Archive for nikola tesla

V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a Visitor sleeper agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

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The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

 The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of male university students by utilising second wave feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.    

 

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DOCTOR STRANGE TESLA FRANKENSTEIN

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 31, 2015 by FAUSTUS CROW

The inventor Nikola Tesla is very similar in many respects to the fictional character of the mad scientist Doctor Frankenstein, since Tesla was a Doctor Strange mage of electricity who had captured the power of the Vajra lightning bolt; whereupon Tesla’s DNA Helix coil is often utilised in many a Frankenstein movie animating corpses; although in reality, Tesla’s Doctor Strange genius ushered in the science of robotics.

You could then envisage Tesla as being like Doctor Frankenstein merged with Doctor Strange, who likened to a sculptor, he sculpts a Golem out of prima materia mud to give life unto; that or seeing him as a Palaeolithic Sorcerer Supreme sculpting a Venus figurine out of Mammoth bone, which of quintessential feminine form symbolises his proto-Hugh Hefner desire.

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Such a Playboy icon of a Venus figurine would of course require Tesla’s electrifying emotion to give life to her still lifeless corpse of sculpted clay, wood or bone, who will then manifest within his dreams as an interactive mind-doll Tulpa of lucid dream sorcery.

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If you allow your imagination to let rip, the Tibetan sorcery art of creating a Tulpa, would be taught to the Marvel comic character Doctor Strange, who, likened to Tesla, would apply his scientific mind to sculpting an inventors Muse of a Frankenstein Succubus out of his neurosurgeon thoughts to Mantra name, Clea.

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Alas, the Boaz and Joachim pylons of Marvel and Disney’s vast media empire will not allow for such an exploration of Tantric dream Sorcery.

This would be far too risky of a seven seal penetration into the shamanic lore of Bon-Po Buddhist Tibet, which might cause potential theological grief to the Abrahamic superhero audience, since occult Doctor Strange was born of the Carlos Castaneda Hippie era of LSD, going DMT.

Just as it was too risky having (Hellboy) Guillermo del Toro directing the film of Doctor Strange, with (Sandman) Neil Gaiman writing its esoteric script, whose occult leanings are well known.

Doctor Strange was instead directed by (Sinister) Scott Derrickson with a screenplay, written by (Passengers) Jon Spaihts.

Although the actress Tilda Swinton of prior androgynous Gabriel fame, out of Abrahamic Hellblazer, played the Aryan part of a Vril-ya Ancient One, of a sex change transformation into a probable Nordic dominatrix.

It is she, likened to Lord Of The Rings, Galadriel, who instructs Doctor Strange in the Holy-wood arts of reptilian brain-stem neuro-advertising magic, which of an art, Marvel and Disney are highly versed in of mass media hypnosis.

The question is, what was a Nordic Witch doing in snowy Tibet? Shouldn’t the Ancient One have been played by an Asian actress, or better still, a Tibetan Dakini? Although, a Tibetan Witch would’ve pissed off the Chinese authorities.

Perhaps the Caucasian Vril-ya dominatrix is a veiled Holy-wood reference to the Lioness Vril Society, whose war-drobe coven of Witches are said to have channelled information about a ‘Tesla’ flying disk of a time machine.

It is said of myth making conspiracy theory that Operation Paperclip later appropriated the ‘Tesla’ Vril disk from the Nazi’s, who were infatuated with finding an Aryan super-race in the icy hinterlands of Tibet.

Anyway, as for for Tesla’s Doctor Strange surname, it may allude to a (phallic) ‘wand’ like tool for woodworking, which could have been used for sculpting Mammoth bone of a prior age.

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Or maybe the name of Tesla refers an artists brush, painting a cave wall, or a later, pencil? Whatever the case, Tesla’s surname might have been an occupational (Shaman) title.

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Then again Tesla’s surname may have originally been derived from the book of Genesis, wherein one finds the Hebrew word ‘Tzela’ or ‘Tsela,’ whose term refers to the rib bone of Adam, from which the Venus figurine of Eve was sculpted.

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However, a Biblical scholar has put forth a controversial argument that Eve was in fact made from Adam’s ‘erect penis,’ not that of his rib; wherefore Eve was created from Adam’s electrifying erotic desires.

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The Biblical scholar and Golem Professor, Ziony Zevit of the American Jewish University in Maryland has suggested that Eve was made from Adam’s ‘baculum’ or penis bone, which of rabbinical logic is why man does not have a phallic bone, until experiencing a boner, around a Venus in Mammoth furs.

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Professor Zevit, explained that the Hebrew word ‘Tsela’, doesn’t actually translate as ‘rib,’ which is instead referring to the erect limbs sticking out sideways from an upright human body.

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Hence Eve’s surprising origin from Adam’s erection, which of course requires the consummate visualisation skills of a Doctor Strange as well as having a Playboy grimoire focus of a sculpted icon, for the left-hand path to go pumping, while to imagine Eve giving a ‘B-oaz and J-oachim.’

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The word ‘Tzela’ or ‘Tsela’ is used in several differing ways within the Old Testament, which Professor Zevit claims have invariably been misinterpreted by the numerous translators down the ages, who have quite forgotten all those Palaeolithic Venus figurines sculpted by shamans, which to have been the prior ‘Anima’ focus upon the altar, within the inner ‘temple’ of their consciousness to alter.

Zevitt claims that Tzela refers to any protruding part of the human anatomy, including feet, arms and penis. Zevit to have said, “Of these appendages, the only one lacking a bone is the penis.” 

Zevitt’s scholarly peers of Biblical symbolism are of course unconvinced by his claims; his critics to laughingly point out that the word ‘Tzela’ means rib in post-Biblical Hebrew. Although Zevitt’s critics to laugh, Adam’s rib, doesn’t make any symbolic sense at all, unless their Adam is into barbecued spare ribs of politically correct symbolism. But if ‘Tezla’ does in fact refer to penis, then it will give you an insight into an ancient practice of Tantric dream sorcery.

