Archive for school girl

THE CONJURING 2 OF VALAK AS A NUN

Posted in Art, Chaos Magic, Comics, Demon, Demonology, Goetia Girls, Goth Girls, Lucid Dreaming, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on July 3, 2016 by FAUSTUS CROW

Valak was originally conjured out of the gnarled grimoire of the Goetia as a little naked school boy having the wings of an angel who rode a two headed dragon. Said spirit, like most of others described in the grimoires are depicted as being male entities of an overriding ‘Animus’ fixation. The how and wherefore of Valak’s symbolic transformation into a pasty faced Nun in the film, The Conjuring 2 is of the age old Hollywood tradition of rewriting history. But then, at the end of the day, it is just a case of artistic licence, just as the original was an artistic creation, which of viral-meme ‘artistry’ conjures up associative archetypes within the collective unconscious. As Johann Wolfgang von Goethe once said:

“The Artist alone sees spirits. But after he has told of their appearing to him, everybody sees them.”

Perhaps the creators of The Conjuring 2 decided to avoid utilising the motif of a little naked school boy because he would end up looking like a deranged version of the animated Voodoo doll icon, Chucky, so, instead they transformed Valak into a transgender entity looking like a Marilyn Manson asylum Nun out of an ‘American Horror Story.’

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Or maybe, the creators of the film had decided to reverse the ‘Animus’ fixation towards that of the ‘Anima’ by having Valak as a Nun. Whatever the case, symbolic logic would have dictated that the original little school boy would have been transformed into a school girl, not that of a Nun. But Hell, most of audience wouldn’t know about Valak’s historical grimoire manifestation anyway, so what’s the big deal?

Well, Valak is not one of the most iconic entities of the grimoires; wherefore it is symbolically curious that the creators chose this particular entity; why not some other?

Perhaps the film is about the spiritual torment of a girl initially involved the associative conjuring up of demonic little boy, yet, at some Hollywood boardroom juncture, before its ‘Conjuring’ into celluloid, Valak was otherwise re-scripted to be ‘Conjured’ as a Nun.

As mentioned; the symbolic reversal of a school boy ‘Animus’ into an ‘Anima’ expression would be that of a school girl; so, why that of a Nun instead?

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May be it is reference to the Tarot card of the High Priestess ‘II,’ whose card can be associated with another spirit to conjure out of the Goetia, going by the name of Gremory, who would manifest as a Nun.

Gremory is of of the very few spirits listed in the Goetia who is described as appearing a female; though as per usual, the feminine manifestation is seen to be but a ruse. (NOTE: If you are interested in the above Gremory shirt design, Please Click the Image Link.)

Wherefore, though manifesting as a woman, the spirit is considered to be male, which of a classical ‘Animus’ depiction would manifest as a transgender Marilyn Manson Nun, as featured in The Conjuring 2 film.

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If however you totally rebel against the ‘Animus’ fixated Playgirl grimoires, whose listed entities are all male, then Valak would manifest as a schoolgirl.

Whereas Gremory appears as a Nun. Both of whom would be very feminine of an ‘Anima’ expression. In ancient times, male Shamans would enter into lucid dream congress with their spirit wives, who are manifold aspects of the ‘Anima.’ This did not involve being possessed; for a male enters unto a spirit wife as he would do a woman.

(NOTE: The Gremory Artwork below is available as an Art print. If you are interested, Please Click the Image Link.)

However, should the shaman not be in control, or to be homosexual of persuasion, the conjured archetype of the ‘Anima,’ would then become more masculine of expression. It was usually the woman, who allows herself to become possessed by her deified ‘Animus.’

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The symbolic motif of the Nun has associations with the ancient vocation of the Priestess and in turn that of the Witch, which of a Tarot card is associated with psychic phenomena, trance and dreaming.

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Should you look into the symbolism being employed by The Conjuring 2 film you will find intriguing symbolic references, which allude to the Tarot sphere of the High Priestess.

You also have the actual character of the young girl named Janet, from the Enfield Poltergeist case who speaks of an ethereal presence affecting the back of her neck, which of an experience refers to hypnagogic trance.

