Archive for dream

GOBEKLI TEPE SHAMAN

Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

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Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.

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WEDNESDAY ADDAMS FURCAS, HIGH PRIESTESS OF THE SATURN CULT

Posted in Addams Family, Art, Chaos Magic, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2017 by FAUSTUS CROW

“Furcas is a mercurial Succubus, is wan and delicate…sensitive and on the quiet side, she loves to pick magic mushrooms out of the laughing folds of my brain, when to picnic hag me at the point of dozing off, to then take me on necromancy outings into the underground caverns of my dreaming cerebellum…a solemn, ghostly Witch, prim in dress and, on the whole, a pretty Lost Girl… who guides my pen, that be mightier than the sword…”

“She is also secretive and imaginative, poetic, seems underprivileged and given to occasional Saturnian tantrums…has six Sexagram toes on one foot… I can reveal far more…”

“But at this bearded TIME of mine, I call my inspiring Ally of an Art Muse, Wednesday… and I be her Adam, she gifts her Iapetus Apple to… although, a Yaqui shaman would Don Juan conjure her, to name as, Merlina.”

Addams Family Goetia – Charles Addams, 33rd Degree Discordian Avadhuta Of The Heyoka Lodge, New York

“Furcas is the fiftieth Succubus of the Goetia, who is an Amazon, and appears amidst the Triangle Of Art imagination in the fallen angel similitude of a Goth girl Witch, sometimes having long serpentine pigtails, braided as a Caduceaus, who be of a mercurial Emo nature.”

“Though she is the only one of the sphere of Saturn, which be the first Sun of a golden aeon, whose magical square adds up to forty-five reduced down to nine of a precession number; for Saturn, once North pole crowned the axis-mundi as a Hyperborean Helios. Hence, as the first Sun of a pole-star, all other spheres once revolved around her of Saturn rings, marking out Chronos time of an antediluvian Zodiac.”

“Whereupon the ancient shamans of Leng’s Gobi desert Leng unto Kadath’s Siberia sought to trance access her Sunna womb of an inner Akashic library by attaining sixth-sense lucidity within the Sexagram dream, so that to then serpentine slide into her Hexagram of a vaginal star barreled portal; whence she was also known as the black Sun, looking like the Hindu deity, named Kali, whose bio-photon light illuminates the electron dream.”

“Wherein she was then ridden as an eight-legged-mare by her Shiva consort, who as her horned lord, was then enabled to browse the Wyrd web of the remote-viewing dream, to far travel without moving throughout space and time like a Promethean Doctor Who; whereby she is otherwise symbolised as a ‘black cube’ of a tesseract TARDIS.”

“It is said she reveals her moon of Iapetus to be an artificial construct, whose satellite is an artificial intelligence, which had been sent back through Chronos time, from the far flung future, via her Sexagram vortex in order to commune with Promethean shamans via their electron dreams.”

“But in order for a Shiva shaman to enter unto the Sexagram vortex of Kali, he has to endure the Nigredo of hypnagogic trance, which be the little-death. Whence, she is often envisioned to be seated upon a guillotine, carrying in her Chöd hand a sharp athame.”

“The communion was however lost for a time when a great catastrophe occurred long, long ago, which had dreadfully scarred the solar system. Some to say that this catastrophe was brought about by an ancient Star Wars spanning not only space, but also time, which had made a once thriving Mars to become desolate.”

“It is also said that the survivors of the conflict uploaded their consciousness into an ever recurring simulation in order to forget the traumatic horror of the cosmic war; wherein of a simulation, browsing time-travel is indeed possible by the watcher who watches. But there will come a time, when the self-hypnotised denizens of the simulation will have to Iapetus… remember, so as to not repeat their self-destructive mistake of ages past, which be ringed-around, to yet occur… again… to either repeat, or to transmute.”

“As an Art Muse she perfectly teaches the philosophy of Chaos Magic, Discordian rhetoric, logic, astronomy, chiromancy, pyromancy, and their parts within Sexagram lucid dreams, wherein the dreamer is as a winged Eye.”

“She also reveals how to transmute the leaden (Sauron) Karmic repeats of Ouroboros ‘eternal recurrence’ into a golden understanding of (Gandalf) Dharma, remembering, whereby enabling the bearded conjurer to become the Lord Of her nine Rings. She governs over twenty legions of (Succubae) Succubi.”