For example, Tesla was a highly adept lucid dreamer, who could sculpt his dreams into many a futuristic invention to then manifest of 1200 patents to his name, of a world record. It was his innate ability to consciously dream that set Tesla aside from other inventors.

Tesla ushered in the modern age, who invented A/C current, Radar, the Fluorescent light bulb, the Radio, Rotating Electro Magnetic field, the X-Ray, as well as many another futuristic invention, such as a supposed flying disk and even a possible time machine. Some of Tesla’s inventions were utilised by Reagan’s shadowy Star Wars project, let alone being the A.I. messiah of robotics.

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Perhaps Tesla had conjured up a knitted together inventors Muse of a ‘Tzela’ Succubus in order to spin his electrifying electron dreams to tune into futuristic possibilities of lucid dream time travel; just like a Palaeolithic shaman Sorcerer Supreme of a Doctor Frankenstein, sculpting a Playboy Venus figurine of a ‘Tsela’ Eve, to thence Doctor Who ride her as his Night-Mare TARDIS through time, via his eroticised dreams.

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TRAVELLING FASTER THAN LIGHT

Posted in Alien, Conspiracy Theory, Extraterrestrial, Science Fiction, Star Trek, Star Wars, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , on June 17, 2015 by FAUSTUS CROW

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When the Hubble telescope peered into the depths of the cosmos, it was soon discovered that some of the galaxies are travelling away from our own galaxy at an ever accelerating rate.

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This may be due to the result of a yet unknown force of dark energy, which sounds like something right out of Star Wars; this dark energy drives the accelerating expansion of the universe. But what is this dark energy? Its influence upon the properties of neutrinos (an electrically neutral and nearly mass-free sibling to an electron) might allow this dark energy to be detectable, which could reveal why the universe is expanding.

Some theoretical physicists believe that the neutrino may of initially triggered, the anti-gravity force of dark energy, which had only just been discovered just over a decade ago. That’s the latest idea from a team of theoretical physicists who suggest that dark energy was created from neutrino condensate in the split second after the universe’s birth 13.7 billion years ago.

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“The idea had sprang from calculations showing that the density of dark energy is comparable to the value of neutrino mass,” said lead researcher Jitesh Bhatt, who works at the Physical Research Laboratory in Ahmedabad, India.

It just so happens that during September 2011 workers at CERN-unnos, the world’s largest physics lab, announced they had recorded neutrinos travelling faster than the seed of light. They recorded neutrinos travelling at 300,006 kilometres per second within a 450-mile underground uterine tunnel between Switzerland and Italy.

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As an esoteric aside of numerology, these numbers are curious, both: 450 and 300,006, reduce down to the shamanic focus upon the number nine; whereas Light travels at 299,792 kilometres per second. However, the findings caused a stir, which were later discounted and put down to a faulty connection between a screwy GPS unit and an irate computer.

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All rather odd, considering CERN is the world’s largest mega funded magic circle Hadron Collider, of publically known ring conjurations; how could they have made such a simple mistake? Who knows, maybe the military industrial complex has an infernal Collider of their Dreamland own, whose underground Area51 Necromancer toes don’t like being stepped on; hence CERN’s Mages had to be nobbled. The Chinese are no doubt doing likewise, who may have an Ouroboros of a Dragon holding a Bubble Witch Pearl in its mouth.

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Whatever the case, the great Wizard, Albert Einstein, who ushered in the modern world of technological wonders, had proposed a hundred years ago, that nothing could travel faster than the speed of light in a vacuum. This constant has underpinned the standard model of physics, which is presently used to explain the way the universe and everything in it works.

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Although CERN’s findings of neutrinos travelling faster than light were discounted, the universe does not play the same Shiva game as the intellectual Yoga scientists, many of whom have a vested interest in keeping everything neat and Grimoire tidy; yet, the further the galaxies are from our own, the faster they seem to be travelling, some of which are travelling faster than the speed of light. So, if a neutrino is forbidden to travel faster than the speed of light, how can a galaxy be doing the impossible?

One answer the scientists have come up with, is that the fabric of space is expanding faster than light, which is taking the galaxies with it, like an expanding bubble, whose fabric of space is not limited by Einstein’s cosmological speed limit.

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So, the galaxies are not actually travelling faster than light, but the space within which they reside is, somewhat likened to Dr Who’s wormhole engineering TARDIS. Another analogy is likened to that of a surfer on a wave. The surfer is the galaxy riding the wave of space time, which is expanding and moving faster than the speed of light.

The model of an expanding bubble or that of a surfed wave of an analogy leads you to Roger Shawyer’s invention of the EmDrive, which of a Star Trek curiosity was looked into by a team of NASA scientists. When the scientists fired lasers into the EmDrive’s resonance chamber, like the scientists at CERN, they didn’t expect the particles being accelerated to astronomical speeds, with some moving even faster than the speed of light.

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But of course, such is impossible, just like galaxies travelling faster than the speed of light, which only appear to be doing so because of the expansion of space time expanding like a bubble; however, the cosmological shape of the universe has been determined as being flat.

Maybe the flat sheet of the universe is observed because of the fixed speed of light, which is tied up with your perception of time moving forwards.

Whereas, the flat sheet of the universe expanding faster than light, leads to time folding back on its self; whereupon becoming as a spherical bubble.

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One of the NASA scientists is reported to have said: “…this signature (the interference pattern) on the EmDrive looks just like what a warp bubble looks like. And the math behind the warp bubble apparently matches the interference pattern found in the EmDrive.”

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What if the scientists at CERN weren’t wrong in their initial findings concerning neutrinos travelling faster than light, who had inadvertently created a warp bubble.

In other words, it wasn’t the neutrinos travelling faster than light, which, likened to the observed galaxies, they were moving faster than the speed of light, because of the bubble expansion of space time.

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The observance of the expanding universe and that of galaxies moving away from our own beyond the speed of light, is unavoidable; wherefore, if the scientists at CERN had indeed observed neutrinos mimicking galaxies as observed in the expanding cosmos and its Big Bang interference pattern of microwave radiation, it would indicate that they have discovered a way to travel faster than the speed of light, by expanding space time via their magic circle Hadron Collider.

