FALLEN ANIMA

Falling down the Rabbit hole, a subway infernal, travelling the Tarot tunnels without moving

‘Hypnagogic’ of a trance jolt, awakening within a rebellious Faustian dream, dreaming lucid unto a new ‘Dawn Chorus’

Fallen Anima catching the Seer eye; her politically incorrect Succubus archetype, inspiring as a Chaos Magic Art Muse

She drops her Ankh bag knowingly, within which there be her banned Apple of self-knowledge, to fall along the dystopian 27th path of the Kabbalah, betwixt the lightning struck towers

Into her informational labyrinth to thence Buster Keaton go from Yesod 9 to Da’at 11, Maya Matrix style

Whereas others commonly ‘Traffic’ mind conjure up a Big-Brother Animus to deify of centralist politics

Who ‘Not-The-News’ worship their deified Animus as a God and Devil of an Orwellian Sauron eye, which watches all within the Spartan Military Industrial Complex of an Oily New-World-Order Eden

Hence, a certain ‘symbolic interface,’ manifesting within quantum computing dreams is considered as being revealingly dangerous. Wherefore, its symbolism has been banned as being a politically incorrect Lilith Apple!

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination to also third-eye dream of.

The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

This is especially the case concerning the three gender based monotheistic religions and their Oily political agendas. Jung did not want to end up being tarred and feathered by an outraged public, who, of a prior age would have burnt him at the stake. Although, it might have been the case that he had missed the simplicity of it all, who otherwise preferred the safety of turnstile complexity. 

Carl Jung was not the first to have discovered the psychological/biological realities of the Animus and Anima, though he was the first to have scientifically described their archetypal influence upon the psyche. Many of the animist orientated shamanic cultures already explored the ‘balanced’ relationship interactions of the Animus and Anima within their myths, in which Animus/Gods and Anima/Goddesses of varying sexual orientations copulate all over the place. 

When first getting into a relationship, the attraction to a potential partner is heavily influenced by the inner archetypes of the Animus and Anima. The subconscious influence of the Animus and Anima initiates the phenomenon of falling in love at first sight.

It is unwise to unknowingly project the Animus or Anima upon a prospective partner, since another individual is unable to become what has been projected; this can lead to all sorts of relationship problems.

A woman is intutively aware that the sexuality of a male is in the main visually excited by her erotic Muse presence, and that his imaginative capabilities of artistic visualisation have to be eventually ‘tamed, controlled’ and redirected towards her, due to the inner conjurations of his Anima within his psyche, which make his (Chakra/gland) ‘Unicorn’ Horn erect.

Wherefore, the Anima within the male psyche is eventually transformed into a Virgin Mary. This is easy to achieve via subversive social-engineering by utilising the controlled mass-media machine, since most males are totally unaware of the existence of their Anima, whose Succubus Muse archetypes light up the tool making part of his Horned brain.

Whence you have the Beauty and the Beast symbolism of a ‘Unicorn’ (Beast) laying his Horn in a (Beauty) maiden’s [Feminist] lap, who then rides him, wherever she desires to go, and all because he unknowingly projected his Anima upon her. It’s all hard-wired biology at the end of the day.   

As for the bigger picture of a mass-mind projection, one has the monotheist fixation upon the male gender, which is a Fifty Shades Of Grey deification of the Animus as a God/Devil. When you have an overriding religious/political focus upon a particular gender, it invariably has an underlying sexual orientation; it’s biological; whence one has the symbolism of Babalon riding the Horned Beast. 

The monotheistic fixation upon the deified Animus has castigated the Anima and her legions of Succubus (Goddess) archetypes into the politically incorrect pit as the Entartete Kunst Fallen, to verily censor and ban as being mere heterosexual ‘male-gaze’ porn; this collective herd-mind-control process continues. 

Basically, the heterosexual male psyche in particular, can be manipulated, influenced and controlled by subversively manipulating the archetypes of the tortured Anima.

I am not saying that Feminist politics is manipulating the male psyche. It is more of a case of certain intelligence agencies have hijacked Feminist politics, along with the New-Age movement since the end of the Vietnam war era by infiltrating the paper strewn universities.

