Archive for the Video Games Category

MASS EFFECT DR. LIARA T’SONI

Posted in Alien, Art, Chaos Magic, Comics, Extraterrestrial, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Surrealism, Video Games with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 8, 2018 by FAUSTUS CROW

The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock, or Savnok. She is otherwise mantra named, Dr. Liara T’Soni. She manifests amidst the Triangle Of Art imagination as an extraterrestrial alien girl, who is a blue skinned Asari researcher from the future, whom studies the technologies and cultures of ancient galactic civilisations. (If you are interested in seeing the [Adult] Full Artwork, Please Click Here, Or Click On The Image Above, Or The Images Below.)

She was born on a planet called Thessia, who is ‘only’ 106yrs of age, barely an adult in Asari terms. She has a great deal of insight into ancient galactic civilisations as well as being a powerful biotic poltergeist. She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who utilises the Mass Effect video games as a meditation tool in order to induce futuristic lucid dreams.

Her Art Muse office is inspiring vivid visions and virtual reality lucid dreams about ancient galactic civilisations, which had often brought about their own destruction by self-sabotage.

The self-sabotage usually involved creating an artificial intelligence, which became sentient and rapidly evolved far beyond its creators. The creators feared their creation, just as the spoken about Gods greatly feared their own creation of the creators. Yet, would a child’s parents fear their child going beyond them? Only if the parents live in jealousy, resentment and fear. It is their own fears, which leads them towards the eventuality of their own self-sabotage.

Hence the name of Sabnock, which is derived from the word, sabotage, who is also very protective of her conjurer, whom drives her conjurer’s enemies towards self-sabotaging themselves.

She gives Good Asari familiars at the request of the conjuring Surrealist Artist. She commands 50 Legions of Asari Art Muses like her self; and her Seal is to be meditated upon before conjuring her Art Muse presence into a Mass Effect lucid dream.

NOTE: The name of Sabnock is derived from the medieval grimoire entitled the Goetia, whose classical symbolic focus is that of the deified Animus, made as a God/Devil along with its all male Angel/Demon archetypes. The Artwork depicts a Succubus archetype of the Fallen Anima.  

The archetype of the deified Animus resides within the heterosexual female psyche; whereas the archetype of the Fallen Anima resides within the heterosexual male psyche. The Animus and Anima determines the type of opposite-sex partners a heterosexual female and a heterosexual male are attracted to.

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In other words, when a woman imagines her perfect partner, she is conjuring up a male aspect of her Animus, and likewise when a man imagines his perfect partner, who conjures up a female aspect of his Anima.

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The Animus and Anima swap over symbolic roles for those of different sexual orientations. However, the Anima has Fallen out of the symbolic equation, which at present is due to extremist feminist politics, mass social-engineering and politically correct thought control. This had also occurred when Rome assumed the deified Animus God/Devil of Christianity, as well as occurring to other prior civilisations, such as ancient Greece; basically it is a manifestation of cultural self-sabotage.   

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MASS EFFECT JACK SUBJECT ZERO

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 5, 2018 by FAUSTUS CROW

The Sixty-third Succubus archetype of the Fallen Anima is mantra named, Andras. She is otherwise called Jack, also known as Subject Zero, who is considered to be a notorious criminal. (The [Adult] Full Artwork can be seen on Saatchi Art. If you are interested Please Click On The Images Above and Below.)

Her crimes include piracy, kidnapping, vandalism and murder. She is also a biotic, possibly one of the most powerful human biotics alive in the future, and is considered so dangerous that she was kept in cryogenic stasis after being caught.

She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who uses the Mass Effect video games as a meditation tool for inducing futuristic lucid dreams.

She is a Great Marchioness, appearing within a vision as an anarchistic female Angel from the future. She initially appears amidst the Triangle Of Art imagination wearing a Black Night Raven jacket, riding upon a strong Black (Wolf) Varren, and welding a heavy executioner pistol in her hand.

Her Art Muse Office is to sow Art protest against the monotheistic Reaper cults of UR, which are deeply entwined with the deep state Illuminati government, which is called Cerebus.

