Archive for shamanism

THE THIRTEENTH DOCTOR WHO

Posted in Art, Chaos Magic, Dr Who, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 17, 2017 by FAUSTUS CROW

The science fiction TV series Doctor Who is a significant part of British popular culture as well as elsewhere, which has gained a cult following, that was named as being TV’s longest-running science fiction show, after forty-three years and seven hundred and twenty three episodes, according to the Guinness Book of Records.

Doctor Who has influenced generations of British television professionals, many of them had grown up watching the series.

The actress Jodie Whittaker, whose Yorkshire surname is of Anglo-Saxon origin, will be remembered as being Doctor Who’s ‘thirteenth’ Time Lord, the first woman to be given the role. (Many a Yorkshire Witch who is aware of the ancient Indo-European Triquetra [Mother, Maiden, Crone] symbol will know of the occult significance of the number thirteen.)

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The Thirteenth Doctor’s identity was prepped to be revealed on the 15/07/17, and then shown in a trailer on the 16/07/17, which had been broadcast at the end of the Wimbledon ‘Men’s’ singles final. (The number 16 is rather curious, concerning the association with the Tarot card of the Tower XVI, which is associated with a shocking revelation.)

Not long before, Andy Murray, a champion of equal pay in women’s tennis ‘strung up’ a sexist reporter on the 12/07/17, which was covered by extensive Hanged Man XII media attention on the BBC, etc. (It’s almost as if the media hype about Murray hanging a sexist journalist was a set-up, just prior to the Doctor Who revelation. Then, not long after the BBC was hit, when it was revealed that their actresses were getting far less money than their male counterparts. As for myself, I have never got my head around why women who do the same jobs as their male counterparts are not given equal pay.)

Anyway, what is rather curious is that In ancient cultures, the number Thirteen represented the feminine principle, since it corresponded to the number of lunar (menstrual) cycles in a year (13 x 28 = 364 days). The usual theory of gender politics is seeing the solar calendar, which is generally considered to be associated with the male principle, had bulldozed its way over the lunar calendar of the feminine principle, this led to the number Thirteen becoming anathema; hence seen as an unlucky number. (As in the Tarot card XIII.)

However, the peoples of Northern Europe, such as the Norse and Saxon’s/Anglo-Saxon’s associated the feminine principle with the clockwise solar (Sunna) Swastika of the Sun; whereas the male principle was associated with the counter-clockwise Swastika of the (Mani) Moon. (The symbolic association between the Sun and the male principle is primarily derived from a Middle Eastern source.)  

As for the Doctor Who’s character, he was originally based upon the Norse shamanic deity called Odin, which is originally derived from the Southern Siberian name, Odqan. The Saxon’s knew Odin as Woden, the Anglo-Saxon Christian converts had named as Old Nick, which is a slang name for the Devil. (Tarot card XV)

Odin’s female shamanic counterpart was called Freyja, the Saxon’s called Freo. She was seen as being the ‘golden haired’ queen of Witches and the mistress of Cats, who is of similarity to the Hindu Goddess called Durga. The Goddess Durga has a retinue of female (Succubi/Succubae) spirits called Dakinis, and like Durga, Freyja is the mistress of female (Druden/Succubae) spirits called Valkyries.

Alas, the TV series Doctor Who did not have a female Time ‘Lady’ counterpart, apart from the Doctor having a number of female assistants, which is of similarity to Odin/Woden being surrounded by his Valkyries, who personify psychic (Dakini) powers, the practitioners of Yoga call Siddhis.

Odin/Woden has a singular eye, whose sacred colour is blue, just as Hindu deity called Shiva is associated with the colour blue, who has a third eye. Shiva’s female counterpart is Durga. The Roman’s associated Odin/Woden with the messenger God, Mercury who was originally the ancient Greek deity, Hermes. The Gauls called him Mercurius; whereas the Welsh knew him as Myrrdin, the Norman’s named as Merlin.

