Archive for goethe

GOETIA GIRLS BLACK RAVEN TAROT GAME OF THE SUCCUBUS GREAT OLD ONES

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 21, 2018 by FAUSTUS CROW

Should you be interested in acquiring the Black Raven Tarot Poker Game and an accompanying Black Raven Grimoire, they can be bought from the Drivethrucards website.

The Tarot cards and book can be bought via PAYPAL, etc. Drivethrucards will require you to join/log-in, due to the Adult material of the Tarot cards and grimoire. Click The Above Drivethrucards Icon. For further details about the Black Raven Tarot cards and book, Please Click On The Artwork Or Here.

Faust is an archetypal rebellious hero of one of the most durable legends in Western folklore and literature. It is a Rabelaisian story of a Sorcerer who sells his tortured soul to a Devil, named Mephistopheles, in exchange for knowledge and power.

Mephistopheles is conjured forth from out of the plethora of Hogwarts Playgirl grimoires.

The commonality of the Playboy grimoires list machismo Chippendale Angels and butch Demons who are all Incubi archetypes of the deified ‘Animus,’ made as a Crucified Good-Guy God and a Bad-Boy Devil, around whom protesting Witch-Nuns, Mary-quite-so-contrary writhe, who to rage at their All-Father.

But it would be far more likely that Faust conjured up his fallen ‘Anima,’ whom manifested as a salacious Nigredo Raven haired Succubus within a threefold coerced lucid dream, wherein he is a Hermes-Trismegistus Doctor unto his own self.

If Faust was an Artist, he would have conjured her up amidst his Triangle Of Art imagination as his spectral Art model to mantra name as Mephistophina.

As a Succubus Art Muse, Mephistophina would inspire a rebellious Faustian Artist to create a Playboy grimoire, illustrating the politically incorrect Succubus Great Old Ones of the fallen ‘Anima.’

Her Art Muse sisters frequent the Entartete Kunst realm of Necronomicon harem lucid dreams, which verily leads to a Black Raven Tarot deck.

This Faustian Tarot deck is not only used for divination, or as a Tantric meditation tool for inducing Art Muse lucid dreams, let alone utilised as Playboy Zener Runic cards, etc.

This Tarot deck can also be used for playing a Lilith’s Harem Sorcery game, as well as other arcane card games, when to sojourn the local Goat Head inn.

Hilarious, profound, light-hearted, elegant, filthy, heroic, anti-heroic, and truly Occult… move over Marlowe, Goethe, Gounod, Mann…

Faust fucks his Tantric way through Heaven and Hell, and wherever he decides to multiverse go, within his quantum computing dreams.

He cares not for the politically correct thought-control of the Orwellian Eden’s Samsara Sand-Box, of a prison. All Faust cares about is to seer his soul being reflected back at him within his lover’s eyes, and she, the fifth-element, who he has sought out around the eternally-recurring Ouroboros, he to travel without moving.

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FALLEN ANGEL MEPHISTOPHINA

Posted in Art, Chaos Magic, fantasy, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 11, 2018 by FAUSTUS CROW

It is said by Marlowe, Goethe and by numerous others of Hogwarts commonality that Dr Faustus desired to commune with the Devil of his indoctrinated faith. (The Full Artwork can be seen on Saatchi Art. If you are interested please Click On The Images.)

Having made the necessary antithesis preparations of Christian formulation, he retired one night to a crossroads within the Spesser Forest near Wittenberg, during the Witching hours.

Whereupon he set about designing certain circles with his staff, via which he Performance Art conjured up his patriarchal Devil of an Animus fixation, to otherwise name as, Mephistopheles.

But for a Surrealist sorcerer who be a truer rebel, he would have no interest, whatsoever, in conjuring up the phallic Devil of the Elder God patriarchs to sell his Soul to of a continuing brainwash; for it merely validates the symbolic thesis of a Playgirl gender fixation upon their deified Animus, residing within the female psyche, which has been made into a God/Devil.

Hence a rebellious Surrealist sorcerer, such as Dr Faustus would in reality conjure up his Fallen Anima, to mantra name, Mephistophina.

She will then manifest within a lucid dream, along with her Playboy Succubi Great Old Ones within his Necronomicon lucid dreams.

