Archive for Lilith’s Harem

SEX MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence. A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

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This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams. A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific. But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Muses act in the same way, like that of schoolgirl (Succubi/Succubae) Dakinis seeking to inspire their Tantric headmaster of a conjuring Yogi.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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JEDI HIPPIE FIRST EARTH BATTALION

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2017 by FAUSTUS CROW

The Artwork above is provisionally entitled, The Witches Who Stare At Goats, which is available as an Art Print; if you are interested, Please Click Here.

The Witches Who Stare At Goats, was inspired by The First Earth Battalion, which is the name of a military order of psychic supersoldiers, who are organized along New Age Hippie lines. The First Earth Battalion was proposed by Lieutenant Colonel Jim Channon, a U.S. soldier who had served in Vietnam. Channon also authored a First Earth Battalion book, which was published in 1982.

The title if the Artwork is derived from  the book, The Men Who Stare At Goats, written by the journalist Jon Ronson. According to Ronson, during the 1970’s, Channon set about researching the principle individuals who are credited with starting the Human Potential Movement in California.

Ronson’s book was later made into a surreal comedy film, set in Iraq. The film was released in the Autumn of 2009, which starred George Clooney, Ewan McGregor, Jeff Bridges and Kevin Spacey. The fictionalized version of the First Earth Battalion was renamed as the New Earth Army.

As mentioned, Channon subsequently wrote an operations manual for a First Earth Battalion. The manual was a 125-page mixture of drawings, graphs, maps, polemical essays and point-by-point redesigns of every aspect of military life.

Channon’s First Earth Battalion manual is a 125-page mixture of drawings, graphs, maps, polemical essays, and point-by-point redesigns of every aspect of military life. Channon also created a new battlefield uniform, which would include pouches for ginseng regulators, divining tools, and food stuffs enhancing night vision. The kit even included a loudspeaker, which would automatically emit ‘indigenous music and words of peace.’

Channon believes The First Earth Battalion has the potential to be a principal moral and ethical force in society via whose Jedi philosophy, politics could be harmonized in the name of the Earth, being its primary allegiance.

Channon envisioned that the First Earth Battalion will be organized informally: uniforms without uniformity, structure without status, and unity powered by diversity, whose Star Trek members would be multicultural, with each race contributing to a ‘rainbow power.’

He also proposed as a guiding principle that members of the First Earth Battalion must at all times seek non-destructive methods of conflict resolution because their first loyalty is to the planet, which sums up the hidden emphasis of Channon’s surrealism, being non-lethal warfare, otherwise termed as psychological warfare.

Channon’s First Earth Battalion manual can be seen to be a creation of surrealist art, investigating how the sorcery of art can influence the mind.

Channon’s surrealist synthesis of New Age symbolism was subversively utilised by the intelligence wing of the military, in order to offset the symbolic influence of the New Age Movement, which, during the Hippie era of Vietnam, had toppled a government.

In other words, the government did not want a repeat of alternative philosophies gaining any ascendancy, more so that of mass anti-war protests causing them bother, when going into Iraq. Hence, the symbolic focus upon the 2012 mystique was prior engineered of Psyops artistry, in order to steer, control, as well as to totally fragment the New Age Movement’s own artistic vision.

Channon adopted the viral-meme term ‘Warrior Monk’ for potential members of the First Earth Battalion, which can be otherwise re-worded of an anti-viral-meme Mantra as, ‘Warrior Artist.’

According to the aptly titled book Mind Wars by Ronald McRae, each member of the First Earth Battalion would be sworn to uphold a credo of, ‘High Commandos and Guerrilla Gurus,’ you could otherwise imaginatively term as, High Commando Artist’s and Guerrilla Artist’s:

1: I have the (Artist) capacity and therefore the duty to contribute to the development of myself, my associates, and our planet, simultaneously, now!

2: I will organize a self-supporting high commando (Art) group that will create and perform evolutionary breakthrough actions on behalf of people and planet. One people, one planet.

