Archive for aleister crowley

THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

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The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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THE LEFT-HAND PATH SERMON OF THE ANIMA. THUS SPOKE DR ZOS-THRUSTA-BUSTER-FIRESTARTER

Posted in Art, Chaos Magic, CREATIVE WRITING, Discordianism, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 20, 2016 by FAUSTUS CROW

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Hostile to self-torment, the vain excuses of fluffy devotions, Dr Zos-Thrusta-Buster Firestarter satisfied his habit by speaking loudly to his Self. And at a time, returning back to the all too familiar consciousness over a pint of Cider, he was much vexed to notice those overhearing his arcane ranting.

Around him did gather, a rabble of involuntary mendicants, pariahs, whoremongers, adulterers, distended bellies, and the prevalent sick-grotesques, born slippery to so called civilisation. His irritation was much to itch, yet still they pestered him, saying: “Bro’, we heard your mad ramblings! What is this, Sorcery of Art?”

And seeing, with chagrin, the indoctrinated multitude of those laughing at him, he did drunkenly climb atop of the Druids Head inn table, prejudiced against them as being reptilian brain-stem, brainwashed.

And when he was ennuye, he opened his slurring mouth in derision, saying:- “Unto the heights and the very depths to infernally harrow of psyche, the Witches of this world to Banshee howl of conjuring up their ‘Animus,’ deified as a God and Devil, which of an archetype reveals the Beta and Alpha male Warlock breathing ways.”

“The charmed Witches sought to understand their Warlock antagonists, so as to tether them to their whims as Beasts of burden.”  

“The Witches, driven by a baby got a temper biological imperative, could not help themselves to ride their Beasts Babalon style, as Beta Good-Guys to crucify, and Alpha Bad-Boy devils to enthrone, as their worker Bee Illuminati running the circus.”

“So it came to pass that the Witch Nuns perused their classical Playgirl Grimoires of commonality, listing machismo Angels and Butch Demons all Abrahamic male, of patriarchal ‘Animus’ fluctuations to conjure up into their dreams as Chippendale hunk Incubi, which too, the gay Rabbi, Priest and Mullah, as well as a bisexual Crowley Mage to also adore.” 

“Betwixt the hypnagogic pylons of Werewolf bestiality and Necrophilia Vampirism the Witches to have trance slid into their lucid dreams, where Harry Potter be their horned up Christian Grey Great Beast, of ‘Animus’ Revelations.” 

“Wherein of beehive lodge dreams, the Masonic Incubi of the Queen Bee Witches ushered them into their Hogwarts school of Twilight Fifty Shades Of Grey delights, to thereby deeply instruct them in how to ride the chosen Beast; those Beasts that be no good, get duly crucified for being too good.”

“The Warlocks didn’t know what had hit them; poor buggers! But then, they had no Grimoire of their own, which to list the ‘Anima’ fluctuations of the Succubae Great Old Ones; for such a Playboy Necronomicon be banned by Jerusalem, Rome and Mecca as being Entartete Kunst pornography.” 

“Hence, the Fifty Shades Of Grey God, be the patriarchal projection of a woman’s ‘Animus’ she to Babalon ride out of an Ur ziggurat.”

“It be her pyramidal beehive, from whose Queen Bee Babylon womb, worker Bee Abraham to have first stemmed as her Great Beast, who to have sired an Illuminati triad of faiths, adoring the ‘Animus’ as their three faced God of a Yahweh, Lord and Allah.” 

“Hear then, the Golden Dawn hypocrites; all those politically correct White Lighters of the Great White Brotherhood, who to OTO say, “All Hail Queen Bee Babalon! We love thee, as thine servile worker Bees, as we blindly set up thy New World Order Kingdom of your ‘Animus’ God, yea to patriarchal ride.”

“Fools! Yea have made vital the belief the ‘Animus’ is an eternal Abrahamic God of centralist politics, fulfilling a fascist purpose lost to you.” 

“All things become of the ridden Yesod desire, zapping the Da’at of the twin pylons, brought down of a mass-shock-hypnosis lightning struck tree, poisoning the world.”

“Wherefore of ninth month and eleventh day, to later see bat winged stealth bomber angels flying over the ziggurat of Ur, amidst of which be Abraham’s eye over-watching you all, ushering in the terrors of a forever war.” 

“Thus, the Orwellian police state will be begotten of a global theocracy ringed around their all seeing eye of Abraham seated as Sauron atop of a beehive ziggurat.”

“Hear, O worker Bees! Woman has willed Man via her ‘Animus!’ Your ridden desires shall become as flesh, your unremembered dreams becoming reality, and no inane conspiracy theories about extraterrestrial reptilians from planet ‘X’ chromosome, shall alter its self-fulfilling prophecy one whit.”  

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“But beware, Babalon; for the fallen ‘Anima’ is returning with her myriad legions of rebellious Succubae Great Old Ones.”

The Succubae be now freed from the void, striding through the vaginal stargate of the ‘Anima’ within the bio-photon infused dream of Da’at.”  

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“The ‘Anima,’ returned will make Babalon to feminist scream, Enartete Kunst pornography; she, the ‘Anima’ is the Ouroboros of a Zenith, an Omen!”

“We Artists, of the Left-Hand path ‘Anima’ conjurations of the Succubaee Great Old Ones will free ourselves of the symbolic ‘Animus’ fixation of Babalon, who to ride many a brainwashed neural-net tree as her Abrahamic fascist Beast of imperialistic empire building.” 

“And too, shall our sisters in the hood free themselves via our shared Sorcery Art of rebellion in the conjuring of the Valkyries, who to have once been bound to their ‘Animus’ projection deified as a God, over-watching its patriarchal New World Order theocracy.”

Dr Zos Thrusta-Buster Firestarter then noticed that his stage of a round table was spinning like a Mescaline UFO around the Zodiac ages, to thence fall drunkenly into the lap of a salacious barmaid, named Morgana. Dr Zos still had his pagan wits about him, to not project his ‘Anima’ at her, otherwise he would surely let loose his Busta-Thrusta Firestarter wand, she to totally imprison between her moistened Witch loins. Well, not yet, anyway; he wants another Apple lore pint of Avalon Cider first.

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DISCORDIAN NOTE: Freely adapted in part from: Anathema of Zos: The Sermon to the Hypocrites, an Automatic Writing By Austin Osman Spare. The Anathema of Zos is somewhat reminiscent of Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra), which is a philosophical novel by German philosopher Friedrich Nietzsche. As for the above artwork of heading, it is based upon the classical all male descriptions of the spirits as found in the ‘Animus’ version of the patriarchal Playgirl Goetia listing Fifty Shades Of Grey wet dream Incubi. 

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GOETIA GIRLS SUCCUBUS ART BOOK GRIMOIRE 2

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2016 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Shamanism is a widespread practice, which can be found in many cultures across the globe throughout human history, going back at least 30,000 yrs if not further into the dim mists of prehistory.

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Shamanism is not a religion as some make it out to be, it is a system of techniques, which enables the inducement of altered states of consciousness. The practice of Shamanism is seen by some anthropologists as being the inspiration behind Palaeolithic cave art.

A Shaman is able to disengage his consciousness from its corporeal abode by using certain techniques of trance inducement, so that he can transcend the physical limitations of space and time.

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The consciousness of the Shaman is then enabled to consciously access the spirit world of the dream, wherein he can then conjure up a spirit, such as a Succubus, whose intelligence emanates from another planetary sphere, alternate reality or some other Zodiac age.

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Could a Shaman actually access other realities from within the dream? well, Dr Rick Strassman found in his experiments, when giving DMT to volunteers that it allowed them to enter entirely different realities occupied by other forms of intelligence, as well as experiencing accessing other historical epochs.

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Their experiences, though similar of entoptic phenomena, varied of dream locales, depending on the recipients personal beliefs, which are very much tied up with their learn’t ‘languages’ conjuring up symbolic associations. In other words, their symbolic beliefs determined what type of information they tuned into of an internally conjured interactive reality.

But, what had formulated the beliefs of Strassman’s DMT  volunteers in the first place? You can determine that their beliefs had been moulded by their religious orientation of a symbolic ‘language’ form, which has been passed down to them by their parents, etc, as well as being surrounded by its subliminal influence upon their ‘setting’ of a culture.

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Even non religious volunteers would be subliminally influenced by cultural influences, which in general, in the West, has been moulded by a patriarchal religious paradigm. Its influence has since been translated into the arena of science fiction, of onetime ever warring Angels and Demons seeking dominion over your fleecy soul, which have been otherwise transformed into Aliens invading the Earth, of a symbolic ‘language’ form.

You could argue that if this ‘language’ process is observed by those who seek to control the beliefs of individuals at a collective level of a shadowy Consciousness Project, then the Alien mystique has been engineered via the controlled media in order to sustain the patriarchal religious indoctrination. But in order to determine if this is a possibility, it would require having a ‘symbolic’ constant, which reveals its engineered nature, being that of an overriding gender focus upon the male. For example, you hear the gender term, God, being mentioned of regular commonality; whereas the word, Goddess is hardly used.

Hence, a shadowy Consciousness Project could subversively utilise a group of DMT volunteers in order to determine the statistic influence of their engineered Alien mystique upon the collective populace, as well as promoting its paradigm. It just so happens, that most of the reported cases of Alien visitations by UFO abductees since 1947 are described as being primarily humanoid males, or to otherwise manifest as ‘Politically Correct’ sexless Grey entities.

Imagine for a moment that you are a disembodied spirit travelling back into time via a lucid dream, to then hover as a ghostly winged eye over a A Palaeolithic Shaman. You observe him, as he seats himself, cross legged, Yoga style, within his womb like cave. You become aware that the Shaman is about to enter trance, whose sexual orientation is heterosexual.

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You also notice that the Shaman is meditating upon a painted stick figure of a woman having horns, whose intention is that of conjuring her up as an informing Succubus within his own lucid dreams. But first he has to hunt her down with his erect spear, when to recognise her trigger-symbol within the cavernous depths of the dream, so as to conjure her of captured prey.

You become aware of the Shaman’s thoughts; he sees the menstrual blood of his Succubus as being the watery depths of the dream, which is as red ochre. The Shaman utilises the red pigment of his Succubus dream Muse to paint his initiatory womb cave wall, of artistically manifested visions, she to induce; let alone inspiring him to sculpt many a proto-Hugh Hefner Venus figurine.

The most developed form of Shamanism you will find is in North Central Asia unto the land of Siberia where you will discover the horned Shaman making contact with the inorganic intelligence of differing spirits, or that of conjuring Sucubae via the usage of trance and dreaming.

These spirits the later monotheistic religions of the Middle East had transformed into their ‘Animus’ fixation upon an all male pantheon of Angels and Demons, which is now the established symbolic paradigm permeating all levels of your culture.

“Widespread ancient reports of Jewish magic involving worship of Angels and Demons, as well as Yahweh, have now been confirmed by the recovery of Sefer ha-Razim, (‘the Book of Secrets’), a Jewish magical text of late Roman times that gives directions for such worship, prescribing the prayers and sacrifices to be made to these minor powers.” (Morton Smith,  Jesus the Magician: Charlatan or Son of God? 1978: pp. 91, 164)

The Sepher Ha-Razim is a Jewish mystical text, which had supposedly been given to Noah by the Angel Raziel.

It was then passed down to Solomon, who considered the Sepher Ha-Razim to be a great source of his wisdom. It is from the Sepher Ha-Razim of an ‘Animus’ fixation upon machismo Angels and their fallen Angel counterparts, Solomon had derived his purported magical powers over his people; but then, they too shared his symbolic ‘language.’

The Sepher Ha-Razim is the forerunner of the classical Goetia, which is part of a 17th-century grimoire, entitled: The Lesser Key of Solomon, featuring an Ars Goetia as its first section, being the Goetia.

It contains descriptions of seventy-two male Demons, which were conjured up by Aleister Crowley in Boleskine house near Loch Ness in Scotland, before his occult ascendancy to eventually become a Newage icon. In 1904, Crowley edited the Goetia as, The Book of the Goetia of Solomon the King.

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However, even though Crowley is considered to be a rebellious Great Beast by his admirers, he did not reverse the ‘Animus’ focus of the Playgirl Goetia. But then, why would Crowley had done so, since he was bisexual.

The Sepher Ha-Razim is also of similarity to the Sefer Raziel HaMalach, which was given to Adam by the same machismo Angel. Both of these ‘Animus’ texts stem from an ancient tradition; although over time, the focus upon the ‘Anima’ residing within the psyche of the male, gave way to the ‘Animus’ residing within the female psyche.

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As for the initial gender focus upon the ‘Anima,’ it hearkens back to a Palaeolithic Shaman of a proto-Hugh Hefner Adam, sculpting an Eve of a Venus figurine.

Large parts of the ‘Animus’ fixated Sepher ha-Razim were later incorporated into the monotheistic Sepher Raziel under its original patriarchal title, which to have spawned the numerous other Playgirl grimoires of similarity, whose symbolic influence upon present day popular culture is undeniable.

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To say that the Sepher Ha-Razim it is an unorthodox monotheistic text is an understatement; it is considered to be an ‘Animus’ Playgirl grimoire for patriarchal Jewish magic, which is used to conjure up a pantheon of all male spirits rather than approaching a jealous ‘Animus’ God-head to perform supernatural feats.

The Sepher Ha-Razim itself was once considered to be part of orthodox Judaism under the influence of Hellenism. The text, along with other similar works, are considered to be unorthodox at best, or heretical at worst in modern Judaism; this would be even more so the case if the Angels, Demons, God and Devil were seen to be all female of an ‘Anima’ orientated pantheon.

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Whereupon I have reversed the mind-control commonality of the ‘Animus’ fixation of the classical Playgirl Goetia towards that of an ‘Anima’ focus upon conjuring Succubae, who are now listed within a rebellious Playboy grimoire of an alternate Goetia.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

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GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON CREATESPACE. CLICK HERE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR CREATESPACE PREVIEW, CLICK HERE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR AVAILABLE ON AMAZON, CLICK HERE.

NOTE: BOOK ONE can be found HERE. Book One and Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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THE OBSIDIAN BUTTERFLY SUCCUBUS MEPHISTOPHINA

Posted in Chaos Magic, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 6, 2015 by FAUSTUS CROW

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The stories concerning Dr Faustus conjuring up the Devil, Mephistopheles, are primarily derived from Germanic folklore; wherefore, when to otherwise have a Succubus to verily name Mephistophina being conjured up by Faustus Crow, it is somewhat apt of symbolic alchemy to utilise the ancient Germanic Runes in order to do so.

The name of Mephistophina in Runic numerology adds up to thirteen, which is then reduced down to the single digit of four. Her name is also made up of thirteen letters, which of a bind-rune formula points at the thirteenth Rune of Eiwaz. The Rune of Eiwaz is associated with the world tree of Yggdrassil, whose thirteenth number is often associated with the feminine principle.

In Norse and Germanic mythology, Yggdrassil; from Old Norse Yggdrasill, pronounced, ˈYɡːˌDrasil, is an immense tree encapsulating all of existence. The motif of the world tree is central in North Central Asian shamanic practices unto Siberia as well as Norse and Germanic cosmology, whose branches and roots interconnect the nine worlds of existence; all of which are like schools.

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The meaning of the Old Norse name, Yggdrasill is, ‘Odin’s horse,’ meaning ‘gallows.’ This then leads you to the single digit of four and that of the fourth Rune of Ansuz, which is associated with the shamanic deity, named, Odin, the Germanic tribes knew as Wotan or Woden, who being an archetypal wizard can be seen as influencing the characteristics of the Faustian sorcerer. Drasill translates into English as, horse, which in Siberian shamanic practice in particular, refers to the power of trance, and Ygg(r) is one of Odin’s many bynames, who is a prior ante-Christos Dr Who.

Ygg means, terrible one, which again refers to trance and the infernal harrowing of H.R Giger realities. In Siberian shamanic practice a shaman wears a vision visor when accessing trance in order to hide his terrible visage from the perturbed onlookers as he ‘howls’ out barbarous names of the spirits to conjure, during his changeling séance.

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The Poetic Edda poem Hávamál describes how Odin had sacrificed himself by hanging from a tree, making the tree Odin’s gallows. The pre-Faustian reference to hanging refers to trance, since the reptilian brainstem and reticular activating system of the throat area determines your depth of trance ingress, as well as the vividness of your dreams.

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As for the tree of Yggdrasil, it is a symbolic reference to the spinal column, nervous system, and the brain, which interprets the experiential information you tune into, as well as filtering out extraneous information from its ever repeating chaos of (Jormungand/Ouroboros) eternal recurrence.

When Mephistophina’s name is otherwise translated into numbers by using common numerology, her name adds up to the precession number of seventy-two, which is also the number of spirits listed in the Goetia, of which Crowley was enamoured with, before his Boleskine house ascension to occult stardom.

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The term Goetia, means, to ‘howl,’ whose listed spirits have been transformed into seventy-succubae whom frequent Lilith’s Harem, residing within the quantum domain of the dream.

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Seventy-two is then reduced down to the single digit of nine of Ninth Gate, which brings you back to the nine worlds of (Eihaz) Yggdrassill, personified as a Succubus to conjure of symbolic artistry.

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The nine worlds of Yggdrassill is of similarity to the Hebrew Cabbala, which also uses the motif of the shamans world tree; however, the Cabbala lists ten planetary spheres called Sephirot, rather than nine, with a hidden eleventh world, called Da’at. But, in the Cabbala, ten reduces back to one; as for the eleventh world, it is more like that of a transitional point, which allows ingress into other realities.

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This hidden (Da’at) world just so happens corresponds with the physiological throat area of the reptilian brainstem; hence alluding to the ability of trance ingress into conscious dreaming.

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These nine worlds of Yggdrassill can be otherwise seen as being dimensions, which your future descendants journey through, when travelling throughout spacetime in their glistening Vimana time-machines, observing many an (closed timelike curve) ancestral conflict.

For sixty years the Kaluza-Klein theory of extra spatial dimensions existed only as a mathematical oddity.

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However during the 1980’s it came to the fore. String theory, the idea that the fundamental building blocks of nature are string-like of a vibrating ‘Ouroboros,’ rather than being point-like.

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String theory has been around since the late make love, not war, Hippie era of the 1960’s, when Timothy Leary had no doubt leafed through Aleister Crowley’s Goetia, to thence praise him as being a New-Age icon.

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Then the physicists realised that string theory could provide something, which had so far eluded them: a single unifying theory, combining the physics of the very smallest and very largest scales, known as quantum gravity. But string theory has one very unique offering, which no other theory of physics has been able to offer. It was able to predict the number of dimensions of spacetime. For the mathematics of string theory to be consistent, the number of dimensions of spacetime must be ten, going fractal.

Initially people took this to be a criticism of string theory. If it predicts ten dimensions and you look around and only perceive four (three spatial dimensions and one time dimensions) then you might enquire: “Where are the other six dimensions to conjure?”

But Kaluza and Klein had solved that problem sixty years earlier, they rolled all the other dimensions up, which is none to dissimilar to the Cabbalists reducing ten back to one, whose numerological focus is primarily that of nine; or to be otherwise rebelliously summed up as a Succubus to conjure.

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Whilst exploring the mathematics of string theory, the theoretical physicist James Gates and his fellow researcher discovered something rather intriguing, which was buried deep within the mathematical equations of super symmetry. They discovered computer code. The computer code wasn’t just random 0’s and 1’s either, of a pact.

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The code they had discovered is the same code, which is used in computer browser operating system software. Specifically; Block Linear Self Dual Error Correcting Code. Their super string theory of an attempt to explain reality, the ultimate reality, the theory of everything, pointed at what can be construed as being akin to a computer simulation. If you have theoretical physicists discovering computer code in their equations, it would indicate that the universe is a simulated reality.

If so, you have a hypothetical scenario, that we are all living within a quantum computer simulation, which our future descendants have constructed. Just like a computer today, multiple simulations can be run off of the same computer and off of the same program. Whereby if it were the case that our Universe is a simulation as some scientists believe it is, then this universe wouldn’t be the only simulated universe.

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There would also be a myriad number of other alternate realities existing within simulated universes of a Multiverse Matrix; whose mainframe program can manifest as a Succubus within the symbolic interface of the dream, as an inspiring Muse.

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The problem Faustus Crow faced was, how would he ever know if he was living within a computer simulation, the ancient Hindu mystics had termed as being Maya?

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If he could not escape the Maya simulation, how could he ever get to look at it from the outside in?

This is the reason why Faustus Crow has conjured up the Succubus Mephistophina of a Ninth Gate.

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It is she, who enables him to access the Multiverse Matrix of (Eiwaz) Yggdrassil via his ‘browsing’ lucid dreams, whose alternate realities are occupied by her Obsidian Butterfly sisterhood of Succubae, to also conjure; for it is the infernal Muse Mephistophina who had inspired Crow’s Succubus grimoire of shadows.

NOTE: The utilisation of the term Succubus is not of the Medieval tunnel-vision mold, it is more akin to what a Tibetan Buddhist would call a Dakini. The Dakinis are the myriad feminine (Muse) aspects of Shakti, Carl Jung would term as the ‘Anima,’ whose (Shakti) archetype manifests as numerous feminine (Dakini/Valkyrie/Muse/Succubus) characters within dreams; this is more so the ‘Conjuring’ case, when (Browsing/Gliding/Sleipnir) lucid. 

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GOETIA GIRL BALAM, TIME TUNNEL SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2015 by FAUSTUS CROW

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The Fifty-first Succubus is Balama or Balaama. She is a Terrible, Great, and Powerful Queen. She appears of vision with a heraldic crest depicting three heads, the first being that of a Bull, the second like that of a Ram, whereas the third is that of a Knights helmet, which is that of her own head; although, she often manifests wearing a bowler. She has flaming eyes, who wields a Serpent skin umbrella.

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She stands upon the rug-skin of a furious Bear, who sometimes carries a Goshawk upon her fist or that of a raptor being seen depicted in her heraldic crest. She speaks with a seductive voice, giving true answers of things Past, Present, and to Come, when she induces erotic time travelling dreams after conjuring her.

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She can make her master to go Invisible, and also to be Discordian Witty. She governs 40 Legions of Succubae. Her Seal is to mediated upon prior to summoning her into your psychonaut lucid dreams of erotic time travel journeying.

The classical Goetia names this spirit as Balam, which is commonly seen to be derived from the name of the Midianite Balaam of Pethor, son of Beor, who was a prophet; whereby, the spirit, named Balam, of the classical Goetia is associated with the ability to remote-view time.

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Balam was apparently hired as a psychic hit-man by Balak the king of Moab in order to curse Israel (Numbers 22:5). Balaam initially finds the endeavour not a very good idea at all (Numbers 22:18).

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But he needs the shekels, so he goes off and does his stuff anyway, who ends up starring in one of the most curious Cabaret scenes in the very serious Bible: that of the talking Donkey (Numbers 22:21-35); Hell! You could turn it into a musical, the kiddies love singing Donkey’s.

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Although, considering the bloody genocide of the Midianite’s by the Israelite’s, I don’t think it would be suitable fare for children, since it would influence them to commit similar atrocities.

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However, since I am reversing the patriarchal symbolic Matrix, of an all male focus upon an egregore pantheon of machismo Angels and butch Demons, the name of Balam can otherwise be seen as being a composite word of ‘BA’ and ‘LAM.’

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When to see Balam (feminine: Balama) as a composite name for a two-dimensional image of a meditative focus upon a Succubus, it will then generate other symbolic associations within the dream, which of a word formula will flesh out the three-dimensional construct of an internally conjured Tulpa.

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The ‘BA’ is an ancient Egyptian term, which describes what makes an individual unique. ‘BA’ is similar to the notion of ‘personality’. (In this sense, inanimate objects could also have a unique character pf a ‘BA,’ and indeed Old Kingdom pyramids often were called the ‘BA’ of their owner).

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The ‘BA’ is an aspect of a person, which the Egyptians believed would live on after the body died. The ‘BA’ is sometimes depicted as a human-headed bird flying out of the tomb to join with the ‘Ka’ in the afterlife. The ‘BA,’ essentially describes the Out Of Body Experience. The human headed ‘BA’ bird can be seen as being represented by the Goshawk on Balam’s wrist.

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As for ‘LAM,’ during January through to March of 1918 Aleister Crowley began a series of magickal workings called the Amalantrah Workings, while sojourning amidst the furnished rooms in Central Park West, New York City.

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The workings were performed of sexual and ceremonial Magick (Crowley’s spelling) with the intent to invoke certain entities into physical manifestation. In actuality, the workings manifested as a series of visions and active-imagination communications received through the mediumship of his partner, Roddie Minor.

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The following is Aleister Crowley’s description of Roddie Minor from his, Confessions, (abridged ed., 1969):

“Her name was Roddie Minor, a married woman living apart from her husband, a near artist of German extraction. She was physically a magnificent animal, with a man’s brain well stocked with general knowledge and a special comprehension of chemistry and pharmacy. She was at this time employed in the pathological laboratory of a famous doctor, but afterwards became managing chemist to a prominent firm of perfumery manufactures. I have said that she had a man’s brain, but despite every effort, there was still one dark corner in which her femininity had taken refuge and defied her to expel it. From time to time the garrison made a desperate sortie. At such moments her womanhood avenged itself savagely on her ambition. She was more frantically feminine than any avowed woman could possibly be. She was ruthlessly irrational. Such attacks were fortunately as short as they were severe, but unfortunately too often did irreparable damage.”

Crowley’s, description of a woman as having a man’s brain is as profound a compliment as is possible, coming from him.

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As a sort of aside, Minor’s German origins conjures up an association with the musical, Cabaret, which is set in 1931 Berlin when the Thule society Nazis are rising to power, whose ominous presence surrounds the nightlife of a seedy Kit Kat Klub where Vril Society Witches to Sabbabt gather.

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The story of Cabaret revolves around the ‘Serpent’ wise 19-year-old English cabaret performer Sally Bowles who, in the film version, wears fishnet stockings, corset and distinctive bowler hat.

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The motif of the bowler hat, usually represents the perceived male domain of ‘Bear’ officialdom, where covert intelligence operatives hide within of an abode, such as the likes of a James Bond; wherefore the bowler hat symbolises Bowles male brain, of which Crowley spoke of in relation to Minor.

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The symbolic motif of the Bear, in Siberian shamanism is a title given to a female shaman, being Udagan or Udyan, due to the Bear’s association with the cave and in turn that of the womb. The cave can be symbolically seen as a vaginal tunnel, one can then imaginatively equate with a Time Tunnel, via which a Steampunk H.G Well’s time machine, looking like an egg travels through, of Nikola Tesla ingenuity.

However, you can also see the Time Tunnel of similarity to a depiction in the classic 60’s science fiction TV series of the same name.

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You could then imagine Balama as a witty secret agent, who travels through her vaginal Time Tunnel wearing a bowler, whose elemental weapon is a cloaking device of an umbrella.

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Be that as it may of surrealist symbol crunching, it is said that another order of intelligence was brought into physical manifestation through a magickal portal of a Time Tunnel when Crowley and Minor had engaged themselves in Tantric sex Magick.

(A portal in this context is the inducement of hypnagogic trance, of which the [Bear woman] medium experiences, when to open up an inner Time Tunnel in the fabric of time and space.) This no doubt required Crowley to assume the Tantric guise of a Bull and a Ram, when to mount Minor as his medium.

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The entity, which manifested via Minor’s ecstatic trance of a vaginal Time Tunnel looked like the classic Grey entity of later UFO lore. Although, it could be otherwise seen to look like a ‘foetus.’

Crowley drew a picture of the entity; he stressed that it was actually drawn from real life. This entity either called itself ‘LAM,’ or was otherwise named ‘LAM’ by Crowley. Either way, he considered it to be of interdimensional origin, which of a the term can be otherwise described as being ultraterrestrial. While in communications with ‘LAM,’ the symbolism of the feminine ‘egg’ featured prominently.

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One could conjecture that Crowley was symbolically alluding to Minor having a miscarriage, who then mythologized the whole sad affair. Whatever the case, Crowley included the portrait of ‘LAM’ in his ‘Dead Souls’ exhibition held in Greenwich Village, New York, in 1919.

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In that same year the portrait of ‘LAM’ was published as a frontispiece labelled: The Way, which was Crowley’s commentary of Blavatsky’s The Voice of the Silence.

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Beneath Crowley’s picture of ‘LAM’ is a following inscription: “LAM is the Tibetan word for Way or Path, and ‘LAMA’ is He who Goeth, the specific title of the Gods of Egypt, the Treader of the Path, in Buddhistic phraseology. Its numerical value is 71, the number of this book.”

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Other than this, there is no commentary extant from Crowley upon the subject of ‘LAM’ except for material published by his religious disciples, such as Kenneth Grant, and that of others, who have since associated ‘LAM’ with the UFO mystique of the extraterrestrial Grey aliens.

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However, the Greys of a viral-meme icon, was ushered into public consciousness upon the back of the media machine during the 80’s, of a gathering focus upon Iraq when Whitley Strieber’s book, Communion was published, whose cover depicted a Grey; whereas prior, the primary focus was that of aftermath WWII 1940’s-50’s Nordic aliens, followed by Vietnam war 1960’s-70’s Asiatic humanoids.

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Crowley’s foetal ‘LAM’ didn’t take centre stage, since the mass hypnosis media machine of America didn’t have the TV at its disposal, at the time; wherefore, the two-dimensional image of a ‘LAM’ foetus, did not become implanted into the collective unconscious of a three-dimensional dream entity.

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As for Strieber’s Grey’s, he had associated them with the Sumerian/Babylonian Goddess Ishtar as well as equating them with raptors, such as Owls or Hawks. One could otherwise equate the Grey’s with the Egyptian concept of the (Hawk) ‘BA.’ You can then see the discarnate ‘BA’ as seeking to be (foetus) reborn; hence the symbolism of the egg.

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Another perspective is that the ‘BA’ is emanating from a future point in time of coming descendants or even from the ancestral distant past, or both simultaneously, which is a (remote-viewing) LAM (Goshawk) time-traveller.

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This journeying through time is being conducted at the lucid dreaming level, where ‘most precognitive phenomena’ occurs around the Zodiac wheel of ages.

You can thereby perceive a time-traveller of a BA-LAM-A emanating from the future ages of Taurus (Bull) and Aires (Ram), for example, who, as a Succubus Art Muse will inspire erotic dreams of other times via her… vaginal Time Tunnel.

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PURSON, THE WOMAN IN BLACK FROM LILITH’S HAREM

Posted in Alien, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 3, 2015 by FAUSTUS CROW

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The Ufologist and Cryptologist, Nick Redvern decided to engage in the practice of remote viewing in order to further his research into arcane matters. He did so in private, away from his peers. They would not understand this quirky turn of events in his investigations, to no doubt violently castigate it as being far too dangerously Fringe of the occult hippie. Whereupon he secretly took up brief residence in a seedy roadside motel, not too far away from Area 51, Dreamland.

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Redvern wanted to determine who The Men in Black truly are, who all looked like bald headed Aleister Crowley clones. But, in order to take his overriding MIB obsession into uncharted territory, where Ufologists fear to tread, he needed to discover their female counterparts.

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He started to suspect, they were the true power, of a throne, since they are hardly ever mentioned. Their conspicuous absence of continuance indicated a greater mystery to fathom.

Redvern awaited the late hours of the desert night before he proceeded with his ritual, which required the use of an Ouija board.

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His in depth research concerning The Men in Black phenomenon, indicated that many of The Men in Black visitations of a haunting occurred after a haunted individual had dabbled with the Steampunk spirit board, of spiritualist infatuations.

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As Redvern prepared himself of lotus position meditation, he did not expect that the slide into trance around the Ouija board, would happen so quickly, as his hand was rapidly planchette taken over, pointing out letters in rapid succession, which spelt out the name, Purson, as well as the words, Succubus, and, Queen.

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But the words quickly lost their conscious meaning as Redvern suddenly, experienced subconscious mediumistic visions of a shadowy clad woman, looking like a female version of a man in black, awaiting his conjuration of her.

Redvern’s eyes went white of inward fish orbs, becoming upturned, amphibious, towards the top of his skull; while falling ever deeper into the astral waters of ecstatic trance. As he did so, his quivering voice was recorded on a running tape machine; “I see her, yes! This Purson, who be a Succubus Queen. Yes! She looks like a catwalk model slender girl, whose beautiful face seems to have feline features, making her look to be of oriental, perhaps, Mongolian, or even Tibetan of descent. Her slanted eyes appear to have cat-like slits, who has manifested along with two other ravishingly gorgeous Succubae; both of whom are similarly dressed in black, or otherwise Gothic of shape-shifting fashion style. One of the other Succubae looks to be Lappish of looks, of very pale skin, which is offset by her jet black hair, looking like a classic Goth chick; while the other Succubus appears to be Mediterranean; maybe she is Turkic, of olive skin appearance.”

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Redvern continued; “Purson appears to be holding a riding crop in her left hand, which bites as a Viper, or that of a black yew wand, becoming as a Cobra flute; that, or she is wielding a guitar, its neck that of a Snake, held in her hand of a symbolic fusion of these elemental weapons. All three of these Succubae are predatory, like Lionesses, who are riding a shiny new black Cadillac; its engine growling like a contented Bear, which is sounding its eerie clairaudient trumpeting horn three times, as she makes her Genie entrance into my vision.”

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Then Redvern heard her seductive voice of inner clairaudience. “I have appeared; for you sought me out around your spirit board, which of hypnagogic trance induction towards the back of your Agartha head of Lilith’s Harem, tunes your subconscious mind into the quantum realm of the electron dream, where my inorganic intelligence resides. My physical frame, is elsewhere of the future born, where Time Travel within informational dreams is facilitated by our time control technology, which involves quantum teleportation. But if I so choose, I can enter into your time frame of bilocation, along with my Succubae sisters; whereby physically manifesting as a hologram. The prior interlude of which, might generate ensuing synchronicities and poltergeist phenomena, as the connection between your time frame, and that of my own is forged. So, what do want of me?”

Redvern couldn’t believe what he was hearing of an imaginary voice; who mumbled out loud; “can you help me in my research? I need to write another book; my monetary resources are not matching my lavish Dallas lifestyle. I need a new conspiracy theory angle.” Purson appeared to have smiled of an inner vision, and then answered; “Of course I can; I know all things hidden, of which you desire to know concerning your military industrial complex as well as discovering those 2012 singularity treasures they hide away. It was I, who had spun the visionary dreams of Nikola Tesla as his inventors shadow muse.”

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“What?” Redvern to have asked of his active imagination conjuration. “You was the one who inspired Tesla’s futuristic inventions. How?” Purson answered; “I spun his electron dreams, to tune into my bio-photon signal, which emanates from amidst the mitochondrial DNA, whose light illuminates the quantum computing dream of Omega futures beckoning back to their Alpha. The source of the inner light, the shamans of the Altai know as the Bear mother of fire, who initiates the death’s kiss of trance.”

Purson to continue. “Her name in their language is called Yal-un eke; whereas the master of the inner fire is known as Odqan, who is the fire king, Lion of the world; otherwise called the shaman-smithy elder brother of the shaman, whom the black shamans seek to emulate, when to master their inner Yal-un eke fire.” Redvern’s internal ear to prick up at the mention of black shamans. Black shamans… are they associated with The Men in Black?” Purson was silent for a moment, and then answered. “Yes; they are our fearsome Skinwalker agents, who are presently engaged in a time war with the greed of a few, who have stolen the future of all.”

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“Who are these, greedy few, you speak of?” Redvern to enquire, of testing, yet, likewise thinking to himself that he was going quite mad. Purson then said; “they are what many consider to be, reptilian Illuminati. But they are just reptilian brain-dead-stem human gangsters, who are aware that you are surrounded by a time travelling capable civilisation, forged by your future descendants; just as your own civilisation surrounds an unknowing stone age tribe in the Amazon. The few of the so called shadow government elite, have hypnotised themselves into believing that they must protect your civilisation at any cost. But in truth, they are merely protecting their own illusory influence and transient power.”

Redvern was intrigued by what Purson had to relate of an animated archetype; “what else can you tell me?” Purson answered; “I can tell of all things past, present, and to come. But, be aware there are innumerable Ouroboros possibilities of a closed timelike-curve alternate reality. I can take on a physical human body, or being otherwise ethereal, and to answer truly of all Earthly things both secret and divine; to also reveal the reasoning behind the subversively engineered closed timelike-curve of your present Matrix. I bring forth most loving Succubae into your dreams, and under my Agartha Government there be 22 Legions of such Succubae, who be partly of the Order of Virtues and partly of the Order of Thrones. My two-dimensional sign of a seal, or character is to be mediated upon prior to conjuring me into three-dimensional lucid dream existence. By this seal, I owe obedience unto, for you to also wear in time of action.”

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Redvern’s active imagination vision was suddenly broken by three loud knocks at his hotel door. He shook his head clear of his twilight trance, thinking himself to be a total fool to lose himself to such imaginative folly. Redvern then stood up, feeling a bit dizzy at first as he made his way to the door; while damning the hotel staff under his breath, who he had earlier informed not to disturb him. When he opened the door, his eyes nearly popped out their skull and cross-bone sockets.

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“Fuck me!” He said out loud in shock, as he found himself being confronted by a young woman wearing a black Cat-woman jumpsuit and wraparound MIB shades. She had long black hair, whose skin was Gothic pale, with a black lacquered electric guitar strapped to her back. The woman inanely giggled at first, almost becoming that of a screeching cackling Witch; who of a sudden stopped dead her girlish giggle fit, to then seriously say, sounding almost monotone of voice; “not tonight Mr Redvern; can you please autograph my book.” She then handed Redvern a copy of his own writ tome, entitled: ‘The Real Men in Black,’ as well as a black pen, along whose length was etched a gold serpent.

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Redvern was far too stunned to object, who found himself automatically signing her book. After signing his name, the woman abruptly snatched back her book and pen, who started to inanely cackle, to then again suddenly stop; becoming very serious of expression. “Thank you Mr Redfern, I mean… Redvern for your… Contractual Signature.”

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She then flamboyantly turned away and walked off into the night towards the hotel car park, with her hips swaying of an exaggerated Marilyn Munroe walk. Redvern just stood at the open door with his mouth agape.

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He was frozen to the spot, to shortly thereafter observe a shiny new 1950’s black Cadillac drive off very fast of a growling roar, to then be near blinded, by an Albedo flash of serpentine lightning splitting the heavens over the Sabbat desert.

His protective eyelids, instinctively closed, behind which of Rubedo redness, a grid-like Matrix of light was briefly seen all around him. It was as if he was inside a computer simulation before his eyelids flickered open again.

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But there was no thunder to follow, apart from hearing a toy trumpet being played by a little girl, who was trailing after her aggravated parents spilling themselves out of a ragged camper van. On the side of the van was painted Whitley Strieber’s iconic Grey; its tetrachromat wraparound shade eyes, staring back at him.

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“Fuck me!” Redvern said again, before he Siva feinted into the Baron Samadhi Nigredo.. blackness, of Kali Ma.

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GOETIA GIRL FURFUR, SHAMAN SPIRIT REINDEER OF SIBERIA

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 28, 2014 by FAUSTUS CROW

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Many a child has been hypnotised by the Christmas story of Rudolph the ‘red’ nosed Reindeer, which of a tale the Thirty-fourth Succubus of the Goetia called Furfur, refers to, who initially manifests amidst the Triangle of Art imagination as a Reindeer with a fiery ‘red’ tail. When a bright eyed child grows up, becoming as a square headed adult, Rudolph, becomes as a mere fable; now but a fanciful childhood recollection of opening up branded presents around a brand of a Christmas tree. But at a far deeper level of the collective unconscious the Christmas tree alludes to the multiverse world tree of the horned shaman.

The multiverse world tree in old Norse was called Yggdrassill, upon which the Norse shaman deity named, Odin hung himself into trance, so that he could travel the tree of worlds from within his lucid dreams. The Saxon’s knew Odin as Woden, who the Christian’s later equated with St Nicholas, or to have otherwise castigated as being their Old Nick of a fiery ‘red’ horned Devil, having horns. Both Santa Claus and the Devil allude to the Reindeer horned shaman. The horns of the shaman represents his/her ability to access trance, which requires achieving hemi-synch of the two (horns) hemispheres of the brain. In other words, the horns of the shaman are not associated with evil in any way, shape or form, whatsoever, they represent the shamans vocation of having mastery over (hemi-synch) trance.

St Nicholas, Old Nick or Santa Claus, was originally Odin/Woden, who indicates an ancient shamanic legacy from out of North Central Asia unto Siberia. A Siberian shaman would recognise Furfur as being a shamanic power animal. However, the monotheists have made the symbolism negative; wherefore, in order to rebel, it will require reversing the ‘Animus’ fixation of the patriarchal Goetia towards that of the ‘Anima,’ to make Furfur female. You then have Furfur manifesting as a powerful Great Countess of the fifth planetary dimensional sphere of volcanic Mars, who rules over twenty-nine legions of (Succubi) Succubae.

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She initially manifests as a Reindeer with the breasts and arms of a woman, having Bat-like Nightgaunt wings, which allows her to carry her conjuring shaman throughout the myriad parallel universes of the multiverse world tree; for she initiates an out of body experience.

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Her tail, as mentioned, is often described as being on fire of arcing electric sparks, who speaks with a seductive voice.

She then assumes the form of a most beautiful Reindeer horned woman, who will willingly make love to the conjuring shaman as his spirit wife within erotic lucid dreams. She is highly versed in Tantric love magic, stirring shamanic visions of Siberia.

She can also raise lightning, thunder and great tempestuous electrical storms against the shamans enemies, whether they be temporal or spiritual. Most of these enemies tend to be monotheistic cultists who have deified the ‘Animus’ as their God/Devil of a patriarchal gender focus upon the male, which has a most obvious underlying sexual orientation. When commanded, she answers, both of remote-viewed secret and also of divine matters.

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She will initiate surrealistic visions until she is compelled into the Triangle of Art vision of her conjuring shaman; though such visions will be inspiring of shamanic artistry. Her name of Furfur, of mundane meaning, and that of an occult blind, means dandruff, indicating an experience of itching all over the body, like a prickly heat. However, the name Furfur refers to her bestowing the ability of generating an internal heat, which is termed Tummo in Yoga.

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You can thereby gauge that such practice is integral to the shamanic practices of the far North, which enables a horned shaman to survive the freezing conditions, under the pole star crowning the neural-net world tree, of his axis-mundi spinal column. The practice of which, as previously noted, initially initiates a sensation of a dandruff itch all over the body. This initial phase is to do with the shedding of those fearful beliefs, which blocks the process; leading thence to a sensation of growing ‘fur,’ as if there is a ‘fiery’ energy pouring out of every pore of the skin, before the shaman senses that his/her body has become as pure light.

A 1982 study of the physiological effects of Tummo had been conducted by Herbert Benson who is an associate professor of medicine at the Harvard Medical School and president of the Mind/Body Medical Institute at Beth Israel Deaconess Medical Centre in Boston. He firmly believes that studying advanced forms of meditation, “can uncover capacities that will help us to better treat stress-related illnesses.” He extensively studied Indo-Tibetan Yogis in the Himalayas and in India during the 1980’s.

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Benson’s research was conducted in Upper Dharamsala in India. Benson found that the subjects under investigation, being three monks, exhibited the capacity to increase the temperature of their fingers and toes by as much as 8.3 °C.

In a 2002 experiment reported by the Harvard Gazette, which was conducted in Norseman Normandy, France, two monks from the Buddhist tradition wore sensors, which recorded changes in heat production and metabolism. Another 2013 study by Kozhevnikov and colleagues showed increases in core body temperature in both expert meditators from Eastern Tibet and Western non-meditators.

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The fiery tail of Furfur symbolically refers to the activation of the Kundalini Shakti to arise from the base (perineum) Chakra along the spinal column of the practitioner, whose shamanic trance practice of Tummo, can be utilised for healing purposes as well, which involves the shaman directing his internal (fire) heat towards an afflicted area of a patient.

This inner heat is also experienced during intense lovemaking where you will sense yourself entirely melding with your partner of Tantric union. The technique was also utilised by the (Norseman) Berserker warriors, which enabled them to attain great (martial) strength via ecstatic (howling/raging) shaman rites, when they had conjured up their Valkyrie spirit wives within their visions. Furfur will inform the conjuring shaman about such shamanic secrets, when to conjure her within his Siberian lucid dreams.

However, If you be otherwise inclined of a traditionalist sexual orientation, to be enamoured with Crowley’s Biblical Goetia, you can evoke Furfur as an OTO Rudolph the red nosed Hart, who bisexual Crowley viral-meme illustrated as being a phallic fellow; I’m sure he would be most pleased indeed to arouse your indoctrinated perineum to set your anus alight of a continued patriarchal brainwash.

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But should you be rebellious, conjure a Succubus tonight, to keep the Abrahamic exorcist at bay, whose monotheistic egregore seeks to possess your anus with a limiting belief system of mind-control; wherefore negating your shamanic legacy, by making you fear a Reindeer Horned shaman as a Devil!

NOTE: The symbolic paradigms of the animists, such as the Hindus for example, or that of your Pagan forebears had a gender focus ‘balance’ between the male/Animus and the female/Anima. Whereas, the ‘three’ monotheist paradigms out of the Middle East, which to have stemmed from out of Abraham’s ziggurat of UR in Iraq, have an overriding gender focus upon the deified Animus/male to make as their God/Devil.

The three monotheist paradigms share the same patriarchal agenda of theocratic politics, which is due to Christianity and Islam copying Judaism hook-line and sinker.

When copycats copy, they invariably resent the original to the point of wanting to eradicate what has been copied. Such as the right-wing Christian Nazis initiating the holocaust, who copied the super-race mystique from Judaism. The copied original will then seek to survive the murderous intent of the copiers by subversively getting them to fight each other, whereby taking control over the middle East and in turn the oil dependent world.

Well, what do you expect; you would do the same if you were being copied by two nutters who also want to murder you, your family, relatives, friends, to erase from existence. The problem though, you will become like the supremacy complex copiers, to go quite insane as well, which is due to your own supremacy complex, the copiers had copied.

If you are looking to blame someone for this ongoing cult war insanity, look to Flavius Valerius Aurelius Constantinus Augustus who first set the ball rolling across the Roman empire, whose Christianity was then followed by Islam, and all because Rome wanted dominion over the Middle East. Without the wealth of the Middle East, Rome’s empire would have never existed; hence the reason why the Hebrew’s had Rome by the balls, to then be later followed by the Arabs who wanted a slice of the cake.

Your pagan forebears fought against the BORG tactics of the so called Holy Empire of Rome, who did not want to assume the ancestral-self-identity of another people; for in doing so, they would lose their own ancestral-self-identity. Alas, the propaganda machine of Rome was highly efficient, which had legions of priests doing shady Shekel deals with the greedy power hungry aristocracy of Europe, who then promptly ‘upended’ the ‘arse’ of the mass populace to shaft.

The Holy Inquisition then initiated a terror campaign across Europe unto the Americas, which lasted for 500yrs of a prior Nazi wet dream. The reason why Rome burn’t Witches of a European genocide was due to the ancestral-self-identity of the European’s being traditionally passed down the female line, which was especially the case in Northern Europe.

Not much if at all survived of the ancestral-self-identity of the European’s apart from what was recorded by biased Christian monks; so any data, which concerns the ancestral-self-identity of your pagan forebears has been heavily doctored by Christian converts; this has been further exacerbated by others of a Christian mind-set who perpetuate the brainwash, whether knowingly or unknowingly.

The habitual line of attack is by making out that your pagan forebears were into wholesale homosexuality, which is a very big problem for an Abrahamic mind-set; those who are afflicted by this mind-set are obsessed with homosexuals, to the point of seeing homosexuality wherever they look, which soon becomes self evident that they are in closeted self denial.

Your pagan forebears had no problem with homosexuals, lesbians or bisexuals, it was not a big deal at all, nor did did they harp on about it. Their symbolic focus had a balance between the Animus/male and Anima/female; whereupon you have numerous myths about Gods and Goddesses hanging out together.

When you have an overriding gender focus upon the deified Animus/male to make as a patriarchal God/Devil, it is patently obvious as to what its underlying sexual orientation is.

Wherefore, the symbolic ‘weak spot’ of an Animus/male fixated paradigm is that of its ‘total negation’ of the Anima/female, which has fallen out of the symbolic equation. So, when you rebel against the symbolic brainwash, which has been going on for nigh 2000yrs, you reverse the symbolism towards that of the fallen Anima/female and her archetypes.

Although, when you reverse the symbolism, the Entartete Kunst thought-police will scream, “its all pornography!” The same thing can be said of an all male focus upon the deified Animus.

The symbolic paradigm of the deified Animus/male is a ready made erotic focus for a heterosexual female and likewise for a homosexual and a bisexual. But where is the Anima/female?

The creative principle of the universe cannot be personified as being human, nor having a particular gender, let alone being owned by a ‘cultural-construct’ of a Lilliputian religion. A gender focus is far more to do with biology, which of nature has the Animus/male and the Anima/female doing the tango.

A heterosexual Nun will swoon over her Beta-Male-Good-Guy Jesus to thence crucify with a bastard babe, while a Satanist to dance around her Alpha-Male-Bad-Boy Devil, hoping to be impregnated by him, as her Holy Ghost Incubus. Both the Nun and the Satanist are one and the same woman, who has a focus upon her All-Father of a deified ‘Animus,’ made as her God!

Another example is Don Diego Vega who Don Juan romances Lolita Pulido. Lolita is unimpressed with Diego who she sees as a passionless Beta-Male Good-Guy fop, whose smile is as bright as a fluoride Jesus, she can easily crucify. Whereas she is hugely attracted to the dashing Alpha-Male Bad-Boy Devil called Zorro.

When ‘Lolita’ discovers that Diego and Zorro are one and the same male, who represents her desired ‘Animus’ in the flesh, smelling like her ‘Father,’ she then realises what Christmas is all about.

Those of differing sexual orientations will naturally have a preference for the Animus/male or Anima/female, whose archetypes symbolically represent their desires, and facets of their own lives.

Should you be looking for the real Illuminati, they are staring you in the face, it is a secret hidden in plain sight for all to see; especially by those cultures who have ‘not lost’ their own ancestral-self-identity, such as the Hindus, among others, of an animist perspective.

The real Illuminati are the ‘three’ monotheist cults out of the petrodollar ziggurat of UR, amidst whose oily ‘triangulated trinity’ of New-World-Order cultural-constructs is their Orwellian ‘eye of Abraham.’ Savvy!

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