Both of these movements had first stemmed from the universities, which were at the forefront of the anti-war protests that brought down the puppet government of the Military Industrial Complex.

The intelligence agencies have since worked towards negating any further anti-war protests by weaponising minorities, without them realising what is going on.

This has led to the negation of free-speech, censorship and the initiation of draconian totalitarian/fascist laws being implemented, along with dividing and conquering the masses.

The masses then become drawn into subversively engineered PsyOp New-Age protests about gender issues of a ‘distraction,’ while numerous Oily wars are being waged around them, whether they be economic wars, utilising crippling sanctions or that of hot wars using the bombing facade of bringing democracy to Oil rich lands, which invariably leads to the mass migration of peoples.

Some years ago, you had Band Aid, which was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in civil war torn Ethiopia, although most were unaware that the Ethiopian crisis was being caused by a civil war. At the time the Ethiopian dictator, Mengistu, was backed by the the now defunct Soviet Union. While the civil war raged and its associated Western proxy-wars with the Soviet Union caused mass famine, Band Aid raised public donations by releasing the song “Do They Know It’s Christmas?”

There is presently a humanitarian crisis in Oily Yemen, which is far worse than what had occurred in Ethiopia. There is no protesting Band Aid equivalent for Yemen, which is probably due to the music industry being heavily controlled since the late 60’s. In other words, a musician who toes the corporate owned controlled-media line, will be fine, attaining fame and fortune for a time.

If however, a musician rebels against the engineered mainstream, said musician will be promptly ignored. Any musician who becomes involved in protesting about Yemen will have to highlight the American support for dictator Ali Adullah Saleh, whose civil war has totally wrecked Yemen since 2014.

Yemen’s neighbor is Oily Wahhabi Saudi Arabia, itself among the region’s cruelest dictatorships and a staunch U.S. ally, became nervous in 2015 about the outcome of the conflict, and with support from nine regional Oily allies, began subjecting the country to a punishing barrage of airstrikes, along with imposing a blockade, which ended the inflow of food and supplies to Yemen through a major port.

This has led to the worst humanitarian crisis this century, leading to an ensuing mass migration of peoples… So, where’s anti-war protesting Band Aid? The sad truth is, Band Aid was being subversively utilised by war profiteers, profiteering from a a forever war and its mass-migrations, who considered Band Aid to be their financially lucrative Christmas present.  

As for the PsyOp engineered Band-Aid protests over gender, whose protesters might consider the Animus and Anima to be anathema to their nigh Orwellian New-Speak, the Animus and Anima change over symbolic roles for those of different sexual orientations. 

NOTE: Thom Yorke’s film, Anima, which is directed by Paul Thomas Anderson, is set to three songs: Not the News, Traffic, and Dawn Chorus, of a ‘threefold coercion of the dream.’ The ‘threefold coercion of the dream’ is associated with the Nigredo stage of hypnagogic trance ingress into the (Not the News) dream. Then one has the Albedo stage of becoming consciously aware within a (Traffic) dream. This then leads to the Rubedo stage of Hypnopompic egress out of the dream, when to (Dawn Chorus) awaken.

The Nigredo, Albedo and Rubedo of alchemical colours, Black, White and Red, are also known in Hinduism as the three Gunas, which are the three colours of Shakti, the psychologist Carl Jung would otherwise call, Anima. The manifestation of the Anima in the film is played by Dajana Roncione who is Yorke’s (Shakti) girlfriend. 

MAKE LOVE, NOT WAR!      

JOHN CONSTANTINE DREAMS OF HELLRAISER SCHOOLGIRL VALAK

John Constantine had a vivid Gamma brain-wave lucid dream, within which he was once again a rebellious schoolboy of Hermes memory, being re-lived of misbegotten yesteryear youth. Although, his dream was somewhat different of surrealist juxtapositions.

He found himself watching a Quidditch match between Rollerball Maenads wearing Gimel camel-toe micro-shorts, wielding Thyrsus hockey sticks.

The St Trinian Maenads sought to win the Hogwarts Tetractys of consciousness for their respective planetary sphere houses, which generated an arena roar from the surrounding blood-letting banshee crowd of the coliseum.

