Archive for fantasy

SUCCUBUS ART MUSE SCHOOL

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Succubus, Surrealism, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2018 by FAUSTUS CROW

If you are interested in seeing the Full Artwork ‘PLEASE CLICK’ The Image Above and each of the Images Below.

The theme of the Artwork is a symbolic merger between Hogwarts and St Trinian’s, which of a Lilith’s Harem Art school is attended by (Succubae) Succubi Art Muses.

The structure of the Harem Art school is based upon the Cabbala and in turn the Tarot paths of the Cabbalistic planetary spheres.

In the grimoires seven Chakra planetary spheres are usually mentioned. The Artwork pertains to each of the seven planetary spheres.

The seven planetary spheres are: Moon/Yesod, Mercury/Hod, Venus/Netzach, Sun/Tiphareth, Mars/Gebdurah, Jupiter/Chesed and Saturn/Binah.

The Harem Art school exists within the realm of dreams, which can be accessed by a conjuring Surrealist Artist when attaining a lucid dream, wherein he can then conjure the Succubi Art Muse archetypes of his Fallen Anima.

The St Trinian’s Motto is: “Semper debeatis percutis ictu primo,” which means, “Always Do You Strike The First Blow,” or, “Always Strike The First Blow.” Perhaps the First Blow alludes to a Boaz and Jachin (BJ) Blow Job, which is very likely.

The Hogwarts Motto is: “Draco dormiens nunquam titillandus,” which means, “Never Tickle A Sleeping Dragon.”

The Motto of Hogwarts, sounds somewhat Freudian concerning a phallic Dragon and its erectile arousal, which to arise when tickled by a wet dream Succubus school girl Witch, who to Vampire hunger not for blood, but to otherwise wildly feast upon what the gobbled Dragon ejaculates of an Albedo fire.

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NECRONOMICON SUCCUBUS ART BOOK

Posted in Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Ghost, Goetia Girls, Goth Girls, Horror, Manga, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 13, 2018 by FAUSTUS CROW

Witches, femme fatale Vampires, Devil Girls, Warrior Maidens, Science Fiction Sirens and female Aliens piloting UFO’s.

Herein, within this Necronomicon be gathered all the Night-Mare Succubi archetypes of the Fallen Anima, who be the true Great Old Ones, whom haunt Love-Craft lucid dreams. Fully illustrated, over 150 illustrations in full colour, some of which are in black-and-white, such as drawings/sketches, etc. This Art book is for ‘Adults Only.’

The Necronomicon Succubus Art Book features all the Art work from my ‘Three Goetia Girls books.’ All Seventy-Two of the Goetia (Succubi) Succubae are depicted within the Art book, along with other associated Artworks.

This Art book also includes some comic strip pages, conceptual ideas and sketches as well as traditional Artworks.

Please Note: There are No descriptive texts accompanying the Artwork. The Art book will Not be available on Kindle. The Art book is an 8×10 over-sized paperback Art book, having a matte cover, as shown above, which is presently available on Createspace and Amazon. If you are interested, Please Click Here. 

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when the female archetypes of the Anima are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female Anima archetypes as being politically-incorrect occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes of an Animus fixation have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches.

For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections, which, curiously enough is generally not considered as being porn.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc.

The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as the male’Role Model’ of a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the ‘Role-Model’ Witcher with a Shaman.

The Shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the symbolic paradigm of the monotheists in order to negate you seeing the underlying sexual orientation behind their focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targeting his sexuality.

You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher, the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc.

The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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FREE THE FALLEN ANIMA

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2017 by FAUSTUS CROW

The above Artwork is available as an Art print, which depicts a Succubus emanation of the Fallen ‘Anima.’

Should you understand what the ‘Anima’ and ‘Animus’ represent of internal archetypes, which frequent the male and female psyche, then you will get the cosmic joke, and more besides.

In general, the ‘Anima’ and ‘Animus’ often manifest as female and male dream characters, which can be construed as being (Succubae) Succubi and Incubi, when empowered by the imagination in regards to fantasizing about being with a supposedly perfect partner.

Although this specifically applies to a heterosexual orientation, having an internal ‘gender’ archetype of a potential partner, it is also applicable to other sexual orientations.

For example, should a heterosexual male find himself being struck dumb, to gibber, feeling as if possessed by uncontrollable desires, when seeing a particular woman in the room, who falls head over heels in love with her at first sight, it is because of his ‘Anima.’

Wherefore, for a male, it is wise for him to become aware of his inner ‘Anima,’ whose emanations manifest within his dreams, and likewise for a female, to become aware of her inner ‘Animus,’ when to dream.

However, the ‘Animus’ has been ‘deified’ by (patriarchal) gender focused religions, to worship; whereas the ‘Anima’ has been cast out of the spiritual/symbolic equation as the ‘Fallen!’ In other words the patriarchy is a Fifty Shades Of Grey expression of a female focus upon her ‘Animus.’

Should you see it, you will then get the cosmic joke, which the psychologist Carl Jung could not tell, apart from, perhaps alluding to, when corporeal, that’s if he saw it; for his time was still getting over the Witch burning era, which had been initiated by closeted priests hating women and homosexuals for no reason at all!

When you have a gender focused religion it is invariably tied up with human sexuality; the symbolism of which is primarily biological.

The absolute cannot be personified as being human, or to be of a particular gender, let alone having a deified ‘Animus’ made as a God favouring three Bronze Age ‘cultural-religious-constructs’ out of the oily desert.

As for the much maligned pentagram, which is featured in the design, it represents the Five-Senses.

The upright pentagram is associated with your Five-Senses being engaged in your (waking) experiential physical reality of the ‘Macrocosm.’

When the pentagram is inverted it describes the introversion of the Five-Senses into the (sleeping) dream of the ‘Microcosm,’ where the archetypal expressions of the ‘Anima’ and ‘Animus’ reside.

The ‘Fallen Anima’ is depicted in the design being conjured amidst a ‘Triangle Of Art,’ which symbolically represents the power of the Imagination.

The ‘Anima’ and ‘Animus’ are covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon under my author’s name, Faustus Crow.

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SUCCUBUS SUCKER PUNCH DAKINIS

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2015 by FAUSTUS CROW

In Tibetan Buddhism you have female spirits called Dakinis who are akin to (Succubi) Succubae; although they are far more than just being sexual entities.

The Dakinis can be seen in modern guise; for example, you have five elemental Wisdom Dakinis who can be equated with the five female characters featured in the American fantasy action film, Sucker Punch, directed by Zack Snyder and co-written by him and Steve Shibuya.

The five female characters of Sucker Punch are, Babydoll, Blondie, Amber, Rocket and Sweet Pea. The storyline of the film follows the surreal Alice In Wonderland adventures of a young woman called Babydoll who is committed to an asylum, from which she seeks to escape.

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Babydoll’s surreal adventures can be equated with the inner Bardo visions as described in the Bardo Thödol.

The term Bardo refers to a discarnate existence, between death and rebirth where you experience the intermediate reality of the dream.

In the Bardo Thödol the five Wisdom Dakinis shockingly manifest of Sucker punches to the navel Chakra during the first five days within the Bardo. There is one Sucker Punch Dakini for each successive day. The five Sucker Punch Dakinis are seen to be in sexual union with one of the five Sambhogakaya Buddhas who have conjured the Dakinis, the psychologist, Carl Jung, would term as being aspects of the ‘Anima.’

(For example, the four elemental Dakinis are arranged around a fifth element Dakini, such as Mephistophina, who is the [fallen-‘Anima’] Dakini of Faustus. In other words, the fifth element [Anima-Mundi] is the [Quintessence] soul, who is not sold to the deified ‘Animus’ made as a God/Devil by the cultic monotheists, but otherwise found.)

When practicing dream Yoga, while still incarnate, each of the five Buddhas are internally assumed as alternate (inner self images) guises (Avatars) by a male practitioner. This is achieved by mediating upon each of the five corresponding Sucker Punch Dakinis, in order to come to an understanding of the Bardo via lucid dreaming. Whereupon the Wisdom Dakinis are otherwise called Awareness Dakinis, since they initiate lucidity within the Bardo dream.

The Sucker Punch Dakinis are believed to have also manifested as five women who were the physical consorts of the Wise Man, Padmasambhava.

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His name means Lotus-Born, who is also known as Guru Rinpoche. Padmasambhava is considered to be a teacher of Tantric Buddhism, which has a ‘dream Yoga’ focus upon the Dakinis.

A number of colourful legends have grown around Padmasambhava’s life and deeds, and he is widely venerated as a ‘second Buddha’ across Tibet, Nepal, Bhutan, and the Himalayan states of India unto ‘Japan,’ who is said to have greatly influenced Tibet with his Buddhist philosophy.

However, it was more of a case of a fusion between the shamanistic Bon tradition of Tibet and that of Buddhism, which makes Tibetan Buddhism quite distinctive of a Tantric orientation.

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Padmasambhava was also a renowned scholar, meditator, and a powerful magician who caused quite an Avadhuta stir wherever he went; basically, he was a shaman who had a sense of Heyoka humour.

It appears that Padmasambhava is alluded to in the film, in which you have the character of the Wise Man, who is guiding the five Sucker Punch Dakinis. The characteristics of the five Sucker Punch Dakinis are somewhat akin to the ancient Norse Valkyries, who are the martial (Anima) consorts of the shaman deity Odin.

BABYDOLL: represents the Buddha-Dakini Akashadhatvishvari, who is at the centre of the four elemental Dakinis.

Buddha-Dakini Akashadhatvishvari is often depicted being  in sexual union with the Buddha, Vairocana. Her colour is White, and her element is Ether. As Babydoll, she represents the Wisdom of Universal Law.

First day of the Bardo: Babydoll trance slides into an alternate Earth where she is a new arrival in an Illuminati run brothel, which is owned by a male character called Blue, who she envisions as being an underworld mobster, of jealous Jehovah (Animus) similarity to an all-father Jupiter.

The alternate reality of the monotheist brothel is overlapping the Plato’s Cave of a mental asylum where she and the other female patients are sex slaves of an ‘Animus’ fixation.  

BLONDIE: represents Vajra-Dakini Locana who is associated with the East. She is often depicted being in sexual union with the Buddha, Aksobhya.

Vajra-Dakini Locana’s colour is Blue, and her element is Water. As Blondie, she represents the Wisdom of the Mirror.

Second day of the Bardo: Babydoll trance slides into an alternate Manga reality of Buddhist Japan whose waters have been hardened into the unforgiving ice of monotheist dogma; it is here she meets up with the Wise Man. 

After Babydoll expresses her desire to escape the asylum, the Wise Man presents her with weapons to fight the Bardo horrors to come. He informs his Babydoll ‘Anima’ who is the quintessence of the four elements, that she needs to collect five elemental power objects, in order to accomplish her escape from the monotheist asylum of a brazen vessel, which has been forged by the the All-father fixation of the ‘Animus’ worshippers. 

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AMBER: represents Ratna-Dakini Mamaki who is associated with the South. She is often depicted being  in sexual union with the Buddha, Ratnasambhava.

Ratna-Dakini Mamaki’s colour is Yellow, and her element is Earth. As Amber, she represents the Wisdom of Equality.

Third day of the Bardo: Babydoll trance slides into an alternate steampunk reality, whose Earth is scarred by the New-World-Order banker horrors of trench warfare.

 

Babydoll makes her way through the steampunk slaughter, in order to infiltrate an underground bunker protected by the reanimated corpses of WWI German soldiers, so that she can acquire one of the five items, which is a mandala map. 

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ROCKET: represents the Padma-Dakini Pandaravasini, also called Pandara. She is associated with the West, who is often depicted as being  in sexual union with the Buddha, Amitabha.

Pandara’s colour is Red and her element is Fire. As Rocket, she represents the Wisdom of Distinction and Discernment.

Fourth day of the Bardo: Babydoll experiences trance sliding into an alternate world of a medieval Dragon-age, which is afflicted by the insanity of Hell-fire religious fundamentalism, where she is storming an Orc-infested castle.

Babydoll is seeking to retrieve two fire-producing crystals from inside the crucified guts of an infant Dragon, whose jealous parent spews Hell-fire from its pulpit. 

SWEET PEA: represents the Karma-Dakini Samayatara, also called Samaya Tara. She is associated with the North, who is often depicted in sexual union with the Buddha, Amoghasiddhi.

Samaya Tara’s colour is Green, and her element Air. As Sweet Pea, she represents the Wisdom of Action and Accomplishment.

Fifth day of the  Bardo: Babydoll experiences a trance slide into an alternate science fiction world of a potential ‘future’ beckoning back to the past.

It is here she descends from a helicopter, whose vicious blades slice the air, before she boards a speeding train, which involves her fighting an artificial-intelligence in order to disarm a terrorist bomb. 

Overall, It appears that the film Sucker Punch is loosely based upon the five Wisdom Dakinis of Tibetan Buddhism, whose surreal dream worlds depict the Bardo visions.

Whether such is indeed the elemental case of an archetypal (Anima) Muse influence is debatable, since Zack Snyder and Steve Shibuya did not indicate that the Sucker Punch girls are Tibetan Dakinis.

Whatever the subconscious Muse (Anima) influence be, if you feel inclined of (Bardo) dream Yoga, to escape from the black prison of the asylum, you can become as the Wise Man Padmasambhava, in order to then meditate upon the Sucker Punch girls as Dakini aspects of the Anima, prior to conjuring them into your Triangle Of Art lucid dreams as Tantric Succubae.

For example, you can conjure up the Dakini, Sweet Pea into a lucid dream, to thereby tune into another Bus Stop future self-image one seeks to become, in order to perhaps, attract a potential partner.

However, in doing so, one has to let go of a past self-image, to then assume a new inner self-image of ones self, a chosen Dakini empowers.

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LILITH’S HAREM: BOOK ONE, OF THE SUCCUBUS

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Dystopian, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 20, 2014 by FAUSTUS CROW

A gnarled old horned Goat of a rebellious Sorcerer Artist called Faustus Crow has conjured up a most wanton Succubus named Mephistophina amidst his triangle of art lucid dreams, with whom he has entered into a Coitus Pactum.

Mephistophina informs Crow, as his Artists Muse, on how to enter into alternate realities via his occult paintings, which become as trance doorways into other dream worlds.

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Crow’s dreams start to become more real than his present reality, who soon finds himself entering into a hellish alternate reality of a Steampunk Londonium, which is dominated by the oppressive regime of the Inquisition, against whom the meta-psychics of the Sorcerers Masquerade rebel.

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It is amidst the labyrinthine guts of an alternate Londinium, Crow meets up with the Queen of Succubae called Lilith, whose salacious feminine wiles invariably seduces Crow to become involved in an ongoing war spanning the myriad alternate worlds of the multiverse.

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First book of a Surrealist Occult Science Fiction Fantasy series. Adult themes. Click The Above Images To Take You To The Book.

Please Note: Lilith’s Harem is not intended to be a How To Do It Work-Book. Lilith’s Harem is in a similar vein to Hermann Hesse’s Faustian novel, entitled: Steppenwolf. In general, Hesse’s Steppenwolf is a symbolist autobiography, which is interwoven with an archetypal weave of surrealistic dream imagery.

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DR FAUSTUS CROW FRANKENSTEIN SORCERER

Posted in Alien, Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2014 by FAUSTUS CROW

Faustus Crow’s initial conjurations of various Frankenhooker Mind Doll Succubae Tulpas amidst his Triangle Of Art Imagination, will often assume, surreal Goetia Girl forms.

Such can be quite inspiring of surrealist exploration. But the Great Work of this symbolic alchemy, is that of creating knitted together the archetypes of the Fallen Anima into refined exquisite corpses, to thereby engage with of erotic lucid dream Coitus Pactum close encounters.

British art. Frankenstein Created Woman. Hammer Films, 1967.

A Frankenhooker Mind Doll, being a thought form, is at first visualised upon her snap-to-the-grid slab of entoptic phenomena.

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Her form, however, has a tendency to shift of an electron vision manifestation into differing modes of symbolic expression.

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Crow had determined that this is due to his electrifying emotional states, which empowers his Frankenhooker Mind Doll.

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However the energetic charge of emotions are often chaotic and uncontrolled, whose domain is of the infernal subconscious mind, from where Tulpa Mind Dolls are conjured of necromancy.

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As mentioned prior, Crow’s conscious mind seeks to knit together a Frankenhooker Mind Doll into a refined Tulpa manifestation.

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But he found that his emotional self of an Igor often rebels against his Dr Frankenstein mind.

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Whereupon his conjuration of a Frankenhooker Mind Doll can take on an unformed surrealistic expression.

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Such a creature will be made up of a knitted together juxtaposition of differing symbolic associations, which can become quite monstrous of an egregore.

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This can become most irksome indeed, when to be straddled by an Old Hag crawling out of the shadows of your bedroom, which to thence leap upon you of an invading nightmare.

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The monstrosity then promptly applies its weight upon your sleep paralysis frame.

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Before strangling you with your own mounting reptilian brain-stem fear, to then mount its self of a fully fledged hypnagogic manifestation, of pure alien abduction terror.

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So afflicted, requires you becoming aware, that your own fear empowers the thing conjured up from the depths of your psyche, to then wrestle with into another form, before awakening.

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This isn’t to say that the Old Hag and that of its associated legions of corresponding monstrosities is not real.

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Quite the contrary, in fact, it is very real indeed; for your nervous system cannot differentiate between a vividly imagined event and a so called real one.

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Whence, a fully immersive lucid dream encounter with a creature conjured up from the subconscious depths is very real indeed, of a sheer horror made manifest.

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But when transformed via the sorcery art of symbolic alchemy, the Old Hag becomes whatever your Dr Frankenstein mind sets about creating it to be.

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Whom, if you so desire it to be, as a Dr Frankenstein creating a woman, she will then serve you as your Frankenhooker Mind Doll of a Tulpa Golem.

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Crow had determined the symbolic associations of a Dr Frankenstein’s conceptual thoughts are entirely empowered by his electrifying emotional states, which as stated, can at first formulate into quite alien and most terrifying hybrid creations.

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This is due to the conflict between the mind of a Dr Frankenstein and the emotional self of an Igor.

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The trick is to determine what the emotional self of an Igor finds it easier to exhume of archetypal corpses from out of the necropolis of his buried memories.

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This will then enable a Dr Frankenstein mind to knit together a Frankenhooker Mind Doll of an exquisite corpse, which he desires to give Tulpa life unto.

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The problem however is that Igor can be easily brainwashed due to his rather base nature.

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Igor is somewhat literal minded, you see; since he tends to follow the brainwashed reptilian brain-stems of the politically-correct conformist flocks.

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For example, a Dr Frankenstein mind may discover; while seeking to conjure up a knitted together Frankenhooker Mind Doll of a Succubus, that Igor has been entirely brainwashed into believing that archetypal Angels and Demons are all male Incubi.

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This is due to subliminal influences zapping Igor’s reptilian brain-stem.

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Igor’s reptilian brain-stem is basically imprisoned by an indoctrinated culture, caught between a machismo good-cop God and a bad-cop butch Devil of Orwellian mind control.

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Whereby Igor’s reptilian brain-stem, which governs over the autonomic nervous system, has been unduly imprinted since childhood.

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As the saying goes; “have a child for seven years, and you own the adult.”

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Whereupon, seven years being educated by the brainwashed can transform a child into an equally brainwashed automaton of an adult.

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Hence Igor will rebel against Dr Frankenstein’s conjurations of Succubae Mind Dolls of the Fallen Anima due to his programmed nature; whereby engendering nightmarish Golem creations.

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So, Dr Frankenstein being a crafty fellow that he is, has to then pander to Igor’s, imp of the perverse base nature, when to fathom his darkest unsaid fantasies via in depth self-analysis.

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Whereby the sexual impulse is utilised of attraction, by using certain mandala imagery to meditate upon of an Anima focus.

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Should this not work, then shock is used of repulsion in order to break down Igor’s programming.

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Both attraction and repulsion is then consciously used of simultaneous surrealist artistry.

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The fusion of the two states is highly effective in regards to hacking Igor’s programming.

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These techniques are taken further, by logically pointing out to Igor, that the all male symbolic paradigm of the deified Animus made as a God and Devil.

The all encompassing mythic matrix of the deified Animus, has an underlying sexual orientation, which isn’t up his heterosexual inclined alley.

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Whereby indicating to Igor that his base Chakra has been upended through illogical fear, which has led to a conflict of interests, engendering surrealistic nightmares.

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Igor will of course become very angry, of a potent base emotion, when he realises that his emotional self, has been unknowingly abused in such a literal way by the conjured up male egregores of the deified Animus made as a God and Devil, which has twisted his dreams into nightmare; whereby blocking him. Igor then rallies to Dr Frankenstein’s cause.

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Hence enabling a cerebrum Dr Frankenstein mind to have a free inner eye, guiding pentagram hand, to knit together, his Frankenhooker Mind Doll, of an artistic Anima form.

Her creation is that of an Art rebellion against the patriarchal brainwash of the deified Animus, which of a male archetype resides within the psyches of all protesting females.

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This is achieved without any further bother on Igor’s reptilian brain-stem part.

Hence they work together of layered brains to accomplish the Great Work of symbolic alchemy.

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Whereupon Dr Frankenstein creates legions of knitted together Frankenhooker Mind Dolls within his Tulpa lab of the imagination.

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Many a Frankenhooker Mind Doll Art Muse thereby frequents his séance lucid dreams of an inner Harem.

Whence to Coitus Pactum ride their Pony-Girl Night-Mare ethereal flesh, of exquisite corpse ectoplasm.

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