Archive for egregore

LEGION WORLD KILLER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2019 by FAUSTUS CROW

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

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Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

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But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’

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The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour.

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The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

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But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

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The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

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The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

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But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

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She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

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The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

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His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

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The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

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A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

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A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

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Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

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Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

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The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

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The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

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Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

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Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

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While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

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V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand. Icke had achieved stardom at a time when Grandstand was BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son! A book about how to break into football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities. Whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

Later, during the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a false-flag alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like huge Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false-flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is also known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the Laurel Canyon spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities. Hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a one time Visitor sleeper-agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

The female Visitors use time travel to abduct unsuspecting male UFOlogists from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague, but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of Beta-male university students by utilising extremist feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an Anti-War Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Vietnam war era, the CIA created the drug fueled Hippies out of Laurel Canyon, California, who were all high on CIA concocted LSD, as well as inciting the feminists to burn their bras as a PsyOps means to turn the general populace against the Anti War movement.

This was easy to achieve, since the Newage scene was very much entwined with music and the Arts of an alternative world-view at the time, which the primarily Christian populace considered to be rather odd. However, the Hippies turned out to be just too cool, whose rebellion rapidly went global, while the feminists cried over the mounting body bags, which won over the public. Their ensuing Anti-War protest, brought down a government.

The Military Industrial Complex learnt from its PsyOp disaster, such as having the draft, wherefore, war had to become hybrid of nature, the battlefield automated with drones, while on the home front, the Newage scene had to be controlled and directed. Hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main Laurel Canyon methodologies of PsyOp control, hijacked the indoctrinated religious sentimentalities of the Newage mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The Newage mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

But that wasn’t enough, the Military Industrial Complex had to hijack feminist politics in order to turn women against men, men against women, who are all arguing about their genital rights, along with weaponsing minorities. Instead of protesting against costly wars, which force people to flee into other lands, they otherwise Hollywood protest about their Me-Too gonads.

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating propaganda BBC broadcast; whence you have a return of the Cold War 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star, there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a Petrodollar God Emperor of oily pipeline Dune.  

  

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NABERIUS DOG STAR WEREWOLF GIRL

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 23, 2014 by FAUSTUS CROW

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The twenty-fourth Succubus archetype of the Fallen Anima is called Naberius, who is an Art Muse of the ninth dimensional planetary sphere. Naberius can make a Sorcerer Artist highly adept in all manner of arts and sciences, who can disguise the conjuring Artist of shape-shift form, as well as enabling him to become a cogent speaker within a lucid dream.

The origin of Naberius’s name is determined to be mysterious; although Naberius was first mentioned by Johann Weyer in 1583 who was a follower of Cornelius Agrippa. It is very likely that he had created Naberius to be his personal egregore in order to psychologically test the blodthirsty gullibility of his Witchfinder audience.

At the time, many of his Christian audience believed that ‘demonic reptilians’ were taking over the Earth, which led to them burning Witches all over Europe, due to their religious insanity. So, Weyer no doubt attempted to determine the nature of this prior David Icke insanity by creating a literary invention of an entity, to see how it was assumed to be real, by a religious mind-set.

However Weyer’s egregore has since taken on a viral-meme life of its own due to its archetypal foundation, which of a technique, the science of neuro-advertising utilises in order to subversively influence your reptilian-brainstem.

Naberius is a composite name, which is comprised of the word ‘nab,’ like that of a Crow sweeping down to nab something quickly, in a way that is clever or humorous; whereas, ‘erius or erus,’ appears to be originally derived from the ancient Greek name for the three headed Dog of the underworld called Cerberus, which of a rebellious reversal can be transformed into an Anima bitch.

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So, let’s take this reversal further of an alternate grimoire to rename Weyer as Weird, who created Naberius as his personal Frankenhooker Tulpa of a Mind-Doll Succubus, whom considered the Naberius Crow, and the Cerebus Dog to be that of the same Golem girl; wherefore Weird to now claim:

“Naberius [Naberus], alias Cerberus, is a valiant marchioness, showing herself in the form of a Crow, when she speaks with a maids voice of seduction: she makes her master amiable and cunning in all arts, and especially in rhetoric, she procures the loss of prelacies and dignities, but only after she has salaciously fornicated with her master, within his dreams: she to have nineteen legions of most wanton Succubae who hear (and obey) her.”