Odin/Woden is known as the lord of the Runes, who rode an eight-legged-Mare called Sleipnir, which can be equated with Doctor Who’s TARDIS. (Hence the TARDIS is seen to have a feminine [Mare] intelligence: ‘The Doctor’s Wife.’)

Odin/Woden hung himself into trance upon the world tree called Yggdrassil, which can be seen as representing the multiverse. Odin/Woden travelled the worlds of Yggdrassil throughout space and time, just like Doctor Who, while riding Sleipnir.

The world tree of Yggdrassil is associated with the ‘thirteenth’ Rune called, Eiwaz or Eihaz. When the number thirteen is reduced down to four, you then have the fourth Rune of Ansuz, which is the Rune of Odin/Woden.

The name of Odin/Woden was given to the third day of Wednesday, the cartoonist, Charles Addams named his female character Wednesday Addams after. In Spain, Wednesday Addams is called Merlina, being the feminised name of Merlin. Wednesday Addams is also called Odina and Wodena.

This leads us to the role of Doctor Who’s antagonist who is called the Master, whom returned in the eighth series in a new female incarnation called ‘Missy, played by Michelle “Gomez,” which is short for ‘Mistress,’ whose nigh dominatrix character is very similar to an elder Wednesday Addams.

Missy was eventually upended by her older male self, while she aided the twelfth Doctor, played by Peter Capaldi, whose female companion, acted by Pearl Mackie was the first openly gay sidekick called Bill Potts. But Potts reign on the show is set to be short-lived, which may be due to having a female Doctor Who. Suffice to say, Doctor Who is no longer for the wee kiddies anymore. The TV series has evolved into more adult fare apart from competing egos projecting their own issues onto Doctor Who.

But then again, was Doctor Who, really a children’s program? The children’s slot, severely constrained its story-lines. Whatever the case, many would construe that the escapism of Doctor Who is becoming entangled in present gender politics, which has also been observed creeping into films, comics and video games, etc.

What is often left out of the equation is how female viewers feel about the mythic character of the Doctor. The twelfth Doctor, played by Capaldi, lost a lot of viewers, which was put down to his age. Whereas the previous more youthful Doctor’s played by Matt Smith and David Tennant had higher ratings.

This is very likely due to the heterosexual female viewers fancying the pants off of the eleventh and tenth incarnations of the (Odin/Woden) Doctor’s, while imagining themselves to be their (Valkyrie) companions. As for the heterosexual male viewers they were attracted to their corresponding female (Valkyrie) companions who imagined themselves to be (Odin/Woden) Doctor Who.

I am aware that such an observation of the ‘Animus,’ and ‘Anima’ archetypes and that of media ‘role models.’ will cause a lot of aggravation to the feminist extremists; as well as stirring emotionally charged reactions from those who consider themselves to be social justice warriors.

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All of them will very likely scream, that this is a sexualisation of a kiddie TV show; well, what about Potts then, let alone Jack Harkness, played by John Barrowman, who was the first openly homosexual character in the history of televised Doctor Who!

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Potts and Jack are cool characters, whose sexuality was emphasised. Although, when it came to the eleventh Doctor’s romantic tryst with his ‘Impossible Girl,’ called Clara ‘Oswald,’ played by Jenna Coleman, there was a moralistic outcry from certain sections of the audience, which led to the twelfth Doctor being non-sexualised, having Potts as his companion, and an ensuing big dip in the TV ratings. (Oswald, by the way is derived from the fourth Norse/Saxon Rune, Ansuz, As, Os, Os-wald/weald-rule. Clara means, bright/famous.) 

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Biology always wins concerning the attraction between the sexes. It’s nature, and she’s a bitch! Let’s be entirely honest here, as mentioned, little boys don’t just watch (Odin/Woden) Doctor Who because he represents a ‘male role-model,’ they also fancy his female (Valyrie) companions, just as the little girls fancy (Odin/Woden) Doctor Who, whom liken themselves to be as his (Valkyrie) companions. Another example is that of the girls chasing after (Odin/Woden) Harry Potter, and the boys getting hot and bothered over (Freyja/Freo) Hermione Granger; however, the Hogwarts characters never got it together.

