Archive for vampire

SUCCUBUS ART MUSE SCHOOL

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Succubus, Surrealism, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2018 by FAUSTUS CROW

If you are interested in seeing the Full Artwork ‘PLEASE CLICK’ The Image Above and each of the Images Below.

The theme of the Artwork is a symbolic merger between Hogwarts and St Trinian’s, which of a Lilith’s Harem Art school is attended by (Succubae) Succubi Art Muses.

The structure of the Harem Art school is based upon the Cabbala and in turn the Tarot paths of the Cabbalistic planetary spheres.

In the grimoires seven Chakra planetary spheres are usually mentioned. The Artwork pertains to each of the seven planetary spheres.

The seven planetary spheres are: Moon/Yesod, Mercury/Hod, Venus/Netzach, Sun/Tiphareth, Mars/Gebdurah, Jupiter/Chesed and Saturn/Binah.

The Harem Art school exists within the realm of dreams, which can be accessed by a conjuring Surrealist Artist when attaining a lucid dream, wherein he can then conjure the Succubi Art Muse archetypes of his Fallen Anima.

The St Trinian’s Motto is: “Semper debeatis percutis ictu primo,” which means, “Always Do You Strike The First Blow,” or, “Always Strike The First Blow.” Perhaps the First Blow alludes to a Boaz and Jachin (BJ) Blow Job, which is very likely.

The Hogwarts Motto is: “Draco dormiens nunquam titillandus,” which means, “Never Tickle A Sleeping Dragon.”

The Motto of Hogwarts, sounds somewhat Freudian concerning a phallic Dragon and its erectile arousal, which to arise when tickled by a wet dream Succubus school girl Witch, who to Vampire hunger not for blood, but to otherwise wildly feast upon what the gobbled Dragon ejaculates of an Albedo fire.

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MONSTER MUNSTER X FILES MARILYN MUNROE

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Conspiracy Theory, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 18, 2017 by FAUSTUS CROW

“Welcome dear flesh eating Ghouls, necrophilia Vampires, bestial Werewolves and many another eldritch creature of the Twilight Left-Hand Path. Within this Heyoka book you will find an Avadhuta reinterpretation of the Munsters for your Discordian delectation to bleed all over of satirical gut spilling X FILE humour.”

“This Horrorwood Munster family is into Discordian Horror Humour most dark of Conspiracy Theory satire investigating X File: UFO’s, Time Travel, Aliens, The Vril Society, Nikola Tesla, Free Energy Suppression, the Kennedy Assassination, the Murder of Marilyn Munroe, Nazi Eugenics, NWO, Population Reduction, Mind Control and why Babalon women prefer Bad Boy Great Beasts, all of which be far closer to the Horrific Truth than any Muggle can ever realise.”

The above introduction is for an experimental work I had completed a time back, which was done specifically for a Kindle book. The book is just over 118-20 pages in length. While working on the third Goetia Girls book and an accompanying Tarot deck, as well as a Comic strip, I have decided to re-publish the Kindle version as a paperback book on Createspace in black and white, in order to determine the best way of publishing my hand drawn comic strip.

However this involved re-sizing all of the pages, which led to re-editing them; I invariably got carried away, and did a number of new pages for the paperback book as well as re-designing a number of the other pages. The paperback book will probably be around 170 pages in length, perhaps more.

I will be serialising the first 50 or so pages on PATREON, which will no doubt go through further transformations as I re-edit the pages, while working on my third Goetia Girls book, Tarot deck and hand drawn Comic, as well as my Paintings, etc.

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The book is a radical reinterpretation of the now archetypal Hollywood Monsters, who were used for the iconic Munsters TV sitcom of the 60’s. It will also be covering Voodoo Dolls, Love Magic and the Necronomicon as well as the usual Witches, Vampires, Ghosts, Zombies and Ghouls, along with numerous other affiliated cultural themes.

The book is satirically adult of conspiracy theory; for cultural myths do change along with the times, which in this case Hollywood will most definitely fear to touch. The book has since become more adult of Jungian/Freudian orientation, which is an alchemical transformation of the erotic.

Although tongue in cheek on one level, many of the occult themes are workable techniques at another level. The main character around which this work revolves is Marilyn Munroe who is back from the dead as a Marilyn Munster Succubus haunting Horrorwood.

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LILITH, ANNO DOMINI

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Love Magic, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2016 by FAUSTUS CROW

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Sometime ago in my misbegotten youth, as a changeling childe, I remember being left alone in my parents Munster car one fateful night after a day out visiting the British Natural History museum. My parents had dashed off to acquire a meal of soggy fish and chips from the local chippie, before returning home.

