Archive for Lilith’s Harem

FORNEUS OCCULT INGESTION HENTAI DREAMS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2018 by FAUSTUS CROW

Abdul Alhazred’s conjuration of the Thirtieth Succubus archetype of the Fallen Anima, named, Forneus as well as the subsequent remote viewing session of her within his Arkham asylum padded cell, was no doubt a memorable experience. This Mind-Doll, said Alhazred, manifested as a Hokusai vision in the Tulpa form of Babalon being consumed as R’lyeh fish bait by a great sea-monster.

Alhazred sensed that this infernal Art Muse induced a Hentai vision, which of an erotic tentacle scenario went, “no further than the corner view of my cell where the conjuration has taken place. She was held within the circle and begins to ‘speak’ or should I say, sing to me like a hypnotic Siren as I remote view her.”

goetia_girls_lilith's_harem_bjork_tentacle_succubus_art_muse_of_faustus_crow

He added that this Succubus, “appears to be manifesting as a plasma like figure who is speaking a Necronomicon language that I do not recognize.”

Related image

As his hands love-craft sketched the monstrous form of Forneus, Alhazred was surprised to find that the fish-bait Babalon the monster was consuming was part of the creature, which had a sucking tube of a mouth, looking like a vagina dentata.

Related image

A mystery, indeed, as you first examine Alhazred’s’ Artwork, which is best seen on The Erotic Mad Science website, CLICK HERE. But then, dear reader, as I began to research the things known about this Succubus, something interesting emerged.

goetia_girls_cthulhu_witch_sabbat

Forneus appears as a great monster of the sea. It looks like a primitive organism, which of a body is that of a fleshy tube having a tentacle for its tongue,” said one description. “It’s scales are precious stones, it’s many eyes are like fire and the flesh of drowned Ama divers clings to its teeth.”

Image result for homunculus

S. L. MacGregore Freemason Matherson agrees that Forneus,appears as a great sea monster, but he further relates, “it had been originally created as homunculus by Professor Eustace Turpentine, of Innsmouth Institute for Marine Research. As his Little Lab Of Horrors creation rapidly grew to huge proportions, he found out that it had a liking for eating women. Turpentine named the creature, Gynephagos Turpentinii.”

Image result for vore tentacle

Others say the sea monster is Cthulhu, looking like an enormous octopussy, Oops! I mean, octopus. In fact, the old magicians referred to Forneus as the Marchioness of the amniotic Waters, saying that the primordial womb ocean is her natural Ry’leh home. It is also said that the Hentai tentacle visions of Forneus being consumed by an octopus points at an occult secret, which reveals that octopuses are aliens, whose ‘frozen eggs’ originally came from the womb depths of space. A controversial science paper has argued just that, suggesting that octopuses may have ‘fallen’ upon our planet as frozen eggs, which were carried to an ancient Earth within icy comets.

Related image

The paper, by 33 degree scientists (some having reputations as mavericks) was first published in the peer-reviewed journal Progress in Biophysics and Molecular Biology. The idea of alien life spreading like ‘seeds’ throughout the womb depths of space riding comets or meteorites isn’t new, the theory is known as ‘Panspermia’.

Image result for comet impact earth

But the authors of the paper point out new DNA evidence about octopuses. The first full genome sequence of octopus DNA in 2015 showed that octopuses are totally different from all other animals. Their genome shows a striking level of complexity, having 33,000 protein-coding genes identified, more than in a human.

Image result for octopus

The paper reveals: “The genome of the Octopus shows a staggering level of complexity with 33,000 protein-coding genes more than is present in Homo sapiens.” Some single-celled organisms may be able to survive extreme impacts such as within comets, scientists say. “It is plausible then to suggest they seem to be borrowed from a far distant ‘Future’ in terms of terrestrial evolution, or more realistically from the cosmos at large. ‘One plausible explanation, in our view, is that the new genes are likely new extraterrestrial imports to Earth – most plausibly as an already coherent group of functioning genes within (say) cryopreserved and matrix protected fertilized Octopus eggs.”

goetia_girls_cthulhu_girl

Octopuses inhabit every ocean of the Earth, at almost all depths, possessing a range of features, which call to mind science fiction aliens. These include prehensile sucker-lined tentacles, highly mobile, camera-like eyes sensitive to polarised light, sophisticated camouflage systems, which alter skin colour and patterns, jet-propulsion, three hearts, and the ability to regenerate severed limbs.

goetia_girls_cthulhu_priestess_witch

With this paper in mind, I look at Alhazred’s Artwork once more and I am instantly reminded of the famous, The Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc, which is a zoophilia-associated woodcut design of the ukiyo-e genre, by the Japanese artist Hokusai. It plays with themes, which are very popular in Japanese Art, Manga and Anime, depicting a young Ama diver who is sexually entwined with a pair of gobbling octopuses.

