Archive for archetypes

FALLEN ANIMA

Posted in Art, Chaos Magic, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 30, 2019 by FAUSTUS CROW

Falling down the Rabbit hole, a subway infernal, travelling the Tarot tunnels without moving

‘Hypnagogic’ of a trance jolt, awakening within a rebellious Faustian dream, dreaming lucid unto a new ‘Dawn Chorus’

Fallen Anima catching the Seer eye; her politically incorrect Succubus archetype, inspiring as a Chaos Magic Art Muse

She drops her Ankh bag knowingly, within which there be her banned Apple of self-knowledge, to fall along the dystopian 27th path of the Kabbalah, betwixt the lightning struck towers

Into her informational labyrinth to thence Buster Keaton go from Yesod 9 to Da’at 11, Maya Matrix style

Whereas others commonly ‘Traffic’ mind conjure up a Big-Brother Animus to deify of centralist politics

Who ‘Not-The-News’ worship their deified Animus as a God and Devil of an Orwellian Sauron eye, which watches all within the Spartan Military Industrial Complex of an Oily New-World-Order Eden

Hence, a certain ‘symbolic interface,’ manifesting within quantum computing dreams is considered as being revealingly dangerous. Wherefore, its symbolism has been banned as being a politically incorrect Lilith Apple!

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination to also third-eye dream of.

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The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

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This is especially the case concerning the three gender based monotheistic religions and their Oily political agendas. Jung did not want to end up being tarred and feathered by an outraged public, who, of a prior age would have burnt him at the stake. Although, it might have been the case that he had missed the simplicity of it all, who otherwise preferred the safety of turnstile complexity. 

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Carl Jung was not the first to have discovered the psychological/biological realities of the Animus and Anima, though he was the first to have scientifically described their archetypal influence upon the psyche. Many of the animist orientated shamanic cultures already explored the ‘balanced’ relationship interactions of the Animus and Anima within their myths, in which Animus/Gods and Anima/Goddesses of varying sexual orientations copulate all over the place. 

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When first getting into a relationship, the attraction to a potential partner is heavily influenced by the inner archetypes of the Animus and Anima. The subconscious influence of the Animus and Anima initiates the phenomenon of falling in love at first sight.

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It is unwise to unknowingly project the Animus or Anima upon a prospective partner, since another individual is unable to become what has been projected; this can lead to all sorts of relationship problems.

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A woman is intutively aware that the sexuality of a male is in the main visually excited by her erotic Muse presence, and that his imaginative capabilities of artistic visualisation have to be eventually ‘tamed, controlled’ and redirected towards her, due to the inner conjurations of his Anima within his psyche, which make his (Chakra/gland) ‘Unicorn’ Horn erect.

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Wherefore, the Anima within the male psyche is eventually transformed into a Virgin Mary. This is easy to achieve via subversive social-engineering by utilising the controlled mass-media machine, since most males are totally unaware of the existence of their Anima, whose Succubus Muse archetypes light up the tool making part of his Horned brain.

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Whence you have the Beauty and the Beast symbolism of a ‘Unicorn’ (Beast) laying his Horn in a (Beauty) maiden’s [Feminist] lap, who then rides him, wherever she desires to go, and all because he unknowingly projected his Anima upon her. It’s all hard-wired biology at the end of the day.   

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As for the bigger picture of a mass-mind projection, one has the monotheist fixation upon the male gender, which is a Fifty Shades Of Grey deification of the Animus as a God/Devil. When you have an overriding religious/political focus upon a particular gender, it invariably has an underlying sexual orientation; it’s biological; whence one has the symbolism of Babalon riding the Horned Beast. 

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The monotheistic fixation upon the deified Animus has castigated the Anima and her legions of Succubus (Goddess) archetypes into the politically incorrect pit as the Entartete Kunst Fallen, to verily censor and ban as being mere heterosexual ‘male-gaze’ porn; this collective herd-mind-control process continues. 

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Basically, the heterosexual male psyche in particular, can be manipulated, influenced and controlled by subversively manipulating the archetypes of the tortured Anima.

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I am not saying that Feminist politics is manipulating the male psyche. It is more of a case of certain intelligence agencies have hijacked Feminist politics, along with the New-Age movement since the end of the Vietnam war era by infiltrating the paper strewn universities.

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Both of these movements had first stemmed from the universities, which were at the forefront of the anti-war protests that brought down the puppet government of the Military Industrial Complex.

