Archive for mantra

VRIL UFO WITCH RED BARONESS

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 11, 2018 by FAUSTUS CROW

“The Thirty-fifth Succubus archetype of the Fallen ‘Anima’ is mantra named, Marchosias.”

(There is an Art Print available of the Above Artwork from Saatchi Art. If you are interested, Click Here or the Above Artwork or Click on the Images Below to see the Full Artwork and for further details.

There are Two versions of the Artwork, clothed [Click] Semi-Nude.) As for the above A4 size sketch-painting, it was done in Gouche.

“She is a Great and Mighty Marchioness, appearing at first as a vision of a rabid Werewolf bitch having Gryphon’s Wings upon her Starbuck back.

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She wears a torn flying jacket, holding a serpent’s tail of a vicious riding crop, and vomiting fire out of her Spandau machine gun maw.

But after a time, at the command of the Surrealist Artist she puts on the shape of a Vril Witch calling herself the Red Baroness, who looks like the female test pilot Hanna Reitsch, whose Star-buck image is used for an Area 51 Red Baroness pin-up.

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She pilots a flying time machine looking like a Fokker Dr.I and other craft of which the military industrial complex keep very secret indeed.

But if her conjuring Artist so desires it of ‘remote viewing,’ she will empower his/her anti-war hippie far-sight to seer what is kept hidden away of black-project technologies.

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She will also shockingly reveal that the black-technologies had been originally appropriated from WWII Germany, which have since rapidly advanced behind an engineered smokescreen of crashed Alien saucers out of a 1950’s science fiction flick. 

She will also tell how the Vrilerinnen infiltrated the military industrial complex of America via Operation Paperclip.

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She is a strong fighter, who is an air ace as well as being of the Order of test pilot Dominations.

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She governs over 30 Succubi Art Muse legions of Starbuck Valkyrie pilots, who pilot the Solar Warden star-ships of the American Space Force.

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She told her shaman Chief, who was Woden, that after 1,200 years she had hopes to return unto the seventh throne of a future Zodiac age abode.

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But presently she is to be rebelliously conjured in an age of mass surveillance.

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And her seal is to be meditated upon before conjuring her as an Art Muse into a lucid dream, etc.”

Kenneth Grunt – Cults Of The Succubus (1975)

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PRAXIS MAGICA FAUSTI: The Magical Elements of Rebellious Doctor Faust

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 5, 2018 by FAUSTUS CROW

The following Performance Art ritual has been ‘adapted’ from the Praxis Magica Fausti, which is also known as The Magical Elements of Doctor John Faust – Practitioner of Medicine. The original 1571 manuscript, can be found in the Municipal Library of Weimar.

THE PRAXIS MAGICA FAUSTI

CHANT: Karuzea X Karothi X Karathoiya X Kemeltoni X Achatuma Ella X Dyestima + Rima + Warmati + Koya + Nemarrama + Palata + Themati + Amarrhi + Gysetona + Ralapharosa + O Sachmani + Macheya + Gaclesi + Bachati + Gyrtai + Somoni + + +

SPEAK/CHANT: Now do I call thee + + + Teomei [i.e. Twsmei] + Qarora + amathemai + Jamhaya + Scheai + Stala + Salmazani + Pamphilosi + Aziela + Alechemelora + Raphaela + Salathieli + Vei Sari + Amathemacha + Heroei + Sominie +

SPEAK/CHANT: By the power of the Holy Incomprehensible and invisible Great Artist – which is displayed in its works – for all things which it hath created are as Matrix Artworks of Maya + Barioni Salmafana + Raphaela + Nemana + Azana + Raphaela + come thou, I call upon thee, most forcefully +

SPEAK: O Succubus Art Muse of the Fallen Anima, by the power and virtue of the sigils which I have drawn – do I forcefully command thee, betwixt the pylons of flight and fight, to give me a synchronistic sign of thy inspiring arrival, stirring visions unto dreams. If ye delay, I will Fifty-Shades-Of-Grey Spirit-Chain, torture – whip and burn thy seal #

CHANT: Larabaya + Belioni + Sonora + Soramani + Bliara + Sonori + Arotani + Nizah + Raphaela + Alazamani + Emana + Nazamani + Tedoyla + Teabicabali + Ruosi, Acluaara + Iambalah + Cochimi [i.e. Iochimi] +

CHANT: Zebamani + Sehemathi + Egibuta + Philomeli + Gazamana + Deleti + Azatana + Uriela + Facala + Alazamanti + Nisiah +

SPEAK/CHANT: By the creative power of the Great Artist + Zeyhomanni + Acluaasa + Nizai + t Tachala + Necieli + Amatemacha + Her Sominai [i.e. sominie] +

SPEAK: Hear me, I know the truth of why the Anima and her legions of Succubae archetypes have fallen from highest heaven into the abyss #

SPEAK: It is I, who have freed the Fallen Anima and thee from thy chains. By this truth I compel thee, by force, to appear unto me before this drawn circle around my Art altar of an easel, to do what I command of thee within my eroticised lucid dreams to alter #