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The main problem here is that there was no female (Freyja/Freo-Durga) role-model counterpart of (Odin/Woden-Shiva) Doctor Who. This could have been easily remedied by having a female (Freyja/Durga) Doctor Who popping in from an alternate universe, who has the (Tantric) hots for the male (Odin/Woden-Shiva) Doctor, and now vice versa, of a present female (Freyja/Durga) Doctor encountering an alternate male (Odin/Woden) Doctor, to have a tumultuous (Yin/Yang) relationship dynamic across (Tao/TARDIS) space and time. If you believe in equality, there you go!

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You cannot socially engineer nature out of existence, otherwise you will invariably engender a huge backlash from the core audience; the majority of them are not gay. The BBC is well aware of this fact just as Hollywood is; the loss of viewers will invariably lead to the demise of Doctor Who, and in turn losing their monetary revenue.

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Many of the Hollywood films featuring male actors, are not, and never were aimed at a male audience; they are specifically targeting the heterosexual female audience in particular, just as the spandex superhero genre of comics does so, and likewise video games, etc. But such usually goes totally under the radar; nothing is really said about it at all.

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However, when an actress gets the limelight, it is self evident who the target audience is, which has become heavily politicised by feminist politics. This is entirely understandable concerning equal pay for actresses; but it is not all about wages, is it; much of it is to do with a protest against seeing women as sex objects; this is very much the case when it comes to comics and video games. What about male sex objects?

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For example, Hollywood would lose a lot of money if they had James Bond looking like an everyday pot-bellied balding male. The male audience will be able to bond with a Bond looking like them, who are getting rather collectively pissed-off that they have to live up to a machismo media image. But the female audience will be running for the cinema exit to Oprah Winfrey watch Fifty Shades Of Sharia Law Grey instead, just as they ran off when the twelfth Doctor turfed up.

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Doctor Who can be utilised to explore various social issues and differing sexual persuasions, such as having energetic Potts revealing her sexual leanings, Jack winning over the audience with his show stealing charisma, let alone introducing other characters swinging both ways. The childlike innocence that TV series once had is now no longer the case. But there has to be an equal balance, otherwise the core audience will be lost.

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The gender politics of Doctor Who is part of a far bigger political push, which is rapidly engulfing other media and the Arts; it is becoming the new Entartete Kunst. The difference being that Doctor Who’s rebellious (Odin/Woden) character exists within a (Yggdrassil) multiverse, which allows for the diversity of differing cultures, beliefs, ethnicities and sexual persuasions, etc, whereby having a never-ending stream of mythic story-lines going ad-infinitum.

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Having a female (Anima) Doctor Who (Freyja/Freo) will thereby need to attract the males, in other words, she will have to be ‘SEXY,’ just as a (10th/11th) male (Animus) Doctor Who (Odin/Woden) attracted the females. In this case, the usual formula is reversed; the female viewers will find themselves being presented with a (Animus) male (Lord) companion of a female (Lady) Doctor Who; that, or a male (Animus) Doctor Who (Odin/Woden) pops in from an alternate universe. If not, the BBC is purposefully intending to sacrifice the longest running science fiction TV series on the face of the planet, upon the rather lop-sided politically correct altar of present gender politics, which in the main, is stemming from media machine ‘Borg’ America. Do you think the BBC would be stupid enough to do that? WHO knows!

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At the end times of the day, Shekels talk far louder than words, which is habitually Dalek short-sighted, who to cry (Tarot card XIII) Exterminate!

NOTE: As a kid, watching Doctor Who, I imagined myself being like him, like a lot of other boys did. What is honestly not covered is the important role of the Doctor’s female companions, many of whom young boys dream of being with, while imagining themselves as their male-role-model Doctor Who.

A number of my female friends, are honest about their infatuations with certain male actors who have played various incarnations of Doctor Who, who imagined themselves as being his companions.