The intelligence agencies have since worked towards negating any further anti-war protests by weaponising minorities, without them realising what is going on.

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This has led to the negation of free-speech, censorship and the initiation of draconian totalitarian/fascist laws being implemented, along with dividing and conquering the masses.

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The masses then become drawn into subversively engineered PsyOp New-Age protests about gender issues of a ‘distraction,’ while numerous Oily wars are being waged around them, whether they be economic wars, utilising crippling sanctions or that of hot wars using the bombing facade of bringing democracy to Oil rich lands, which invariably leads to the mass migration of peoples.

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Some years ago, you had Band Aid, which was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in civil war torn Ethiopia, although most were unaware that the Ethiopian crisis was being caused by a civil war. At the time the Ethiopian dictator, Mengistu, was backed by the the now defunct Soviet Union. While the civil war raged and its associated Western proxy-wars with the Soviet Union caused mass famine, Band Aid raised public donations by releasing the song “Do They Know It’s Christmas?”

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There is presently a humanitarian crisis in Oily Yemen, which is far worse than what had occurred in Ethiopia. There is no protesting Band Aid equivalent for Yemen, which is probably due to the music industry being heavily controlled since the late 60’s. In other words, a musician who toes the corporate owned controlled-media line, will be fine, attaining fame and fortune for a time.

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If however, a musician rebels against the engineered mainstream, said musician will be promptly ignored. Any musician who becomes involved in protesting about Yemen will have to highlight the American support for dictator Ali Adullah Saleh, whose civil war has totally wrecked Yemen since 2014.

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Yemen’s neighbor is Oily Wahhabi Saudi Arabia, itself among the region’s cruelest dictatorships and a staunch U.S. ally, became nervous in 2015 about the outcome of the conflict, and with support from nine regional Oily allies, began subjecting the country to a punishing barrage of airstrikes, along with imposing a blockade, which ended the inflow of food and supplies to Yemen through a major port.

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This has led to the worst humanitarian crisis this century, leading to an ensuing mass migration of peoples… So, where’s anti-war protesting Band Aid? The sad truth is, Band Aid was being subversively utilised by war profiteers, profiteering from a a forever war and its mass-migrations, who considered Band Aid to be their financially lucrative Christmas present.  

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As for the PsyOp engineered Band-Aid protests over gender, whose protesters might consider the Animus and Anima to be anathema to their nigh Orwellian New-Speak, the Animus and Anima change over symbolic roles for those of different sexual orientations. 

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NOTE: Thom Yorke’s film, Anima, which is directed by Paul Thomas Anderson, is set to three songs: Not the News, Traffic, and Dawn Chorus, of a ‘threefold coercion of the dream.’ The ‘threefold coercion of the dream’ is associated with the Nigredo stage of hypnagogic trance ingress into the (Not the News) dream. Then one has the Albedo stage of becoming consciously aware within a (Traffic) dream. This then leads to the Rubedo stage of Hypnopompic egress out of the dream, when to (Dawn Chorus) awaken.

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The Nigredo, Albedo and Rubedo of alchemical colours, Black, White and Red, are also known in Hinduism as the three Gunas, which are the three colours of Shakti, the psychologist Carl Jung would otherwise call, Anima. The manifestation of the Anima in the film is played by Dajana Roncione who is Yorke’s (Shakti) girlfriend. 

MAKE LOVE, NOT WAR!      

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GOETIA GIRLS BLACK RAVEN TAROT OF THE SUCCUBUS

Posted in Art, Chaos Magic, Comics, Discordianism, fantasy, Ghost, Goetia Girls, Goth Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 6, 2019 by FAUSTUS CROW

The Black Raven Tarot and an accompanying Grimoire is Now On Sale. Should you be interested in acquiring the Black Raven Tarot Poker Game and an accompanying Black Raven Grimoire, they can be bought from the Drivethrucards website.

The Tarot cards and book can be bought via PAYPAL, etc. Drivethrucards will require you to join/log-in, due to the Adult material of the Tarot cards and grimoire.

Click On The Above Drivethrucards Icon. For further details about the Black Raven Tarot and book, Please Click On The Artwork or Click Here.

Doctor Faust is a rebel Sorcerer, many would consider to be out of his Nigredo Dali Skull insane, let alone utterly Felicien Rops crazy.