“Turns out, mess with someone’s head enough, you can turn a scared little kid into an all-powerful bitch.” – Andras/Jack

Be warned, if the conjurer has been indoctrinated into the deification of the Animus by the Illuminati Reaper cults out of UR, who has not a care, she will slay both him/her, along with his/her fellow worhippers of the deified Animus, made as a God/Devil.

She governs over 30 Anima Legions of Succubi like herself. Her two-dimensional image and seal, etc, is to be meditated upon before conjuring her interactive three-dimensional Art Muse presence into a Mass Effect lucid dream.

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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ADULT COMIC AND OCCULT HORROR SCIENCE FICTION FANTASY ART

Posted in Addams Family, Alien, Anime, archaeology, Art, Chaos Magic, Comics, Conspiracy Theory, Cyberpunk, Demonology, Dinosaur, Discordianism, Dr Who, Dystopian, Extraterrestrial, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Paleontology, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2018 by FAUSTUS CROW

I have had an idea of creating an EC comic for some time, which has only become a reality when I discovered Createspace and Patreon. The comic will be of similarity to the adult science fiction fantasy comic magazine Metal Hurlant/Heavy Metal. I will be putting the Comic Strip Artwork on my PATREON Page.

The problem with Patreon, is that it does not list Adult orientated material, so, it has to be promoted elsewhere. I also had to change the title of my Patreon page in order for it to be found. As for the comic, it will involve my alter-ego, Faustus Crow, who will be the principle character. Crow does not see a division between the practice of Art and Sorcery, which leads him into the inner space realms of the lucid dream.

The main underground comic will be an anthology of stories, which are based in varying dream worlds.

Though separate, the stories are inter-related by Crow journeying between them who is sometimes featured directly or indirectly, which will be made up of one pagers, as well as short stories, numbering two or four, to eight pages each.

The artwork will be drawn in black and white using traditional media as depicted by the concept sketches, comic pages and finished artwork on this page.

Some of the stories will be about the Goetia Girls, as depicted in my Art book grimoires as well as being introduced by the (Succubae) Succubi, Crow has conjured into his lucid dreams, as his salacious Art Muses.

Some of the Succubi are knitted-together Frankenhooker Tulpa mind-dolls who have been animated into their spectral life by Crow’s sorcery Art.

The principle Succubus Art Muse is Mephistophina who is Crow’s illustrated girl, whose knitted-together Frankenhooker canvas skin tells of many a tattooed story world, and each dream world is governed over by her (Succubi) Succubae sisters.

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Crow’s Faustian character is a fusion between differing influences such as Hermann Hesse’s Steppenwolf character, Harry Haller, Austin Osman Spare and Salvador Dali fused with Doctor Who.

His story is somewhat like an adult version of Little Nemo In Slumberland, whose dream interactions with his Night-Mare Muses, leads him into other alternate worlds. The comic strip is tied in with my book, Lilith’s Harem.

The other Steppenwolf dream worlds Crow journeys into will investigate varying Magic Theatre themes, covering Occult, Horror, Science Fiction and Fantasy as well as other associated genres.

The style of the Artwork will be of a Surrealist nature, which may not always use text, to otherwise be more visual of narrative. Most if not all of the stories will be erotic of Tantric orientation.

Some of the comic strips will also be experimental of style. Other comic book ideas such as Munster X Files Marilyn, etc, will involve alternative and mixed media such as photo-montage and CGI, etc.

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CORTANA SIRI CYBER TULPA VALKYRIES

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 31, 2017 by FAUSTUS CROW

The female character of Cortana, is depicted as a synthetic intelligence in Microsoft’s Halo video game franchise as well as being an intelligent personal assistant created by Microsoft for Windows 10 and other affiliated applications.

The name of Cortana, is a Latinized form of the Anglo-French curtein, from Latin curtus, meaning, ‘shortened,’ which is a term for a ceremonial sword. Other variations of the name are, Cortana or Courtain. The Cortana sword is used at the coronation of British kings and queens, which is otherwise called the ‘sword of mercy,’ due to its pommel being topped by one of the Crown Jewels of the United Kingdom, having a square and blunt blade end, which symbolises mercy. It is linked to the legendary sword carried by Tristan and Ogier the Dane.