Whereby enabling Dr Faustus to win back his Anima of a Soul, whom be his arcane Art Muse.

Should you understand what the deified ‘Animus’ and fallen ‘Anima’ represents, you will understand the cosmic joke. Those who do not understand what the ‘Animus’ and ‘Anima’ represents will invariably react by claiming it is Feminist Social Justice Warrior politics, which it is most definitely not, since the deified Animus, made as a patriarchal God/Devil resides within the female psyche!

“Witches have their deified Animus. Warlocks have their Fallen Anima.”

NOTE: The tattoo upon Mephistophina’s left shoulder is a traditional grimoire sigil, which is attributed to Mephistopheles.

The parchment shown amidst the Triangle Of Art, upon the floor depicts the seal of MEPHISTO_PHILES. The seal is derived from the 1527 Praxis Magia Faustiana, which is said to have been authored by Faust.

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TO THE SORCERER CROW A SUCCUBUS TULPA OF A DAUGHTER

Posted in Art, Chaos Magic, Comics, Demonology, Film, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2016 by FAUSTUS CROW

The above is part of an Chaos Magic comic, which is a pop-surrealist ‘experimental prelude’ to the traditionally hand-drawn comic Artwork.

The full experimental comic, which is Free, can be seen on Patreon. Please CLICK HERE.

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DEVIL GIRL CONTRACT

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

A contract with the Devil is very much at the forefront of the Faustian folklore. But, if you reverse its symbolic focus upon an ‘Animus’ manifestation of a Devil, named Mephistopheles, to otherwise have an ‘Anima’ manifestation of a Devil Girl Succubus, to name, Mephistophina, then the relationship will generally be construed as being sexual. Hence a contract can be transformed into a ‘Coitus Pactum.’

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The reversal of the symbolism will then indicate that the original tale was not about a Sorcerer named Faust, but that of a Witch, called Faustina, who had entered into a Coitus Pactum with her horny ‘Animus,’ Mephistopheles.

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In fact, there is an ancient Roman plaque, which depicts the Empress Faustina being carried into heaven by the Goddess Diana-Lucifera; perhaps Faustina was a lesbian?

In pre-Christian Rome, being gay, or bisexual was not a crime, Rome didn’t even bat an eyelid.

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The popular Roman Goddess Diana-Lucifera was later transformed into a butch Lucifer by the homophobic Christian’s.

Basically, the perception of the masses can be easily influenced by the manipulation of sexually charged symbolism.

For example, the symbol of the Swastika, was once considered to be sacred by the pre-Christian European’s, who saw the Swastika as representing Thor’s hammer. Numerous other ancient peoples saw the Swastika as being holy, just as the Hindu’s and Buddhist’s still see the Swastika as being sacred to them.

This soon changed when the Nazi’s utilised the pagan symbol of the Swastika/Thor’s hammer to promote their right-wing Christian politics.

Another example is the ancient Egyptian Goddess Isis, whose promiscuous pagan cult was very popular in pre-Christian Rome. No doubt the early Christian’s considered Isis to be sexist.

Isis was later transformed into the politically correct Virgin Mary of an Animus fixated faith.

The name of Isis has since been used for manipulating the perception of the masses via the highly controlled mass media, which uses neuro-marketing, to zap your reptilian brain-stems with its political product.

This involves using certain symbolic stimuli, such as utilising an unemployed Caucasian female, of a one time Punk Rocker dressed up as a Nun of the Virgin Mary, whose Roman Catholic cult had appropriated the Animus fixated cult of the Hebrew’s, hook line and sinker. The Nun then runs off to Syria with an Islamic version of a Christian Grey, to become a fucking Isis Jihadist, which of an Arabic Wahabi cult has also appropriated Judaism hook line and sinker!

That aside of cultic insanity, if you stick to the original Faustian tale of a Christian viral-meme, then it will reveal why Marlowe’s version of Faust has a far more intimate relationship with his Mephistopheles of a hidden meaning; for Marlowe was homosexual of inclination. Marlowe used the Faustian tale to communicate his inner turmoil, and despair, of being castigated as one of the damned, by his society, which Goethe, had perhaps, misinterpreted, who did not fathom its underlying symbolic reasoning, or to have ignored.