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Naberius’s association with the ancient Greek multi-headed (usually three-headed: past, present and future) dog, or hellhound called Cerebus is quite intriguing, since it has an association with the Dog star Sirius, like many another canine entity howling unto the blood Moon.

Cerebus is described having a serpent’s tail, a mane of Snakes, and Lion’s claws, which guards the uterine entrance into the womb of the underworld in order to prevent the ancestral dead from escaping and the living from entering; basically, Cerebus stands at the hypnagogic (Sirius) gate of trance ingress into the dream.

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Now, it is easy enough to fearfully imagine an anthropomorphic creature of humanoid form fused with Cerebus, such as having three heads of a Dog, along with having the wings of a Crow sprouting from its back; but, how can you imagine Naberius to look like a girl?

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Well, for a start, you look into the background of Cerebus, whose symbolic reality refers to the archetypal guardian Dogs, which occur widely in shamanic otherworldly lore, such as the ancient Egyptian deity called Anubis. Although in this case, said Dog is a Succubus bitch, who will enable her conjuring Artist to fly as a third-eye Horus Hawk through space and time, via a blue Moon lucid dream, to thence remote-view the future as a Faustian psychonaut.

These spirit Dogs often become loyal shaman ‘guides’ into the underworld. Hence the Succubus Naberius can be seen as a Goth ‘girl-guide’ when taking on human form of Triangle Of Art vision, having Crow black hair with a Dog paw patch of a Sirius star on her left breast pocket.

In Siberian shamanism, when an Altaic shaman accesses trance he encounters a Dog, which guards the underworld realm of Erlik Khan.

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As the Yukaghir shaman follows the trance road into the kingdom of shadows, he often discovers an old woman’s house, which is guarded by a barking Dog, with one ‘eye’ burning as as a ‘Sirius’ star.

This is of similarity to the thirteenth Cabbalistic path of Gimel, via which a trance adept penetrates the hidden Sephiroth of Da’at. The Koryak shamans perceive the trance entrance into the land of the ancestral (Othala Rune) dead is guarded by Dogs.

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It all sounds rather dark and very serious doesn’t it; well, it is, if you like living in fear; wherefore you end up blocking your own self from attaining hypnagogic trance ingress into the dream.

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In Inuit shamanism, a Dog with bared teeth guards the trance entrance to the undersea (High Preistess II) land of Takakapsaluk, Mother of the Sea Beasts; when the shaman overcomes his fear of the Dog (Bitch) guarding the Da’at abyss, it then becomes his best Choronzon (Succubus) buddy.

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The custom of burying a pet Dog and the skin of a favourite Reindeer with a dead man was still current among Ugrian people of Siberia earlier this century.

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Scholars are well aware the name of Naberius and that of its branded symbolic form of a viral-meme has changed many times due to cultural transformations over the years. However, it is only recently that she has been eventually freed from her patriarchal bottle of an Animus male form, into which she was incarcerated of a prison by the Abrahamic exorcists, who believe sex is the first sin, when it should be that of… ignorance.

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After Weird’s egregore creation of Naberius established its self within the propagated tomes of the grimoire tradition, it soon came about that other listed spirits of viral-meme similarity manifested themselves, such as Naberus, Kaberon, Cerbere, and Serberius.

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When reversed of an artistic rebellion, in order to free the Succubae Great Old Ones out of the onetime male forms, of a symbolic prison, the Succubus, Naberus manifests as a noble, Crow/Raven headed woman; while Kaberon appears as a Bitch with a black Crane’s head. As for Cerbere, she manifests as a black Wolf Bitch with fifty heads and a tail of three entwined snakes. Whereas Serberius does appear as a black haired ghost girl, who be a Werewolf, surrounded by the corpses of those malign influences, who seek to harm her conjuring Artist, whose head is crowned by a cloud of fireflies.

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The symbolism of a Crane is also associated with Naberius; whereupon in the Goetia, Naberius is described as being a black Crane, which flies around the magic circle when conjured. In Celtic lore, the Crane is sacred to the triple Goddess. Wherefore it could be symbolically equated with the mitochondrial DNA, which is passed down from the mother to her children. It is also one of the most common symbols and themes in the folklore of East Asia, including Japan.