It would also indicate that the math behind the warp bubble may explain the expansion of the universe, which matches the interference pattern found in the EmDrive.

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If such is indeed the case, and that the scientists are very much aware of the, “so Above, So Below” connections, then why are they not revealing their findings? Well, it will no doubt be because of vested interests in keeping it all under wraps, since their discovery will literally overturn everything, which many a physicist will not be able to handle; even though, travelling faster than the speed of light will enable humanity to journey to the far distant stars in a blink of an eye, which will also require time travel capability.

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The unavoidable problem facing humanity is, if we do not attain such a technology, we will be essentially imprisoned; unless we already are, should the scientists discover we are existing within a simulation; if so, there are other alternate simulated realities we could access. But, it might require us travelling faster than the constant of light to know of these other realities.

There is also the possibility that the scientists had merely rediscovered something already known about by the sickeningly well funded military industrial complex, who do not want the general public to know; this is more so the case, since, the capability of travelling faster than the speed of light and time travel can of course be weaponised.

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The movement of time folding back on its self would also indicate that Eternal Recurrence is very likely true, which would lead to seeing the universe as being a repeating simulation among other simulated universes.

You then have the possibility that there are those whom consider that the general populace are not yet ready for such an evolutionary breakthrough. Perhaps they are right, considering the ongoing insanity of numerous religious conflicts, fueled by legions of numbered brainwashed Bible bashing individuals, who fear technology as being the Athiest tool of their Devil.

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But one thing, for sure; should they have the capability to travel faster than the speed of light as well as to journey through time, it will only be the very secret province of a select few.

Maybe some of the faster than light artefacts, which the Hubble telescope picked up, were EmDrive starships of a very Secret Space Program, you could equate with Star Wars Galactic Empire; then again, they could be from the future, hovering around as many a UFO; perhaps both. You then have a science fiction scenario of a Secret Space Program consorting with time travellers, who are not aliens, but very human.

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This makes things all the more scarier, since you know what humans are capable of, who will protect their vested interests at all costs, even if it means imprisoning the rest of humanity. All you have to do, is to remember the Wizard Nikola Tesla, who ushered in your age of technological wonders; Tesla did not agree with Albert Einstein’s proposition, that nothing can travel faster than the speed of light:

“He [Tesla] informs me, further, that he knows of speeds several times greater than that of light, and that he has designed apparatus with which be expects to project so-called electrons with a speed equal to twice that of light.” (Everyday Science & Mechanics, November, 1931, article, Hugo Gernsbak)

Tesla’s apparatus could be construed to be a time machine, since an electron being projected, equal to twice that of the speed of light, would then travel back into the past. The question is, what happened to Tesla’s device, let alone why many of his other inventions had disappeared? It isn’t too much of a mystery; for shortly after Tesla’s demise, his work was appropriated by the American government, and duly hidden away.

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You can thereby determine, of a science fiction possibility that Tesla’s time machine has since evolved of greater refinement since 1931, in secret, which may have something to do with the Roswell incident.

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In other words, it wasn’t an alien craft, which crashed at Roswell, it was a human wrought time machine; the pilots of which might have come from the future, who belong to a very Secret Space Program.

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UFO WOMAN IN BLACK FROM LILITH’S HAREM

Posted in Alien, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 3, 2015 by FAUSTUS CROW

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The Ufologist and Cryptologist, Nick Redvern decided to engage in the practice of remote viewing in order to further his research into arcane matters. He did so in private, away from his peers. They would not understand this quirky turn of events in his investigations, to no doubt violently castigate it as being far too dangerously Fringe of the occult hippie. Whereupon he secretly took up brief residence in a seedy roadside motel, not too far away from Area 51, Dreamland.

Redvern wanted to determine who The Men in Black truly are, who all looked like bald headed Aleister Crowley clones. But, in order to take his overriding MIB obsession into uncharted territory, where Ufologists fear to tread, he needed to discover their female counterparts.

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He started to suspect, they were the true power, of a throne, since they are hardly ever mentioned. Their conspicuous absence of continuance indicated a greater mystery to fathom.

Redvern awaited the late hours of the desert night before he proceeded with his ritual, which required the use of an Ouija board.

His in depth research concerning The Men in Black phenomenon, indicated that many of The Men in Black visitations of a haunting occurred after a haunted individual had dabbled with the Steampunk spirit board, of spiritualist infatuations.

As Redvern prepared himself of lotus position meditation, he did not expect that the slide into trance around the Ouija board, would happen so quickly, as his hand was rapidly planchette taken over, pointing out letters in rapid succession, which spelt out the name, Purson, as well as the words, Succubus, and, Queen.

But the words quickly lost their conscious meaning as Redvern suddenly, experienced subconscious mediumistic visions of a shadowy clad woman, looking like a female version of a man in black, awaiting his conjuration of her.

Redvern’s eyes went white of inward fish orbs, becoming upturned, amphibious, towards the top of his skull; while falling ever deeper into the astral waters of ecstatic trance. As he did so, his quivering voice was recorded on a running tape machine; “I see her, yes! This Purson, who be a Succubus Queen. Yes! She looks like a catwalk model slender girl, whose beautiful face seems to have feline features, making her look to be of oriental, perhaps, Mongolian, or even Tibetan of descent. Her slanted eyes appear to have cat-like slits, who has manifested along with two other ravishingly gorgeous Succubae; both of whom are similarly dressed in black, or otherwise Gothic of shape-shifting fashion style. One of the other Succubae looks to be Lappish of looks, of very pale skin, which is offset by her jet black hair, looking like a classic Goth chick; while the other Succubus appears to be Mediterranean; maybe she is Turkic, of olive skin appearance.”