If Faust was also an Artist, he would have conjured up lucid dream Devil Girl Succubi as his salacious Art Muses.

It would make far more symbolic sense wouldn’t it, since sex is considered as being the first sin!

Hence, Mind-Doll Tulpa Succubi populate this infernal underground Tarot of the Faustian rebel.

Most Grimoires, such as the classical Goetia, out of which Aleister Crowley to have Boleskine House conjured from, list all male Incubi Angels and Demons of the deified ‘Animus,’ made as a God/Devil, whom perpetually upend each other into the political arena.

None of these Playgirl Grimoires of the objectified male, mention female spirits, that closeted Monks greatly fear. While protesting Witch-Nuns berate the Succubi as being a vile objectification of women.

Wherefore a ‘real Necronomicon’ would list what has been entirely banned as being Entartete Kunst.

Whereupon a rebellious Tarot of Doctor Faust would be based upon the Goetia, which otherwise illustrates the politically incorrect Playboy Succubi Great Old Ones of the ‘Fallen Anima.’

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HORROR SHOW ANIMUS CULTS

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 27, 2017 by FAUSTUS CROW

There is one thing for certain that if you have a group of heterosexual males get together to create a tax-dodging religious cult, it will most assuredly have a gender focus upon a Sex Goddess, and what is more, she will not be some brainless bimbo either.

The reasoning for having a sex Goddess will be because of the employed symbolic logic, when seeking union with the divine, it has an underlying sexual connotation involved. Basically, it is the biological imperative to procreate, which is being internalised.

The archetype of the divine feminine is what the psychologist Carl Jung termed as the Anima, whose numerous feminine archetypes resides within the psyche of all males, which determines their choice of those women they chase after. Should a male be lucky, he may be chosen by a woman, who, in some respects represents his Anima.

The Anima usually manifests within eroticised dreams, and when a male becomes aware of her feminine presence within his dreams, you could otherwise term as being (Succubi) Succubae, he can then unify himself with her inner manifestations. The union with the Anima empowers the masculine self-image of the heterosexual male, whereas for a lesbian, her masculine traits are emphasized.

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In other words, a male becomes as a God within his own psyche when he unifies himself with his inner Anima, which can otherwise be termed as his soul. In ancient cultures, the soul was usually seen as being the opposite of the physical gender.

Wherefore, it is very unlikely a group of heterosexual men would create a patriarchal gender focus upon the male, unless it is to do with having mythic superhero role-models. But when it comes to seeking union with what is considered to be divine, a heterosexual male would look to an archetype of a Goddess to enter unto her cosmic orifice; whereas those males who are closeted, homosexual or bisexual of orientation will prefer a patriarchal God to enter their orifices.

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It will be the heterosexual women who would create a patriarchal gender focus upon the male, which represents their deified Animus. The archetype of the Animus resides within the psyche of all women, which determines their Babalon choice of those males they choose among the beasts to ride.

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There is biological trait women all share, of nature; women are very competitive among each other, which they will not deny. It is common knowledge, anyway; just like having Sarah and Hagar competing over their Animus projection upon a useful Abraham.

Whereby, the women will not like their useful Abraham’s having an inner Anima focus upon an Ishtar Sex Goddess, which they will jealously see as being competition, or to otherwise castigate as objectifying them, or to tar and feather as being vile pornography.

Hence you then have a very jealous deified Animus, made as a patriarchal All-Father fixation Jehovah/God/Allah, along with a Crucified Beta-Male Good-Guy Christ and an Alpha-Male Bad-Boy Satan/Devil-Lucifer/Shaitan.

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So, it is somewhat humorous that you have a topless activist from the feminist group Femen who attempted to snatch the Animus statue of a baby Jesus from the Nativity scene in St. Peter’s Square. Her protest was however blocked by the burly police in the pay of the financially lucrative Animus cult as she grabbed hold of her little Animus icon.

La Femen a eu le temps de montrer... (PHOTO FEMEN VIA AFP)

A Reuters photographer said the topless woman had jumped over the guard rails wearing spray on Yoga pants, and rushed onto the larger-than-life Nativity scene baring her pert breasts, shouting “God is woman”. She had the same slogan painted upon her bare back.

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A heterosexual male would wholeheartedly agree having the creative principle of existence, a Native American would call the Great Spirit, being symbolically represented as a Woman wearing spray on Yoga pants. But only if he is aware of his inner Anima; then he can fuck his way through Hell’s womb to pussy Heaven.