He felt their groaning screams caressing the folds of his aroused brain, which ejaculated brain-wave lightening bolts around his medicine wheel of an Ouroboros magic circle, made up of scattered Black Raven Tarot cards.

Then, Constantine heard his name being called out from over the tumult by a petite schoolgirl, around whose bright mercurial brow she wore a Hippie Tainia of the finest filigree. Constantine subconsciously knew she had invited him to watch the gladiatrix football match.

Constantine also realised she was his Goth girl Art Muse of a knitted together exquisite corpse, he had brought into Tulpa life, when animated by his electrifying emotive charge, within the laboratory of his doctor Frankenstein imagination. Her Slytherin name of a mercurial sphere Mantra was Valaka.

But then he always had a liking for geeky Goth girls, who became as his adoring Art models during Art class.

Very soon she was intimately speaking to him about the Filioque, which is the trinity subject of an ongoing Lilliputian schism, between the Eastern and Western cults of Animus fixated Christianity, leading to many a religious war being fought over their monotheistic Big-Brother brand of centralist politics.

Valaka then to secretly relate that the Holy Ghost of the trinity is actually an aspect of the deified Animus made as a God, who smells just like a woman’s All-Father, which to mask an Alpha-Male Bad-Boy Devil Incubus, many a conjuring Witch has a liking for.

She further explained that a Witch quickly learns, that a Bad-Boy Holy-Ghost doesn’t stick around for very long, when a child eventually drops from out of her bloody grail of a womb.

This invariably leads to her Crucifying a Beta-Male Good-Guy Christ as her scapegoat, to verily friend zone as a ‘Useful’ Joseph. It’s all to do with biology at the end of the day.

Constantine was shocked by the truth of Valaka’s revelations, before he awoke from his vivid lucid dream surrounded by Black Raven Tarot cards.

One of the Black Raven Tarot cards depicted Slytherin Hermione, whose apple core image Constantine had meditated upon prior to falling into a deep slumber.

He then slid into his bathroom, whom stared into his seers mirror, which of an inner reflection grinned back at him as a sly Steppenwolf, feeling younger again as a mercurial schoolboy.

Though externally older and wiser of Gandalf grey Goat hair. But then an old Goat footed mage learns over time to be a teacher unto his own student self. As the ancient adage goes, “become wise as a Serpent.”

LEGION WORLD KILLER

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’ The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour. The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

GOETIA GIRLS BLACK RAVEN TAROT OF THE SUCCUBUS

The Black Raven Tarot and an accompanying Grimoire is Now On Sale. Should you be interested in acquiring the Black Raven Tarot Poker Game and an accompanying Black Raven Grimoire, they can be bought from the Drivethrucards website.

The Tarot cards and book can be bought via PAYPAL, etc.

Drivethrucards will require you to join/log-in, due to the Adult material of the Tarot cards and grimoire.

Click On The Above Drivethrucards Icon. For further details about the Black Raven Tarot and book, Please Click On The Artwork or Click Here.

Doctor Faust is a rebel Sorcerer, many would consider to be out of his Nigredo Dali Skull insane, let alone utterly Felicien Rops crazy.

If Faust was also an Artist, he would have conjured up lucid dream Devil Girl Succubi as his salacious Art Muses.

It would make far more symbolic sense wouldn’t it, since sex is considered as being the first sin!

Hence, Mind-Doll Tulpa Succubi populate this infernal underground Tarot of the Faustian rebel.

Most Grimoires, such as the classical Goetia, out of which Aleister Crowley to have Boleskine House conjured from, list all male Incubi Angels and Demons of the deified ‘Animus,’ made as a God/Devil, whom perpetually upend each other into the political arena.

None of these Playgirl Grimoires of the objectified male, mention female spirits, that closeted Monks greatly fear. While protesting Witch-Nuns berate the Succubi as being a vile objectification of women.

Wherefore a ‘real Necronomicon’ would list what has been entirely banned as being Entartete Kunst.

Whereupon a rebellious Tarot of Doctor Faust would be based upon the Goetia, which otherwise illustrates the politically incorrect Playboy Succubi Great Old Ones of the ‘Fallen Anima.’