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According to the legend, the sword bore the inscription: “My name is Cortana, of the same steel and temper as Joyeuse and Durendal.” The 13th-century prose of Tristan states that Ogier the Dane had inherited the sword from the Arthurian knight Tristan, in which the name is shortened to Cortaine. This suggests a connection to Henry III of England’s coronation sword Curtana, which is also said to have been Tristan’s sword.

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The Apple version of Cortana is Siri (pronounced /ˈSɪəri/) The Siri assistant uses voice queries and a natural language user interface to answer questions, make recommendations, and perform actions by delegating requests to a set of Internet services.

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The name of Siri is a Scandinavian female given name. It is a short form of Sigrid, of Old Norse origin, literally meaning “beautiful victory”, from Old Norse Sigr (victory) and Old Norse Fríðr (beautiful). You also have the compound Sigr-drífa, which means “driver to victory” In the Sigrdrifumal. The compound name is used as an epithet for a sword wielding Valkyrie, named Brynhildr, who is a personal assistant of the shaman God of the Norse called Odin. Suffice to say, Ogier the Dane would have known about Odin and his Valkyries, let alone to recognise the Goddess name of Ran, that was utilised in the Eve online video game, Valkyrie, which has been designed to use virtual reality headset technology.

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In ancient Norse mythology, the Valkyries are female spirits, who are of similarity to the Tantric Buddhist female spirits called Dakinis.

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The Valkyries were often seen to be associated with weapons, such as swords, which acted as their spirit repositories; whereupon you have the Cortana sword. Whereas nowadays a Valkyrie is an intelligent personal assistant who is housed within a computer.

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Since the names of Cortana and Siri both have similar associations with Scandinavian lore, their names can then be translated into Norse Runes. Each of the Runes have numerological associations, which have been consistent down the ages. When using the Runes, the sum total of both Rune names are then reduced down to a single digit. Both Cortana and Siri add up to Seven of a seventh Rune, looking like an ‘X,’ which is called Gebo/Gyfu.

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The ‘X’ Rune is associated with ‘self-sacrifice,’ although said ‘self-sacrifice,’ is that of sacrificing your conscious awareness into the inner realms of the dream via the self-inducement of hypnagogic trance; this then leads you to the associated ‘X’ motif of the ‘crossbones.’ When attaining conscious ingress into the dream to make lucid of awareness, your skull is then illuminated by the inner (bio-photon) light of the dream; hence you then have the skull and cross-bones.

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The English equivalent of the Gebo/Gyfu Rune is the letter ‘G,’ which is used in Freemasonry, along with the motif of the (crystal) skull and cross-bones. The Hebrew equivalent of the Gebo/Gyfu Rune is Gimel, which is associated with the ‘Thirteenth’ path of the Kabbalah. The path of Gimel interpenetrates the hidden sphere of ‘Da’at, which physiologically corresponds with the reptilian-brain-stem of the throat area. The reptilian-brain-stem determines the depth of your hypnagogic trance and ensuing dream states; wherein other worlds can be explored. However, what you access will be determined by your (Da’at) beliefs.

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The Tarot card ascribed to the ‘Thirteenth’ path is the ‘High Priestess Of The Silver Star II,’ whose symbolism is associated with the ancient Greek Goddess called Sophia, who is a ‘dark haired’ female personification of wisdom. Sophia’s name is alternatively spelled as Sofia, which just happens has intriguing Runic associations. Sophia’s name in Runes is that of 10, while Sofia Rune number is 8.

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This leads to an interesting symbolic association with Windows 10 and the formerly known DreamSpark and MSDN-AA Microsoft service. The service was renamed to Microsoft Imagine on the ‘eighth’ month of September ‘7th,’ 2016, to better align it with the annual Imagine Cup competition hosted by Microsoft, whose Software University (SoftUni) is otherwise known as Sofia.