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A Fifty Shades Of Grey Vatican gendarme of the deified Animus cult stopped her from taking the statue of her little Animus, and she was duly bound up, handcuffed and detained in a cell. The incident happened about two hours before Pope Francis of the Franciscan banker elite delivered his cult Christmas message to some 50,000 adoring Animus worshippers in the square.

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Femen identified the protestor as Alisa Vinogradova. Femen was founded in Ukraine, which has the same goal as the Russian feminist protest punk rock group based in Moscow called Pussy Riot. The Pussy Riot goal of the Femen group is to have, “complete victory over the patriarchy.”

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This is rather humorous, since the patriarchy of the deified Animus is the creation of women. Many will of course Banshee scream that such is not the case, whose argument will very likely reflect the controlled media machine hype out of corporate owned America, in particular.

But it is bloody obvious, when you have three monotheistic gender fixated cults, it is based upon sexual biology, because of the symbolic focus upon a particular biological gender.

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It is nature, which no one can argue against, and she’s a real bitch! It would then be more of a case of women becoming aware that they have forged the gender fixated God structure of the patriarchy in order to then attain a victory over their own inner male archetypes, and that of their own Animus projections upon men. When the Animus is not internally recognised, the projection can be easily manipulated by the bought media machine.

The men are not their Animus projection, although some men can take advantage of such a projection, if they have enough financial clout and political influence to do so for their own social engineering purposes.

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But in order for Pussy Riot Femen to achieve their political Art performance goal, its members would need the men to become aware of their Fallen Anima, whose archetype has been entirely castigated out of the patriarchal paradigm, apart from having a ‘celibate’ Virgin Mary of a quaint mother fixation.

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A topless Femen activist staged a similar action on Christmas Day, back in 2014. On this occasion she managed to take the Animus statue out of the crib before she was arrested. If only she had Howled, “All men awake… Free your fallen Anima!” it would have made more sense, since most of the Pussy Riot Femen protestors look like Succubus Sex Goddesses, who, if they were so Dakini inclined can see themselves as rebelliously freeing the Fallen Anima within the male psyche.

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This will of course not happen. Why? Because the three patriarchal cults of the deified Animus have been around for a very long time. The few who control the cult triad do not want their Shekel tables being overturned in their New-World-Order banking temple. Follow the oily Petrodollar money trail and you will see it all for yourself, as clear as Camel shit hitting the Dune fan.

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The controlling elite of the three patriarchal Animus cults are very much aware that their deified Animus is an embarrassing weak spot in their cultural-construct armour. Whereby they have subversively hijacked feminist politics in order to distract attention away from what their weak spot actually is, by influencing the women to wildly protest, and in turn controlling the males, who are tarred and feathered as being vile beasts, whom are seen as creating the patriarchy. Basically it is, divide and conquer, by sowing confusion, which has led to some ‘Men Going Their Own Way,’ this also feeds into socially engineered Psy-ops orchestrated population control.

Some may conjecture that Femen and Pussy Riot were patronised by Russian intelligence agencies in order to be subversively introduced into American feminist politics. This hypothesis doesn’t take into account the global influence of feminism, which has a common misconception that the patriarchal horror of the deified Animus was created by males, for an all male boys-club heaven on Earth.

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That isn’t to say that some of the big-wallet George Soros Peacocks haven’t taken advantage of the Animus projection of the Hens; for it has always been the Hens who chose the strutting Peacocks, it is not, and never was the other way around. It is basic biology. Hence, as mentioned earlier, those who seek to socially engineer society will subversively influence the female population in order to then have control over the males.

If Pussy Riot Femen had been otherwise Dakini orientated of protesting Tantric performance Art towards enabling the males to become aware of their Fallen Anima, then the Animus cult horror show would have been seen for what it truly is of a very bloody illusion.

NOTE: A religious construct, which utilises a gender focus will also feed the need for archetypal ‘role-models;’ wherefore you have the feminist resurgence of the Goddess religions, which many a feminist sees as their sole creation; but such is not really the biological case. The feminist utilisaton of the Goddess archetypes have been used to bludgeon the Anima.

The God archetypes also act as archetypal ‘role models’ for males. However, their masculinity has been somewhat castrated by the feminists due to their Animus projection, which has been subversively manipulated by Psy-Op social engineers, sowing discord and misdirection from important issues, such as the ongoing conflict in the Middle East. Hence there are no anti-war protests of similarity to the Vietnam war era. Another underlying reason is in part, population control.

Overall, a woman utilises the Goddess archetypes in order to empower her self-image as a Goddess, just as a male utilises the God archetypes to empower his self-image as a God. A heterosexual woman seeks union with the inner reality of the divine by uniting with her Animus archetype of a God, just as a heterosexual male does likewise who unites with his inner Anima archetype of a Goddess. Then a woman and a man sees the divine in each other. (Yin/Female [Animus] + Yang/Male [Anima] = Tao)

Those of different sexual orientations change the gender symbolism as and when needed. Many ancient cultures did not see differing sexual orientations being a big deal at all, nor did they constantly harp on about it. Whereas the three closeted monotheistic Animus cults consider differing sexual orientations to be anathema to their shared dogma. 

As for the creative principle of all existence it cannot be personified as being either male or female, nor is it human of form, let alone owned by any human made cultural construct of a centralist religion to brand. But those who seek to have total control over your terrestrial existence by owning your purse strings behind a cultic smile, will have you believe otherwise! 

Religion is big business, which buys up material assets with your Shekels in order to keep its brand forever rolling on. For a big business religion to survive it will seek to have total control over what you need to physically live as well as finding various political ways, or even technological means in order to subversively influence your very thoughts.

Politics tends to be transient; but a religious construct is more of a self-perpetuated constant. You can thereby determine that the longer a big business religious construct has been around, it has all its ‘Oily’ fingers in the money pie.

(The observation that conspiracies cannot be sustained over a great length of time due to historical variables, does not apply to a religion, which works to an unchangeable script, whose followers act out, as indoctrinated automatons down the ages. Look to the war torn Middle East to see the truth of an ongoing religious strife, since the time of Sumeria!)    

At a biological level, the symbolic personification of the great mystery is how many ancient cultures sought to come to some understanding of their terrestrial existence, self-identity, relationships between the sexes and social-group interactions, etc, more so that of what is to come afterwards, let alone before their ‘birth’ involving a God and a Goddess doing the Tantric tango! 

 

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FREE THE FALLEN ANIMA

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 4, 2017 by FAUSTUS CROW

The above Artwork is available as an Art print, which depicts a Succubus emanation of the Fallen ‘Anima.’

Should you understand what the ‘Anima’ and ‘Animus’ represent of internal archetypes, which frequent the male and female psyche, then you will get the cosmic joke, and more besides.

In general, the ‘Anima’ and ‘Animus’ often manifest as female and male dream characters, which can be construed as being (Succubae) Succubi and Incubi, when empowered by the imagination in regards to fantasizing about being with a supposedly perfect partner.

Although this specifically applies to a heterosexual orientation, having an internal ‘gender’ archetype of a potential partner, it is also applicable to other sexual orientations.

For example, should a heterosexual male find himself being struck dumb, to gibber, feeling as if possessed by uncontrollable desires, when seeing a particular woman in the room, who falls head over heels in love with her at first sight, it is because of his ‘Anima.’

Wherefore, for a male, it is wise for him to become aware of his inner ‘Anima,’ whose emanations manifest within his dreams, and likewise for a female, to become aware of her inner ‘Animus,’ when to dream.

However, the ‘Animus’ has been ‘deified’ by (patriarchal) gender focused religions, to worship; whereas the ‘Anima’ has been cast out of the spiritual/symbolic equation as the ‘Fallen!’ In other words the patriarchy is a Fifty Shades Of Grey expression of a female focus upon her ‘Animus.’

Should you see it, you will then get the cosmic joke, which the psychologist Carl Jung could not tell, apart from, perhaps alluding to, when corporeal, that’s if he saw it; for his time was still getting over the Witch burning era, which had been initiated by closeted priests hating women and homosexuals for no reason at all!

When you have a gender focused religion it is invariably tied up with human sexuality; the symbolism of which is primarily biological.

The absolute cannot be personified as being human, or to be of a particular gender, let alone having a deified ‘Animus’ made as a God favouring three Bronze Age ‘cultural-religious-constructs’ out of the oily desert.

As for the much maligned pentagram, which is featured in the design, it represents the Five-Senses.

The upright pentagram is associated with your Five-Senses being engaged in your (waking) experiential physical reality of the ‘Macrocosm.’

