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THE CONJURING OF A SUCCUBUS ART MUSE INTO A LUCID DREAM

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2016 by FAUSTUS CROW

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The Conjuring of varying entities and those worlds, which they occupy, many an Artist to know. The practice of Conjuration is engaged in whenever the Artist is confronted by a blank canvas onto which is Conjured a form. This requires an emotional connection with what is to be Conjured; for it is the emotional charge of the Artist, which animates what is being visualised.

The visualisation phase engenders thought processes, which automatically kick in, generating a myriad number of symbolic associations, which can take on manifested form within a lucid dream.

The symbolic associations are determined by what is being visualised. The visualistion will be of differing intensities depending upon the emotional charge of the Artist.

Most often than not, the visualisation will be more of an impression than a fully fleshed out form; at other times, it will be quite vivid, though fleeting.

Sometimes it will be very vivid of an overlapping ghost reality. Whatever is Conjured of a form, will be constructed from innumerable symbolic associations, which are derived from the memories of the Artist.

Everything that the Artist has ever experienced is stored within the subconscious, being the storehouse of memory. You then have a formula of: Emotion, Thought and Memory, which can be termed as the ‘Triangle Of Art.’ At the midst of the ‘Triangle Of Art,’ you have the ‘Eye’ of the ‘Imagination.’

It is the inner eye of the imagination, which, of a ‘Paranoiac-Critical Method’ example, fuses the memory of a Fox with a human figure of, say, a Hogwarts Witch of a schoolgirl, which then creates something else of a St Trinian ‘Exquisite Corpse’ Conjuration, you could knit-together as a Manga version of a Japanese Succubus, known as a Kitsune.

This will of course require the Artist to have the necessary ‘observational’ memories concerning Japanese culture, which will be Conjured up automatically.

If not, the Artist will then have to rely on references. Whatever the case, when the Artist observes everyday events, it is not done in a haphazard way; the Artist has to make it a habit of consciously transforming what is being observed into a sketch, let alone a painting within his/her imagination.

The character of a Kitsune does not exist in a void; wherefore, her Conjuration will then generate associations with everything Japanese drawn from memory of ‘re-remembering.’

So, when the Artist manifests her upon the canvas, it will then lead to an associative world being painted around her.

The trick is, the stronger the emotional connection the Artist has with the initial Conjured character of a Kitsune, it will then lead to a free-flow association into her world.

The intensity of the creative act, is its self a form of meditation, and like a martial art, it best occurs when the analytical mind does not interfere. This requires that the emotion is felt by the body; in other words, the emotion is transmuted into a feeling, a shaman would say is felt by the heart, where the ‘power of (hypnagogic state) trance’ resides.

This then leads to a (Theta brainwave) state of automatism, where the Artist is not thinking about what is being painted, it just manifests via the (pentagram) hand, guided by the eye of the imagination.

With continued practice it can initiate vivid dreams, leading to a state of lucidity; this will in turn engender concordant synchronicities. The experienced synchronicities will reflect back the symbolic focus of the Artist, who, when to observe the synchronicities, to take further of artistry, becomes as a Shaman.

However if an individual is unprepared for the feed-back-loop of synchronicities, which will reflect back his/her ‘symbolic’ beliefs, such as dreaming about a subject, to then, upon awakening, suddenly overhear a conversation about what had been dream’t, or even prior thought; as well as losing and finding items under mysterious circumstances, or seeing an email from someone, he/she was thinking of, before seeing the email, etc, said individual might just become very paranoid.

The experienced paranoia is a reactive state of the unprepared conscious mind, which is esoterically termed as entering ‘Chapel Perilous;’ basically, the mind attempts to come to an understanding of what is going on, based upon what has been learn’t, which invariably does not allow for such phenomena to be recognised, whereby his/her belief system starts to fragment, being the Nigredo stage of the Great Work of Alchemy.

This can initially lead to an individual believing that his/her life is being subversively manipulated by secret agencies of the government, to even see men in black around him/her upon a synchronicity, or to believe he/she is being pursued by malign Satanists, Biblical demons, or Newage-Gnostic aliens, who experiences assailing Illuminati nightmares, along with those who feed into the fear, whose ulterior motive is to exacerbate the paranoia even further, which of a hidden agenda is to enslave him/her within their ring-pass-not symbolic construct, etc.

The Nigredo stage will continue of disintegrating madness until the individual realises of an Albedo stage of inner Alchemy, that his/her (microcosmic) dreams reflect back himself/herself, and likewise the feed-back-loop of concordant (macrocosmic) synchronicity.

When to then transform his/her symbolic beliefs, the dreams of the individual and the experienced synchronicities will then accordingly change of an Alchemical Rubedo stage; whereupon the individual becomes aware of the reality of Magic in his/her life, which is the goal of the ongoing Great Work to evolve consciousness.

Hence the Artist, Austin Osman Spare extensively practiced (automatism) automatic-drawing, which he made as his symbolic Alchemy of (metaprogramming) sorcery practice. Alas, there is hardly any documented examples of his technique, apart from what he had described in his esoteric writings.

But the Artist Kim Jung Gi demonstrates what Spare was speaking of who is a supreme Martial Artist of the Arts. There will of course be those who to argue that Gi’s work is not automatic, which of commonalty is usually defined as a return back to a childhood spontaneity by many a so called Modern artist drawing scribbles a 2001 Space Odyssey ape can too doodle, or that of allowing the subconscious to chaotically take over, as if it is some David Icke reptilian with a planet X mind of its Freudian own, or otherwise equated with archetypal entities possessing a Jungian Artist.

Don’t get me wrong, I have nothing against Modern art; but it has far more to do with ‘who you know,’ rather than ‘what you know.’ However, Gi has the childhood spontaneity of being at one with his subconscious mind, like Spare, to such an extent that his inner Conjuring of various characters (spirits) and their (dream) worlds Gi is able to ‘vividly visualise’ with his inner eye of re-remembering onto paper, without using any references, let alone avoiding being esoteric about his artistry, which to freak out many a square mind, who make up the majority of the audience. In other words, Gi draws as a child would do, who can… actually draw.

There are those square brained sceptics who argue that a Conjuration of a spirit is merely Hogwarts fantasy, who, when to dare practice, gibber their rituals, read out of a medieval Playgirl grimoire in an empty room, seeing nothing appearing. Well, what do they expect, they are not thinking correctly, who to have quaintly forgotten that the Art of Magic is that of Art.

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The trick is, you have to think and act like an Artist, to otherwise practice Conjuring a spirit onto a page, within a book of shadows sketch-pad, to thence draw of manifestation; but first, you draw within your mind, whence your inner eye to then guide your pentagram hand.

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You will then have a Succubus Art Muse to appear amidst your Triangle Of Art Imagination, to seer the Muse taking on an Art Model life of her own of a drawing, the sorcerer Artist Austin Osman Spare to have known, who was aware that the drawn image has an interactive informational reality within the experienced dream.

