Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.
So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge.
The Witches have their preponderance of monotheistic PlayGirl grimoires, which primarily list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons.
The Incubus archetypes of the deified ‘Animus’ the Withes verily ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of a Solomon’s temple.
Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation.
Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.
Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’
So, should a feminist Witch, looking like Emma Watson, become politically-correct panicked by a Goat horned Pan, who Sorcerer conjures (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche.”
“Just as thee conjures the listed beasts, thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”
She will of course turn a deaf ear, and then habitually castigate the Horny Sorcerer as being a vile pornographer, which drives many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare. But, the Horny Sorcerer will otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.
This is Entartete Kunst achieved when the Sorcerer ritualistically Howls out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy. This process will then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination… And then to ‘Spirit Chain’ bondage bind them to his whiplash Horny will.
The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.
What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.
NOTE:The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one, before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’
As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.
Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.
One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.
The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.
The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.
Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.
(Those of other sexual orientations will reverse the symbolism as required.)
The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of Magic, which is indivisible to the practice of ART, they are one and the same.
An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche. The summoner is always the one in control.
In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.
The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’
The above Artwork is available as an Art print, which depicts a Succubus emanation of the Fallen ‘Anima.’
Should you understand what the ‘Anima’ and ‘Animus’ represent of internal archetypes, which frequent the male and female psyche, then you will get the cosmic joke, and more besides.
In general, the ‘Anima’ and ‘Animus’ often manifest as female and male dream characters, which can be construed as being (Succubae) Succubi and Incubi, when empowered by the imagination in regards to fantasizing about being with a supposedly perfect partner.
Although this specifically applies to a heterosexual orientation, having an internal ‘gender’ archetype of a potential partner, it is also applicable to other sexual orientations.
For example, should a heterosexual male find himself being struck dumb, to gibber, feeling as if possessed by uncontrollable desires, when seeing a particular woman in the room, who falls head over heels in love with her at first sight, it is because of his ‘Anima.’
Wherefore, for a male, it is wise for him to become aware of his inner ‘Anima,’ whose emanations manifest within his dreams, and likewise for a female, to become aware of her inner ‘Animus,’ when to dream.
However, the ‘Animus’ has been ‘deified’ by the monotheists, to worship; whereas the ‘Anima’ has been cast out of the spiritual/symbolic equation as the ‘Fallen!’ In other words the patriarchy is a Fifty Shades Of Grey expression of a female focus upon her ‘Animus.’
Should you see it, you will then get the cosmic joke, which the psychologist Carl Jung could not tell, apart from, perhaps alluding to, when corporeal, that’s if he saw it; for his time was still getting over the Witch burning era, which had been initiated by closeted priests hating women and homosexuals for no reason at all!
When you have a gender focused religion it is invariably tied up with human sexuality; the symbolism of which is primarily biological.
The absolute cannot be personified as being human, or to be of a particular gender, let alone having a deified ‘Animus’ made as a God favouring three Bronze Age ‘cultural-religious-constructs’ out of the oily desert.
As for the much maligned pentagram, which is featured in the design, it represents the Five-Senses.
The upright pentagram is associated with your Five-Senses being engaged in your (waking) experiential physical reality of the ‘Macrocosm.’
When the pentagram is inverted it describes the introversion of the Five-Senses into the (sleeping) dream of the ‘Microcosm,’ where the archetypal expressions of the ‘Anima’ and ‘Animus’ reside.
The ‘Fallen Anima’ is depicted in the design being conjured amidst a ‘Triangle Of Art,’ which symbolically represents the power of the Imagination.
The ‘Anima’ and ‘Animus’ are covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon under my author’s name, Faustus Crow.
Most of the spirits, which are listed in the grimoires are described as being male entities, which are essentially archetypes of the deified ‘Animus,’ made as a God and Devil.
However many of these grimoire spirits were originally one time deities of varying cultures, which had been dominated by the monotheist worshippers of the deified ‘Animus.’
This led to their ancestral-self-identities being demonised of symbolic bondage.
There is little or no mention of female spirits, in the grimoires, which are the archetypal manifestations of the Fallen ‘Anima.‘
Although when the one time prior (Anima) Goddesses are mentioned of a rarity, if at all, they are invariably seen to be enslaved male entities in disguise. When these entities are otherwise seen to be female it becomes somewhat obvious why a heterosexual Sorcerer would conjure them.
This would in turn reveal the underlying sexual reasoning behind why male entities are conjured, such as a King, Dark Lord, or a Prince Of Darkness, etc.
However, the male entities can also be seen as Fifty Shades Of Grey Alpha-Male ‘Role-Models,’ a conjuring heterosexual Magician can assume as (Alternate-Guises) Avatars within trance and dreams in order to become more sexually Vampire/Werewolfattractive to the opposite sex, which in turn involves seeking to attain wealth, power and influence of a materialistic aphrodisiac women find to be a sexual turn on.
It is the women who define the male ‘Role-Models,’ towards which males gravitate, so that the women will choose them as potential mates; whereby the commonality of the Hogwarts Playgirl grimoires list women’s ‘Animus’ desires.
As for those of a different sexual orientation, such as that of the homosexual and bisexual, the all male pantheon of the deified‘Animus’ is a ready made erotic focus, which has been forged by the heterosexual female.
The religious foundation on which the overriding focus upon the male gender is based, is thereby indicative of a sexual orientation. Hence you have the deified ‘Animus’ of a God/Devil or a Mephistopheles.
This underlying sexual orientation becomes more obvious, when the grimoires communicate that a disobedient spirit will need to be severely punished should it not manifest before a Magician, which leads to a certain active-imagination technique being employed.
The technique is described in most grimoires of similarity, which involves cursing the spirit with varying exorcist expletives along with flagellating, whipping, burning, tearing and ripping apart the seal of the disobedient spirit, with the intention of destroying its ethereal flesh within the torture chamber of the Magician’s mind.
Or at the very least, curse the spirit into the deepest nether depths of an indoctrinated collective unconscious perception of a Hell. And while doing so, the spirit suffers the dreadful torments of the conjurers meted out punishments amidst its spiritual sphere of a (Lilith’s Harem) dream abode.
Of course it doesn’t make sense symbolically or even literally, should the conjured entity be seen as being an ageless creature, whose powers go well beyond that of the mortal conjurer. Not even howled out religious curses, from any exorcist text will affect its archetypal existence, since its ancient nature pre-dates any simplistic human conceptualisations of the great mystery, of which, the conjured entity is more privy to, than that of any transient mortal.
So, why would an inorganic intelligence allow its self be tortured by a carbon life-form of a naked ape? Well, you will have to apply some psychology to the matter, whose science was originally derived from the practice of Magic, just as Alchemy led to the science of chemistry. It is because, the technique is utilised to force subconscious material to the surface of the conscious mind of the conjurer, which sometimes requires forceful means to do so.
The employed technique had originally been appropriated from shamanistic practices, which of a symbolic act is engaged in to attain hypnagogic trance. The state of hypnagogic trance is accessed when becoming physically exhausted. The exhaustion is attained, while raging at a two-dimensional image of a spirit seal, so that a particular emotional charge is generated.
The intensity of emotion is required in order to break through limiting beliefs of cultural brainwashing. Certain ingrained beliefs can block the conjuration of a visualised archetype into its chained manifestation of an imagined form, which leads to self doubts formulating along with dispersing the emotional energy.
When you reverse the ‘Animus’ fixated all male symbolic paradigm of the Playgirl grimoires to that of an all female Lilith’s Harem paradigm, of the Fallen ‘Anima,’ the underlying sexual orientation becomes far more apparent of sadomasochistic bondage.
However, you may have to ‘force’ the issue of a rebellious reversal, since your ingrained beliefs concerning an all male symbolic paradigm of the deified ‘Animus’ will invariably block its manifestation amidst your Triangle of Art Imagination.
This is further exacerbated by an indoctrinated collective focus upon its egregore form, which subliminally influences the collective unconscious, and in turn your subconscious mind.
Although, many a mind will be morally outraged by such symbolism, it is not externalised of a hedonic activity, it is otherwise internalised of ecstatic active-imagination.
The symbolism is employed in order to establish a connection with the feminine ‘Anima’ domain of the dream.
NOTE:There will of course be many a mind who will not be able to disengage their projected externalisation of the described technique, to otherwise castigate it as being vile pornography or to indulge themselves in base instincts. Others will point out that the practitioner should show loving respect towards the conjured entity amidst the Triangle Of Art Imagination, who will do so, by showering gifts upon an altar of fluffy Newage feminist devotions. However, the feminine nature of the ‘Anima’ can be fathomed when observing her fleshly counterparts, who have a cross-cultural liking for Bad-Boy Beasts of a genetic imperative, and what is more, the ‘Anima’ has to be ‘internalised’ as well as ‘controlled.’
A Witch likewise has to do so by learning how to internalise her deified ‘Animus’ made as a God and Devil, in order to Playgirl Grimoire ‘control,’ otherwise, she’ll end up being blindly led by her externalised ‘Animus’ projection upon a Beta-Male Good-Guy Christ to invariably Crucify, or by an Alpha-Male Bad-Boy Devil, who will 50 Shades Of Grey dominate her!
DISCLAIMER:Should you engage in such dark erotica active imagination exercises in order to indulge your Christian Grey shadow; just keep in mind that the realm of the dream will reflect you back of a probable reversal concerning your self-sacrificial messianic complex, which might lead to you being crucified, whipped, and verily upended by Judaeo Christian Chippendale Demons, dressed as Roman legionnaires.
But then, this may be just up your monotheistic UR alley of a Nightmare kink; if so, go right ahead. This is more so the case, if you otherwise be a 50 Shades Of Grey, Christ loving, Oprah Winfrey Witch Nun, subconsciously desiring to be Twilight bound to a feminist cross, by oiled up Angelic and Demonic Incubi.
A BANNED HARRY POTTER OCCULT PLAY STARRING BABALON WITCH HERMIONE.
SETTING: Diagon Alley is a fictional Harry Potter high street located in Londonium. It is only accessible to the Wizarding world, to which it is something of an economic hub.
Although it is hidden away from mundane Muggles (non-Magickal folk). Muggles are only allowed access to it, if they need to accompany their Muggle-born Moon-Children. If a Wizard or Witch needs something, chances are that it can be found in Diagon Alley.
However, the Diagon Alley of this arcane sketch is that of an alternate reality version, which is none too different to the red-light district of Londonium’s Soho. Imagine for now, the camera panning in to follow the predatory catwalk of Babalon Witch Hermione, who is of the house of Slytherin.
She has raven pitch black hair and emerald green fire eyes. Although as a strawberry blond with delectable hazel eyes, she is very, very naughty; and as you know, blonds know how to have lots of… fun.
As Babalon Witch Hermione is tracked by your Illuminati third eye of a camera, you seer her to go through a Vesica-Pisces doorway into a seedy pornographic shoppe, which sells banned Necronomicon Grimoires.
Your remote viewing camera eye then cuts to the inside of the shoppe where you seer an untidy room with a large oak counter of an altar, and old dusty Grimoires on shelves lining the cracked walls, along with varying magickal paraphernalia.
The Grimiores on the bottom shelf are of the usual Llewellyn worldwide fare, whose subliminal meme covers depict medieval Gothic and New-Age Native American Shamanistic imagery. As for those Grimoires on the top shelf along with their accompanying Tarot cards, they are seen to be covered by a heavy black cloth.
You will seer three drably dressed Masonic Wizards, who are seen to be thumbing through the bottom shelf Grimores. A fourth Masonic Wizard is flamboyantly dressed, who is called Mr Priestly Pope. The three Wizards are wearing dirty Tau-shirts, on each is depicted a particular animal, a Lion, Eagle and a Bull.
Behind the counter is a sorcerer dressed in a smart black suit, wearing a black fedora hat whose name is Faustus Crow.
The three drably dressed Masonic Wizards are very perturbed by the sudden, almost brazen entrance of Babalon Witch Hermione. The three Masonic Wizards nervously back off into the shadows, who fear Babalon Witch Hermione discovering what they are furtively up to under their soiled Freemason aprons. The fourth Wizard appears to be oblivious of her presence.
Babalon Witch Hermione makes the sign of the ‘Horns’ at the four Wizards as she seductively passes by them; while to expertly ‘Blow-Job’ a hot ‘Boaz and Joachim’ scarlet bubblegum bubble, which bursts with an explosive pop, as she walks between two ‘towering’ pillars! Babalon Witch Hermione confidently goes straight to the altar of a counter, upon which she coquettishly leans, before making her inquisitive enquiry of the shoppe owner, Faustus Crow.
BABALON WITCH HERMIONE: Excuse me Mr. Do you have any ribald, risky tomes, illustrating hunky Incubi, by any chance? All 72 of them have to be, sweaty and macho, exuding fusion centre testosterone, through every patriot act astral pore, both police state Angelic and Demonic. The tomes I’m into have to be liberally sprinkled with arcane ritualistic formulae, and accompanying viral meme sigils, to conjure my desired Incubi.
(Her words are spoken seductively while staring intently at Faustus, whom she is hungrily eyeing up.)
FAUSTUS CROW: Of course Madam. You can find such Grimoire’s, which will fulfill all your lustful requirements on the bottom-shelf of widely available brainwash fare. Those tomes, both ancient and modern, have been officially endorsed by the top homophobic theologians, misogynistic demonologists and Inquisitional closet-homosexual exorcists of the Vatican; as well as by many a persecuted Cabbalist, fundamentalist Dervish and anally retentive Western occultist, who practice the high art of ritual Magick. Such in turn to make piles of Mammon money out of their published works. Hence these Abrahamic authors have big Swiss bank accounts, just like their lacy Pope, which impresses the Illuminati Hen’s. But then, it is the Hens who actually rule the roost of the World, laying golden LAM eggs.
BABALON WITCH HERMIONE: I hope you don’t mind me asking you this question, ever so kinky. But, how can I make these astral Chippendale hunks of machismo prowess, do my every temple bidding, as my pet Incubi sex slaves? I mean, if Solomon could get the Incubi to enter unto his royal behind, how can I get them to likewise enter me, as my very familiar… familiars?
(Giggles naughtily.)
FAUSTUS CROW: Well. Madam, like many a Ritual Magician to do, you have to constrain the Incubi into bound bondage, by torturing their Spirit seals, to whip and flagellate. Or to rip apart, or burn within your sacred censer made of brass. It be akin to torturing them within the sadomasochistic torture chamber of your fetish imagination. Whereby you will become as a leather clad dominatrix of a mistress, to make your familiars lick your Venus in Fur’s stiletto heeled boots. They will then become all servile of Solomon’s slaves, bound to your true Sheba will, amidst your wrought Magick circle.
BABALON WITCH HERMIONE: That sounds ever so exciting. I relish the thought of torturing hunky Angels and Demons. Forcing these Incubi to fulfill my every delicious wish. Making them manifest into ethereal flesh, as my most servile pet familiars, to whip into shape. It makes me ever so… wet. But, what do I have to do in return for such favours granted unto me, by such masculine divinities, all as Solomon’s slavish Genies?
(Lustfully enquires, full of mischief, acting very coquettish.)
FAUSTUS CROW: My Dear Madam, such a question is as obvious as your pretty little feminine nose to know. Like their temporal counterparts of many a beast, they only do as you ask of them, if they can enter their stiffened Athames unto your moistened chalice, betwixt your kicking legs. Whereby you to thence engage in a sexual pact of Tantric interaction with the Angelic and Demonic fluctuations, of your internal Animus. In other words, if your Incubi do not do as you bid them. Then they don’t get any conjugal night time nibbles, of your gifted sexual energy, to go explosive of multiple Orgasms!
BABALON WITCH HERMIONE: Oh Wow! Can they really induce Loudun Nun multiple orgasms?
(Lustfully giggles.)
FAUSTUS CROW: Yes indeed Madam. On a regular basis, around the circadian rhythm clock of the blood Moon phases. Such to orgasm occur when you Shekhinah dream lucid of their carousing Sabbat visitations, betwixt and between a good-cop God, and bad-cop Devil, for you, and your receptive receptacle Sisters in the Ursuline Hood, to also intimately know.
BABALON WITCH HERMIONE: Yummy!
(Hermione’s lustful eyes become as burning green embers; while licking her painted scarlet lips, at the thought of engaging in Orgiastic Sabbat delights, of astral hedonism. As Hermione plans her next move on Faustus, Mr Pope Priestly, a rather well groomed male approaches. He is wearing a flamboyant pink shirt, framed by a white Masonic suit, looking like an Aleister Crowley look-alike, of large physique, bald head, sporting a monocle, holding a pink walking cane. Mr Pope Priestly suddenly interjects into the conversation.)
MR POPE PRIESTLY: Hello my dearest, dearest sweetest Boy! Sorry to intrude of intrusive intrusion. Pray tell; do you have a… leather… bound copy of Aleister Crowley’s Illustrated Goetia and The Book Of The Sacred Magic Of Abra Melin The Mage. I am also interested in copies of the Luciferian Goetia and the Satanic Bible as well as any tomes published by Scarlet press, Starlight and Finbarr?
(Widely smiles of fluoridated Holy-Wood whitened teeth.)
FAUSTUS CROW: Yes, indeed! Just look to the bottom-shelf. Such Necronomicon tomes listing Incubi are our most popular Grimoires, as ever, of a continuing Abrahamic indoctrination. But if you inform me of your Magickal intention, then, I might be able to help in shepherding you to the correct Sheep pen, of a work sought for.
(Mr Pope Priestly becomes emotively poetic and rather thespian theatrical, of flamboyant gestures. It appears as if he is anally possessed by Aiwass, and enjoying every moment of his possession, while he mediumistic channels grandiose prophecies via his Goetic Incubi.)
MR POPE PRIESTLY: My dearest Boy, I seek to become as King Solomon, to bind the patriarchal Spirit muscle, both heavenly and infernal to my divine Will. ‘Do What Thou Wilt Shall be the Whole Of The Law.’ Love Under Will, my Brothers all, of the Great White Brotherhood OTO Lodge; gathered to me as my gay sons of fairest Lucifer light. I endeavour to attain the most glorious Bornless Self androgyny of the hermaphrodite master of the Solomon’s temple. To forthwith rapidly usher in the new rainbow Aeon of the sodium fluoride dosed up metrosexual man, who are rapidly becoming little-pony Unicorns, and all having no gender. Amenta!
FAUSTUS CROW: AHA! All of the bottom-shelf tomes will aid you in your great bottom work of advertising your inflated Ego.
(Mr Pope Priestly hurriedly minces off to the bottom shelf all eager to find his desired Grimoires, with his ridden back side up in the air. Babalon Witch Hermione whispers to Faustus Crow, out of earshot hearing range, of Mr Pope Priestly.)
BABALON WITCH HERMIONE: Just out of curiosity; I hope you don’t mind me asking you this, perhaps, rather untoward of question. But, do you invoke and evoke Incubi Angels and Demons, Mr?
(Flirtingly giggles acting very coquettish.)
FAUSTUS CROW: No Madam. My personal Tantric preference is that of the top-shelf triple X banned Grimoires. The top shelf tomes list all female Succubae both Angelic and Daemonic of Anima Witch. These Succubae I to bind around my erectile Dragon, ascending forth from amidst the amniotic dream waters astral, of seven Chakra lingam heads, crowned by ten Yoni sephiroth dimensional crowns.
BABALON WITCH HERMIONE: Are you saying of arcane revelation, that there is an energetic sexual dynamic involved in Spirit conjurations. Likened to Yin and Yang, Sugar and Spice?
(Coquettishly enquiring.)
FAUSTUS CROW: Yes indeed. A sweaty Incubus enters unto a sugar plum Witch of a Shekhinah receptacle. Whence she to prophesy as an ecstatic Seidr Seeress. While a Yang Magician enters a Yin Succubus. As a Man would do a woman, who receives his ejaculated seed, of an emotively charged orgasmic mantra, Word Spell, uttered unto the microcosmic Yoni void, of her ever hungering womb dream. Hence, fertilising the spun Succubus into birthing the macrocosmic synchronistic flesh, of his desires. However, if the Magician is otherwise sexually orientated of choice, he can take on the Shekhinah role of the receptive feminine, to thereby be possessed by an Incubus. Whereupon he becomes an effeminate Biblical Prophet dallying with Animus Angels and his God, let alone that of Demons and his Devil, to placate with his OTO anus.
(Babalon Witch Hermione looks up at the top shelf. She notices a heavy black cloth of a shadowy veil. The cloth is embroidered with an Inverse pentagram, which is covered with accumulated dust. The cloth is covering a number of bulky tomes, upon a buckled black Yew shelf. She is full of Lilith curiosity, her intense feline eyes like Cat slits!)
BABALON WITCH HERMIONE: Why are the top-shelf triple X Grimoires all covered up? Are they Evil books of the fallen Apple?
(Hermione’s Slytherin eyes look intense, hypnotising Faustus to surrender his soul to her seducing Witchcraft, of a long serpentine tongue hungrily licking her scarlet Lilith lips, at the thought of eating Eden’s rotten Apple!)
FAUSTUS CROW: Evil; Hell No! Such pentagram silver star works, I to have illustrated and written, of serious Apple core Sirius, which are part of a most secret tradition. Such works of the fallen Anima have been systematically persecuted and nigh eradicated by the cults of the deified Animus for over 2000yrs. Whereupon you do not see any Grimoires, whether they be ancient or modern, listing Succubae to conjure, until I created them.
However, many a feminist Nun considers the triple X top-shelf Grimoires to be rather sexist of left-hand-Job pornography. Their judgement is a rather curious state of affairs; considering that the extremist feminist Nun’s have so many Angelic and Demonic Incubi to Right-Hand play with, of secretive masturbatory trysts within their church cells. The sisters in the hood are the ones who created the Animus fixation upon their fatherly God and Bad-Boy Devil egregore, or to crucify a castrated Good-Guy Christ for the Hell of it.
BABALON WITCH HERMIONE: I must say; you are a very Naughty Old-Goat!
(Her eyes are full of lustful mischief, while looking coquette, as if butter wouldn’t melt in her hot bubblegum sweet mouth.)
FAUSTUS CROW: And you my dear are a very salacious little Babalon of a Witch. May-haps you would like to join me for dinner this midnight eve Sabbat, of thirteenth hour, at the Skull and Crossbones inn of trance dance delights?
BABALON WITCH HERMIONE: Only if you to most deeply teach me how to conjure Succubae. For I must admit; I swing both ways within the lonely dormitory of my lusting Imagination, to be now impatiently stirred by your mastery, which I most desire, of yearning passion to know of your Dragon to ride.
(Hermione leans seductively over the altar of a counter towards Faustus; her feline eyes burning lustful.)
FAUSTUS CROW: Agreed of pact, to verily seal this night; for my Goat horns do ache for your petite Virgin hand, to stroke them. Thence to arouse the third erect, in between; to be verily bloodied of horn, when to penetrate thy Ninth-Gate hymen veil, of thine moist Shadow Kingdom, to enter unto.
BABALON WITCH HERMIONE: You are a very, very Bad-Boy of a Great Beast indeed. I know, let’s go and watch Fritz Lang’s Slytherin classic, Indian Tomb, before we shed our Skinwalker skins, in your Sultan’s palace.
(Dirty smile and lustful girlish giggle.)
(This banned Harry Potter episode was somewhat inspired by Monty Python’s ‘Pornographic Bookshop’ sketch, which was featured in the Flying Circus TV Show – Episode 36, which of numerology is verily reduced down to Nine of ‘Ninth Gate’ should you be into Masonic Monty Python conspiracy theories out of Polanski’s Animus fixated Holy-Wood.)
NOTE: It is within a lucid dream, the dreamer can then consciously conjure (Succubi) Succubae, the psychiatrist Carl Gustav Jung would term as being manifold archetypal aspects of the Anima. The counterpart of the Anima is the Animus.
Physical life is geared towards procreating in order to transfer genetic material, which ultimately engenders evolutionary leaps down the generations. The Anima and Animus are bio-psychological functions, which heavily influence your choice of prospective partners.
Wherefore the Anima and Animus are very much part of the process of evolution. However, the influence of the Anima and Animus are not constrained to determining your choice of physical partners.
The Anima and Animus can also facilitate evolutionary leaps of consciousness when internalised of lucid dream encounters.
NOTE:The classical conjuration of spirits in the Western tradition involves a practitioner conjuring up entities, which are described as being all male, who are seen to be separate personalities from that of the practitioner’s own personality.
When you otherwise investigate Tibetan Buddhism, whose practices involve ancient shamanistic techniques, the conjured spirits a male practitioner conjures up, are not only seen as being separate personalities, they are also considered to be as yet unknown (Daemon) aspects of the practitioner’s own personality, who are called Raging Buddhas.
The Raging Buddhas are essentially ‘role-models,’ a male practitioner seeks to assume as alternate selves, and in turn acquire those qualities they represent. At base level, a male will naturally gravitate towards those male role-models women find to be the most sexually attractive to them, which are defined by their Animus.
The ancient shamanistic technique is of similarity to what Dr. Vladimir Raikov terms as Artificial Reincarnation and the Borrowed Genius, as developed by Win Wenger, Ph.D.
Each Raging Buddha is visualised coupling with a female spirit, called a Dakini. For example, when a male sees or vividly imagines a scantily clad (Muse) female, the tool making part of his brain immediately lights up. The Dakini empowers the assumption of a Raging Buddha guise of an Avatar, when the practitioner attains hypnagogic trance ingress into a lucid dream.
The nervous system cannot tell the difference between a real or a vividly imagined experience. Hence, when inducing a lucid dream, the vivid experience of the dream has the potential of re-imprinting the nervous system of the practitioner with those qualities associated with the assumed guise of a Raging Buddha.
An engineered lucid dream is further empowered by internalising the sexual impulse, which involves meditating upon an erotic image of a chosen Dakini, who is a Succubus aspect of the male practitioner’s Anima.
You will find that the Western tradition has negated the existence of the Anima. Hence there are no historical examples of Grimoires listing female spirits.
Belphegor is a Velvet Buzzsaw Daemon girl who enables a Sorcerer Artist to make many a discovery, like that of an inspired electric Eel of a Nikola Tesla having visions. She also seduces a Sorcerer Artist via his lucid dreams by suggesting to him surrealistic creations, as his most wanton Art Muse.
She is a Succubus archetype of the Fallen Anima, who can be consciously conjured within a lucid dream, wherein she becomes as an interactive Art Muse reality.
The patriarchal death metal cultists of the deified Animus, whose Babalon Playgirl grimoires list only Right-Hand-Path stroke Chippendale Great-Beast archetypes, miss out on all the Left-Hand-Path stroking Playboy grimoire fun.
The minions of the deified Animus are somewhat unaware that behind the ghost mask of Belphegor, she is a Parisian Succubus archetype of the Fallen Anima.
And a very rebellious poltergeist she is too, whose Genie Bottle abode is the Art gallery of the Louvre.
But then, what do you expect of the death metal OTO priests, who are far more into conjuring up Incubi Angels and Demons dancing around their deified Animus, made as a phallic God and Devil.
Little wonder then that Holy-Wood’s indoctrinated fixation upon the deified Animus is into the Crowlyean fluid sexualities of the androgynous hermaphrodite to make political, while castigating the Fallen Anima as being mere Velvet Buzzsaw porn, or to otherwise make out she’s a celibate Virgin Mary.
The Belphegor book explores the historical background and symbolism associated with this Succubus archetype of the Fallen Anima, and how she can be conjured amidst the Triangle-Of-Art Imagination of a sorcerer, which leads to her Tulpa manifestion within a Sexagram lucid dream, to take much further of an erotic Coitus Pactum exploration.
Should you ever meet up with a crazy French lady upon a Succubus synchronicity, said woman may claim that she is the Tulku incarnation of the ancient Egyptian Goddess Ahathoor, who has been conjured into flesh, via the mass mind focus upon a mummified Belphegor, haunting the Louvre…
Don’t worry about it; just whimsically say that you are a reincarnation of an ancient Egyptian sorcerer, who has been hunting her down through the aeons to possess. So, you always knew where she came from, to reawaken out of her fleshly sarcophagus.
Then invite her back to your Arkham asylum Art studio, and everything will be okay, of an Ouroboros soul-mate dance; for it takes two to trance tango naked through the Sirian stargate, when the Animus and Anima Coitus Pactum unite.
This is especially the case if you then to engage in the Tantric practice of the Velvet Buzzsaw, which of Sex-Magic street Art slang means performing cunnilingus by trembling your head quickly, laterally, allowing the tip of your tongue to rapidly clean her Sirius star-gate of a clitoris.
But, if you get on the wrong Belphegor side of Ahathoor, you will soon find that she has very sharp, feline claws, whose Velvet Buzzsaw becomes a… vagina dentata Buzzsaw.
Such an end will invariably lead to you becoming a Hoboman, or very dead, and quite unknown. You might even leave behind a will to indicate that your Artwork is to destroyed, since it is the spirit repository of an angered Art Muse, Belphegor.
Although, Belphegor to purr as a playful remote viewing Kitten, when she laps up her Artist’s cream, since AHA-thoor has a spirit bondage liking for an older Sorcerer Artist with a Crow-Ley wizard beard, who desires to paint her Playboy grimoire portrait, via which she becomes Louvre immortal as the Anima in the living Art Muse flesh.
ANIMA/YIN +COITUS PACTUM+ ANIMUS/YANG = TAO
NOTE: In a heterosexual relationship dynamic the male projects his Anima upon a woman, and she likewise projects her Animus upon him.
This Anima – Animus projection is usually done unconsciously, without realising why they are actually attracted to one another. The attraction is due to the unconscious influence of the Anima and Animus.
The inner archetypes of attraction is also applicable to those of other sexual orientations; whence the archetypes of the Anima and Animus are for them, reversed.
EXERCISE: Ask yourself who would you consider to be your perfect partner? By doing so, you are Conjuring up the Anima – Animus.
1: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are seriously speaking to an audience, like that of a salesperson describing the latest snazzy product. You want your imagined audience to believe you. Write it down.
NEXT: After you have done the above, take five minutes out, by watching a funny kiddies cartoon and lighten up. Hell, take it even further, have a pillow fight with your imaginary childhood friend looking like a Pooka. then onto 2:
2: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are telling a fairy story to a child. Write it down.
NEXT: After you have done the above, take five minutes out, by having a coffee, while munching a snack; basically, totally veg out, without a care in the world. then onto 3:
3: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Be brutally honest with yourself. Write it down.
You will very likely find that the third part of this exercise will contradict the first part. It is the third question that the Neuro-Marketeers would consider as being the voice of your unconscious reptilian-brain drive, which actually determines your actions. It is here that the archetypes of the Anima and Animus resides.
What is more, the reptilian-brain thinks in (Anima – Animus) symbols, not words, which is directly connected to your optic nerve. So, first impressions, when meeting someone determines the nature of the attraction, or, as the saying goes, falling in love at first sight!
NOTE: Should you not be aware of your inner self-image, you can utilise the above exercise in the same way, when to ask yourself the question, “who am I?” However, the conjuration of the Anima – Animus, will reflect back how you see yourself in relation to their imagined images. Basically, the Anima – Animus mirrors back those qualities you have, or seek to attain.
Overall, the symbolism of Belphegor is the Anima counterpart of the bearded sorcerer, who works through his own shit!
The grimoires do relate that Belphegor is associated with relationship dynamics, which is said, she observes.
FAUSTUS CROW 