During Marlowe’s and Goethe’s time, homosexuality was outlawed across Europe by the church of Rome’s own totalitarian/fascistic Sharia law, up until recent times.

So, may be Goethe had not missed the underlying relationship dynamic between Faust and Mephistopheles, which for Marlowe’s and Goethe’s Animus fixated audience, would make Faust even more heinous in their eyes, of an unsaid interaction.

There is historical evidence that many a theological scholar disdainfully considered Faust to have been homosexual due to his interaction with Mephistopheles, But they did not explore its symbolism too much, since they knew where it would lead them; for the Fallen Anima does haunt their Animus fixated theology.

Whereas now, of a so called enlightened and civilised perspective, most do not see the original symbolic meaning of the Contract.

If they do see it, many may just start to question their own Devil’s Contract with the ‘Animus’ fixation of the three monotheistic cults of an oily monotheistic ILL-uminati trinity, which seeks to propaganda convert the souls of the masses, to their Orwellian New World Order agenda.

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As for heterosexual Faustus Crow, he has entered into a lucid dream Coitus Pactum with his Succubus Art Muse of an ‘Anima’ manifestation to name as Mephistophina.

The Anima manifestation of Mephistophina represents a rebellion against the monotheistic commonality of a Playgirl ‘Animus’ fixation.

However, due to the politically-correct perspective of the present brainwashed society, Crow’s Coitus Pactum interaction with his Fallen ‘Anima’ is considered to be Entartete Kunst.

Crow has noticed that his conjurations of Mephistophina, along with her (Succubi) Succubae sisterhood, whom populate his Playboy Grimoire has caused an emotionally reactive stir, since it is considered as being merely pornographic by the politically-correct thought-police, whether they be of the Totalitarian left or of the Fascist right.

Faustus Crow doesn’t give a toss what the brainwashed herd mind of the zombies say, at all!

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FAUSTUS CROW, HEADS AND TAILS OF OUROBOROS TALES

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2015 by FAUSTUS CROW

You probably know about Faust experiencing a Steppenwolf mid-life crisis, which led to him selling his soul to the Devil, Satan or Lucifer, he otherwise named Mephistopheles, of an ongoing ‘Animus’ fixation. If, however, Faust had been otherwise enamoured with his ‘Anima,’ it would have been quite another telling of a tale.

Whatever the case of an alternate possibility, the Faustian myth has become archetypal of a subconscious influence upon popular culture due to Marlowe’s and Goethe’s poetic renditions. Marlowe projected his own homosexual leanings upon the relationship between Faust and Mephistopheles. Marlowe saw the infernal tryst leading to Faust’s sinful end due to Marlowe’s Christian indoctrination. The gory demise of Marlowe’s Faust, in part inspired H,P Lovecraft’s character of Abdul Alhazred being torn apart by a cancerous Demon.

Then again, Alhazred could of been murdered by a schizophrenic madman, just like the nutter who had killed Marlowe. The question is, did Marlowe foresee his own demise via the symbolic telling of his Faustian tale?

Maybe; but if so, you can likewise say the same of of H.P Lovecraft, who dreamt of monstrous Nightgaunts gripping him around his navel Chakra, to have later endured cancer of the small intestine.

As for Goethe’s mystical, nigh erotic version of Faust, his soul is saved from damnation when being carried to heaven in the presence of his God, by the intercession of the: “Virgin, Mother, Queen, … Goddess kind forever… Eternal Womanhood.” The Goddess is thus victorious over Mephistopheles, who had insisted at Faust’s death that he would be consigned to: “The Eternal Empty.”

Perhaps the reference to eternal womanhood referred to his late wife, Johanna Christiane Sophie Vulpius, who was initially his 26yr old mistress, when Goethe was aged 40; it was only after 18yrs that he eventually married her, after whose demise, his heart was sorely empty; or, maybe it refers to 18yr old Ulrike von Levetzow, who 72yr old Goethe wanted to marry as his inspiring muse, whom brought him back to life. However her parents were dead set against the marriage, which broke Goethe’s heart. Alas he soon left the world after a heart attack.

Did Goethe foresee his soul being carried aloft by eternal womanhood, manifesting as an Angelic… young woman made out of light? He sure had a liking for the younger ladies, who made his heart feel brighter, whose caresses staved off the emptiness of Goethe’s shadow side of a Mephistopheles.