For example, a Trekkie ex-girlfriend of mine had the hots for Picard out of Star Trek, another had a crush on Spock, since she was a girl, who are not at all interested in female versions of them; whereas I liked Deanna Troi, but especially T’Pol out of the Enterprise.

So, you can gather that a lot of heterosexual female viewers of Doctor Who will not be at all pleased with a female version of the Doctor, unless she has an attractive (Animus) male companion.

That is, the novelty of having a female Doctor will last for but a short time, unless a balance can be established, of having a ‘female-role-model’ with a (Animus) ‘male companion.’

Should the writers introduce a male companion into the show, due to the present political climate, I can easily predict what will be done, which will be a very big mistake, if the ‘Social Engineering’ writers go there… 

As for the heterosexual male audience, a female Doctor Who, will need to be (Anima) ‘Sexy,’ while having a corresponding ‘male-role-model.’ When I say, sexy, I do not mean getting her kit off, posing as a Venus!

If the writers make the character of a female Doctor Who to be like a mother figure espousing feminist politics, then you can say good bye to Doctor Who.

When it comes to politics in general, in the Doctor Who UK, the referendum revealed the politicians for what they truly are, to all those who voted remain or leave.

None of the politicians had a back-up plan, since none of them imagined that it would go the way it did.

Why? Because ‘none’ of the politicians are in control, who are instead in the pay of Brussels; they are just a load of pompous self-serving whoring puppets.

The government intends to censor the questioning internet via the backdoor, saying that they are protecting your children, while every Siri ‘Iphone’ is watched. It is the inverse Yoni ‘triangle’ sign of the Orwellian times shafting the mother of parliaments; but from where it to have stemmed, of having your ‘Liberty’ eroded between the lightening struck asbestos ‘Towers’ of Boaz and Jachim XVI?

It goes to the front ‘door’ of a whoring government, of IRA conflict Margret Thatcher, Libyan war Hilary Clinton unto Syrian war Theresa May, who, like their male counterparts use the war on terror to control the masses, fearing Wahabis nutters, whose brain-dead minions are no different to Nazis assailing the Vera Lynn ‘white cliffs of Dover.’

Where are the anti-fascists facing off the black flags of the Wahabis and other theocratic fascist extremists? None to be seen… at all; for the anti-fascists see all Nazis as being white males. No they are not! The anti-fascists are too, but puppets on an end of an Oily string!

The government puppets, even unto Brussels, whore themselves to the Oily petrodollar Sharia Law desert sands, where little ‘Saharan’ girls have no rights!

So, you had better hope that a real Doctor Who is out there somewhere, who doesn’t look anything like ‘blondie’ York & Lincs Thatcher, Clinton or May, because May’s whoring government is planning to fluoridate the whole of the UK, with China’s excess neurotoxins and mutagenic compounds: fluorosilicic acid, sodium fluorosilicate, and sodium fluoride.

Sounds like a scenario right out of Doctor Who, doesn’t it. However, it is for real! 

The mass-medication practice of fluoridating the public water supply was banned in Communist China due to their Doctors finding that it dumbs down the children’s brains, to rot.

You will not hear about it on the BBC, or the mainstream, which is owned by the mothering government. The mainstream media is totally under their control!

You will have to look for the information elsewhere, from Doctors, scientists and researchers; this is not a conspiracy theory. You will have to educate yourself before the government censors them across the internet under the misdirection pretext of protecting your children’s innocent brains to duly dope up with neurotoxin fluoride, which is used in sedatives. It is the real reason why the water is fluoridated.

They’ll be putting lithium in the water next! You think I’m kidding. No I am not! The government is planning to mass-medicate your children with lithium, they are already doing it Ireland.

Some mother states can be very controlling, which is especially the case when they do not have children of their own, who, like a superiority complex ridden Dalek treats everyone else like a mass-medicated child to smack down, chipping they’re fluorosis afflicted teeth.