Redvern continued; “Purson appears to be holding a riding crop in her left hand, which bites as a Viper, or that of a black yew wand, becoming as a Cobra flute; that, or she is wielding a guitar, its neck that of a Snake, held in her hand of a symbolic fusion of these elemental weapons. All three of these Succubae are predatory, like Lionesses, who are riding a shiny new black Cadillac; its engine growling like a contented Bear, which is sounding its eerie clairaudient trumpeting horn three times, as she makes her Genie entrance into my vision.”

Then Redvern heard her seductive voice of inner clairaudience. “I have appeared; for you sought me out around your spirit board, which of hypnagogic trance induction towards the back of your Agartha head of Lilith’s Harem, tunes your subconscious mind into the quantum realm of the electron dream, where my inorganic intelligence resides. My physical frame, is elsewhere of the future born, where Time Travel within informational dreams is facilitated by our time control technology, which involves quantum teleportation. But if I so choose, I can enter into your time frame of bilocation, along with my Succubae sisters; whereby physically manifesting as a hologram. The prior interlude of which, might generate ensuing synchronicities and poltergeist phenomena, as the connection between your time frame, and that of my own is forged. So, what do want of me?”

Redvern couldn’t believe what he was hearing of an imaginary voice; who mumbled out loud; “can you help me in my research? I need to write another book; my monetary resources are not matching my lavish Dallas lifestyle. I need a new conspiracy theory angle.” Purson appeared to have smiled of an inner vision, and then answered; “Of course I can; I know all things hidden, of which you desire to know concerning your military industrial complex as well as discovering those 2012 singularity treasures they hide away. It was I, who had spun the visionary dreams of Nikola Tesla as his inventors shadow muse.”

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“What?” Redvern to have asked of his active imagination conjuration. “You was the one who inspired Tesla’s futuristic inventions. How?” Purson answered; “I spun his electron dreams, to tune into my bio-photon signal, which emanates from amidst the mitochondrial DNA, whose light illuminates the quantum computing dream of Omega futures beckoning back to their Alpha. The source of the inner light, the shamans of the Altai know as the Bear mother of fire, who initiates the death’s kiss of trance.”

Purson to continue. “Her name in their language is called Yal-un eke; whereas the master of the inner fire is known as Odqan, who is the fire king, Lion of the world; otherwise called the shaman-smithy elder brother of the shaman, whom the black shamans seek to emulate, when to master their inner Yal-un eke fire.” Redvern’s internal ear to prick up at the mention of black shamans. Black shamans… are they associated with The Men in Black?” Purson was silent for a moment, and then answered. “Yes; they are our fearsome Skinwalker agents, who are presently engaged in a time war with the greed of a few, who have stolen the future of all.”

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“Who are these, greedy few, you speak of?” Redvern to enquire, of testing, yet, likewise thinking to himself that he was going quite mad. Purson then said; “they are what many consider to be, reptilian Illuminati. But they are just reptilian brain-dead-stem human gangsters, who are aware that you are surrounded by a time travelling capable civilisation, forged by your future descendants; just as your own civilisation surrounds an unknowing stone age tribe in the Amazon. The few of the so called shadow government elite, have hypnotised themselves into believing that they must protect your civilisation at any cost. But in truth, they are merely protecting their own illusory influence and transient power.”

Redvern was intrigued by what Purson had to relate of an animated archetype; “what else can you tell me?” Purson answered; “I can tell of all things past, present, and to come. But, be aware there are innumerable Ouroboros possibilities of a closed timelike-curve alternate reality. I can take on a physical human body, or being otherwise ethereal, and to answer truly of all Earthly things both secret and divine; to also reveal the reasoning behind the subversively engineered closed timelike-curve of your present Matrix. I bring forth most loving Succubae into your dreams, and under my Agartha Government there be 22 Legions of such Succubae, who be partly of the Order of Virtues and partly of the Order of Thrones. My two-dimensional sign of a seal, or character is to be mediated upon prior to conjuring me into three-dimensional lucid dream existence. By this seal, I owe obedience unto, for you to also wear in time of action.”

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Redvern’s active imagination vision was suddenly broken by three loud knocks at his hotel door. He shook his head clear of his twilight trance, thinking himself to be a total fool to lose himself to such imaginative folly. Redvern then stood up, feeling a bit dizzy at first as he made his way to the door; while damning the hotel staff under his breath, who he had earlier informed not to disturb him. When he opened the door, his eyes nearly popped out their skull and cross-bone sockets.

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“Fuck me!” Redvern said out loud in shock, as he found himself being confronted by a young woman wearing a black Cat-woman jumpsuit and wraparound MIB shades. She had long black hair, whose skin was Gothic chalk pale, with a black lacquered electric guitar strapped to her back. The woman inanely giggled at first, almost becoming that of a screeching cackling Witch; who of a sudden stopped dead her girlish giggle fit, to then seriously say, sounding almost monotone of voice; “not tonight Mr Redvern; can you please autograph my book.” She then handed Redvern a copy of his own writ tome, entitled: ‘The Real Men in Black,’ as well as a black pen, along whose length was etched a gold serpent.

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Redvern was far too stunned to object, who found himself automatically signing her book. After signing his name, the woman abruptly snatched back her book and pen, who started to inanely cackle, to then again suddenly stop; becoming very serious of expression. “Thank you Mr Redfern, I mean… Redvern for your… Contractual Signature.”

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She then flamboyantly turned away and walked off into the night towards the hotel car park, with her hips swaying of an exaggerated Marilyn Munroe walk. Redvern just stood at the open door with his mouth agape.

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He was frozen to the spot, to shortly thereafter observe a shiny new 1950’s black Cadillac drive off very fast of a growling roar, to then be near blinded, by an Albedo flash of serpentine lightning splitting the heavens over the Sabbat desert.

His protective eyelids, instinctively closed, behind which of Rubedo redness, a grid-like Matrix of light was briefly seen all around him. It was as if he was inside a computer simulation before his eyelids flickered open again.

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But there was no thunder to follow, apart from hearing a toy trumpet being played by a little girl, who was trailing after her aggravated parents spilling themselves out of a ragged camper van. On the side of the van was painted Whitley Strieber’s iconic Grey; its tetrachromat wraparound shade eyes, staring back at him.