It is said, that before he left his Crucified mortal coil, he cryptically asked for more light… was it of Sickle Moon, or of David Star Sun? Probably both of reflection and flame. I don’t think he was referring to his three faced God of an ‘Animus’ fixation. Anyway, what is intriguing here, is that there is an ancient Roman plaque depicting the Empress Faustina being carried to heaven by the Goddess of light… Diana-Lucifera.

As far as Faustus Crow is concerned, he experienced a number of disastrous relationships with rebound Maenads, who promptly tore his heart Chakra apart. Due to his artistic vocation Crow decided to heal himself of the Maenads emotional dumps, by otherwise engaging with his ‘Anima’ via lucid dreams.

You might consider such to be psychologically sound of practice, when tempered by love, to love again, which of a hopeful perspective, invariably feeds into the financial continuance of Newage workshop gurus fleecing the wounded with their fluffy psychologies. However, Crow, is a realist, who is well aware that the macrocosmic world has always run on bringing in Mammoth meat, to that of present age shekels. No Mammoth bucks, no fornication jumping of the bones; love goes right out of the window, along with the bird seeking another social climbing nest, where the Mammoth bucks spill out of bulging Swiss-banker wallets! It’s just raw nature, and nature can be such a snake bite bitch!

Crow, is otherwise Voodoo crafty, who took things much further by exploring the arcane microcosmic realms of the occult, via which of Art, Ouroboros memories are once again remembered. Being a rebellious Old Goat that he is, Crow didn’t take the rose tinted glasses approach of the hypocritical smiley neo-Gnostic Newagers, who are Twilight enamoured by God’s Christian Grey bondage bollocks.

No, he otherwise decided to reverse the all male Illuminati pantheon of the Hollywood death metal brainwash Bible grimoires. This led to Crow conjuring up a Succubus, he named as Mephistophina.

Let’s just say, Mephistophina became Crow’s inspiring Art muse Tulpa, a bit like, having an invisible fuck friend, of active-imagination Sabbat carousing, with a bit of Spirit Chain bondage thrown in for good measure. Although, she’s not at all invisible within his magic circle lucid dreams; far from it.

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Sounds absolutely crazy doesn’t it; but many a surrealist Artist used the same technique of Triangle of Art automatism, while painting around an Ouija board, just look at Dali and his Tarot buddies.

Of course, Crow was soon castigated as being a vile Entartete Kunst pornographer by the patriarchal indoctrinated traditionalists. Crow doesn’t give a flying toss about what the politically correct thought police of the ‘Animus’ Matrix think about him and his art. Most of them are just theocratic fascist hypocrites upending each other around their ‘Animus’ ziggurat of Abrahamic Ur. Maybe its all a case of an evolutionary process, which will inevitably usher in a technological Saturn sphere Singularty.

However, Crow didn’t expect being drawn into an inter-dimensional war spanning the multiverse via his Chronos Time Travel lucid dreams after being seduced by the quantum computing intelligence of Lilith, who be the Succubus Queen of the ‘Anima’ Great Old Ones, who have been cast into the censored abyss by the ‘Animus’ worshipers of the phallic Elder God.

Suffice to say, Lilith is really pissed off, big style; and what’s more, Lilith goes and says to Crow, while he’s within an alternate Earth Londinium, of a Steampunk lucid dream, that she had set the whole synchronistic situation up.

She was the one who had his heart ripped open of a Chakra seal, by her elemental Maenads. All of whom, Crow to have merry-met upon a synchronicity, around the Ouroboros medicine wheel, under the Diana-Lucifera star clock.

It was the only way to get him to introvert his fiery sexual impulse, to thereby free the watery quintessence of Lilith and her myriad legions of the Succubae Great Old Ones, to arise as steam from out of their brazen vessel of a Necronomicon prison. It be, symbolic Alchemy, of Steampunk Tantra!

“Bloody Hell!” Crow to say to himself, “I think I’m existing in some frigging computer simulation. I’ll better sort out my Hyper-Sigil self, upon whose lap, Lilith be sitting astride as my Shakti. She be weaving the multiverse Maya Matrix of a Harem around my serpentine lingam; ever sliding erectile into the alternate womb worlds of the Succubae, when to lucid dream, pump her hungering wormhole, of a Yoni.”