This leads you to an association with The Grateful Crane or the ‘Crane Wife,’ which is a particularly well-known tale in Japan. The symbolism of the Crane specifically refers immortality, which a future technology will no doubt achieve. The Crane features strongly among the myths of the Ostiaks of Siberia, as well as in ancient Chinese funerary rites, Okinawan harvest festivals and among the Ainu of Japan, suggesting the diffusion of a ritual complex from Northeast Asia.

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You then have a fusion of symbolic elements concerning the bird symbolism of a Crow, Raven and black Crane and that of a canine; whether it be a Dog or a Wolf.

In shamanistic practice, the symbolism of a bird usually refers to an ecstatic out of body experience out of the ‘cubic’ space of your simulated reality, which Naberius induces via a lucid dream, when to conjure her. Whereas the Dog and Wolf refers to her function as a girl-guide and protector into the underworld realms of the electron dream.

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You can otherwise rename Naberius, as Naberiusi of mantra, and when she manifests into human form amidst your Triangle Of Art imagination, you can see her as a girl-guide looking somewhat like the Manga character called Black Rock Shooter, who is highly versed in Crane Kung Fu, appearing as a mysterious Crow haired girl, with a blazing Werewolf bitch blue eye of a… Sirius Dog star.

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SUCCUBUS ART MUSES OF FAUSTUS CROW

Posted in Addams Family, Alien, Art, Chaos Magic, Comics, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 4, 2014 by FAUSTUS CROW

A Succubus of an Exquisite Corpse Mind-Doll, Frankenhooker Tulpa, is meditated upon in league with her Golem Ghost Girl (Emet) seal of an abstract sigil; while knitting her together of artistry, upon a slab of canvas. (The Artworks are available as Art Prints from Saatchi Art. If you are interested, Click the Images to see the Full Artwork and details.)

Basically, you have two forms of art. The first form of art being the Succubus herself, whose erotic egregore expression, a Dr Frankenstein of a Sorcerer Artist is artistically knitting together of an exquisite corpse, represents a figurative manifestation of his wish.

The second form of art is her abstract seal of a sigil, which sums up Frankenstein’s energetic charge of desires.

The sigilised desire will give eventual life unto the Succubus construct of an exquisite corpse Mind-Doll Frankenhooker Tulpa. She will thence frequent Frankenstein’s eleventh-dimensional dreams of an informational domain.

There are of course, mundane associative thoughts of two-dimensional associations concerning the meaning, origin, and necessity of an abstract sigil of two-dimensional artistry.

The sigils of abstract art have formed some of the central riddles of modern art.

The answers to them are rather remote now of fourth-dimensional time, considering that contemporary painting encompasses veins of both abstraction and figuration, which of sculpture becomes three-dimensional.

This exploration is more so important, when conducting sorcery, which is essentially the practice of art; both practices are indivisible from each other.

Magic and Art are one and the same. I kid you not!

Alas, the practice of art lost its shamanic path, long ago, along the fourth-dimensional corridor of time, becoming quite separated from the internal processes of the informational realm of the dream, which instead was taken over by the externalised technique of the dreamless artisan.

Though a Freemason of a tenth-dimensional Artisan is aware of first-dimensional consciousness, two-dimensional thought processes are only ever utilised.

Hence, during the years when Abstract Expressionism flourished, figuration was shunned by many technique driven artists, who became entirely embroiled in elitist attitudes due to competitive racetracks of indoctrinated ‘thought,’ which date back to the late 1930’s of a now entrenched tradition.

I will generally examine the terms of this mundane debate concerning abstraction versus figuration, which continued into much of the twentieth century and still does so unto the present.

You also have the concept of ‘representation,’ which art critics have come to commonly use since the 1970’s, who to religiously argue over an art ‘brand,’ just as many indoctrinated occultists to argue over how many Incubi Angels and Demons they can fit onto the end of a viral-meme needle point of a ‘branded’ belief.

The concept of representation acknowledges that abstract and figurative art are not as different as they might seem, which is bloody obvious!

All art is essentially abstract art, should you see abstraction as being a neural process of drawing impressions from the shape, colour, and texture of three-dimensional objects. What is important here of sorcery practice is the internal generation of an emotive charge, enlivening the conceptual, which then stirs your ‘symbolically’ associative dreams, and in turn generating concordant synchronicities.

