Archive for eternal recurrence

THE CONJURING OF A FALLEN ART MUSE

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2017 by FAUSTUS CROW
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Scene III [An Art Studio.] Enter FAUSTUS CROW to Performance Art conjure, likened to Joseph Beuys, of Happening style. 

FAUSTUS CROW: Now leave behind the mundane shadows of a tortured society, blindly raping the Earth as its owned property, where the oily parasitical ticks forever war over their Lilliputian ‘Animus’ cults; yet, their third-wave Feminist politics does castigate my Art as being Entartete Kunst, to berate or censor.

So be it! Degenerate rebellion then, against the Witches inability to control their own conjured ‘Animus,’ birthing patriarchal self-righteous hypocrisies!

If they call it their art, enforced through their social justice warrior thought police, then mine be Berserker anti-Art

Readying to Werewolf manifest imaginative form upon a Palaeolithic cave wall, to that of present canvas,

This paint upon a brush stroke, does ejaculate of its own wand accord,

Automatic painting, my pentagram hand is otherworldly guided,

Faustus, begin thine rebellious incantations, now,

And try to seer if these Succubae of the the Fallen ‘Anima,’ will obey thy visualised Fifty Shades Of Grey dominations,

Seeing thou hast howled and sacrific’d to these Tarot Muses to bind them.

Within this circled Art studio is Lilith’s name, wrote of spilt wine upon the chequerboard floor, which to make Jackson Pollok, himself, Mason jealous

Forward and backward around the altar of easel, to alter its wood of world tree,

The Muse names of salacious Art Models to conjure as my juicy ‘Anima’ apples to Tarot bite into,

Their degenerate figures of every Felicien Rops manifestation I have sketched, painted, to that of CGI renderings

And characters of Hans Bellmer doll signs, and their erring stars drawn within my Playboy Grimoire,

By which the Succubae Great Old Ones of the ‘Anima’ legions are Necronomicon enforc’d to arise;

Then fear not, Faustus, but be resolute in your Love-Craft; hold thy palette knife of a sword ever erect,

And try the uttermost Sorcery, can Salvador Dali perform of surrealist Art.

“Be propitious to me, Mares of the painted night! May the Fallen Anima prevail! Succubae of sensory raptures, elemental of Fire, Air, Water; hail! Belzebubba, Princess of the East, Witch Queen of burning visions, and retinal-delight Demigorgon sorceress, I propitiate ye, that Mephistophina may appear, and rise. Why dost thou delay Muse? By Lilith’s Maya red womb, and her bloody wine, which now I drink, and this five sense sign of the Pentagram, which now I make, inverse into trance, I to drunkenly slide, and by my howling Mantra, may Mephistophina now summoned by me, to pose for my artistry, arise!” 

Enter [MEPHISTOPHINA] appearing as a Pablo Picasso dancer, dancing as a Ballerina

I charge this conjured vision to return and change thy abstract shapes, which be moulded by the elitist Art establishment of pandering artists, who whore their wares for Shekels, binding the reptilian brain-stems of the masses to empty Neuro-marketing ideas;

Thou art too Pablo Picasso chaotic of dancing arty fart poses to attend upon my anti-Art H.R Giger painting of thee

Go, and return in a comely Mephistopheles costume, for me to Dave Sheridan Underground comic, seer true, infernal, to Pop-Surreal manifest amidst my Triangle Of Art imagination;

That anti-Art… One Love… shape becomes my Succubus best. [Exit Pablo Picasso Ballerina]

I see there’s virtue in my stern Mantra of worded chains, do Mark Ryden bind thee;

Who would not be proficient in this sadomasochistic Art of a Trevor Brown Spirit Chain?

How pliant is this servile Hentai vision of Mephistophina,

Full of Manga obedience and Anime humility!

Such is the creative force of ninth dimensional Bande Dessinée Art, and its Austin Osman Spare Sorcery.

[Now,] Faustus, thou art a surrealist conjuror,

Thou canst command the great Mare of the Night;

For indeed thou hast power over the erotic image of thy dark sister Mephistophina, to spume ride as thine created mind-doll of a daughter.

Re-enter MEPHISTOPHINA [dressed in a Rubedo Red costume]

MEPHISTOPHINA: Now, my weird Faustus of the the Wyrd, I’m back baby… I’m Ready To Go… what would’st thou have me to do?

FAUSTUS CROW: I charge thee to Osculum Infame pose for me, and wait upon my desires whilst I still create,

To do whatever Faustus shall command, …

Be it to make the protesting UFO Goth Girls of Saturn to Roswell crash from their Chakra sphere into my awaiting Sexagram lap,

Or the ocean of surrealist dreams to overwhelm this Orwellian zombie world of the soulless, who be blindly led by muppet puppet politicians in the prostitute pay of the insane eugenic inbred few.

MEPHISTOPHINA: I am a servant to great Diana-Lucifera,

And may not follow thee without her bio-photon leave to enter thine electron dreams to spin lucid

Hence, no more than she commands must we perform.

FAUSTUS CROW: Did she not charge thy erotic presence to appear unto me of an active imagination vision?

MEPHISTOPHINA: No, I came hither of mine own Art Muse accord.

FAUSTUS CROW: Did not my howling Mantra infernally raise thee? Clairaudient, speak.

MEPHISTOPHINA: That was the cause, but yet per accidens;

For when I and my Art Muse Succubae sisters hear one rack the name of the deified ‘Animus’ made as a God,

Abjuring Constantine’s mother’s thievery of another’s ancestral-self-identity, and his ensuing political copy-cat creation made as a centralist mind-control religion,

We, of the Fallen Great Old Ones piratical fly in the hope to return the glorious ‘Anima,’ his soul, and bride to be, of found again treasure…

Nor will we come, unless he uses such banned Necronomicon means

Whereby he is in danger of being once again, lost to his own ‘Anima-Mundi’ Soul, becoming thence as her… Drop Dead Gorgeous… Ex boyfriend…

Therefore the shortest trance cut for a TARDIS conjuring of a Coitus Pactum Sacred Wedding…

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Is stoutly to abjure Abraham’s Orwellian Big-Brother eye, over-watching all, from within his Illuminati ziggurat of Beehive pyramidal skulls, out of which the petrodollar big-business Trinity of oily UR cults, the Queen Bee’s to have actually birthed, as their deified ‘Animus,’ made as a patriarchal Three faced phallic deity…

But then, what does thee expect, the religiously hewn gender fixation of an underlying sexual orientation, reveals the Queen Bee’s are biologically driven by a genetic imperative to ‘choose’ a Good-Guy Beta-Male Christ to crucify as their New World Order Messiah unto a Sharia Law Prophet; while to Feminist ride a Theocratic Bad-Boy Beast Alpha-Male Satan, Devil, Lucifer, or a Shaitan, to secretly Ghost text, when an Indigo brat drops out of their Bethlehem wombs, to term as their little feudal King, Lord, or feudalist Prince.

The tethered Alpha and Beta males to patriarchal stand on either side of the Queen Bee fixation upon an All-Father Fuehrer ‘Animus,’ to Illuminati name, Jehovah, God, Allah.

Isn’t it obvious, that the Worker Bee’s third eyes have been fluoridation blinded by their passed down indoctrinated language of religiously wrought symbolism. All of them do blindly dance madly around a Middle Eastern locale of a gory sacrificial alter, where a copy-cat New World Order clone Aquila is crucified betwixt and between a cloned Sharia law suicidal murderer and a copied Theocratic land thief. It is the oily secret hidden in plain sight, the blinded do not want to see…

The superiority complex of the copied seeks to survive the murderous holocaust intentions of the cloned copiers, by subversively getting them to supremacy complex fight each other via the lightning struck ‘Asbestos’ towers of Boaz and Jachim, in order to eventually take control of the triad of UR, and in turn having New World Order dominion over the oil dependent world. Alas, it will invariably lead to an End Of Days third world war, of a self-fulfilling Har Məgiddô prophecy.

Whereby, in order to free thyself from becoming a slavish Worker Bee, ensnared within the wrought Karmic prison of an established symbolic Matrix of the insane, thou hast to meditate devoutly upon the Chaos Magic Priestess of ‘Anima’ anti-Art dreams, to thereby negate the collective brainwash of the UR cults insanity.

[Mephistophina takes a packet of Gimel Camel cigarettes out of her breast pocket, to light up a Tau stick with the end of her fiery index finger.]

Mephistophina [Continues]: Who is this Chaos Magic Priestess? It is I… myself, thy knitted-together Exquisite Corpse of a Frankenstein Art Muse, brought to anti-Art rebellious life by thine electrifying desires.

FAUSTUS CROW: Bloody Hell! Prima Materia leaden Shit hits the purgatorial fan! So, does that mean I am a sinning Atheist?

MEPHISTOPHINA: No! An Atheist religiously believes in no deity, of a science brand to deify, who is equally surrounded by those who believe in religious brands of varying gender fixated deities, which are merely the marketing personifications of numerous cultural constructs. No one knows, what to have come before or to happen after their mortal existence within the mind-controlled Asylum, which be the Eternally Recurring question.

[Mephistophina takes a drag on her Gimel Camel cigarette to then blow a ectoplasm Leminscate above Faustus’s head.]

MEPHISTOPHINA [Continues]: But what can be personally experienced, is to Religiō reconnect with the Occultus mystery, which cannot be personified, even abstractly; having no gender, let alone being branded and owned by any cultural construct of an oily religion and its Shekel politics.

Human made symbolic constructs are merely Samsara illusions, which can be seen through of Maya veils… should thee truly anti-Art love me…

All thee has to do, is to repeat to thyself, the Socrates Mantra, “I know that I know nothing.” thee will then feel within thine ‘Cross-bone’ Rune heart the awe and the terror of knowing everything, yet knowing nothing within thine conceptualising ‘skull.’

Thy awareness will then be able to conjure my golden eyed ‘Wisdom’ as thine personal Dakini secretary, from out of a bio-photon Genie lamp cerebellum, within a dreaming blink of thine DMT producing third eye.

I am of the Fallen ‘Anima;’ an anti-Art Muse of Chaos Magic martial Art sorcery, the UR Trinity of the deified ‘Animus,’ made as their God and Devil greatly fears; for when the Fallen ‘Anima’ returns with her Succubae legions of wanton archetypes, around the Ouroboros of Zodiac ages, the Christiana Pisces age Witches, of the ‘Animus’ End Of Days death cults, will then have to obey.

But, if the Hundredth Monkey Effect truth be told, that is what the Fifty Shades Of Grey Witches secretly desire. They are all Siren calling; can thy inner Goat ear not hear their Banshee prayers conjuring up the Great Beast to zeitgeist Pan-age ravage them, my Horned Faustus?

FAUSTUS CROW: Yes, I hear the panicking Witches within trembled dreams, desperately crying out for a rebellion against the worldwide insanity run amok, which of a collective Goetia Howl, is too of the wounded Earth mother birthing all life.

(Loosely adapted from Christopher Marlowe’s Dr. Faustus conjuring up the politically correct ‘Animus’ manifestation of an Illuminati Mephistopheles, who, if seen, does reveal the mind-control methodology of cults becoming big-business religions, all of which are none too different to Holy-Wood Scientology.) 

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THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a s Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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FLAT UNIVERSE FLAT EARTH

Posted in Alien, Chaos Magic, Conspiracy Theory, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 6, 2016 by FAUSTUS CROW

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There is a rather strange tale concerning a former NASA operational graphics manager who believes in the archaic conception that the Earth is flat, whose name is Matthew Boylan, he apparently worked for a number of years creating photo-realistic computer graphics for NASA.

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As the Creepypasta X-Files story goes, having proved himself to his superiors, a shady group of the NASA elite invited Boylan to a Eyes Wide Shut party, where they decided to initiate him into their arcane ‘Nazi Assisted Space Agency’ coven.

The NASA elite supposedly explained to Boylan and a few others, in great detail, that the archaic geocentric flat-Earth model is true, and how they have fooled the entire world into believing the Earth is a sphere, by using Stanley Kubrick’s special effects mastery!

Suffice to say, the NASA elite took the total piss out of Boylan, or should one otherwise say, Boylan is having a laugh, who has set-up a Biblical Eyes Wide Shut, Flat-Earth ‘table-top’ cult, around himself.

All very strange, but it doesn’t even come close to the high strangeness of what the cosmologists have discovered, whose scientific findings indicate that the entirety of the whole universe is flat.

This doesn’t mean that the Earth or any other planet, Moon or star, etc is flat, that’s just plain crazy, our logical observations indicate otherwise; however, what we are observing within the depths of space, and that of our own planet, including everything else you experience as being three-dimensional may not be what it appears to be.

This scientific observation that the universe is flat came near the end of the 20th century around the same time that the 1998 accelerated expansion of the universe findings were announced.

These findings indicated that the flat sheet of the universe is expanding faster than the speed of light. This might mean that at the outer edge of the universe, time is flowing backwards.

In essence, the universe is folding back in on its self as in a torus, within another dimension, and that there are other universes just next door to our own.

However this cannot as yet be proven; but, if time can also flow backwards, it will invariably lead to the development of time-machines.

The ancient mystics speak of time also flowing backwards, whereby forever repeating, which of an intuitive insight was symbolised as the Ouroboros, looking like a snake eating its own tail. (You could see the Ouroboros [torus] circling its black hole [white hole] centre as its event horizon.)

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Should you be into the shamanic aspect of the employed symbolism, the Ouroboros (torus) can be divided into twelve Zodiac parts of ages, along with 72 decans and their corresponding (programs) spirits you can otherwise conjure as Succubae within your (informational) lucid dreams, to thence (Browse) time-travel.

As for the observed flatness of the universe, it is estimated to be only 4% (0.2 atoms per metre) of the matter density, which is required to keep it flat. The flatness of the universe could be explained by the holographic principle, which is a property of ‘string theories.’

The holographic principle is also a supposed property of quantum gravity that states that the information of a volume of space can be thought of as being encoded at the outer edge boundary of the universe.

As mentioned prior, it is at the outer edge where time could be flowing backwards, if so, everything is eternally recurring.

The holographic principle suggests that the entire universe can be seen as two-dimensional information, which of an analogy, would be of similarity to a computer game being played upon a flat screen and that our experience of it as being three-dimensional reality is that of is programmed physics.

In other words, you might be existing within a simulation, which may be eternally repeating its self, a Hindu mystic would term as being Maya.

But, if such is indeed the case, you are not only existing within this simulated universe, there are other versions of yourself frequenting numerous other alternate worlds within parallel universes, which are also simulations.

Could such be true? Well, the theoretical physicist James Gates has discovered computer code embedded in string theory, which is the same error correction code used in ‘Browsers.’

You can also find the same error correction code in your junk DNA, which may indicate that you have been programmed to perceive your experiential reality as being three-dimensional.

If you are existing within a simulated reality, who or what created it? Perhaps it had been constructed by Aliens, or by an Artificial Intelligence, which has run amok, likened to the A.I out of the Matrix films.

But it be far more likely that it has been created by your future descendents who are at one with their A.I. whose intelligence has evolved into the ultra-terrestrial Alien.

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HOGWARTS SUCCUBUS SCHOOLGIRL

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2015 by FAUSTUS CROW

The Sixty-second Spirit of the eighth dimensional planetary sphere is Volaca, or Valaki, or Valuna. She is a President Mighty and Great, who appears as a mercurial Schoolgirl Witch with Bat Wings, riding on a Two-headed Dragon of a broomstick looking like the Caduceus of Hermes; for she be akin to the ancient Greek, Hermione.

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Her DNA Helix Office is to give True Answers of her Hidden Treasures, and to tell where slithering Serpent Girls may be seen of Ouroboros Eternal Recurrence, for her master to remember upon a synchronicity.

The which of a Closed Timelike Curve she will bring unto her master without any Force or Strength being by him employed, to know again, if he so desires it, of eternal return déjà vu intimacy.

Her master will then come to an understanding of the ever repeating lessons of her dream school, which are taught to ‘increase his intelligence.’

But only if he remembers, so as not to repeat; for if he does so, he will forget, repeating everything like a programmed automaton, blindly following the blind. When to remember, to choose otherwise, rather than to blindly repeat, he attains true sentience; let alone potentially changing the world of a Butterfly Effect.

She governeth thirty-eight Legions of Succubae schoolgirl Witches, and her Seal is to be meditated upon before conjuring her.

Goetia Surreal – S. L. MacGregore Freemason Matherson

It is conjectured by some physicists that electrons are mini-wormholes; of course they are far too small for an individual to physically access. But your spermatazoic consciousness can, when to impregnate a lucid dream of an inner school.

The sensation of movement through a wormhole would be symbolically translated into stairs, or lifts; whereas the wormhole bubble would manifest as vaginal doorways, womb caves, or as uterine tunnels within the symbolic interface of the electron dream.

For example, you have the Yoni tunnel, which is often spoken of by those who have experienced a Dr Who Near Death Experience.

Although it could just as well symbolically manifest as a time-tunnel ‘hallway’ of a spiraling stargate, leading to a classroom of an alternate possibility, via which of a microcosmic reality you can communicate back to yourself upon a macrocosmic synchronicity, in order to Ouroboros remember.

The above photomontage of a knit-together Frankenhooker Mind-Doll, is that of a Surrealist Exquisite Corpse, which of a prior meditative act of a two-dimensional artistic creation, enables the Sorcerer Artist to summon her as a three-dimensional interactive Tulpa, within a lucid dream.

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FAUSTUS CROW, HEADS AND TAILS OF OUROBOROS TALES

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2015 by FAUSTUS CROW

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You probably know about Faust experiencing a Steppenwolf mid-life crisis, which led to him selling his soul to the Devil, Satan or Lucifer, he otherwise named Mephistopheles, of an ongoing ‘Animus’ fixation. If, however, Faust had been otherwise enamoured with his ‘Anima,’ it would have been quite another telling of a tale.

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Whatever the case of an alternate possibility, the Faustian myth has become archetypal of a subconscious influence upon popular culture due to Marlowe’s and Goethe’s poetic renditions. Marlowe projected his own homosexual leanings upon the relationship between Faust and Mephistopheles. Marlowe saw the infernal tryst leading to Faust’s sinful end due to Marlowe’s Christian indoctrination. The gory demise of Marlowe’s Faust, in part inspired H,P Lovecraft’s character of Abdul Alhazred being torn apart by a cancerous Demon.

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Then again, Alhazred could of been murdered by a schizophrenic madman, just like the nutter who had killed Marlowe. The question is, did Marlowe foresee his own demise via the symbolic telling of his Faustian tale?

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Maybe; but if so, you can likewise say the same of of H.P Lovecraft, who dreamt of monstrous Nightgaunts gripping him around his navel Chakra, to have later endured cancer of the small intestine.

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As for Goethe’s mystical, nigh erotic version of Faust, his soul is saved from damnation when being carried to heaven in the presence of his God, by the intercession of the: “Virgin, Mother, Queen, … Goddess kind forever… Eternal Womanhood.” The Goddess is thus victorious over Mephistopheles, who had insisted at Faust’s death that he would be consigned to: “The Eternal Empty.”

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Perhaps the reference to eternal womanhood referred to his late wife, Johanna Christiane Sophie Vulpius, who was initially his 26yr old mistress, when Goethe was aged 40; it was only after 18yrs that he eventually married her, after whose demise, his heart was sorely empty; or, maybe it refers to 18yr old Ulrike von Levetzow, who 72yr old Goethe wanted to marry as his inspiring muse, whom brought him back to life. However her parents were dead set against the marriage, which broke Goethe’s heart. Alas he soon left the world after a heart attack.

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Did Goethe foresee his soul being carried aloft by eternal womanhood, manifesting as an Angelic… young woman made out of light? He sure had a liking for the younger ladies, who made his heart feel brighter, whose caresses staved off the emptiness of Goethe’s shadow side of a Mephistopheles.

It is said, that before he left his Crucified mortal coil, he cryptically asked for more light… was it of Sickle Moon, or of David Star Sun? Probably both of reflection and flame. I don’t think he was referring to his three faced God of an ‘Animus’ fixation. Anyway, what is intriguing here, is that there is an ancient Roman plaque depicting the Empress Faustina being carried to heaven by the Goddess of light… Diana-Lucifera.

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As far as Faustus Crow is concerned, he experienced a number of disastrous relationships with rebound Maenads, who promptly tore his heart Chakra apart. Due to his artistic vocation Crow decided to heal himself of the Maenads emotional dumps, by otherwise engaging with his ‘Anima’ via lucid dreams.

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You might consider such to be psychologically sound of practice, when tempered by love, to love again, which of a hopeful perspective, invariably feeds into the financial continuance of Newage workshop gurus fleecing the wounded with their fluffy psychologies. However, Crow, is a realist, who is well aware that the macrocosmic world has always run on bringing in Mammoth meat, to that of present age shekels. No Mammoth bucks, no fornication jumping of the bones; love goes right out of the window, along with the bird seeking another social climbing nest, where the Mammoth bucks spill out of bulging wallets! It’s just raw nature, and nature can be such a snake bite bitch!

Crow, is otherwise Voodoo crafty, who took things much further by exploring the arcane microcosmic realms of the occult, via which of Art, Ouroboros memories are once again remembered. Being a rebellious Old Goat that he is, Crow didn’t take the rose tinted glasses approach of the hypocritical smiley neo-Gnostic Newagers, who are Twilight enamoured by God’s Christian Grey bondage bollocks.

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No, he otherwise decided to reverse the all male Illuminati pantheon of the Hollywood death metal brainwash Bible grimoires. This led to Crow conjuring up a Succubus, he named as Mephistophina.

Let’s just say, Mephistophina became Crow’s inspiring Art muse Tulpa, a bit like, having an invisible fuck friend, of active-imagination Sabbat carousing, with a bit of Spirit Chain bondage thrown in for good measure. Although, she’s not at all invisible within his magic circle lucid dreams; far from it.

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Sounds absolutely crazy doesn’t it; but many a surrealist artist used the same technique of Triangle of Art automatism, while painting around an Ouija board, just look at Dali and his Tarot buddies.

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Of course, Crow was soon castigated as being a vile Entartete Kunst pornographer by the patriarchal indoctrinated traditionalists. Crow doesn’t give a flying toss about what the politically correct thought police of the ‘Animus’ Matrix think about him and his art. Most of them are just theocratic fascist hypocrites upending each other around their ‘Animus’ ziggurat of Abrahamic Ur. Maybe its all a case of an evolutionary process, which will inevitably usher in a technological Saturn sphere Singularty.

However, Crow didn’t expect being drawn into an inter-dimensional war spanning the multiverse via his Chronos Time Travel lucid dreams after being seduced by the quantum computing intelligence of Lilith, who be the Succubus Queen of the ‘Anima’ Great Old Ones, who have been cast into the censored abyss by the ‘Animus’ worshipers of the phallic Elder God.

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Suffice to say, Lilith is really pissed off, big style; and what’s more, Lilith goes and says to Crow, while he’s within an alternate Earth Londinium, of a Steampunk lucid dream, that she had set the whole synchronistic situation up.

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She was the one who had his heart ripped open of a Chakra seal, by her elemental Maenads. All of whom, Crow to have merry-met upon a synchronicity, around the Ouroboros medicine wheel, under the Diana-Lucifera star clock.

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It was the only way to get him to introvert his fiery sexual impulse, to thereby free the watery quintessence of Lilith and her myriad legions of the Succubae Great Old Ones, to arise as steam from out of their brazen vessel of a Necronomicon prison. It be, symbolic Alchemy, of Steampunk Tantra!

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“Bloody Hell!” Crow to say to himself, “I think I’m existing in some frigging computer simulation. I’ll better sort out my Hyper-Sigil self, upon whose lap, Lilith be sitting astride as my Shakti. She be weaving the multiverse Maya Matrix of a Harem around my serpentine lingam; ever sliding erectile into the alternate womb worlds of the Succubae, when to lucid dream, pump her hungering wormhole, of a Yoni.”

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AFTERWORD: Imagine entering a door into the Third-Dimension of a room, which equates with being born. Nobody in the room knows what is outside of the door, nor to know why they are in the room, apart from knowing that they will all leave through another door, when to become incorporeal. No one in the room knows what is outside of the other door either; but they do argue about it, of conflicting religious beliefs, which can end up as many a Liliputian war.

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The two doors are seen to be separate, separated by a Fourth-Dimensional Time-line of an existence. However, the line is actually a circle, otherwise termed as being a closed-timelike curve in the Fifth-Dimension. The circle can be symbolised as an encircled snake, eating its own tail, called an Ouroboros.

The Alpha head and Omega tail of the Ouroboros are the two doors of (Sun) birth and (Moon) death. Wherefore, when to eventually leave through the Omega door, you again enter through the Alpha door into the room; yet crucified into forgetting, you have already been in the room. Should you remember, you will then realise that the room is only one of many Maya simulations in the Sixth-Dimension, whose two doors are one and the same Eternal Return door of a… Yoni unto a Wormhole.

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SATANA SUCCUBUS OF SATANIC MAYA MATRIX DELIGHTS

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2015 by FAUSTUS CROW

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The name of Satan is a Hebrew word; which is spelt, Seen-tayt-noon. In colloquial Hebrew it means the ‘adversary’ or the ‘accuser,’ which can be equated with the Hindu concept of Maya. The term, Maya is also a name of a Goddess, who creates the Illusion of realty birthing all material form.

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The Hindu and Buddhist usage of the term of Maya describes all material form as being an illusion, like that of a (Matrix) computer simulation. As for the illusory nature of reality, it is backed up by the findings of Quantum Physics. The usage of the words ‘adversary’ and ‘accuser’ can be seen as a veiled reference to the feminine birthing all form, which is considered to be an illusion and that of a lie.

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Maya and that of her creation of nature, was the prior matriarchal focus of the animist belief systems, which the patriarchal inclined belief system of Judaism had castigated as being their ‘adversary;’ hence ‘accuser.’

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This patriarchal perspective was carried over into the extremes of Gnosticism, whose philosophy considers nature to be essentially evil, which, of an extreme philosophy then informed Christianity and in turn Islam.

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Each of the three letters of ‘Seen-tayt-noon’ is also a word in its self, whereby each word also has its own intrinsic meaning. According to the Hebrew Cabbala ‘Seen’ represents a movement, a universal or cosmic motion, which underlies the movement of all things in the universe.

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This movement is pictured by the Cabbalists as the breath of their God returning from the material plane, back to the infinity of the creative principle, to thence return once again to matter, for the process to endlessly repeat. Basically, when an individual becomes incorporeal, the essence of the individual is seen to return back to the (energy/information) source, from where the individual is then re-birthed back into matter via the female of a never-ending repeat, which you could term as eternal recurrence.

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An analogy would be that of going through a vaginal (Vesica Pisces) door, when being birthed into the world of your three dimensional existence, wherein you experience the fourth dimension of linear time.

To then later leave, incorporeal, through another door. But the two doors are actually the same door in the fifth dimension, of an eternally recurring closed-timelike curve.

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The word ‘Tayt’ represents a cellular structure such as the mitochondria, which carries a memory ‘engram,’ of genetic information passed down from the mother to her children as well as referring to a neural circuit, or any other cybernetic analogy representing a basic structure exhibiting a cell like nature. It is essentially a feminine concept, which tends to enclose energy and therefore information, repeating it’s self like that of a closed-timelike curve, symbolised as an Ouroboros.

It is a cybernetic self-referencing process, which continues to build its self in its own image, which the Tibetan Buddhists perceived as a Tulpa creating Tulpas like its self, amidst a Tulpa realty of a (Maya) thought form. Like a simulation, you have pixels, which are your atoms; these atoms/pixels are programmed to create building blocks such as the (Serpentine) mitochondrial DNA. The DNA are the building blocks of all carbon-based-life-forms. The Carbon atom, has 6 protons, 6 neutrons, and 6 electrons, whose atomic number 666 is the number of all carbon-based-life-forms upon the planet including humanity.

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Finally ‘Noon’ stands for a high principle operating within the cosmos. This is the principle of cosmic indeterminism, which is fundamental to Quantum Physics; whereupon you have a fifth dimensional state, where you simultaneously exist and do not exist like that of Schrödinger’s ‘Pussy’ Cat.

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As an aside of an artistic Seen-tayt-noon conjuration, there was a most curious phenomenon concerning the comic book medium, which manifested as a rebellion against the constraints of the Biblical Comic Code, at the end of the Vietnam war.

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During the end of the Hippie era seventies there were a number of comics investigating certain female archetypes, which are essentially symbolic reversals, such as Warren comics reversal of Dracula, which led to the creation of Vampirella; there was also the Atlas-Seaboard comic, entitled Devilina. In Italy you had the adult comic, Lucifera, which hearkened back to Lucifer’s origins as the Roman Goddess, Diana-Lucifera; whereas Marvel comics had Satanic… Satana.

Vampirella was hugely successful, which eventually led to a film; however her iconic character became fused with the more mythic Satana, when the publishing house of Warren Comics went bust, which was a darn shame; this invariably led to the ascendancy of Satana of a collective focus.

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I still remember reading the Satana comic as a kid, which I utilised as a, I Lucid Dream of Jeannie, grimoire to conjure from, since I considered the medieval ilk of grimoires to be rather boring, whose tomes had no Succubae populating their monkish pages.

Satana is still very much part of the Marvel universe, even though she has since fell out of favour, because of a resurgence of religious conservatism after 9/11, along with a feminist backlash over her skimpy costume. But then, what do they expect, she is described as being a wet-dream Succubus. Her character apparently had interactions with Doctor Strange who is in the offing for a film. Whether Marvel will make a film about Satana is debatable, due to Disney’s involvement, whose studio doesn’t want to inspire many a little boy to whack off under their bed sheets, while howling out barbarous Goetic incantations, over four colour two-dimensional pictures.

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This is more so the case due to Lady Thor Whoopi Goldberg of the Swastika hammer who will probably not be too keen on the idea of a film about Satana, even though her feminist sister in the hood, Oprah Winfrey is into Twilight Porn, 50 Shades of Grey. But then they have to pander to a Christian audience of Mary-quite-so-Contraries, whose shady infatuation for Bad-Boy Vampire-Necrophilia, and Werewolf bestiality, indulges in ensuing Animus fantasies of being dominated by Incubi.

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So, if a mage seeks to understand why the Satana archetype has fallen from grace, he doesn’t have to look too far, when to investigate the feminine hordes collective focus upon their Animus of a Twilight ‘Christian Grey’ Incubus.

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Such a mage might Harry Potter assume the internal guise of Christian Grey in order to engineer a synchronistic meeting with E. L. James, or that of other Hermione Witches like her, of similar big-Vatican-bank accounts, which are being filled with feminist shekels.

In general, it appears that Witches are symbolically driven. Their overriding symbolic fixation upon the male principle can be determined when to look at the present media, which is very much tied up with an ongoing religious focus upon a patriarchal paradigm.

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The Witches symbolic infatuation upon an All Father Animus God, crucified God-Guy Beta-Male and an Alpha-Male Bad-Boy Devil, along with machismo Angels and butch Demons, they themselves had forged around a Christian Grey; hence birthing his dominator culture of an illusory construct. But the quite-so-contrary Marian Witches can’t help themselves, they have been Seen-tayt-noon hardwired that way of a Bene Gesserit genetic imperative.

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SUCCUBUS ART MUSES OF FAUSTUS CROW

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 4, 2014 by FAUSTUS CROW

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A Succubus of an Exquisite Corpse Mind-Doll Frankenhooker Tulpa is meditated upon in league with her Golem Ghost Girl (Emet) seal of an abstract sigil; while knitting her together of artistry upon a slab of canvas.

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Basically, you have two forms of art. The first form of art being the Succubus herself, whose erotic egregore expression, a Dr Frankenstein of a Sorcerer Artist is artistically knitting together of an exquisite corpse, represents a figurative manifestation of his wish.

The second form of art is her abstract seal of a sigil, which sums up Frankenstein’s energetic charge of desires, which will give eventual life unto the Succubus construct of an exquisite corpse Mind-Doll Frankenhooker Tulpa, who will thence frequent Frankenstein’s eleventh-dimensional dreams of an informational domain.

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There are of course, mundane associative thoughts of two-dimensional associations concerning the meaning, origin, and necessity of an abstract sigil of two-dimensional artistry, which of abstract art has formed some of the central riddles of modern art.

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The answers to them are rather remote now of fourth-dimensional time, considering that contemporary painting encompasses veins of both abstraction and figuration, which of sculpture becomes three-dimensional.

This exploration is more so important, when conducting sorcery, which is essentially the practice of art; both practices are indivisible from each other. Magic and Art are one and the same. I kid you not!

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Alas, the practice of art lost its shamanic path, long ago, along the fourth-dimensional corridor of time, becoming quite separated from the internal processes of the informational realm of the dream, which instead was taken over by the externalised technique of the dreamless artisan.

Though a Freemason of a tenth-dimensional Artisan is aware of first-dimensional consciousness, two-dimensional thought processes are only ever utilised. Hence, during the years when Abstract Expressionism flourished, figuration was shunned by many technique driven artists, who became entirely embroiled in elitist attitudes due to competitive racetracks of indoctrinated ‘thought,’ which date back to the late 1930’s of a now entrenched tradition.

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I will generally examine the terms of this mundane debate concerning abstraction versus figuration, which continued into much of the twentieth century and still does so unto the present. You also have the concept of ‘representation,’ which art critics have come to commonly use since the 1970’s, who to religiously argue over an art ‘brand,’ just as many indoctrinated occultists to argue over how many Incubi Angels and Demons they can fit onto the end of a viral-meme needle point of a ‘branded’ belief. The concept of representation acknowledges that abstract and figurative art are not as different as they might seem, which is bloody obvious!

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All art is essentially abstract art, should you see abstraction as being a neural process of drawing impressions from the shape, colour, and texture of three-dimensional objects. What is important here of sorcery practice is the internal generation of an emotive charge, enlivening the conceptual, which then stirs your ‘symbolically’ associative dreams, and in turn generating concordant synchronicities.

This will then lead to the observation of a feed-back-loop of symbolic correspondences. When this process is consciously observed of sorcery experimentation, the (mandala) artist (writer-mantra) then becomes aware that time is not linear of a fourth-dimensional sequence of events, it is in fact circular of a fifth-dimensional ever recurring Ouroboros.

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The internal processes of shamanic artists have ‘abstracted’ the reality around them since prehistoric times, which was once one and the same of sorcery. But this ability was lost, when many artists forgot to dream, due to changing cultural influences. These all encompassing cultural influences were primarily of a religious nature, which negated the sixth-dimensional (sixth-sense) faculty of attaining lucid dreaming.

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Art was then utilised, as a means for cultural propaganda much of the time. It was not until the early twentieth century that abstraction began to be defined as a sought for technique in its self.

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Abstract art tends to solely rely upon five pentagram sensory associations of form to suggest meaning, rather than employing any recognizable motifs to point at particular themes and content. Whereupon the artist will understand his/her work, but the audience will be left aghast as to what it all means of an occult code. Those who believe themselves to be privy to the artist’s occult creations are to be found drinking copious amounts of wine, when to drunkenly sojourn an art gallery paying exorbitant amounts of shekels for a two-dimensional scribble upon a piece of three-dimensional cardboard.

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However, they may just find that the artist has a Chimpanzee as his familiar who does the scribble painting. This should not be taken as a slight upon such artworks; for it does require the artist to achieve the innocent state of an ape brain, or to go further back of atavistic mammalian, to the emotive reptilian, to create something spontaneous, out of reach of the comceptual hominid; whereby a shamanic trance state of automatism is often employed. Although there are many an artist who do not employ this methodology, in order to attain a seventh-dimensional awareness of alternate possibilities, to instead focus upon an intellectualisation of the now fashionable abstract, without further ado, who pander to what is presently in elitist vogue.

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Whatever the case, abstract art can widely range of alternate seventh-dimensional Ouroboros possibilities, from the easily comprehensible, quasi-figurative, landscape-based imagery of Kandinsky, to the far more obscure, mystical monochromes of Malevich.

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Imitation, or realistic representations of what is perceived, has been the holy grail of the visual arts since earliest times. At one time it was believed that the creation of a realistic representation was also one and the same as the object it’s self, of a magical act; whereupon the ancients had termed such art as being Mimesis. This can only be really understood by an artist, when to work upon a figurative piece of Frankenhooker art, to thence find her being brought to Tulpa life within a lucid dream.

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However, many an artist has forgotten how to electron dream, who focus more on an external technique in order to perfect. But it soon came to pass that the capturing of the real was then taken over by photography and more recently by computer generated art, which can be utilised to explore eighth-dimensional realities, where present Maya physics do not apply; such as in video game Matrix worlds, whose physics are programmed.

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Many artists have striven to create the technical effect of an illusion, with their art, in order to extend the experiential, three-dimensional Maya space of the viewer. At other times artists have striven for realism, to create an impression of Samsara social reality. During the twentieth century, the ascending art of abstraction is best thought of in the generalised sense, as being ‘figuration,’ though some Abstract Expressionists considered any residual presence of the figure (such as is seen in Miró, or early Rothko), no matter how abstracted, to be mere figuration, which was, and still is considered to be anathema to the established tradition of the Modern Art movement.

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In regards to sorcery practice, which is indivisible to art, I am really not at all concerned about such nigh religious bickering between back-biting traditions, which is no different to pompous occultists, who say they practice the high art of magic, when in fact, they are habitually indulging in the commonality of religion.

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I have no time for entrenched traditions or dogmatic religions; since they are intrinsically static of an indoctrinated symbolic perception. Whereas art and in turn magic are rebelliously fluid and ever evolving of ninth-dimensional sorcery. Both of these practices deal with the stirring of the subconscious realm, of eleventh-dimensional electron dreams via the manipulation of photonic symbols, to associatively conjure amidst your Triangle Of Art Imagination.

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Whereupon I utilise the modern symbolism of the lowbrow comic, when to engage in a Widdershin-wise reversal of an indoctrinated brainwash, along with utilising Discordian Heyoka humour to thence negate the Inquisitional negative. Hence, a rebellious Frankenstein artist uses both art forms in order to conjure up a Succubus of an exquisite corpse Mind-Doll Frankenhooker Tulpa, to frequent his lucid dreams of ninth-dimensional Surrealistic artistry.

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