Should you decide to seek out any historical parallels to the Janet case, you might just find that the Loudun possessions have many similarities. The Loudun possessions was a notorious Witchcraft trial in Loudun, France, during 1634. A convent of Ursuline Nuns are said to have been visited and possessed by demons. However, a number of the Nuns had inadvertently experienced trance. The Loudun possessions is of similarity to what the ancient Priestesses used to do, who allowed themselves to become erotically possessed by their deified ‘Animus,’ made as a God.

What Janet to tell of, concerning an otherworldly sensation stroking its way up the back of her neck is also spoken of by the Kalahari Bushmen of South Africa, who call it the Num, which initiates trance, they term as Kia. The Num is the same as the Kundalini Shakti of the Yoga practitioner, which is also known as the ‘rush,’ in trance dance culture. It is this energy, which stirs ‘The Conjuring’ of the archetypes out their Jinni bottle of the subconscious mind.

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It just so happens that the back of the neck is associated with the hidden sephira of Da’at in the Hebrew mystical tradition of the Cabbala, which is numbered ‘eleven.’ Da’at is interpenetrated by a path, whose associated Hebrew letter is Gimel, which in occult practice corresponds with a ‘Camel,’ as well as being ascribed the Tarot card of the High Priestess II, (otherwise known as the ‘High Priestess of the Silver Star’ – Sirius); wherefore you have the symbolism of a Nun.

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Gremory is depicted as riding a Camel, who is the fifty-sixth spirit of the Goetia, whereas Valak is the sixty-second spirit out of seventy-two listed spirits. The numbers ‘Eleven,’ and ‘Seventy-Two’ are mentioned in the Conjuring 2 film. The girl is aged Eleven who is being haunted by a ghost of a Seventy-Two year old man.

(NOTE: The Gremory Artwork below is available as an Art print and a shirt design from my Redbubble Shop. If you are interested, Please Click the Image Links.)

This would then translate as the girl being affected via the Eleventh hidden sephira of Da’at, which physiologically corresponds with the throat/neck area of the reptilian-brain-stem.

Whereas the old man’s age of seventy-two, is a number, which is traditionally associated with the Seventy-Two names of a deified ‘Animus,’ made as a God, who is commonly depicted as an old man.

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

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As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image link for more information.)

 

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

Art Prints available from my Redbubble shop.

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HOGWARTS PORNOGRAPHIC NECRONOMICON SHOPPE

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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A BANNED HARRY POTTER OCCULT PLAY STARRING BABALON WITCH HERMIONE

SETTING: Diagon Alley is a fictional Harry Potter high street located in Londonium. It is only accessible to the Wizarding world, to which it is something of an economic hub.

Although it is hidden away from mundane Muggles (non-Magickal folk). Muggles are only allowed access to it, if they need to accompany their Muggle-born Moon-Children. If a Wizard or Witch needs something, chances are that it can be found in Diagon Alley.

However, the Diagon Alley of this arcane sketch is that of an alternate reality version, which is none too different to the red-light district of Londonium’s Soho. Imagine for now, the camera panning in to follow the predatory catwalk of Babalon Witch Hermione, who is of the house of Slytherin.

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She has raven pitch black hair and emerald green fire eyes. Although as a strawberry blond with delectable hazel eyes, she is very, very naughty; and as you know, blonds know how to have lots of… fun.

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Anyway, Babalon Witch Hermione looks like a dangerous Goth girl sex vamp, who is dressed of similarity to a St Trinian’s sixth-form Catholic schoolgirl femme fatale Lolita. She is also followed by her pet familiar of a fluttering vampire Bat.

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As Babalon Witch Hermione is tracked by your Illuminati third eye of a camera, you seer her to go through a Vesica-Pisces doorway into a seedy pornographic shoppe, which sells banned Necronomicon Grimoires.

Your remote viewing camera eye then cuts to the inside of the shoppe where you seer an untidy room with a large oak counter of an altar, and old dusty Grimoires on shelves lining the cracked walls, along with varying magickal paraphernalia.

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The Grimiores on the bottom shelf are of the usual Llewellyn worldwide fare, whose subliminal meme covers depict medieval Gothic and New-Age Native American Shamanistic imagery. As for those Grimoires on the top shelf, they are seen to be covered by a heavy black cloth.