When the pentagram is inverted it describes the introversion of the Five-Senses into the (sleeping) dream of the ‘Microcosm,’ where the archetypal expressions of the ‘Anima’ and ‘Animus’ reside.

The ‘Fallen Anima’ is depicted in the design being conjured amidst a ‘Triangle Of Art,’ which symbolically represents the power of the Imagination.

The ‘Anima’ and ‘Animus’ are covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon under my author’s name, Faustus Crow.

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CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print, Check Out my Gallery on Saatchi Art, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses. (The original A4 size watercolour painting of Mephistophina, shown below is available to buy from Saatchi Art. For further details, Please Click Here.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect.  

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Amazon.

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SUCCUBUS ANIMA HOWLING

Posted in Art, Chaos Magic, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2015 by FAUSTUS CROW

The grimoire entitled the, Goetia, means, howl, which of a word, the poet Allen Ginsberg had used for his 1955 poem of protest, titled: Howl. Ginsberg’s, ‘Howl And Other Poems,’ was published as part of his 1956 collection of poetry, which was dedicated to the writer Carl Solomon at a counterculture time when feminism came to ascendancy. Ginsberg wrote that:

“In publishing ‘Howl,’ I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy.” 

Ginberg’s Howl utilised the name of a God that was once worshiped by the Phoenicians and Canaanites called Moloch, which Ginsberg saw as representing a repressive police state as well peoples blind submission to it.

The Swiss psychiatrist Carl Jung would probably whimsically see Moloch as representing the masculine principle of a Fifty Shades Of Grey Animus residing within the psyches of all women.

The counterpart of the Animus is the Anima, which in Carl Jung’s school of analytical psychology, is the primary female archetype residing within the unconscious mind of a male.

The Anima is described by Jung as being an influential force within the collective unconscious, which transcends the unconscious of the personal psyche of an individual male.

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However, due to the mass indoctrination into the monotheistic paradigm of the deified Animus made as a God/Devil, the expression of the Anima has been systematically erased or otherwise incarcerated into the symbolic form of a celibate Virgin Mary.

The Virgin Mary masks the one time ancient Egyptian Goddess Isis, whose name has since become a buzz-word of the highly controlled mass-media, when describing Animus fixated Wahabi extremists.

The Anima and Animus are archetypes of the collective unconscious; they are not personal aggregates of a father, or mother, brothers, sisters, aunts, uncles, or teachers, etc; although their imprints upon the personal unconscious can influence an individual.

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The Animus in particular is symbolically expressed as the all male pantheon of Angels and Demons.

These all male Angels and Demons are commonly listed within the monotheistic grimoires, who dance around a God and a Devil; wherefore the fixation upon the male is that of the Animus residing within the unconscious psyches of all women.

You can thereby conclude that the symbolic construct of the monotheistic religions, upon which these grimoires are primarily based has been forged by women, due to an overriding fixation upon the Animus, made as a God and Devil.

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Hence, when women berate what is termed as being a male dominated paradigm, they are inadvertently berating their own Animus projection, which has been personified as an All-Father God, enthroned between a crucified Beta-Male Good-Guy Christ and an Alpha-Male ‘Bad-Boy’ Devil.

However, every personification of the unconscious has a light and a dark aspect, such as the Animus, which can bring life-giving development and creativeness to the personality, or it can cause an individual to reactively erase its influence, which leads to insanity, the eventual death of a personality, becoming like that of a soulless automaton.

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Should this reaction be applied to the collective, it manifests as hypocritical political-correctness, totalitarian thought-control and fascistic politics.

The religious symbolism of the monotheist faiths mirrors the relationship dynamic between women and those men they choose as their mates, whether in actuality or that of fantasy.

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For example, many a woman is infatuated with a crucifying Bad-Boy Christian Grey, of fifty-shade Twilight desires, who desire being nailed by his conservative necrophilia of bestial dogma.

This fixation upon the Animus is genetically hardwired, of a biological imperative, which of an unconscious influence within the psyches of all women, over the Zodiac ages, has forged the present monotheistic focus of Piscean age society.

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As you are no doubt aware, the present monotheistic society of an Animus fixation is becoming progressively more fascist of a totalitarian orientation.

