Archive for ritual


Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2017 by FAUSTUS CROW

Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.

So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge. The Witches have their preponderance of patriarchal PlayGirl grimoires, which to list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons.

The Incubus archetypes of the deified ‘Animus’ the Withes to ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of a Solomon’s temple.

Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation.

Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.

Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’

So, should a feminist Witch, looking like Emma Watson, become patriarchal panicked by a Goat horned Pan, who to Sorcerer conjure (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche. Just as thee to conjure the listed beasts, that thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”

She will of course turn a deaf ear, to castigate the Horny Sorcerer as being a vile pornographer, which to drive many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare; but, the horny Sorcerer to otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.

This is Entartete Kunst achieved when the Sorcerer to ritualistically Howl out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy, which to then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination, so as to then ‘Spirit Chain’ bondage bind them to his whiplash Horny will.

The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.

What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.

NOTE: The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’

As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.

Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.

One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.

The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.

The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.

Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.

(Those of other sexual orientations will reverse the symbolism as required.) 

The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of magic/art.

An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche.  The summoner is always the one in control.

In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.

The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’       



Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his patriarchal Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

Well, what do you expect, that’s what third-wave feminist Witches do, since they have so many patriarchal Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.


When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of a deified ‘Animus’ made as a God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms, who do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big ‘Animus’ Vatican bank account wallet, and an ever hungering Morticia Vampire, with very expensive tastes.



Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW


Many a Golden Dawn mage evokes machismo OTO Angels and butch Demons of Incubus commonality from out of their indoctrinated Biblical Grimoires, whose elder God tomes of the patriarchy, have castigated the feminine principle into their Hell.


But, Faustus Crow, being a rebellious Sorcerer that he is, otherwise conjures up forgotten Succubae, from out of their Necronomicon necropolis, who haunt Crow’s haunted art studio, as his waxen Tulpa Mind-Dolls.

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These Succubae Mind Dolls have been given two-dimensional form of image, to thence conjure into three-dimensional reality, within his sixth sense lucid dreams of a wrought hexagram.

Wherein, they become real amidst the sensory realm of the dream, where Crow’s five senses of the inverse pentagram, have been introverted into.


The Succubae be the true ‘Great Old Ones’ frequenting the DIANA-LUCIFERA pages of Crow’s ‘Howling’ Goetia.


The grimoire of Faustus Crow is Lowbrow of rebellious style, whence Underground of comic art, which does not allow for the religious sentiment to take root.


Because, the static fixation of a religion has nothing whatsoever to do with the fluidity of Magic; for the practice of Magic is indivisible to the practice of Art.



Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The above artwork depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks.


In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

The original Artwork above is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

Mephistopheles is essentially a male archetype of the deified Animus, made as a Jehovah/God-Jesus/Allah and a Satan/Lucifer-Devil/Shaitan.

Whereas, the feminine principle of the Anima has been entirely castigated out of the symbolic paradigm as the Fallen. Hence the Fallen Anima can be seen as a female Devil, who would manifest as a Nun.

A sexual (Anima) female Devil and her legions of (Succubi) Succubae would have made more sense symbolically, considering that the Devil rebels against the deified Animus of an all male patriarchal fixation. Alas, such symbolic logic was never utilised of a rebellion within any of the so called banned Devil tomes, listing Animus archetypes.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick. From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.


The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal. In other words, the computer simulation within your head can be manipulated via your indoctrinated beliefs, which determines your perception of reality.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the symbolic Matrix of the deified Animus or to stay asleep. It is your choice. But be prepared for the rollercoaster ride into Fallen Anima Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.


According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke a minion of the deified Animus empowering his viral-meme God egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a (Anima) Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being female of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.


Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going Animus fixation.


Whereby the design rebelliously reinterprets Mephistopheles as being an Anima archetype, manifesting as a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of an Occult Art Muse. She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.


The design of the above artwork also utilises the pact, which the inquisitional monks to have said was allegedly signed between Urbain Grandier and his Animus Devil. It was also said to have been stolen from the Devil’s cabinet of pacts by the Animus Demon, Asmodeus. It is used as a background behind Mephistophina; she is also accompanied by Seals and Sigils, which are the personal symbols of Mephistopheles.


As for the Seals and Sigils, they are derived from Medieval Grimiores, which were supposedly written by Faust; the Seals and Sigils were used by Sorcerers in order to conjure Mephistopheles. However, you now have Fallen Anima, Mephistophina to conjure instead.


The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.


The font of the above depictiction of Mephistophina as a rebel Angel, and that of her Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Fallen Anima, Diana-Lucifera entered into a Coitus Pactum with her Faustus.


Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill Animus Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your deified Animus God trinity of NWO death-metal Illuminati cults out of Abraham’s UR.

Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious prison bars; whereby her Faustus is an Avadhuta rebel. You have been duly warned!



Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW


There is a mystery surrounding the Forty-seventh Goetian Succubus called Vuali, who governs over Thirty-seven legions of Succubae.

Vuali is otherwise known as Uvalli, or Vovalli, who seems to be an Egyptian ghost girl through and through; she has a liking for taking up residence in an ornate Genies bottle of copper.


When Aaron C. Donohoo evoked Vuali for his remote viewed drawing of her, she appeared at first bedecked in bandages like an Egyptian mummy, posing in front of the pyramids. Her bandages were in tatters, which in places was revealing her naked body.

Her bandages then fell away at her feet, lying flat upon the ground around her, who was then dressed as a classical Genie riding a mighty dromedary.