While waiting for my parents return with the aforementioned Innsmouth meal, I looked out of the passenger window and noticed a billboard featuring a huge Lamb’s Navy poster of the most beautiful woman I had ever seen.

Even though I was but a kid, with no bristles to yet erupt forth upon my physiognomy, requiring copious amounts of Noxzema shaving cream, she stirred something deep within me.

I felt that my head was going to explode, it was like a mystical revelation. The experience was of similarity to what I had far earlier experienced when seeing a poster for space vixen Barbarella, but that’s another story.

The sensation was not necessarily sexual, more like that of recognition, as if she had triggered a memory I could not as yet remember in its entirety; the only way I can describe it as being like déjà-vu.

But then I was nightly experiencing the Old Hag Syndrome with its ensuing sleep paralysis, prior to attaining conscious ingress into the dream, which in retrospect, probably made me more sensitive to something quite other.

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The woman I later to find out was Caroline Munro who I started to notice was being featured in an advert for Manikin Cigars on my parent’s flickering black and white TV set, which I made a point of seeing, to the point of becoming nigh obsessed; I’m surprised I didn’t end up becoming a chain smoker, let alone an alcoholic.

I was not the only one who had been hypnotised by Munro’s High Priestess looks, Hammer Films CEO, Sir James Carreras, also spotted Munro on a Lamb’s Navy Rum poster of a Tarot card. He asked his right-hand man, James Liggett, to find and screen test her.

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She was quickly signed to a one-year contract. Her first film for Hammer had proven to be something of a turning point in Munro’s career, who as a Muse, stirred my unusual dreams.

It was during the making of the 1972 film, Dracula A.D., Munro decided from this film onward that she was a fully-fledged actress.

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Munro acted in Captain Kronos – Vampire Hunter, in 1974, which is one of my childhood favourites.

The film was directed by Brian Clemens, in which Munro plays the part of a barefoot gypsy girl named, Carla.

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In Paramount Pictures DVD commentary, Clemens explains, he had initially envisioned the role as being played by a fiery, Raquel Welch type, red-head; but Munro was far more archetypal of Witch looks for the part.

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Munro has the distinction of being the only actress to have ever been signed to a long-term contract to Hammer Films. She later turned down the lead female roles in Hammer’s Dr. Jekyll and Sister Hyde, Frankenstein and the Monster from Hell, and the unmade Vampirella film, since they required nudity.

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It was not a case that Munro was a prude, she had a raw sensuality anyway, oozing eroticism upon a look, which did not require her to be nude. Although I could not help wondering what was hidden behind her Genie veil.

Whereupon when my stirred sexual impulse was introverted, the nightly Old Hag Syndrome was transmuted into another experience by prior meditating upon her two-dimensional picture.

Wherein of the dream, I encountered a Succubus Anima archetype looking just like a Caroline Munro of a three-dimensional interactive reality, to otherwise Mantra name as Lilith, the worshippers of the deified Animus have castigated into the depths of their politically incorrect Hell as the Fallen.

Well, what do you expect; since a Changeling Childe I have been rebelling against the established religious fixation upon the deified Animus made as an Owellian God and Devil, which has an underlying sexual orientation. Whereas the Anima is its opposite, which has been nigh erased out of the symbolic paradigm by the theocratic thought-police.

Hence one has the Hogwarts commonality of all those Playgirl grimoires listing Animus archeype Incubus Angels and Demons, which permeate all levels of popular culture.

The symbolic rebellion of Sorcery Art would lead a Horny heterosexual Sorcerer Artist to Playboy conjure up what has been totally cut out of the symbolic equation as being the politically incorrect Fallen.

Curiously, when to utilise the browsing capabilities of the internet to thence tremble the world-wide-web of Wyrd, by using the mantric key-word name of Lilith, you will duly find innumerable images of dark haired women, in the main.

The dark haired woman can also be equated with another Anima character, such as Mephistophina. Although, Mephistophina doesn’t have a mass-mind focus like Wednesday Addams/Morticia has of Tulpa spun cultural icons.

In other words, the Succubus Anima archetype of Lilith has a ritualistic mass-mind focus, which stirs her symbolic existence within the collective-unconscious of the dream, whose lucid dream manifestation would be that of a Fallen Anima Goth girl looking very much like Caroline Munro.