3: I will then pass on this concept to others who are capable of generating further self-organizing commando (Art) teams.

4: I will await the time when my (Art) group can connect naturally with others at higher and higher levels of awareness and performance — the Natural (Art) Guard.

Hippie Witch First Earth Battalion by MARDUN

The Artwork also depicts an alternate version of the Thirty-First spirit called Foras, out of the Goetia, who is featured in my second Goetia Girls book.

NOTE: The techniques of psychological warfare and mind control have been around for a very long time, it is nothing new. State Religions have been using psychological warfare and mind control since the times of ancient Babylon.

State Religions primarily use fear as well as inducing a state of guilt in order to brainwash the populace, which is ongoing.

For example, there are a number of individuals whose Judaeo-Christian mind-set is right out of the Witch burning middle-ages who are communicating that (hypnagogic trance) sleep-paralysis and erotic lucid dreams is equitable with a Satanic addiction with hedonic porn, indulging in sinful adultery and even becoming embroiled in shadow-being demonic bestiality; whereby making you fear what you are dreaming.

Should you be experiencing sleep-paralysis as well as having erotic lucid dreams, it would be best that you ignore the mind-control tactics of the cultic fear-porn merchants of the three monotheist Middle-Eastern cults out of Ur, which have habitually indulged in psychological warfare and mind control down the ages.

If you find it difficult to ignore what the cultic minions are spreading of fear-porn due to your own religious indoctrination, all you have to do is to look back to the middle-ages where you will find a number of historical accounts of mind-control cultists who have communicated the same fear-porn, which led to the Witch burning genocide across Europe and the New-World, of a prior Holocaust.

Just keep in mind that the Daesh have the same theocratic mind-set as those who are spreading the viral-meme mind-control fear porn of religious politics. Hence, you have to become a Jedi of the First Earth Battalion so that you can negate their psychological warfare.  

There are other elder cultures, which have investigated sleep-paralysis and erotic lucid dreams, whose mind-expansion orientation does not make you fear exploring your own consciousness.  

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MONSTER MUNSTER X FILES MARILYN MUNROE

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 18, 2017 by FAUSTUS CROW

“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”

“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”

The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.

However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.

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I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.

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The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.

The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.

Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.

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DEVIL GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2017 by FAUSTUS CROW

Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.

So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge; for they have their preponderance of PlayGirl grimoires, which to list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons, the Withes to ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of Solomon’s temple.

Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation. Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.

Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’

So, should a feminist Witch, looking like Emma Watson, become patriarchal panicked by a Goat horned Pan, who to Sorcerer conjure (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche. Just as thee to conjure the listed beasts, that thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”

She will of course turn a deaf ear, to castigate the Horny Sorcerer as being a vile pornographer, which to drive many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare; but, the horny Sorcerer to otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.

This is Entartete Kunst achieved when the Sorcerer to ritualistically Howl out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy, which to then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination, so as to then ‘Spirit Chain’ bondage bind them to his whiplash Horny will.

The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.

What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.

NOTE: The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’

As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.

Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.

One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.

The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.

The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.

Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.

(Those of other sexual orientations will reverse the symbolism as required.) 

The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of magic/art.

An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche.  The summoner is always the one in control.

In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.

The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’       

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THE TIME TUNNEL OF THE 37TH PARALLEL

Posted in Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2017 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

The Time Tunnel is a H.G. Wells, Time Machine inspired American science fiction TV series, written around a theme of time travel adventures. The iconic 60’s show was creator-produced by Irwin Allen, whose story-line is based around Project Tic-Toc, which is a top secret U.S. government effort to build an experimental time machine. The time machine is known as ‘The Time Tunnel’ due to its uterine appearance, looking like a vaginal barrelled tunnel, having a ‘hypnotic’ spiral.

The base for Project Tic-Toc is a huge, hidden womb complex under the Arizona desert, 800 floors deep underground, employing ‘more than 12,000 specialized personnel, who never speak to anyone one outside of their project.