She to then guide your winged eye of the Artist into her uterine tunnel of the Active Imagination, which of Art, is Sorcery.

As an Artist, you to stand as the creator at the centre of your Magic Circle of an Art studio, divided of four quarters, surrounded by your elemental weapons of a Wand of a Brush, Palette of a Shield, Sword of a Palette Knife, and a Cup, wherein the colours of your Art are mixed of Alchemy.

The Altar is your Easel, upon which be the canvas of a one time cave wall to paint with Metals suspended in oils, when to conjure up a quintessential Succubus Art Muse out of your Triangle Of Art imagination. Her Mind-Doll form of a symbolic expression can be knitted-together of an ‘Exquisite Corpse’ Tulpa, which of symbolic Alchemy, will pertain to one of the seven planetary (Chakra) spheres of an archetypal influence.

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The initial two-dimensional image is then but a ‘doorway’ into your creative mind of an Artist, a conjured Succubus Art Muse to Symbolist inspire; who, depending upon your emotional intensity, may then manifest as a three-dimensional reality within the temple of a Surrealist ‘lucid dream.’

As a Sorcerer Artist, you might also observe that the conjured symbolism of a particular Succubus Art Muse within a microcosmic lucid dream, or that of a vividly imagined evocation, will generate concordant macrocosmic synchronicities.

Said synchronicities may lead you to meet up with a Muse of an Art Model, you have already depicted within a painting of oiled flesh, for yet another painting to model for, of Sorcery Art.

Such is what I explore of artistry, to take further of experimentation. Should you be one of those who to scream that you cannot draw, I am sure that you can draw a stick figure, like those depicted in Palaeolithic cave paintings, or likened to those of hieroglyphs, you can create as your colourful Sigils of Howling Conjuring.

  

 

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OUT OF BODY LUCID DREAMS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 1, 2016 by FAUSTUS CROW

The driving force behind much of my art and writing is the number of ongoing personal experiences I have had concerning the Out Of Body phenomenon and lucid dreaming, which of inner experiences also correlate with the observation of concordant synchronistic phenomena, along with what can be construed as being paranormal events.

I have the tendency to utilise the technical term hypnagogic trance when to speak of attaining conscious ingress into the dream. The hypnagogic state is not a mysterious occult force.

Hypnotherapists seek to induce hypnagogic trance in their patients, which is an altered state of consciousness, shamanic practitioners are highly adept at inducing in their own selves of auto-hypnosis.

A number of artists throughout the ages have also engaged in inducing hypnagogic trance, whether knowingly or unknowingly, of varying degrees of intensity when creating works of art, since the nigh meditative creative process can induce a theta brainwave in the artist, which is associated with the inducement of hypnagogic trance.

TAROT: HIGH PRIESTESS II: How To (Hypnagogic) Hypnotise All, Via ‘False Flag’ Shock Hypnosis.If you are interested, Please Check out the Succubus Art Book Grimoire: Click Here.

Hypnagogic trance can also be induced via shock hypnosis at the collective level, should there be a mass focus upon a shocking occurrence, which can be prior orchestrated of a subversively engineered false flag event, let alone being able to engineer an associated End-Of-Days mass-media focus on 2012.

When to inadvertently access hypnagogic trance at the point of sleep, it sometimes involves the experience of sleep paralysis as well as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience.

The Old Hag Syndrome of an assailing nightmare can be otherwise transformed into a Night-Mare Succubus to ride, as your Mind-Doll Dakini, whence she to carry you, without moving, Out Of Body, wherever you desire to go, throughout space and time within a lucid dream.

Whatever is experienced when accessing hypnagogic trance will be determined by what you take in with you of an inner narrative of beliefs, which is often subliminally influenced by your culture. An analogy is somewhat akin to your beliefs determining what you tune into of a TV program, which you will then enter into as a fully interactive lucid dream. The dream reflects back your inner narrative; wherefore if you transform the narrative, you can reprogram your dreams.

Numerous others have also experienced this phenomena throughout the ages, such as the author and researcher Michael Raduga, who otherwise brands the hypnagogic state as being what he calls, The Phase. Raduga has come to the realisation that the hypnagogic state has been hijacked by various religions; most notably by the trinity of Abrahamic faiths, whose shared symbolic dialogue determines the narrative of the inner experience for many across the globe, which can be further manipulated via orchestrated false flag events.

Raguga has also noted that the religious narrative has been transmuted into the viral-meme arena of science fiction, where machismo Angels and butch Demons have been transformed into Aliens, which is essentially a continuation of the religious programming.

In other words, whoever controls the symbolic narrative can thereby determine the programming of many minds; this would be subversively engineered in order to sustain the established religious structure, which is very much entwined with the present New World Order centralist politics of society; wherefore, those who control the narrative will not want the masses questioning it. The primary means of negating the questioning masses is to make them fear the inner reality of their own minds; hence the war on drugs for example.

The question is, how far would the controllers go in sustaining their symbolic Matrix, wherein many a mind is being subversively programmed and thereby imprisoned, without ever realising it?

Well, you would need to look into a possible physiological factor involving dreaming in order to determine how far the controllers would go, such as looking at the pineal gland for example, which is otherwise known as the third eye by ancient mystics.

The scientist Rick Strassman MD has determined that the pineal gland is inextricably entwined with dreaming and other associated altered states of perception, which may be due to the pineal gland alchemically producing the schedule 1 drug, N,N-Dimethyltryptamine (DMT or N,N-DMT)  within its one time vestigial eye of an amphibian ancestor.

This is the reason why ancient shamanic adepts of hypnagogic trance inducement were symbolically represented as being amphibious creatures such as toads or as reptiles of varying kinds, as well as fish.

It just so happens that the mass fluoridation of the water supply with the known neurotoxins and mutagenic compounds, fluorosilicic acid, sodium fluorosilicate, and sodium fluoride specifically targets the pineal gland.

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Whereby you then have a number of neurological disorders afflicting the industrialised nations, who practice fluoridation since the end of WWII.

Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality.

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They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

The fluoridation chemicals calcifies the pineal gland over time, whereby leaving it inoperable; hence potentially cutting you off from experiencing what Raduga brands as The Phase.

You could thereby conjecture that the ruling elite are attempting to transform the mass populace into easily programmed robots who will not question the symbolic Matrix, which imprisons their minds. If you consider such conjecture to be just a crazy conspiracy theory, you are still left with the unavoidable fact that a criminal mistake has been made!

NOTE: Michael Raduga and Rick Strassman MD have their own symbolic narratives, which influences their research into the nature of consciousness. On one side of the coin, you have the Russian entrepreneur, Michael Raduga, who takes a Newage approach to his investigation of The Phase phenomena; he utilises the scientific method as much as possible, which is of similarity to much of the prior Soviet psychotronic research; his particular symbolic narrative is summed up by his scientific sounding brand term, The Phase. 