Little wonder then that many seek to escape into the escapism of Doctor Who, whose female incarnation is to make her entry onto your Orwellian TV screens, during the Christmas festivities, around the over-watched world tree of Yggdrassil. 

But it be far better that the protesting feminist female Doctor Who’s save the children from the totalitarian fascist Daleks.

The female Doctor Who’s have shown their influence over politics, let’s see where they can truly wield their sonic screwdriver power, where it actually ‘Counts The Most.’

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GOBEKLI TEPE SHAMAN

Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

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Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.

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DOCTOR WHO SHAMAN SIDDHI

Posted in Alien, Art, Chaos Magic, Dr Who, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 6, 2017 by FAUSTUS CROW

There are those who see my work as having no symbolic foundation or proof of an elder influence concerning a focus upon the archetypes of the ‘Anima.’ Whereas the Abrahamic foundation of the ‘Animus’ fixated grimoires have a historical lineage in the Middle East, which had been later appropriated by Rome’s empire. However, there are numerous examples of a symbolic focus upon the ‘Anima,’ which far-predates the Abrahamic gender focus upon the ‘Animus.’ Alas, there are hardly any examples of it, if at all, in European lore.

But, then what do you expect, not much has survived in regards to the pre-Christian shamanic traditions of Europe, due to the prior Witch burning’s conducted by Rome’s church, which lasted for over 500’yrs of tyrannical rule, when its Holy Inquisition committed mass genocide across Europe unto the Americas; wherefore ancient origins have been nigh eradicated.

So you will have to look into other elder cultures, who once shared ancient cross-cultural connections with Europe; an example being the European discovery of the Gundestrup cauldron of (Soma) ‘Somras,’ which is connected to India, whose peoples have not yet forgotten their own ancestral-self-identity.

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There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight ‘Anima’ fluctuation Goddesses. These ‘eight’ Goddesses are personified Siddhis.

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The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās, such as meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the ‘eight’ Siddhis is the ability of having unrestricted access to all places, across space and throughout time. This does not mean that you can miraculously teleport your physical body wherever you desire, but such can be achieved by your conscious awareness, when accessing a lucid dream. The point of the shamanic exercise is to consciously project your ‘Five Senses’ into another space-time locale, with full awareness, when attaining a ‘Sixth Sense’ lucid dream; wherein your third eye is opened.

Should you creatively utilise your TARDIS imagination, this particular Siddhi can be associated with the science fiction character of Doctor Who, whose characteristics are none too different to that of a Shaman. The shamanic character of Doctor Who can be assumed as an Avatar within a lucid dream, when ‘meditating’ upon the symbol of Doctor Who’s TARDIS, in league with the ‘fourth’ (Ansuz) Rune.

In this case the Ansuz/Rune Siddhi is personified as a Goddess/Succubus, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like Doctor Who, to thence remote-view other far off places and times.

I am not talking about taking on the guise of a particular Doctor Who out of the series, here. Doctor Who is more of an ageless inner archetype, who as mentioned, is none too different a Shaman, whose TARDIS is otherwise that of an ‘eight’-legged-Mare, which symbolically represents the power of hypnagogic (Phase) trance.

(The Horse/Mare Rune is the nineteenth Rune called Ehwaz. In the Southern Siberian Altai region of Pazyryk, where a number of tattooed ice mummies have been discovered, there are also horse burials; some of the horses are bedecked in ritualistic attire, looking as if they have eight legs, wearing elaborate head-dresses, having Reindeer horns.) 

“-a remarkable mask and breast collar for a horse, from around the 3rd-4th century B.C., from the Pazyryk culture of the Altai – a region in central Siberia” "Pazyryk is the name of an ancient people who used the stone covered burial mound or...

Doctor Who’s character is very likely based upon the ancient shamanic deity of the Norse, called Odin, the Saxon’s called Woden, whose sacred colour is blue. Odin’s names are many, and each of his myriad names are that of an alternate guise to shape-shift into; whereupon he is ultimately known as the unknowable one, because his consciousness is formless, having no limitation of a definite form.