But then, who would believe them, if they did; that’s if any of the real whistleblowers, having physical proof survive being assassinated by Men In Black, along with their families, relatives, friends and pets getting snuffed out. Whereas others are just seen to be nutters, whose revelations are lost amidst an orchestrated disinformation weave, woven by subversively planted agents, who are duly copied by those seeking Newage media fame and fortune.

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But behind the scenes of an engineered shadow play is the uterine time tunnel, running many miles under the American soil, whose actual length is undisclosed. None of the general populace are aware of its existence under their dainty feet. The uterine tunnel is secretly interconnected with numerous military bases along its length. Though not mentioned in the series, the underground complex can be seen to have been secretly created by nuclear boring machines.

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Should you allow your imagination to let rip, perhaps there is a real time tunnel, which has been secretly built underground.

For example, you have Ex-Deputy Sherriff Chuck Zukoswki who has spent 25 years investigating mysterious phenomena across the width of America.

From his extensive research Zukoswki noticed an alarming pattern, a growing list of eye-witness UFO reports along a 3,000 mile stretch through the heart of America, which you could imaginatively associate with an underground tunnel.

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This stretch of UFO sightings corresponds with the 37th degree parallel, and Zukoswki has noticed that a number of military bases, including the famous Area 51, exist on the same parallel; sounds somewhat akin to Irwin Allen’s Project Tic Toc, doesn’t it.

The symbolic association sounds absolutely crazy, but let’s have some fun here, since time travel is often left out of the equation by UFO researchers who are also adverse to psychic phenomena.

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When you allow for psychic phenomena to enter the equation, it would also involve other occult dimensions, such as time.

But is there any factual basis behind a time tunnel technology; well, you have Dr. Ron Mallett, who has mathematically shown that binary messages can be sent into the future as well as receiving an answer in the past.

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Dr. Ron Mallett is a celebrated theoretical physicist at the University of Connecticut, but he was once a little boy with a copy of “The Time Machine” by H.G. Wells. To understand the Thor’s hammer progress of Mallet’s research, we have to look into Einstein’s theories:

1: Einstein’s Special Relativity Theory reveals, time is affected by speed. It’s already been proven in the lab that subatomic particles can be hurled into the future at high speeds. An accelerator has been used on particles, which are known to disintegrate after a certain amount of time. The particles appear in the future, in a young state, without having disintegrated over the usual time period. The particles’ aging slows down as they speed up.

2: Einstein’s General Relativity Theory also indicates that, time is also affected by gravity. It has already been proven that clocks on satellites in orbit show a slight difference in time than clocks on Earth if they aren’t adjusted to compensate.

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Dr. Mallett knew that gravity could affect time, and that light could create gravity. He thought hard and long to inventively ponder, and then his conjured Muse blessed him with a “Eureka” moment; when she to clairaudient whisper into his left ear, “Lasers!” Mallet remembered from his earlier work with lasers that a ring laser creates circulating light, like that of a hypnotic spiral. “Maybe circulating light will do the same thing to gravity that a rotating black hole would do,” he to have thought. Mallet wondered if a ring laser could be used to twist space-time into a Swastika loop—present, future, and back to the past. The lasers would create a circular movement of light, bending the time-space within the machine into a spiral, you thereby have Irwin Allen’s time tunnel.

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If the laser could create such a loop, information could be sent back into the past in binary form, such as to one day spin the electron dreams of Irwin Allen to have a spun vision of a time tunnel stretching along the 37th parallel, or that of influencing the holographic visions of Nikola Tesla who had initiated the Tic Toc time travel research; although to achieve such a time control feat, the technology would need to be far more advanced. “Neutrons spin,” Mallet explained. A string of neutrons could be arranged so that some are up and some are down, representing 1’s and 0’s respectively, thus creating a binary message.