On the other side of the coin you have the American scientist, Rick Strassman MD, whose symbolic narrative is heavily influenced by Judaism in particular, and in turn the Bible, who is on a personal quest in order to determine what the Biblical prophets had tuned into of an inner reality, which is very popular among a number of Judaeo-Christian American’s; his brand term is the religious sounding, The Spirit Molecule. 

As mentioned prior, your own personal narrative determines what you internally access, which can be subversively influenced by your surrounding culture; hence, whoever controls the collective narrative of your culture on either side of the coin can thereby influence the mass population’s perception of reality; this is very much the case when brand terms are aligned with already established archetypal influences. 

In order to determine who is promoting a symbolic narrative at a collective level, you follow the associated strands of an underlying money trail to find those who own and run the mass-media show, which is somewhat self-evident when looking into the media machine of America. 

For example, Rick Strassman MD is part of a bigger narrative web of associative correspondences, which hearkens back to the psychedelic hippie era, of a more cohered form, whose orientation is nigh Gnostic of a symbolic paradigm. 

The evocative branding of an altered state of abstract consciousness, whether it be The Phase or Spirit Molecule, is that of an art form. The form the symbolic narrative takes on either side of the coin of an open-ended or closed system is determined by the creative potential of humanity, which is essentially that of art. 

The practice of art is indivisible to the practice of magic, they are one and the same. So, if you do not want to be programmed by subliminal influences, or to otherwise transform them of symbolic alchemy, you need to become aware of the inner Artist within you; for it was the shamanic practitioner of trance who was the first Artist, who knows how to lucid dream. 

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ALIEN MUTANT SHAMAN ARTIST

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 28, 2016 by FAUSTUS CROW

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Cern to Cernunnos, some to call Lucifuge Rofocale, others to know as Siva of a one time horned Shaman, who was the first Artist, the culture bringer.

The ancient Sumerian’s and Babylonian’s called their shamanic culture bringers Anunnaki, the Dogon of South Africa otherwise call Nommo.

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These shamanic culture bringers were highly versed in amphibious trance ingress into the amniotic realms of the watery dream.

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Wherefore they were symbolised as being fish headed amphibians or as reptiles of varying kinds, such as, toads, serpents or as dragons.

“Take me, I am the drug; take me, I am hallucinogenic”
― Salvador Dalí

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Alas, many have become totally disconnected from the inner realms of the surrealist dream, a shaman Artist to know.

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Hence, they to otherwise speak of Biblical Angels and Demons, transformed into extraterrestrial aliens being the ultraterrestrial bringers of culture.

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“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life”
― Salvador Dalí

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If such be the case, then the Artist is the utraterrestrial, who as a horned shaman knows how to mutate consciousness to make alien.

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This is achived by introverting consciousness of inverse trance pentagram five-senses into other arenas of otherworldly perception.

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But by doing so, the shaman Artist often becomes as a rebel, who rebels against the symbolic paradigm of a cultural Ring-Pass-Not.

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“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.”
― Salvador Dalí

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This is more so the case when a rebellious Artist rebels against the ‘Animus’ fixation of a culture, who stands at the centre of the ‘Magic Circle’ of an Art studio.

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To thence conjure the Succubae Great Old Ones as his ‘Anima’ Art Muses from other dimensions amidst his ‘Triangle Of Art’ imagination.

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The Artist to thence enter into a sexagram Coitus Pactum with the super-symmetry Succubus intelligence, within ‘quantum’ dreams made sixth-sense lucid of awareness.

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And she and her myriad sisters will embrace him within the surrealist dream of multiverse possibilities.

“The only difference between me and a madman is I’m not mad.”
― Salvador Dalí

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You might just ask are the Succubae alien entities, which the rebel Artist to dally with as his psychedelic Art Muses, actually emanate from the starry womb depths of inner space, inspiring his quantum dreams?

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Only the Artist, within you, to truly ‘Da’at’ know; for it is your emotively charged ‘beliefs,’ which, as self-created programs determines what you quantum tunneling tune into of spun visions, within electron dreams. As Salvador Dali would say:

“I don’t do drugs, I am drugs!” 

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DOCTOR STRANGE UFO

Posted in Alien, Chaos Magic, Demon, Demonology, Extraterrestrial, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 4, 2016 by FAUSTUS CROW

The Marvel character of a Sorcerer Supreme called Doctor Strange was created by the artist Steve Ditko, who utilised surrealistic imagery and increasingly vivid psychedelic visuals, which helped make the master of the occult arts, Doctor Strange, a favourite character during the hippie era of the 1960’s.

But the Faustian character of Doctor Strange, is not alone, he is aided by an otherworldly girl from another dimension, called Clea, you could easily equate with a female version of Mephistopheles, who would be an ultra-terrestrial Succubus.

No doubt Doctor Strange has a grimoire looking like a comic book, out of which he can conjure many another ultra-terrestrial Succubus, in order to access other dimensions via his lucid dreams. Although, it will never be featured in a comic, let alone a Marvel team-up Disney film.

The Comics historian Mike Benton related: “The Dr. Strange stories of the 1960’s constructed a cohesive cosmology that would have thrilled any self-respecting theosophist. College students, minds freshly opened by psychedelic experiences and Eastern mysticism, read Ditko and Lee’s Dr. Strange stories with the belief of a recent Hare Krishna convert.”

“Meaning was everywhere, and readers analyzed the Dr. Strange stories for their relationship to Egyptian myths, Sumerian gods, and Jungian archetypes.” 

The then-associate editor and former Doctor Strange writer Roy Thomas in 1971 recalled: “People who read Doctor Strange thought people at Marvel must be (drug) heads, because they had similar experiences high on mushrooms.” 

The comic historian Bradford W. Wright, noted: “Dr. Strange remarkably predicted the youth counterculture’s fascination with Eastern mysticism and psychedelia.” 

Should you be looking for a real Doctor Strange, then  John Alva Keel, would be a good candidate for the role of the Sorcerer Supreme, who was an American journalist and influential UFOlogist.

Of course some will point out that Keel did not wear a flamboyant superhero costume; but such is all in the mind.

Whereas, unlike Marvel’s Doctor Strange, Keel’s occult adventures were for real. As for his inspiring Muse of a Clea, he did not reveal his Faustian Coitus-Pactum.

Keel did wear a kind of distinctive superhero costume, though of a far more down to Earth sort, which inspired the attire of the occult investigator, named Carl Kolchak, who was featured in the cult film and TV series Nightstalker.

Kolchak was based upon Keel; although he is best known as being the author of The Mothman Prophecies, which was later made into a movie.

There is also the distinct possibility that Keel’s bigger than life personality and colourful tales of travelling into the shadowy occult corners of the world had also inspired the creation of another comic strip character, ‘John’ Constantine.