Image result for vore tentacle

But is this necessarily true, do women have the hots for Jungian tentacles? But what then about the Freudian stories told by the randy Pirates on sailing ships of old, who brought home tales of great sea monsters brushing their vaginal maws up upon the sides of their phallic vessels.

Image result for kraken

Could it have been that these visions were all glimpses of the Succubus Forneus? Did some sorcerer accidentally summon this powerful Anima archetype from another dimension, or was Forneus simply making a friendly dream visit to a lonely sailor passing by on the great expanse of a seemingly endless sea, under the oceanic canopy of panspermia stars?

goetia_girls_cthulhu_witch_girl

Whatever the reason for her dream calling, Forneus probably was probably not a threat. Johann Weird, in his Succubus Sexualis of 1587, says he believes conjuring this Sucubus only brings good fortune: “She maketh a Sorcerer woondeffull in ‘explosive’ rhetorike. She adorneth a Sorcerer with a good name, and the knowledge of (tongues), and maketh one beloved as well of foes as freends,” Weird wrote in an early English text.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

PRAXIS MAGICA FAUSTI: The Magical Elements of Rebellious Doctor Faust

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 5, 2018 by FAUSTUS CROW

The following Performance Art ritual has been ‘adapted’ from the Praxis Magica Fausti, which is also known as The Magical Elements of Doctor John Faust – Practitioner of Medicine. The original 1571 manuscript, can be found in the Municipal Library of Weimar.

THE PRAXIS MAGICA FAUSTI

CHANT: Karuzea X Karothi X Karathoiya X Kemeltoni X Achatuma Ella X Dyestima + Rima + Warmati + Koya + Nemarrama + Palata + Themati + Amarrhi + Gysetona + Ralapharosa + O Sachmani + Macheya + Gaclesi + Bachati + Gyrtai + Somoni + + +

SPEAK/CHANT: Now do I call thee + + + Teomei [i.e. Twsmei] + Qarora + amathemai + Jamhaya + Scheai + Stala + Salmazani + Pamphilosi + Aziela + Alechemelora + Raphaela + Salathieli + Vei Sari + Amathemacha + Heroei + Sominie +

SPEAK/CHANT: By the power of the Holy Incomprehensible and invisible Great Artist – which is displayed in its works – for all things which it hath created are as Matrix Artworks of Maya + Barioni Salmafana + Raphaela + Nemana + Azana + Raphaela + come thou, I call upon thee, most forcefully +

SPEAK: O Succubus Art Muse of the Fallen Anima, by the power and virtue of the sigils which I have drawn – do I forcefully command thee, betwixt the pylons of flight and fight, to give me a synchronistic sign of thy inspiring arrival, stirring visions unto dreams. If ye delay, I will Fifty-Shades-Of-Grey Spirit-Chain, torture – whip and burn thy seal #

CHANT: Larabaya + Belioni + Sonora + Soramani + Bliara + Sonori + Arotani + Nizah + Raphaela + Alazamani + Emana + Nazamani + Tedoyla + Teabicabali + Ruosi, Acluaara + Iambalah + Cochimi [i.e. Iochimi] +

CHANT: Zebamani + Sehemathi + Egibuta + Philomeli + Gazamana + Deleti + Azatana + Uriela + Facala + Alazamanti + Nisiah +

SPEAK/CHANT: By the creative power of the Great Artist + Zeyhomanni + Acluaasa + Nizai + t Tachala + Necieli + Amatemacha + Her Sominai [i.e. sominie] +

SPEAK: Hear me, I know the truth of why the Anima and her legions of Succubae archetypes have fallen from highest heaven into the abyss #

SPEAK: It is I, who have freed the Fallen Anima and thee from thy chains. By this truth I compel thee, by force, to appear unto me before this drawn circle around my Art altar of an easel, to do what I command of thee within my eroticised lucid dreams to alter #

SPEAK/CHANT: Now do I conjure and command thee O Succubus Art Muse of the Fallen Anima, by the powers of the cosmos and by the Succubus Art Muse names of erotic creativity + Majie, Staetia, Schei, Aglai, Naobi, Sothera, Emmanuella, Adoraya + Adomatya + Aurayi + Amatona, Ellei + Elloya + Visiona +