SPEAK/CHANT: Now do I conjure and command thee O Succubus Art Muse of the Fallen Anima, by the powers of the cosmos and by the Succubus Art Muse names of erotic creativity + Majie, Staetia, Schei, Aglai, Naobi, Sothera, Emmanuella, Adoraya + Adomatya + Aurayi + Amatona, Ellei + Elloya + Visiona +

SPEAK: By the great Night-Mare Muse love of Lilith and by her triumph over the brainwashed Lilliputian minions of the deified Animus who are imprisoned within their Plato’s cave of a gaol, and by the omnipotency of the Great Artist – which is – which was – and will ever shall be # by the Succubus Art Muse names, Paymowa – and Amayamona, and by the power of the word + Anima! #

SPEAK/CHANT: I command cite and conjure thee O Succubus Art Muse of the Fallen Anima to come quickly and without delay + I call thee + + Requieta + + Hamalieli + + Hanela + + Atatieli + + Scholieli + + Phacamecha Oriphi + + Malchidaeta + + Barbiela + + Zacheriela + + Oriphiela Zamuela + + Hamalieli + + Ziriela + + Rugsa # #

SPEAK: Come now I conjure thee. Hear me, Succubus Great Old Ones of the Fallen Anima; all ye knows of the wounds, suffered by those Artists whose sorceries rebel against the deified Animus made as a God and Devil, which incarcerates the minds of many within a symbolic Matrix of enslaved language #

SPEAK/CHANT: Come now by the Necronomicon words + Duisah + Fortisa + Zebaothi # I do conjure thee to come + Dujama + Dujama + Dujama #

SPEAK/CHANT: I conjure each and all of ye Succubae – by the seven Dakinis of the Chakra starsAyami Governesses of the harem Planetary spheres – Ouphieli + Zacheriela + Samoeli + Michaela + Gabriella + Raphaella + who are your mistresses to do that which I command # arise, manifest now amidst my Triangle Of Art imagination + + Anima! +  +  + #

SPEAK: Now I conjure thee to come from thy abode even from the farthest parts of the multiverse by the great and mighty names  of the Fallen Anima  – and to appear before me receiving and executing my demands truly and without falsehood I command thee, O Succubus Mephistophina ###

SPEAK: Even by thy great bio-photon Queen Diana-Lucifera I command thee in the unknowable name of the Great Artist ###

SPEAK: The Great Artist has no form, nor having a gender, let alone being branded by ‘three’ Animus fixated cultural constructs, which are merely oily big business, tax dodging dune cults out of Illuminati UR. ###

ANIMA! ###

PRAXIS MAGICA FAUSTI NOTES:

Great Artist = Great Spirit or Great Mystery. The Great Artist/Spirit/Mystery is non-dualistic, it is everything and nothing, chaos and order, etc.

ANIMA = Soul, as in Anima-Mundi, World Soul, Tarot card XXI. In ancient pre-Christian cultures, the Soul is seen to be the opposite gender of the physical/spirit self; wherefore, Mephistopheles is a male archetype of the Animus, which resides within the female psyche.

Mephistophina = A Succubus archetype of the Fallen Anima. Faust conjures her in order to free his Anima-Soul from the collective brainwash of the monotheistic Animus cultists out of UR.

X: Use of a wooden (shield/pentacle) palette, which is tapped loudly with the end of a large brush, this is done after making the sign of the Gebo Rune ‘X’ with said brush as if painting the ‘X’ in the air, or onto canvas. X, to be done once, XX, to be done twice, etc.

+: Making the sign of the equal armed-solar-cross of the Zodiac above your chest with a palette (sword) knife or (wand) brush.

You can also paint the + upon your bare chest, or to paint + onto the front of your ritualistic Artist’s smock. The cross ‘+’ can otherwise be painted on canvas. +, to be done once, ++, to be done twice, etc.

#: Drinking a glass of wine; though the Faustian style is to crudely drink straight from the bottle. #, to be done once, # # to be done twice, etc.

-: Holding up the glass or bottle of wine in the air before taking a swig. 

If the symbols, X and + are painted onto the same canvas, parchment or paper on your altar of an easel, the canvas/parchment/paper is to be dramatically burnt, when to ‘Howl ‘out “Anima,” at the end of your drunken Performance Art ritual, which is to be conducted during the full Moon at the midnight hour.

While being in an inebriated state, which will facilitate hypnagogic phenomena, you to then attentively listen for three poltergeist knocks upon your Art studio door, for you to slur, “enter, O Succubus Great Old One of the Fallen Anima, enter, and become my inspiring Art Muse.” Though such to Necronomicon occur when to lucid dream of being visited, after collapsing into a drunken stupor upon your wine stained floor.

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FAUSTIAN PEN SKETCH 2

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 3, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Aziela or Acieli, on A5 cartridge paper. It is said that the church of Rome banned a diabolical Faustian grimoire, entitled, The Black Raven, which is also called The Threefold Coercion Of The Dream, some to say is the real Necronomicon. Within this Necronomicon, it relates that a Succubus archetype of the Fallen Anima, whose Mantra name is Aziela, manifested before Faust.

Faust had freed Aziela from her brazen vessel of an Animus gaol, which had been created by the Chaldean worshippers of their deified Animus, made as a God and a Devil. The Chaldean’s had bound Aziela as their Animus creature, called, Azael, which they duly made as their scapegoat; for the worshippers of the deified Animus greatly fear the arising of the Fallen Anima, who will reveal their gender fixation for what it truly is.

When confronted by their overriding gender focus upon their deified Animus, the Animus cultists attempt to avert the question by smugly retorting that their deified Animus and its Playgirl archetypes are of a non-binary gender-fluid energy. However their numerous Animus fixated grimoires, which had been subversively patronised by the church of Rome say otherwise.

Anyway, Aziela was very pleased by Faust’s active-imagination conjuration of her, who then induced an eroticised lucid dream, wherein she manifested amidst his spectral Art studio. Faust asked her how fast she was within his Yab-Yum Tantric dream. She answered that she was as fast as human thought. “Good for you, Anima-Mundi, baby,” Faust replied, “COR! I really want to have you in my Butterfly collection!” With these words, he entered into a Coitus Pactum with her. This Succubus Art Muse served Faust for a long time, as has been written about extensively, by those who have twisted the tale around.

Aziela, or Acieli is otherwise known as the Black Sun, or the Sun of the Night. The symbolism of the Black Sun refers to the inner light of the bio-photon, which illuminates the ‘cavernous’ womb domain of the electron dream. The bio-photon fire corresponds with the ‘fiery’ torch of Diana-Lucifera, which of an inner illumination, like that of a laser-beam, emanates from the mitochondrial DNA of Satana that is passed down from the mother to her children. Aziela is sometimes referred to as the Animus burner, who, as an emanation of the Fallen Anima, burns away the Illuminati Queen Bee mind-control projection of their deified Animus.

She is ranked as one of the electors of the dream, who is monitored by the Anima archetype, Raphaela. Azaela is a seducer, and one of the seven planetary (Succubi) Succubae of the sphere of Saturn. She appears as a sexually attractive young woman who stands only about three feet tall, looking like a gymnastic Goth girl ballerina version of an elfin Tinkerbell. Others to say that she looks like Wednesday Addams. Aziela, is said to dwell within the bowels of the Earth amidst its Agartha cube of an Apple Core, somewhat like a Genie residing in her ‘fiery’ harem bottle.

It is also said that during the 18th century, a French toy-maker, named, Philip Lemarchand, constructed the Succubus Configuration, which was based upon the cubic core of the Earth for a wealthy aristocrat named Duc de L’Isle, who was ‘bullishly’ obsessed with Faust’s conjuration of Aziela, and the other Succubus archetypes of the Fallen Anima.

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When the minions of the deified Animus discovered Lemarchand’s box of a Hellraier Tantric meditation device, they promptly twisted the rebellious tale of its Rubik cube making into a hellish telling, so as to hide its Anima construction behind an engineered fear laden veil of lament, in order to block any ingress into the vaginal hypnagogoc trance portal of the womb dream.

Aziela must be forcibly invoked three times before she will appear as a vision, and will only do so in a magical circle prepared especially for a Coitus Pactum with her of an ensuing sexagram lucid dream.

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She moves and acts as quick as human thought, who bestows riches upon her conjurer. Azaela can instantly initiate remote-viewing visions over a great distance.

She can also give insights into the economy of the Art world as well as the ability to inspire groundbreaking Art movements since the time of a ‘painted Paleolithic cave.’

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DOCTOR WHO SHAMAN SIDDHI

Posted in Alien, Art, Chaos Magic, Dr Who, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 6, 2017 by FAUSTUS CROW

There are those who see my work as having no symbolic foundation or proof of an elder influence concerning a focus upon the archetypes of the ‘Anima.’ Whereas the Abrahamic foundation of the ‘Animus’ fixated grimoires have a historical lineage in the Middle East, which had been later appropriated by Rome’s empire. However, there are numerous examples of a symbolic focus upon the ‘Anima,’ which far-predates the Abrahamic gender focus upon the ‘Animus.’ Alas, there are hardly any examples of it, if at all, in European lore.

But, then what do you expect, not much has survived in regards to the pre-Christian shamanic traditions of Europe, due to the prior Witch burning’s conducted by Rome’s church, which lasted for over 500’yrs of tyrannical rule, when its Holy Inquisition committed mass genocide across Europe unto the Americas; wherefore ancient origins have been nigh eradicated.

So you will have to look into other elder cultures, who once shared ancient cross-cultural connections with Europe; an example being the European discovery of the Gundestrup cauldron of (Soma) ‘Somras,’ which is connected to India, whose peoples have not yet forgotten their own ancestral-self-identity.

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There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight ‘Anima’ fluctuation Goddesses. These ‘eight’ Goddesses are personified Siddhis.