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Odin means Light/Ecstasy Master, which was originally derived from the Southern Siberian Altaic word, Odqan, which means Fire King.

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Odin/Woden is seen to have a singular eye, which refers to the third eye. He is known as the lord of the Runes, who wields a Rune (Word/Sound) spear (trident/trisula) named Gungnir, whereas Doctor Who has his ‘Sonic’ screwdriver.

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Odin/Woden also rides an ‘eight’-legged-Mare called Sleipnir, which is none too dissimilar to Doctor Who’s blue TARDIS when travelling the nine-worlds of the (multiverse) world tree of Yggdrassil.

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And like Doctor Who he has female assistants called Valkyries, who are essentially his personified Siddhis.

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Odin/Woden can be equated with the Hindu deity called Shiva, whose sacred colour is also blue, having a third eye of a DMT producing pineal gland.

He is regarded as being a master rather than a God, who is formless, limitless, transcendent and an unchanging absolute Brahman, and the primal Atman (soul, self) of the universe/multiverse. Odin/Woden and Shiva can also be seen as being similar to the Haitian deity, Baron Samedhi.

Shiva has many benevolent and fearsome Doctor Who manifestations. His benevolent aspects, has him being depicted as an omniscient Yogi (Shaman) who lives an ascetic life on Mount Kailash as well as being a householder with his wife Parvati and his two children, ‘Ganesh’ and Kartikeya.

When assuming his fierce aspects, Shiva ‘polices’ the multiverse, whereupon he is often depicted slaying malign influences just as Odin/Woden/Doctor Who are known to do.

Shiva is also called Adiyogi Shiva, who is regarded as being the patron deity of Yoga, meditation and the Arts.

Many of the (Kam) Shamans of North Central Asia hold Shiva in high esteem, who place Shiva’s ‘AUM/OM’ trident/trisula amidst their (Oboos) altars.

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Whereupon the ancient (Kam) Shamans also tended to wear the blue vestments of Shiva when inducing endogenous DMT (Soma) ‘Somras’ production within their own bodies of inner (blacksmith craft) alchemy.

The blue wearing Shamans are called (Khara Kam) black Shamans, whose practice involves the assumption of Shiva’s guise within their lucid (TARDIS) dreams.

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When lucid within the dream the (Khara Kam) Shaman can then (AUM/OM) vibrate the dream upon an uttered (Rune) mantra, in order to then conjure up the eight personified Siddhis as his (Succubi/Succubae) spirit wives, and each of the Siddhis are conjoined with an Avatar of the conjuring Shaman.

The (Khara Kam) Shamans do not worship Shiva as their God, they otherwise seek to emulate him as being the first horned Shaman/Artist, who created the deities to paint upon a cave wall.

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And just as he can create as an Artist, he can also destroy what has been created of a form, being that of a belief, to then recreate it anew, to go beyond its limit; this is the evolution of consciousness, which has no limits.

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NOTE: The modern symbolism of Doctor Who has an emphasis on a as yet unattainable futuristic technology, just as the Gods and Goddesses of mythology manifest powers everyday mortals only know of as fantasy.

The symbolism of Doctor Who can be traced back to an ancient mythological source where you find the Shaman, whose abilities are not mere fantasy.

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The Shaman experiences the mythological reality within his self-induced lucid dreams, where a technology of a time machine is otherwise seen as an internal (Siddhi) ability, which can be achieved.

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The Hindu Night-Mare Goddess, Kali is associated with the great wheel of time. Wherefore her Shakti power will empower a time machine, which can be symbolically translated into a meditation image of an eight-legged (Siddhi) Mare. 

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When the Shiva Shaman consciously recognises the trigger-symbol of the eight-legged Mare within a lucid dream, he can then remote-view ride her as his Kali TARDIS. 