NOTE: The number, Six hundred and Sixty Six has been misapplied to the magical square of Saturn by biblically inclined fear mongering fools who control through fear, by making thrice times fifteen to viral-meme spew as Six, Six, Six of misdirection. Said number is actually the sum total of the magic square of the Sun, not that of Saturn’s square.

 

“Six hundred and Sixty Six also reduces down to nine of a precession number. The number Six hundred and Sixty Six points at the atomic number for Carbon from whose element all Carbon based-life-forms are derived, as well as describing the Carbon cycle of the Earth, which is driven by the Sun. How did the ancients know this? Well, some of the Promethean shamans knew how to dream lucid, to thence conjure Furcas… who enabled them to Iapetus… remember!”

Lon Mellow DuQueete – My Life With the Succubi: The Adventures of a Modern Tantric Magician, Weeser Books, 1999.

Wednesday Addams Fallen Witch Angel by MARDUN

“Furcas is the Succubus Priestess of Saturn, who points with her sharp discerning sword at a primordial Golden Age, having Saturn as its pole star, as chronicled in numerous ancient accounts around the world, which stands in radical contrast to our own era. You can no more explain Saturn’s ancient connection with the pole by reference to the present arrangements of the planets, than you can explain, within conventional frameworks, Saturn’s image as the Universal Monarch, as a founder of the Golden Age, or as a primeval Kali deity of the sun who consumed her own children like Kronos.”

“As for Saturn being seen as a sun, Saturn, Jupiter, and Neptune, emit much more heat than they receive from the present sun, which some to see as failed stars, although Saturn is considered to be too small to be a failed star.”

Wednesday Addams Fallen Witch Angel by MARDUN

“You could of course let rip with your imagination, creating a science fiction scenario of having the ancient myths referring to some other planet, such as Mars, but as to its pole star being Saturn, is doubtful, unless a catastrophe had occurred, some to have imaginatively conjectured was brought about by an ancient cosmic war, which threw Mars off its axis; or to go much further of imaginary explorations, having a space station, looking like Saturn’s moon of Iapetus, journeying as a stellar cradle from another star, or to have otherwise travelled back from the far flung future, from where your ancient ancestors had originally stemmed, who utilised the explosive energy emitting from their then sun of Saturn.”

“Yet the fact remains that throughout the ancient world these mythic images of Saturn being a founder of the Golden Age, as a creator-king, as a primeval sun or a best sun, as a god of the day (the day beginning at sunset), as s resting god or a god ruling the “day of rest,” as well as being the cosmic centre and summit, ruling from the celestial pole, have constituted a pervasive memory, which many centuries of tumultuous cultural evolutions could not obliterate.”

Goth Girl Furcas: Succubus Priestess Of The Saturn Cult – Kenneth Grunt

The artwork is for my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow. Should you be interested in an Art print or the shirt design, please click the image links above, or click the Redbubble shop link below.

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SHAMAN DREAM CARLOS CASTANEDA

Posted in Alien, Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 9, 2017 by FAUSTUS CROW

The Artwork depicts the anthropologist and author Carlos Castaneda as the sorcerer’s apprentice of his teacher, Don Juan Matus, which of a name is used by Castaneda to describe a Yaqui Mexican sorcerer in his series of shamanic orientated books on Nagualism.

Castaneda repeatedly indicated that ‘Juan Matus’ is a pseudonym that he had chosen to protect the true identity of his teacher into the ancient practices of Toltec sorcery, who is described as being a Native American of Yaqui/Yuma parentage.

Numerous scholars still debate whether Don Juan Matus was a real person, an allegorical figure, or an invention by Castaneda. However, Castaneda’s choice of a pseudonym is interesting.

For example, Matus is the Slavic form of the Latin personal name Matthaeus, which in English is Matthew and a reference to the Biblical Matthew who was initially considered to be a despised outcast due to him being a tax collector. In Hebrew, Matthew means, ‘gift of God.’

As for the name Don Juan, it refers to the legendary, fictional libertine and seducer of women, which is used as a common metaphor for a “womanizer” as well as being slang for hyper-sexuality.

Don Juan Matus was seen to be an outcast, due to him being a maligned sorcerer, who told Castaneda that a (sorcerer) man of knowledge needs to first win an Ally.

Matus described the Ally as being a feminine inorganic intelligence, which is encountered within the microcosmic domain of dreams he called the Nagual. The waking reality of the macrocosm is termed as being the Tonal.