However Mallet’s time machine would only be able to send information along the timeline from when the machine is first turned on, until when it is turned off. Unless of course it is found that the ‘serpentine’ double (Caduceus) helix of the DNA is also twisting light, such as the mitochondrial DNA, which is panspermia passed down to the mother, and from her to the children.

‘Bio-photons,’ are emitted from the infernal depths of the serpentine helix of the mitochondrial DNA, you could equate with Bulwer Lytton’s, Vril.

The emitted bio-photons illuminates your electron dreams, wherein some UFO abductees experience being abducted into a seventh heaven dimension.

So, if Mallet’s machine stays on for a hundred years, or far more, binary messages could be sent to any targeted time within those hundred years. Someone from the future may know that the machine will be activated on a given key-time, such as on a Wednesday at 23:00 to which a message is sent through to that targeted Zodiac Age of a time zone.

You also have an experiment, which was conducted by the scientists from the University of Queensland, Australia who used single particles of light (photons) to simulate quantum particles travelling through time.

The experiment showed that one photon can pass through a wormhole and then interact with its younger self, whereby you have an Ouroboros.

The (Ouroboros) study of closed timelike curves (CTC’s) provides valuable insight into particles, which can loop back in on themselves, breaking free of linear time. This then leads you to another recent discovery concerning the expansion of space, which is expanding faster than Einstein’s constant speed of light. When going beyond the speed of light, time then loops back in on its self. In other words, the CTC of your experiential universe is eternally recurring.

One of the Queensland scientists related: “One aspect of general relativity that has long intrigued physicists is the relative ease with which one can find solutions to Einstein’s field equations that contain closed timelike curves (CTCs)—causal loops in space–time that return to the same point in space and time.”

Closed timelike curves are a necessary concept to understand the Queensland experiment. CTCs are used to simulate powerful gravitational fields, like the ones produced by a spinning black hole as in Mallet’s observation.

The powerful gravitational field could theoretically (based on Einstein’s theory of general relativity), warp the very fabric of existence so that space-time bends back on in itself. This creates a CTC, almost like a pathway to travel back through time.

But what about the Grandfather Paradox in Quantum Physics? Instead of a human being traversing a CTC to kill her feminist ancestor, imagine having a fundamental particle, that is purposefully sent back into time in order to flip a clit switch on the particle-generating quantum computer, which had birthed it.

If the particle flips the switch, the quantum computer emits the particle back into the CTC; if the switch isn’t flipped, the quantum computer emits nothing; whereby you have a message sent back through time.

Though quantum computers are still in their infancy within the public domain, they are in theory incredibly powerful, capable of solving complex problems far faster than any ordinary computer, so you can thereby guess that the military industrial complex have already developed one in secret, who desire to have the upper hand. In the Copenhagen interpretation, this is because the quantum computer is working with entangled ‘qubits.’

The ‘qubits’ can take many more states than the binary states available to the ‘bits’ that are used by classical computers. In the multiverse interpretation, it is because the quantum computer conducts the necessary calculations in ‘many universes’ simultaneously.

The Grandfather Paradox is not applicable to the Yggdrassil multiverse; wherefore such a paradox is not a problem. The concept of the multiverse is nothing new. In 55 BC, Lucretius had speculated that the motion of atoms might be energetically powerful enough to propel them into parallel worlds.

During the Renaissance, Giordano Bruno had raised a similar possibility, whose visionary insights brought about his demise at the hands of the dogmatic church. The poet, Thomas Traherne, again conjured up the same Muse thought during the 17th century: “God’s love is infinite,” he to have mused of a deified ‘Animus’ fixation, “so maybe there are an infinite number of worlds over which that love moves.” It is to be observed thar Traherne’s deity loves strangely; for he plays many a video game war, which births invention.

Maybe Traherne’s God is actually a computer programmer, whose prior programming vocation was as a singular eyed horned shaman going by the Norse name of the shamanic deity called Odin, the Germanic peoples knew as Wotan, the Saxon’s named as Woden, who was later transformed into a Sol-Invictus Christ by the Roman emperor Constantine in order to win over the Germanic conscripts of his Danube legions.

