Archive for schoolgirl witch

SUCCUBUS SCHOOL OF THE DARK ARTS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , on March 17, 2016 by FAUSTUS CROW

Within the Da’at realms of the symbolic interface of the dream, St Lilith’s Harem School of the arcane Arts can be found.

Wherein of surrealist ideas, the Succubus Art Muses of an alternate Goetia, await the dreaming Artist to penetrate their hypnagogic hymen veils, which to veil their planetary Chakra spheres of a pyramidal school hierarchy.

When lucidity is attained within St Lilith’s Harem Art School, the dreaming Artist can then conjure up a chosen Succubus Art Muse  of an ‘Anima’ fluctuation to pose for him amidst his Triangle Of Art imagination.

Such would require the sorcerer Artist to have prior painted her form of meditative artistry, who, being the creator, is her God, whom to thence to visualise the veiled door of the Succubus seal, at the hypnagogic point of sleep.

The seal of the Succubus Art Muse will determine the nature of the classroom world, and that of its lessons, the dreaming Artist will penetrate of internal ingress.

But beware; for the predatory schoolgirl Succubae be St Trinian wise in Chaos Magick, whose wanton witchery goes far beyond Hogwarts schooling.

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SUCCUBUS SCHOOL OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 26, 2015 by FAUSTUS CROW

Within the astral domain of the dream the Succubus school of St Lilith’s can be found, when to become lucid of awareness; wherein a dreaming sorcerer can thence conjure up an Owl eyed Succubus schoolgirl from out of her hierarchal planetary abode of a Harem school, as his Genie. (CLICK On The Images To See The Full Artwork.)

St Lilith’s is none too dissimilar to Hogwarts merged with St Trinian’s; more so that of St Trinian’s, which is an anarchist boarding school for wayward lost girls, whose archetypal creation was conjured up by the English cartoonist Ronald Searle. St Trinian’s later became the subject of a popular series of comedy films of a mass-mind focus.

The first St Trinian’s cartoon appeared in 1941, but shortly afterwards Searle had to fulfil his military service.

He was later captured by the Japanese, when Singapore fell and spent the rest of WWII as a prisoner of war where he endured various horrors in the jungle.

After the war, during 1946, Searle started creating new cartoons about his St Trinian Muses, but the content of his cartoons was far darker in comparison than those previous to his experience of war.

St Trinian’s is essentially the antithesis of the Enid Blyton or Angela Brazil–type posh girls’ boarding school, which of a quaint mind-set swept the horror of war under the carpet.

Like the Dadaist Succubae schoolgirls of surrealist St Lilith’s, the female pupils of Searle’s St Trinian’s are wild and most wanton, who are often well armed with their elemental weaponry, where the currents of Chaos magic is rife.

The St Trinian schoolmistresses are also disreputable, who are otherwise depicted as salacious Nightgaunt Nuns in St Lilith’s, of whom H.P Lovecraft spoke of tickling his midriff; although his puritanical fear of sex, had transformed their planetary sphere visitations into nightmares, he never learnt to ride as his Chakra Mares of the Night.

Searle’s politically incorrect St Trinian cartoons often showed the exquisite corpses of girls who had been transformed into Voodoo dolls, stabbed with pitchforks or had otherwise succumbed to violent team sports, which is of similarity to St Lilith’s Rollerball Quidditch matches.

The Succubae schoolgirls battle with one another in order to hone their Witchery, so that they can be immortalised as two-dimensional illustrations within a sorcerers grimoire, out of which they are then conjured into three-dimensional reality, within a lucid dream.

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The fallen schoolgirls of St Trinian’s sometimes had vultures circling over their exquisite corpses scattering the surrealist battlefield around Searle’s wounded memories of war; who, like knitted together Frankentein Tulpa Ghost-Girls, returned of haunting, drinking, gambling and smoking like Valkyries in their all girl version of a hallucinogenic Valhalla.

It is reputed that the now iconic gymslip style of dress worn by the St Trinian girls was closely modelled upon the uniform of the school that Searle’s daughter Kate attended, being JAGS in Dulwich. The films, which ushered St Trinian’s into the collective unconscious as an archetype implied that the girls were the daughters of underworld gangsters.

The father’s of the St Trinian girls are depicted as crooks, shady bookmakers, and other streetwise types; while their institution is often referred to as a female borstal.