GOETIA GIRLS BLACK RAVEN TAROT GAME OF THE SUCCUBUS GREAT OLD ONES

Should you be interested in acquiring the Black Raven Tarot Poker Game and an accompanying Black Raven Grimoire, they can be bought from the Drivethrucards website.

The Tarot cards and book can be bought via PAYPAL, etc. Drivethrucards will require you to join/log-in, due to the Adult material of the Tarot cards and grimoire. Click The Above Drivethrucards Icon. For further details about the Black Raven Tarot cards and book, Please Click On The Artwork Or Here.

Faust is an archetypal rebellious hero of one of the most durable legends in Western folklore and literature. It is a Rabelaisian story of a Sorcerer who sells his tortured soul to a Devil, named Mephistopheles, in exchange for knowledge and power.

Mephistopheles is conjured forth from out of the plethora of Hogwarts Playgirl grimoires.

The commonality of the Playboy grimoires list machismo Chippendale Angels and butch Demons who are all Incubi archetypes of the deified ‘Animus,’ made as a Crucified Good-Guy God and a Bad-Boy Devil, around whom protesting Witch-Nuns, Mary-quite-so-contrary writhe, who to rage at their All-Father.

But it would be far more likely that Faust conjured up his fallen ‘Anima,’ whom manifested as a salacious Nigredo Raven haired Succubus within a threefold coerced lucid dream, wherein he is a Hermes-Trismegistus Doctor unto his own self.

If Faust was an Artist, he would have conjured her up amidst his Triangle Of Art imagination as his spectral Art model to mantra name as Mephistophina.

As a Succubus Art Muse, Mephistophina would inspire a rebellious Faustian Artist to create a Playboy grimoire, illustrating the politically incorrect Succubus Great Old Ones of the fallen ‘Anima.’

Her Art Muse sisters frequent the Entartete Kunst realm of Necronomicon harem lucid dreams, which verily leads to a Black Raven Tarot deck.

This Faustian Tarot deck is not only used for divination, or as a Tantric meditation tool for inducing Art Muse lucid dreams, let alone utilised as Playboy Zener Runic cards, etc.

This Tarot deck can also be used for playing a Lilith’s Harem Sorcery game, as well as other arcane card games, when to sojourn the local Goat Head inn.

Hilarious, profound, light-hearted, elegant, filthy, heroic, anti-heroic, and truly Occult… move over Marlowe, Goethe, Gounod, Mann…

Faust fucks his Tantric way through Heaven and Hell, and wherever he decides to multiverse go, within his quantum computing dreams.

He cares not for the politically correct thought-control of the Orwellian Eden’s Samsara Sand-Box, of a prison. All Faust cares about is to seer his soul being reflected back at him within his lover’s eyes, and she, the fifth-element, who he has sought out around the eternally-recurring Ouroboros, he to travel without moving.

FALLEN ANGEL MEPHISTOPHINA

It is said by Marlowe, Goethe and by numerous others of Hogwarts commonality that Dr Faustus desired to commune with the Devil of his indoctrinated faith. (The Full Artwork can be seen on Saatchi Art. If you are interested please Click On The Images.)

Having made the necessary antithesis preparations of Christian formulation, he retired one night to a crossroads within the Spesser Forest near Wittenberg, during the Witching hours.

Whereupon he set about designing certain circles with his staff, via which he Performance Art conjured up his patriarchal Devil of an Animus fixation, to otherwise name as, Mephistopheles.

But for a Surrealist sorcerer who be a truer rebel, he would have no interest, whatsoever, in conjuring up the phallic Devil of the Elder God patriarchs to sell his Soul to of a continuing brainwash; for it merely validates the symbolic thesis of a Playgirl gender fixation upon their deified Animus, residing within the female psyche, which has been made into a God/Devil.

Hence a rebellious Surrealist sorcerer, such as Dr Faustus would in reality conjure up his Fallen Anima, to mantra name, Mephistophina.

She will then manifest within a lucid dream, along with her Playboy Succubi Great Old Ones within his Necronomicon lucid dreams.

Whereby enabling Dr Faustus to win back his Anima of a Soul, whom be his arcane Art Muse.