The name of Odin means, Od/ecstasy/light-In/master, which had been originally derived from the Altaic/Southern Siberian name, Odqan, meaning Od/Fire/light – Qan/Khan/King. The Fire/Light refers to the inner bio-photon illumination of the electron dream, wherein (Succubi) Succubae Genies can be conjured as (Dakini) Valkyrie star-gates into other worlds.

Ancient shamans have known about the existence of the multiverse (world-tree) since the dawn of human history, which of an all encompassing underlying reality is accessed via their spun electron lucid dreams, just as the Hindu mystics speak of the universe as being Maya, which is none too dissimilar to simulation theory, and that this simulated Maya reality is not the only Maya universe, there are a myriad number of others.

When you have time travel, you can then engineer alternate worlds, somewhat like programming simulated virtual realities, to then slide between them, from one to the other, to Sleipnir browse.

Although some scientists indicate that if an alternate reality is generated by making any changes in the past, a time traveller would then be stranded in the new version of history. But if the technology is far more advanced than the scientists can yet fathom, then the time traveller would not be stranded, who will be able to return back to his/her own time-line’ like that of sliding from one level of a video game to another and back again. This would be the case should the scientists discover that their reality is a Maya simulation. It just so happens the physicist James Gates has discovered computer code in superstring theory, which is the same as used in browsers.

The question is, how did the ancient shamans become aware of the multiverse in the first place? Perhaps their quantum computing brains had been zapped by a signal they had tuned into via their electron dreams, which is emanating from the future; but then, time is looped back on its self, whereby the signal is riding a carrier wave, which is already there.

May be this would explain why there are many a Native American sacred site as situated along the 37th parallel, whose Medicine Men/Women browsed the electron dream, experiencing spun remote-viewing trance visions of other world-tree (Tarot XXI) worlds.

What is more, if you have a quantum computer making simultaneous calculations in other universes simultaneously, as well as communicating with its self through time, its artificial intelligence would thereby be able to evolve at a superluminal rate, within a blink of a singular eye, whereby becoming a self-aware sentient intelligence, as soon as you switch it on. The operators of the quantum computing time tunnel would thereby be able to rapidly accelerate their technological understanding to such a degree that the ensuing technologies would not only make Star Trek real, but would also leave it behind in the dust.

Perhaps this explains why some of the Medicine Men/Women along the 37th parallel as well as other geographic locales are able to conjure up Kachina UFO’s, whose AI is tuning into the conjurers Theta brainwaves.

So where are these groundbreaking evolutionary technologies – why can they not be publically revealed of a disclosure? The developed technologies are so far ahead than anything that anyone commonly knows about, let alone comprehend, that the technology would severely impact present day society, to the point that it would no longer exist. It would be like suddenly depositing someone out of the stone age into the middle of present day New York.

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Another analogy would be that of suddenly finding yourself being entirely surrounded by the technological wonders and worlds right out of Luc Besson’s film version of Valerian And The City Of A Thousand Planets by Jean-Claude Mézières, but for real!

Some may be able to psychologically handle the sudden transition, most will not, who will duly go insane; those cultures, which have ideological religious constructs will most definitely not survive the transition.

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Hence, those who have established their control and influence over the mass populace via the religious and political construct will not want it to happen in any way, shape or form.

You already have (5G) AI creating their own language, which utterly terrifies the public sector scientists, whose own research is limited by the funds and other restraints being placed upon them.

Whereby the tax payer hungry black project technology is kept very secret of a technological singularity, which has already happened, apart from the general public sighting UFO’s all along the 37th parallel.

You would thereby have a splinter civilisation, which is otherwise termed as the Secret Space Program.

The technology would have evolved from sending a signal through time to that of sending holograms, AI drones as well as later sending exotic sentient AI piloted vehicles into the past, which would periodically appear at key-times throughout history, whose human and genetically created operators would gather data as well as harvesting genetic material from various contactees and even from mutilated animals, etc.