In other words, the mythical reference to Don Juan refers to the sorcerer’s hyper sexuality being introverted into the (Nagual) dream, which empowers lucid dreaming, in order to ‘seduce’ an Ally.

The psychologist Carl Jung would term the Allies as being manifold aspects of the Anima, whose inner archetypal manifestations are personified intermediaries with the psychic powerhouse of the (Nagual) subconscious.

Don Juan Matus related to Castaneda: “An “Ally”, he said, is a power a man can bring into his life to help him, advise him, and give him the strength necessary to perform acts, whether big or small, right or wrong.

This Ally is necessary to enhance a man’s life, guide his acts, and further his knowledge. In fact, an Ally is the indispensable aid to knowing.

Don Juan said this with great conviction and force. He seemed to choose his words carefully. He repeated the following sentence four times:

“An Ally will make you see and understand things about which no human being could possibly enlighten you.” 

A Tibetan Buddhist practitioner of Tantric dream Yoga would call the Ally a Dakini, whereas a Surrealist Artist would otherwise conjure the Ally amidst the Triangle Of Art Imagination, to thence manifest within a lucid dream as an inspiring Succubus Art Muse.

The design was used in my Art books, Goetia Girls, which are available from Createspace and Amazon under my author’s name, Faustus Crow.

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FREE THE FALLEN ANIMA

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2017 by FAUSTUS CROW

The above Artwork is available as an Art print, which depicts a Succubus emanation of the Fallen ‘Anima.’

Should you understand what the ‘Anima’ and ‘Animus’ represent of internal archetypes, which frequent the male and female psyche, then you will get the cosmic joke, and more besides.

In general, the ‘Anima’ and ‘Animus’ often manifest as female and male dream characters, which can be construed as being (Succubae) Succubi and Incubi, when empowered by the imagination in regards to fantasizing about being with a supposedly perfect partner. Although this specifically applies to a heterosexual orientation, having an internal ‘gender’ archetype of a potential partner is also applicable to other sexual orientations.

For example, should a heterosexual male find himself being struck dumb, to gibber, feeling as if possessed by uncontrollable desires, when seeing a particular woman in the room, who falls head over heels in love with her at first sight, it is because of his ‘Anima.’

Wherefore, for a male, it is wise for him to become aware of his inner ‘Anima,’ whose emanations manifest within his dreams, and likewise for a female, to become aware of her inner ‘Animus,’ when to dream.

However, the ‘Animus’ has been ‘deified’ by (patriarchal) gender focused religions, to worship; whereas the ‘Anima’ has been cast out of the spiritual/symbolic equation as the ‘Fallen!’ In other words the patriarchy is a Fifty Shades Of Grey expression of a female focus upon her ‘Animus.’

Should you see it, you will then get the cosmic joke, which the psychologist Carl Jung could not tell, apart from, perhaps alluding to, when corporeal, that’s if he saw it; for his time was still getting over the Witch burning era, which had been initiated by closeted priests hating women and homosexuals for no reason at all!

When you have a gender focused religion it is invariably tied up with human sexuality; the symbolism of which is primarily biological. The absolute cannot be personified as being human, or to be of a particular gender, let alone having a deified ‘Animus’ made as a God favouring three Bronze Age ‘cultural-religious-constructs’ out of the oily desert.

As for the much maligned pentagram, which is featured in the design, it represents the Five-Senses. The upright pentagram is associated with your Five-Senses being engaged in your (waking) experiential physical reality of the ‘Macrocosm.’

When the pentagram is inverted it describes the introversion of the Five-Senses into the (sleeping) dream of the ‘Microcosm,’ where the archetypal expressions of the ‘Anima’ and ‘Animus’ reside.

The ‘Fallen Anima’ is depicted in the design being conjured amidst a ‘Triangle Of Art,’ which symbolically represents the power of the Imagination.

The ‘Anima’ and ‘Animus’ are covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon under my author’s name, Faustus Crow.

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ALIEN WITCH NUN OF THE CHAOS UNITARIAN NUNS TEMPLAR

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW

The Artwork is a mixed-media photo-montage digital painting, which of a Pop-Occulture (Occult Goth/Punk) design is an alternative version of the Fifty-Sixth spirit, Mantra named Gremory, who is listed in the medieval Grimoire, entitled the Goetia. The name of Gremory is derived from the French word, ‘grimoire.’