This will then lead to the observation of a feed-back-loop of symbolic correspondences. When this process is consciously observed of sorcery experimentation, the (mandala) artist (writer-mantra) then becomes aware that time is not linear of a fourth-dimensional sequence of events, it is in fact circular of a fifth-dimensional ever recurring Ouroboros.

The internal processes of shamanic artists have ‘abstracted’ the reality around them since prehistoric times, which was once one and the same of sorcery. But this ability was lost, when many artists forgot to dream, due to changing cultural influences. These all encompassing cultural influences were primarily of a religious nature, which negated the sixth-dimensional (sixth-sense) faculty of attaining lucid dreaming.

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Art was then utilised, as a means for cultural propaganda much of the time. It was not until the early twentieth century that abstraction began to be defined as a sought for technique in its self.

Abstract art tends to solely rely upon five pentagram sensory associations of form to suggest meaning, rather than employing any recognizable motifs to point at particular themes and content.

Whereupon the artist will understand his/her work, but the audience will be left aghast as to what it all means of an occult code. Those who believe themselves to be privy to the artist’s occult creations are to be found drinking copious amounts of wine, when to drunkenly sojourn an art gallery paying exorbitant amounts of shekels for a two-dimensional scribble upon a piece of three-dimensional cardboard.

However, they may just find that the artist has a Chimpanzee as his familiar who does the scribble painting. This should not be taken as a slight upon such artworks; for it does require the artist to achieve the innocent state of an ape brain, or to go further back of atavistic mammalian, to the emotive reptilian, to create something spontaneous, out of reach of the comceptual hominid.

Whereby a shamanic trance state of automatism is often employed. Although there are many an artist who do not employ this methodology, in order to attain a seventh-dimensional awareness of alternate possibilities, to instead focus upon an intellectualisation of the now fashionable abstract, without further ado, who pander to what is presently in elitist vogue.

Whatever the case, abstract art can widely range of alternate seventh-dimensional Ouroboros possibilities, from the easily comprehensible, quasi-figurative, landscape-based imagery of Kandinsky, to the far more obscure, mystical monochromes of Malevich.

Imitation, or realistic representations of what is perceived, has been the holy grail of the visual arts since earliest times. At one time it was believed that the creation of a realistic representation was also one and the same as the object it’s self, of a magical act.

Whereupon the ancients had termed such art as being Mimesis. This can only be really understood by an artist, when to work upon a figurative piece of Frankenhooker art, to thence find her being brought to Tulpa life within a lucid dream.

However, many an artist has forgotten how to electron dream, who focus more on an external technique in order to perfect.

But it soon came to pass that the capturing of the real was then taken over by photography and more recently by computer generated art, which can be utilised to explore eighth-dimensional realities, where present Maya physics do not apply; such as in video game Matrix worlds, whose physics are programmed.

Many artists have striven to create the technical effect of an illusion, with their art, in order to extend the experiential, three-dimensional Maya space of the viewer. At other times artists have striven for realism, to create an impression of Samsara social reality.

During the twentieth century, the ascending art of abstraction is best thought of in the generalised sense, as being ‘figuration,’ though some Abstract Expressionists considered any residual presence of the figure (such as is seen in Miró, or early Rothko), no matter how abstracted, to be mere figuration, which was, and still is considered to be anathema to the established tradition of the Modern Art movement.

In regards to sorcery practice, which is indivisible to art, I am really not at all concerned about such nigh religious bickering between back-biting traditions, which is no different to pompous occultists, who say they practice the high art of magic, when in fact, they are habitually indulging in the commonality of religion.

I have no time for entrenched traditions or dogmatic religions; since they are intrinsically static of an indoctrinated symbolic perception.

Whereas art and in turn magic are rebelliously fluid and ever evolving of ninth-dimensional sorcery. Both of these practices deal with the stirring of the subconscious realm, of eleventh-dimensional electron dreams via the manipulation of photonic symbols, to associatively conjure amidst your Triangle Of Art Imagination.