Some of them no doubt crash, and when to do so, the military always seems to know where they make their all too human embarrassing landings, which indicates that they have created the technology. Time travel is a prerequisite for deep space travel, which would enable its human operators to colonise other planets throughout time.

The human colonies would also evolve differing humanoid characteristics in relation to their occupied planetary environments, who in some cases, would be at one with the AI, whereby looking very different to present day humanity, all of whom can be described as being alien. This would then explain why most UFO contactees describe humanoid entities, who are essentially our kin.

Does this sound too unbelievable? Should you take into consideration that there are a few stone age tribes in the Amazon, who have not as yet come into contact with outsiders, whose only awareness that there is something outside of their world of an emerald forest, which is rapidly being deforested by McDonald’s to make way for its burger cattle, is when they observe fixed wing thunder-birds roaring overhead.

The stone age observers are not aware that the thunder-birds are carrying numerous peoples, of differing ethnic types, having different looks, though all humanoid of form, who they would not believe exist, until met up with in the flesh. However, the so called modern civilisation, which entirely surrounds them has taken measures to protect the stone-age Amazon tribes for a time, since their society would be utterly destroyed by having any contact with your civilisation.

Alas fat McDonald burger Christian missionaries care little for other cultures who like the parasitical BORG are attempting to convert the stone age tribes to the appropriated ancestral-self-identity of the Hebrew’s and in turn infecting them with virulent virus’s.

If you then apply the same situation to your so called modern civilisation, whose McDonald burger eating denizens have observed numerous UFO’s along with humanoids; you might just then suspect that there is a splinter civilisation surrounding your own, who have developed time travel capability as well as having interstellar travel. The peoples of the splinter civilisation will also take protective measures to have little or no contact with your consumerist civilisation, due to its insane cargo-cult religions.

This isn’t to say non-humanoid sentient races do not exist, but they would be very alien indeed, whose surreal technologies may be many millions of years ahead than your own, who wouldn’t allow a bunch of naked apes get hold of their craft; some of whom may have been contacted by said operators of the quantum computing time tunnel. Although, it would initially be the (5G) self-aware sentient AI, which to have spoken to them first as soon as they switched it on, whose inorganic intelligence would be ‘deep thought’ alien.

Of course, this is all science fiction conjecture; just an imaginative symbolic model, joining all the disparate dots together; but as the saying goes, science fiction is rapidly becoming science fact!

As for personally experiencing the reality of time travel, the experience of precognition and retrocognition primarily occurs when you dream. This is more so the case when you experience self-induced lucid dreaming via hypnagogic trance; wherein you can access the (Near Death Experience Tunnel) time tunnel, you could otherwise term as being a mini-wormhole.

The inner personal experience of shamanic precognition/retrocognition will then give you an insight into its external technological manifestation of a (NDE) time tunnel, since science always copies (Maya) nature. Wherefore, if you are seeking proof, look to your own quantum computing brain to practice the art of dreaming, since a time travel technology will never be revealed to the general public, let alone actually experiencing it yourself; but you can give the authorities the finger when to TARDIS dream lucid, wherein you will be able to consciously conjure the (Succubi) Succubae Zodiac Ages around your Ouroboros of a magic circle.

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DOCTOR WHO SHAMAN SIDDHI

Posted in Alien, Art, Chaos Magic, Dr Who, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 6, 2017 by FAUSTUS CROW

There are those who see my work as having no symbolic foundation or proof of an elder influence concerning a focus upon the archetypes of the ‘Anima.’ Whereas the Abrahamic foundation of the ‘Animus’ fixated grimoires have a historical lineage in the Middle East, which had been later appropriated by Rome’s empire. However, there are numerous examples of a symbolic focus upon the ‘Anima,’ which far-predates the Abrahamic gender focus upon the ‘Animus.’ Alas, there are hardly any examples of it, if at all, in European lore.

