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AL AZIF NECRONOMICON PART V: THE WITCHER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 5, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Long before Christianity made its empire-building way into central and Eastern Europe, many of the ancient Pagan peoples practiced what can be construed as shamanism in what are now called Poland, Czechoslovakia, Hungary, Romania and Transylvania, etc.

For example, archaeologists have discovered traces of mysterious rituals performed by (Witcher) Shamans about 9,000 years ago in Poland.

The archaeological site is located near today’s lake Swidwie (West Pomeranian) in North-Western Poland, which has been studied since 2012.

One of the most interesting discoveries is an area of a circle, where scientists discovered mysterious structures.

The main feature of the site turned out to be a trapezoidal building having poles, surrounded by an arch of stones placed at equal distances from each other, which has lain buried down the ages, while numerous wars have been fought above its bones.

There are also ritualistic sharpened yew sticks driven into the surface in the shape of a horizontal figure similar to the Big Dipper, a fragment of the constellation of Ursa Major.

However, many researchers have noted that the shamanic worldview of the pre-Christian European peoples have survived in their colourful myths.

It is upon these ancient myths The Witcher (Polish: Wiedzmin), fantasy series of novels and short stories have derived much of their inspiration, that were written by Polish author Andrzej Sapkowski.

The Witcher books led to the development of a 2007 action role-playing game developed by CD Projekt Red, called The Witcher. The Witcher game was duly followed by The Witcher 2: Assassins of Kings in 2011, and The Witcher 3: Wild Hunt in 2015.

As in the books, upon which the video games are based, the story take place in an alternate medieval fantasy world.

The story follows Geralt of Rivia, one of a few traveling monster hunters who have shamanic powers, known as Witchers.

The Witchers are masters of the martial arts, who can be seen as warrior Shamans. The Witchers also have control over the elements, who use five elemental hand-signs to do so, which are similar to Mudras used in the meditation practice of Yoga.

In Yoga practice a Mudra means ‘sign,’ seal, gesture, or mark. Yoga Mudras are symbolic meditation gestures often practiced with the hands and fingers.

They facilitate the flow of energy within the dream (subtle) body, when utilised when (sexagram/sixth-sense) lucid dreaming.

The ‘meditation tool of a Witcher video game’ has a system of moral choices, which are part of its adult story-line.

It has been noted for its time-delayed consequences and lack of black-and-white morality.

There are also numerous references to the works of the author H.P. Lovecraft in the highly successful Witcher video games.

For example, one of the enemies Geralt fights against in the first game is Dagon, as described by Lovecraft. In the Wild Hunt, Geralt can also get hold of the Necronomicon.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART III

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 26, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 3, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

Part three of the Al Azif Necronomicon covers an alternate version of H.P. Lovecraft’s short story, ‘Pickman’s Model.’

The story revolves around a Bostonian Artist named Richard Upton Pickman, which was written in September 1926.

‘Pickman’s Model’ was first published in the October 1927 issue of Weird Tales.

The story was later adapted for television in a 1971 episode of the Night Gallery anthology series.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

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ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART II

Posted in Alien, Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Science Fiction, Sex Magic, Shamanism, Succubus, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 28, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, part 2, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ABDUL ALHAZRED’S AL AZIF NECRONOMICON PART I

Posted in Alien, archaeology, Art, Chaos Magic, Comics, Demonology, Discordianism, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 1, 2019 by FAUSTUS CROW

If you are interested in the Al Azif Necronomicon, which is being serialised as a fully illustrated underground comic book, it can be found on my Patreon page, Please Click Here.

The first part of the Al Azif Necronomicon is based upon H.P. Lovecraft’s own description and history about Abdul Alhazred’s book, which I have taken into the Twilight Zone.

As for Lovecraft’s character, Randolph Carter, I have based him upon the ‘Altered States’ of consciousness researchers, Dr John C. Lilly and Terrence McKenna.

Lovecraft’s surrealist creation of the Al Azif Necronomicon transmuted the dualism of a religious fixation upon a war in Heaven and Hell into the realms of science fiction.

Ancient alien entities are in perpetual conflict with one another, whose shadowy existence has engendered bored humans to engage themselves in exotic cargo-cult religions.

Interestingly, you find the same transmutation of religious symbolism into the domains of science fiction when looking into the UFO mystique, where Angels and Demons have been transformed into Aliens, whether they be hovering around amidst the cosmos, or hiding away in underground bases.