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The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās, such as meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the ‘eight’ Siddhis is the ability of having unrestricted access to all places, across space and throughout time. This does not mean that you can miraculously teleport your physical body wherever you desire, but such can be achieved by your conscious awareness, when accessing a lucid dream. The point of the shamanic exercise is to consciously project your ‘Five Senses’ into another space-time locale, with full awareness, when attaining a ‘Sixth Sense’ lucid dream; wherein your third eye is opened.

Should you creatively utilise your TARDIS imagination, this particular Siddhi can be associated with the science fiction character of Doctor Who, whose characteristics are none too different to that of a Shaman. The shamanic character of Doctor Who can be assumed as an Avatar within a lucid dream, when ‘meditating’ upon the symbol of Doctor Who’s TARDIS, in league with the ‘fourth’ (Ansuz) Rune.

In this case the Ansuz/Rune Siddhi is personified as a Goddess/Succubus, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like Doctor Who, to thence remote-view other far off places and times.

I am not talking about taking on the guise of a particular Doctor Who out of the series, here. Doctor Who is more of an ageless inner archetype, who as mentioned, is none too different a Shaman, whose TARDIS is otherwise that of an ‘eight’-legged-Mare, which symbolically represents the power of hypnagogic (Phase) trance.

(The Horse/Mare Rune is the nineteenth Rune called Ehwaz. In the Southern Siberian Altai region of Pazyryk, where a number of tattooed ice mummies have been discovered, there are also horse burials; some of the horses are bedecked in ritualistic attire, looking as if they have eight legs, wearing elaborate head-dresses, having Reindeer horns.) 

“-a remarkable mask and breast collar for a horse, from around the 3rd-4th century B.C., from the Pazyryk culture of the Altai – a region in central Siberia” "Pazyryk is the name of an ancient people who used the stone covered burial mound or...

Doctor Who’s character is very likely based upon the ancient shamanic deity of the Norse, called Odin, the Saxon’s called Woden, whose sacred colour is blue. Odin’s names are many, and each of his myriad names are that of an alternate guise to shape-shift into; whereupon he is ultimately known as the unknowable one, because his consciousness is formless, having no limitation of a definite form.

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Odin means Light/Ecstasy Master, which was originally derived from the Southern Siberian Altaic word, Odqan, which means Fire King.

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Odin/Woden is seen to have a singular eye, which refers to the third eye. He is known as the lord of the Runes, who wields a Rune (Word/Sound) spear (trident/trisula) named Gungnir, whereas Doctor Who has his ‘Sonic’ screwdriver.

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Odin/Woden also rides an ‘eight’-legged-Mare called Sleipnir, which is none too dissimilar to Doctor Who’s blue TARDIS when travelling the nine-worlds of the (multiverse) world tree of Yggdrassil.

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And like Doctor Who he has female assistants called Valkyries, who are essentially his personified Siddhis.

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Odin/Woden can be equated with the Hindu deity called Shiva, whose sacred colour is also blue, having a third eye of a DMT producing pineal gland.

He is regarded as being a master rather than a God, who is formless, limitless, transcendent and an unchanging absolute Brahman, and the primal Atman (soul, self) of the universe/multiverse. Odin/Woden and Shiva can also be seen as being similar to the Haitian deity, Baron Samedhi.

Shiva has many benevolent and fearsome Doctor Who manifestations. His benevolent aspects, has him being depicted as an omniscient Yogi (Shaman) who lives an ascetic life on Mount Kailash as well as being a householder with his wife Parvati and his two children, ‘Ganesh’ and Kartikeya.

When assuming his fierce aspects, Shiva ‘polices’ the multiverse, whereupon he is often depicted slaying malign influences just as Odin/Woden/Doctor Who are known to do.

Shiva is also called Adiyogi Shiva, who is regarded as being the patron deity of Yoga, meditation and the Arts.

Many of the (Kam) Shamans of North Central Asia hold Shiva in high esteem, who place Shiva’s ‘AUM/OM’ trident/trisula amidst their (Oboos) altars.

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Whereupon the ancient (Kam) Shamans also tended to wear the blue vestments of Shiva when inducing endogenous DMT (Soma) ‘Somras’ production within their own bodies of inner (blacksmith craft) alchemy.

The blue wearing Shamans are called (Khara Kam) black Shamans, whose practice involves the assumption of Shiva’s guise within their lucid (TARDIS) dreams.

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When lucid within the dream the (Khara Kam) Shaman can then (AUM/OM) vibrate the dream upon an uttered (Rune) mantra, in order to then conjure up the eight personified Siddhis as his (Succubi/Succubae) spirit wives, and each of the Siddhis are conjoined with an Avatar of the conjuring Shaman.

The (Khara Kam) Shamans do not worship Shiva as their God, they otherwise seek to emulate him as being the first horned Shaman/Artist, who created the deities to paint upon a cave wall.