Another candidate for Doctor Strange, would be that of a scientist, since Strange was initially a neurosurgeon; one such scientist would be Jacques Fabrice Vallée who is a venture capitalist, computer scientist, author, Ufologist and former astronomer. Vallée is notable for co-developing the first computerized mapping of Mars for NASA as well as for his work at SRI International on the network information centre for the ARPANET, a precursor to the modern Internet, which I might add was developed by the US Department of Defense.

Vallée had initially defended the scientific legitimacy of the extraterrestrial hypothesis, but he later changed his tune, who then promoted the Doctor Strange inter-dimensional hypothesis, which was prior postulated by Keel.

Keel and later Vallée came to the conclusion that the UFO phenomenon and other ‘strange’ phenomena involving experiences of (Succubi) Succubae, vampires, ghosts, bigfoot, dwarves, giants, angels and demons etc, are all interconnected.

Keel started to see the reports of varying types of entities as being ultra-terrestrials, which of commonality, tend to be mostly humanoid.

The appearances of humanoid entities can be understood as culturally-bound manifestations of non-human intelligences that communicates with us from another dimension via our own consciousness, being that of our surreal dreams.

Unlike many others who write about otherworldly entities, or, as the more serious of inclination like to call it, ‘Crytozoology’, Keel does not take himself too seriously, which makes his books a breeze to read, like reading a Doctor Strange comic. Keel himself may not believe verbatim in every anecdote he manages to dig up. But Keel, being a journalist knows that the fun is in the reading, to not necessarily believe or disbelieve in their conjured memes, such as those viral-meme entities, which populate the internet; basically, it is best to keep an open mind.

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If you are otherwise looking for supposed scientific studies of succubae, shadow-people, men in black, ghosts, angels, demons, dwarves, elves, bigfoot, sea serpents and other unverified terrestrial life forms as well as aliens etc, you had better avoid Keel’s books, because he is not at all interested in placing these ‘strange’ phenomena into separate boxes; he otherwise lumps them all together, under the term ultra-terrestrial, which some will point out is not too different to that of a shamanic perspective, since the ultra-terrestrials are creatures of dreams.

The ultra-terrestrials of UFO lore have evolved over time; after WWII, since 1947 to the late 50’s, they were often described as being Nordics, during the Vietnam era, of the 60’s to late 70’s the ultra-terrestrials were seen to be dark skinned Asiatics. When the the 80’s hit, after the publication of Whitley Strieber’s book, Communion, which featured the now iconic Grey alien on its cover, (Strieber had equated with the Sumerian/Babylonian Goddess Ishtar) the Grey’s have taken centre stage amidst the collective unconscious since the invasion of Babylon, buried under Baghdad.

It just goes to show how powerful the media is in influencing the subconscious minds of the populace since the 1947 Roswell incident, which just so happened occurred around the same year the C.I.A came into being. The influence of the media over the imagination of the mass populace, did not go by unnoticed; hence, the US Department of Defense development of ARPANET, and the ensuing involvement of the C.I.A, which to have later become the conduit for engineered viral-memes, such as the orchestrated focus on 2012.

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Consider for a moment, the essence of your dreams are that of electrons and that said electrons could be mini-wormholes, as postulated by the American theoretical physicist John Archibald Wheeler; then, you could then further theorise that if another intelligence sought contact with other sentient species throughout space-time, they would send information via these mini-wormholes, which would be interpreted via the symbolic interface of their dreams; this would be more so the case when the experienced dreams are fully lucid, which would also overlap into visionary (psychedelic) states.

The information will be interpreted by the contactees organic and culturally hewn symbolic languages, which in the case of human contacts, will invariably lead to the prevalence of the humanoid form, as well as other recognisable terrestrial forms.

Some UFO proponents accepted the inter-dimensional hypothesis because of the distance between stars makes interstellar travel totally impractical, when using what scientists presently understand.

Nobody had demonstrated nuts and bolts antigravity or faster-than-light travel that could explain their supposed extraterrestrial machines, whose manifestations never leaves behind any proof of their existence. Whereas the inter-dimensional hypothesis points at the UFO’s as not being spacecraft, but rather devices, which can travel between different realities, in other words, they are time machines.

A time travelling capable civilisation would be able to contact other sentient species via their dreams, let alone contacting their own ancestors in order to engineer alternate time-lines, as well as being able to travel between the stars nigh instantaneously, whose time travel visitations will not leave behind any physical evidence.

What is more, if the time travelling capable civilisation is our own in the future, your time-travelling descendents will play ultra-terrestrial surrealist games with their ancestral contacts in order to disguise their terrestrial origin in the future, since they do not want to reveal that their civilisation surrounds your own, just as your own surrounds an unknowing stone age tribe in the Amazon jungle.

Should they have a mishap, with one of their craft crashing, the military is always there to pick up the pieces, which indicates it is either one of their own devices or that the military are in cahoots with your time-travelling descendents, or both, of the very human!

There is also the possibility that a future civilisation has the necessary computing power to create ancestral simulations. One such simulation you might just exist within; whereby your time-travelling descendents can essentially ‘Browse’ their way across the internet of time.

Who, if they so choose can also assume differing humanoid forms, which will be all as holographic Avatars, when engaging themselves with their simulated contacts, or otherwise get their contactees to observe whatever they want them to see.

Whereby there will be hardly if any physical proof left behind after the encounters, unless they want to play surreal video games with their X-File simulations.

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The inter-dimensional hypothesis and that of the associated ultra-terrestrials leads you to the paranormal and in turn the Dr Strange domain of the occult. The association with the occult is often utilised by those who use it as viral-meme fear porn about demons in order to validate their Biblical agenda, which feeds into the vast majority of UFO reports stemming from out of America in particular, since Kenneth Arnold’s UFO sighting, followed by the Roswell incident.

The Biblical fear porn is a reaction against the expansion of the human imagination since the late 40’s, which occurred in league with the atomic age (Nordics), space age (Asiatics) and following information age (Greys), whose technological developments had been subconsciously translated into the archetypal entities of Ufolore, which really took off during the 80’s; probably because of advancements being made in (Greys) artificial intelligence and (Hybrids/Reptilians/Eugenics) genetics; much of this evolving research is tied up with the military industrial complex.

The occult is more about understanding the nature of consciousness, which is tied up with your experience of time; when to attain mastery over consciousness and in turn time, you then have the paranormal and extra-sensory perception.

However most researchers who investigate UFO’s habitually filter out as much of the paranormal as possible in order to make the rest nuts and bolts. Not John Keel. He embraces and seeks out those reports, which other researchers habitually leave out of their rather biased research. So, if you are looking for Doctor Strange reports, which take a shotgun blast at consensus reality, then John Keel, Kolchak, is your real occult superhero.

There are many researchers who investigate sightings of mysterious creatures, such as bigfoot who will try to determine bigfoot’s biology, theorizing about missing links and surviving pockets of Neanderthals. John Keel, otherwise, delves into ‘fringe’ examples of bigfoot being sighted in the vicinity of UFO’s and the associated men in black.