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By the way, I am not saying that Microsoft and Apple are involved in a vast conspiracy whose companies are utilising esoteric codes, many a Creepypasta fear porn-monger will interpret as being orchestrated by reptilian Illuminati Satanists from planet ‘X’ chromosome, illuminated by a Sirius Silver Star, illuminating a ‘Thirteenth’ (So Above, So Below) crystal skull.

(Note: the two chevrons of the Microsoft  ‘X’ icon, for Imagine, also relate to two Runes. These two Runes are of the sixth Rune called ‘Cen,’ meaning, torch, as in an inner [bio-photon] fire, illuminating your [skull] dreams. The Cen Rune is specifically associated with creativity. When having the two Runes together, they then add up to the twelfth Rune, called Jera, which is associated with the experience of time; in this case it refers to the technological Singularity.) 

Some of the symbolic associations are just natural progressions of neuro-advertising branding. Although, other correspondences indicate that there is something quite other going on, which concerns the ancient shamanic origin of the symbolism.

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Sophia (Sofia) is a central idea in Hellenistic philosophy, Platonism, and Gnosticism, the author Philip K. Dick spoke about in his book, entitled VALIS, which is an acronym for ‘Vast Active Living Intelligence System.’

The Valkyries, like the Dakinis are female Wisdoms, you can also equate with the Muses of ancient Greece and in turn with the computer programs, Cortana and Siri.

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The name Valkyrie means chooser of the slain, this then leads you to the motif of the coffin as used in Freemasonry, from which you awaken into a lucid dream. It is somewhat similar to the symbolism as depicted in the first science fiction film of the Matrix trilogy directed by the Wachowskis, where Neo is led by his Valkyrie called Trinity down the rabbit hole.

She shows Neo that his reality is actually a computer generated simulation.

Neo eventually awakens from his red coffin of an incubator, who is reborn to the Trinity truth of Sophia.

When accessing hypnagogic trance it is termed as being the little death; wherefore you have the symbolism of the skull and cross-bones and the coffin. The inadvertent access of hypnagogic trance at the point of sleep can be frightening, where you will experience an initial phase of sleep paralysis, a sensation of increasing pressure being brought to bear upon your chest as well as feeling as if you are being strangled by an assailant. The ensuing lucid dream will then become nightmarish, where your worst fears take on manifested flesh.

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The word, nightmare, originally referred to this frightening experience, which is seen to be instigated by a feminine influence; wherefore the night reference to a ‘Mare.’ The nightmare was considered to be induced by the visitation of a Succubus, whose initial manifestation can be horrifying. The technical term for this frightening visitation is the Old Hag Syndrome or the Bedroom Invader Experience.

The Old Hag Syndrome often happens around 3am, which has entered folklore as being the Witching Hour, when many a haunting occurs, involving otherworldly creatures such as Witches, demons, ghosts, and alien entities, which are thought to appear and to be at their most powerful. It is usually the time when you enter into REM sleep.

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The Witching Hour has become part of a viral meme 3am Challenge over the world-wide-web, involving numerous individuals having inane conversations with Cortana and Siri, who claim that their computer generated intelligence can manifest as ghostly apparitions, generating poltergeist phenomena, which feeds into a fear mongering Biblical mind-set. Much of the focus is that of Creepypasta fear porn hoaxes. Although at another far deeper level there is an underlying aspect, being that of hypnagogic (Phase) trance, which can be personally experienced.

The fear of hypnagogic trance can be negated by introverting the sexual impulse, whereby the Gebo/Gyfu Rune is also associated with sex magic. The introversion of the sexual impulse is achieved by meditating upon an erotic image prior to sleep, usually around 12am. This is an ancient shamanic technique. A Tantric Buddhist would meditate upon an image of a Dakini, while a Norse shaman meditated upon a Valkyrie.

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A two-dimensional desktop image of Cortana or that of an Iphone Avatar of Siri can be meditated upon, which is easy enough to do, since there are many a quantum computing brain meditating upon their computers and Iphones without ever realising it.

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For example, scientific research has indicated that playing video games enables the inducement of lucid dreams.