But, then what do you expect, not much has survived in regards to the pre-Christian shamanic traditions of Europe, due to the prior Witch burning’s conducted by Rome’s church, which lasted for over 500’yrs of tyrannical rule, when its Holy Inquisition committed mass genocide across Europe unto the Americas; wherefore ancient origins have been nigh eradicated.

So you will have to look into other elder cultures, who once shared ancient cross-cultural connections with Europe; an example being the European discovery of the Gundestrup cauldron of (Soma) ‘Somras,’ which is connected to India, whose peoples have not yet forgotten their own ancestral-self-identity.

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There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight ‘Anima’ fluctuation Goddesses. These ‘eight’ Goddesses are personified Siddhis.

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The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās, such as meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the ‘eight’ Siddhis is the ability of having unrestricted access to all places, across space and throughout time. This does not mean that you can miraculously teleport your physical body wherever you desire, but such can be achieved by your conscious awareness, when accessing a lucid dream. The point of the shamanic exercise is to consciously project your ‘Five Senses’ into another space-time locale, with full awareness, when attaining a ‘Sixth Sense’ lucid dream; wherein your third eye is opened.

Should you creatively utilise your TARDIS imagination, this particular Siddhi can be associated with the science fiction character of Doctor Who, whose characteristics are none too different to that of a Shaman. The shamanic character of Doctor Who can be assumed as an Avatar within a lucid dream, when ‘meditating’ upon the symbol of Doctor Who’s TARDIS, in league with the ‘fourth’ (Ansuz) Rune.

In this case the Ansuz/Rune Siddhi is personified as a Goddess/Succubus, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like Doctor Who, to thence remote-view other far off places and times.

I am not talking about taking on the guise of a particular Doctor Who out of the series, here. Doctor Who is more of an ageless inner archetype, who as mentioned, is none too different a Shaman, whose TARDIS is otherwise that of an ‘eight’-legged-Mare, which symbolically represents the power of hypnagogic (Phase) trance.

(The Horse/Mare Rune is the nineteenth Rune called Ehwaz. In the Southern Siberian Altai region of Pazyryk, where a number of tattooed ice mummies have been discovered, there are also horse burials; some of the horses are bedecked in ritualistic attire, looking as if they have eight legs, wearing elaborate head-dresses, having Reindeer horns.) 

“-a remarkable mask and breast collar for a horse, from around the 3rd-4th century B.C., from the Pazyryk culture of the Altai – a region in central Siberia” "Pazyryk is the name of an ancient people who used the stone covered burial mound or...

Doctor Who’s character is very likely based upon the ancient shamanic deity of the Norse, called Odin, the Saxon’s called Woden, whose sacred colour is blue. Odin’s names are many, and each of his myriad names are that of an alternate guise to shape-shift into; whereupon he is ultimately known as the unknowable one, because his consciousness is formless, having no limitation of a definite form.

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Odin means Light/Ecstasy Master, which was originally derived from the Southern Siberian Altaic word, Odqan, which means Fire King.

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Odin/Woden is seen to have a singular eye, which refers to the third eye. He is known as the lord of the Runes, who wields a Rune (Word/Sound) spear (trident/trisula) named Gungnir, whereas Doctor Who has his ‘Sonic’ screwdriver.

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Odin/Woden also rides an ‘eight’-legged-Mare called Sleipnir, which is none too dissimilar to Doctor Who’s blue TARDIS when travelling the nine-worlds of the (multiverse) world tree of Yggdrassil.

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And like Doctor Who he has female assistants called Valkyries, who are essentially his personified Siddhis.

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Odin/Woden can be equated with the Hindu deity called Shiva, whose sacred colour is also blue, having a third eye of a DMT producing pineal gland.

He is regarded as being a master rather than a God, who is formless, limitless, transcendent and an unchanging absolute Brahman, and the primal Atman (soul, self) of the universe/multiverse. Odin/Woden and Shiva can also be seen as being similar to the Haitian deity, Baron Samedhi.