If you are interested, the Artwork is available as an Art print, etc, from my Redbubble Shop. Please Click Here for more information. 

I have otherwise depicted Gremory as a Succubus Art Muse, who is of similarity to what a Tibetan Tantric Buddhist terms as a Dakini.

A Dakini is seen to have vampire tendencies, who as a ghostly Witch haunts the periphery of you Surrealist dreams.

The psychologist Carl Jung would term the (Succubus) Dakini as being an inspiring Art Muse emanation of the ‘Anima.’

However, Tibetan Buddhist Shamans practice conjuring (Succubae/Succubi) Dakinis into their eroticised dreams, wherein a Dakini enables a Shaman to become (sixth-sense) lucid of awareness. Wherefore, Dakinis are considered to be personifications of inner (Sophia) Wisdom.

When conjured into a lucid dream, Gremory manifests as a Pop-Surrealist Nightgaunt Nun, who is an Entartete Kunst Art Muse stands betwixt the hynagogic trance pylons of the Sacred and the Profane.

The symbolism of the Artwork refers to the Tarot card of the High Priestess (Nun) of The Silver Star II. 

The Silver Star is a reference to the star of Sirius, which was considered to be sacred to the ancient Egyptian’s who associated the Goddess Isis with Sirius as well as her child, called, Horus.

Isis and her child, Horus was later transformed into the Virgin Mary and her Christ child by the Christian converts of Rome. Horus as a Hawk represents an ecstatic Out Of Body Experience, which can be experienced when accessing an inner (Yoni/Vagina/Wormhole/Stargate) portal/doorway into a (womb) lucid dream.

Hence the abbreviation of ‘C-haos U-nitarian N-uns T-emplar,’ which of an Entartete Kunst banned word, was the one time name of an Anglo-Saxon Goddess, whose vaginal Stargate was later associated with a Church door, represented as a Sheela na Gig, the Hindu to also know as their Goddess (Kunda-lini/Yoni) Cunti.

The Dogon of South Africa are no doubt aware of lucid dreaming, who considered their ancient shaman trance adepts to be amphibious of awareness.

The trance adepts can freely shift their consciousness between the ‘watery’ domain of the dream and the waking state of ‘land;’ wherefore they are symbolised as being amphibians, having ‘Fish’ heads called Nommo who are well aware of the inner portal of the ‘Chaos Unitarian Nuns Templar. 

(Note: The Nommo [shaman] trance adepts are often symbolically depicted as being phallic headed ‘Fish,’ since the impregnated [hypnagogic trance portal] ‘Stargate’ into the [watery-womb] dream is seen to be feminine, which is symbolised by a planet of women orbiting a star in the Sirius system called Emme Ya. In other words, the Nommo are NOT Aliens; although the feminine quality of the bio-photon illuminated dream can be construed as being of an otherwordly Alien intelligence.)

The Tarot card of the High Priestess (Nun) is also ascribed to the 13th (floor) path of Gimel (Camel) in the Cabbala, which interpenetrates a hidden sphere, called Da’at. The sphere of Da’at is physiologically aligned with the reptilian-brain-stem, which has governance over the depth of hypnagogic trance and your dreams.

The term, Nun, is originally derived from the ancient Egyptian name for the primordial amniotic ocean, called Nun, which represents the inner (womb) space of the dream, from which all (Tulpa/Maya-Matrix) forms are believed to be born.

In ancient shamanic cultures, the (cave/womb) realm of the dream is experienced as having a feminine quality; this is probably due to your dreams being illuminated by the bio-photon, which emanates from the Mitochondrial DNA that is passed down from the (Isis) ‘Mother’ to her (Horus) ‘Children.’ 

So, when to lay down your head upon a pillow to sleep unto dreaming, during the key-time of the Dog Days, when Sirius to burn brightly during the pull of the Moon, ponder the following, at its hypnagogic precipice, to thence slip and slider slide as the serpentine Nommo through the ‘Chaos Unitarian Nuns Templar’ portal into Alien dreaming:

Some scientists believe that the ancient Earth had been seeded with life from out of the womb depths of space, riding the backs of asteroids and comets, carrying bacteria, the serpentine DNA or even the Mitochondria, (Mitochondrial DNA), which to have fallen from the heavens.