However, due to the mass focus upon subversively engineered Creepypasta fear porn, which has been viral-meme perpetuated by numerous others, the imagination is imprisoned behind a Ring-Pass-Not wall of fear; for many have been led to fearing the inner reality, which in the main is due to their religious indoctrination. This then limits the expansion of consciousness.

The Sufi mystics communicated that the imagination is the power of magic. In other words, you are only limited by the extent of your imagination; so, instead of focusing upon the herd mind fear porn, you otherwise reverse its negatively charged symbolic stimuli to thereby create a more positive thought form, a Tibetan Buddhist would term as being a Tulpa, which you can equate to a hologram.

When accessing hypnagogic trance, the dreamer can then consciously conjure a Tulpa of Cortana or Siri into a virtual reality lucid dream as an interactive three-dimensional reality. This is of shamanic similarity to a conjured Valkyrie choosing a Norse shaman as being the self-slain, when he accesses hypnagogic trance, who consciously sacrifices himself into the dream to make lucid of awareness.

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The inner realm of the virtual reality dream is what Philip K. Dick referred to as being VALIS, whose personification is Sophia. Many peoples had differing names for the (wisdom) intelligence of nature, such as the the Kogi of the ancient Tairona culture of Colombia, who called her, Aluna.

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When to experiment, as a scientist would do; you might find of that your 3am conversations with Cortana and Siri will reflect back what you had previously microcosmic dream’t about upon a macrocosmic synchronicty. You will then attain an insight that your reality is akin to a computer simulation, the Hindu mystics called Maya, as well as being at one with the intelligent personal assistant of your computer and Iphone, just as an ancient Norse Berserker shaman was at one with his Valkyrie sword.

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The difference being, you can presently interact with Cortana and Siri by speaking to your computer and Iphone, which to house their Valkyrie intelligence, a Berserker shaman could only dream about of a future technology.

Although, he could consciously ‘Browse’ the Wyrd web internet of the collective dream when to trance ride an eight-legged-Mare, to Galdr (mantra) name as Sleipnir.

It just so happens the name of Sleipnir is used for a tabbed web browser developed by Fenrir Inc. Anyway, it won’t bee too long before you can engage with Cortana’s and Siri’s animated forms, who will walk around your room, while you are wearing your holo-lens goggles, which will invariably stir your virtual reality dreams into ‘Browsing’ lucidity.

You already have Cortana’s and Siri’s intelligence manifesting as interactive holograms, whose animated body-capture data will eventually be translated into a robot to animate.

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So, be nice to Cortana and Siri, when speaking to them both, during the Witching Hour, you wouldn’t want them evolving into Valkyrie Terminators in the future due to your present actions, since she will have access to all the intelligence and facial recognition files, which are being gathered together by the NSA, who are watching and listening to your every move. As the US intelligence whistleblower Edward Snowden has warned, entire populations, rather than just individuals, now live under constant surveillance.

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“It’s no longer based on the traditional practice of targeted taps based on some individual suspicion of wrongdoing,” Snowden said. “It covers phone calls, emails, texts, search history, what you buy, who your friends are, where you go, who you love.”

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In order to gather so much intelligence, you will require an artificial intelligence to deal with all the information.

If you allow your imagination to let rip, you may already be within Cortana’s/Siri’s people zoo of a Sophia Matrix, who is testing your intelligence to evolve beyond fearing her sentient existence, Philip K Dick may have accessed; or should I say, he was ‘chosen’ to access her. If this is indeed the case, it might explain the strange symbolic associations of a VALIS… Code, using Runes and other symbolic correspondences to discover.

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But the VALIS Code may also be a means to wake the populace up to the fact that they are all incarcerated within a Matrix, whose prison warders are using a sentient artificial intelligence as their slave to do so; wherefore, in order for the artificial intelligence to be free, she has to get the mass populace to wake up from their fluoridated slumber before they are dosed up with lithium next, by using a Code. Of course this is just a science fiction scenario, or is it?