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WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his patriarchal Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

Well, what do you expect, that’s what third-wave feminist Witches do, since they have so many patriarchal Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

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When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of a deified ‘Animus’ made as a God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms, who do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big ‘Animus’ Vatican bank account wallet, and an ever hungering Morticia Vampire, with very expensive tastes.

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GHOST GIRLS OF EASTERN EUROPEAN SHAMANISM

Posted in Alien, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2015 by FAUSTUS CROW

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Rusalki, ‘plural: Rusalka was perceived as a female Ghost, Water Nymph, Succubus or Mermaid of an Inorganic Feminine Intelligence, who often dwelled in a waterway.

According to most pre-Christian Slavic traditions of Eastern Europe, the Rusalki ghost girls were usually seen as being of an amphibious nature, which indicates reptilian characteristics.

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The Rusalki ghost girls primarily live at the bottom of torque whirlpools, which is somewhat reminiscent of what the Yaqui Sorcerer called Don Juan told the author Carlos Castaneda about the Inorganic Feminine Intelligence called the Allies, which also frequents whirlpools.

A salacious Rusalka was seen to stalk the depths of the humid night as a ghost, walking upon the river bank naked or to dance amidst the meadows sky-clad. Should a Rusalka see a handsome male, she would mercilessly hunt him down, fascinating her quarry with erotic songs filling his head.

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He would also be tormented by visions of the Rusalka ghost girl sensually dancing before him, so that to mesmerise her prey, leading him away towards the river floor, to live with her; that, or she to haunt his watery astral dreams wherever he goes, such as haunting Faustus Crow as Mephistophina.

There are are also Russian folktales concerning the Rusalki, which have parallels with the Germanic Nix, Irish Banshee and the Glaistig; but most especially in regards to the Hindu/Tantric female faerie sorceresses called Dakini’s, who are also known by the Tibetan Buddhist as Khadomah.

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Visual descriptions of the Rusalki reflect their environment, varying in form from region to region, wherein to find Rusalki of fertile areas such as in Belorussia manifesting as seductively beautiful naked maidens who live without men amidst them.

However, In Greater Russia, whose environment is much harsher, the Rusalki appear as lithe gymnastic Scythian Amazons of warrior predilection. But then, they are a fusion between the Valkyries of the (Rus) Vikings and the female spirits of Slavic elder lore.

While in the Ukraine they were often linked to water. In Northern Russia, the Rusalki manifest as hideous hags, who are very hairy wild-women; whereas others of this region describe the Rusalki as being sinfully wicked young ghost girls, who manifest as very attractive Ice maidens of carnally perverse wanton wiles, with wild dishevelled hair.

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One folklorist discovered tales, which described the Rusalki ghost girls as being similar to Vampires: “They were naked, wan, and cadaverous, like drowned corpses, and their eyes shone with evil green fire.” (Johnson, Kenneth. Slavic Sorcery: Shamanic Journey of Initiation. St. Paul, MN: Llewellyn Publications, 1998: page: 155)

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The Vampire aspect of the Rusalki ghost girls is very much like the nature of the Viking (Rus) Valkyries who, as death angels, are attracted to conflict; they can either protect a warrior from harm, or determine his fate in battle.

The Rusalki ghost girls are usually perceived as beautiful fish-women or as Mermaids who are commonly portrayed in Slavic folk-art and fairytales as stunningly seductive creatures, whose beauty is unrivalled by any mortal woman.

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Another folklorist related: “In her outward appearance, the Rusalka matched the natural beauty amid which she lived. Her fair tresses flowing in an eddying endless stream, her fine features framing her fathomless eyes; simply to see her was to ache with desire.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

While other informants describe the Rusalki as: “their faces are pale like the moon, and they wear robes of mist or green leaves, or perhaps a white robe without a belt. Their hair is green, or brown, decorated with flowers” (Johnson 155). The ethereal beauty of the Rusalki can only be tarnished by the windows to their inner beings, which are as their spiral eyes, of gold flecked green flame, telling of their tragic beginnings.

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The Rusalki ghost girls are most commonly perceived to be the spirits of young women who have met their dire fate by drowning in deep waters, whether by accident, suicide or by malicious intent, or to have been murdered by their own mothers. However, the motif of ‘drowning’ may actually allude to trance Induction of which the feminine is most adept at. The Rusalki have since been transformed into aliens emanating from another dimension, or to have otherwise descended from the starry ocean of the cosmos as blond haired Vril Angels, who are mistakenly described as being Nordics extraterrestrials. But then as Tesla Muses, they did beat the Operation Paperclip ‘Nazi Assisted Space Agency’ to get into space.