You will seer three drably dressed Masonic Wizards, who are seen to be thumbing through the bottom shelf Grimores. A fourth Masonic Wizard is flamboyantly dressed, who is called Mr Priestly Pope. The three Wizards are wearing dirty Tau-shirts, on each is depicted a particular animal, a Lion, Eagle and a Bull.

Behind the counter is a sorcerer dressed in a smart black suit, wearing a black fedora hat whose name is Faustus Crow.

The three drably dressed Masonic Wizards are very perturbed by the sudden, almost brazen entrance of Babalon Witch Hermione. The three Masonic Wizards nervously back off into the shadows, who fear Babalon Witch Hermione discovering what they are furtively up to under their soiled Freemason aprons. The fourth Wizard appears to be oblivious of her presence.

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Babalon Witch Hermione makes the sign of the ‘Horns’ at the four Wizards as she seductively passes by them; while to expertly ‘Blow-Job’ a hot ‘Boaz and Joachim’ scarlet bubblegum bubble, which bursts with an explosive pop, as she walks between two ‘towering’ pillars! Babalon Witch Hermione confidently goes straight to the altar of a counter, upon which she coquettishly leans, before making her inquisitive enquiry of the shoppe owner, Faustus Crow.

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BABALON WITCH HERMIONE: Excuse me Mr. Do you have any ribald, risky tomes, illustrating hunky Incubi, by any chance? All 72 of them have to be, sweaty and macho, exuding fusion centre testosterone, through every patriot act astral pore, both police state Angelic and Demonic. The tomes I’m into have to be liberally sprinkled with arcane ritualistic formulae, and accompanying viral meme sigils, to conjure my desired Incubi.

(Her words are spoken seductively while staring intently at Faustus, whom she is hungrily eyeing up.)

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FAUSTUS CROW: Of course Madam. You can find such Grimoire’s, which will fulfill all your lustful requirements on the bottom-shelf of widely available brainwash fare. Those tomes, both ancient and modern, have been officially endorsed by the top homophobic theologians, misogynistic demonologists and Inquisitional closet-homosexual exorcists of the Vatican; as well as by many a persecuted Cabbalist, fundamentalist Dervish and anally retentive Western occultist, who practice the high art of ritual Magick. Such in turn to make piles of Mammon money out of their published works. Hence these Abrahamic authors have big Swiss bank accounts, just like their lacy Pope, which impresses the Illuminati Hen’s, who actually rule the roost of the World, laying golden LAM eggs.

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BABALON WITCH HERMIONE: I hope you don’t mind me asking you this question, ever so kinky. But, how can I make these astral Chippendale hunks of machismo prowess, do my every temple bidding, as my pet Incubi sex slaves? I mean, if Solomon could get the Incubi to enter unto his royal behind, how can I get them to likewise enter me, as my very familiar… familiars?

(Giggles naughtily.)

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FAUSTUS CROW: Well. Madam, like many a Ritual Magician to do, you have to constrain the Incubi into bound bondage, by torturing their Spirit seals, to whip and flagellate, or to rip apart, or to burn within your sacred censer made of brass. It be akin to torturing them within the sadomasochistic torture chamber of your fetish imagination. Whereby you will become as a leather clad dominatrix of a mistress, to make your familiars lick your Venus in Fur’s stiletto heeled boots. They will then become all servile of Solomon’s slaves, bound to your true Sheba will, amidst your wrought Magick circle.

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BABALON WITCH HERMIONE: That sounds ever so exciting. I relish the thought of torturing hunky Angels and Demons. Forcing these Incubi to fulfill my every delicious wish, to make them manifest into ethereal flesh, as my most servile pet familiars, to whip into shape, makes me ever so… wet. But, what do I have to do in return for such favours granted unto me, by such masculine divinities, all as Solomon’s slavish Genies?

(Lustfully enquires, full of mischief, acting very coquettish.)

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FAUSTUS CROW: My Dear Madam, such a question is as obvious as your pretty little feminine nose to know. Like their temporal counterparts of many a beast, they only do as you ask of them, if they can enter their stiffened Athames unto your moistened chalice, betwixt your kicking legs. Whereby you to thence engage in a sexual pact of Tantric interaction with the Angelic and Demonic fluctuations, of your internal Animus. In other words, if your Incubi do not do as you bid them. Then they don’t get any conjugal night time nibbles, of your gifted sexual energy, to go explosive of multiple Orgasms!

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BABALON WITCH HERMIONE: Oh Wow! Can they really induce Loudun Nun multiple orgasms?

(Lustfully giggles.)

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FAUSTUS CROW: Yes indeed Madam. On a regular basis, around the circadian rhythm clock of the blood Moon phases, when you to Shekhinah dream lucid of their carousing Sabbat visitations betwixt and between, both good-cop God and bad-cop Devil; for you, and your receptive receptacle Sisters in the Ursuline Hood, to also intimately know.

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BABALON WITCH HERMIONE: Yummy!

(Hermione’s lustful eyes become as burning green embers; while licking her painted scarlet lips, at the thought of engaging in Orgiastic Sabbat delights, of astral hedonism. As Hermione plans her next move on Faustus, Mr Pope Priestly, a rather well groomed male approaches. He is wearing a flamboyant pink shirt, framed by a white Masonic suit, looking like an Aleister Crowley look-alike, of large physique, bald head, sporting a monocle, holding a pink walking cane. Mr Pope Priestly suddenly interjects into the conversation.)

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MR POPE PRIESTLY: Hello my dearest, dearest sweetest Boy! Sorry to intrude of intrusive intrusion. Pray tell; do you have a… leather… bound copy of Aleister Crowley’s Illustrated Goetia and The Book Of The Sacred Magic Of Abra Melin The Mage. I am also interested in copies of the Luciferian Goetia and the Satanic Bible as well as any tomes published by Scarlet press, Starlight and Finbarr?

(Widely smiles of fluoridated Holy-Wood whitened teeth.)

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FAUSTUS CROW: Yes, indeed! Just look to the bottom-shelf. Such Necronomicon tomes listing Incubi are our most popular Grimoires, as ever, of a continuing Abrahamic indoctrination. But if you to inform me of your Magickal intention, then, I might be able to help in shepherding you to the correct Sheep pen, of a work sought for.

(Mr Pope Priestly becomes emotively poetic and rather thespian theatrical, of flamboyant gestures. It appears as if he is anally possessed by Aiwass, to be enjoying every moment of his possession, while to mediumistic channel grandiose prophecies via his Goetic Incubi.)

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MR POPE PRIESTLY: My dearest Boy, I seek to become as King Solomon, to bind the patriarchal Spirit muscle, both heavenly and infernal to my divine Will. ‘Do What Thou Wilt Shall be the Whole Of The Law. Love Under Will, my Brothers all, of the Great White Brotherhood OTO Lodge; gathered to me as my gay sons of fairest Lucifer light. I endeavour to attain the most glorious Bornless Self androgyny of the hermaphrodite master of the Solomon’s temple. To forthwith rapidly usher in the new Aeon of the sodium fluoride dosed up metrosexual man. Amenta!

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FAUSTUS CROW: AHA! All of the bottom-shelf tomes will aid you in your great bottom work of advertising your inflated Ego.

(Mr Pope Priestly hurriedly minces off to the bottom shelf all eager to find his desired Grimoires, with his ridden back side up in the air. Babalon Witch Hermione whispers to Faustus Crow, out of earshot hearing range, of Mr Pope Priestly.)

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BABALON WITCH HERMIONE: Just out of curiosity; I hope you don’t mind me asking you this, perhaps, rather untoward of question. But, do you invoke and evoke Incubi Angels and Demons, Mr?

(Flirtingly giggles acting very coquettish.)

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FAUSTUS CROW: No Madam. My personal Tantric preference is that of the top-shelf triple X banned Grimoires. The top shelf tomes list all female Succubae both Angelic and Daemonic of Anima Witch. These Succubae I to bind around my erectile Dragon, ascending forth from amidst the amniotic dream waters astral, of seven Chakra lingam heads, crowned by ten Yoni sephiroth dimensional crowns.

BABALON WITCH HERMIONE: Are you saying of arcane revelation, that there is an energetic sexual dynamic involved in Spirit conjurations. Likened to Yin and Yang, Sugar and Spice?

(Coquettishly enquiring.)

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FAUSTUS CROW: Yes indeed. A sweaty Incubus enters unto a sugar plum Witch of a Shekhinah receptacle. Whence she to prophesy as an ecstatic Seidr Seeress. While a Yang Magician enters a Yin Succubus. As a Man would do a woman, who receives his ejaculated seed, of an emotively charged orgasmic mantra, Word Spell, uttered unto the microcosmic Yoni void, of her ever hungering womb dream. Hence, fertilising the spun Succubus into birthing the macrocosmic synchronistic flesh, of his desires. However, if the Magician is otherwise sexually orientated of choice, he can take on the Shekhinah role of the receptive feminine, to thereby be possessed by an Incubus. Whereupon he becomes an effeminate Biblical Prophet dallying with Animus Angels and his God, let alone that of Demons and his Devil, to placate with his OTO anus.

(Babalon Witch Hermione looks up at the top shelf. She notices a heavy black cloth of a shadowy veil. The cloth is embroidered with an Inverse pentagram, which is covered with accumulated dust. The cloth is covering a number of bulky tomes, upon a buckled black Yew shelf. She is full of Lilith curiosity, her intense feline eyes like Cat slits!)

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BABALON WITCH HERMIONE: Why are the top-shelf triple X Grimoires all covered up? Are they Evil books of the fallen Apple?

(Hermione’s Slytherin eyes look intense, hypnotising Faustus to surrender his soul to her seducing Witchcraft, of a long serpentine tongue hungrily licking her scarlet Lilith lips, at the thought of eating Eden’s rotten Apple!)

FAUSTUS CROW: Evil; Hell No! Such pentagram silver star works, I to have illustrated and written, of serious Apple core Sirius, which are part of a most secret tradition. Such works have been systematically persecuted and nigh eradicated by the Abrahamic cults for over 2000yrs. Whereupon you do not see any Grimoires, whether they be ancient or modern, listing Succubae to conjure, until I created them.

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However, many a feminist Nun considers the triple X top-shelf Grimoires to be rather sexist of left-hand-Job pornography. Their judgement is a rather curious state of affairs; considering that the third-wave feminist Nun’s have so many Angelic and Demonic Incubi to Right-Hand play with, of secretive masturbatory trysts within their church cells. The sisters in the hood are the ones who created the Animus fixation upon their fatherly God and Bad-Boy Devil egregore, or to crucify a castrated Good-Guy Christ for the Hell of it.

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BABALON WITCH HERMIONE: I must say; you are a very Naughty Old-Goat!

(Her eyes are full of lustful mischief, while looking coquette, as if butter wouldn’t melt in her hot bubblegum sweet mouth.)

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FAUSTUS CROW: And you my dear are a very salacious little Babalon of a Witch. May-haps you would like to join me for dinner this midnight eve Sabbat, of thirteenth hour, at the Skull and Crossbones inn of trance dance delights?

BABALON WITCH HERMIONE: Only if you to most deeply teach me how to conjure Succubae. For I must admit; I swing both ways within the lonely dormitory of my lusting Imagination, to be now impatiently stirred by your mastery, which I most desire, of yearning passion to know of your Dragon to ride.

(Hermione leans seductively over the altar of a counter towards Faustus; her feline eyes burning lustful.)

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FAUSTUS CROW: Agreed of pact, to verily seal this night; for my Goat horns do ache for your petite Virgin hand, to stroke them. Thence to arouse the third erect, in between; to be verily bloodied of Unicorn horn, when to penetrate thy Ninth-Gate hymen veil, of thine moist Shadow Kingdom, to enter unto.

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BABALON WITCH HERMIONE: You are a very, very Bad-Boy of a Great Beast indeed. I know, let’s go and watch Fritz Lang’s Slytherin classic, Indian Tomb, before we shed our Skinwalker skins, in your Sultan’s palace.

(Dirty smile and lustful girlish giggle.)

(This banned Harry Potter episode was somewhat inspired by Monty Python’s ‘Pornographic Bookshop’ sketch, which was featured in the Flying Circus TV Show – Episode 36, which of numerology is verily reduced down to Nine of ‘Ninth Gate’ should you be into Masonic Monty Python conspiracy theories out of Polanski’s Holy-Wood.) 

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