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Whereupon I utilise the modern symbolism of the lowbrow comic, when to engage in a Widdershin-wise reversal of an indoctrinated brainwash, along with utilising Discordian Heyoka humour to thence negate the Inquisitional negative. Hence, a rebellious Frankenstein artist uses both art forms in order to conjure up a Succubus of an exquisite corpse Mind-Doll Frankenhooker Tulpa, to frequent his lucid dreams of ninth-dimensional Surrealistic artistry.

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DR FAUSTUS CROW FRANKENSTEIN SORCERER

Posted in Alien, Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2014 by FAUSTUS CROW

Faustus Crow’s initial conjurations of various Frankenhooker Mind Doll Succubae Tulpas amidst his Triangle Of Art Imagination, will often assume, surreal Goetia Girl forms.

Such can be quite inspiring of surrealist exploration. But the Great Work of this symbolic alchemy, is that of creating knitted together the archetypes of the Fallen Anima into refined exquisite corpses, to thereby engage with of erotic lucid dream Coitus Pactum close encounters.

British art. Frankenstein Created Woman. Hammer Films, 1967.

A Frankenhooker Mind Doll, being a thought form, is at first visualised upon her snap-to-the-grid slab of entoptic phenomena.

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Her form, however, has a tendency to shift of an electron vision manifestation into differing modes of symbolic expression.

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Crow had determined that this is due to his electrifying emotional states, which empowers his Frankenhooker Mind Doll.

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However the energetic charge of emotions are often chaotic and uncontrolled, whose domain is of the infernal subconscious mind, from where Tulpa Mind Dolls are conjured of necromancy.

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As mentioned prior, Crow’s conscious mind seeks to knit together a Frankenhooker Mind Doll into a refined Tulpa manifestation.

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But he found that his emotional self of an Igor often rebels against his Dr Frankenstein mind.

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Whereupon his conjuration of a Frankenhooker Mind Doll can take on an unformed surrealistic expression.

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Such a creature will be made up of a knitted together juxtaposition of differing symbolic associations, which can become quite monstrous of an egregore.

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This can become most irksome indeed, when to be straddled by an Old Hag crawling out of the shadows of your bedroom, which to thence leap upon you of an invading nightmare.

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The monstrosity then promptly applies its weight upon your sleep paralysis frame.

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Before strangling you with your own mounting reptilian brain-stem fear, to then mount its self of a fully fledged hypnagogic manifestation, of pure alien abduction terror.

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So afflicted, requires you becoming aware, that your own fear empowers the thing conjured up from the depths of your psyche, to then wrestle with into another form, before awakening.

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This isn’t to say that the Old Hag and that of its associated legions of corresponding monstrosities is not real.

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Quite the contrary, in fact, it is very real indeed; for your nervous system cannot differentiate between a vividly imagined event and a so called real one.

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Whence, a fully immersive lucid dream encounter with a creature conjured up from the subconscious depths is very real indeed, of a sheer horror made manifest.

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But when transformed via the sorcery art of symbolic alchemy, the Old Hag becomes whatever your Dr Frankenstein mind sets about creating it to be.

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Whom, if you so desire it to be, as a Dr Frankenstein creating a woman, she will then serve you as your Frankenhooker Mind Doll of a Tulpa Golem.

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Crow had determined the symbolic associations of a Dr Frankenstein’s conceptual thoughts are entirely empowered by his electrifying emotional states, which as stated, can at first formulate into quite alien and most terrifying hybrid creations.

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This is due to the conflict between the mind of a Dr Frankenstein and the emotional self of an Igor.

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The trick is to determine what the emotional self of an Igor finds it easier to exhume of archetypal corpses from out of the necropolis of his buried memories.

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This will then enable a Dr Frankenstein mind to knit together a Frankenhooker Mind Doll of an exquisite corpse, which he desires to give Tulpa life unto.

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The problem however is that Igor can be easily brainwashed due to his rather base nature.

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Igor is somewhat literal minded, you see; since he tends to follow the brainwashed reptilian brain-stems of the politically-correct conformist flocks.

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For example, a Dr Frankenstein mind may discover; while seeking to conjure up a knitted together Frankenhooker Mind Doll of a Succubus, that Igor has been entirely brainwashed into believing that archetypal Angels and Demons are all male Incubi.

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This is due to subliminal influences zapping Igor’s reptilian brain-stem.