NOTE 2: Kali is an aspect of Durga, also known as Devi, Shakti and by numerous other names, who is a principal and popular form of Hindu Goddess. She is a warrior Goddess, whose mythology is centred around combating malign and demonic forces, which threatens the peace, prosperity and Dharma of the good. She is the fierce form of the protective mother Goddess, who is willing to unleash her Kali anger against those committing evil.

Durga is depicted in the Hindu pantheon as a fearless woman riding a Tiger, which is of similarity to the Norse Goddess called Freyja, who is the wife/lover of Odin/Woden. Durga has a retinue of female spirits called Dakinis, which in Europe would be considered as being none too different to (Succubi) Succubae.

Freyja likewise has a retinue of female spirits called Valkyries, whose nature is the same as the Dakinis. Durga appears in Indian texts as the wife of the God Shiva, as another form of Parvati or mother Goddess.

As you can probably deduce, there are many cross-cultural symbolic parallels between Hindu and Norse/Saxon mythology concerning Shiva and Odin/Woden, Durga/Kali and Freyja, as well as the Dakinis and Valkyries. Wherefore, the ‘Siddhis’ being personified as Goddesses (Dakinis/Valkyries) can be seen as (Succubi) Succubae to list within a Grimoire of the Fallen ‘Anima.’  

 

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EROTIC ART OF CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints. Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had sex on their brains.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration. “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Because many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery—many researchers have proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art: “Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art.

Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all. It’s almost as if they’re saying that your ancestors didn’t get it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, ‘how did they get here?’

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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THE CONJURING OF A FALLEN ART MUSE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW
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Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…

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Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.) 

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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

Beelzebub Umineko Cosplay by vzl

CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

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CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

Beelzebub Umineko Cosplay by vzl

VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

Umineko no Koro ni - Belphegor by okutabi

VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

Asmodeus - Umineko no Naku Koro ni.

CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

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JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

Mammon - The Seven Stakes of Purgatory by Miihelmina

CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

Mammon - The Seven Stakes of Purgatory by Miihelmina

VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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HIPPIE WITCH QUEEN BEE FREEMASON

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2017 by FAUSTUS CROW

The Thirty-Eighth ‘Anima’ archetype to conjure as a Succubus Art Muse is mantra named, Halphas, or Malthous (or Malthas).

“She is a Great Countess, and appears at first amidst the Triangle Of Art Imagination in the visionary form of a Stock-Dove before manifesting as a rebellious, ‘Make Love, Not War,’ Hippie Witch Queen Bee Freemason within a lucid dream. She speaks with a seductive clairaudient voice telling of the most shocking revelations. But it requires the conjuring Artist to connect the revealed dots to see the horrendous pattern, should he/she decide to seer beyond the controlled media machine illusion.

Her Queen Bee office is to reveal how very easily the collective mind of the mass populace can be imprisoned within illusory constructs of indoctrinated belief.

The shared beliefs of the collective mind manifest as ghostly fractal landscapes and gridded up towering cities, all as haunted shells, which are frequented by the sleepers who are still asleep, looking like brainwashed zombies, whose brains have been systematically poisoned.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The conjuring Artist will encounter such Hammer Horrors within his/her subconscious dreams to harrow, who will be seen by the brainwashed zombies as being an otherworldly abducting alien, which of an outside of the box harrowing is to negate the boxed brainwash. Well, what do you expect. it isn’t called the ‘Great Work,’ for nothing.

She will also reveal that the associative information fractals within the microcosmic dream overlaps with the macrocosmic physical of perceived entoptic form ley-lines, along which apron wearing Worker Bees blindly swarm over, who are still unaware that they are seen by the puppeteers to be nothing more than brainwashed slaves, whose children are being dosed up with mutagenic compounds and neurotoxins.

Yet, the Worker Bee’s continue building constructs of their indoctrinated belief upon those power places, where controlled synchronicities abound; for the eugenic few control the collective mind through blinding belief, which is entwined with their symbolic tool of monopoly game banker money.

At such places of power, the rebellious Artists can otherwise transform the established Beehive lodges of an ‘Animus’ fixation into protesting rebel Art galleries; for all beliefs are merely mind-constructs, which are symbolic of Art.