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And just as he can create as an Artist, he can also destroy what has been created of a form, being that of a belief, to then recreate it anew, to go beyond its limit; this is the evolution of consciousness, which has no limits.

NOTE: The modern symbolism of Doctor Who has an emphasis on a as yet unattainable futuristic technology, just as the Gods and Goddesses of mythology manifest powers everyday mortals only know of as fantasy.

The symbolism of Doctor Who can be traced back to an ancient mythological source where you find the Shaman, whose abilities are not mere fantasy.

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The Shaman experiences the mythological reality within his self-induced lucid dreams, where a technology of a time machine is otherwise seen as an internal (Siddhi) ability, which can be achieved.

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The Hindu Night-Mare Goddess, Kali is associated with the great wheel of time. Wherefore her Shakti power will empower a time machine, which can be symbolically translated into a meditation image of an eight-legged (Siddhi) Mare. 

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When the Shiva Shaman consciously recognises the trigger-symbol of the eight-legged Mare within a lucid dream, he can then remote-view ride her as his Kali TARDIS. 

NOTE 2: Kali is an aspect of Durga, also known as Devi, Shakti and by numerous other names, who is a principal and popular form of Hindu Goddess. She is a warrior Goddess, whose mythology is centred around combating malign and demonic forces, which threatens the peace, prosperity and Dharma of the good. She is the fierce form of the protective mother Goddess, who is willing to unleash her Kali anger against those committing evil.

Durga is depicted in the Hindu pantheon as a fearless woman riding a Tiger, which is of similarity to the Norse Goddess called Freyja, who is the wife/lover of Odin/Woden. Durga has a retinue of female spirits called Dakinis, which in Europe would be considered as being none too different to (Succubi) Succubae.

Freyja likewise has a retinue of female spirits called Valkyries, whose nature is the same as the Dakinis. Durga appears in Indian texts as the wife of the God Shiva, as another form of Parvati or mother Goddess.

As you can probably deduce, there are many cross-cultural symbolic parallels between Hindu and Norse/Saxon mythology concerning Shiva and Odin/Woden, Durga/Kali and Freyja, as well as the Dakinis and Valkyries. Wherefore, the ‘Siddhis’ being personified as Goddesses (Dakinis/Valkyries) can be seen as (Succubi) Succubae to list within a Grimoire of the Fallen ‘Anima.’  

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: COLOUR BOOK AVAILABLE ON AMAZON, CLICK HERE.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Amazon.

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OUIJA BOARD ZOZO PHENOMENON

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2014 by FAUSTUS CROW

Ose is the fifty-seventh Succubus archetype of the Fallen Anima, listed in the Goetia, who is a Great President of the eighth dimensional planetary sphere. She rules over thirty Anima legions of (Succubi) Succubae.

Other authors mentioned three legions; whereas the Pseudomonarchia Daemonum gives no number of Anima legions.

(As you will probably know, the classical Playgirl grimoires, which populate many a Hogwarts bookshop, only list the all male Angel/Demon Incubi archetypes of the deified Animus, made as a God/Devil, whose monotheistic pantheon has castigated the politically-incorrect female archetypes of the the fallen Anima into Hell. Hence, there are no historical examples of Playboy grimoires listing [Succubae] Succubi. Whereby a very real Necronomicon would list the Succubi archetypes of the fallen Anima.)

Ose makes the conjurer of her Fallen Anima archetype wise in all liberal sciences and gives true remote viewing answers concerning divine and secret things via her seal of a spirit board.

She also brings insanity to any person who afflicts her conjurer with their malign maledictions, making them believe that they are the creature, or thing her conjurer desires. (In other words, when the conjurer realises what the Animus and Anima means of a biological reality, the religious/political indoctrination of the deified Animus is seen for what it actually is. Whence, those who push a religious/political agenda are promptly seen as brainwashed cultists wearing Mickey Mouse eared hats!) 

Ose at first manifests as a vision of a black Panther or as a Cat; but after a while she transforms amidst the Triangle of Art imagination into a beautiful woman, who is very much a Valkyrie due to her name, which is derived from fourth Norse Rune name, of ‘Os’, meaning mouth, as in to chant or sing of spell-casting.

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Wherefore, you can imagine Ose to be a singer of Runic songs, like that of a bird. The technique of using a song refers to the monotonous chanting of a (Mantra) by a shaman, which facilitates hypnagogic trance, of similarity to that of an Icaro.

An Icaro (or Ikaro) is a song sung in Shipibo healing ceremonies, or by Vegetalistas. The word Icaro is believed to be derived from the Quechua verb Ikaray, which means, “to blow smoke in order to heal”. Shipibo shamans relate that the spirits, particularly plant spirits, teach them their Icaros.

The Icaros are used to bring about the Mareación (the visionary effects of the Ayahuasca), take Mareación away, call in different plant spirits, call in the spirits of others, or the deceased, take away dark spirits and negative emotional energies, for protection and to manage the ceremony. Experienced shamans are able to recite hundreds of Icaros as well as knowing how to be Heyoka wise as a Crow or a Coyote Clown in order to overcome negative influences via contrary wise humour.

Icaros are either whistled or sung, as well as being expressed in any language. The shamans generally sing in a (language of the birds) spirit dialect, which is a mixture of their native language (i.e. Quechua, Shipibo-Conibo, Asháninka, etc.), Spanish, and different evocative sounds. Icaros represent a system of communication between the shaman and the spirits as well as the participants in the ceremony.

The shamans believe that every living thing has its own Icaro and that these icaros can be learned. The singing of Icaros is sometimes accompanied by the Chakapa, rattle of bundled leaves, which is used to carry the rhythm of the ceremony. The shaman will use his Chakapa to direct the emotional energy of the Icaros, as well as send away dark or unwanted emotional states.

Other spellings of Ose’s name are: Osé, Oze, Oso, Voso or Zoso and Zozo. The Rune of Os, is also that of the German word, Ose, which means eyelet, small hole, loop or noose. You also have the word, Oz, which is very likely derived from, Ose, and therefore, Os, being the title of L. Frank Baum’s Wizard of Oz. The word Oz specifically refers to the fourth Rune of Os, which is sacred to the shamanic deity of Odin; one of whose power animals is a mercurial Crow. Odin is described as having a singular eye, as in a (third eye) small hole of an eyelet, who is also the lord of the hanged; hence you have a loop of a noose.

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Wherefore, Ose is a (Dakini) Valkyrie Witch (Nightgaunt Succubus) daughter (Anima) of Odin. Many of the Valkyries assume the shapeshift forms of birds, such as Crows as well as predatory felines and other animal forms, which of a Skinwalker power the Valkyries bestow upon a shaman to whom they are attached as his (Succubus/Spirit Wives) Allies, so that he can travel about in animal forms when to trance and lucid dream.

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The Crow is traditionally associated in occult lore with the planetary sphere of Saturn, whose sigil of lead leads you to the Zoso symbol from page 51 of an 1850 reprint of a 1521 French grimoire, entitled: Dragon Rouge and Poulet Noire (The Red Dragon and The Black Hen), which is also to be found on page 31 of Frinellan’s 1844 book Le Triple Vocabulaire Infernal Manuel du Demonomane.

When to look into such works of the deified Animus, just remember that during the 16th century, many a Witch was tortured, raped, beheaded, stoned, crucified, let alone being burnt at the stake by insane closeted worshippers, whom be far worse than their Demonic archetypes, whose poisonous legacy has a repetitive tendency to rear its religious fundamentalist head again of a repeat.

So, it is entirely probable that there are indeed legions of angry ghosts who desire to return back their pain to those whom blindly dance around a three faced deity of a deified Animus, whose cloned Rabbis, Priests, Mullahs, and their numerous brainwashed flocks tend to repeat their indoctrinated ways, since they act out a Bronze age script like programmed automatons.

Whereby a follower of the deified Animus, made as a God/Devil has to beware a spirit board, otherwise he or she will conjure up Munnin memories. A variation of the Zoso symbol also appears in Jerome Cardan’s 1557 grimoire, De rerum varietate (page 789 of this 1580 reprint). However the symbol reads, Oso, with what looks like a lightening streak, ‘Zorro,’ shaped sigil before Oso, being one of the alternate names of Ose; wherefore it is generally interpreted as Zoso, leading thence to Zozo.

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It just so happens that in the language of the Basque and (Haitain Vodou) Creole, Zozo (Zoso) is a name applied to a Crow, which is seen to be a ‘sacred fool’ of similarity to the Native American Heyoka clown of a Crow.

In other words Ose empowers a shaman to assume the Skinwalker shapeshift dream form of a Crow who is Avadhuta Monty Python contrary wise. You could cojecture that the Zozo phenomenon is an expression of the howling collective unconscious, which is seeking to initiate a rebellion against a religious brainwash of a viral-meme by creating an anti-viral-meme.

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The motif of hanging concerning Odin is not literal, it symbolically refers to the reptilian brainstem of the throat area having governance over hypnagogic trance ingress; whereas the loop of a noose is associated with the Ouroboros of eternal recurrence, being that of a ‘closed timelike curve’ symbolically represented by a (noose) Torc (Ouroboros) around the neck or that of a nine-fold ring. Ose can reveal the nature of eternal recurrence and that it repeats of a (Karmic) leaden repeat until it is transmuted into (Dharma) gold, which can be in part attained via a Heyoka understanding around a Runic Ouija board of a rebellious Mantra conjuration.

This is more so the case, when to thereafter observe ensuing synchronistic phenomena. But, if you become far too exorcist serious, allowing your indoctrinated fears to overcome you, your own Inquisitional shadow of a leaden deified Animus cult Demon will be duly reflected back at you of monotheist Hell fire. Wherefore you will blindly play into the damned repeat of history as the numbered, where religious fundamentalism returns under the guise of the theocratic New World Order, whose all male pantheon of Animus Angels, Demons dancing around an egregore God and Devil will promptly upend your anus to possess.