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Igor’s reptilian brain-stem is basically imprisoned by an indoctrinated culture, caught between a machismo good-cop God and a bad-cop butch Devil of Orwellian mind control.

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Whereby Igor’s reptilian brain-stem, which governs over the autonomic nervous system, has been unduly imprinted since childhood.

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As the saying goes; “have a child for seven years, and you own the adult.”

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Whereupon, seven years being educated by the brainwashed can transform a child into an equally brainwashed automaton of an adult.

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Hence Igor will rebel against Dr Frankenstein’s conjurations of Succubae Mind Dolls of the Fallen Anima due to his programmed nature; whereby engendering nightmarish Golem creations.

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So, Dr Frankenstein being a crafty fellow that he is, has to then pander to Igor’s, imp of the perverse base nature, when to fathom his darkest unsaid fantasies via in depth self-analysis.

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Whereby the sexual impulse is utilised of attraction, by using certain mandala imagery to meditate upon of an Anima focus.

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Should this not work, then shock is used of repulsion in order to break down Igor’s programming.

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Both attraction and repulsion is then consciously used of simultaneous surrealist artistry.

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The fusion of the two states is highly effective in regards to hacking Igor’s programming.

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These techniques are taken further, by logically pointing out to Igor, that the all male symbolic paradigm of the deified Animus made as a God and Devil.

The all encompassing mythic matrix of the deified Animus, has an underlying sexual orientation, which isn’t up his heterosexual inclined alley.

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Whereby indicating to Igor that his base Chakra has been upended through illogical fear, which has led to a conflict of interests, engendering surrealistic nightmares.

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Igor will of course become very angry, of a potent base emotion, when he realises that his emotional self, has been unknowingly abused in such a literal way by the conjured up male egregores of the deified Animus made as a God and Devil, which has twisted his dreams into nightmare; whereby blocking him. Igor then rallies to Dr Frankenstein’s cause.

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Hence enabling a cerebrum Dr Frankenstein mind to have a free inner eye, guiding pentagram hand, to knit together, his Frankenhooker Mind Doll, of an artistic Anima form.

Her creation is that of an Art rebellion against the patriarchal brainwash of the deified Animus, which of a male archetype resides within the psyches of all protesting females.

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This is achieved without any further bother on Igor’s reptilian brain-stem part.

Hence they work together of layered brains to accomplish the Great Work of symbolic alchemy.

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Whereupon Dr Frankenstein creates legions of knitted together Frankenhooker Mind Dolls within his Tulpa lab of the imagination.

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Many a Frankenhooker Mind Doll Art Muse thereby frequents his séance lucid dreams of an inner Harem.

Whence to Coitus Pactum ride their Pony-Girl Night-Mare ethereal flesh, of exquisite corpse ectoplasm.

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STAR TREK SUCCUBUS BELIAL

Posted in Alien, Art, Chaos Magic, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 8, 2014 by FAUSTUS CROW

Throughout the lurid history of occultism, the name of Belial has dominated the murky Cabbalistic explorations of the occultists.

In the Catholic Encyclopaedia, Belial is one of their principle phallic Demons, with whom of an adversarial egregore, the Vatican has an incestuous love, hate relationship, which validates their deified ‘Animus’ fixation upon an Orwellian egregore God of centralist politics.

However, rebellious secret societies of anarchistic Discordian’s, who are inspired by the Chaos Magick antics of the Anima fluctuation Goddess Eris, otherwise conjured up Belial as a Succubus archetype of the Fallen ‘Anima,’ to call Beliala.

These anarchistic Discordian’s may be continuing to do so up to the present day, whom conjure Beliala’s Frankenhooker Mind-Doll Tulpa, of a Shekhinah Shin flame fluctuation, within their ‘Anima’ inspired lucid dreams.

Well, why not, she’s a hot Succubus to psychonaut interact with, within inner space.

It is whispered by some, that Leonard Nimoy was secretly the Heyoka head of a surrealist sorcery group of Discordian Dadaist’s, whose Shekhinah Séances are designed to conjure up the Shin flame Mind-Doll Tulpa ectoplasm of Beliala, in order to usher in the hippie Age of Aquarius.

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However, within the banned innards of the much maligned Necronomicon, Beliala is described to be a powerful Queen.