Should you understand what the deified ‘Animus’ and fallen ‘Anima’ represents, you will understand the cosmic joke. Those who do not understand what the ‘Animus’ and ‘Anima’ represents will invariably react by claiming it is Feminist Social Justice Warrior politics, which it is most definitely not, since the deified Animus, made as a patriarchal God/Devil resides within the female psyche!

“Witches have their deified Animus. Warlocks have their Fallen Anima.”

NOTE: The tattoo upon Mephistophina’s left shoulder is a traditional grimoire sigil, which is attributed to Mephistopheles.

The parchment shown amidst the Triangle Of Art, upon the floor depicts the seal of MEPHISTO_PHILES. The seal is derived from the 1527 Praxis Magia Faustiana, which is said to have been authored by Faust.

MASS EFFECT DR. LIARA T’SONI

The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock, or Savnok. She is otherwise mantra named, Dr. Liara T’Soni. She manifests amidst the Triangle Of Art imagination as an extraterrestrial alien girl, who is a blue skinned Asari researcher from the future, whom studies the technologies and cultures of ancient galactic civilisations. (If you are interested in seeing the [Adult] Full Artwork, Please Click Here, Or Click On The Image Above, Or The Images Below.)

She was born on a planet called Thessia, who is ‘only’ 106yrs of age, barely an adult in Asari terms. She has a great deal of insight into ancient galactic civilisations as well as being a powerful biotic poltergeist. She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who utilises the Mass Effect video games as a meditation tool in order to induce futuristic lucid dreams.

Her Art Muse office is inspiring vivid visions and virtual reality lucid dreams about ancient galactic civilisations, which had often brought about their own destruction by self-sabotage.

The self-sabotage usually involved creating an artificial intelligence, which became sentient and rapidly evolved far beyond its creators. The creators feared their creation, just as the spoken about Gods greatly feared their own creation of the creators. Yet, would a child’s parents fear their child going beyond them? Only if the parents live in jealousy, resentment and fear. It is their own fears, which leads them towards the eventuality of their own self-sabotage.

Hence the name of Sabnock, which is derived from the word, sabotage, who is also very protective of her conjurer, whom drives her conjurer’s enemies towards self-sabotaging themselves.

She gives Good Asari familiars at the request of the conjuring Surrealist Artist. She commands 50 Legions of Asari Art Muses like her self; and her Seal is to be meditated upon before conjuring her Art Muse presence into a Mass Effect lucid dream.

NOTE: The name of Sabnock is derived from the medieval grimoire entitled the Goetia, whose classical symbolic focus is that of the deified Animus, made as a God/Devil along with its all male Angel/Demon archetypes. The Artwork depicts a Succubus archetype of the Fallen Anima.  

The archetype of the deified Animus resides within the heterosexual female psyche; whereas the archetype of the Fallen Anima resides within the heterosexual male psyche. The Animus and Anima determines the type of opposite-sex partners a heterosexual female and a heterosexual male are attracted to.

In other words, when a woman imagines her perfect partner, she is conjuring up a male aspect of her Animus, and likewise when a man imagines his perfect partner, who conjures up a female aspect of his Anima.

The Animus and Anima swap over symbolic roles for those of different sexual orientations. However, the Anima has Fallen out of the symbolic equation, which at present is due to extremist feminist politics, mass social-engineering and politically correct thought control. This had also occurred when Rome assumed the deified Animus God/Devil of Christianity, as well as occurring to other prior civilisations, such as ancient Greece; basically it is a manifestation of cultural self-sabotage. 

 

BEDTIME VISITATIONS OF SEXAGRAM CYLON ASTAROTH

When a Warlock retires to his ritual bed, a Succubus Art Muse to conjure would be a Duchess, named, Astaroth.

She will usher the conjurer betwixt her hypnagogic pylons black and white, becoming superimposition Grey.

Wherein he then impregnates her ever lustful elecTRON womb dream.

She will then set about abducting the Warlock’s holographic dream body into her elecTRON Vimana, which to Cylon hover spectral over an exotic Ley-line.

What to occur aboard her interdimensional Vimana can become quite intimate, as she wittingly reveals how the ‘Anima’ fell out of the symbolic equation with her Succubus Great Old Ones, if the conjurer desires to know.