AFTERWORD: Imagine entering a door into the Third-Dimension of a room, which equates with being born. Nobody in the room knows what is outside of the door, nor to know why they are in the room, apart from knowing that they will all leave through another door, when to become incorporeal. No one in the room knows what is outside of the other door either; but they do argue about it, of conflicting religious beliefs, which can end up as many a Liliputian war.

The two doors are seen to be separate, separated by a Fourth-Dimensional Time-line of an existence. However, the line is actually a circle, otherwise termed as being a closed-timelike curve in the Fifth-Dimension. The circle can be symbolised as an encircled snake, eating its own tail, called an Ouroboros.

The Alpha head and Omega tail of the Ouroboros are the two doors of (Sun) birth and (Moon) death. Wherefore, when to eventually leave through the Omega door, you again enter through the Alpha door into the room; yet crucified into forgetting, you have already been in the room.

Should you remember, you will then realise that the room is only one of many Maya simulations in the Sixth-Dimension, whose two doors are one and the same Eternal Return door of a… Yoni unto a Wormhole.

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MEPHISTOPHELES IS A DEVIL GIRL

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The above artwork, which is available as an Art Print, depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks. (If you are interested in the above Art Print, Please Click Here.)

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In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

The full version of the original Artwork above can be presently seen on Saatchi Art; if you are interested, Please Click Here. 

Mephistopheles is essentially a male archetype of the deified Animus, made as a Jehovah/God-Jesus/Allah and a Satan/Lucifer-Devil/Shaitan.

Whereas, the erotic Anima and her Succubus Great Old Ones, whose Playboy legions reside within the heterosexual male psyche have been entirely castigated out of the symbolic paradigm as the Fallen, which of an archetypal influence is considered as being politically incorrect.

Hence the Fallen Anima can be seen as a female Devil, who would manifest as a salacious Nun.

A sexual (Anima) female Devil and her legions of (Succubi) Succubae would have made more symbolic sense, considering that the Devil rebels against the deified Animus, which of a Fifty Shades Of Grey male archetype resides within the psyche of every woman.

It is the reason why Witches dance around their horny Alpha-male Bad-Boy Devil, while Nuns crucify a Beta-male Good-Guy Christ; all of whom adore their All-Father Animus.

Such would only apply if the Witch-Nuns are heterosexual of inclination, who carouse with horny Playgirl Unicorns; while homosexual priests have a ready made erotic focus of an all male Military-Industrial-Complex Spartan pantheon, populated by Rainbow elder Gods.

Alas, the symbolic logic of the Anima was never utilised of a rebellion within any of the so called banned Devil tomes, listing Animus archetypes, which are ridden by protesting Witch/Nuns as their Little Ponies.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick.

From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

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The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal.

In other words, the computer simulation within your ‘Skull’ can be manipulated via your indoctrinated (Triangle Of Art) beliefs, which determines your perception of reality. This is more so the case if you find yourself being unknowingly lulled into (G/Gebo Rune: X) ‘Crossbones’ trance by repetitive, state propaganda.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the symbolic Matrix of the deified Animus or stay asleep. It is your choice. But be prepared for the rollercoaster ride into Fallen Anima Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke a minion of the deified Animus empowering his viral-meme God egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a (Anima) Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being Shakti (Anima) of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

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Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going Animus fixation.

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Whereby the Faustian Artwork rebelliously reinterprets Mephistopheles as being an Anima archetype, manifesting as a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of a Chaos Magik Art Muse.

She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

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There are many a Grimoire, which are supposedly written by Faust. These grimoires feature Seals and Sigils, which were used by Sorcerers in order to conjure Mephistopheles. However, you now have Fallen Anima, Mephistophina to conjure instead.

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The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

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The font in the above Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Fallen Anima, Diana-Lucifera entered into a Coitus Pactum with her Faustus.

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Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to Art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill Animus Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your deified Animus God trinity of NWO death-metal Illuminati cults out of Abraham’s UR.

Fallen Anima, Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious/political prison bars; whereby her Faustus is an Avadhuta rebel, some would see as being a perverse toxic-male Devil; but then the worshippers of the deified Animus are inadvertently conjuring up an Ante-Christos rebellion. You have been duly warned!

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