When Keel gets around to the modern UFO theorists, from Whitley Strieber to Budd Hopkins, he lets rip, quoting Strieber as saying “…the so-called UFOlogists are probably the cruellest, nastiest, and craziest people I have ever encountered.” 

The reason why many a Ufologist can be quite crazy is because their research, has no physical proof, which relies solely on ‘belief,’ this invariably leads to a religious fixation, and in some cases the creation of UFO cargo-cults, such as those of the Raelian’s and the Scientologists who compete against each other for dominance, just like many another big-business religion.

The same applies to those who are into bigfoot and other creatures of the night-side, who have a dogmatic tendency to see them as being quite separate phenomena, whose sense of humour has completely gone out of the ‘window;’ this is especially the case when some religiously inclined researchers believe these critters as being evidence of Biblical demons.

However, Doctor Strange Keel, uses his sense of humour when investigating what is generating all these reports of monsters, aliens and devils, etc, who did not care what others thought about him.

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But, then Keel had travelled extensively, experiencing things, that other researchers only cover second hand. Keel is not dogmatic about what he wrote about; he presents the absurd and the chilling alongside the verified hoaxes and the misinterpreted. Keel will seem to be the ultimate ‘strange’ flake to some, who believes nothing and mocks everything; for others, his Doctor Strange research is a breath of fresh air amidst a field dominated by self-important egomaniacs.

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WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his monotheistic Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

Well, what do you expect, that’s what Witches do, since they have so many Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of a deified ‘Animus’ made as a God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms.

The Playgirl grimoire Incubi do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big ‘Animus’ Vatican bank account wallet, and an ever hungering Morticia Vampire, with very expensive tastes.

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THE MAGIC CHRISTIAN

Posted in Chaos Magic, Conspiracy Theory, Film, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 8, 2015 by FAUSTUS CROW

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Erik Jan Hanussen was a stage magician, publicist, charlatan, hypnotist, mentalist and clairvoyant performer, whose name was synonymous with psychic phenomena in Central Europe, during the Weimar Republic of Germany, who also had a part to play when the National Socialist Party ascended into power.

In Berlin, Hanussen was an occult rock star before there were rock star occultists, who had a vast business enterprise, which traded in on the voracious German hunger for all things paranormal of a prior neo-Gnostic Christian Newage infatuation.

Although Hanussen claimed to be a Danish aristocrat, he was in fact a Moravian Jew, born as Hermann Steinschneider in Vienna.

Hanussen is said to have instructed Adolf Hitler in his hypnotic performances of having a charismatic effect upon the crowd.

He apparently predicted the Reichstag fire, which of a false flag event allowed the recently appointed Chancellor of Germany, Adolf Hitler to seize absolute power in 1933; it is considered to be his most famous feat of clairvoyance. However, It may have been a miscalculated use of inside information, in order to warn the public, which probably led to his death shortly thereafter.

Hanussen was assassinated on March 25, 1933, whose corpse was hastily buried in a field on the outskirts of Berlin, near Stahnsdorf.

There are those who believe that he was murdered because of the competition with Hermann Göring and Joseph Goebbels for the attention of their Führer. Hanussen’s body was discovered over a month later.

There are unsubstantiated claims that he may have been involved in the Reichstag fire, hypnotizing and directing Marinus van der Lubbe, the convicted arsonist, to commit the act.

Hanussen is a curious historical oddity, which has led to much convoluted myth making concerning the Nazi’s being intimately entwined with the occult, as well as seeking to usher in a pagan religion, worshipping the Sun; however, Christianity is a Sun worship religion, whose Cross represents the Solar Cross of the Zodiac amidst the twelve signs of the Apostles.

The Nazi regime was far more interested in the scientific developments of having total control over the population. Should the Nazi regime had indulged in the occult, it would be because of using its archetypal symbolism for propaganda purposes, of psychological warfare, as well as for mass-mind control via viral-meme advertising.

One of the technological tools to achieve control over the populace, was, and still is the dosing up the public water supply with the known sedative, Sodium Fluoride, which calcifies the pineal gland.

It appears that the Nazi regime first used Sodium Fluoride in the ghettos and concentration camps, whose scientists no doubt knew about its effects upon the inmates.

Another stage magician and practicing occultist called, Franz Bardon, claimed that Hitler was a member of a Masonic lodge calling its self, the Freimaurerischer Orden der Goldenen Centurie, F.O.G.C.

Bardon related that the supposed ‘Golden Dawn’ members of the F.O.G.C were all possessed by Goetic demons, of similarity to the present fixation upon the Illuminati being controlled by ultraterrestrial reptilians, or extraterrestrial Greys.

Such myths appear to be engineered as viral-memes, for the express purpose of disinformation, which of design, are used to get the general populace to look elsewhere, rather than to see the most obvious.

If you otherwise see the obvious, you are then tarnished as being a nut job, of similarity to those, who have been led to believe in Biblical demons or aliens running the world.

The wholesale Nazi involvement in the occult is not in fact true, it is a fanciful blind, which shrouds the truth amidst a cloak of engineered disinformation, in order to distance Christian involvement in the horror of the holocaust.

This is due to the Church of Rome, along with many a Christian industrialist, who were far more concerned about the Atheist Communists attaining power in Germany. Suffice to say, they would prefer the general public to forget their support of the Nazi regime, since it is very bad for their big-business image.

But, in order to remember, all you have to do is to look into the Spanish Civil war when the Church backed the fascist regime against the Communists, which is of similarity to what has occurred, and sill goes on in South America, let alone Africa.

Factual history reveals that when the National Socialist Party came to power in Germany, they set about banning numerous occult orientated organisations, such as the Masons in particular, as well as neo-pagan groups, whose alternative viewpoints differed from that of Christianity.

Whereupon Bardon was sent to a concentration camp due to his occult affiliations, not because he refused to be involved in a Nazi occult group. This may explain why Hanussen was assassinated, because he was far too close to Hitler; hence considered to be an embarrassment.

This would be more so the case if Hitler had found out that Hanussen was in fact Jewish. Hitler was essentially a Christian, who explicitly said so in his book, Mein Kampf, whom sought to usher in a ‘Golden Dawn’ of an Aryan Christianity.

You might say, that an Aryan Christianity sounds rather contradictory, since Jesus was a Jew; this is where it becomes absolutely crazy.

The Roman Catholic Church since the medieval era had a habitual dislike of the Jews, who were collectively castigated as being the (Judas) murderers of Jesus, which of a racialist rot in society, invariably led to the ant-Semitism of WWII Germany.

Why did the Church of Rome target the Jews? well, it is quite obvious, Christian Rome had appropriated the ancestral-self-identity of the Hebrews, hook line and sinker, which is undeniable!

It was then forced upon all those under the rule of Rome; this then led to the eradication of the ancestral-self-identity of the Europe during the Witch burning era, in order to convert the then pagan people’s of Europe to Christianity; wherefore forcing the populace of Europe to assume the ancestral-self-identity of the Hebrew’s.