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“Fuck me!” Redvern said again, before he Siva feinted into the Baron Samadhi Nigredo.. blackness, of Kali Ma.

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DOCTOR DOOM CONJURES VAPULA OORO MUNROE, SHE’S SUCH A STORM

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Horror, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 6, 2014 by FAUSTUS CROW

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Within the rancid skull of castle Doom, surrounded by the Eastern European iron forest of Latveria, the black magician Doctor Victor Von Doom made his way down a shadowed spiral stairway of ancient crumbling stone into the castle’s ritual chamber.

Within the ritual chamber of an infernal mind laboratory, Doom’s chief Tulpa engineer of the necromantic arts was apparently knitting together a Tulpa for Doom’s Solomonic spectral army of demonic slaves; or so Doom thought.

Doom boomed out of an echoing voice as he entered the cavernous laboratory, which looked more like an arcane art studio, “I hear that you have accomplished the deed I set forth for you, doctor Frankenstein.”

Frankenstein turned around from the canvas slab to which was bound a knitted together exquisite corpse of an oil painting, whose layers of paint involved the writing of intricate sigilic formulae around the Moon phases. Over these twenty eight layers of tattooed skin, the final painting was done.

The finished work of ritual art was then covered by a silk black cloth depicting a copper coloured inverse pentagram.

“Yes, indeed, I have achieved what you asked of me, and far more.” Doom stared at Frankenstein; “more you say, most intriguing. But, I will be the judge of that. I desire to see this demonic grimoire Tulpa, I commissioned you to create, so that I will be enabled to control the weather systems of the whole world via its Necronomicon conjuration. With this catastrophic power I will destroy the old world, in order to initiate the return of the Golden Age under my New-World-Order dominion. Now, show me my new slave!”

“Of course.” Frankenstein answered, as he pulled away the black silk cover revealing a life size painting of a most beautiful African woman. Doom was at first taken aback; “What in the nine Hell’s is this? I was expecting a classical death metal demon of medieval temperament. This creation is just a modern day glamour pin-up of Ooro Munroe. She looks like a Marilyn Munroe peroxide blond topping Halle Berry’s head; no different to an explicit mandala jerk off photo shoot for capitalist Playboy. If I conjure this, whatever it is, I will be thrown out of the OTO.”

He started to laugh, which is a bit of a rarity to say the least; hardly anybody laughs in medieval Latveria, least of all, grim Doctor Doom.

Frankenstein then said; “You don’t quite understand, Doom, she is the very essence of Ooro Munroe. This knitted together exquisite corpse is that of Munroe’s captured quintessence, now bound into planetary metals suspended in oils, to have accordingly coloured of dream sorcery, whose secret mantra name is Vapula.”

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Doom inquisitively looked at Frankenstein through the skull eye sockets of his shiny metal mask; “the quintessence of Ooro… her secret name is Vapula? explain!”

Frankenstein answered; “when you meditate upon the painting you repetitively intone the mantra name of Vapula; while to intermittently visualise her seal. This will enable you to initiate a hypnagogic state of trance. When you achieve the trance state, you can then evoke Vapula amidst your triangle of art imagination, which will then lead to a sixth sense lucid dream conjuration of her Succubus essence; whereupon you can then fully engage with her sensory reality, involving all of your inverted five pentagram senses.”

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Doom looked very perturbed, almost nervous; sweating even, to itch under his steamed up armour; “Succubus? What do you mean by the usage of this loaded term?”

Frankenstein wirily smiled to himself; “well, it’s somewhat self explanatory isn’t it doctor. You have to introvert your sexual impulse of a an emotional charge so that you can bring her to electrifying orgasmic life within your spun electron dreams. Wherefore Vapula then becomes as your most loving Frankenhooker mind-doll servant, who as a microcosmic Succubus Genie will service your every megalomaniac whim upon a macrocosmic synchronicity.”

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Doom shook his head; “I should have had you thrown into the deepest pits of the netherworld, long ago, Frankenstein, which is still on the Tarot cards.

The activation of this Tulpa requires my… ” Doom then nervously coughed, attempting to continue; “my sanctified Dr Strangelove seed of machismo prowess, which has to be kept eugenically pure at all costs. I cannot allow for this. I commissioned you to create a real Biblical demon; all bristling muscles, jagged spikes and serrated horns, or at the very least looking like one of Aleister Crowley’s phallic illustrations, or that of a morose H. R Giger Lovecraftian beast of writhing tentacles, siring Biblical end of days slaughter, when I desire it.”

Frankenstein sighed in exasperation; “Your fixation upon the classical Abrahamic symbolic paradigm of a branded mind-set, will invariably lead to you becoming upended by conjured Incubi, who will duly possess your Biblical anus through your rusting ritual magic armour. But, if that is your indoctrinated Golden Dawn leaning, go right ahead of an OTO sexual orientation. Do what you wilt, as the saying goes. But you do realise that by conjuring the Succubus Vapula, she will empower you to assume the alternate guise of the Black Panther, within a lucid dream as your Buddha Avatar, and in so doing, you can access all of his abilities, when you bind her to your iron will.”

Doom went silent for a moment, pondering the delicious possibility of entirely dominating Vapula and via her total subservience, she will enable him to acquire the power of the Black Panther.

Then Doom said; “this word, Vapula is derived from Vapulate, which means to flog, beat, whip or to strike, which has now perked up my sadomasochistic tendencies to dominate her. Tell me more about this Succubus, Vapula.”

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Frankenstein then explained; “Vapula is the Sixtieth Goetia Succubus, who is otherwise known as Naphula. She is a great, mighty and strong Duchess of the seventh dimensional planetary sphere. She at first appears in the form of a black Cat with Bat’s wings or that of a Sphinx, before assuming the exquisite form of Oroo Munroe, who, as you know, is also called Storm.”