SPEAK: By the great Night-Mare Muse love of Lilith and by her triumph over the brainwashed Lilliputian minions of the deified Animus who are imprisoned within their Plato’s cave of a gaol, and by the omnipotency of the Great Artist – which is – which was – and will ever shall be # by the Succubus Art Muse names, Paymowa – and Amayamona, and by the power of the word + Anima! #

SPEAK/CHANT: I command cite and conjure thee O Succubus Art Muse of the Fallen Anima to come quickly and without delay + I call thee + + Requieta + + Hamalieli + + Hanela + + Atatieli + + Scholieli + + Phacamecha Oriphi + + Malchidaeta + + Barbiela + + Zacheriela + + Oriphiela Zamuela + + Hamalieli + + Ziriela + + Rugsa # #

SPEAK: Come now I conjure thee. Hear me, Succubus Great Old Ones of the Fallen Anima; all ye knows of the wounds, suffered by those Artists whose sorceries rebel against the deified Animus made as a God and Devil, which incarcerates the minds of many within a symbolic Matrix of enslaved language #

SPEAK/CHANT: Come now by the Necronomicon words + Duisah + Fortisa + Zebaothi # I do conjure thee to come + Dujama + Dujama + Dujama #

SPEAK/CHANT: I conjure each and all of ye Succubae – by the seven Dakinis of the Chakra starsAyami Governesses of the harem Planetary spheres – Ouphieli + Zacheriela + Samoeli + Michaela + Gabriella + Raphaella + who are your mistresses to do that which I command # arise, manifest now amidst my Triangle Of Art imagination + + Anima! +  +  + #

SPEAK: Now I conjure thee to come from thy abode even from the farthest parts of the multiverse by the great and mighty names  of the Fallen Anima  – and to appear before me receiving and executing my demands truly and without falsehood I command thee, O Succubus Mephistophina ###

SPEAK: Even by thy great bio-photon Queen Diana-Lucifera I command thee in the unknowable name of the Great Artist ###

SPEAK: The Great Artist has no form, nor having a gender, let alone being branded by ‘three’ Animus fixated cultural constructs, which are merely oily big business, tax dodging dune cults out of Illuminati UR. ###

ANIMA! ###

PRAXIS MAGICA FAUSTI NOTES:

Great Artist = Great Spirit or Great Mystery. The Great Artist/Spirit/Mystery is non-dualistic, it is everything and nothing, chaos and order, etc.

ANIMA = Soul, as in Anima-Mundi, World Soul, Tarot card XXI. In ancient pre-Christian cultures, the Soul is seen to be the opposite gender of the physical/spirit self; wherefore, Mephistopheles is a male archetype of the Animus, which resides within the female psyche.

Mephistophina = A Succubus archetype of the Fallen Anima. Faust conjures her in order to free his Anima-Soul from the collective brainwash of the monotheistic Animus cultists out of UR.

X: Use of a wooden (shield/pentacle) palette, which is tapped loudly with the end of a large brush, this is done after making the sign of the Gebo Rune ‘X’ with said brush as if painting the ‘X’ in the air, or onto canvas. X, to be done once, XX, to be done twice, etc.

+: Making the sign of the equal armed-solar-cross of the Zodiac above your chest with a palette (sword) knife or (wand) brush.

You can also paint the + upon your bare chest, or to paint + onto the front of your ritualistic Artist’s smock. The cross ‘+’ can otherwise be painted on canvas. +, to be done once, ++, to be done twice, etc.

#: Drinking a glass of wine; though the Faustian style is to crudely drink straight from the bottle. #, to be done once, # # to be done twice, etc.

-: Holding up the glass or bottle of wine in the air before taking a swig. 

If the symbols, X and + are painted onto the same canvas, parchment or paper on your altar of an easel, the canvas/parchment/paper is to be dramatically burnt, when to ‘Howl ‘out “Anima,” at the end of your drunken Performance Art ritual, which is to be conducted during the full Moon at the midnight hour.

While being in an inebriated state, which will facilitate hypnagogic phenomena, you to then attentively listen for three poltergeist knocks upon your Art studio door, for you to slur, “enter, O Succubus Great Old One of the Fallen Anima, enter, and become my inspiring Art Muse.” Though such to Necronomicon occur when to lucid dream of being visited, after collapsing into a drunken stupor upon your wine stained floor.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

TIME THAT DEVOURS ALL THINGS, CANNIBAL WITCH GIRL FURCAS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2018 by FAUSTUS CROW

The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.

Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)

Related image

Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)

As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”

My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.

Image result for kali 

The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)

 

It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)

Image result for goddess kali film tv series

The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.