Those who argue that such is not the case, are faced with the unerring fact that the creative principle behind the entirety of existence has been symbolically personified as a (Animus) God, whose ‘three’ religious constructs of an all male paradigm is derived from a particular cultural perspective, stemming from the war torn Middle East out of UR’s petrodollar ziggurat of Abraham.

Logic would dictate that the creative principle behind the entirety of existence cannot be personified by a religious focus upon a singular gender, of human form, let alone being based upon a cultural construct. Hence, the overriding monotheistic focus upon the male points at something else, being that of the Animus.

As for the symbolic expression of the Anima within the Playgirl grimoires, it is none existent.

But then, the religious construct upon which these grimoires are based, has castigated the Anima out of the spiritual equation.

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Should a male presently explore his Anima, he will duly find himself being tarred and feathered as being a misogynist, or a sexist pornographer, merely because he plays video games, involving sexy female characters.

This is more so the case, if a male artist expresses his explorations of the Anima via his Art, which can potentially lead to his work being shunned, censored, let alone banned as being Entartete Kunst.

Artistic renditions of the Anima often manifest within the art-form of video games, which are being presently targeted by social engineers, who invariably utilise the emotively charged front of feminist politics to do so.

When to investigate the Anima, a male practitioner of symbolic alchemy has to keep in mind what Jung had termed as, ‘invasion,’ of the conscious by the unconscious archetype of the Anima, which can then lead to him being easily manipulated by the emotional politics of his female partners, upon whom he unknowingly projects his Anima.

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Women are generally more emotionally astute than men; this is because their emotional intelligence develops at an earlier age than males do. This is not a sexist remark, it is actually a biological fact.

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Jung insisted that: “A state of Anima possession…must be prevented. The Anima is thereby forced into the inner world, where she functions as the medium between the ego and the unconscious, as does the persona between the ego and the environment.”

Because a man’s sensitivity is usually repressed, the Anima is considered to be one of the most significant autonomous complexes of all within the psyche of a male, which influences a man’s interactions with women as well as his attitudes towards them.

If he is not aware of his Anima, he will duly find himself being manipulated by the controlled media machine manipulation of women, upon whom he unknowingly projects his Anima; just as women are likewise influenced by their Christian Grey Animus.

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Jung related: “the encounter with the shadow is the ‘apprentice-piece’ in the individual’s development…that with the Anima is the ‘masterpiece.”  

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Jung saw the Anima as being the interface with the collective unconscious. Hence, she is the doorway into the collective dream; whereby, those who seek to influence the unconscious minds of individuals will target the Anima via subversively stirring up the women, which is easy to achieve since most males are totally unaware of the archetypal existence of the Anima within their own psyches.

The established symbolic paradigm of an Animus fixation has castigated the Anima out of the spiritual equation. Wherefore Faustus Crow summons up his Anima, Mephistophina, in order to negate the viral-meme brainwashing of the establishment, by conjuring her Muse sisterhood of Succubae amidst his Triangle Of Art lucid dreams, to thence list within his howling Skull and Crossbones pirate grimoire, of artistic anarchy.

NOTE: I am not saying that the Bene Gesserit Sisterhood are the unseen cause of all the woes of this world, that would be plain stupid, which would be just as crazy as saying that the Illuminati Brotherhood are the cause of every woe afflicting society.

It is more of a case of the many who blindly give over their power to a few who have sway over unlimited finances, whom delude themselves, that they are the elite.

This is due to them suffering from an inbred superiority-complex. The insanity of the brain-dead puppeteers is plain for all to see when to look at the petrodollar Middle East of mass-sacrifice, should you not be distracted by a PsyOps engineered conflict between the genders, which has nullified any anti-war protests.

The guilty party who have engineered the suffering of war, can be seen by all; for the insane few are the ones who ‘benefit’ from the orchestrated confusion and mass slaughter!

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HORROR ACTRESS OF PSYCHOMAGIC

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 4, 2015 by FAUSTUS CROW

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The Twenty-Second Succubus archetype of the Fallen Anima is Ipos, otherwise called Iposi. She is a Great Countess and a Mighty Princess and appears in the visionary form of a most beautiful and noble Woman.

She will speak of her ‘Lioness’ Objective, her ‘Goose’ of an Obstacle and that of her Hares ‘Method’ in regards to her Acting, for she is an Actress who can make her Director of a conjurer witty and bold.