“Her Witch office is to make her master knowing in all handcrafts and professions; also in philosophy, and other Fantastic Four DARPA sciences, such as those of Nikola Tesla, via whose X-Men science we now have the Avenger weather control technology of HAARP, she to reveal all about of remote-viewing.”

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“She governs over thirty six legions of Wakanda Succubae who emanate from Lilith’s Harem; and her seal or character, is thus depicted in her two-dimensional painting of a spirit repository, upon which you meditate in order to conjure Vapula into your three-dimensional lucid dreams.”

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Doom again went silent of pondering thoughts, before saying; “Vapula at first assumes the visionary form of a Witches Pussy Cat or that of an Egyptian Sphinx, you say; interesting. Tell me more about why she assumes the form of a feline Sphinx?”

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Frankenstein answered; “The word Sphinx, actually comes from the Greek, meaning, ‘to squeeze, to tighten up.’ The name is a reference to the factual observation that the hunters for a pride of Lions are the Lionesses, which kill their prey by strangulation, biting the throat of prey and holding them down until they die. However, the utilised symbolism, is that of an occult blind, which refers to an experience, termed as the Old Hag Syndrome or that of the Bedroom Invader. The Old Hag Syndrome usually occurs when a dreamer experiences sleep paralysis at the point of hypnagogic ingress into the dream, who is then assailed by a predatory Succubus. The presence of the Succubus can inspire intense fear in the dreamer, who will sense he is being strangled by his own nighmare made manifest, which could potentially lead to his physical demise.”

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Doom then interjected; “she sounds really dangerous, I like her!”

Frankenstein continued; “yes, she can be highly dangerous to the uninitiated who do not know her riddle. But when the fear is otherwise negated by the prior ritualistic Tantric introversion of the sexual impulse, the strangulation of the reptilian brainstem transforms its self into a erotic caress of a feminine hand to the back of the head. This then initiates a shift of consciousness towards the ‘hall of records’ cerebellum, where the dreamer consciously accesses the dream, who will then encounter the Succubus as his informing lover.”

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Frankenstein further related. “In Greek mythology, a Sphinx is represented as a daemon with a head of a woman, the body of a Lioness, having the wings of an Eagle, you could otherwise see as Gryphon’s wings, as well as sporting a serpent-headed tail. This symbolic formula refers to the arousal of an energy along the spinal column, which the adepts of Yoga call the Kundalini Shakti. The Kundalini energy is seen to have a female source. Whereupon you have a woman, who is termed as Shakti. This energy is often aroused by a visitation of a predatory Succubus, the Hindu, Buddhist or Tantric calls a Dakini.”

“Wherefore you have the motif of a Lioness, who will initiate an out of body experience, which is symbolised as the wings of an Eagle or Gryphon. The out of body experience, which is initiated by the visitation of the Sphinx will allow the dreamer to travel through time via his quantum dreams. This is the reason why H.G Wells had a Sphinx depicted upon the front cover of the first publication of his novel, entitled, The Time Machine. The Kundalini is also known as the fire snake; hence you have the serpent-headed tail of the Sphinx.”

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Doom lustfully smiled behind his mask, saying; “I am most impressed indeed. I think I will have to commission you to knit together more of these Succubae Mind-Doll’s for my spectral army, Frankenstein. In fact, my spectral army will be entirely comprised of Succubae. In the meantime, I will have my Latverian minions collect the grimoire painting to place in my bedroom, this very night of a much looked forward to conjuration. Oh! by the way, can I flog the painting with my Cat of Nine tails, while I masturbate…”

Doom to Freudian slip, who then had a hacking cough, to rectify of continuance; “I mean, meditate upon Vapula’s image, while whipping her essence into total submission to my divine will?”

Frankenstein answered; “if it be your visualisation pleasure to do so of a Spirit Chain ritual, go right ahead, whip away, to your dark heart’s beating content.”

Doom stuck his mask nose up into the air of a perceived superiority to then flamboyantly turn away of dramatic sweeping cloak, leaving Frankenstein alone. Although, he wasn’t quite entirely by himself.

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Frankenstein was surrounded by his necromantic comic art works of erotic knitted together Mind-Dolls. He waited until Doom was entirely out of psychic sight and clairaudient earshot before lighting up a Camel cigarette, who then merrily sauntered over to a hidden alcove, within which was another covered painting.

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Frankenstein whipped off the cover to reveal a life size painting of a naked female version of Doctor Doom.

Frankenstein knowingly smiled, saying to himself; “when I conjure you amidst my lucid dreams, my dear knitted together tin girl, of a dark delight, playboy Jupiter sphere Succubus; I will assume the guise of Doctor Doom. And in so doing, I will acquire all his abilities and powers, having total control over a spectral army of Goetian Succubae, who be all grimoire comic Marvel superheroines to erotically conjure amidst my triangle of art. Whereby I will attain dominance over the entirety of the Marvel universe, when I assume the Avatars of all the Marvel superheroes, who are empowered by their corresponding superheroine Succubae.”

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Frankenstein to have continued; “but I will not stop there; after conquering the Marvel universe I will move onto the superheroine Succubae of the DC universe and that of others myriad, of a multiverse, to fuck my way through, to rule over.”

Suffice to say, castle Doom was soon renamed castle Frankenstein; but at least he knows how to really Heyoka party of imaginative conjurations, let alone laugh away the moroseness of the indoctrinated medieval mind-set of the Lilliputian Latverian’s.

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GOETIA GIRL STEAMPUNK SHAMAN STOLAS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 9, 2014 by FAUSTUS CROW

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Stolas is yet another interesting Succubus archetype of the Fallen Anima to examine. When conjured, Stolas induced a vision of an orgiastic toga party out of the Imperial Roman Empire.

She manifested amidst the remote-viewing third-eye of psychic Übermensch Aaron C. Donohoo. Although the toga party appeared to be occurring in the ‘Senate’ of Whitehouse Washington, in which a number of pole-dancing Roman women were stripping off their stolas around a Fasces, atop of whose pole was perched the Aquila of America.