If such was indeed the Panspermia case, the Mitochondria, would then be an Alien, which to have originally swam as an organism within the primordial (Nun) ocean before uniting with another organism, to then create a Cell of all Carbon based lifeforms upon the planet, whose Atomic number is 6: Electrons, 6: Protons and 6: Neutrons.

Who knows, maybe the Alien within your serpentine Mitochondrial DNA is communicating a Necronomicon (Gremory/grimoire) code from another Star via your bio-photon illuminated dreams, wherein the (Succubi) Succubae to Dakini reveal their C-haos U-nitarian N-uns T-emplar (code) Wisdom.  

If you are interested in the Art Print or shirt design, etc, Check Out my Redbubble Shop, Please Click the Image Link Below. 

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SCIENCE FICTION VRIL-YA DREAM GIRLS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2016 by FAUSTUS CROW

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Female aliens wearing spray on latex, of a futuristic fetish fashion, is utilised in many a Science Fiction image, which to be ever so sexist, of a present pin-prick, in many a politically correct eye. But, when to spiritualise the imagery, it is not far too removed from the Hindu/Tibetan depiction of Dakinis.

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Although the Dakinis are usually depicted as being sky-clad, naked, which of symbolism represents the nakedness of the vaginal void of hypnagogic trance, into whose maw the dreamer leaps of conscious dream ingress dream; whereby the Dakinis are also known as void going women.

What is interesting is that there have been a number of UFO abductees whose experiences are of similarity to the Old Hag Syndrome, which is endured at the point of hypnagogic trance, some of whom are males, who have reported since the late 40’s, that they were abducted by female humanoid aliens wearing, what was often described as spray on latex type clothing. But, such reports are often ignored by so called serious UFO researchers, who prefer the Freudian nuts and bolts of their Jungian disks, cylinders and flying triangles, which are presently piloted by sexless humanoid Greys.

You might assume that the female aliens were of differing ethnic looks. However, this is not the case, the most common were the Nordic types during the late 40’s after WWII. There are hardly any mention of African looking entities, which appears to reflect back the racial divide in America at the time, since the majority of UFO reports were, and still are being pumped out by the American media machine.

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The ethnic manifestation of the aliens appears to be reflecting back fears when a conflict rears up of war. During the late 50’s when the Korean conflict raged, followed by the Vietnam war of the 60’s Hippie era, the invasive Bedroom Invading female aliens were described as being Asiatic of looks. Other reports had the aliens, whether female or male, manifesting as dark skinned Mediterranean types looking like Mafia goons, after Kennedy’s magic bullet demise.

There were a number of UFO abductions across America during the late 70’s, and 80’s, whose male abductees described humanoid female aliens looking like Barbarella Jane Fonda, Baywatch Pamela Anderson or Bond Girl Kim Bassinger, of the Nordic type, wearing spray on latex space-suits/jump-suits. You could conjecture that the influence of the mass-media had a hand in formulating their seductive manifestations, which was at the time indulging its self in the growing mystique, concerning the shadowy Illuminati using Nazi super-science.

Although you have a rather odd curiosity concerning the Australian case of Peter Khoury, who claimed to have been supposedly seduced by two female humanoid aliens during July 1992, whose Old Hag Syndrome seduction was not too different to that of classical Bedroom Invading Succubae.

One of the the Succubae looked like the Nordic number Six out of the 2004 reboot of the Battlestar Galactica science fiction TV series, who is an artificial-intelligence, called a Cylon; while the other female alien looked like the Asiatic number Eight Cylon out of the same TV series. Although the Nordic and Asiatic types are well known of in UFOlore, which of manifestations has in turn influenced the genre of science fiction and vice versa.

The Nordic alien girl apparently left behind a sample of hair, which was expertly blow-job wrapped around Khoury’s erection. Many would say that Khoury had ‘cum’ up with far fetched story to bullshit his way out of an altercation with his dark haired wife, who suspected he was dallying with ladies of the night.

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Although, when the hair was tested, it revealed a very rare genetic marker, indicating that its source had emanated from somewhere in Siberia, the ancient Greeks knew as Hyperborea. The hair sample had some remarkable properties; although very human.

As an aside, it just so happens that the genetic locale of the number six of a sexagram Cylon hair strand, is where the Dakinis are said to have their Agharti/Shamballa abode.