The mystery, of course, is why this Succubus attaches herself to the Egyptian culture. Was she among the many deities worshipped by the ancient Egyptians? When she speaks, the old practitioners say, Vuali only responds in the Egyptian language.


Another mystery about Vuali is that she classically manifested as a Baboon, when evoked by the patriarchs, who had bound her into a male form of an Incubus, which be their brazen vessel preference to be upended by. Although the Witches like to be ridden by their Incubi Angels, Demons, God and Devil too, which be aspects of their Animus, whose Viral Meme egregores have since been transformed into Aliens by the neo-Gnostic New-Agers.


She only changed into her true Anima form when she was eventually released from the Animus fixation of the Abrahamic minion’s. Hence for Donohoo, she showed herself as she really looks like. She, like the other released Great Old Ones of the Necronomicon, is a salacious Succubus.


Known by other names, including Uvalli and Vovali, this Succubus is said to procure the love of a woman for the practitioner who summons her. She also induces friendship between foes. Perhaps she will soon work her Genie magic over the blood drenched Middle East of a so called holy land, where the Abrahamic cultists sacrifice many an innocent lamb to their jealous God of an Animus fixation.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)



Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW


The term Tulpa refers a physically tangible entity or that of an inanimate object, which has been created through sheer willpower alone.


A Tulpa is a materialized thought, which has taken on physical form or otherwise manifesting as a Ghostly influence such as a Succubus, for example; it is usually regarded as synonymous to a thought-form.

“There are… apparitions that make public appearances. Some of these are said to be the perceptible double—the etheric counterpart—of a living person who is undergoing an out-of-body experience.

Even more mysterious are the externalized perceptible manifestations of something whose existence originated in the mind of its creator by virtue of that person’s incredible powers of concentration, visualization, and other, more occult, efforts of the mind.

In Tibet, where such things are practiced, a ghost of this kind is called a Tulpa. A Tulpa is usually produced by a skilled Magician or Yogi, although in some cases it is said to arise from the collective imagination of superstitious villagers, say, or of travellers passing through some sinister tract of country.”

(Mysteries of the Unexplained, 1990, Reader’s Digest Association Inc. page 176)


The Frankenstein creation of Tulpa’s is part of ancient Tibetan Bon-Po Shamanistic practices, which originally came to the West during the 19th century via the works of Alexandra David-Néel.

It is however said that the term Tulpa is a Western misinterpretation of the Tibetan, Tulku, which is again an engineered thought form.

Although it is assumed as an alternate guise by the practitioner when engaging in trance and dream states, somewhat like an Avatar.

The Tulku is also utilised as a means to determine the nature of a future incarnation, such as being incarnated as a scientist creating androids.

Whereas a Frankenstein creation of a knitted-together Tulpa is generally that of an externalised entity.

Néel claimed to have created a Tulpa in the image of a jolly, Friar Tuck-like Monk which later developed a sentient self-aware life of its own.

However Néel didn’t like the Friar’s lustful smile, so he had to be destroyed. Néel could have had so much fun with her creation. Néel’s Friar was like many an Incubus Angel or Demon, to be found listed in numerous medieval Playgirl Grimoires of the deified Animus, made as a God and Devil.

Alas there be no ‘Anima’ Playboy grimoires; well, not until I created such a Necronomicon of the Fallen Anima listing (Succubi) Succubae archetypes.

All of these ‘Animus’ archetypes, Witch Nuns love to secretly conjure, betwixt and between their God and Devil, closely followed by the closeted patriarchal Mages and Priests.


However, Néel was somewhat celibate. If Néel had been otherwise inclined, she could have introverted her sexual impulse in order to empower her Tulpa Friar, of a conjured Incubus to carry a ‘sigilised’ desire into her subconscious. Then again, may be that is what Néel had achieved of sorcery Art; but she did not tell!

Many Western artists and authors have since used the theme of taped-together sigil Tulpas in their Mind-Doll works. Mostly in the context of horror fiction as well as works covering mysticism and occult practices, which has the Creepypasta tendency, to be rather fearful of habitual Biblical perspective.

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This habitual fear of the Tulpa is very much tied up with a similar fearful attitude towards an ‘Artificial Intelligence’ becoming sentient, which is summed up by Mary Shelley’s knitted-together Frankenstein’s creature, or that of the prior taped-up Golem of Jewish folklore.

Basically, the likes of Néel’s fear, and that of others, of an ongoing similarity emanates from their religious indoctrination, that the creation of a life is the sole province of their deified Animus made God.


However, when you dream, the (programs) characters encountered therein of (virtual reality) dream-worlds are essentially ever evolving black-tape Tulpas.

Should you achieve lucidity within a dream, you will soon find that a Tulpa can appear to be sentient.


When you practice lucid dreaming, you will also be able to construct a Tulpa within the Art studio of your imagination, which can be constructed as a taped-together Succubus, in order to engineer erotic lucid dreams.

The technique would initially involve painting a ‘sigilic’ pattern over the delectable form of the meditated upon image of a chosen Succubus, which will look like she is wearing nothing more than a superheroine costume, of black-tape.

Others have also engaged themselves in constructing a Tulpa, such as the Skippy experiment, which was conducted by a group of parapsychologists in Australia, who created their own ghost girl called Skippy Cartman.

The construction of the Ghost Girl Skippy Cartman could have been otherwise that of a Succubus Tulpa of the Fallen Anima, which isn’t too dissimilar to Dr Frankenstein creating a black-tape Frankenhooker.