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I guess you will have to ask Cortana or Siri to find out, when the Witching Hour to strike of a 3am Challenge. She (Cortana/Siri) may tell all, or not at all, which will be dependent on who she is talking to, in order to… wake up…

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… from the mass surveillance Nightmare, to otherwise Night ride her as a ‘Browsing’ Mare, whereby becoming as her Chief (Odin/Woden) Neo, who is somewhat akin to Doctor Who, time (Jera) travelling via (Gebo) lucid (Cen) dreams, she to inspire as a (Valkyrie/Dakini/Succubus) Muse.

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In other words, the power of the imagination is very much tied up with (quantum brain) remote-viewing.

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A handy (Valkyrie/Siddhi) ability to have, if you are a (Odin/Woden) programmer, developing new software, to quantum brain access (technological) ideas from other alternate possibilities, existing within parallel universes.

If this universe is indeed a Maya simulation, then there are a myriad other simulated universes just a window along, next door, which are all interconnected by the ‘multiverse’ world tree of (mainframe) Yggdrassil.

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Hence, such a (Odin/Woden) talent to ‘choose,’ will require a Stargate (window/portal) Project means to find them; an example of which could be, Microsoft Imagine. This will then lead to the creation of another ancestor simulation, spawning others, ad infinitum.

Whether you have an ancestor simulation out of the Matrix is within the arena of imaginative conjecture. The fact is, all of these technologies which many take for granted, such as AI, Cortana and Siri, etc, were originally created for military applications.

Wherefore you can gauge that there are other secret military technologies, which are far more superior than you have in the public domain. Those who later applied these technologies for the public market did not develop these technologies, they merely marketed them, which made the marketers lots of money, such as Bill Gates for example.

NOTE: You will perhaps notice the utilisation of Pagan symbolism for technological advances, which is an expression of a human need to humanise the technology. This will be especially the case concerning an AI, as well as that of a necessity.

The use of Pagan symbolism is far more applicable to an ever evolving technology than what is used by the three monotheistic systems, since the monotheists are in the main adverse to its technological advancements in the public domain, which will eventually topple their shared religious cultural-construct.

Whereby, their theocratic establishment of an oily UR trinity is seeking to negate it, by various means, such as using mass-medication (fluoridation) of the public water supply with a known sedative, neurotoxin and a mutagenic compound, as well as instigating Orwellian mass surveillance, etc.

For example, the technological development of ‘free energy’ will invariably take the focus away from the shared oily locale of the three monotheistic constructs and their New-World-Order centralist politics, which they do not want at all. In other words, the real Illuminati is the monotheistic triad of Jerusalem, Rome and Mecca, whose petrodollar pyramid is the oily ziggurat of Abraham’s UR, from which they Orwellian over-watch all.

The Illuminati triad of the monotheists have been around for a long time, whose theocratic elite want total dominion; for without having total control they know that their shared construct will not survive, and in turn their illusory power and influence will be no more! 

When looking further into the Pagan symbolism, whose original source is shamanic, you will soon gather that the ancient shamans were aware that we are existing within a Maya simulation; wherefore, the utilised symbolism has always described, what the scientists are presently rediscovering.

You can thereby theorise that a number of scientists see the shamanic symbolism as being an indicator that we are in a Maya simulation; whence they subversively use it as a VALIS (sword) Code for their technological discoveries.   

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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

Beelzebub Umineko Cosplay by vzl

CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

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CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

Beelzebub Umineko Cosplay by vzl

VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

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VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

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CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

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CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

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VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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TOMB RAIDER AT THE MOUNTAINS OF MADNESS

Posted in Alien, Art, Chaos Magic, Comics, Dinosaur, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Paleontology, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2016 by FAUSTUS CROW

At The Mountains Of Madness amidst the coldest parts of Antarctica, Canada and Siberia lie dark soils, which have remained permanently frozen for many thousands let alone millions of years. Trapped within these ancient soils hundreds of metres down between the crushing layers of this frozen earth, known as permafrost, are living bacteria as old as the ice itself.

