Benveniste’s results in controlled conditions to nigh bind.

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When Donohoo asked Crocell why Benveniste’s research was not able to be replicated? She answered via the pendulum hovering over the Ouija board; “look to Emoto. Watery emotion contained by belief, is the Bruce Lee key.”

Crocell is the Forty-ninth Goetian Spirit of the seventh dimensional planetary sphere who commands Forty-eight legions of Succubae. Cro-Cell’s seal is to be mediated upon, while conjuring her fluid contortions, as you Aquaman bathe in your font of holy water; that’s if the fluoride mafia hasn’t poisoned it with their monstrous medication. If so, you will have to pray a lot, just like Donohoo does when to play with his aroused Yellow Submarine.

The Psychic Übermensch Aaron C. Donohue by Erin C. Donohue (2012)

NOTE: Donohue changed the spell of his surname to Donohoo; confusing isn’t it. But then, words do evoke symbolic associations of memory, which duly affects your bodily waters.

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JOHN CONSTANTINE CONJURES HELLBLAZER SCHOOLGIRL SUCCUBUS VALAK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 2, 2014 by FAUSTUS CROW

Valak, who is otherwise known as Volac is the 62nd spirit of the Goetia. Volac has been portrayed down the grimoire years as an angelically winged cherub riding a two-headed dragon holding serpents.

However, the sweaty old scholars didn’t quite have the image of Volac correct for a rebellious fallen angel, who rages against the doomsday cult patriarchy of the celibate Abrahamic faiths. But then, their priestly all male patriarchal fixation, has a continued liking for choir boy cherubs, to evoke amidst their closeted triangle of art imaginations.

The maverick magician John Constantine flicked through the nicotine stained pages of a book to read what Collin de Plancy had said of Volac: “He appears as a child with angel’s wings and riding on a two-headed dragon.” Constantine smiled to himself as he puffed a Camel stick, saying to himself; “yeah, right; Plancy just copied all those stories passed down by the patriarchs for hundreds of years since Rome converted to Christianity; he didn’t even deviate of a rebellion against it.”

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Constantine continued further, of pondering; “even uncle Aleister fell for the trap. Oh! Yeah; I forgot, he was bisexual; that’s what really pissed off everyone at the time, as being rebelliously wicked. What a Great Beast laugh! Shit! The patriarchs were all doing it anyway, with their conjured up Angels and Demons, to be upended by, down ages. Lest we forget, we also have all those smiling Mary quite so contraries being ridden by their Incubi God and Devil of an Animus fixation, upending them as a Babalon.”

Constantine sniggered, taking another puff, remembering Luciferian Übermensch Aaron C. Donahue and his fellow cultists conjuring up Volac as a quaint alien entity out of their fluoridated Hollywood brains, lorded over by calcified pineal glands, which wasn’t at all rebellious either.

Volac was still male of a symbolic continuum, dancing around their machismo Lucifer. Something was most definitely amiss.

“It’s a bloody John the baptist’s skull and crossbones Illuminati brainwash! That’s what it is! those fucking serpents are not going to subversively indoctrinate my reptilian brainstem. They’re all New World Order Orwellian bastards, mass medicating the public water supply with a known neurotoxin; fucking criminal shit-holes. I am going to use my abilities to bring those insane serpents to task!” Constantine mumbled to himself.

Whereupon, Constantine decided to evoke Volac himself to see what would erupt forth from out of his infernal subconscious. By doing so, to determine whether he had been subversively brainwashed, which, if it was indeed the case, would most definitely piss him off. He would then have to utilise the ritual of the ‘Spirit Chain’ in order to negate the brainwashing of his own mind; that would be an exorcism pisser of a long Great Work overhaul.

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He made it a point to draw Volac’s Necronomicon manifestation during an exercise of remote viewing active imagination, as he meditated upon the grimoire seal of Volac. He was quickly taken aback when Volac manifested amidst his mind’s eye as a bat winged St Trinian’s schoolgirl frequenting an infernal Hogwarts.

“Fuck me! Volac is a Succubus, looking a bit like Cassie Hack out of the frigging Hack/Slash comics I regularly whack off to. She’s a salacious Hermione Granger riding a bloodstained caduceus broomstick, sporting two Slytherin dragon heads. Kind of reminds me of the Tibetan Dakini, Kurukulla. Instantaneous associative correspondences, or what!”

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Constantine smoked yet another Camel, to stave off a nervous coughing fit; while looking over his comic mandala drawn of automatism. “I have to give up these hellish Gimel’s someday; don’t do my throat any good at all, but my addicted reptilian brainstem doesn’t give a flying fuck. At least I know my reptile hasn’t been hypnotised by the subliminal neuro-advertising of the state religions. Must be because of all that alchemical whackng off I do in the prima materia bog.”

Constantine retreated to his torn up bed to slump upon, and in so doing lit up another Camel; “Kind of makes sense, really, that Volac came through as Cassie, I mean, St Trinian looking Cassie’s name is short for Cassandra who was an ancient prophetess; she had acquired her Witch ability when to have fallen asleep in a temple full of snakes. Then you have Hogwarts Hermione, which is the feminine version of the name of the ancient Greek shaman God Hermes, the Roman’s called Mercury, whose symbol is the Caduceus entwined with two snakes looking like the DNA helix.”

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Constantine looked over at the flickering flame of a candle, melting upon his detectives desk; “looks like my bio-photon vision came up trumps; burning through the indoctrinated symbolic interface of the blinded ages, from a far deeper informational level of qualia. But then, the bio-photon does emanate from the mitochondrial DNA, which is passed down from the mother to her children. However the information carried by the light comes from beyond the bio-molecular, of a Holy Guardian Angel signal.”

“So, what are Volac’s powers?” Constantine asked himself so as to remind; while peering into spiraling columns of Camel smoke, in order to divine further insights. “Hmmm, let’s seer further this Volac; she, apparently tells of the positions of the planets, revealing hidden treasures, and where to find serpents. In my line of psychic detective of work, I need to know where to find those criminal serpents, Cassie would call Slashers; I’m her bad-boy Vlad, there.”

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Constantine took a further draw of his Camel. “As for hidden treasures; my clients often seek out my remote viewing services in such matters; whereby Volac would be an informing asset; more so for myself, since I need the fucking finances. Then you have the planetary alignments, which are often associated with the opening up of quantum-wormhole Vesica Pisces, via which to attain trance ingress into other realities, at key-times of circadian rhythms. She also governs over 38 legions of spirits, who are no doubt Succubae like herself; who, I’m sure, will come in very left-jerk-off-handy.”

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Constantine then stamped out his Camel into an overflowing ashtray, followed by crashing into slumbering betwixt and between the pylons of sleep and waking, where he duly found himself being pounced upon by an awaiting entity. Constantine couldn’t move, his body paralysed, as the assailing weight of the formless entity pushed him deeper into his bed. He then felt himself falling backwards into a yawning abyss. At first there was sheer darkness as he fell, screaming out the name of Volac. Then the darkness started to formulate into a vortex of surrealistic imagery, wherein he found himself alighting somewhere quite other.

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When Constantine eventually regained control over his dream body, for his inner eyes to focus upon the vortex of blurred imagery all around him, which started to take on a definite form; he suddenly found himself seated behind a school desk, who was once again an acne ridden boy of a misbegotten Harry Potter youth.

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“Shit! I’m in a lucid dream; what’s more, I’ve fucking slid into my past of pained little boy memory, methinks.” Constantine slowly looked around him at the other school kids behind their tables, seated in front of an ominous inky black blackboard. He didn’t like the look of the students around him at all. The other kids all had rotten gunk filling their empty eye sockets, gaping mouths and clogged up ears, looking like gaunt zombies. The zombies seemed to be chanting a repetitive prayer through maggot gnawed holes in their throats, which praised the three faced deified Animus, made as a God of the ever warring Middle Eastern Illuminati cults of Judaism, Christianity and Islam.

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Constantine then became aware that the zombie kids surrounding him were all his school bullies, who had severely traumatised Constantine’s childhood. His schooldays were a living Hell. Each of the abusive monstrosities he had personally nicknamed, such as the, first of the fallen, who was a sadistic bully, a total shit-hole to be sure, make no mistake about it. He was the son of a psychopathic drunken priest. There was also slimy creep Nergal, whose speciality was spreading vile rumours, poisoning everyone against Constantine. He also recognised fat bitch Roscarnis, who led a druggie girl gang; she made it a point of relentlessly picking on him because of his crippling affliction of acne; as well as recognising wannabe protection racketeer Papa Midnite, who had daily bled Constantine dry of all his dinner money, wanting ever more. They were all there, let alone others of similar horrors.

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Constantine suddenly felt one of his childhood nervous attacks coming on; he started to uncontrollably shake. Constantine grabbed hold of a broken pencil to suck, imagining it to be a Camel to stave off his mind quake. He then made it a point not to make any sudden moves, just in case the chanting zombies became aware of his presence. Constantine then heard a hushed voice breaking through the chant, which seemed to have called out from the shattered classroom doorway behind him.

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It was a female voice. “Hey! Vlad over ere’.” It was then Constantine noticed the classroom looked like the rotting innards of a wrecked charnel house. “Over ere’ you twat!” The voice called again of a whisper, which seemed to have caressed his left ear, of fingering words. He slowly turned around and saw a ravishingly gorgeous Goth schoolgirl standing at the doorway, indicating he should follow her.

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Constantine very carefully got up and stealthily moved towards the beckoning Goth schoolgirl who was holding onto a baseball bat with two entwining serpents engraved into its wood, looking like a lethal Caduceus, with nails sticking out of it. Constantine’s memory lit up of recognition. “You’re Volac.” Constantine said out loud. The Goth schoolgirl smilingly answered; “that’s right, don’t wear my mantric name out!”

It was then that the first of the fallen became aware of Constantine’s presence, its head twisted completely around, facing him, whose body stayed put, to then gargle; “Consti, Consti, Consti, Jesus loves you; his serpent is in my pants, he wants to ream your virgin arse.” The first of the fallen proceeded to sickeningly arise from its mouldy chair, along with the others following suit, who then advanced towards Constantine, brandishing jagged knives.

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The zombies then gargled in unison, like some hideous choir. “We are God fearing children, Consti, Consti, Consti. We are but the demonic torturing tools in our father’s incestuous service, testing your love for him, and him alone; for he be a very jealous God. There is none other before him. He wants us to slash you with his love; like he did to your Roman namesake. Bend over, Consti, Consti, Consti, present your arse unto the loving God’s serpent, he desires to enter your anus, so as to possess. He loves you, Consti, Consti, Consti.”

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Constantine became panic stricken, he couldn’t move as the zombies blindly made their haphazard way towards him, who reminded Constantine of all the tortures he had endured as a child, making him feel he could never amount to nothing. He always felt like a total abject failure deep down, utterly stuck, unable to move ahead. Volac then shouted out behind him; “you’re Vlad, give the slashers back their Abrahamic Hell!”

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Constantine then remembered to assume the magical guise of a Vlad Avatar, which transformed his childhood panic into a berserker rage. He felt his body suddenly being pumped up with bristling muscles assuming the Pagan form of a disfigured masked giant, wielding meat cleavers. Volac then roared out; “It’s hacking time, baby!”

Both Constantine and Volac tore into the zombies, hacking away at their rotting bodies. As Volac’s Caduceus baseball bat met up with a zombie it exploded into masses of squirming worms, all of which liquefied into an inconsequential black goo of no importance.

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When the astral battle was over, Volac leapt upon Constantine like a lithe Cat pouncing upon a Mouse, impaling him on the floor. “I feel really turned on, and very, very wet after all that Hellblazer hacking of a Nigredo Hogwarts harrowing, Vlad. Now it’s time for some really juicy St Trinian impalement, so I can reveal my Hermione treasure to ya’, big boy. I want ya’ to possess my moist Slytherin hole, baby.” He then felt Volac mounting his Dracul erection, which she slowly lowered herself onto. As she did so, Constantine couldn’t help himself looking up, as he entered her welcoming softness. Constantine then observed an almond shaped vortex opening up upon the ceiling of the classroom, through which of a vaginal star barrelled tunnel he saw a certain alignment of stars, on the other side.

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Volac pumped Constantine’s wand into ejaculating its Dracul Albedo flame into her hungering Rubedo womb; at which point of a shared Big Bang orgasm, Constantine suddenly found himself flying through Volac’s vaginal Stargate back into his physical body, lying upon his torn up bed.

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Constantine awoke amidst his sweat laden bedclothes, feeling emotionally drained; although, he had a big fat grin on his face, to then winsomely say to himself. “I think I’ve just folded myself through the eighth dimension into an alternate timeline. Nah! That’s absolutely crazy. Weird dream. But I do feel kind of cleansed after the exorcism of all those serpents haunting my memories. For the first time, I sense that I am free.”

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“Anyway back to the daily grind of being a psychic detective for hire. The problem is nobody really takes me at all seriously; so. it’s probably going to be another quiet day; that, or remote viewing where some old granny’s budgerigar has flown off to, for the price of a pint down the local Goats Head.” He slowly got up from his psychonaut launch pad, shaking his head clear. He then looked around for a full pack of Camel’s to notice a small resin cast sculpture of Batman upending Spider-girl Sirius-doggy style upon the table, where he remembered leaving his candle, which was no longer there.

“Where the fuck has the candle gone? And where did this Tantric resin come from? I don’t remember getting that.” He said to himself. He then noticed that the resin cast was weighting down a letter, which read:

“Dear John, thank you for agreeing to let DC comics serialise your occult exploits. Please find the first issue of Hellblazer and a sizable cheque for your creative involvement and advisory input with DC. We at DC are sure that Hellblazer will be a huge success, with the distinct possibility that your own name will be the eventual title of the comic; should you allow for it. DC is very confident that your continued involvement will be very lucrative for you and our company.”

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Constantine looked wide eyed at his own physiognomy upon the first copy of Hellblazer. He couldn’t believe what he was seeing. “I think I’ve just become the Kwisatz Haderach.” He felt like fainting, hit by the reality of it all, to then hear of clairaudience, a disembodied whisper of a girl, to say into his left ear; “My hidden treasures, are within ya,’ big boy.” She then naughtily giggled.

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THE CONJURING 2

NOTE: The ‘Conjuration’ of Volac (Valak) by Hellblazer John Constantine, though written tongue in cheek is based upon personal experiences, concerning lucid dream ‘Conjurations’ of the described Succubus. 

Volac is also known as Valu, Ualac, Valax, Valic or Valak in the classical Grimoires; the spirit is usually described manifesting as a little naked boy having angel wings riding a two headed Dragon. The classical image of Volac is based upon the ancient Greek deity called Hermes, the Roman’s called Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires. 

Volac is also described as being a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. The symbolic reasoning behind my own rebellious ‘Conjuring’ of Volac as a Succubus ‘Schoolgirl’ is because the feminine name of Hermes is Hermione, which then leads you to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning. 

As for the (two headed Dragon) Caduceus, it symbolically refers to the arousal of the (fire snake) Kundalini Shakti.

The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, which lists a couple of female spirits out of 72; but they are described as being male, who have assumed female form, which is indicative of a symbolic brainwash.

This brainwashing is facilitated further by inducing a state of fear, which perpetuates the all male paradigm of a religious foundation, as described in the Grimoires. Basically you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.    

I am aware that the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan features the entity called (Volac) Valak.

The film was written by Carey Hayes, Chad Hayes, David Leslie Johnson and Wan. In the film, Valak is depicted in the classical Grimoire style, although, otherwise shown manifesting as a transgender Nun.

The Conjuring 1 and 2 horror films are just a perpetuation of the already established symbolic brainwash. So, if you are searching for real horror, look to the ongoing brainwash of the masses via subversively engineered symbolic stimuli, which leads to all sorts of horrors.

But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’  

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; they are just feeding into the already established symbolic Matrix, which is self-perpetuated.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams. For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation. The implanted symbol will then manifest as a three-dimensional interactive reality within a lucid dream.

However, a symbol can likewise be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the ‘Conjuration;’ this in turn perpetuates the already established brainwash.

But when you realise that the all male pantheon of angels and demons dancing around a God and a Devil is that of an ‘Animus’ fixation… Possessing… many a mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into Hell, along with all her legions of Succubae. Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire to… ‘Conjure’… from.

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STAR TREK SUCCUBUS BELIAL

Posted in Alien, Art, Chaos Magic, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 8, 2014 by FAUSTUS CROW

Throughout the lurid history of occultism, the name of Belial has dominated the murky Cabbalistic explorations of the occultists.

In the Catholic Encyclopaedia, Belial is one of their principle phallic Demons, with whom of an adversarial egregore, the Vatican has an incestuous love, hate relationship, which validates their deified ‘Animus’ fixation upon an Orwellian egregore God of centralist politics.

However, rebellious secret societies of anarchistic Discordian’s, who are inspired by the Chaos Magick antics of the Anima fluctuation Goddess Eris, otherwise conjured up Belial as a Succubus archetype of the Fallen ‘Anima,’ to call Beliala.

These anarchistic Discordian’s may be continuing to do so up to the present day, whom conjure Beliala’s Frankenhooker Mind-Doll Tulpa, of a Shekhinah Shin flame fluctuation, within their ‘Anima’ inspired lucid dreams.

Well, why not, she’s a hot Succubus to psychonaut interact with, within inner space.

It is whispered by some, that Leonard Nimoy was secretly the Heyoka head of a surrealist sorcery group of Discordian Dadaist’s, whose Shekhinah Séances are designed to conjure up the Shin flame Mind-Doll Tulpa ectoplasm of Beliala, in order to usher in the hippie Age of Aquarius.

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However, within the banned innards of the much maligned Necronomicon, Beliala is described to be a powerful Queen.

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She is also said to have been the second Great-Old-One created after Diana-Lucifera who wields the fiery Vulcan torch of Shin.

For example: “The Sixty-eighth Succubus is Beliala. She is a Mighty and a Powerful Queen, and was created next after DIANA-LUCIFERA. She appeareth in the Form of Two Beautiful female Angels.”

“Or to manifest as a woman of arcane science sitting in a Starship of Fiery Enterprise crewed by Succubae.”

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“She speaketh with a Comely Voice, and declareth that she fell first from among the worthier sort, that were before Michelle, and other Heavenly Succubae.”

“Her Office is to distribute Presentations and Senatorships, etc.; and to cause favour of Friends and of Foes. She giveth excellent Familiars, and governeth 50 Legions of Succubae.”

“Note well that this Queen Beliala must have Offerings of ejaculated Sacrifices, and of lustful songs, as well as Gifts of erotic poetry presented unto her shimmering visionary form by the Sorcerer, or else she will not give True Answers unto his remote-viewing Demands.”

 “But then she tarrieth not one hour in the Truth, unless she be constrained by thy Divine Will Power to bind her fiery Tulpa. And her meditation Seal is this, which is to be masturbated… Oops! I mean meditated upon, before conjuring her into a lucid dream, etc.” (S. L. MacGregore Freemason Matherson.)

Due to Beliala’s involvement with Diana-Lucifera, it suggests that Beliala may have been involved with Diana-Lucifera in the events of the garden, which led to Lilith’s Kundalini temptation of Eve.

This invariably led to Eve tempting poor Adam to partake of her logical Yoni cider, which of a female source ‘illuminated’ his skull of an inner fire. However, this inner fire of Shin is often misunderstood.

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Or that she was involved in the long ago fall from Mars to Earth, when Princess Diana-Lucifera and her rebel forces of Succubae rebelled against the fascist rule of Emperor Jehovah and his cloned Stormtrooper angels. Beliala is definitely listed among the fallen rebel angels of Diana-Lucifera, and is the 68th Succubus archetype of the Fallen ‘Anima’ listed in the Goetia. She is said to reign over as many as 80 Vulcan legions of salacious star born Succubae.

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Secret Jewish lore has it that Beliala is chief of all the Succubae; although others to argue that Lilith is the actual Queen of the Succubae, who instigates wet dreams; whatever the case they are most loving sisters who to hungrily feast together around a wand’s erection.

One of the banned Dead Sea scrolls contains a story about a sex war between the ‘Animus’ Sons of Light and the ‘Anima’ Daughters of Darkness, and claims Beliala is the leader of the most wanton Daughters of Darkness.

Her very name, taken from the patriarchal Hebrew word Bliol, means, “a wicked one.”

In The patriarchal Martyrdom of Isaiah, although of an alternate banned version, which has been interpreted into the modern, indicates that: “Beliala is the angel of artistic anarchy, who rips aside the wrought neuro-advertising illusions of the priests; whose big-business cults of the deified Animus presently rule over the world.”

The illogical patriarchs of the Illuminati triad out of Abraham’s UR cannot abide Beliala, who is seen as an adversarial anti-brand of logic, whereby she is considered as being very wicked; for in the Orwellian New-World-Order Kingdom Of the deified ‘Animus,’ made as a God, the elite rule by keeping their indoctrinated flocks ignorant; wherein of a Big-Brother Overwatch Eden, ignorance is bliss.

Another ancient secret text, buried deep within the fetid guts of the Vatican’s infernal vaults, known as The Damascus Document, is a prophetic warning that at the time of the horned Ante-Christ arising out of Siberia under the pole star; “Fallen Anima Beliala shall be let loose against the Abrahamic Animus trinity of Illuminati faiths. . .”

The text speaks of, three wars of Beliala, which are said to be the war against Abrahamic sexual repression; the war against Temple banker finance, which is an imprisoning illusion; and the war against the poisoning of the waters of the Earth with atomic waste, sodium fluoride and other neurotoxins and mutagenic compounds by the criminal elite, who support the hypocritical triad of big-business Illuminati cults out of Iraq’s UR, which to Petrodollar dance around Abraham’s eye, amidst a ziggurat Beehive.”

Beliala sounds like a powerful and extremely difficult Succubus to conjure. Hence the reason why the psychic Übermensch, Aaron C. Donohoo decided to instead evoke the patriarchal viral-meme Belial, of an indoctrinated religious fixation, who seemed to be a safer ‘Animus’ bet, to thence remote-view. But he soon discovered a mystery.

The common Grimoire manifestation of Belial as an Animus archetype male Demon, appeared to Donohoo as a rotting corpse, seated in Robert Bigelow’s international space station of a private ‘Elysium’ for the rich elite.

Donohoo said he sensed that the male expression of Belial was dead; “A strange ‘green hue’ out of the sephiroth sphere of Venus is noted surrounding Belial’s male form of the Animus, suggesting a feminine Orion slave girl radiation, which rapidly transformed him into an Anima archetype of a female Spock out of Star Trek.”

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“This female Spock then led a federation of planets commando force of Anima archetype Succubae to free the USS Enterprise of a Merkabah time machine out of Area 52, whose scientists have warped Gene Roddenberry’s Star Trek Vimana vision all out of shape.”

The brainwash associated with Belial is to do with a symbolic Matrix of an all male pantheon of Angels and Demons, which has been verily transformed into aliens by the indoctrinated, who are somewhat unaware of what the ‘Animus’ and ‘Anima’ represents of a biological reality.

The cultists adore their machismo God and butch Lucifer of an ‘Animus’ fixation, whose male archetype resides within the Solomon temple psyches of all women.

Here the plot thickens, Donohoo also writes that while he feels that; “Belial is dead because the Anima Succubus Beliala has taken the place of the male Animus Belial. . .”

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“It appears that Anima Beliala has been eventually released out her Animus genie bottle by the anarchistic Discordian’s, whose dismembered corpse of autopsy will be revealed. Beliala looks remarkably like T’pol out of the TV series Enterprise, which is to do with time travel of an intriguing storyline.”

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Examination of Donohoe’s remote viewed drawing of the male Belial indicates a lifeless Robert Bigelow at the window of his international space station, whose mouth is frozen into a terrified scream.

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Donohoo had the clairaudient impression of Bigelow’s strangled voice cry out; “I didn’t know… they used me!” But, by who?

His eyes bulging, as if Bigelow has seen something hunting him across the Skinwalker ranch, which he owns in Utah.

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Donohoo is unsure as to who used Robert Bigelow, or why this powerful ‘Animus’ archetype is reduced to no more than a billionaire Bigelow corpse, and when this had actually occurred, or to yet happen.

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But it may have something to do with the fact that Bigelow’s aerospace company is the only private entity upon the face of the Earth, which has a permit to take weapons into space, such as a death ray, for example, whose Tesla invention can easily take out an aircraft over Russia, across the wide open ocean, or to eliminate far larger targets from orbit, let alone down UFO’s.

No one would ever suspect its use or even to believe it exists, of a shadowy Reagan era Star Wars project. Whereupon natural catastrophes can be blamed, or that someone fired a missile.

As for Belial’s transformation into the Vulcan Succubus Beliala; Donohoo considers this to be a great mystery.

But perhaps, Leonard Nimoy can reveal far more, when to speak of the bio-photon ‘Shin’ flame emanating from out of the mitochondrial DNA Shekhinah, of a time control signal.

The ancient pre-Christian Roman’s otherwise experienced the Shekhinah as Diana-Lucifera, who illuminates your electron dreams with her Vulcan fire. It is via your electron dreams, you can remote view the future, or even the past, of lucid dream Time Travel. Such dreams can be initiated when to meditate upon the sigilic symbol of a Vimana Enterprise in league with the conjuration of Vulcan Beliala amidst your Triangle Of Art Imagination.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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AFTERWORD: Leonard Nimoy, an inspired actor and a visionary genius. A true Artist in every sense of the word. Live Long And Prosper Spock, one and the same as Nimoy, indivisible. You are now an Immortal icon of the collective dream, always to be remembered. Leonard Nimoy Spock will forever inspire many to reach towards a brighter future, where Star Trek is real. 

STAR TREK DISCOVERY: The employed symbolism of Star Trek Discovery Belial is quite, intriguing. Branding is very important to a franchise, so the series abbreviation and names of characters are heavily investigated. Wherefore it is rather strange that the abbreviated gender affliction ‘STD’ got past them, unless they did it on purpose.

Michael Burnham’s, English surname is associated with the element of ‘Water.’ Gabriel Lorca’s, Spanish surname is also associated with the element of ‘Water.’

The 68th spirit of the Goetia, called, Belial is associated with the star-sign of the ‘Water,’ bearer/carrier, Aquarius. The planet of Gene Rodenberry Hippie era Aquarius is Uranus, whose abstract sigil appears to have inspired the shape of the Enterprise.

Belial manifests as ‘two angels’ within a fiery (Shin: Spock’s hand-sign V) chariot. The question is, why would the makers of Star Trek associate their brand with a spirit out of the Goetia, considering its common Playgirl grimoire associations with what many a Muggle to term as malign black magic?

Such an association is rather risky to say the least for a mainstream franchise, whose subject matter, at face-level, has nothing to do with the occult. It would not be a wise decision to make if the association is based upon the usual grimoire symbolism of commonality.

Although, the makers of Star Trek might do so, if they are seeking to stir up the sand-box conspiracy theorists to initiate a viral-meme about the usual Satanic Illuminati, etc, in order to push their reinvented brand, but that could easily backfire.

Or perhaps they were influenced by an out-of-the-box ‘Anima’ reversal of the common ‘Animus’ fixated Hogwarts symbolism? If so, the STD creators have totally misinterpreted what the ‘Anima’ and ‘Animus’ represent.

ALSO: The sign of Shin is NOT an invocation of the Devil. It is otherwise associated with the inner light/fire of the bio-photon emanating from the mitochondrial DNA, which is passed down from the mother to her children; hence you have the Shekhinah, the Hindu terms as Shakti.

As for the motif of the horned Devil/Lucifer/Satan, it is the demonisation of the horned shaman, which in turn demonises shamanistic cultures. The intolerant monotheistic cults of Christianity and Islam have made it a point of demonising the ancestral-self-identities of other peoples, whose BORG cults had originally appropriated the ancestral-self-identity of the Hebrew’s. When to copy, the BORG copier invariably seeks to destroy the original; whereby you had the holocaust.

Now, you have three monotheistic BORG cults forming an Illuminati ‘triangle’ around the Oily Ur ziggurat of their founder Abraham, whose Orwellian eye is amidst its Petrodollar pyramidal hierarchy, adoring a deified ‘Animus’ made as a God/Devil of centralist NWO politics.

The ‘three’ monotheistic cults are feudal in nature who share the same Oily focus on having a Messiah/Christ/Prophet as their ‘God King’ Fuehrer ruling over the world; whereupon you have approximately 85, or 72 people owning most of the wealth of the entire globe, whose shadowy aristocracy circle an Oily Fuehrer, who’s just a puppet king!

 

Follow the money trail to see the truth of it. Whereas a Star Trek future possibility has no money; for money is just a symbolic construct of a tool, it is just an illusion; whence, the few, of a so called elite atop of the Oily pyramidal ziggurat are just gangsters, whose centralist God-Father is no different to an Emperor wearing no clothes!  

NOTE: In regards to the Occult Star Trek Books, if there be a pedantic BORG without having any sense of Discordian humour, lacking imagination, then the books will be very difficult for a BORG mind-set to assimilate, which of ‘speculative’ science fiction, and of an imaginative exploration of the occult archetypes, a BORG mind will no doubt consider to be mere ‘speculation;’ though contradictory of tunnel vision, a BORG mind-set will quaintly ignore the facile and rather banal contradiction of its own ‘programmed’ perception! But don’t worry, a BORG, mind can ‘reprogram’ its own brain, if said BORG ever sees fit to do so. A BORG brain will just have to keep away from the fluoridated water, it’ll bugger up its pineal gland, BORG style!

 

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HOGWARTS PORNOGRAPHIC NECRONOMICON SHOPPE

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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A BANNED HARRY POTTER OCCULT PLAY STARRING BABALON WITCH HERMIONE.

SETTING: Diagon Alley is a fictional Harry Potter high street located in Londonium. It is only accessible to the Wizarding world, to which it is something of an economic hub.

Although it is hidden away from mundane Muggles (non-Magickal folk). Muggles are only allowed access to it, if they need to accompany their Muggle-born Moon-Children. If a Wizard or Witch needs something, chances are that it can be found in Diagon Alley.

However, the Diagon Alley of this arcane sketch is that of an alternate reality version, which is none too different to the red-light district of Londonium’s Soho. Imagine for now, the camera panning in to follow the predatory catwalk of Babalon Witch Hermione, who is of the house of Slytherin.

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She has raven pitch black hair and emerald green fire eyes. Although as a strawberry blond with delectable hazel eyes, she is very, very naughty; and as you know, blonds know how to have lots of… fun.

Anyway, Babalon Witch Hermione looks like a dangerous Goth girl sex vamp, who is dressed of similarity to a St Trinian’s sixth-form Catholic schoolgirl femme fatale Lolita. She is also followed by her pet familiar of a fluttering vampire Bat.

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As Babalon Witch Hermione is tracked by your Illuminati third eye of a camera, you seer her to go through a Vesica-Pisces doorway into a seedy pornographic shoppe, which sells banned Necronomicon Grimoires.

Your remote viewing camera eye then cuts to the inside of the shoppe where you seer an untidy room with a large oak counter of an altar, and old dusty Grimoires on shelves lining the cracked walls, along with varying magickal paraphernalia.

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The Grimiores on the bottom shelf are of the usual Llewellyn worldwide fare, whose subliminal meme covers depict medieval Gothic and New-Age Native American Shamanistic imagery. As for those Grimoires on the top shelf along with their accompanying Tarot cards, they are seen to be covered by a heavy black cloth.

You will seer three drably dressed Masonic Wizards, who are seen to be thumbing through the bottom shelf Grimores. A fourth Masonic Wizard is flamboyantly dressed, who is called Mr Priestly Pope. The three Wizards are wearing dirty Tau-shirts, on each is depicted a particular animal, a Lion, Eagle and a Bull.

Behind the counter is a sorcerer dressed in a smart black suit, wearing a black fedora hat whose name is Faustus Crow.

The three drably dressed Masonic Wizards are very perturbed by the sudden, almost brazen entrance of Babalon Witch Hermione. The three Masonic Wizards nervously back off into the shadows, who fear Babalon Witch Hermione discovering what they are furtively up to under their soiled Freemason aprons. The fourth Wizard appears to be oblivious of her presence.

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Babalon Witch Hermione makes the sign of the ‘Horns’ at the four Wizards as she seductively passes by them; while to expertly ‘Blow-Job’ a hot ‘Boaz and Joachim’ scarlet bubblegum bubble, which bursts with an explosive pop, as she walks between two ‘towering’ pillars! Babalon Witch Hermione confidently goes straight to the altar of a counter, upon which she coquettishly leans, before making her inquisitive enquiry of the shoppe owner, Faustus Crow.

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BABALON WITCH HERMIONE: Excuse me Mr. Do you have any ribald, risky tomes, illustrating hunky Incubi, by any chance? All 72 of them have to be, sweaty and macho, exuding fusion centre testosterone, through every patriot act astral pore, both police state Angelic and Demonic. The tomes I’m into have to be liberally sprinkled with arcane ritualistic formulae, and accompanying viral meme sigils, to conjure my desired Incubi.

(Her words are spoken seductively while staring intently at Faustus, whom she is hungrily eyeing up.)

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FAUSTUS CROW: Of course Madam. You can find such Grimoire’s, which will fulfill all your lustful requirements on the bottom-shelf of widely available brainwash fare. Those tomes, both ancient and modern, have been officially endorsed by the top homophobic theologians, misogynistic demonologists and Inquisitional closet-homosexual exorcists of the Vatican; as well as by many a persecuted Cabbalist, fundamentalist Dervish and anally retentive Western occultist, who practice the high art of ritual Magick. Such in turn to make piles of Mammon money out of their published works. Hence these Abrahamic authors have big Swiss bank accounts, just like their lacy Pope, which impresses the Illuminati Hen’s. But then, it is the Hens who actually rule the roost of the World, laying golden LAM eggs.

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BABALON WITCH HERMIONE: I hope you don’t mind me asking you this question, ever so kinky. But, how can I make these astral Chippendale hunks of machismo prowess, do my every temple bidding, as my pet Incubi sex slaves? I mean, if Solomon could get the Incubi to enter unto his royal behind, how can I get them to likewise enter me, as my very familiar… familiars?

(Giggles naughtily.)

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FAUSTUS CROW: Well. Madam, like many a Ritual Magician to do, you have to constrain the Incubi into bound bondage, by torturing their Spirit seals, to whip and flagellate. Or to rip apart, or burn within your sacred censer made of brass. It be akin to torturing them within the sadomasochistic torture chamber of your fetish imagination. Whereby you will become as a leather clad dominatrix of a mistress, to make your familiars lick your Venus in Fur’s stiletto heeled boots. They will then become all servile of Solomon’s slaves, bound to your true Sheba will, amidst your wrought Magick circle.

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BABALON WITCH HERMIONE: That sounds ever so exciting. I relish the thought of torturing hunky Angels and Demons. Forcing these Incubi to fulfill my every delicious wish. Making them manifest into ethereal flesh, as my most servile pet familiars, to whip into shape. It makes me ever so… wet. But, what do I have to do in return for such favours granted unto me, by such masculine divinities, all as Solomon’s slavish Genies?

(Lustfully enquires, full of mischief, acting very coquettish.)

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FAUSTUS CROW: My Dear Madam, such a question is as obvious as your pretty little feminine nose to know. Like their temporal counterparts of many a beast, they only do as you ask of them, if they can enter their stiffened Athames unto your moistened chalice, betwixt your kicking legs. Whereby you to thence engage in a sexual pact of Tantric interaction with the Angelic and Demonic fluctuations, of your internal Animus. In other words, if your Incubi do not do as you bid them. Then they don’t get any conjugal night time nibbles, of your gifted sexual energy, to go explosive of multiple Orgasms!

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BABALON WITCH HERMIONE: Oh Wow! Can they really induce Loudun Nun multiple orgasms?

(Lustfully giggles.)

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FAUSTUS CROW: Yes indeed Madam. On a regular basis, around the circadian rhythm clock of the blood Moon phases. Such to orgasm occur when you Shekhinah dream lucid of their carousing Sabbat visitations, betwixt and between a good-cop God, and bad-cop Devil, for you, and your receptive receptacle Sisters in the Ursuline Hood, to also intimately know.

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BABALON WITCH HERMIONE: Yummy!

(Hermione’s lustful eyes become as burning green embers; while licking her painted scarlet lips, at the thought of engaging in Orgiastic Sabbat delights, of astral hedonism. As Hermione plans her next move on Faustus, Mr Pope Priestly, a rather well groomed male approaches. He is wearing a flamboyant pink shirt, framed by a white Masonic suit, looking like an Aleister Crowley look-alike, of large physique, bald head, sporting a monocle, holding a pink walking cane. Mr Pope Priestly suddenly interjects into the conversation.)

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MR POPE PRIESTLY: Hello my dearest, dearest sweetest Boy! Sorry to intrude of intrusive intrusion. Pray tell; do you have a… leather… bound copy of Aleister Crowley’s Illustrated Goetia and The Book Of The Sacred Magic Of Abra Melin The Mage. I am also interested in copies of the Luciferian Goetia and the Satanic Bible as well as any tomes published by Scarlet press, Starlight and Finbarr?

(Widely smiles of fluoridated Holy-Wood whitened teeth.)

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FAUSTUS CROW: Yes, indeed! Just look to the bottom-shelf. Such Necronomicon tomes listing Incubi are our most popular Grimoires, as ever, of a continuing Abrahamic indoctrination. But if you inform me of your Magickal intention, then, I might be able to help in shepherding you to the correct Sheep pen, of a work sought for.

(Mr Pope Priestly becomes emotively poetic and rather thespian theatrical, of flamboyant gestures. It appears as if he is anally possessed by Aiwass, and enjoying every moment of his possession, while he mediumistic channels grandiose prophecies via his Goetic Incubi.)

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MR POPE PRIESTLY: My dearest Boy, I seek to become as King Solomon, to bind the patriarchal Spirit muscle, both heavenly and infernal to my divine Will. ‘Do What Thou Wilt Shall be the Whole Of The Law.’ Love Under Will, my Brothers all, of the Great White Brotherhood OTO Lodge; gathered to me as my gay sons of fairest Lucifer light. I endeavour to attain the most glorious Bornless Self androgyny of the hermaphrodite master of the Solomon’s temple. To forthwith rapidly usher in the new rainbow Aeon of the sodium fluoride dosed up metrosexual man, who are rapidly becoming little-pony Unicorns, and all having no gender. Amenta!

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FAUSTUS CROW: AHA! All of the bottom-shelf tomes will aid you in your great bottom work of advertising your inflated Ego.

(Mr Pope Priestly hurriedly minces off to the bottom shelf all eager to find his desired Grimoires, with his ridden back side up in the air. Babalon Witch Hermione whispers to Faustus Crow, out of earshot hearing range, of Mr Pope Priestly.)

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BABALON WITCH HERMIONE: Just out of curiosity; I hope you don’t mind me asking you this, perhaps, rather untoward of question. But, do you invoke and evoke Incubi Angels and Demons, Mr?

(Flirtingly giggles acting very coquettish.)

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FAUSTUS CROW: No Madam. My personal Tantric preference is that of the top-shelf triple X banned Grimoires. The top shelf tomes list all female Succubae both Angelic and Daemonic of Anima Witch. These Succubae I to bind around my erectile Dragon, ascending forth from amidst the amniotic dream waters astral, of seven Chakra lingam heads, crowned by ten Yoni sephiroth dimensional crowns.

BABALON WITCH HERMIONE: Are you saying of arcane revelation, that there is an energetic sexual dynamic involved in Spirit conjurations. Likened to Yin and Yang, Sugar and Spice?

(Coquettishly enquiring.)

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FAUSTUS CROW: Yes indeed. A sweaty Incubus enters unto a sugar plum Witch of a Shekhinah receptacle. Whence she to prophesy as an ecstatic Seidr Seeress. While a Yang Magician enters a Yin Succubus. As a Man would do a woman, who receives his ejaculated seed, of an emotively charged orgasmic mantra, Word Spell, uttered unto the microcosmic Yoni void, of her ever hungering womb dream. Hence, fertilising the spun Succubus into birthing the macrocosmic synchronistic flesh, of his desires. However, if the Magician is otherwise sexually orientated of choice, he can take on the Shekhinah role of the receptive feminine, to thereby be possessed by an Incubus. Whereupon he becomes an effeminate Biblical Prophet dallying with Animus Angels and his God, let alone that of Demons and his Devil, to placate with his OTO anus.

(Babalon Witch Hermione looks up at the top shelf. She notices a heavy black cloth of a shadowy veil. The cloth is embroidered with an Inverse pentagram, which is covered with accumulated dust. The cloth is covering a number of bulky tomes, upon a buckled black Yew shelf. She is full of Lilith curiosity, her intense feline eyes like Cat slits!)

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BABALON WITCH HERMIONE: Why are the top-shelf triple X Grimoires all covered up? Are they Evil books of the fallen Apple?

(Hermione’s Slytherin eyes look intense, hypnotising Faustus to surrender his soul to her seducing Witchcraft, of a long serpentine tongue hungrily licking her scarlet Lilith lips, at the thought of eating Eden’s rotten Apple!)

FAUSTUS CROW: Evil; Hell No! Such pentagram silver star works, I to have illustrated and written, of serious Apple core Sirius, which are part of a most secret tradition. Such works of the fallen Anima have been systematically persecuted and nigh eradicated by the cults of the deified Animus for over 2000yrs. Whereupon you do not see any Grimoires, whether they be ancient or modern, listing Succubae to conjure, until I created them.

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However, many a feminist Nun considers the triple X top-shelf Grimoires to be rather sexist of left-hand-Job pornography. Their judgement is a rather curious state of affairs; considering that the extremist feminist Nun’s have so many Angelic and Demonic Incubi to Right-Hand play with, of secretive masturbatory trysts within their church cells. The sisters in the hood are the ones who created the Animus fixation upon their fatherly God and Bad-Boy Devil egregore, or to crucify a castrated Good-Guy Christ for the Hell of it.

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BABALON WITCH HERMIONE: I must say; you are a very Naughty Old-Goat!

(Her eyes are full of lustful mischief, while looking coquette, as if butter wouldn’t melt in her hot bubblegum sweet mouth.)

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FAUSTUS CROW: And you my dear are a very salacious little Babalon of a Witch. May-haps you would like to join me for dinner this midnight eve Sabbat, of thirteenth hour, at the Skull and Crossbones inn of trance dance delights?

BABALON WITCH HERMIONE: Only if you to most deeply teach me how to conjure Succubae. For I must admit; I swing both ways within the lonely dormitory of my lusting Imagination, to be now impatiently stirred by your mastery, which I most desire, of yearning passion to know of your Dragon to ride.

(Hermione leans seductively over the altar of a counter towards Faustus; her feline eyes burning lustful.)

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FAUSTUS CROW: Agreed of pact, to verily seal this night; for my Goat horns do ache for your petite Virgin hand, to stroke them. Thence to arouse the third erect, in between; to be verily bloodied of horn, when to penetrate thy Ninth-Gate hymen veil, of thine moist Shadow Kingdom, to enter unto.

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BABALON WITCH HERMIONE: You are a very, very Bad-Boy of a Great Beast indeed. I know, let’s go and watch Fritz Lang’s Slytherin classic, Indian Tomb, before we shed our Skinwalker skins, in your Sultan’s palace.

(Dirty smile and lustful girlish giggle.)

(This banned Harry Potter episode was somewhat inspired by Monty Python’s ‘Pornographic Bookshop’ sketch, which was featured in the Flying Circus TV Show – Episode 36, which of numerology is verily reduced down to Nine of ‘Ninth Gate’ should you be into Masonic Monty Python conspiracy theories out of Polanski’s Animus fixated Holy-Wood.) 

NOTE: It is within a lucid dream, the dreamer can then consciously conjure (Succubi) Succubae, the psychiatrist Carl Gustav Jung would term as being manifold archetypal aspects of the Anima. The counterpart of the Anima is the Animus.

Physical life is geared towards procreating in order to transfer genetic material, which ultimately engenders evolutionary leaps down the generations. The Anima and Animus are bio-psychological functions, which heavily influence your choice of prospective partners.

Wherefore the Anima and Animus are very much part of the process of evolution. However, the influence of the Anima and Animus are not constrained to determining your choice of physical partners.

The Anima and Animus can also facilitate evolutionary leaps of consciousness when internalised of lucid dream encounters.

NOTE: The classical conjuration of spirits in the Western tradition involves a practitioner conjuring up entities, which are described as being all male, who are seen to be separate personalities from that of the practitioner’s own personality.

When you otherwise investigate Tibetan Buddhism, whose practices involve ancient shamanistic techniques, the conjured spirits a male practitioner conjures up, are not only seen as being separate personalities, they are also considered to be as yet unknown (Daemon) aspects of the practitioner’s own personality, who are called Raging Buddhas.

The Raging Buddhas are essentially ‘role-models,’ a male practitioner seeks to assume as alternate selves, and in turn acquire those qualities they represent. At base level, a male will naturally gravitate towards those male role-models women find to be the most sexually attractive to them, which are defined by their Animus. 

The ancient shamanistic technique is of similarity to what Dr. Vladimir Raikov terms as Artificial Reincarnation and the Borrowed Genius, as developed by Win Wenger, Ph.D.

Each Raging Buddha is visualised coupling with a female spirit, called a Dakini. For example, when a male sees or vividly imagines a scantily clad (Muse) female, the tool making part of his brain immediately lights up. The Dakini empowers the assumption of a Raging Buddha guise of an Avatar, when the practitioner attains hypnagogic trance ingress into a lucid dream.

The nervous system cannot tell the difference between a real or a vividly imagined experience. Hence, when inducing a lucid dream, the vivid experience of the dream has the potential of re-imprinting the nervous system of the practitioner with those qualities associated with the assumed guise of a Raging Buddha. 

An engineered lucid dream is further empowered by internalising the sexual impulse, which involves meditating upon an erotic image of a chosen Dakini, who is a Succubus aspect of the male practitioner’s Anima.

You will find that the Western tradition has negated the existence of the Anima. Hence there are no historical examples of Grimoires listing female spirits.

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MEPHISTOPHELES IS A DEVIL GIRL

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The above artwork, which is available as an Art Print, depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks. (If you are interested in the above Art Print, Please Click Here.)

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In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

The full version of the original Artwork above can be presently seen on Saatchi Art; if you are interested, Please Click Here. 

Mephistopheles is essentially a male archetype of the deified Animus, made as a Jehovah/God-Jesus/Allah and a Satan/Lucifer-Devil/Shaitan.

Whereas, the erotic Anima and her Succubus Great Old Ones, whose Playboy legions reside within the heterosexual male psyche have been entirely castigated out of the symbolic paradigm as the Fallen, which of an archetypal influence is considered as being politically incorrect.

Hence the Fallen Anima can be seen as a female Devil, who would manifest as a salacious Nun.

A sexual (Anima) female Devil and her legions of (Succubi) Succubae would have made more symbolic sense, considering that the Devil rebels against the deified Animus, which of a Fifty Shades Of Grey male archetype resides within the psyche of every woman.

It is the reason why Witches dance around their horny Alpha-male Bad-Boy Devil, while Nuns crucify a Beta-male Good-Guy Christ; all of whom adore their All-Father Animus.

Such would only apply if the Witch-Nuns are heterosexual of inclination, who carouse with horny Playgirl Unicorns; while homosexual priests have a ready made erotic focus of an all male Military-Industrial-Complex Spartan pantheon, populated by Rainbow elder Gods.

Alas, the symbolic logic of the Anima was never utilised of a rebellion within any of the so called banned Devil tomes, listing Animus archetypes, which are ridden by protesting Witch/Nuns as their Little Ponies.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick.

From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

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The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal.

In other words, the computer simulation within your ‘Skull’ can be manipulated via your indoctrinated (Triangle Of Art) beliefs, which determines your perception of reality. This is more so the case if you find yourself being unknowingly lulled into (G/Gebo Rune: X) ‘Crossbones’ trance by repetitive, state propaganda.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the symbolic Matrix of the deified Animus or stay asleep. It is your choice. But be prepared for the rollercoaster ride into Fallen Anima Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke a minion of the deified Animus empowering his viral-meme God egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a (Anima) Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being Shakti (Anima) of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

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Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going Animus fixation.

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Whereby the Faustian Artwork rebelliously reinterprets Mephistopheles as being an Anima archetype, manifesting as a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of a Chaos Magik Art Muse.

She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

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There are many a Grimoire, which are supposedly written by Faust. These grimoires feature Seals and Sigils, which were used by Sorcerers in order to conjure Mephistopheles. However, you now have Fallen Anima, Mephistophina to conjure instead.

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The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

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The font in the above Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Fallen Anima, Diana-Lucifera entered into a Coitus Pactum with her Faustus.

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Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to Art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill Animus Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your deified Animus God trinity of NWO death-metal Illuminati cults out of Abraham’s UR.

Fallen Anima, Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious/political prison bars; whereby her Faustus is an Avadhuta rebel, some would see as being a perverse toxic-male Devil; but then the worshippers of the deified Animus are inadvertently conjuring up an Ante-Christos rebellion. You have been duly warned!

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