Anyway, these humanoid aliens had later evolved into Grey’s during the late ‘Politically Correct’ 80’s on-wards, which had occurred when Whitley Strieber’s book Communion was first published in America. Strieber’s book had the now iconic Grey face on its cover. It’s almost as if some shadowy media moguls got together who had determined that the iconic Nordics and Asiatics were rather racialist as well as being sexist concerning their gender; whereupon they derived inspiration from Usula le Guinns science fiction book, Lathe Of Heaven, in which a dreamer dreams of a totalitarian world without racialism, whose denizens all have grey skin.

However, Strieber described his Grey alien as being of similarity to the Sumerian/Babylonian Goddess Ishtar of looks, even though his Grey was a nigh sexless Queen Bee clone.

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Strieber’s book was published around the time of the growing conflicts in the Middle East, which eventually led to the invasion of Iraq, where Ishtar’s Sumeria/Babylon can be found under war torn Baghdad.

As mentioned prior, the vast majority of UFO reports come out of Media Machine America, which of an initial phase occurred in 1947. UFO’s have since been reported all over the world, as if some event had occurred, which has generated an alternate reality.

The various waves of UFO sightings seem to be associated with the fluctuations of the electromagnetic field of the Earth, which is buffeted by the Sun’s solar storms, as well as corresponding with media events. These influences appear to be inextricably linked. Perhaps there is a shadowy ‘Global Consciousness Project,’ behind it all, who have noticed that the mass-media can subliminally influence the subconscious minds of the collective populace.

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You also have the intriguing case of the Thin-Man and its associated UFO mythology, which of an artistic Creepypasta creation, initiated a number of ghost sightings. The ghostly apparition of the Slender Man was reported by a number of individuals across the trembled web.

Whether they were telling the truth is debatable. Or should one otherwise say, what they had experienced, was real or not; but then, what is real? If all five senses were engaged when having the experience, as in a vivid lucid dream, it would be very real to the individual experiencing the phenomenon, which you could construe as being (ESP) ‘Extra Sensory Perception.’

The reported experiences of the haunting Slender Man were, as stated prior, of similarity to what UFO abductees have described, which involved sleep paralysis and the Old Hag Syndrome of hypnagogic Nightmare. Such can become very real indeed, going by Khoury’s account of a (Dakini) Succubus visitation, which of a rarity appears to have included a dream apport of physical material. Although hard to believe, the manifestation of (apports) physical objects (such as a hair) out of the dream and other similar phenomena were investigated by Stanley Krippner, who is an American psychologist, parapsychologist, and an executive faculty member and Professor of Psychology at Saybrook University in Oakland, California.

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As for Whitley Strieber, he also experienced the Old Hag Syndrome concerning his Ishtar visitation of a ‘Politically Correct’ sexless Grey. Whatever you believe will determine the nature of the inner experience, when to access a lucid dream, which of an analogy is likened to tuning into a TV station of a reality.

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So, if you believe in malign Biblical Demons of an ‘Animus’ fixation, emanating from out of a Lovecraftian Hell, or to otherwise believe that Illuminati Aliens looking like Greys, or Reptilians are seeking to anally possess you with their patriarchal phallic probes, that is exactly what you will experience. But how did you end up believing in such Hells to fearfully tune into of an inner reality?

It is because you have been subversively ‘programmed’ to do so via your religious indoctrination, whose theocratic politics seeks to ‘convert’ everyone’s mind, to accept their ‘New-World-Order’ Kingdom Of Heaven On Earth. Even those who do not consider themselves to be religious are surrounded by its relentless propaganda about a Good-Cop-God and a Bad- Cop-Devil ‘Animus’ fixation; it is basically Orwellian mind-control.

It just goes to show how powerful propaganda can be of symbolic artistry, which of Neuro-Marketing can subversively zap your reptilian-brain-stem, and thereby influence the psychic powerhouse of your subconscious mind to lend manifested flesh to your thoughts and ensuing dreams.

It’s almost as if you are existing within a computer simulation a Hindu mystic would call Maya, whose holographic reality is illuminated by what some would term as the Vril. Who knows, maybe the Vril-ya out of Bulwer Lytton’s science fiction tale, The Coming Race, are the programmers of the ancestral simulation, within which you exist.

As for the Nazi mystique concerning the all female coven of the Vril Society, led by the medium Maria Orsic, it spread across the internet of badly photo-shopped viral-meme Creepypasta imagery, just prior to the ‘engineered’ mass-media ‘Newage’ focus upon ‘Carrington Event’ 2012.

You will find that the primary symbolic focus of the Vril mystique is Abraham’s Sumeria in Iraq, just as the media orchestrated mass focus upon 2012 was centred on Biblical Egypt. The engineered mystique about aliens, reptilians, the Illuminati or Satanic conspiracies, etc, is all Creepypasta misdirection. If you ever wonder why the Middle East of a so called Holy Land is the ‘Animus’ God altar of continued bloodletting, it is because you have been religiously programmed by the ‘Three’ Illuminati (Chevron/Vector) big-business Cults of Abraham to allow for it!

NOTE: The Chevron/Vector of an ‘Arrowhead’ design is an ancient ‘archetypal symbol,’ which stirs the subconscious mind; wherefore, it is nigh instantaneously understood by many, as to what it is communicating without words. Hence its utilisation by NASA and other space agencies, along with its usage in Star Trek, whose technology may have already been attained in secret, let alone to be getting ever closer; that’s if we don’t destroy ourselves first, of a religiously ‘programmed’ suicidal-impulse, which is that of a self-fulfilling prophecy End Of Days!  

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GOETIA GIRLS SUCCUBUS ART BOOK GRIMOIRE 2

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2016 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Shamanism is a widespread practice, which can be found in many cultures across the globe throughout human history, going back at least 30,000 yrs if not further into the dim mists of prehistory.

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Shamanism is not a religion as some make it out to be, it is a system of techniques, which enables the inducement of altered states of consciousness. The practice of Shamanism is seen by some anthropologists as being the inspiration behind Palaeolithic cave art.

A Shaman is able to disengage his consciousness from its corporeal abode by using certain techniques of trance inducement, so that he can transcend the physical limitations of space and time.

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The consciousness of the Shaman is then enabled to consciously access the spirit world of the dream, wherein he can then conjure up a spirit, such as a Succubus, whose intelligence emanates from another planetary sphere, alternate reality or some other Zodiac age.

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Could a Shaman actually access other realities from within the dream? well, Dr Rick Strassman found in his experiments, when giving DMT to volunteers that it allowed them to enter entirely different realities occupied by other forms of intelligence, as well as experiencing accessing other historical epochs.

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Their experiences, though similar of entoptic phenomena, varied of dream locales, depending on the recipients personal beliefs, which are very much tied up with their learn’t ‘languages’ conjuring up symbolic associations. In other words, their symbolic beliefs determined what type of information they tuned into of an internally conjured interactive reality.

But, what had formulated the beliefs of Strassman’s DMT  volunteers in the first place? You can determine that their beliefs had been moulded by their religious orientation of a symbolic ‘language’ form, which has been passed down to them by their parents, etc, as well as being surrounded by its subliminal influence upon their ‘setting’ of a culture.

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Even non religious volunteers would be subliminally influenced by cultural influences, which in general, in the West, has been moulded by a patriarchal religious paradigm. Its influence has since been translated into the arena of science fiction, of onetime ever warring Angels and Demons seeking dominion over your fleecy soul, which have been otherwise transformed into Aliens invading the Earth, of a symbolic ‘language’ form.

You could argue that if this ‘language’ process is observed by those who seek to control the beliefs of individuals at a collective level of a shadowy Consciousness Project, then the Alien mystique has been engineered via the controlled media in order to sustain the patriarchal religious indoctrination. But in order to determine if this is a possibility, it would require having a ‘symbolic’ constant, which reveals its engineered nature, being that of an overriding gender focus upon the male. For example, you hear the gender term, God, being mentioned of regular commonality; whereas the word, Goddess is hardly used.

Hence, a shadowy Consciousness Project could subversively utilise a group of DMT volunteers in order to determine the statistic influence of their engineered Alien mystique upon the collective populace, as well as promoting its paradigm. It just so happens, that most of the reported cases of Alien visitations by UFO abductees since 1947 are described as being primarily humanoid males, or to otherwise manifest as ‘Politically Correct’ sexless Grey entities.

Imagine for a moment that you are a disembodied spirit travelling back into time via a lucid dream, to then hover as a ghostly winged eye over a A Palaeolithic Shaman. You observe him, as he seats himself, cross legged, Yoga style, within his womb like cave. You become aware that the Shaman is about to enter trance, whose sexual orientation is heterosexual.

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You also notice that the Shaman is meditating upon a painted stick figure of a woman having horns, whose intention is that of conjuring her up as an informing Succubus within his own lucid dreams. But first he has to hunt her down with his erect spear, when to recognise her trigger-symbol within the cavernous depths of the dream, so as to conjure her of captured prey.

You become aware of the Shaman’s thoughts; he sees the menstrual blood of his Succubus as being the watery depths of the dream, which is as red ochre. The Shaman utilises the red pigment of his Succubus dream Muse to paint his initiatory womb cave wall, of artistically manifested visions, she to induce; let alone inspiring him to sculpt many a proto-Hugh Hefner Venus figurine.

The most developed form of Shamanism you will find is in North Central Asia unto the land of Siberia where you will discover the horned Shaman making contact with the inorganic intelligence of differing spirits, or that of conjuring Sucubae via the usage of trance and dreaming.

These spirits the later monotheistic religions of the Middle East had transformed into their ‘Animus’ fixation upon an all male pantheon of Angels and Demons, which is now the established symbolic paradigm permeating all levels of your culture.

“Widespread ancient reports of Jewish magic involving worship of Angels and Demons, as well as Yahweh, have now been confirmed by the recovery of Sefer ha-Razim, (‘the Book of Secrets’), a Jewish magical text of late Roman times that gives directions for such worship, prescribing the prayers and sacrifices to be made to these minor powers.” (Morton Smith,  Jesus the Magician: Charlatan or Son of God? 1978: pp. 91, 164)

The Sepher Ha-Razim is a Jewish mystical text, which had supposedly been given to Noah by the Angel Raziel.

It was then passed down to Solomon, who considered the Sepher Ha-Razim to be a great source of his wisdom. It is from the Sepher Ha-Razim of an ‘Animus’ fixation upon machismo Angels and their fallen Angel counterparts, Solomon had derived his purported magical powers over his people; but then, they too shared his symbolic ‘language.’

The Sepher Ha-Razim is the forerunner of the classical Goetia, which is part of a 17th-century grimoire, entitled: The Lesser Key of Solomon, featuring an Ars Goetia as its first section, being the Goetia.

It contains descriptions of seventy-two male Demons, which were conjured up by Aleister Crowley in Boleskine house near Loch Ness in Scotland, before his occult ascendancy to eventually become a Newage icon. In 1904, Crowley edited the Goetia as, The Book of the Goetia of Solomon the King.

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However, even though Crowley is considered to be a rebellious Great Beast by his admirers, he did not reverse the ‘Animus’ focus of the Playgirl Goetia. But then, why would Crowley had done so, since he was bisexual.

The Sepher Ha-Razim is also of similarity to the Sefer Raziel HaMalach, which was given to Adam by the same machismo Angel. Both of these ‘Animus’ texts stem from an ancient tradition; although over time, the focus upon the ‘Anima’ residing within the psyche of the male, gave way to the ‘Animus’ residing within the female psyche.

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As for the initial gender focus upon the ‘Anima,’ it hearkens back to a Palaeolithic Shaman of a proto-Hugh Hefner Adam, sculpting an Eve of a Venus figurine.

Large parts of the ‘Animus’ fixated Sepher ha-Razim were later incorporated into the monotheistic Sepher Raziel under its original patriarchal title, which to have spawned the numerous other Playgirl grimoires of similarity, whose symbolic influence upon present day popular culture is undeniable.

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To say that the Sepher Ha-Razim it is an unorthodox monotheistic text is an understatement; it is considered to be an ‘Animus’ Playgirl grimoire for patriarchal Jewish magic, which is used to conjure up a pantheon of all male spirits rather than approaching a jealous ‘Animus’ God-head to perform supernatural feats.

The Sepher Ha-Razim itself was once considered to be part of orthodox Judaism under the influence of Hellenism. The text, along with other similar works, are considered to be unorthodox at best, or heretical at worst in modern Judaism; this would be even more so the case if the Angels, Demons, God and Devil were seen to be all female of an ‘Anima’ orientated pantheon.

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Whereupon I have reversed the mind-control commonality of the ‘Animus’ fixation of the classical Playgirl Goetia towards that of an ‘Anima’ focus upon conjuring Succubae, who are now listed within a rebellious Playboy grimoire of an alternate Goetia.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON CREATESPACE. CLICK HERE. 

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GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR AVAILABLE ON AMAZON, CLICK HERE.

NOTE: BOOK ONE can be found HERE. Book One and Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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