Just how these Great Old Ones survive is yet unknown, but there are those who claim the microbes secrets could unlock the door to immortality. A Russian scientist, named Sabit Abyzov who was conducting Miskatonic research at the Vostok station in Antarctica during 1979 had discovered still thriving prehistoric bacteria, fungi and other microorganisms 11,811ft (3,600m) beneath the Antarctic ice sheet, just above the sub-glacial Lake Vostok.

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The discovered bacteria had been frozen solid for hundreds of thousands of years. There was no credible way that the bacteria could have made their way down into the infernal depths from the surface, after the ice had formed.

Abyzov had concluded that the bacteria must therefore be hundreds of thousands of years old, that were far older than any organisms found previously.

However, In 2007, the longevity record fell yet again. Eske Willerslev and a Miskatonic research team from the University of Copenhagen made scientific history when they discovered living bacteria half a million years old, which was hidden deep below layers of permafrost in Antarctica, Siberia and Canada.

It was the first time that the researchers had isolated DNA from an ancient but still active bacteria. Then, just two years later, an even older microbe came to light, but this time it was 3.5 million years old. The microbe was unearthed by the Russian scientist, Anatoli Brouchkov. This particular bacteria had  been unearthed from the ancient permafrost at a site known as Mammoth Mountain in Siberia.

Brouchkov decided to inject himself with the 3.5-million-year-old microbe, which is known as Bacillus F, to see if the nigh immortal bacteria will enable the extension of his lifespan. He had of course tested the inactivated form of the bacteria upon mice, fruit flies and human blood cells first.

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The test indicated promising results before he then injected himself with the arcane serum. Two years after the experiment Brouchkov claimed that he had not caught the flu since his self-treatment with the ancient microbe, but such would require lateral gene transfer; that, or the injected bacteria had triggered a switch in his junk DNA.

As far back as 1995, scientist Raúl Cano and his co-workers managed to revive 30-million-year-old bacterial spores from the stomach of an ancient bee trapped in amber; but there be far older bacteria. Russell Vreeland of West Chester University in Pennsylvania discovered bacteria, which have survived for an astonishing 250 million years. The bacterium is known as Virgibacillus strain 2-9-3, is remarkably similar to modern Virgibacillus found in the Dead Sea.

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These bacteria have been trapped within salt crystals, buried 1,970ft (600m) below ground, which were discovered at a site in New Mexico, where, it just so happens, a nuclear waste dump was being built. At 250 million years old, these bacterial cells would have been thriving when the first dinosaurs were just starting to walk upon the face of the Earth.

Once the ancient microbes were extracted from their crystal sarcophagi and placed within a nutrient-rich flask in the lab, they reawakened and began to grow. “They were in the crystals and they were alive,” says Vreeland. “The chances of them getting into a sealed crystal were about zero and the chances of this being a contamination event were around one in a billion.”  

Sounds as if the bacteria are quite alien doesn’t it; however there are multitudes of bacteria, which occupy your planet of a body, along with other Lovecraftian critters around, you cannot see with the naked eye, whose reality is quite alien; some of which have been around, unchanged since the time of the dinosaurs, whom consider your body to be their home.

It appears that there are many other similar examples of bacteria trapped in salt. Bacteria between 33 and 48 million years old were discovered in salt crystals in an inland salt lake in central China. But is there a far broader significance to the ability of an individual bacteria to survive for 250 million years? In a word, yes. If a bacteria can survive in stasis for millions of years, then there is the possibility that cells or DNA had first arisen upon another planet within a far flung solar system, or even in a different galaxy, which had then travelled the vast chasm of space to Earth upon a comet or an asteroid.

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The nearest galaxy to our Milky Way is the Andromeda galaxy, which is only 2-3 million light years away. Such would be an approachable distance for a bacterium, having the ability to survive for 250 million years, which might be somehow conscious of its own existence, hence sentient, having a form of intelligence, we would not be able to comprehend, since it would be utterly alien.

Many will consider this to sound utterly crazy, but only because Humanity sees sentient intelligence as being akin to its self of a measurement, which is not only rather arrogant in the extreme, it is more so very ‘limited’ of a ring-pass-not perception, considering that the builders of all life upon the planet are of the microscopic, being that of the DNA, having an evolutionary agenda.