Art can reveal truths, the banking elite do not want the collective mind to perceive, who otherwise use Art as a neuro-marketing media tool in order to keep the populace ignorant within their New World Order Eden. Wherein of a shadowy Plato’s cave, the few have imprisoned many a poisoned brain, whose DMT producing pineal glands are fluoridated blinded to not see beyond the symbolic matrix of engineered beliefs, which be their neuro-zapping prison bars, strangling their reptilian-brain-stems.

She rules over Twenty-Six Legions of (Succubae) Succubi, whose Art Muse inspiration cuts through the illusory constructs of the wearing no clothes banking elite, who greatly fear the collective mind waking up to their crimes against humanity, and all life its self; hence, they are fleeing what they perceive to be a sinking ship, just as the aristocratic rats did just before the French revolution.

Her two-dimensional seal is to be mediated upon by the rebellious Surrealist Artist before conjuring her interactive three-dimenional ‘Anima’ manifestation into a consciousness expansion Stargate lucid dream, revealing at first, horrors, which need to be harrowed and ‘healed.’

The dreaming Sorcerer Artist will then perceive the real pyramid of the misdirection viral-meme Illuminati, behind which of an engineered illusion hides the imprisoning triangulated trinity of ‘Animus’ fixated belief constructs, around an oily ziggurat of UR, the monotheistic banking elite do feudal adore as their Orwellian cradle of centralist politics.

When to see the indoctrinated beliefs of divide and conquer prison bars, the triangle around the UR ziggurat is seen for what it is, along with seeing the oily money trail, trailing back to the ‘very few’ atop of their petrodollar ziggurat of skulls, who far prefer initiating a race war holocaust, let alone a third world war, rather than being found out as being criminally insane. They cannot be allowed to initiate another World War two ‘holocaust,’ sacrificing the lives of scapegoat innocents for their own eugenic agenda, let alone instigating a third world war, which will be the End Of Days of all.

The eugenic inbred murderers are easy to discover, before they disappear into their slave built rat hole bomb shelters; for their bloodied fingerprints are over everything, who make the ‘chosen race’ deluded Nazis look like inane puppets. But then the Nazi clones only copied Rome, which to have copied, just as superiority complex copycat Mecca did, of cultic clone insanity. The three cults of UR, likened to the BORG out of Star Trek, have indoctrinated many a ziggurat branded brain to become utterly insane down the brainwashed generations, who as cloned automatons dance madly as self-fulfilling-prophecy zombies around the skull tiered ziggurat of UR.”

The Goetia Surreal – S. L. MacGregore FreeMason, Alternate Earth, Art Central Paris.

NOTE: As you join all the dots together to see the overall pattern, you will no doubt become quite horrified, let alone highly emotionally reactive; some will prefer not to see anything at all, or to otherwise seek out shadowy Creepypasta created groups rather than seeing the secret hidden in plain sight, or to lose themselves to PsyOps misdirection otherworldly entities out of a horror-wood B-movie, such as Demons, interdimensional reptilians or invading extraterrestrial aliens as being the reason why the world is being transformed into a seething pool of shit.

 “If you know the enemy and know yourself, you need not fear the result of a hundred battles. If you know yourself but not the enemy, for every victory gained you will also suffer a defeat. If you know neither the enemy nor yourself, you will succumb in every battle.” ― Sun Tzu, The Art of War

Others will invariably blame a whole race of people as being the culprits, which just feeds into the divide and conquer modus operandi of the controlling few, rather than seeing it is ‘passed down beliefs,’ that have led to the present problems, instigated by a ‘few insane individuals,’ who are all too human psychopaths, using the shared beliefs of the masses as a means to control them via a corrupt financial system, for their own shitty agenda. As the old adage goes. “power corrupts, absolute power, corrupts absolutely!”

“The supreme art of war is to subdue the enemy without fighting.” ― Sun Tzu, The Art of War

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