When you apply psychology to the matter, an individual who copies another person, will at first seek to be better than the original, who will duly claim to be superior; this insanity can lead to the copy attempting to murder the original. You can thereby determine that the mass populace of Europe went quite insane, due to Rome’s appropriation of the ancestral-self-identity of the Hebrew’s.

The appropriation of the ancestral-self-identity of the Hebrew’s, was not the first time that Rome used this technique of Empire building, it habitually copied other cultures throughout much of its long history, such as copying the ancient Greek’s for example; whereby assimilating them until they no longer existed of a former glory; or that of otherwise being decimated, like Carthage.

If these other cultures survived the process of assimilation, they became as hollowed out shells of what they once were, like that of Egypt. An analogy would be that of the Star Trek Borg assimilating (converting) other species into its centralised collective. The tried and tested technique of assimilation worked, which made Rome the most powerful city in the ancient world, whose empire lasted for approximately a thousand years, due to its Borg mentality.

Although Rome eventually fell, it has the knack of resurfacing as a political influence via its religion. But why did Rome assimilate Christianity in the first place? It was purely because of political power. Much of Rome’s grain, gold and exotic goods was derived from the Middle East. The native population of the Middle East were well aware of this weak spot in Rome’s imperial armour; wherefore, you had Jewish rebels kicking up a dreadful stink in the Middle East, who had Rome’s Romulus and Remus sweaty balls in a vice.

Hence the reason why their temple of Solomon was burnt to the ground by Rome; although, the Jewish rebels got their revenge when they nearly burned Rome to the ground, during Nero’s stint in power; he didn’t know what had hit him. This singular event led to the rounding up of the early Christian’s to feed the bloody arena, who were considered to be vile terrorists.

You might point out that there were other people’s in the Middle East, who rebelled against Rome’s Empire; however the Jews were a very different kettle of fish, due to their religious zeal, which cohered their rebellious focus as being the chosen super-race of their God.

When the Emperor Constantine eventually assumed power in Rome he set about using Humanist Greek philosophy against the religious cohesion of the Jews as being the self perceived chosen race, by creating the opposite religious perspective of Christianity, that all humanity are chosen by their God. He basically used their religion against them!

Constantine was a crafty fellow, who recognised that the Jewish rebels suffered from a superiority complex, just like many a Roman emperor!

A Roman emperor can be psychologically profiled, or even a group of people, as well as a nation, should the peoples therein, be cohered by a shared belief system, which determines their thoughts and actions.

The use of psychological profiling is not a modern technique, which of a tool, Constantine, as a military man, would have utilised in order to predetermine the moves of his enemies, by coming to understanding of their shared religion, to thereby use their beliefs against them.

This act of psychological warfare was empowered further by utilising the religious zeal of the Germanic tribes, who also caused Rome a lot of bother in Northern Europe.

Constantine was quite impressed by the religious cohesion of the Germanic tribes when he was stationed in the Danube after leaving his birth place of Woad blue Britain.

Constantine noted that the religious fervour of the Germanic tribes gave them the martial edge on the battlefield, who saw themselves as being the ecstatic warriors of a singular (pineal gland) eyed God called (Woden) Wotan, who hung himself upon the world tree, Yggdrassill, as a self-sacrifice.

Alas, the Germanic tribes eventually fell under the yolk of Rome’s Empire, just as the Gauls had previously fallen; but at a very great cost to Rome.

Most of Constantine’s legions were thereby duly made up of Germanic conscripts, who as legionnaires of Constantine, they needed to have a continuum of a religious focus.

If they had otherwise been all Egyptian, Constantine would have probably utilised the third-eye (pineal gland) symbolism of Horus.

However the Runes of the Germanic Mercurial God were reconfigured into a Labarum ‘Bind-Rune,’ as well as transforming their hanged God upon a tree into a God looking like Apollo, crucified upon a cross of wood; whereby transforming the Middle East into their holy land of the ‘Golden Dawn.’

The Labarum is made up of two Runes, being an ‘X,’ Rune caled Gyfu and a ‘P’ Rune called Wunjo. Gyfu essentially means, self-sacrifice, as well as being associated with sexual love, more so, sacred union; whereas Wunjo means joyous ecstasy.

These two Runes are also numbered 7 (X) and 8 (P), when added to together of a Labarum Bind-Rune, you then have the 15th Rune of Algiz, looking like an upright Hippie peace symbol, which means, sacred protection.

The Algiz Rune is also associated with the angelic (Succubae) daughters of Wotan, called Valkyries, who protect warriors; wherefore you also have the sexual union aspect of the Gyfu Rune and that of Wunjo ecstasy.

The 15th Rune then reduces down to the 6th Rune of Cen, looking like a ‘C,’ meaning, torch, which refers to an inner (Odin/Odqan) fire; being a fire (light) in the head.

If Constantine had used Greek letters for his Labarum, the German conscripts would not have understood the symbolism painted upon their shields; whereas the usage of Runes, they obviously knew of a sacred script, which they saw as being gifted to them of a Logos by their singular (pineal gland) eyed God, when he hung himself into trance upon Yggdrassill.

As an aside, the Roman God, Mercury, who is named Hermes, in Greek exchanged his lyre for the Caduceus. The Caduceus originally belonged to the God, Apollo, who had come from Hyperborea, which is the Greek word for Siberia.

Hermes and Apollo are seen to be similar to the Germanic God Wotan, who the Scandinavians called Odin. The name of Odin is derived from the Southern Siberian Altaic word, ‘Odqan.’ Basically, Odqan is a deified horned shaman, whose name means fire king, which in Scandinavian is Odin, meaning light master; fire and light being that of an inner illumination, equated with a state of shamanic ecstasy. This state of shamanic ecstasy is associated with the third-eye of the pineal gland.

In other words, there was a prior cross-cultural shamanic connection between people’s, from Europe, across the steppe unto Siberia as well as India and elsewhere, which had been observed and duly utilised by Rome via the manipulation of the shared symbolism.

But in order to have total dominion over its weave of symbolic interconnections between numerous peoples, the prior understanding had to be utterly destroyed to thereby brand it anew.

You will find that many of the Emperors during the early Christian era of Rome unto Constantinople were of Germanic origin and that the Crusaders were primarily of Germanic descent, being Franks, from whose title, the name of France, is derived.

The Frankish Crusaders made war against the rebellious Arabs, who had earlier copied Rome’s tactics by also appropriating the ancestral-self-identity of the Hebrew’s, so that they could attain mastery over the Middle East treasure house of Rome.

The Arabs sought to unify the shamanic Turkic peoples of the steppe, by forcefully converting their God called Tengri, into Allah, just as Rome had transformed the Germanic Wotan into Christ.

Whereby the Jews were caught in the middle between Christians and Muslims alike. But being in the middle can also work in your favour, when to play the other two against each other, by using finance of prior capitalism; well, what do you expect, it was, and still is a case of communal survival, whether it be in an urban ghetto, or that of a fenced off ghetto of a land!

If you was being copied by two other people, who are totally insane, whom seek to murder you, because they now see themselves as being superior to the original; what would you do?

When to step outside of the triangle of the never ending conflict, you will very quickly determine that all three of them are utterly crazy. Easy to do, when you don’t belong to their trinity of Illuminati cults.

You can thereby gather how other peoples see them, whether they be Native American, Aboriginal Australian, Maori, Mongolian, African, Japanese, Chinese, etc; that’s if they haven’t forgotten their own ancestral-self-identity, since the Abrahamic Borg are seeking to convert them all.

This brings us to the intriguing case of the Templars, who were of Norman descent, whose ancestral origins was of the Norsemen. The Norse worshipped the God hanging himself upon the world tree as Odin.

The Templars very likely remembered the pagan original of Rome’s Christ, which caused Rome’s rather vain priests a lot of bother, since the Templars were becoming far too powerful, who could potentially reveal the truth behind their religious construct of political control.

Wherefore greedy Rome had to eradicate the Templars; just as Rome’s Church burnt Witches at the stake, since the pre-Christian lore of Northern Europe in particular, was passed down the female line.

Basically, Rome’s Church was systematically destroying the ancestral-self-identity of Europe in order to usher in their ‘Golden Dawn’ of a ‘New World Order,’ which of a genocide lasted for approximately 500’yrs of theocratic fascist slaughter, torture and relentless propaganda by its holy inquisition.

It is easy to forget, it all, until you step back and place yourself into the position of your ancestors, who had endured a prior holocaust. In other words, much of your ancestral-self-identity has been entirely erased!

It is how cults work, which set out to erase your past, to thereby control your present, whereby owning your future.

What you have is an in your face worldwide conspiracy; it isn’t some insane fantasy. The insanity is that many now believe that a deity revealed it self in the Middle East; but only because they appropriated the cultural construct of a deity, which personifies the ancestral-self-identity of the Hebrew’s, due to their own ancestral-self-identity being systematically eradicated by a cult.

So, when the Nazis eventually came to power in Germany, there was hardly any vestige left of the European ancestral-self-identity across the whole of Europe, apart from the appropriated ancestral-self-identity of the Hebrew’s.

However, because the Church of Rome had an avid dislike of its Jewish original, images of a Semitic Jesus, had evolved to the other extreme over time, to make him look like a pale, blond haired, blue eyed Magic Christian Aryan, who has since been translated into a neo-Gnostic Nordic alien.

The Aryan look of a perceived perfection, was very popular in Californian Eugenics, which came to the fore during the late 19th century, whose proponents in the United States later aided and abetted the Nazi regime in its Eugenic program.

During the early 20th century immigrants into America had to endure Eugenic profiling, many of whom were sterilised; this was especially the case if you was Jewish.

The practice of sterilising the mentally impaired and the poor continued until the late 1960’s in California, which also involved homosexuals, lesbians and political troublemakers being forcefully incarcerated in asylums.

You can also fathom from where the Nazis originally derived their racialist idea of a chosen super-race, who saw themselves as being superior to the copied original.

Wherefore the Nazis initiated their final solution, which the Church of Rome could not achieve; but then, it had been far too busy of a prior age, eradicating the ancestral-self-identity of Europe.

Although all the above is very much a generalisation you will be able to go more in depth, when looking into ‘historical facts,’ which will lead you to determine that it is a nightmarish comedy of errors right out of the 1969 film, ‘The Magic Christian.’

The film is an unrelenting dark satire on capitalist greed, abuse of power, and the total enslavement to money; hence all, are as slaves.

The madness of which has been self-perpetuated down the generations, by all those who have found themselves being indoctrinated into a cultic mind-set, who blindly prefer looking for Franz Bardon Biblical demons under their Masonic beds, rather than seeing the Illuminati truth of the most obvious, that they have appropriated the ancestral-self-identity of another people; wherefore, their ‘nervous systems’ are heavily imprinted; hence totally brainwashed.

An analogy would be that of a European being forced to adopt a Native American Spirituality, who then considers himself/herself to be of a lost Native American tribe, or being a reincarnated Native, and not only that, he/she would also see himself/herself as being superior to the Native; wherefore the Natives have to be exterminated, because they occupy the land the wannabe Native wants as his/her own, of a Skinwalker ‘Golden Dawn.’

There is also the symbolic curiosity of a Magic Christian being crucified upon the Solar Cross of the Zodiac betwixt and between a six pointed Star of the Sun and the sickle Moon, which of symbolism refers to Christ being crucified between a land thief and a murdering terrorist; you might even start to wonder, if the three of these cults secretly got together of an Illuminati triad, to set it all up.

The probable truth of the matter is that all three have blindly appropriated the elder shamanic symbolism, which unified peoples across the globe to make as their own cult brand, to thereby have control over; wherefore the reasoning behind why they they habitually destroy elder cultures.

This is revealed when you look into the third-eye Shiva terminology of Yoga, to find the Pingala (Sun), Ida (Moon) and Sushumna, which refers to the nerve channels of your nervous system. The Pingala nerve channel of the Sun is on the right side of your spine, the Ida nerve channel of the Moon is on the left side; both of which belong to your autonomic-nervous-system.

Whereas the central nerve channel of the Sushumna, running along the centre of your ‘world tree’ of a spinal column, belongs to your central-nervous-system.

When the Ida and Pingala are brought into balance via hypnagogic (third-eye) trance, an inner energy is awakened along the Sushumna, called the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the ‘fire snake,’ whom illuminates the skull of an (Odqan) adept, as an inner fire. This internal experience is associated with your pineal gland.

You might otherwise theorise that it is all part of some awful process, which is leading humanity towards a global government, just as tribes, became nations, nations became countries, leading thence to empires seeking dominion over the entirety of the globe, by branding an ancient connection between all peoples, as their own.

This however, requires blinding your third-eye; for as a seer, you would sense the connection between all.

The methodology of the Borg, is that of divide and conquer; hence they do not want you to see as a seer.

One thing for sure, Imperial Rome is still around, as the author Philip K. Dick related in his novel Valis, “THE EMPIRE NEVER ENDED.”

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STAR WARS: THE EMPIRE NEVER ENDED

Posted in Alien, Chaos Magic, Extraterrestrial, Film, Occultism, Science Fiction, Shamanism, Star Trek, Star Wars, Succubus, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2015 by FAUSTUS CROW

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In the mythology of the Star Wars universe, you have the all encompassing Empire. The word, Empire, originated from the Latin, Imperium, from which, Imperialism is derived. The term, imperialism is a type of an advocacy of Empire, meaning to rule over large territories.

Imperialism is a policy of extending a country’s power and influence through colonization, which is sustained through its technological superiority of a military industrial complex.

Other means are also used, such as by utilising economic warfare as well as propaganda, of a mind-control tool, which is smoothly accomplished of media social engineering via an established centralist religion.

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The Galactic Empire of Star Wars is also described as the New Order. The term New Order is derived from the term New World Order, abbreviated as NWO.

The term New World Order commonly refers to the emergence of a totalitarian one world government, which has centralised its fascist politics of a religious theocracy across the globe.

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In Star Wars, the New Order arose as a result of the fragmentation of the Galactic Republic, whose governing power was decentralized.

Whereas the New Order of the Empire championed centralism, which advocated an authoritarian and militaristic social and political culture spanning the galaxy.

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The Empire promised to trade frailty for strength, chaos for order, and uncertainty for decisiveness. Basically, the Empire promises to make the galaxy great again.

The Imperialist politics of New World Order centralism can also be found in the feudalist hierarchy of Angels, which holds that there are different levels or ranks of Heavenly Angels.

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Higher ranks may be asserted to have greater galactic power or authority over lower ranks, and with different ranks having differences in appearance, such as varying numbers of X wings or helmeted heads, of masked faces.

These Angels are arranged around a deified ‘Animus’ made as a God, who is essentially an Emperor ruling over an Empire. In other words, the Angelic hierarchy symbolises what is occurring in the terrestrial world; its belief system is being sustained by a self-perpetuated indoctrinated focus upon the religious politics of Imperialist centralism, which can be summed up as the New World Order.

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The New Order’s ideology in Star Wars is pervasively (Animus) male orientated, which is not only due to it being based upon the centralist politics of the New World Order, but also because of a (deified Animus) patriarchal religious influence.

This religious influence is symbolically encapsulated by the Angelic hierarchy of the patriarchal (Animus) grimoires, which is well established in the Hebrew Bible of the Talmud and Rabbinic literature, as well as traditional Jewish liturgy.

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The Angels are categorized into different Cabbalistic hierarchies as proposed by various theologians.

For example, Maimonides, in his Mishneh Torah or Yad ha-Chazakah: Yesodei ha-Torah, counts ten feudal ranks of male Angels emanating from the ten (Sephiroth) planetary spheres of the Cabbala.

The Hebrew Angelic hierarchy influenced the Angelic hierarchy of the Romano Christian’s who had appropriated the ancestral-self-identity of the Hebrew’s as their own, which was put forward by Pseudo-Dionysius the Areopagite, in the 4th or 5th century, as described in his book: De Coelesti Hierarchia (On the Celestial Hierarchy).

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During the Middle Ages, many Angelic hierarchies were proposed, some drawing on and expanding on Pseudo-Dionysius, others suggesting completely different feudal classifications. According to medieval Christian theologians, the Angels are organized into several feudal orders, or ‘Angelic Choirs,’ all of whom are armoured for celestial battle

Pseudo-Dionysius (On the Celestial Hierarchy) and Thomas Aquinas (Summa Theologica) drew on passages from the New Testament, specifically Ephesians 1:21 and Colossians 1:16, to develop a schema of three celestial Hierarchies, Spheres or Triads of Angels, with each hierarchy containing three Orders or Stormtrooper Choirs.

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As for the centralist religion of Islam, which also appropriated the ancestral-self-identity of the Hebrew’s, there is no standard hierarchical organization, of a parallel with the Christian division into different militarised ‘choirs’ or planetary sphere dominions; it is a topic, which is not directly addressed in the Quran.

However, it is clear that there is a set order or militaristic hierarchy existing between the Islamic Angels, as defined by the assigned jobs and various tasks to which the Angels of the Quran are commanded by their (Emperor/Animus) God, Allah.

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Some scholars suggest that Islamic Angels can be grouped into fourteen militaristic categories, with some of the higher orders being considered Archangels; one of whom no doubt looks like Darth Vader.

The centralist hierarchy of the Abrahamic (Animus) Angels, whether they be of the Judaic, Christian or Islamic of shared Imperialist religious politics are forever warring against the (Fallen Angels) Demons, who equate in the mythology of Star Wars with the Alliance, whom seek to restore the Old Order freedoms of the Republic. Basically, the Republic equates with the Roman Republic of pre-Christian Pagan (Animist) Rome, which is traditionally dated to have lasted from 509 BC, and ending in 27 BC, with the establishment of the Roman Empire.

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The Alliance is an interstellar faction, whose forces, rebel against the New Order of the Galactic Empire, throughout the Star Wars galaxy.

The Galactic Empire equates with the demise of the Roman Republic, during  27 BC, when Octavian was granted the use of the names, ‘Augustus’ and ‘Princeps,’ indicating his primary status above all other Romans, who revered the God, Mars.

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Octavian then adopted the title ‘Imperator Caesar,’ making him the first Roman Emperor. The Star Wars Alliance are commonly known as the Rebel Alliance, and, informally, as the Rebellion.

The Rebel Alliance was first featured in the 1977 film Star Wars, which featured Princess Leia who equates with the ancient pre-Christian Roman (Anima) Goddess Diana Lucifera.

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It was the ‘Anima’ archetype, Diana-Lucifera who led the Rebel Angels as the main Biblical antagonists.

But then the centralist politics of the ‘Animus’ fixated monotheists had demonised the elder Pagan faiths, and in turn demonising the ancestral-self-identity of the European’s.

Hence Diana-Lucifera was transformed into an ‘Animus’ fixation of a male, Lucifer by the patriarchal cultists. (Curiously, Diana Lucifera holds a torch, just as the Statue of Liberty does.)

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Leia (Diana Lucifera) was also in the Star Wars sequels: The Empire Strikes Back (1980) and Return of the Jedi (1983). The faction’s origins were alluded to in Star Wars Episode III: Revenge of the Sith (2005).

The early activities of the Rebel Alliance are featured in the Disney television series Star Wars Rebels, who as said earlier, can be symbolically equated with Demons (Fallen Angels) against whom, the Angelic Stormtroopers of the Orwellian New Order Empire of Heaven are at war.

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It turned out that the film director, J.J Abrams did not take Star Wars to a far deeper symbolic level than he ever did with Star Trek, which invariably led to the STD, Star Trek Discovery featuring two characters named after Archangels riding a fiery (Belial) chariot in the shape of he Hebrew letter ‘Shin.’

Abrams of an Abrahamic namesake was probably at ‘Animus’ Military Industrial Complex Empire odds with a ‘Rebellious’ perspective.

If, Abrams is a fan of the author Philip K. Dick, he might start to see the symbolism of the deified ‘Animus’ permeating all levels of society, as being a Black Prison, whose invisible mass-media Matrix incarcerates the indoctrinated-minds of the mass-populace, which presently classifies the influence of the ‘Anima’ as being sexist.

Philip became aware of the Back Prison when he had a rebellious revelation, which was initially triggered by a sexy dark haired girl, who he later symbolically equated with the Sophia.

The Sophia was a one time ancient Greek/Roman Goddess of Wisdom, who is essentially the Fallen ‘Anima.’

Her Muse influence revealed to Philip that THE EMPIRE NEVER ENDED.”

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