But only when she to ride and be ridden by him upon the Casting Couch within those most Erotic lucid dreams she will induce after evoking her Succubus archetype of the Fallen Anima. She also knows of all things Past, Present and to come of Futures beckoning back. She Governs over Thirty-Six Legions of Anima archetypes likened to herself of Actresses.

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When a heterosexual male practitioner conjures Iposi, he can assume the alternate persona of a famous Actor within a lucid dream, which Iposi will empower. Those of other sexual orientations will change the gender of the archetype as required, who will note that the classical Playgirl grimoire depiction of Ipos is an archetype of the deified Animus made as a God and and a Devil.

What is required in order to achieve the assumption of an alternate persona is that you have to see yourself as a famous Actor, strutting the stage of life, between the entrance of birth, and the exit of death. This is engaged in of a prior active imagination exercise. You are essentially engaging in visualising yourself via your third eye of a camera, Acting within an inner film you are in turn directing as its Director.

Whereupon you first construct your character to Act out, by researching those successful Actors who you admire, in regards to their Acting abilities corresponding to your seven planetary sphere Chakras of emotional armoured seals to unseal, to thereby assume, as an archetype, ruling over one of the ten Cabbalistic domains.

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Iposi will then weave a corresponding lucid dream around you, which will then reflect back the assumption of your character, to Act out, with whom she is intimately engaged. Should your lucid dreams be intense enough, the dream experiences will then imprint your subconscious mind, and in turn your nervous system.

Your nervous system cannot tell the difference between a real or a vividly imagined experience; wherefore, an intensely experienced conjuration of the Succubus Iposi within a lucid dream will imprint your nervous system, whereby awakening your own Acting skills to come to conscious fruition.

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You can likewise utilise the character of a Director to assume, if you prefer; wherefore you see yourself directing a big budget movie, which in essence, is that of your own life story to thereby transform by your psycho-magic conjuration of Iposi.

Iposi will inform her Director of a conjurer in depth about the Stanislavski ‘system’ approach to Acting, which the author Carlos Castaneda otherwise termed as the ‘stalking’ procedures of a sorcerer, whereby Iposi fuses the two approaches together of exercise.

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The term of stalking is used in various different ways in Castaneda’s work. Castaneda uses stalking in reference to the warrior’s virtues as a sorcerer who has consummate forbearance and timing, which is a prerequisite for an Actor playing the part of an archetype.

Whereby you have the meaning of ‘Waiting for the Opening,’ which is implied by Castaneda’s understanding of stalking. This becomes quite clear within the context of confronting those ‘Petty Tyrants’ of your life to overcome; whether it be that of negative situations within society, to that of individuals who cause you grievance.

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The ensuing adversity facilitates the evolution of your personality and character,  if you become aware of its existence, betwixt and between the Ida and Pingala nerve channels of your Autonomic Nervous System.

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Stalking implies far more than a hunter’s skill and patience in relation to any external situation. The same, or similar approach can be taken towards that of the Internal predator of an addiction. You can deliberately irritate this part of yourself by not giving into its habits and demands. Your ‘predator’s mind’ becomes quite obvious under stress, whereby you stalk your own self in order to transform of symbolic alchemy.

Stalking is also used to describe Death, which constantly ‘stalks’ your awareness. Death as a predator stalks humanity, setting it up, and keeping all stressed, of highly reactive mode, whereby you are faced with constant new crises in order to stay one step ahead, which elicits a predictable emotional reaction from your animal self, stalked by a predator.

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The only release is to be within the ‘eternal moment’ to perceive death as your advisor, like that of a martial artist who is thereby not afraid of entering the stage of life’s gladiatorial arena in front of a mortal audience.

The Stanislavski ‘system’ of pre-Castaneda Sstalking procedures was developed by Constantin Stanislavski, a Russian Actor, Director, and Theatre administrator at the Moscow Art Theatre founded in 1897, around the same time that Karl Marx’s, Das Kapital was published, which made the workers to dance, the aristocracy to fear.

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Stanislavski’s system is the result of many years of intensive research, observations, and efforts to determine how a human being can control in their performance the most intangible and uncontrollable aspects of human behaviour, such as emotions, and artistic inspiration.

The most influential Acting teachers in America, including Lee Strasberg, Stella Adler, Harold Clurman, Robert Lewis, Sanford Meisner and Uta Hagen have all traced their pedigrees back to Stanislavsky, his theories, and that of his numerous disciples who ‘stalk’ their own selves upon a mirroring synchronicity.

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