My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.

Related image

Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.

You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.

Related image

She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.

Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.

Image result for goddess kali film tv series

The character of Gaston can be seen as a Freemason, who desires  to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.

Image result for goddess kali film tv series

But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.

As mentioned, The Dolcetta comic and other comics can be found on the Erotic Mad Science Website.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

NECRONOMICON SUCCUBUS ART BOOK

Posted in Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Ghost, Goetia Girls, Goth Girls, Horror, Manga, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2018 by FAUSTUS CROW

Witches, femme fatale Vampires, Devil Girls, Warrior Maidens, Science Fiction Sirens and female Aliens piloting UFO’s.

Herein, within this Necronomicon be gathered all the Night-Mare Succubi archetypes of the Fallen Anima, who be the true Great Old Ones, whom haunt Love-Craft lucid dreams. Fully illustrated, over 150 illustrations in full colour, some of which are in black-and-white, such as drawings/sketches, etc. This Art book is for ‘Adults Only.’ A Preview for the Art Book is available on Createspace. Please Click Here.

The Necronomicon Succubus Art Book features all the Art work from my ‘Three Goetia Girls books.’ All Seventy-Two of the Goetia (Succubi) Succubae are depicted within the Art book, along with other associated Artworks.

This Art book also includes some comic strip pages, conceptual ideas and sketches as well as traditional Artworks.

Please Note: There are No descriptive texts accompanying the Artwork. The Art book will Not be available on Kindle. The Art book is an 8×10 over-sized paperback Art book, having a matte cover, as shown above, which is presently available on Createspace and Amazon. If you are interested, Please Click Here. 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

FAUSTIAN PEN SKETCH 1

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on February 27, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Barueli or Baruela, on A5 cartridge paper.

“Barueli: The mistress of all Arts. She manifests as an Artist’s model and comes wearing an Artist’s frock. She can teach a Truderer more in a moment than all the master Artists of the world combined could accomplish in twenty years. She must be forcibly invoked three times.”

The ‘Animus’ version is listed as Baruel in the Faustian grimoire, entitled the, Threefold Coercion of Hell, also called, Cabalae nigrae, Magiae naturalis et innaturalis, which is otherwise known as the Black Raven.

The Black Raven was said to have been authored by Johannes Faust. The seal for Baruel is below, which was derived from the Black Raven.

Classical description: “Baruel: The master of all Arts. He manifests as a master workman and comes wearing an apron. He can teach a magician more in a moment than all the master workmen of the world combined could accomplish in twenty years. He must be invoked three times.” 

The conjuring Faustian Artist takes on the acting role of the Artist Baruel, which he assumes as his Performance Art guise. While seeing himself as Baruel, he then conjures up the Succubus Art Muse Barueli amidst his Triangle Of Art imagination as his Fallen Anima of an Art model. You then have a Yab-Yum Tantric union, which will become as a three-dimensional interactive reality within a lucid dream.

NOTE: Baruel may be referring to Augustin Barruel (October 2, 1741 – October 5, 1820) who was a French publicist and Jesuit priest.

He is now mostly known for setting forth the conspiracy theory involving the Bavarian Illuminati and the Jacobins in his book Memoirs Illustrating the History of Jacobinism (original title Mémoires pour servir à l’Histoire du Jacobinisme) published in 1797.

In short, Barruel wrote that the French Revolution was planned and executed by the secret societies. If Barruel was an Artist, he might of created a groundbreaking bandes dessinées about his conspiracy theory, involving a female protagonist. 

As an Artist, Baruel can be equated with a whole host of Artists, such as, for example, Jean-Claude Forest, who was born in Le Perreux-sur-Marne, a Paris suburb. After graduating from the Paris School of Design in the early 1950’s, he immediately began working as an illustrator.

Forest became world famous when he conjured up an erotic science fiction Art Muse to Mantra name, Barbarella. His bandes dessinées about Barbarella, was originally published in France in V Magazine in 1962.

Barbarella was an immediate bestseller and was soon translated into a dozen languages. In 1967 it was adapted by Terry Southern and Roger Vadim and made into a major motion picture, with Forest acting as design consultant.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

faustus_crow_goetia_girls_succubae_succubus_art_muses_mind_doll_tulpa

The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

Related image

(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

Image result for the witcher

For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

Image result for the witcher yennefer

Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

Related image

When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

goetia_girls_liliths_harem_mephistophina_succubus_of_faustus_crow

Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

goetia_girls_liliths_harem_samigina_art_muse_witch_succubus_of_faustus_crow_mardun

A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire