Archive for tulku

GOETIA GIRLS OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Dr Who, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 16, 2016 by FAUSTUS CROW

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Artists often engage themselves in the ‘derangement’ of their senses in order to mutate their perception, to thence attain another inspired perspective. One example being Salvador Dali, who developed a surrealist technique of creative derangement, he termed as the paranoiac-critical method during the 1930’s. (The watercolour painting above depicts Mesphistophina. Click the image or here for further details.)

However, Dali’s paranoiac-critical method has been utilised by shamans for ages, whose psychonaut techniques of lucid dream inducement involved the creation of dream characters, a Tibetan Buddhist would term as being Tulpas.

I am aware that a number of dry scholars have pompously pointed out that the word Tulpa is a misinterpretation of the Tibetan term, Tulku, which is essentially a self-constructed Avatar. However, when assuming the alternate guise of a Tulku within a lucid dream, it is like that of an actor playing a part in a film, whose other supporting characters are Tulpas, who reflect back the assumed guise of a constructed Tulku.

For example, if you assume the Tulku guise of Vincent Price, you might just find yourself having a dream of being in a horror film, whose other actresses and actors are Tulpas. Why would you assume the guise of Vincent Price, you might ask? Well, it may be because you seek to empower your acting ability, should your profession be that of an actor; or to otherwise assume the guise of Austin Osman Spare, if you are an artist. Perhaps you might decide to fuse these influential personages together with Henry Miller, to thereby create a Tulku; and like a time-travelling Doctor Who writer would do, whose TARDIS brain to travel around the Succubae Decans of the Zodiac ages, you can also imaginatively assume the star-sign guise of Vincent van Gogh.

Should this sound rather ‘deranged’ to you, consider the intriguing experiments conducted by Vladimir Raikov who is a Russian psychotherapist, head of the Laboratory for Hypnosis at the State Scientific and Research Centre for Preventive Medicine. In general Raikov hypnotised his subjects to believe that they were the reincarnations of Rembrandt or Mozart, etc. Evidently after a period of doing this, his subjects brought back from their induced trance state the abilities of the personages with whom they had identified. For example, someone who had identified himself with Rembrandt had awakened his or her own artistic ability to eventually make a career out of Art; others may prefer to identify themselves with Aleister Crowley.

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“There is also a third kind of madness, which is possession by the ‘Muses,’ enters into a delicate and virgin soul, and there inspiring frenzy, awakens lyric….But he, who, not being inspired and having no touch of Madness in his soul, comes to the door and thinks he will get into the temple by the help of Art–he, I say, and his poetry are not admitted; the sane man is nowhere at all when he enters into rivalry with the Madman.”

― Plato, Phaedo

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If you consider all of this to be quite mad, keep in mind that children subconsciously learn from any influential role-models around them. Raikov’s technique is just an adaption of what children naturally do. However, the barriers of accumulated belief of an adult, blocks him or her from fluidly learning as a dreaming child. Hence, the beliefs of an adult requires the need to be broken down by believing that the assumed persona is a reincarnation, even if it is an artificially constructed Tulku, which could just as well be that of a future incarnation.

However, you do not need to be hypnotised by another individual, such can be potentially very dodgy; you can attain the same experience via lucid dreaming, which of dream Yoga, will enable you to assume a desired guise of a particular Tulku.

A Tibetan Buddhist would otherwise assume the Tulku guise of one of his many Buddhas via meditative and auto-hypnotic (trance) practices, in order to empower his spiritual progression. You will also find that each Buddha is depicted copulating with a female representing the power of a corresponding dream domain, who is termed as being Shakti, Carl Jung would call the ‘Anima.’

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The Anima can manifest as differing female characters, each of which can be seen to be a female Tulpa, who empowers a corresponding Tulku.

The female Tulpa can be ‘artistically’ constructed as a mind-doll means to empower lucid dreaming, which a Tibetan Tantric Buddhist would call a Dakini.

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Although the medieval mind-set of the West, a Dakini is otherwise called a Succubus, the prior ancient Greek’s knew as a Muse, who to remind that Art is Sorcery, Sorcery is Art, they are indivisible from each other, one and the same of shamanic practice.

When to see a Succubus as a constructed Tulpa, it is none too different to a computer program, like that of a web-bot browsing your informational dreams, which then initiates a virtual reality lucid dream, created by your quantum computing TARDIS brain.

The Succubus has lost its deeper meaning since the medieval mindset of the West has castigated sexuality and the feminine principle out of the spiritual equation, whereupon becoming purely demonic of hedonism, having no meaning whatsoever beyond that of blindly copulating.

The male counterpart of a Succubus is an Incubus, whose ‘Animus’ manifestations of God, Devil, angels and demons are commonly listed in many a Grimoire, who are known as Daka in Tibetan Buddhist dream Yoga practice.

The reasoning behind the focus upon a (Dakini) Succubus is that of introverting the sexual impulse in order to overcome what is technically termed as the Old Hag Syndrome, when accessing the hypnagogic state of trance, at the point of sleep. The hypnagogic state and the ensuing sleep paralysis can be quite terrifying, which of Bedroom Invader nightmare terrors can be otherwise transformed into a Night-Mare Succubus to ride into conscious dreaming.

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This can be achieved when the sexual impulse is introverted, via a prior meditation upon an erotic image of a particular Succubus, in order to negate the fear of the practitioner; for it is the reactive state of fear, which makes the experience of hypnagogic trance so horrifying.

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FAUSTUS CROW, SORCERER OF OZ

Posted in Art, Chaos Magic, CREATIVE WRITING, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 8, 2016 by FAUSTUS CROW

Mephistophina enthroned betwixt the pylons of sleeping and waking as the Sirius Star Girl Guide into Lilith’s Harem of the dream, where unto Faustus Crow to trance slide serpentine, when to have penetrated Mephistophina’s Ninth Gate of a moist, dimension.

Crow to have utilised one of his paintings as a trance gate into dreaming, by assuming the Avatar guise of an alternate self, to become of a horned shaman mask.

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The dream slid into, of an alternate reality, being that of a steampunk world of Oz, where the sorcerer artist Austin Osman Spare had escaped to Salem, with others of arcane kindred, who were fleeing being persecuted by the fascist forces of the Holy Inquisition.

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After varying surreal adventures of harrowing, it came to pass that Crow was crowned the sorcerer of OZ; it was now just a question of how to return back to a world left behind of waking.

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Then again, is he dead, yet alive, simultaneous, like Schrodinger’s Cat, or to actually want to return from the Multiverse realm of dream worlds governed over by the Night-Mare Succubae, which be Lilith’s Harem.

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Though, when to eventually return upon a dream slide; Kwisatz Haderach slider Crow to find that Londinium is no longer his born to Kansas anymore, but that of an alternate London; it being just one of a myriad number of copies, occupying innumerable parallel universes, within which there be other versions of Crow to slide into.

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Little wonder then that Crow went Ninth Gate mad, who to question, “which me, is the real me? They are all as numerous as uncountable grains of sand, outnumbering the spiraling stars.”

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Mephistophina to answer, “they are all aspects of your Tulku self, and you, being an aspect of them, dreaming each other into reality, which be all as Maya. It being the very nature of consciousness. As for grains of sand, I am as the astral desert between the oasis worlds, illuminated by the fallen bio-photon star of Diana-Lucifera; my dearest Faustus.”

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BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Belphegor is a Velvet Buzzsaw Daemon girl who enables a Sorcerer Artist to make many a discovery, like that of an inspired electric Eel of a Nikola Tesla having visions.

She also seduces a Sorcerer Artist via his lucid dreams by suggesting to him surrealistic creations, as his most wanton Art Muse.

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She is a Succubus archetype of the Fallen Anima, who can be consciously conjured within a lucid dream, wherein she becomes as an interactive Art Muse reality.

The patriarchal death metal cultists of the deified Animus, whose Babalon Playgirl grimoires list only Right-Hand-Path stroke Chippendale Great-Beast archetypes, miss out on all the Left-Hand-Path stroking Playboy grimoire fun.

The minions of the deified Animus are somewhat unaware that behind the ghost mask of Belphegor, she is a Parisian Succubus archetype of the Fallen Anima.

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And a very rebellious poltergeist she is too, whose Genie Bottle abode is the Art gallery of the Louvre.

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But then, what do you expect of the death metal OTO priests, who are far more into conjuring up Incubi Angels and Demons dancing around their deified Animus, made as a phallic God and Devil.

Little wonder then that Holy-Wood’s indoctrinated fixation upon the deified Animus is into the Crowlyean fluid sexualities of the androgynous hermaphrodite to make political, while castigating the Fallen Anima as being mere Velvet Buzzsaw porn, or to otherwise make out she’s a celibate Virgin Mary.

The Belphegor book explores the historical background and symbolism associated with this Succubus archetype of the Fallen Anima, and how she can be conjured amidst the Triangle-Of-Art Imagination of a sorcerer, which leads to her Tulpa manifestion within a Sexagram lucid dream, to take much further of an erotic Coitus Pactum exploration.

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Should you ever meet up with a crazy French lady upon a Succubus synchronicity, said woman may claim that she is the Tulku incarnation of the ancient Egyptian Goddess Ahathoor, who has been conjured into flesh, via the mass mind focus upon a mummified Belphegor, haunting the Louvre…

Boris Karloff and Zita Johann in 'The Mummy'

Don’t worry about it; just whimsically say that you are a reincarnation of an ancient Egyptian sorcerer, who has been hunting her down through the aeons to possess. So, you always knew where she came from, to reawaken out of her fleshly sarcophagus.

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Then invite her back to your Arkham asylum Art studio, and everything will be okay, of an Ouroboros soul-mate dance; for it takes two to trance tango naked through the Sirian stargate, when the Animus and Anima Coitus Pactum unite.

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This is especially the case if you then to engage in the Tantric practice of the Velvet Buzzsaw, which of Sex-Magic street Art slang means performing cunnilingus by trembling your head quickly, laterally, allowing the tip of your tongue to rapidly clean her Sirius star-gate of a clitoris.

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But, if you get on the wrong Belphegor side of Ahathoor, you will soon find that she has very sharp, feline claws, whose Velvet Buzzsaw becomes a… vagina dentata Buzzsaw.

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Such an end will invariably lead to you becoming a Hoboman, or very dead, and quite unknown. You might even leave behind a will to indicate that your Artwork is to destroyed, since it is the spirit repository of an angered Art Muse, Belphegor.

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Although, Belphegor to purr as a playful remote viewing Kitten, when she laps up her Artist’s cream, since AHA-thoor has a spirit bondage liking for an older Sorcerer Artist with a Crow-Ley wizard beard, who desires to paint her Playboy grimoire portrait, via which she becomes Louvre immortal as the Anima in the living Art Muse flesh.

ANIMA/YIN +COITUS PACTUM+ ANIMUS/YANG = TAO

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NOTE: In a heterosexual relationship dynamic the male projects his Anima upon a woman, and she likewise projects her Animus upon him.

This Anima – Animus projection is usually done unconsciously, without realising why they are actually attracted to one another. The attraction is due to the unconscious influence of the Anima and Animus.

The inner archetypes of attraction is also applicable to those of other sexual orientations. 

EXERCISE: Ask yourself who would you consider to be your perfect partner? By doing so, you are Conjuring up the Anima – Animus.

1: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are seriously speaking to an audience, like that of a salesperson describing the latest snazzy product. You want your imagined audience to believe you. Write it down.

NEXT: After you have done the above, take five minutes out, by watching a funny kiddies cartoon and lighten up. Hell, take it even further, have a pillow fight with your imaginary childhood friend looking like a Pooka. then onto 2:

2: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are telling a fairy story to a child. Write it down.

NEXT: After you have done the above, take five minutes out, by having a coffee, while munching a snack; basically, totally veg out, without a care in the world. then onto 3:

3: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Be brutally honest with yourself. Write it down.

You will very likely find that the third part of this exercise will contradict the first part. It is the third question that the Neuro-Marketeers would consider as being the voice of your unconscious reptilian-brain drive, which actually determines your actions. It is here that the archetypes of the Anima and Animus resides.

What is more, the reptilian-brain thinks in (Anima – Animus) symbols, not words, which is directly connected to your optic nerve. So, first impressions, when meeting someone determines the nature of the attraction, or, as the saying goes, falling in love at first sight! 

NOTE: Should you not be aware of your inner self-image, you can utilise the above exercise in the same way, when to ask yourself the question, “who am I?” However, the conjuration of the Anima – Animus, will reflect back how you see yourself in relation to their imagined images. Basically, the Anima – Animus mirrors back those qualities you have, or seek to attain. 

Overall, the symbolism of Belphegor is the Anima counterpart of the bearded sorcerer, who works through his own shit!     

The grimoires do relate that Belphegor is associated with relationship dynamics, which is said, she observes. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The 2014 published book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

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SUCCUBUS EVOCATION OF TULPA GOETIA GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The term Tulpa refers a physically tangible entity or that of an inanimate object, which has been created through sheer willpower alone.

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A Tulpa is a materialized thought, which has taken on physical form or otherwise manifesting as a Ghostly influence such as a Succubus, for example; it is usually regarded as synonymous to a thought-form.

“There are… apparitions that make public appearances. Some of these are said to be the perceptible double—the etheric counterpart—of a living person who is undergoing an out-of-body experience.”

“Even more mysterious are the externalized perceptible manifestations of something whose existence originated in the mind of its creator by virtue of that person’s incredible powers of concentration, visualization, and other, more occult, efforts of the mind.”

“In Tibet, where such things are practiced, a ghost of this kind is called a Tulpa. A Tulpa is usually produced by a skilled Magician or Yogi, although in some cases it is said to arise from the collective imagination of superstitious villagers, say, or of travellers passing through some sinister tract of country.”

(Mysteries of the Unexplained, 1990, Reader’s Digest Association Inc. page 176)

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The Frankenstein creation of Tulpa’s is part of ancient Tibetan Bon-Po Shamanistic practices, which originally came to the West during the 19th century via the works of Alexandra David-Néel.

It is however said that the term Tulpa is a Western misinterpretation of the Tibetan, Tulku, which is again an engineered thought form.

Although it is assumed as an alternate guise by the practitioner when engaging in trance and dream states, somewhat like an Avatar.

The Tulku is also utilised as a means to determine the nature of a future incarnation, such as being incarnated as a scientist creating androids.

Whereas a Frankenstein creation of a knitted-together Tulpa is generally that of an externalised entity.

Néel claimed to have created a Tulpa in the image of a jolly, Friar Tuck-like Monk which later developed a sentient self-aware life of its own.

However Néel didn’t like the Friar’s lustful smile, so he had to be destroyed. Néel could have had so much fun with her creation. Néel’s Friar was like many an Incubus Angel or Demon, to be found listed in numerous medieval Playgirl Grimoires of the deified Animus, made as a God and Devil.

Alas there be no ‘Anima’ Playboy grimoires; well, not until I created such a Necronomicon of the Fallen Anima listing (Succubi) Succubae archetypes.

All of these ‘Animus’ archetypes, Witch Nuns love to secretly conjure, betwixt and between their God and Devil, closely followed by the closeted patriarchal Mages and Priests.

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However, Néel was somewhat celibate. If Néel had been otherwise inclined, she could have introverted her sexual impulse in order to empower her Tulpa Friar, of a conjured Incubus to carry a ‘sigilised’ desire into her subconscious. Then again, may be that is what Néel had achieved of sorcery Art; but she did not tell!

Many Western artists and authors have since used the theme of taped-together sigil Tulpas in their Mind-Doll works. Mostly in the context of horror fiction as well as works covering mysticism and occult practices, which has the Creepypasta tendency, to be rather fearful of habitual Biblical perspective.

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This habitual fear of the Tulpa is very much tied up with a similar fearful attitude towards an ‘Artificial Intelligence’ becoming sentient, which is summed up by Mary Shelley’s knitted-together Frankenstein’s creature, or that of the prior taped-up Golem of Jewish folklore.

Basically, the likes of Néel’s fear, and that of others, of an ongoing similarity emanates from their religious indoctrination, that the creation of a life is the sole province of their deified Animus made as a God/Devil.

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However, when you dream, the (programs) characters encountered therein of (virtual reality) dream-worlds are essentially ever evolving black-tape Tulpas.

Should you achieve lucidity within a dream, you will soon find that a Tulpa can appear to be sentient.

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When you practice lucid dreaming, you will also be able to construct a Tulpa within the Art studio of your imagination, which can be constructed as a taped-together Succubus, in order to engineer erotic lucid dreams.

The technique would initially involve painting a ‘sigilic’ pattern over the delectable form of the meditated upon image of a chosen Succubus, which will look like she is wearing nothing more than a superheroine costume, of black-tape.

Others have also engaged themselves in constructing a Tulpa, such as the Skippy experiment, which was conducted by a group of parapsychologists in Australia, who created their own ghost girl called Skippy Cartman.

The construction of the Ghost Girl Skippy Cartman could have been otherwise that of a Succubus Tulpa of the Fallen Anima, which isn’t too dissimilar to Dr Frankenstein creating a black-tape Frankenhooker.

NOTE: Those who claim that they do not dream is a misinterpretation. It is more of a case of not remembering their dreams. Dreaming is a neurological necessity. The practice of dream Yoga requires the practitioner to remember his/her dreams first, before attaining a lucid dream, wherein dream characters can be consciously conjured.

If you are not prepared to work on yourself, by seeking to remember your dreams, you will not be able to experience eventual lucidity within a dream.

In general, the use of spells and rituals refers to the practices of Art. Spells of word-form spelling is a means to reconfigure the internal-dialogue, in order to influence dreaming by repetitively uttering a spell like a Mantra, which will sound like a song.

A Mantra is based upon an ancient understanding that every word you speak or write, nigh instantaneously ‘conjures’ up a symbolic association amidst your imagination, otherwise you will not be able to understand a word, which is spoken or written.

Dreams are often surreal of ‘symbolic’ nature, due to the internal-dialogue you have with yourself being chaotic. Hence, a Mantra is utilised in order to control and direct the internal-dialogue, so that a specific dream can be engineered of internal Artistry.

Rituals are no different to ‘performance Art,’ which enables the practitioner to direct his/her ‘Emotions,’ which empower associative ‘Thought’ processes and in turn initiating the correspondence of associated ‘Memories.’ The conjured ‘Memories,’ are then cross-referenced into new ‘conjured’ forms by the ‘Imagination.’ 

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