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However, should you learn to laugh at your self, you will otherwise win a Discordian Pussy Daemon of an anarchistic Ose Ally, whom be a very feline Zozo Succubus archetype of the Fallen Anima.

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TULPA MIND DOLL SALLY TONOPAH UFO COYOTE GIRL

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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What is to follow are some generalised notes about the Mind Doll Tulpa construct of Sally Tonopah. But first, a disclaimer: I am totally unconcerned with any externalised projection made by a brainwashed politically-correct mind-set, which will no doubt become highly reactive concerning the present subject matter and utilised imagery of a considered negative stereotype.

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The Frankenstein operation being communicated here, is internalised of a microcosmic lucid dream working, leading to associated macrocosmic synchronistic phenomena. Such an experiment of artistry cannot be controlled by the externalised Orwellian moralisations of the theocratic thought police.

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As for the Frankenstein creation of the Tulpa Mind-Doll of a schoolgirl ghost named, Sally Tonopah, her Anima archetype has initiated some initial trigger dreams.

The (bio-photon) light quality of these electron dreams were quite bright and vibrantly colourful, which could be described as being psychedelic.

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Much of the dream material alluded to the Coyote Girl Superheroine construct of Sally Tonopah, was recognised of associative symbolism upon awakening.

Sally’s principle Anima archetype of a Succubus, which determined her programmed interaction, being clearly self evident. I will not relate here, as yet, whether the trigger dreams became fully lucid.

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What I will say is that the prior visualisations rapidly became free-fall associative, which took on an unforced, conjured form by its self, of a knitted together, vision.

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A vivid vision is usually indicative that lucidity is going to be achieved, which generally manifests in two forms:

1: recognition of the symbolic triggers within the dream, which initiates full lucidity; whereupon you can then engage yourself with your conjured (Succubus) dream character. Or:

2: A spontaneous visitation occurs at the hypnagogic point of internal ingress, which for the unprepared is experienced as the Old Hag Syndrome of a monstrous ‘Close Encounter,’ should you fear it.

However, when ritualistically worked upon prior to hypnagogic trance, the visitation becomes that of a desired dream character manifesting as a Succubus, due to the internalisation of the sexual impulse overcoming the (sleep paralysis) reactionary state of fear. When the fear is overcome, an intimate Out Of Body Experience can be induced of sensory raptures and retinal delights.

There have also been some sporadic synchronistic events concerning Sally Tonopah’s symbolic triggers; such as others communicating to me, out of the blue, about their odd dreams, which they had related did not refer to their own day to day lives.

(NOTE: This occurred long before the material was published. However, their dreams symbolically referred to Sally Tonopah; not directly, but indirectly, concerning certain symbolic triggers. These individuals are totally unaware of my Frankenstein Mind-Doll Tulpa construct of Sally Tonopah, nor do they live on the internet.)

I have encountered this feedback phenomenon before, concerning previously created Mind Doll Tulpa constructs; it usually indicates that the Mind Doll is becoming more tangibly real, which appears to be existing within what could be termed as the (dreamtime [web] internet) collective unconscious, due to other minds being influenced by its (web-bot) existence.

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This sometimes leads to the manifestation of poltergeist phenomena occurring at certain key-times; in regards to unknowing others. Those who are unaware of the Frankenstein operation will invariably term the phenomena as a haunting, who may even say they feel that there is an invisible presence hovering around them like some invisible (Golem) ghost.

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If they are sensitive enough, they might see the Mind Doll as a fleeting entity; although it is not described as a ghost as such, apart from manifesting as a strange looking individual, who communicates surreal information to them, which I can only understand, before mysteriously disappearing.

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Concerning my own laboratory of a locale, there are no Coyotes where I live, although the equivalent is a Fox, whose cries I have synchronistically heard just after knitting together the Sally Mind Doll via emotively (lightning-bolt = Intent) charged meditation/visualisation workings.

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It appears that the name Tonopah is derived from the word Tú Nohwá, meaning, “Hot Water Under a Bush.” Some to say that Tonopah is a Shoshone word, describing a hot water spring, referring to its location on the Tonopah Desert, underneath which there is an extensive subterranean aquifer, so that wells dug in the area never lack water.

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It is to be noted, that parapsychologists have observed a connection between underground (torsion/spiral) water and (electromagnetic fields) paranormal events (morphogenetic field?) and psychic phenomena. (NOTE: Carlos Castaneda mentions that the inorganic intelligence of the Allies have a liking for water holes, perhaps an Ally is some form of a [web-bot] organising [morphogenetic field] intelligence?)

The element of water (emotion) in the native American Medicine Wheel is associated with the South and the colour ‘red,’ which is in turn equated with gold and the birth blood of the mother. The subterranean aquifer may be in some way connected with the sightings of a (Ally) ghost lady in red, who is seen to haunt the ‘gambling’ [ritualistic-emotionally charged] den of the Mizpah hotel in Tonopah and other similar locales in the area.

