Archive for sketch

SAMIGINA HOLY WHORE COURTESAN

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 17, 2020 by FAUSTUS CROW

The above Artwork is an ‘enlarged’ partial part of a rough A4 Pencil sketch, the entirety of the Artwork can be found on my Patreon page.

The Artwork investigates the theme of the Fourth Anima archetype of a Succubus whom is named Samigina in the Goetia. Samigina is said to first appear as a hypnagogic vision of a small Horse, Donkey or Ass before assuming human form amidst the Triangle Of Art imagination.

Although the motif of a small Horse, Donkey or Ass does appear to refer to an Artists Easel on which many a manifest painting is inspired by an Artists model of a Holy Whore Courtesan.

Courtesans had served as Models and Muses for Artists as early as the Renaissance, and long before. The general populace of the time usually saw the Artists studio to be a most ‘Sinful’ place, they considered to be none too different to a ‘Sinners’ bordello, and in some cases the Artists personal Harem, frequented by infernal Bat winged Whores of the night.

For example in Titian’s painting, the languorous Venus of Urbino, the Goddess of love, is in fact Angela del Moro, one of the highest-paid courtesans in 14th century Venice.

As for the word Easel, it is borrowed from Dutch Ezel (“Donkey: Easel”). Also Middle Dutch Esel (“Donkey”), as well as Proto-West Germanic Asil.

One also has the Latin Asellus (“young Ass or small Donkey”), which is diminutive of Asinus (“Ass, Donkey”). The Night-Mare word is ultimately derived from an unknown source in Asia Minor.

Essentially, the ‘Crucifying’ stand upon which a painting is placed is being likened to a Donkey carrying a burden. One also has the Artists term, Art Horse.

Hence Samigina’s grimoire seal, which can be seen in the sketches is reminiscent of an Artists Easel set upon a half globe of the Earth.

The globe is divided into eight compass directions, having a circle below it, representing the Magic circle, encircling the Artists Art studio.

NOTE: There are two A4 sketches. The first of which depicting Wednesday Addams includes a portrait of Gertrude (Gerti) Schiele, the sister of Egon Schiele whose self-portrait is also depicted, along with his erotic studies of his sister Gerti. 

One also has a portrait of Charles Addams and his sister and brother creation of Wednesday and Pugsley. Basically I was looking into fusing the Art styles of Egon Schiele and Charles Addams. 

The other sketch is a sketched comic page, which depicts Salvador Dali’s painting, The Great Masturbator and Maurizio Cattelan’s $120K Banana duct-taped to a wall, entitled:‘Comedian.’ It is somewhat apt of a viral-meme brand since the Polynesian ‘trickster’ God called Maui is associated with the Banana, which represents the masculine (Mars) principle, just as the politicised Unicorn does. 

The sketched comic might be transferred onto Bristol board to be inked in, and perhaps water-coloured? whereupon I did not shade the sketch, leaving it open line. The sketches can be found Here! 

The animations are derived from the Art videos created by the Mephistophina surrealist Artist/Model/Art Muse, Joan Pope. 

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TIME THAT DEVOURS ALL THINGS, CANNIBAL WITCH GIRL FURCAS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2018 by FAUSTUS CROW

The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.

Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)

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Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)

As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”

My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.

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The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)

 

It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)

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The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.

My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.

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Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.

You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.

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She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.

Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.

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The character of Gaston can be seen as a Freemason, who desires  to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.

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But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.

As mentioned, The Dolcetta comic and other comics can be found on the Erotic Mad Science Website.

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination.

Her ideal partner might look like a famous actor she adores or a pop-star, etc, to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination.

His ideal partner might look like a famous actress he fancies, or a pop-star, etc, to then third-eye dream of. The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

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