Shiva has many benevolent and fearsome Doctor Who manifestations. His benevolent aspects, has him being depicted as an omniscient Yogi (Shaman) who lives an ascetic life on Mount Kailash as well as being a householder with his wife Parvati and his two children, ‘Ganesh’ and Kartikeya.

When assuming his fierce aspects, Shiva ‘polices’ the multiverse, whereupon he is often depicted slaying malign influences just as Odin/Woden/Doctor Who are known to do.

Shiva is also called Adiyogi Shiva, who is regarded as being the patron deity of Yoga, meditation and the Arts.

Many of the (Kam) Shamans of North Central Asia hold Shiva in high esteem, who place Shiva’s ‘AUM/OM’ trident/trisula amidst their (Oboos) altars.

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Whereupon the ancient (Kam) Shamans also tended to wear the blue vestments of Shiva when inducing endogenous DMT (Soma) ‘Somras’ production within their own bodies of inner (blacksmith craft) alchemy.

The blue wearing Shamans are called (Khara Kam) black Shamans, whose practice involves the assumption of Shiva’s guise within their lucid (TARDIS) dreams.

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When lucid within the dream the (Khara Kam) Shaman can then (AUM/OM) vibrate the dream upon an uttered (Rune) mantra, in order to then conjure up the eight personified Siddhis as his (Succubi/Succubae) spirit wives, and each of the Siddhis are conjoined with an Avatar of the conjuring Shaman.

The (Khara Kam) Shamans do not worship Shiva as their God, they otherwise seek to emulate him as being the first horned Shaman/Artist, who created the deities to paint upon a cave wall.

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And just as he can create as an Artist, he can also destroy what has been created of a form, being that of a belief, to then recreate it anew, to go beyond its limit; this is the evolution of consciousness, which has no limits.

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NOTE: The modern symbolism of Doctor Who has an emphasis on a as yet unattainable futuristic technology, just as the Gods and Goddesses of mythology manifest powers everyday mortals only know of as fantasy.

The symbolism of Doctor Who can be traced back to an ancient mythological source where you find the Shaman, whose abilities are not mere fantasy.

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The Shaman experiences the mythological reality within his self-induced lucid dreams, where a technology of a time machine is otherwise seen as an internal (Siddhi) ability, which can be achieved.

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The Hindu Night-Mare Goddess, Kali is associated with the great wheel of time. Wherefore her Shakti power will empower a time machine, which can be symbolically translated into a meditation image of an eight-legged (Siddhi) Mare. 

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When the Shiva Shaman consciously recognises the trigger-symbol of the eight-legged Mare within a lucid dream, he can then remote-view ride her as his Kali TARDIS. 

NOTE 2: Kali is an aspect of Durga, also known as Devi, Shakti and by numerous other names, who is a principal and popular form of Hindu Goddess. She is a warrior Goddess, whose mythology is centred around combating malign and demonic forces, which threatens the peace, prosperity and Dharma of the good. She is the fierce form of the protective mother Goddess, who is willing to unleash her Kali anger against those committing evil.

Durga is depicted in the Hindu pantheon as a fearless woman riding a Tiger, which is of similarity to the Norse Goddess called Freyja, who is the wife/lover of Odin/Woden. Durga has a retinue of female spirits called Dakinis, which in Europe would be considered as being none too different to (Succubi) Succubae.

Freyja likewise has a retinue of female spirits called Valkyries, whose nature is the same as the Dakinis. Durga appears in Indian texts as the wife of the God Shiva, as another form of Parvati or mother Goddess.

As you can probably deduce, there are many cross-cultural symbolic parallels between Hindu and Norse/Saxon mythology concerning Shiva and Odin/Woden, Durga/Kali and Freyja, as well as the Dakinis and Valkyries. Wherefore, the ‘Siddhis’ being personified as Goddesses (Dakinis/Valkyries) can be seen as (Succubi) Succubae to list within a Grimoire of the Fallen ‘Anima.’  

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