Lovecraft described Al Ahazred’s book to be a very dangerous tome, because it revealed the archetypal theme of a cosmic war fought by deities as being, in actuality, a conflict between monstrously ancient alien races, who far predate humanity and even predating the formation of the solar system.

However, Lovecraft’s subject matter would not be too Earth shattering of a revelation to a cultist whom worships deities, who is then told that his/her deities are actually aliens, whose technology is indivisible from magic. The cultist would just shrug his/her shoulders and make the symbolic transition quite easily.

In other words, Lovecraft’s Al Azif Necronomicon wouldn’t be considered as being dangerous at all, nor would it be banned, since it validates the established religious orientation from a scientific perspective.

There are numerous historical examples of grimoires, which are in archetypal accord with the religious paradigm, even when they veer into what can be considered as being the arena of proto-science fiction, such as, for example, Dr John Dee’s Enochian system.

I am more concerned about what has actually been banned, and totally castigated out of the symbolic equation.

Also, I am not saying another order of alien intelligence does not exist, far from it, since what has been cut out of the equation is a particular expression of the ‘symbolic interface,’ which facilitates communication with other forms of intelligence via the informational realms of electron dreams.

Hence, a certain form of the ‘symbolic interface’ is considered as being dangerous. Wherefore, it has been banned!

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

CHAOS MAGIC COMIC: TO THE SORCERER CROW A TULPA DAUGHTER

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2019 by FAUSTUS CROW

The above is part of an Chaos Magic comic, which is a pop-surrealist ‘experimental prelude’ to the traditionally hand-drawn comic Artwork.

The full experimental comic, which is Free, can be seen on Patreon. Please CLICK HERE.

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BLACK RAVEN TAROT OF THE SUCCUBUS

Posted in Art, Chaos Magic, Comics, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 12, 2019 by FAUSTUS CROW

The Black Raven Tarot of the Succubus is available to buy, which can also be played as a game of similarity to Poker. Enlargements can be seen when Clicking on the Artwork.

Should you be interested in buying the Black Raven Tarot, the Drivethrucards website REQUIRES you to JOIN/LOG-IN.

This is because the Black Raven Tarot cards and the associated book is for an ADULT audience.

The The Black Raven Tarot can be bought via PAYPAL, etc. For further details, Please Click Here.

The Tarot deck has an associated underground Art Book-Comic Grimoire, which is 77 pages in length.

The Black Raven Tarot card size is a little larger than normal playing cards.

(Inches: 2.75″ x 4.75″ Centimetres: 6.985 cm x 12.065 cm Milimeteres: 69.85 mm x 120.65 mm) 

The book can be bought separately, downloaded as a PDF. which explains The background of the Black Raven Tarot, its use for divination as well as how to play the Lilith’s Harem Sorcery Poker game with the illustrated cards.

The Black Raven Tarot deck has 80 cards, printed on premium stock, having a semi-gloss finish; 2 of which are cover cards.

The 2 cover cards briefly describe the meanings of the associated Runes and the general rules of the Lilith’s Harem Sorcery game on the their backs.

All 72 of the Goetia Girls are illustrated, with their accompanying hierarchical offices, decan positions and Zodiac signs, along with associated key-words for divination purposes.

As mentioned, the 72 Goetia Girls are also associated with the 24 Runes of the Elder Futhark. There are 3 (Succubae) Succubi per Rune.

The association with the Runes is further explained in the accompanying Black Raven grimoire.

There are also 4 cards, which are associated with the 4 elements, Water, Air, Earth and Fire.

There is a 5th card, representing the 5th element being the alchemical Quintessence, the alchemists also termed as the Anima-Mundi, which means, Soul of the World, or World-Soul.

The 5th element card is otherwise called the Fallen Anima, Mephistophina, which is akin to the classical Tarot card of the World/Universe/Multiverse XXI.

The 6th card is similar to the Tarot card of the Fool, which is entitled the Triangle Of Art, whose symbolism points at the ‘conjuring’ power of the imagination.

The Tarot cards come in their own specially designed tuck-box. Each of the cards has the above, to the right, Artwork on their back.

BLACK RAVEN TAROT DIVINATION TECHNIQUES. PLEASE CLICK HERE.