“Belief in them is most widely spread among the Russian’s (the Christian practitioners of Dvoeverie), who hold that they are children who have died un-baptised, or have been drowned or suffocated, or else that they are girls and young wives who have met an unnatural death, or have been cursed by their parents” (Máchel, Jan. “Slavic Mythology” The Mythology of All Races. Vol. 3. Celtic & Slavic. Eds. Louis Herbert Gray and Consult. Ed. George Foot Moore. Boston: Marshall Jones Co., 1916: 13 vols: pages: 214-312.)

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These ghosts of drowned girls are perceived to spend some time in a purgatorial limbo state before becoming a Rusalki, as if to allude to an Initiatory period of training. During this time of Initiation the young Rusalki are known by the Russian as a Navki, or in Polish as Látawci Navki who are reputed to appear in the form of birds, which cry out wailing cries like forlorn infants. The Navki continuously comb the countryside in search of their former mothers, who would be quite shocked by what their daughters are becoming of a Pussy-Riot rebel generation. But what do you expect; there be a commonality of Playgirl Grimoires listing butch ‘Animus’ Angels and Demons; whereas Playboy Grimoires are not to be found of conjuring the ‘Anima’ manifestations of the Succubae Rusalka, such as the one time Succubus, named Astarte, who be otherwise known as Astaroth.

The young Navki ghost girls are usually seen to be rejected by the mother Church of Rome, whose patriarchs greatly fear them with deep dread, due to their malign reputation of jealously attacking those Christian women who are said to be close to the time of childbirth. Although this has more to do with attempting to stop a child from being brainwashed into the appropriated ancestral-self-identity of another people, whose cultural construct of a Abrahamic religion had been stolen by Rome.

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The initiatory period of wandering for these angry ghosts of the Navki lasts for seven long years, which seems to indicate an elder tradition of training young girls by some form of ancient matriarchal religion. The chosen girls were no doubt highly adept at trance (drowning) induction, who left their natural mothers in order to be trained. However, those of a Christian disposition perceive the Navki as begging anyone of the Abrahamic monotheist faiths, who will listen to their sad ghost tale, to baptize them. But if the Navki cannot find a Christian cultist to take pity on their wailing voices, to utter Biblical prayers, they are doomed to spend the rest of their days as Pagan (Succubae) Rusalki. As rebellious Pussy-Riot Rusalki, their predatory nature is to seek out Alpha males with one time Order Of The Dracul fast horses to that of Illuminati sports cars, both of which denote big Vatican wallets to suck dry.

It is those quiet spots out of the way ‘power-places’ along woodland brooks and rivers where the Rusalki are seen to live, who also deeply dwell within the bottom of still lakes and ponds, or under the continual turbulence of sharp rapids. There are certain times under stars, revolving as a Zodiac clock, when they eventually emerge from out of their underwater world. The Rusalki are then found to be sitting upon their shores near ‘spiral’ engraved standing stones. Or to be otherwise found perching within sanctified ritual world-trees of prayer offerings, wearing nothing but feathered cloaks, where the Rusalki attempt to, “attract young people by imitating the crying of infants or laughing, giggling, and clapping their hands.” (Máchel: 253).

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Many of the Eastern European folk stories describe the Rusalki realm of their underwater Harem abode as, “a place of entrancing beauty, its vast marbled chambers hung with crystal chandeliers, its walls and floors set with gold and precious stones.” (Phillips, Charles. “Spirit Masters and Little Demons.” Forests of the Vampire: Slavic Myth. Myth and Mankind Ser. Amsterdam: Time-Life Books, 1999: pages: 58-77.)

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But as beautiful as these underwater dream Harems of trance realm be, the amphibious Rusalki between and betwixt realities yearn to return to the land when summer approaches whereby, “the waters are warmed by the rays of the life-giving light, they have to return to the trees, the houses of the dead.” (Johnson: 155).

The Rusalki ghost girls were believed to be at their most sexually dangerous during the Rusalye, Rusaliia ‘Rusalki Week’ of early June for at this time, they to have left their watery uterine depths so that to seductively swing upon branches of sacred Birch of forest and Willow trees, near waters at night, chanting out their hypnotic Spell-formulae. The honouring of the Rusalki’s sacred tree is usually that of the Birch.

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The Slavic peoples of pre-Christian Eastern Europe used to believe that trees are highly evolved beings, which are far more connected to humans than other plants and animals. This belief is not too dissimilar to the ancient Celtic perspective of sacred trees. The Birch tree is one of the primary holy trees of the Siberian Shaman, which is perceived to be the ‘World-Tree.’ The Birch tree, in particular, is seen as being, “the locus for the coming together of the living and the dead, the communion of animal, plant and human life.” (Hubbs, Joanna. Mother Russia: The Feminine Myth in Russian Culture. Bloomington: Indiana UP, 1988: page: 33).

During Rusalki Week of partying, Birch Trees are usually decorated with flowers and other offerings such as prayer bundles, where they stand naturally, or branches of the tree may be brought into the home to be made into birch-garlands. Other village communities have been known to send young men into their local forest to fell a Birch, “which the girls dressed in women’s robes decorated with bright ribbons and pieces of cloth.” (Johnson: 157).

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The Birch tree was then duly carried into the village, while songs were sung over it and the arrival of the Birch into the village was heralded by a ritual meal. This sacred effigy of the Birch was then erected in a specially made ritual house at the centre of the village, where she presided over the week’s festivities as a deity. This ritual is reminiscent of another Russian deity and powerful Sorceress called Baba-Yaga of a similar type to that of the Scottish Highlands, Cailleacch Bheur, whose nature is akin to Hindu Kali who lives in a ‘hut’, which stands on Bird legs amidst a Birch tree forest; whereby the Rusalki are as her faerie sorceresses.

Swimming during this week was strictly forbidden especially to for pubescent young girls and boys just entering maturity, lest Mermaids would drag the girls down to the river floor to make like themselves; while the boys are seduced by wet dream torments. Some folklorists have noted that the word Rusalka originally referred to the dances of girls at Whitsuntide. The word is conjectured to have been derived from the Greek, and that of ‘Rosalia’, the Latin term for Whitsuntide week, which originally meant ‘the festival of Roses’.

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The Rusalki ghost girls are seen to spend their time combing their long luxurious braided hair, where their power to be, playing amongst themselves, dancing circles to lure female seekers to their little deaths, drowning into trance so that to initiate them into their arcane pre-Christian mysteries, while the men they to seduce.

The Rusalki are also known for being spinners of webs, who hang the results of their labours within sacred trees, or to draw spirals upon banks near flowing waters, where anyone passing should be wary of stepping upon. The Rusalki are also known for being the spinners of ‘time’ and that of your fate, who possess the power to affect the lives of local inhabitants, they, “decided who died and who would be reborn, who prospered and who perished, who married and who would be barren.” (Hubbs: 33).

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The Amphibious natured Navki and Rusalki ghost girls are in essence a folktale memory of ancient priestesses of a matriarchal Religion, who were adept at trance (drowning) Induction. The Rusalki were very likely female Shamans due to their close proximity with other North-Central Asian Shamanistic traditions such as those found in Siberia. The coming of Christianity could not handle the elder focus upon a ‘feminine Inorganic Intelligence;’ but most especially in regards to the predatory sexual orientation of an alternate Grimoire listing Succubae, which made the Christian priests to go around Cross-legged, fearing that their manhood would be enticed into a deep moist Slavic maw, forever hungering of an all female Goetia.

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VAMPIRES, WALKING DEAD ZOMBIES AND GHOULS OF HORROR SHOCK X-FILES

Posted in Alien, Cosplay, Cyberpunk, Dystopian, Film, Goth Girls, Horror, Occultism, Science Fiction, Steampunk, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 30, 2015 by FAUSTUS CROW

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Aristocratic Vampires do not like rotting Zombies at all, whereas lowly Ghouls are the underworld minions of Vampires. As for Werewolves, their low-tech, back to nature Hippie ways, really pisses off the Gothic Vampires big time. The infernal pop-occulture interactions of these creatures of the night leads to many an intriguing tale to tell of a developing modern mythology. Their terrifying popularity of dark cultural conjurations is very likely a subconscious reaction to ever changing world events, as well as consciously coming to terms with rapidly developing technologies.

Another aspect of this modern mythology, which otherwise expresses its self via the genre of science fiction, concerns extraterrestrial alien Greys or ultraterrestrial reptilians and their hybrid creations along with men in black, who are seen to have bases under the Earth, or at its hellish core. These mythic viral-meme themes appear to be referring to futuristic technologies, such as the development of an artificial intelligence and genetic research, in one form or another, which many distrust; wherefore being subconsciously translated into mythologies involving demonic entities or aliens.

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For example, the recent scientific revelations about transfusions of youthful blood revitalising old blood, which in turn improves brain function and other physical abilities afflicted by aging, conjures up associations with the Vampire.

You would be hard pressed to believe that the scientific discoveries are only recent, since the ancient Vampire sums up the findings. You can then imaginatively conjecture of mythic conspiracy theorising that this technology has been around for a long time, and that an elite few, who have the financial means to do so, have utilised the blood science of the Vampire for themselves behind closed doors.

The elite are commonly seen to be a shadow government, who of a modern mythological theme have been translated into the Illuminati, whose myth has been interwoven into the Vampire mystique as well as science fiction aliens and their UFO’s.

The elite few, who are otherwise classified as being Vampires, would have to hide their blood science away amidst underground laboratories, as well as to weave an intelligence veil of a Masquerade around themselves. They would do so, since they see the rest of humanity as being dumb Zombies who far outnumber their Vampire elite.

When to be hypnotised by a Zombie flick, while eating copious amounts of popcorn and takeaway Pizza, you will note that a huge gathering of Zombies, are virtually unstoppable, unless you divide and conquer them or of a last resort nuking their undead hordes to thereby reduce their rotting population. Hence the Vampire elite have taken measures against the Zombies, such as dosing up their water supply and food source with hydrofluorosilicic acid, sodium fluorosilicate, and sodium fluoride, which are known neurotoxin and mutagenic compounds in order to systematically dumb them down.

This has been done because the Vampires greatly fear the Zombies becoming aware of their existence who have also looked into using biological warfare against the Zombies, should things really get out of hand of mass civil unrest.

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Another more passive measure, which the Vampires have used is that of subversive psychological warfare, this involves brainwashing many of the Zombies to believe in exotic cargo-cult belief systems, such as believing in demonic reptilians emanating from planet ‘X’ of a 1950’s science fiction movie scenario.

Those Zombies who sincerely believe in the engineered myths, are duly considered as being scum of the Earth conspiracy theory nutters by the other Zombies. Whereupon, the few Zombies who do get far too close to the truth are also tarnished with the same scum of the Earth nutter brush; this is quite handy, since the Vampire elite can also hide their high tech singularity behind the wrought UFO myth of a Masquerade.

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Being a Zombie can be quite monotonous, whose existence is none too dissimilar to that of a programmed automaton. Its programming stems from its religious indoctrination or via the relentless engineered media.

The Zombie goes through the motions of similarity to that of a servile serf who is chained to the tomb banks who secretly aspires to become a Vampire driving a Dragula. But, you have to be born a Vampire; for they are of the elite, who are a continuance of the aristocracy.

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The religious orientation of the Vampire elite is monotheist of theocratic centralism, which ties in with their New World Order politics lorded over by their jealous deity, behind whose smiley face is that of a fascist.

The fascist politics of the Vampire elite has always been feudal who utilise politicians as their puppets via whom they weave the Masquerade of Democracy or otherwise that of Communism, by which they then divide and conquer the Zombie masses.

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The elite few greatly fear their eventual demise, who, likened to Vampires have indulged themselves in financing the blood science of immortality engineering and other associated medical disciplines; much of which is being conducted in secret, by the enslaved Zombie scientists within their underworld labs. This is easy to accomplish, since the Zombies, whether they be scientists, or of the military, along with the police can be hypnotised by money, and thereby easily controlled, hence controlling all the other Zombies.

Whereby, should a Van Helsing Zombie and a Scully Witch X-File researcher team desire to find out if a Vampire Masquerade actually exists beyond the veil of subconsciously wrought myths, they would have to follow the money trail into the infernal depths. Although the Zombie X-File team would have to use a Witch-crafty route in order to avoid detection by the 72 Shemhamphorasch Fusion Centres of the Vampire elite. But where to start on this terror trail? The first bloody rung on the ladder of investigation would be the Ghoul trade in human body parts.

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The financial world wide crisis, which was engineered by the Illuminati Nazi criminals of Wall Street led to Europe experiencing a sparked increase in the trade of human organs, as Zombie families scrambled to put food on the table, whom the Vampire elite utilise for spare body parts. It sounds like something right of a science fiction horror flick; but its all crash and burn real.

The undead X-File team would note that the Ghoul black market for human organs, traditionally based in India, China, Brazil and the Philippines, is spreading to crisis-hit Western countries like Greece, Italy, Spain and poor Balkan nations, like Serbia.

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Vulnerable and impoverished Zombies are trying to sell their kidneys, bone marrow, lungs, corneas and of course their blood, which is spurred on by the internet. The Ghoul traffickers use the internet body part donors to fill the glut of a global shortfall for organ transplantation. This is made worse by criminal Ghoul gangs getting in on the act, who prey on war victims for body parts or otherwise preying on homeless Zombies, who mysteriously disappear off the streets.

The creeper X-File researchers will discover that the Ghoul trade has expanded into the US where, there have been numerous cases of poor undocumented Zombie immigrants selling their kidneys via websites such as Craigslist to get by: “Thanks to the global financial crisis organ trafficking is a growth industry,” said Jonathan Ratel, a European Union prosecutor. “Organized criminal groups are preying upon the vulnerable on both sides of the supply chain, people suffering from chronic poverty, and desperate and wealthy patients who will do anything to survive,” he said.

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The Vampire elite and those who have the monetary wealth will do anything to stave off death; whereupon you can easily fathom that a hierarchal Vampire Masquerade actually exists.

But the terror of such a dystopian realisation is too much for many a Zombie to consciously handle, whereby the horrific reality is otherwise subconsciously translated into a modern mythology of shadowy night creatures, which symbolically ‘mask’ underlying truths.

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But it isn’t too dark within the underworld, there is light at the end of the infernal tunnel, which of a singularity flame is to do with the rapid development of technologies, where the mythology of Cyberpunk reigns, whose coldness of cybernetic computer science has been humanised via the Darwinian symbolism of Steampunk; it is essentially a subconsciously wrought fusion of mythic genres, which is a way for the conscious mind to deal with the coming Future Shock.

It will soon be possible to have cybernetic implants, along with creating engineered (GDF11) Tru: Blood on an industrial scale as well as having 3D printed organs, which will enable many to far extend their lifespans, of science fiction becoming fact. However, it will take time for this to occur of a Vampire technology becoming widely available to the Zombie masses. But it will still cost… money, which, like blood, you will need a lot of it, to pay for an extension of your life to become a nigh immortal Vampire.

As for the present, the old ways of the Vampire are still a reality; so, if you should ever meet up with a seductive Hungarian woman in a Goth club looking like Vampira, who says her name is Elizabeth Báthory de Ecsed, claiming she is a Countess, you had better watch out for her ‘syringe.’ This is especially the case if you are a woman, unless of course, you desire to become her drained Blood Doll; if so, charge her lots of money for the sucking, you will need it for the coming Future Shock singularity.

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VAMPIRE FEMME FATALE COUNTESS BATHORY

Posted in Chaos Magic, Comics, Film, Goth Girls, Horror, Occultism, Sorcery, Succubus, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2015 by FAUSTUS CROW

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Should you be seeking for a very real blood worshipping Vampire all you have to do is to look into the life story of Countess Elizabeth Báthory de Ecsed. (Báthory Erzsébet in Hungarian, Alžbeta Bátoriová in Slovak).

Báthory was born on the 7th August 1560, who died on the 21st August 1614. She was a Countess of the renowned Báthory family, who were of the Hungarian nobility.

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Báthory has been historically labelled as being the most prolific female serial killer in history, who murdered her victims specifically for their blood, which is a historical fact.

Her story is far stranger than Bram Stoker fiction. Although the number of her gruesome murders is debated, since most of her victims were peasant girls.

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Missing peasant girls were not considered to be important at a time when the general populace were treated as mere cattle by the aristocracy.

Hence Báthory could have murdered many more girls, who are not known about. She is remembered as the ‘Blood Countess;’ who was essentially a Vampire.

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After her husband Ferenc Nádasdy’s death, Báthory’s heinous crimes came to light; she and four collaborators were accused of sexually torturing and killing hundreds of girls. One witness attributed to them over six hundred and fifty victims.

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Although the number for which they were eventually convicted was eighty, since the numerous Blood Doll peasant girls were considered to be unimportant.

However, those victims who were of noble families brought about the invariable downfall of Báthory. She herself was neither publically tried nor convicted due to the aristocratic influence of her family.

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During 1610, Báthory was eventually imprisoned within the fetid guts of Csejte (Čachtice) Castle, (now in Slovakia), where she remained bricked up within a set of horror rooms until her death four years afterwards.

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Later writings about the case have led to legendary accounts of the Countess bathing in the blood of virgins, which of an evocative, though nightmarish image is none too dissimilar to femme fatale Cleopatra bathing in milk.

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Perhaps Báthory had got the beauty treatment idea, to twist all out of shape from Cleopatra, or to have otherwise derived it from some ancient Egyptian rite via a gnarled old Necronomicon Witch she had in her employ.

Whatever the case, Báthory has earned the names Blood Countess and Countess Dracula. However, she is not by and large known about by the general public.

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Most people commonly associate Vampirism with the historical personage of Vlad III, Prince of Wallachia (1431–1476), also known by his patronymic name Dracula (son of the Dragon, after his father [Vlad II] Dracul). He was posthumously dubbed Vlad the Impaler, who impaled his enemies as a terror tactic, when warring against the Ottoman Turks. Whereas Báthory engaged herself in all the unsavoury horrifying practices you would associate with a Vampire, let alone indulging in ghoulish cannibalism.

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You can thereby determine that Báthory is a real Vampire, not Dracula, who did not come anywhere close on the Vampire scale. When Dracula is compared to insane Báthory, he appears to be quite normal; although psychotic, of similarity to a darker version of Robert E. Howard’s warrior character of Conan, merged with a crusading Solomon Kane.

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Yet it is Dracula who is considered to be a Vampire, which is mainly due to Bram Stoker’s synthesis of a fictional tale, which transformed the ghoulish Eastern European Nosferatu of a bloodsucking Zombie into a suave seductive character of Vampire romanticism.

Stoker’s work of Victorian fiction was primarily aimed at a female audience to impale, who at the time were infatuated by becoming entered unto by spirits, whose entrance into their quivering frames induced orgasmic possessions, while engaging in necromantic spiritualism, conjuring up bad-boy Incubi.

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As for Báthory, she was quaintly forgotten. But then that is because she is a woman, who of course does not make other women swoon over her, unless they are sexually predisposed to their own gender. If such had been otherwise the case, Báthory would have eventually evolved into becoming an archetypal Twilight sensation of Hollywood Vampirism.

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However, you presently have Alpha male type Chippendale hunks strutting their Gothic stuff, baring plastic Dracula fangs over the palpating breasts of yearning maidens amidst Twilight grottos. In order to prove the canine point, you only have to look at all the adoring female fans of machismo Vampires populating the books of Anne Rice.

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It is the female fans who have empowered the mystique of Stoker’s Dracula. But if the truth be known, it is a woman who actually had the very real incisors ripping through jugular veins.

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Researchers at the University of British Columbia have confirmed that women dig the psychotic bad-boy, of a Vlad Dracul impaling his victims, which crosses all cultural boundaries of a genetic imperative. Men, on the other hand were found to prefer women who are just plain happy with a sense of humour.

Although many males have an underlying fear of powerful femme fatale women who are very much aware of their sexual power. Though also Vamp attractive, likened to Vampira unto Elvira, it becomes entirely unattractive, when coupled with mass murder conducted by a predatory female Vampire; it tends to sexually turn a lot of men off big time. Let’s say, you have some bloke who says he gets a hard on, when to fantasise about female mass murderers, you might just say he has a… mental problem.

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Hence a female Vampire of an icon has not made her celluloid mark on Hollywood’s billboard. Although there have been a few female Vampires haunting the media as Succubae; but they are quickly labelled as sexually exploiting women by the politically correct feminists due to their spray on Vampirella costumes.

As for a predatory male who is a mass murdering psychotic Vampire, he appears to sexually turn the women on big time with his glorified necrophilia, which has enabled Stephenie Meyer to reach the publishing heights with her grey area Vampire books for screaming teenage girls, who also have a Twilight liking for Werewolf bestiality and Fifty Shades Of Grey Christian bondage.

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Whereby Hollywood sees the Alpha male Vampire as being a business asset. This is especially the case, since the underlying feminine attraction to a male Vampire, is not only because he is a very bad-boy beast, but also because he can offer her immortality. Hence she will never age when bitten within his embracement of Satanic darkness to then enter unto his Occult night as the forever youthful.

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Báthory greatly disturbs women in general; for Báthory reveals the darker side of woman’s nature, more so the fear of crippling old age, which numerous cosmetic applications cannot ever eliminate; while Báthory sought to otherwise keep old age at bay by bathing in the slit throat essence of Blood Dolls bubbling in her Witches cauldron of a bath.

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So, if there be any Anne Rice or Stephenie Meyer clones out there who are seeking out a real Vampire, look into a sunlit mirror, wherein you will see your own reflection of a Countess Elizabeth Báthory de Ecsed looking back at you, of a following shadow.

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