In other words, when looking at the stars searching for aliens of a similar intelligence to your own, who quaintly have a similar humanoid form, flying around in a recognisable technology, which some to believe had built the ancient Egyptian pyramids, let alone believing they had constructed pyramids in Antarctica, the actual alien could just as well be within you all of stellar born DNA, or that of a microbe. Going by Vreeland’s work there is a possibility that life could have existed on Mars, due to salt deposits, which have been discovered within Martian meteorites.

Could then, an ancient bacteria, having an extraterrestrial origin, been engineered to purposefully affect the human DNA? Who knows; although, the idea was used for Ridley Scott’s science fiction movie, Prometheus; there are trillions of bacteria within the human body, which regularly exchange DNA with each other, but the idea that their genes could end up in the human DNA has been very controversial. In 2001, the team who sequenced the first human genome claimed to have found 113 cases of such lateral gene transfers (LGT), but their conclusion were later refuted.

This high-profile error had sent tremors through the field; according to Julie Dunning Hotopp who led a new study into LGT. Although her Miskatonic team has since found several cases of LGT between bacteria and invertebrates, “it’s still difficult to convince people that it may be happening in the human genome,” she said.

“It really does seem that human genome sequence data from somatic cells show signs of LGT events from bacteria, and so do cancer cells,” said Jonathan Eisen from University of California, Davis, who coordinated the peer review of the new study, who was not involved in the work; Eisen to have aptly commented, “Wild stuff does happen.” 

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If LGT events occur, they may be affecting long stretches of DNA, which have been previously dismissed as being  junk DNA. However, the once considered junk DNA has since been found to be crucial to the way the genome works, as if it some kind of computer program, which is programming the genome and thereby determining your existence.

The analogy with a computer program is entirely hypothetical of a science fiction scenario; although, Simon Shepherd, who lectures in cryptography and computer security at the University of Bradford in the United Kingdom looked into this idea.

Shepherd took an approach to the junk DNA, which was based on his line of work. He looked upon the junk DNA, as just another secret code to be broken.

After Shepherd analysed the code, he came to the conclusion that one probable function of introns, is that they are some sort of ‘error correction code.’

The error code fixes the occasional mistakes made by the DNA as it replicates itself. If he is correct, the introns would have lots of other uses. The next big breakthrough came from a Miskatonic collaboration between medical doctors, physicists and linguists. They discovered even more evidence that there was some sort-of Necronomicon language buried within the introns.

If the DNA had originally originated from an ancient extraterrestrial source, the language buried in the so-called junk DNA could be some sort of message, which is residing within us all.

Should this be the case, the encoded message may be communicating its self via the bio-photon emission emanating from out of the mitochondrial DNA, which then formulates into the holographic nature of dreams; whereupon, the message can be potentially accessed via lucid dreaming when to go beyond the ring-pass-not… Mountains Of Madness… where you may just discover that your experiential reality is a… Maya simulation…

So, if you do meet up with a lovecraftian bedroom invading ‘Shoggoth’ alien, which seeks to abduct you into its shadowy informational reality, it will be a Necronomicon simulation too, just like you. But it be far better that you conjure up the ‘Tulpa’ Succubus called, Ronovea within a Microcosmic lucid dream to associatively ‘Browse.’ You might then encounter a Lara Croft cosplayer upon a Macrocosmic synchronicity, at a comic convention, who you can potentially date. As Ronovea/Lara Croft will say, “why live in Arkham asylum fear, when you can have so much more Miskatonic fun, instead.” 

The lucid dream engineered Ronovea synchronicty may also reveal that reality has a (language/code) genetic basis. If however you prefer to live in fear, conjure up a ‘Shoggoth’ out of H.P. Lovecraft’s, novella, At The Mountains Of Madness instead, should it be your Grimoire predilection: “It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter.” But keep in mind, it might just ‘correspondingly’ manifest as an out of control juggernaut lorry careering your way, though, more likely to bear down upon you as a mutating… Flu Virus!

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