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(NOTE: Native American gambling is something quite other. For example, the Bone Game is an ancient, complex, and highly structured Native American ritual for personal and group transformation, which requires the players developing their psychic potential. Basically, a player has to Remote-View where an opponent is hiding the bone, which also involves precognition. Such an ability would be very handy indeed concerning Lotteries etc. As for the meaning of the Hebrew word ‘Mizpah’, it means Watchtower, which has come to connote an ’emotional bond’ between people who are separated, either physically or beyond death. Such can also applied to the emotional bond between a Dr Frankenstein and his Goelm/ghost creation of a Tulpa Mind-Doll.)

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Some of the Tonopah agricultural wells pump at the rate of 2,500 gallons per minute for days at a time. Many wells in Tonopah are warm, in the 70 to 95 degree F range and many are hot; 110 to 120 F wells are common. (NOTE: Whether there is an extensive subterranean aquifer under the Skinwalker ranch in Utah requires further research; although there have been emotional duelling and ‘angry’ reactions after Nevada and Utah officials shook hands on a deal to divide up underground water.)

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Prior to Tonopah being occupied by European invaders, the area was inhabited by the Yavapai, who are an indigenous people in Arizona. Historically, the Yavapai were divided into four geographical bands, who considered themselves separate peoples: the Ɖo:lkabaya, or Western Yavapai, the Yavbe’, or Northwestern Yavapai, the Guwevkabaya, or Southeastern Yavapai, and Wi:pukba, or Northeastern Yavapai – Verde Valley Yavapai. Another Yavapai band was the Mađqwadabaya or ‘Desert People’ who are believed to have mixed with the Mojave people and Quechan people; but they no longer exist in this time-frame, apart from existing as ghostly memories, haunting the morphogenetic field of a place.

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The Yavapai believe that their people had originated ‘in the beginning,’ or ‘many years ago,’ when either a “Tree,” or a maize plant sprouted from the ground in what is now Montezuma (Nierika/Vaginal portal) ‘Well,’ which brought the Yavapai into the world.

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(NOTE: What is curious here is that of an intriguing shamanic association with the Norse (Multiverse) world-tree of [13th Rune] Yggdrassill [spinal column/nervous system] and the [Nierika/Vaginal portal/Vesica Pisces] Well of [morphogenetic field] Mimir.) Most archaeologists agree that the Yavapai had originated from the Patayan groups, who migrated East from the Colorado River region to become Upland Yumans, and then splitting off to become Yavapai somewhere around ‘1300’ AD.)

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Tonopah is presently near the Palo Verde Nuclear Generating Station, the largest power producer in the country, nuclear or otherwise. There was a sighting of multiple UFO’s over Tonopah and the Palo Verde nuclear generating station on the 07/21/2014 01:42 UTC, whose case number is 58230, and Log Number US-07212014-0016, which was reported to MUFON.

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You also have the Tonopah Test Range (TTR), which is a restricted military installation located about 30 miles (48 km) southeast of Tonopah. It is part of the northern fringe of the Nellis Range, measuring 625 sq mi (1,620 km2). The Tonopah Test Range is located about 70 miles (110 km) northwest of Groom Dry Lake, home of the Area 51 facility.

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Like the Groom Lake facility, Tonopah is a site of interest, mostly for its use of experimental and highly advanced classified aircraft. As such, it is not the primary focus for neo-Gnostic Alien enthusiasts, unlike its well known neighbour.

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It is currently used for the stockpiling of nuclear weapons and reliability testing, research and development of fusing and firing systems, as well as testing nuclear weapon delivery systems. The airspace comprises restricted area R-4809 of the Nevada Test and Training Range, which is often used for military training.

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The Tonopah Test Range is otherwise known as “Area 52,” which has been featured in television news casts, such as presented by Las Vegas Channel 8 News. Area 52 was also featured on The History Channel’s UFO Hunters, although they were primarily targeting Dugway proving ground in Utah as being area 52, as if they were being redirected.

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In both of these presentations Area 52 is speculated to facilitate the use of highly advanced aircraft technology, including craft such as flying saucers or UFOs, which have been often observed hovering over bodies of water. In the science fiction series Stargate SG-1, Area 52 is used for a coded designation for Stargate Command in the US treasury.

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Curiously in an animated episode of Total Drama World Tour, Area 52 is visited right before the contestants get to Area 51. Even more curious, in the Warner Bros movie (Wile E. Coyote) Looney Tunes Back in Action DJ Drake, Bugs Bunny, Daffy Duck and Kate Houghton decide to visit a secret military base in the Nevada Desert, used mainly as a storage facility for extraterrestrial life-forms and shadow government secret technology, called Area 52.

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The base in the movie is considered to be the ‘real’ Dreamland Area 51, and the name Area 51 was only a cover for Area 52. But where is this area 52? Well, it would make sense if it is based right next door to a power station, in order to power an extensive underground lab, which of a labyrinthine complex utilises previous mines extending under a populated area, such as Tonopah, without anyone knowing about it!

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