Whereas, the Succubae schoolgirls of infernal St Lilith’s are the salacious Genie daughters of the patriarchal Goetic Daemons, you to find of a common ‘Animus’ fixation.

(Although crafty Sorcerers assume the guises of the raging Buddha male Daemons as their magical personas, and each magical persona of a raging Buddha Avatar is empowered by a corresponding schoolgirl Dakini. It is well known that women have a preference for Fifty Shades Of Grey Bad-Boys, and it is likewise the case with the archetypal Succubus fluctuations of the ‘Anima.’)

But the daughters are truly of the fallen, who have been castigated out of the grimoire picture; wherefore, the real Necronomicon lists them as being the ‘Great Old Ones,’ no one really talks about of Entartete Kunst ‘Anima’ fluctuations, since they are far too politically incorrect of the very risqué.

If you are interested, you can indulge in betting upon a Succubus Schoolgirl Witch Fighter in a FLASH GAME: CLICK HERE.

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THE NINTH GATE BIBLE BLACK SUCCUBUS BOOK OF SHADOWS

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2014 by FAUSTUS CROW

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The Multiverse, Meta-Universe, or Metaverse, is symbolically represented as the Tarot card of the World XXI, The World card describes a set of multiple possible universes, including your own macrocosmic universe, which together comprise everything that exists.

In shamanic practice the multiverse is symbolised as a World-Tree, upon which the ancient Norse shaman deity called Odin hangs into (Da’at) trance. The tree of worlds in Norse mythology is called Yggdrassil. The Yggdrassil world tree encompasses a myriad number of parallel universes, within which exist alternate worlds. The world tree of Yggdrassil is described in mythology interlinking nine worlds. These nine worlds can be otherwise seen as being nine states of consciousness or dimensions, a Tibetan Buddhist would call Bardo’s.

In Tibetan Buddhism, the nine Bardo’s are experienced as being seven visionary states followed by an inner experience of the primary and a secondary clear light. The Bardo visions are described in detail within the Tibetan (book of the dead) Bardo Thodol, you can equate with the ‘Bible Black’ book to otherwise name as the: De Umbrarum Regni Novem Portis (‘Of the Nine Doors of the Kingdom of Shadows’).

The nine Bardo’s are associated with female entities called Dakinis, a Norse shaman would call Valkyries. In medieval Europe the Dakinis/Valkyries would be seen as being (Succubi) Succubae. The Dakinis are also known in Japan as being Fox spirits called Kistsune, whose Geisha symbolism over time has been transformed into the schoolgirl fetish found in Manga and Anime.

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The anthropologist and author, Carlos Castaneda also described female entities in his books. Castaneda called the female entities Allies, who frequent an inner reality he termed as Penumbra. The World-Tree can be internally experienced, within the symbolic realm of the dream, as being a vast penumbra school of a Lilith’s Harem.

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The vaginal star barrelled hallways of the inner school are all as (Vesica Pisces/World Card XXI) mini wormholes leading to a myriad number of classes, which are as alternate worlds existing within parallel womb universes, you can term as Lilith’s Harem.

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The shamanic model of the World-Tree was utilised by the Cabbalists for their Cabbala, which explores the inner realms of the microcosmic and the outer experience of the macrocosmic universe. Underlying each macrocosmic universe is a microcosmic template reality, which can be accessed via lucid dreaming.

It is therein of the microcosmic dream you can find the Nine Gates. Your electron dreams are suffused by the bio-photon of Diana-Lucifera, which emanates from the mitochondrial serpent DNA residing within Satana mitochondria.

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The mitochondria is passed down from the mother to her children. Hence the bio-photon dream characters you encounter within the inner school of a Hogwarts, have a female St Trinian source.

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Wherefore the dream characters manifest as Nightgaunt Nuns, all as planetary sphere Valkyrie mistresses, who govern over their corresponding Witch legions of Succubae schoolgirls to be verily listed and illustrated in your Dakini Daemonicon of an ‘Art book’ Goetia.

The mitochondria is your Bible black book of a De Umbrarum Regni Novem Portis, to read via electron dreams, rare of Diana-Lucifera illumination.

“One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.”
― Salvador Dalí

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I: KETHER: At the beginning of your journey, along the path, you start with a point, which has no dimension. Like the point, we know from geometry class, it has no size, nor that of dimension.

It is just an imaginary idea representing pure consciousness, which indicates a position in a system. The point is to be amidst a sorcerers magic circle to make of secret operation, to know, to will, and to keep silent. Then you have the first dimension.

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A second point, can then be utilised to indicate a different position, but it, too, is of indeterminate size. To create the first dimension, all you need is a line joining any two points. The first dimensional object has length only, no width or depth. This leads you to the circle, like that of a moat encircling a castle of thoughts to yet build of a temple. It is here that you draw your magic circle of a universe to mark out of operation, around yourself, of a point of consciousness.

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II: CHOKMAH: If you take your first dimensional line of a thought, and then draw a second line crossing the first of an associative thought process, you have then entered into the second dimension. The thought object being thusly represented, now has length and width, representing thought, but as yet no depth. To help you imagine the higher dimensions, visualise the second dimensional object being created using the second line, which, by association, branches off from the first thought to another thought.

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It is here that the sorcerer divides up his drawn magic circle into four quarters, indicating length and width, which be the foundation of his house, to build upon the conceptualised temple of an architectural two dimensional mandala to thence alter of altar. He then has the cerebrum keys to enter the door of an ordered mind, guided by his instinctual mammalian brain self of a loyal cerebellum dog, which is to be illuminated by the light bearer, Diana-Lucifera, whom burns brightly.

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III: BINAH: The third dimension is your experiential reality. It is the domain of memories. Your memories are sensory impressions, which of an external impression have length, width and height when remembering them. Let’s imagine a gnarled magician meditating upon a Cabbala tree depicted in his grimoire. The magician is quite unaware that his three dimensional reality is in fact a two dimensional computer simulation. The magician’s video game life is being observed by a schoolgirl Succubus on her planetary sphere classroom monitor. The magician’s reality can be easily manipulated when he conjures a schoolgirl succubus within his dream, who proceeds to fold his Cabbala tree down the middle, creating a ‘bridge.’

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By doing so, she can abduct her chosen magician from his initial position, to thereby instantaneously transport him to another location upon the tree, within his simulated reality. You can imagine that the schoolgirl Succubus did this by taking a two dimensional object and folding it through the dimension above, which is her third dimension. Once again it will be more convenient to imagine higher dimensions, if you can think of the third dimension in this way. The third dimension of memories, is as mentioned, what you fold through of a ‘bridge,’ to cross from one point of thought to another in the dimension below it, via your Triangle of Art imagination.

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IIII – IV: CHESED: The first three dimensions can be described with these words, length, width, and depth. As for the fourth dimension, it is duration. Imagine drawing a line from the one moment ago self, to the present self, you will then see all those moments in the past, being comprised along a line, likened to a long undulating snake of a film-strip winding its self through a maze of experiences, connecting your embryonic self and your deceased self.

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You only see the cross-sections of your present existence moving forwards in the third dimension. Whereas your fourth dimensional self is like a snake, linking both past and future. It is here that a sorcerer may speak of past and future incarnations, of passed down genetic memories, as well as experiencing precognitive phenomena via his conjured up Succubae schoolgirls, a Yakut shaman would call Abassy. What has appeared to have happened by chance, is not chance at all.

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V: GEBDURAH: In the third dimension time appears to move forwards of linear duration, from past to future. But the line in the fourth dimension is actually like a Möbius strip, twisting and turning in the dimension above. The long undulating snake of a self, will feel as if it is moving along an infinite straight line within the fourth dimension.

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But, the snake self in the fifth dimension is actually eating its own tail; where time is circular of an Ouroboros, ever recurring, of counting through your experiences of accumulated wealth, over and over again of a life review. It is here that a sorcerer will experience a sense of déjà vu, and to also realise via the conjuration of the Succubae schoolgirls, that precognition is actually a case of remembering what has occurred many times of an eternal return.

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VI: TIPHARETH: In the sixth dimension the sorcerer becomes aware of alternate closed-timelike-curves of an Ouroboros to know of other fourth dimensional sequence of events. But in order to access another Ouroboros of a possibility within the fifth dimension, the sorcerer has to sacrifice his older self amidst his prior Ouroboros to do so.

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This requires transforming his two dimensional thoughts and three dimensional memories of symbolic alchemy, by utilising the fiery sword of his Artistic intent. Wherefore the sorcerer evolves his one dimensional consciousness, where the tenth (Malkuth) dimension, reduces back to the first (Kether) dimension, one and the same. It is here the sorcerer experiences synchronistic-feed-back-loops of phenomena via the conjured up Succubae, which will allow him to trance slide into alternate closed-timelike-curves.

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VII: NETZACH: The fourth dimension can be imagined by taking the dimension below and conceiving of it as a single point. The fourth dimension is a line, which can join the universe as it was a moment ago to the universe as it is right now. The biggest picture possible is the fourth dimension is a line, which joins the big bang to one of the possible endings of the universe. As you enter the seventh dimension, you are about to imagine a line, which treats the entire sixth dimension as a point.

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To do that, you have to imagine all the possible closed-timelike-curves being played of a chess game, which could have started as a big bang, joined to all possible endings of your universe, and treat them all as a single point. Whereby a point in the seventh dimension, would be infinity, where all possible closed-timelike-curves are played out, which have occurred, and to reoccur from a primary Bardo big bang. It is here a sorcerer quantum dreams of alternate histories via his conjured Succubae schoolgirls, who may initiate the rare experience of physical time-slips into alternate Earth’s.

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VIII: HOD: How can there be anything more than infinity? The answer to this is, there can be other completely different infinities created through initial conditions, which are different from the big bang of your universe. Different initial conditions create differing universes where the basic physical laws, such as gravity or the speed of light, and therefore the wheel of time, are not the same. The resulting closed-timelike- curves from another universe’s beginning to all its possible endings will create an infinity, which is completely separate from the one, which is associated with the Ouroboros of your universe.

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So the line you draw in the seventh dimension will join one of these infinities to another. If you branch off from the seventh dimensional line to draw a line to yet another infinity, you would be entering the eighth dimension. It is here a sorcerer might experience a rarity of being carried into another reality by the Nightgaunt Succubae, where time is very different. Such a scenario may lead to the sorcerer not being able to return his ‘head’ back to the same reality he had initially left.

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VIIII – IX: YESOD: A sorcerer can quantum leap from one point in any direction by simply folding his consciousness through the dimension above. This is achieved through trance and lucid dreaming, where his consciousness is smaller than any known particle. Whereby, a sorcerer can tune into another reality via the conjuration of a dimensional sphere Succubus, from out of his Bible black grimoire, when attaining lucidity, within the microcosm of the Da’at dream.

A sorcerer can thereby slide from an eighth dimensional line into another infinity when he penetrates a Succubus of a ‘Ninth Gate;’ hence he is enabled to slide as a Serpent Dragon (Great Beast) through her (Da’at) Stargate of a Babalon Vesica Pisces into another universe parallel to his own.

“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”
― Salvador Dalí

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HOGWARTS PORNOGRAPHIC NECRONOMICON SHOPPE

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Goth Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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A BANNED HARRY POTTER OCCULT PLAY STARRING BABALON WITCH HERMIONE.

SETTING: Diagon Alley is a fictional Harry Potter high street located in Londonium. It is only accessible to the Wizarding world, to which it is something of an economic hub.

Although it is hidden away from mundane Muggles (non-Magickal folk). Muggles are only allowed access to it, if they need to accompany their Muggle-born Moon-Children. If a Wizard or Witch needs something, chances are that it can be found in Diagon Alley.

However, the Diagon Alley of this arcane sketch is that of an alternate reality version, which is none too different to the red-light district of Londonium’s Soho. Imagine for now, the camera panning in to follow the predatory catwalk of Babalon Witch Hermione, who is of the house of Slytherin.

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She has raven pitch black hair and emerald green fire eyes. Although as a strawberry blond with delectable hazel eyes, she is very, very naughty; and as you know, blonds know how to have lots of… fun.

Anyway, Babalon Witch Hermione looks like a dangerous Goth girl sex vamp, who is dressed of similarity to a St Trinian’s sixth-form Catholic schoolgirl femme fatale Lolita. She is also followed by her pet familiar of a fluttering vampire Bat.

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As Babalon Witch Hermione is tracked by your Illuminati third eye of a camera, you seer her to go through a Vesica-Pisces doorway into a seedy pornographic shoppe, which sells banned Necronomicon Grimoires.

Your remote viewing camera eye then cuts to the inside of the shoppe where you seer an untidy room with a large oak counter of an altar, and old dusty Grimoires on shelves lining the cracked walls, along with varying magickal paraphernalia.

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The Grimiores on the bottom shelf are of the usual Llewellyn worldwide fare, whose subliminal meme covers depict medieval Gothic and New-Age Native American Shamanistic imagery. As for those Grimoires on the top shelf along with their accompanying Tarot cards, they are seen to be covered by a heavy black cloth.

You will seer three drably dressed Masonic Wizards, who are seen to be thumbing through the bottom shelf Grimores. A fourth Masonic Wizard is flamboyantly dressed, who is called Mr Priestly Pope. The three Wizards are wearing dirty Tau-shirts, on each is depicted a particular animal, a Lion, Eagle and a Bull.

Behind the counter is a sorcerer dressed in a smart black suit, wearing a black fedora hat whose name is Faustus Crow.

The three drably dressed Masonic Wizards are very perturbed by the sudden, almost brazen entrance of Babalon Witch Hermione. The three Masonic Wizards nervously back off into the shadows, who fear Babalon Witch Hermione discovering what they are furtively up to under their soiled Freemason aprons. The fourth Wizard appears to be oblivious of her presence.

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Babalon Witch Hermione makes the sign of the ‘Horns’ at the four Wizards as she seductively passes by them; while to expertly ‘Blow-Job’ a hot ‘Boaz and Joachim’ scarlet bubblegum bubble, which bursts with an explosive pop, as she walks between two ‘towering’ pillars! Babalon Witch Hermione confidently goes straight to the altar of a counter, upon which she coquettishly leans, before making her inquisitive enquiry of the shoppe owner, Faustus Crow.

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BABALON WITCH HERMIONE: Excuse me Mr. Do you have any ribald, risky tomes, illustrating hunky Incubi, by any chance? All 72 of them have to be, sweaty and macho, exuding fusion centre testosterone, through every patriot act astral pore, both police state Angelic and Demonic. The tomes I’m into have to be liberally sprinkled with arcane ritualistic formulae, and accompanying viral meme sigils, to conjure my desired Incubi.

(Her words are spoken seductively while staring intently at Faustus, whom she is hungrily eyeing up.)

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FAUSTUS CROW: Of course Madam. You can find such Grimoire’s, which will fulfill all your lustful requirements on the bottom-shelf of widely available brainwash fare. Those tomes, both ancient and modern, have been officially endorsed by the top homophobic theologians, misogynistic demonologists and Inquisitional closet-homosexual exorcists of the Vatican; as well as by many a persecuted Cabbalist, fundamentalist Dervish and anally retentive Western occultist, who practice the high art of ritual Magick. Such in turn to make piles of Mammon money out of their published works. Hence these Abrahamic authors have big Swiss bank accounts, just like their lacy Pope, which impresses the Illuminati Hen’s. But then, it is the Hens who actually rule the roost of the World, laying golden LAM eggs.

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BABALON WITCH HERMIONE: I hope you don’t mind me asking you this question, ever so kinky. But, how can I make these astral Chippendale hunks of machismo prowess, do my every temple bidding, as my pet Incubi sex slaves? I mean, if Solomon could get the Incubi to enter unto his royal behind, how can I get them to likewise enter me, as my very familiar… familiars?

(Giggles naughtily.)

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FAUSTUS CROW: Well. Madam, like many a Ritual Magician to do, you have to constrain the Incubi into bound bondage, by torturing their Spirit seals, to whip and flagellate. Or to rip apart, or burn within your sacred censer made of brass. It be akin to torturing them within the sadomasochistic torture chamber of your fetish imagination. Whereby you will become as a leather clad dominatrix of a mistress, to make your familiars lick your Venus in Fur’s stiletto heeled boots. They will then become all servile of Solomon’s slaves, bound to your true Sheba will, amidst your wrought Magick circle.

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BABALON WITCH HERMIONE: That sounds ever so exciting. I relish the thought of torturing hunky Angels and Demons. Forcing these Incubi to fulfill my every delicious wish. Making them manifest into ethereal flesh, as my most servile pet familiars, to whip into shape. It makes me ever so… wet. But, what do I have to do in return for such favours granted unto me, by such masculine divinities, all as Solomon’s slavish Genies?

(Lustfully enquires, full of mischief, acting very coquettish.)

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FAUSTUS CROW: My Dear Madam, such a question is as obvious as your pretty little feminine nose to know. Like their temporal counterparts of many a beast, they only do as you ask of them, if they can enter their stiffened Athames unto your moistened chalice, betwixt your kicking legs. Whereby you to thence engage in a sexual pact of Tantric interaction with the Angelic and Demonic fluctuations, of your internal Animus. In other words, if your Incubi do not do as you bid them. Then they don’t get any conjugal night time nibbles, of your gifted sexual energy, to go explosive of multiple Orgasms!

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BABALON WITCH HERMIONE: Oh Wow! Can they really induce Loudun Nun multiple orgasms?

(Lustfully giggles.)

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FAUSTUS CROW: Yes indeed Madam. On a regular basis, around the circadian rhythm clock of the blood Moon phases. Such to orgasm occur when you Shekhinah dream lucid of their carousing Sabbat visitations, betwixt and between a good-cop God, and bad-cop Devil, for you, and your receptive receptacle Sisters in the Ursuline Hood, to also intimately know.

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BABALON WITCH HERMIONE: Yummy!

(Hermione’s lustful eyes become as burning green embers; while licking her painted scarlet lips, at the thought of engaging in Orgiastic Sabbat delights, of astral hedonism. As Hermione plans her next move on Faustus, Mr Pope Priestly, a rather well groomed male approaches. He is wearing a flamboyant pink shirt, framed by a white Masonic suit, looking like an Aleister Crowley look-alike, of large physique, bald head, sporting a monocle, holding a pink walking cane. Mr Pope Priestly suddenly interjects into the conversation.)

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MR POPE PRIESTLY: Hello my dearest, dearest sweetest Boy! Sorry to intrude of intrusive intrusion. Pray tell; do you have a… leather… bound copy of Aleister Crowley’s Illustrated Goetia and The Book Of The Sacred Magic Of Abra Melin The Mage. I am also interested in copies of the Luciferian Goetia and the Satanic Bible as well as any tomes published by Scarlet press, Starlight and Finbarr?

(Widely smiles of fluoridated Holy-Wood whitened teeth.)

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FAUSTUS CROW: Yes, indeed! Just look to the bottom-shelf. Such Necronomicon tomes listing Incubi are our most popular Grimoires, as ever, of a continuing Abrahamic indoctrination. But if you inform me of your Magickal intention, then, I might be able to help in shepherding you to the correct Sheep pen, of a work sought for.

(Mr Pope Priestly becomes emotively poetic and rather thespian theatrical, of flamboyant gestures. It appears as if he is anally possessed by Aiwass, and enjoying every moment of his possession, while he mediumistic channels grandiose prophecies via his Goetic Incubi.)

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MR POPE PRIESTLY: My dearest Boy, I seek to become as King Solomon, to bind the patriarchal Spirit muscle, both heavenly and infernal to my divine Will. ‘Do What Thou Wilt Shall be the Whole Of The Law.’ Love Under Will, my Brothers all, of the Great White Brotherhood OTO Lodge; gathered to me as my gay sons of fairest Lucifer light. I endeavour to attain the most glorious Bornless Self androgyny of the hermaphrodite master of the Solomon’s temple. To forthwith rapidly usher in the new rainbow Aeon of the sodium fluoride dosed up metrosexual man, who are rapidly becoming little-pony Unicorns, and all having no gender. Amenta!

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FAUSTUS CROW: AHA! All of the bottom-shelf tomes will aid you in your great bottom work of advertising your inflated Ego.

(Mr Pope Priestly hurriedly minces off to the bottom shelf all eager to find his desired Grimoires, with his ridden back side up in the air. Babalon Witch Hermione whispers to Faustus Crow, out of earshot hearing range, of Mr Pope Priestly.)

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BABALON WITCH HERMIONE: Just out of curiosity; I hope you don’t mind me asking you this, perhaps, rather untoward of question. But, do you invoke and evoke Incubi Angels and Demons, Mr?

(Flirtingly giggles acting very coquettish.)

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FAUSTUS CROW: No Madam. My personal Tantric preference is that of the top-shelf triple X banned Grimoires. The top shelf tomes list all female Succubae both Angelic and Daemonic of Anima Witch. These Succubae I to bind around my erectile Dragon, ascending forth from amidst the amniotic dream waters astral, of seven Chakra lingam heads, crowned by ten Yoni sephiroth dimensional crowns.

BABALON WITCH HERMIONE: Are you saying of arcane revelation, that there is an energetic sexual dynamic involved in Spirit conjurations. Likened to Yin and Yang, Sugar and Spice?

(Coquettishly enquiring.)

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FAUSTUS CROW: Yes indeed. A sweaty Incubus enters unto a sugar plum Witch of a Shekhinah receptacle. Whence she to prophesy as an ecstatic Seidr Seeress. While a Yang Magician enters a Yin Succubus. As a Man would do a woman, who receives his ejaculated seed, of an emotively charged orgasmic mantra, Word Spell, uttered unto the microcosmic Yoni void, of her ever hungering womb dream. Hence, fertilising the spun Succubus into birthing the macrocosmic synchronistic flesh, of his desires. However, if the Magician is otherwise sexually orientated of choice, he can take on the Shekhinah role of the receptive feminine, to thereby be possessed by an Incubus. Whereupon he becomes an effeminate Biblical Prophet dallying with Animus Angels and his God, let alone that of Demons and his Devil, to placate with his OTO anus.

(Babalon Witch Hermione looks up at the top shelf. She notices a heavy black cloth of a shadowy veil. The cloth is embroidered with an Inverse pentagram, which is covered with accumulated dust. The cloth is covering a number of bulky tomes, upon a buckled black Yew shelf. She is full of Lilith curiosity, her intense feline eyes like Cat slits!)

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BABALON WITCH HERMIONE: Why are the top-shelf triple X Grimoires all covered up? Are they Evil books of the fallen Apple?

(Hermione’s Slytherin eyes look intense, hypnotising Faustus to surrender his soul to her seducing Witchcraft, of a long serpentine tongue hungrily licking her scarlet Lilith lips, at the thought of eating Eden’s rotten Apple!)

FAUSTUS CROW: Evil; Hell No! Such pentagram silver star works, I to have illustrated and written, of serious Apple core Sirius, which are part of a most secret tradition. Such works of the fallen Anima have been systematically persecuted and nigh eradicated by the cults of the deified Animus for over 2000yrs. Whereupon you do not see any Grimoires, whether they be ancient or modern, listing Succubae to conjure, until I created them.

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However, many a feminist Nun considers the triple X top-shelf Grimoires to be rather sexist of left-hand-Job pornography. Their judgement is a rather curious state of affairs; considering that the extremist feminist Nun’s have so many Angelic and Demonic Incubi to Right-Hand play with, of secretive masturbatory trysts within their church cells. The sisters in the hood are the ones who created the Animus fixation upon their fatherly God and Bad-Boy Devil egregore, or to crucify a castrated Good-Guy Christ for the Hell of it.

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BABALON WITCH HERMIONE: I must say; you are a very Naughty Old-Goat!

(Her eyes are full of lustful mischief, while looking coquette, as if butter wouldn’t melt in her hot bubblegum sweet mouth.)

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FAUSTUS CROW: And you my dear are a very salacious little Babalon of a Witch. May-haps you would like to join me for dinner this midnight eve Sabbat, of thirteenth hour, at the Skull and Crossbones inn of trance dance delights?

BABALON WITCH HERMIONE: Only if you to most deeply teach me how to conjure Succubae. For I must admit; I swing both ways within the lonely dormitory of my lusting Imagination, to be now impatiently stirred by your mastery, which I most desire, of yearning passion to know of your Dragon to ride.

(Hermione leans seductively over the altar of a counter towards Faustus; her feline eyes burning lustful.)

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FAUSTUS CROW: Agreed of pact, to verily seal this night; for my Goat horns do ache for your petite Virgin hand, to stroke them. Thence to arouse the third erect, in between; to be verily bloodied of horn, when to penetrate thy Ninth-Gate hymen veil, of thine moist Shadow Kingdom, to enter unto.

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BABALON WITCH HERMIONE: You are a very, very Bad-Boy of a Great Beast indeed. I know, let’s go and watch Fritz Lang’s Slytherin classic, Indian Tomb, before we shed our Skinwalker skins, in your Sultan’s palace.

(Dirty smile and lustful girlish giggle.)

(This banned Harry Potter episode was somewhat inspired by Monty Python’s ‘Pornographic Bookshop’ sketch, which was featured in the Flying Circus TV Show – Episode 36, which of numerology is verily reduced down to Nine of ‘Ninth Gate’ should you be into Masonic Monty Python conspiracy theories out of Polanski’s Animus fixated Holy-Wood.) 

NOTE: It is within a lucid dream, the dreamer can then consciously conjure (Succubi) Succubae, the psychiatrist Carl Gustav Jung would term as being manifold archetypal aspects of the Anima. The counterpart of the Anima is the Animus.

Physical life is geared towards procreating in order to transfer genetic material, which ultimately engenders evolutionary leaps down the generations. The Anima and Animus are bio-psychological functions, which heavily influence your choice of prospective partners.

Wherefore the Anima and Animus are very much part of the process of evolution. However, the influence of the Anima and Animus are not constrained to determining your choice of physical partners.

The Anima and Animus can also facilitate evolutionary leaps of consciousness when internalised of lucid dream encounters.

NOTE: The classical conjuration of spirits in the Western tradition involves a practitioner conjuring up entities, which are described as being all male, who are seen to be separate personalities from that of the practitioner’s own personality.

When you otherwise investigate Tibetan Buddhism, whose practices involve ancient shamanistic techniques, the conjured spirits a male practitioner conjures up, are not only seen as being separate personalities, they are also considered to be as yet unknown (Daemon) aspects of the practitioner’s own personality, who are called Raging Buddhas.

The Raging Buddhas are essentially ‘role-models,’ a male practitioner seeks to assume as alternate selves, and in turn acquire those qualities they represent. At base level, a male will naturally gravitate towards those male role-models women find to be the most sexually attractive to them, which are defined by their Animus. 

The ancient shamanistic technique is of similarity to what Dr. Vladimir Raikov terms as Artificial Reincarnation and the Borrowed Genius, as developed by Win Wenger, Ph.D.

Each Raging Buddha is visualised coupling with a female spirit, called a Dakini. For example, when a male sees or vividly imagines a scantily clad (Muse) female, the tool making part of his brain immediately lights up. The Dakini empowers the assumption of a Raging Buddha guise of an Avatar, when the practitioner attains hypnagogic trance ingress into a lucid dream.

The nervous system cannot tell the difference between a real or a vividly imagined experience. Hence, when inducing a lucid dream, the vivid experience of the dream has the potential of re-imprinting the nervous system of the practitioner with those qualities associated with the assumed guise of a Raging Buddha. 

An engineered lucid dream is further empowered by internalising the sexual impulse, which involves meditating upon an erotic image of a chosen Dakini, who is a Succubus aspect of the male practitioner’s Anima.

You will find that the Western tradition has negated the existence of the Anima. Hence there are no historical examples of Grimoires listing female spirits.

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GOETIA SUCCUBUS SCHOOL

Posted in Alien, Art, Chaos Magic, CREATIVE WRITING, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Seven Chakra spheres of planetary hierarchy. Up the seven steps the changeling childe to climb; and as the saying goes, have a child for Seven years, you own the adult’s neural-net to imprint.

Seven Cabbalistic spheres of hierarchal school years, the childe within to know, who, as of a memory, frequented the hallway Tarot ‘paths,’ interlinking the planetary classes.

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Memories of the pyramidal school, becoming subconscious of influence, which of an archetype can be remoulded via the rebellious sorceries, of imaginative artistry.

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The elder self returning back to the arcane ‘Art’ school of a Hogwarts, darkly hewn of singular eyed inner vision, as a Faustian teacher encircled of magic circle.

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But as one knows, teachers always learn from their students. Such students as these, are all as St Trinian harlots of the Brazen Serpent, whose ethereal ectoplasm is verily evoked amidst the Triangle Of Art imagination. They be as Lilitu schoolgirl witches; the Slytherin daughters of Lilith to conjure.

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Every horned Artist has their inspiring Succubae, posing as Art Muses, circled around the Zodiac scales of an Ouroboros; more so that of a dreaming Sorcerer. Wherefore, to keep the Abrahamic Exorcist at bay, evoke a Succubus from out of her Harem Genie Bottle abode of an arcane Art school.

She’ll be awaiting to manifest within your dreams to make lucid of awareness, when you howl out her mantra of a barbarous Necronomicon name.

(Below is a Preview example of the Pages for the Book: ‘Goetia, Succubus School;’ Available on Kindle.)

CLICK The below preview page for the Book.

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