The word Stolas was then repeatedly heard of clairaudience from the gathered audience of lusting male politicians whose establishment is based upon the worship of the deified Animus, made as a God and Devil.

The science fiction writer Philip K. Dick also experienced such a VALIS vision, who realised the worship of the deified Animus of Constantine’s Rome indicated that THE EMPIRE NEVER ENDED.

Donohoo later found out that a Stola or Stolas was the traditional garment worn by Roman women, corresponding to the toga, or the pallium, which was worn by men. Originally, women wore togas as well, but after the 2nd century BC, the toga was worn exclusively by men, whereas women wore the Stola.

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It was later considered disgraceful for a woman to wear a toga when Constantine’s Christianity came to the deified Animus fore across Rome’s Empire. Women wearing the male garment had become associated with prostitution and adultery. Such Roman attitudes did not subside, they too afflicted 1960’s America, where a lesbian woman could be potentially incarcerated within the fetid gut of an Arkham Asylum against her will, should she have went around dressed as a man, let alone  being sterilised.

Then Donohoo’s vision became singular of focus. All the naked women became as a knitted together Exquisite Corpse, becoming thence as a Frankenhooker, who looked like a dark haired Gothic Dorothy, somewhat akin to the Judy Garland protagonist of L. Frank Baum’s The Wonderful Wizard of OZ.

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Some to say, Dorothy represents an individualized ideal of American women, or to otherwise represent the sweet ‘Anima’ apple pie girl next door, of most intimate possibilities.

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However, the girl was smoking Scythian hemp, who indicated she was a Wichita shaman standing at the superimposition Vesica Pisces () point of a door, representing a (1) Alpha beginning and an (0) Omega ending, becoming one and the same of a closed timelike curve Ouroboros.

Donohoo was aware that the Wichita are a confederation of nomadic Plains Indians who are indigenous to Kansas, Oklahoma, and Texas, whose land was later occupied by the worshippers of the deified Animus.

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The scene was suddenly transformed around the girl, whose naked body shimmered, who now wore Steampunk clothing looking like a shaman sheriff, wearing a tin star of a Wiccan pentagram.

The scenery around her had become that of a treeless prairie of sun-beaten grass; there was also a paint-stripped Whitehouse of a Solomon’s temple, which overlooked a vast prison camp of a New World Order Eden.

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The scene around the Steampunk girl was all a dull, drab, lifeless gray of an ever recurring film constantly repeating.

Donohoo became aware that the grim scenery around the girl reflected the forlorn condition of a Steampunk era Kansas, during the late 1880’s and early 1890’s, when a climate change combination of scorching droughts, severe winters, and an invasion of Biblical grasshoppers reduced the prairie to an uninhabitable Middle Eastern wasteland.

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The result for farmers and all those who solely depended on agriculture for their livelihood was devastating. Many ascribed their dire misfortune to the natural elements, who then moved on from their broken dreams.

Others blamed the hard times upon vampire bankers, the oppressive expansionism of the zombie railroads, and various shifty Wall Sreet ghouls, who seemed to profit at the farmers’ expense. Angry victims of the Kansas calamity also took aim at the nosferatu politicians in Washington, who often appeared indifferent to their plight. Around these economic and political grievances, the Populist movement coalesced.

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During the late 1880’s and early 1890’s, Populism rapidly spread throughout the Midwest and into the South. But Kansas was always the site of its most political and radical elements. In 1890, Populist candidates began winning seats in state legislatures and Congress, and two years later Populists in Kansas gained control of the lower house of the state assembly, elected a Populist governor, and sent a Populist to the U.S. ‘Senate,’ where those thieves who are rich in native gemstones do gather.

Suddenly a massive Raven was seen flying across the astronomical sky filled with glistening stars, which the Witchita consider to be a sacred trickster. The Raven then Skinwalker shapeshifted into a massive black triangular craft floating atop of a tornado, tearing its way across the scarred Kansas landscape. Donohoo was aware that the twister, which carries Dorothy into the alternate Steampunk reality of a Hippie Goth OZ symbolised the prior Populist cyclone, which swept across Kansas during the early 1890’s.

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Theosophist Baum was not the first to use the twister metaphor. Mary E. Lease, a fire-breathing Populist orator, was often referred to as the ‘Kansas Cyclone,’ and the free-silver movement was often likened to a political whirlwind, which had taken the nation by storm. Although Dorothy does not necessarily stand for Lease, Baum gave Dorothy’s last name as, Gale in the stage version, being a further pun on the cyclone metaphor. As an aside, it just so happens the scientist and wizard, John C. Lilly also utilised the metaphor of the () cyclone, who spoke of an artificial intelligence just as the author Philip K. Dick did.

However, the dark haired girl said that she preferred to be called Stolasi, and that she had originally descended from the flying Yoni triangle in yet a smaller Dog-Star vessel, before appearing as herself unto a Toto priest. Stolasi revealed that her trans-dimensional time-machine had evolved from an earlier Nikola Tesla technology, which had been secretly developed by the military industrial complex, whose black project of a Secret Space Program had been unknowingly funded by the tax payer across Kansas and the rest of the USA. The American populace, and those elsewhere, are quite unaware that the Singularity has already occurred of an artificial intelligence going OZ quantum, across the 37th Parallel.

The old magicians, who had no concept of such craft or of other dimensions, which allow ingress into alternate Steampunk Earth’s next door, observed Stolasi as a large Raven spinning their electron dreams of a time control signal, of a beginning and end, binary code, eternally recurring of an Ouroboros vortex.

This sacred trickster of a fourth-dimensional Raven would assume the form of a dark haired girl wearing a black Stolas when summoned amidst their Triangle Of Art Imagination. Thus she was drawn in the sigil image as a browsing Raven.

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She is a most delicate and gentle Succubus archetype of the Fallen Anima who has always been an educator of a sentient program, who expresses a great love for her conjuring Surrealist Artist of an OZ Wizard.

It is said that her Dorothea specialty is to teach dodecahedron astronomy of the 72 Angel angle Maya matrix, the properties of mind altering psychedelic plants, and the worth of precious Chakra stones via erotic Vesica Pisces lucid dreams, she to induce. Stolasi is a Steampunk shaman ‘Princess’ among the rebellious Succubae of the Fallen Anima. She is listed as the thirty-sixth Necronomicon Great Old One of the Goetia, who governs over 26 legions of Wizard of OZ Succubae archetypes like herself.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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UFO OVER SPACE AGE HOUSTON

Posted in Alien, Extraterrestrial, Lucid Dreaming, Occultism, Science Fiction, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 20, 2014 by FAUSTUS CROW

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During August 11th 2014 the people of Houston, Texas experienced a common thunderstorm.

Although on this uncommon occasion a circle of lights were seen amidst its billowing clouds, which was captured on film. The lights surrounded what appeared to be a central beam.

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The lights initially appear to be part of a static object, although video footage was later released, which showed the lights as being independent of each other.

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Apparently the lights were moving in and out of a ‘circular’ formation, unless the object was tilting, which gave the effect of the lights moving independently.

Dr. Carolyn Sumners of the Houston Museum of Natural Science, sensibly answered KPRC News queries concerning the sighting of the unidentified flying object: “I think the trick in UFO’s, is figuring out what else they could be. It’s easy to say that could be the aliens.”

Sumners did not deny the possibility of an unidentified flying object hovering over Houston, but said more investigation is needed to figure out the real identity of the object.

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Sumners to continue; “if it’s a real object and it looks like it is. The more people who see it in different directions, the more likely we are to figure out where it is, what it is and see if we can explain it. All the way back to ‘recorded history,’ there are going to be things we can’t explain. That’s what makes it exciting,” she added.

Well, it could have been one of those very rare occurrences when ball lightning has been observed as well as photographed, of which Nikola Tesla would have been very interested in, to thereby have translated into a technology. If he had done so, it would have been appropriated by the government to keep very secret indeed.

Let’s ‘travel back into time’ to visit 1963 Texas in order to investigate another intriguing incident. However this time occurring in Dallas, approx driving distance: 239 miles/385 km, from Houston. Besides the tragic event of John F. Kennedy’s assassination at the ‘time,’ a certain photograph of the JFK aftermath had been unearthed some years later, which appears to have also caught a hovering UFO on film. The photo had been taken by an unknown photographer in Dealey Plaza, in Dallas shortly after John F. Kennedy was assassinated.

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The spectators captured in the photo appear to be those from other photos, which had also been taken during the day of JFK’s assassination. The photo is usually seen to have been taken the day after the event. However, some to say that this is not the case, due to the most telling aspect of the photo being that there are no memorial flowers or wreaths in the area of the shooting. By November 23 1963 the general public had quickly turned the area into a makeshift shrine. This and other items certain researchers to observe, confirms that the photo was taken during the day of the assassination, November 22, 1963.

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The photo has its own ‘time’ stamp, since the clock on the Hertz billboard can be seen in the original, which reads 2:09. This is an unusual stroke of luck that a photo of this era can be so surely dated and timed. This photograph clearly has a ‘historic’ value, which shows how the police investigation began, surrounded by stunned spectators who continued to mill around the area even an hour and a half after the assassination.

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Some to say that JFK knew that UFO’s are real and that we are surrounded by another civilisatation, which of a deeper than black secret, he later drunkenly related to Marilyn Munroe, this led to both of them being assassinated; whether such is indeed the case, is of course highly debatable; but not improbable, since historical fact is often far stranger than Hollywood-land fiction.

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You may notice that there is an object hovering just under the right hand corner of the Dealey plaza photo, which some will obviously say could just as well be a defect in the film. Such could be indeed the case; for it initially looks like a small area, which may have gotten wet or been smudged. Yes; It could be merely a defect on the film or the print its self. A sceptical bent of mind would dismiss it out of hand to be a photographic defect than an actual object, in the photo. However It is hard to tell exactly what it is, unless you investigate the original, to then argue over of a magic bullet.

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But let us correlate the two photos, for a moment, of an initial investigation; although distanced in ‘time,’ hovering over two separate locations, there does seem to be a similarity. Although, the Dallas photo was taken during the day without any storm present; while the Houston photo was snapped in the evening, during a thunderstorm. The Houston UFO appears to be hiding in the clouds until lit up by lightning. Both the Dealey plaza UFO and the sighting of the Houston object seem to be circular of formation. However, the Dealey plaza photo depicts something looking like a smoke ring, as if it was left behind by a possible circular object; while the Houston sighting involves lights.

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If the photo of Dealey plaza actually depicts a UFO, could it be of the same phenomenon as the Houston sighting? Should you allow your imagination to let rip; what if the Dealey plaza UFO is the same object, which was observed hovering over Houston; then you would not only have a UFO, but also a Nikola Tesla ‘Time Machine,’ which is perhaps piloted by your time travelling descendents journeying from Dallas to Houston, across space as well as through time.

Sounds absolutely crazy doesn’t it; but let’s make an analogy here; how would a lost stone age Amazonian tribe react to a Boeing 747 flying high overhead, amidst a thunderstorm, who are totally unaware that they are surrounded by your technological civilisation, which has conquered the skies? They would probably believe that they are being visited by spirits, who will react in the same way that you would do, believing in aliens, when confronted by a technology of which you are totally unaware of, whose human pilots have conquered… time.

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What is more, the above analogy isn’t too farfetched as it seems, your government has already set about protecting a number as of yet un-contacted Amazonian stone age tribes from any encroachments by your civilisation. But of course, such can only last for a ‘time.’ Likewise, the human users of a time travel technology would also set about protecting your present society from their existence around you, by making sure that you will not know who they actually are. What you will then have is a ‘Secret Space Program,’ whose existence can only be guessed at when to photograph a passing UFO hovering overhead, piloted by your humanoid kin, just as an Amazonian stone age native, attempts to fire his poisoned arrows at a Boeing 747, within which you to lounge, travelling back to Space age Houston.

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