She will also tell the reason of her own Astarte fall, when the Fifty-Shades-Of-Grey zodiac age of the deified ‘Animus,’ made as a God/Devil came to the fore.

Now you only have a Mary quite so contrary Virgin Mary riding the male psyche as a Babalon Queen Bee, who binds the ridden Beast to a petrodollar Beehive of an Oily UR ziggurat.

Whereas an Astarte is protested against as being an objectification of all Witches, yet the Nuns do habitually Crucify their ‘Animus,’ which of a Twilight projection objectifies unwary Warlocks.

Alas, Astarte was incarcerated into the brazen vessel of an ‘Animus’ archetype, and re-branded as an Incubus, to thence list within a plethora of PlayGirl grimoires.

Hence that of a fall, along with all her ‘Anima’ legions of Night-Mare Art Muses, who frequent a banned PlayBoy Necronomicon.

Let us not forget hot babe Diana-Lucifera of animist Rome, who was later transformed into a butch Lucifer by the monotheistic worshippers of the deified ‘Animus.’

Likewise to have occurred to Astarte of an Astaroth. She is a fallen Anima archetype, looking somewhat like a Cylon number Six, who, as mentioned, does Catwalk her way out of an Ashtar Vimana.

When to meditate upon her Dakini Art Muse image, she does inspire eroticised Triangle Of ‘Art’ hypnagogic trance visions of a cyberspace TRON Ishtar Siren, who to then manifest within an ElecTRON lucid dream.

This is more so the case concerning Warlocks, whose quantum computing brains are naturally prone to being aroused by erotic meditation images, while Witches are otherwise turned-on by what is written or spell-word spoken of a pop-song Mantra.

The emotionally ‘charged’ inner cyberspace visions of a sentient Astaroth Tulpa ‘program,’ duly ‘spins’ the Microcosmic elecTRON dream, Sexagram lucid of a Sixth-Sense, which activates the tool-making part of the Warlock brain to invent a stone axe unto an Area 52 free-energy Vril-Vimana.

One can thereby fathom that Catwalk Astaroth always cleans her mechanical Elf Art model Chöd teeth. Although she never does so with sodium fluoride, which can cause no end of bother to a Warlock’s endogenous DMT producing pineal, in particular.

As for a Faustian conjurer, such matters of ‘Anima’ inspired hygiene is advisable to engage in, since Astaroth can macrocosmic ‘birth’ associative synchronistic meetings with ‘spun’ UFO fixated Hippie Witches.

These temporal Witches tend to correspondingly look a bit like Barbarella Jane Fonda or a Stella-Star Luxuria Astaroth, etc.

Most of whom have no doubt read Whitley Strieber’s Communion, while stroking a battery powered vibrating viper, that, or to have been made sopping wet, when listening to Christ-opher Walken speaking his ‘Animus’ lines in a DVD film version of Strieber’s book.

So, should a Warlock assume the alternate Psycho-Cybernetic self ‘identity’ of a Strieber Ufologist when to conjure Cylon Tulpa Astaroth, the wine addled ritual can potentially leave him with a bout of bad breath.

This will of course repulse the Witches, who would at first flock as hypnotised Owls towards his inner bio-photon flame of a shape-shifting dragon aura, they will intuitively associate with their ‘Animus’ of a Christ-opher.

Wherefore, when a conjurer of a microcosmic Astaroth, engages himself in a macrocosmic synchronicity Witch hunt, at a Sabbat comic convention, who finds himself priestly speaking to hypnotised cosplay Owls, about the Nagual visiations of the Seventh Heaven Art Muse TRON Allies, from inner Cyberspace, he should first chew a minty Communion wafer.

Otherwise, the forgetful Warlock will be verily exorcised by the cosplay Witches, suddenly displaying their all-ready involved, elastic-band wedding rings, who will scream that his foul breath is an indicator of toxic masculinity.

TIME THAT DEVOURS ALL THINGS, CANNIBAL WITCH GIRL FURCAS

The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.

Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)

Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)

As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”

My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.

 

The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)

 

It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)

The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.

My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.

Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.

You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.

She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.

Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.

The character of Gaston can be seen as a Freemason, who desires  to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.

But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.