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She is also said to have been the second Great-Old-One created after Diana-Lucifera who wields the fiery Vulcan torch of Shin.

For example: “The Sixty-eighth Succubus is Beliala. She is a Mighty and a Powerful Queen, and was created next after DIANA-LUCIFERA. She appeareth in the Form of Two Beautiful female Angels.”

“Or to manifest as a woman of arcane science sitting in a Starship of Fiery Enterprise crewed by Succubae.”

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“She speaketh with a Comely Voice, and declareth that she fell first from among the worthier sort, that were before Michelle, and other Heavenly Succubae.”

“Her Office is to distribute Presentations and Senatorships, etc.; and to cause favour of Friends and of Foes. She giveth excellent Familiars, and governeth 50 Legions of Succubae.”

“Note well that this Queen Beliala must have Offerings of ejaculated Sacrifices, and of lustful songs, as well as Gifts of erotic poetry presented unto her shimmering visionary form by the Sorcerer, or else she will not give True Answers unto his remote-viewing Demands.”

 “But then she tarrieth not one hour in the Truth, unless she be constrained by thy Divine Will Power to bind her fiery Tulpa. And her meditation Seal is this, which is to be masturbated… Oops! I mean meditated upon, before conjuring her into a lucid dream, etc.” (S. L. MacGregore Freemason Matherson.)

Due to Beliala’s involvement with Diana-Lucifera, it suggests that Beliala may have been involved with Diana-Lucifera in the events of the garden, which led to Lilith’s Kundalini temptation of Eve.

This invariably led to Eve tempting poor Adam to partake of her logical Yoni cider, which of a female source ‘illuminated’ his skull of an inner fire. However, this inner fire of Shin is often misunderstood.

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Or that she was involved in the long ago fall from Mars to Earth, when Princess Diana-Lucifera and her rebel forces of Succubae rebelled against the fascist rule of Emperor Jehovah and his cloned Stormtrooper angels. Beliala is definitely listed among the fallen rebel angels of Diana-Lucifera, and is the 68th Succubus archetype of the Fallen ‘Anima’ listed in the Goetia. She is said to reign over as many as 80 Vulcan legions of salacious star born Succubae.

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Secret Jewish lore has it that Beliala is chief of all the Succubae; although others to argue that Lilith is the actual Queen of the Succubae, who instigates wet dreams; whatever the case they are most loving sisters who to hungrily feast together around a wand’s erection.

One of the banned Dead Sea scrolls contains a story about a sex war between the ‘Animus’ Sons of Light and the ‘Anima’ Daughters of Darkness, and claims Beliala is the leader of the most wanton Daughters of Darkness.

Her very name, taken from the patriarchal Hebrew word Bliol, means, “a wicked one.”

In The patriarchal Martyrdom of Isaiah, although of an alternate banned version, which has been interpreted into the modern, indicates that: “Beliala is the angel of artistic anarchy, who rips aside the wrought neuro-advertising illusions of the priests; whose big-business cults of the deified Animus presently rule over the world.”

The illogical patriarchs of the Illuminati triad out of Abraham’s UR cannot abide Beliala, who is seen as an adversarial anti-brand of logic, whereby she is considered as being very wicked; for in the Orwellian New-World-Order Kingdom Of the deified ‘Animus,’ made as a God, the elite rule by keeping their indoctrinated flocks ignorant; wherein of a Big-Brother Overwatch Eden, ignorance is bliss.

Another ancient secret text, buried deep within the fetid guts of the Vatican’s infernal vaults, known as The Damascus Document, is a prophetic warning that at the time of the horned Ante-Christ arising out of Siberia under the pole star; “Fallen Anima Beliala shall be let loose against the Abrahamic Animus trinity of Illuminati faiths. . .”

The text speaks of, three wars of Beliala, which are said to be the war against Abrahamic sexual repression; the war against Temple banker finance, which is an imprisoning illusion; and the war against the poisoning of the waters of the Earth with atomic waste, sodium fluoride and other neurotoxins and mutagenic compounds by the criminal elite, who support the hypocritical triad of big-business Illuminati cults out of Iraq’s UR, which to Petrodollar dance around Abraham’s eye, amidst a ziggurat Beehive.”

Beliala sounds like a powerful and extremely difficult Succubus to conjure. