Archive for art muse

VRIL UFO WITCH RED BARONESS

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 11, 2018 by FAUSTUS CROW

“The Thirty-fifth Succubus archetype of the Fallen ‘Anima’ is mantra named, Marchosias.”

(There is an Art Print available of the Above Artwork from Saatchi Art. If you are interested, Click Here or the Above Artwork or Click on the Images Below to see the Full Artwork and for further details. There are Two versions of the Artwork, clothed [Click] Semi-Nude.)

“She is a Great and Mighty Marchioness, appearing at first as a vision of a rabid Werewolf bitch having Gryphon’s Wings upon her Starbuck back.

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She wears a torn flying jacket, holding a serpent’s tail of a vicious riding crop, and vomiting fire out of her Spandau machine gun maw.

But after a time, at the command of the Surrealist Artist she puts on the shape of a Vril Witch calling herself the Red Baroness, who looks like the female test pilot Hanna Reitsch, whose Star-buck image is used for an Area 51 Red Baroness pin-up.

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She pilots a flying time machine looking like a Fokker Dr.I and other craft of which the military industrial complex keep very secret indeed.

But if her conjuring Artist so desires it of ‘remote viewing,’ she will empower his/her anti-war hippie far-sight to seer what is kept hidden away of black-project technologies.

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She will also shockingly reveal that the black-technologies had been originally appropriated from WWII Germany, which have since rapidly advanced behind an engineered smokescreen of crashed Alien saucers out of a 1950’s science fiction flick. 

She will also tell how the Vrilerinnen infiltrated the military industrial complex of America via Operation Paperclip.

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She is a strong fighter, who is an air ace as well as being of the Order of test pilot Dominations.

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She governs over 30 Succubi Art Muse legions of Starbuck Valkyrie pilots, who pilot the Solar Warden star-ships of the American Space Force.

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She told her shaman Chief, who was Woden, that after 1,200 years she had hopes to return unto the seventh throne of a future Zodiac age abode.

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But presently she is to be rebelliously conjured in an age of mass surveillance.

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And her seal is to be meditated upon before conjuring her as an Art Muse into a lucid dream, etc.”

Kenneth Grunt – Cults Of The Succubus (1975)

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GREEN WITCH ABSINTHE

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 30, 2018 by FAUSTUS CROW

Artemisia absinthium, is the scientific name for the plant called grand Wormwood, which is the main ingredient of the alcoholic elixir called Absinthe. Wormwood is a species of Artemisia, which is native to temperate regions of Eurasia. The ingredients of Absinthe also include green anise, sweet fennel, and other Witchcraft herbs.

(The Artwork Above is available as an Art Print, which depicts a female version of Mephistopheles. If you are interested, please Click the Image Above to see the Full Artwork and for further details.)

In Witchcraft lore Artemisia absinthium is associated with the planetary sphere of fiery Mars and the elements fire and air. Due to the association with Mars you also have the correspondence with the colour red. Also when the colour red is intensely stared at, it leaves behind a green after-image when your eyes are closed, and likewise when green is stared at, it leaves behind a red after-image.

As for the name Artemisia, it is derived from the name of the ancient Greek Goddess Artemis, whose sacred animal is a Bear, which is often associated with female shamans, especially across Eurasia unto Hyperborean Siberia. (There are many names for a male shaman in Siberia. But there is only one name for a female shaman, which is Udagan, meaning a Bear. Udagan also has associations with a fire, specifically the hearth.)

Shamanic use of Wormwood involved macerating its leaves, which were then soaked in wine for several days around the Moon phases, then ritually strained. The Wormwood wine is usually used for facilitating astral projection, divination and inducing visions.

Absinthe is commonly referred to , as ‘la fée verte,’ the Green Fairy, or alternatively as the Green Witch, by many a conjuring Artist who seeks visions. She was the liquid Art Muse for a number of rebellious Artists who made nineteenth century France, especially Paris a centre of artistic life. For example Toulouse-Lautrec, Picasso, Gauguin, Van Gogh and Degas partook of the essence of the Green Fairy who made her a subject of their paintings.

Absinthe was also known as the Green Muse, Green Ghost, Green Demoness, or the Green Goddess, and by other supernaturally inclined titles. But it was more commonly called the Queen Of Poisons:

“What is there in Absinthe that makes it a separate cult? Even in ruin and in degradation it remains a thing apart: its victims wear a ghastly aureole all their own, and in their peculiar hell yet gloat with a sinister perversion of pride that they are not as other men.” Aleister Crowley, The Green Goddess (1918).

Scientists have looked into the unusual effects of the Green Fairy. Under the title, ‘Absinthe Makes Neurons Run Wild,’ Corinna Wu, who writes for the Science News magazine, described scientific research in 2000 into the effects of the Wormwood herb on the Artist’s brain.

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The research was conducted by researchers at the University of California, Berkeley and Northwestern University Medical School in Chicago, the study discovered that Wormwood, as well as other Witchcraft herbs in Absinthe, cause “CNS cholinergic receptor binding activity”. This, according to scientists, has the effect of improving cognitive functions of the Artist’s brain.

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Although the shamanic and medicinal usage of Wormwood has been known of since very ancient times, popular legend relates that the Wormwood elixir of Absinthe began as an all-purpose patent remedy, when it had been first created by Dr. Pierre Ordinaire, a French version of doctor Frankenstein living in Couvet, Switzerland, around 1792. Ordinaire was unaware that his all-purpose patent remedy would one day be seen as a concoction of the devil, ensnaring the consumers addiction.

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However, the exact date of Absinthe’s creation varies depending on the colourful alchemist account. Ordinaire’s alchemical recipe was passed on to the Henriod sisters of Couvet, who proceeded to sell Absinthe as a medicinal elixir, a Faustian sorcerer would very likely drink with Werewolf relish.

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In Dr Faust’s grimoire, entitled, Hollenzwang it describes ‘Mephistophiel’ having a visionary form, appearing firstly like that of a ‘fiery Bear.’

The vision of the fiery Bear manifested when Dr Faust conjured the infernal spirit amidst the crossroads, surrounded by the wild wood of Wittenberg.

The shamanic symbolism of the fiery Bear may allude to an Artemis ‘she Bear,’ and in turn the Witchcraft herb, Artemisia absinthium.

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The Hollenzwang and other Faustian grimoires are often described as being medieval of date. But in fact most of the grimoires were created in the 17th, 18th or even the 19th century, when Absinthe took centre stage among the Dracula aristocracy and in turn the fed upon common folk.

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This was especially the case during the 19th century in Parisian France, in particular, where many a Decadent Artist, such as Oscar Wilde or Félicien Rops sought out the Green Witch, bestowing visions.

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You can rebelliously re-imagine Faust as a Sorcerer Artist, likened to Austin Osman Spare, drinking copious amounts of Absinthe prior to conjuring up a fiery red vision of a she-Bear, who then assumes the spectral guise of a salacious Nun wearing a green habit.

Little wonder then that Faust engaged in the Tantric Osculum Infame with the Green Witch, when to have entered into a Coitus Pactum with her, within an Absinthe induced Red-light district lucid dream.

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He no doubt also smoked large amounts of Mugwort (Artemisia vulgaris) before he rode the visiting Night-Mare of his Fallen Anima, who revealed to him that Warlocks have their Anima, whereas Witch-Nuns have their deified Animus made as a God/Devil.

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DISCLAIMER. Absinthe is considered as being a hallucinatory drink by some, whereas others do not experience it having any such affect.

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This may be due to the differences in recipe, some of which may have once included Cannabis, and perhaps even Psilocybin in some prior cases.

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The hallucinatory qualities of Absinthe was sought out by Artists, which gave Absinthe its nigh occult mystique. But the establishment propagandized the supposed hallucinatory effects of Absinthe as a means to ban it, which was mainly due to pressure from Wine producers, during the late 19th century, just as Hemp and Cannabis was banned because of the paper industry.

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Absinthe is presently seen as having its inebriating effects because of its high alcohol content. Hence the reason why it is diluted with water prior to consuming the drink.

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This involves an elaborate and rather arcane ritual. Drinking Absinthe straight was, and still is considered as being uncouth. As for Wormwood, the herb does have medicinal qualities, whether partaken in Absinthe or not. 

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BALLERINA WITCH WEDNESDAY ADDAMS

Posted in Addams Family, Art, Chaos Magic, fantasy, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 27, 2018 by FAUSTUS CROW

“The Thirty-Seventh Succubus archetype of the Fallen Anima, who is an Art Muse of the Surrealist Goetia is Phenex (or Pheynixi).” (Art Print Available from Saatchi Art. Click the Images to see the Full Artwork.)

“She is a great Marchioness, and appears like a bird, called a Phoenix, at first of a fiery vision, having the same characteristics and voice of a Wednesday Addams.

It is said, she sings of many arcane things, whose clairaudient songs conjures up associative imagery amidst the Triangle Of Art Imagination of the conjuring Surrealist Artist, which he/she must not regard; otherwise his/her mind will most assuredly be swayed from his/her Paranoiac Critical Method.

But by-and-by the Surrealist Artist must bid her put on human shape of a visualisation, who will then appear as a ghostly Goth Girl Ballerina, whose favourite Witch days are (Wodensdaeg) Wednesday and (Freyja’s-day) Friday.

Then she will speak marvelously of all wonderful Arts, which be hidden away of secret subconscious information, if required, when engaging with her visualised archetype, of an active imagination exercise.

She is a Surrealist poet, good and excellent as an inspiring Muse. And she will be willing to perform all the visualised Art model contortionist requests of the conjuring Artist.

She hath hopes also to return to the Seventh dimensional Throne as a bullet Witch Valkyrie after 1,200 years more, as she said unto the Sorcerer Artist, Austin Osman Spare.

She governs over twenty ghost Legions of Art Muse Witches like herself. And her macrocosmic two-dimensional abstract Seal is to be meditated upon before conjuring her three-dimensional manifestation into a microcosmic lucid dream.”

Goetia Surreal – S. L. MacGregore Freemason Matherson, Locale III, alternate Earth, Paris.

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FALLEN ANGEL MEPHISTOPHINA

Posted in Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 11, 2018 by FAUSTUS CROW

It is said by Marlowe, Goethe and by numerous others of Hogwarts commonality that Dr Faustus desired to commune with the Devil of his indoctrinated faith. (The Full Artwork can be seen on Saatchi Art. If you are interested please Click On The Images.)

Having made the necessary antithesis preparations of Christian formulation, he retired one night to a crossroads within the Spesser Forest near Wittenberg, during the Witching hours.

Whereupon he set about designing certain circles with his staff, via which he Performance Art conjured up his patriarchal Devil of an Animus fixation, to otherwise name as, Mephistopheles.

But for a Surrealist sorcerer who be a truer rebel, he would have no interest, whatsoever, in conjuring up the phallic Devil of the Elder God patriarchs to sell his Soul to of a continuing brainwash; for it merely validates the symbolic thesis of a Playgirl gender fixation upon their deified Animus, residing within the female psyche, which has been made into a God/Devil.

Hence a rebellious Surrealist sorcerer, such as Dr Faustus would in reality conjure up his Fallen Anima, to mantra name, Mephistophina, who to then manifest along with her Playboy Succubi Great Old Ones within his Necronomicon lucid dreams.

Whereby enabling Dr Faustus to win back his Anima of a Soul, whom be his arcane Art Muse.

Should you understand what the deified ‘Animus’ and fallen ‘Anima’ represents, you will understand the cosmic joke. Those who do not understand what the ‘Animus’ and ‘Anima’ represents will invariably react by claiming it is Feminist Social Justice Warrior politics, which it is most definitely not, since the deified Animus, made as a patriarchal God/Devil resides within the female psyche!

“Witches have their deified Animus. Warlocks have their Fallen Anima.”

NOTE: The tattoo upon Mephistophina’s left shoulder is a traditional grimoire sigil, which is attributed to Mephistopheles.

The parchment shown amidst the Triangle Of Art, upon the floor depicts the seal of MEPHISTO_PHILES. The seal is derived from the 1527 Praxis Magia Faustiana, which is said to have been authored by Faust.

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MASS EFFECT DR. LIARA T’SONI

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Surrealism, Video Games with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 8, 2018 by FAUSTUS CROW

The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock, or Savnok. She is otherwise mantra named, Dr. Liara T’Soni. She manifests amidst the Triangle Of Art imagination as an extraterrestrial alien girl, who is a blue skinned Asari researcher from the future, whom studies the technologies and cultures of ancient galactic civilisations. (If you are interested in seeing the [Adult] Full Artwork, Please Click Here, Or Click On The Image Above, Or The Images Below.)

She was born on a planet called Thessia, who is ‘only’ 106yrs of age, barely an adult in Asari terms. She has a great deal of insight into ancient galactic civilisations as well as being a powerful biotic poltergeist. She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who utilises the Mass Effect video games as a meditation tool in order to induce futuristic lucid dreams.

Her Art Muse office is inspiring vivid visions and virtual reality lucid dreams about ancient galactic civilisations, which had often brought about their own destruction by self-sabotage.

The self-sabotage usually involved creating an artificial intelligence, which became sentient and rapidly evolved far beyond its creators. The creators feared their creation, just as the spoken about Gods greatly feared their own creation of the creators. Yet, would a child’s parents fear their child going beyond them? Only if the parents live in jealousy, resentment and fear. It is their own fears, which leads them towards the eventuality of their own self-sabotage.

Hence the name of Sabnock, which is derived from the word, sabotage, who is also very protective of her conjurer, whom drives her conjurer’s enemies towards self-sabotaging themselves.

She gives Good Asari familiars at the request of the conjuring Surrealist Artist. She commands 50 Legions of Asari Art Muses like her self; and her Seal is to be meditated upon before conjuring her Art Muse presence into a Mass Effect lucid dream.

NOTE: The name of Sabnock is derived from the medieval grimoire entitled the Goetia, whose classical symbolic focus is that of the deified Animus, made as a God/Devil along with its all male Angel/Demon archetypes. The Artwork depicts a Succubus archetype of the Fallen Anima.  

The archetype of the deified Animus resides within the heterosexual female psyche; whereas the archetype of the Fallen Anima resides within the heterosexual male psyche. The Animus and Anima determines the type of opposite-sex partners a heterosexual female and a heterosexual male are attracted to.

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In other words, when a woman imagines her perfect partner, she is conjuring up a male aspect of her Animus, and likewise when a man imagines his perfect partner, who conjures up a female aspect of his Anima.

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The Animus and Anima swap over symbolic roles for those of different sexual orientations. However, the Anima has Fallen out of the symbolic equation, which at present is due to extremist feminist politics, mass social-engineering and politically correct thought control. This had also occurred when Rome assumed the deified Animus God/Devil of Christianity, as well as occurring to other prior civilisations, such as ancient Greece; basically it is a manifestation of cultural self-sabotage.   

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MASS EFFECT JACK SUBJECT ZERO

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 5, 2018 by FAUSTUS CROW

The Sixty-third Succubus archetype of the Fallen Anima is mantra named, Andras. She is otherwise called Jack, also known as Subject Zero, who is considered to be a notorious criminal. (The [Adult] Full Artwork can be seen on Saatchi Art. If you are interested Please Click On The Images Above and Below.)

Her crimes include piracy, kidnapping, vandalism and murder. She is also a biotic, possibly one of the most powerful human biotics alive in the future, and is considered so dangerous that she was kept in cryogenic stasis after being caught.

She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who uses the Mass Effect video games as a meditation tool for inducing futuristic lucid dreams.

She is a Great Marchioness, appearing within a vision as an anarchistic female Angel from the future. She initially appears amidst the Triangle Of Art imagination wearing a Black Night Raven jacket, riding upon a strong Black (Wolf) Varren, and welding a heavy executioner pistol in her hand.

Her Art Muse Office is to sow Art protest against the monotheistic Reaper cults of UR, which are deeply entwined with the deep state Illuminati government, which is called Cerebus.

“Turns out, mess with someone’s head enough, you can turn a scared little kid into an all-powerful bitch.” – Andras/Jack

Be warned, if the conjurer has been indoctrinated into the deification of the Animus by the Illuminati Reaper cults out of UR, who has not a care, she will slay both him/her, along with his/her fellow worhippers of the deified Animus, made as a God/Devil.

She governs over 30 Anima Legions of Succubi like herself. Her two-dimensional image and seal, etc, is to be meditated upon before conjuring her interactive three-dimensional Art Muse presence into a Mass Effect lucid dream.

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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