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TIME THAT DEVOURS ALL THINGS, CANNIBAL WITCH GIRL FURCAS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2018 by FAUSTUS CROW

The above Artwork depicts a character named Dolcetta, who is featured in a comic, entitled, The Sacrifice Of Gigi, which can be found on the ‘Erotic Mad Science website.’ Should you want to see the finished Artwork in full on the Erotic Mad Science Website, Please Click Here.

Dolcetta’s name is derived from Dolcett, which has become a term for an extremely dark fetish involving cannibalism. However, in many an ancient myth, the motif of cannibalism symbolically represents the process of time, such as the Hindu/Tantric Goddess of time, named, Kali, who has cannibalistic tendencies. (The symbolic usage of cannibalism is not literal.)

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Or the ancient Greek myth about the God of time called Chronos who eats his own children, etc, let alone that of consuming the body of Christ. (A preparatory quick A5 sketch for the finished A4 Artwork of Dolcetta/Furcas can be found below.)

As the Roman poet Ovid would say, “Tempus Edax Rrerum,” which means, “Time that devours all things;” you also have, “Tempus Omnia quæ devoratrix.”

My symbolic alchemy depiction of Dolcetta refers to the Succubus archetype of the Fallen Anima, named, Furcas who is the only spirit whom is associated with the planetary sphere of Saturn in the classical Goetia.

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The Roman God named Saturn was originally based upon the ancient Greek God Chronos. (Another preparatory quick A5 sketch version for the A4 Artwork of Dolcetta/Furcas can be found below.)

 

It is said that the conjuration of Furcas inspires Philosophy, Astronomy (Astrology [Zodiac ages] to some authors), Rhetoric, Logic, Chiromancy and Pyromancy. (The etymology of the name Furcas may have been derived from the Latin word furca, meaning fork, or from Greco-Roman also meaning a sepulchre.)

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The classical Goetia image of Furcas, depicts an Old Father Time archetype of the deified Animus holding a fork (trident) or a sharp (scythe) knife/sword, who manifests riding a horse, which may have originally been an Eight-Legged-Mare.

My depiction of Dolcetta/Furcas has her pulling the ‘pony’-tail of another female character in the comic, named, Gigi who is willingly sacrificing her (Zodiac age) life, while Dolcetta/Furcas holds her sacrificial blade.

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Some would interpret the name of Gigi as being of similarity to an old English nickname, for a racehorse, as in Gee-Gee, as well as referring to the letter ‘G’ of a ‘Crossbones’ Gebo Rune and the Hebrew letter, Gimel.

You also have the 1944 French novel, entitled Gigi by the French writer Colette. The novel focuses on Gigi, who is a young Parisian girl being groomed for a career as a juicy sopping wet courtesan.

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She eventually enters into a Tantric relationship with a wealthy cultured man, named, Gaston who falls in love with Gigi and eventually marries her.

Colette’s novel could otherwise be surrealistically reinterpreted of symbolic alchemy, where you have a young Parisian girl being groomed as a sacrificial dish, along with other courtesan cannibal dishes within Dolcetta’s sepulchre of a Kalachakra Zodiac kitchen for the likes of Gastronomic, Gaston.

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The character of Gaston can be seen as a Freemason, who desires  to consume Gee-Gee, when he realises, she is his (G) Anima whom weaves his experience of TARDIS time.

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But it is Dolcetta/Furcas, who as Kali reveals to ‘Old Man’ Gaston that he can consume a Zodiac age of a time just like Chronos, rather than being eaten by it; for the process of time is indivisible to consciousness, they are one and the same. Time is a matter of perception within your experiential Maya reality of a Matrix TV show.

As mentioned, The Dolcetta comic and other comics can be found on the Erotic Mad Science Website.

NOTE: Whenever a heterosexual female is asked to imagine her ideal male partner, she is conjuring up an archetypal aspect of her Animus within her imagination.

Her ideal partner might look like a famous actor she adores or a pop-star, etc, to thence dream about.

Whenever a heterosexual male is asked to imagine his perfect idea of a female partner, he is conjuring up an aspect of his Anima, within his imagination.

His ideal partner might look like a famous actress he fancies, or a pop-star, etc, to then third-eye dream of. The Animus and Anima are not mere Jungian concepts, they are psychological realities, which are entwined with your biological imperative to procreate.

All life is driven towards replicating in order for a species to survive and evolve. Carl Jung’s description of the Animus and Anima tends to be very convoluted of esoteric terminology, which might have been his way of hiding what he had discovered, due to its far reaching ramifications.

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