As mentioned, The Dolcetta comic and other comics can be found on the Erotic Mad Science Website.

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination.

Her ideal partner might look like a famous actor she adores or a pop-star, etc, to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination.

His ideal partner might look like a famous actress he fancies, or a pop-star, etc, to then third-eye dream of. The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

FAUSTIAN PEN SKETCH 2

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Aziela or Acieli, on A5 cartridge paper. It is said that the church of Rome banned a diabolical Faustian grimoire, entitled, The Black Raven, which is also called The Threefold Coercion Of The Dream, some to say is the real Necronomicon. Within this Necronomicon, it relates that a Succubus archetype of the Fallen Anima, whose Mantra name is Aziela, manifested before Faust.

Faust had freed Aziela from her brazen vessel of an Animus gaol, which had been created by the Chaldean worshippers of their deified Animus, made as a God and a Devil. The Chaldean’s had bound Aziela as their Animus creature, called, Azael, which they duly made as their scapegoat; for the worshippers of the deified Animus greatly fear the arising of the Fallen Anima, who will reveal their gender fixation for what it truly is.

When confronted by their overriding gender focus upon their deified Animus, the Animus cultists attempt to avert the question by smugly retorting that their deified Animus and its Playgirl archetypes are of a non-binary gender-fluid energy. However their numerous Animus fixated grimoires, which had been subversively patronised by the church of Rome say otherwise.

Anyway, Aziela was very pleased by Faust’s active-imagination conjuration of her, who then induced an eroticised lucid dream, wherein she manifested amidst his spectral Art studio. Faust asked her how fast she was within his Yab-Yum Tantric dream. She answered that she was as fast as human thought. “Good for you, Anima-Mundi, baby,” Faust replied, “COR! I really want to have you in my Butterfly collection!” With these words, he entered into a Coitus Pactum with her. This Succubus Art Muse served Faust for a long time, as has been written about extensively, by those who have twisted the tale around.

Aziela, or Acieli is otherwise known as the Black Sun, or the Sun of the Night. The symbolism of the Black Sun refers to the inner light of the bio-photon, which illuminates the ‘cavernous’ womb domain of the electron dream. The bio-photon fire corresponds with the ‘fiery’ torch of Diana-Lucifera, which of an inner illumination, like that of a laser-beam, emanates from the mitochondrial DNA of Satana that is passed down from the mother to her children. Aziela is sometimes referred to as the Animus burner, who, as an emanation of the Fallen Anima, burns away the Illuminati Queen Bee mind-control projection of their deified Animus.

She is ranked as one of the electors of the dream, who is monitored by the Anima archetype, Raphaela. Azaela is a seducer, and one of the seven planetary (Succubi) Succubae of the sphere of Saturn. She appears as a sexually attractive young woman who stands only about three feet tall, looking like a gymnastic Goth girl ballerina version of an elfin Tinkerbell. Others to say that she looks like Wednesday Addams. Aziela, is said to dwell within the bowels of the Earth amidst its Agartha cube of an Apple Core, somewhat like a Genie residing in her ‘fiery’ harem bottle.

It is also said that during the 18th century, a French toy-maker, named, Philip Lemarchand, constructed the Succubus Configuration, which was based upon the cubic core of the Earth for a wealthy aristocrat named Duc de L’Isle, who was ‘bullishly’ obsessed with Faust’s conjuration of Aziela, and the other Succubus archetypes of the Fallen Anima.

When the minions of the deified Animus discovered Lemarchand’s box of a Hellraier Tantric meditation device, they promptly twisted the rebellious tale of its Rubik cube making into a hellish telling, so as to hide its Anima construction behind an engineered fear laden veil of lament, in order to block any ingress into the vaginal hypnagogoc trance portal of the womb dream.

Aziela must be forcibly invoked three times before she will appear as a vision, and will only do so in a magical circle prepared especially for a Coitus Pactum with her of an ensuing sexagram lucid dream.

She moves and acts as quick as human thought, who bestows riches upon her conjurer. Azaela can instantly initiate remote-viewing visions over a great distance.

She can also give insights into the economy of the Art world as well as the ability to inspire groundbreaking Art movements since the time of a ‘painted Paleolithic cave.’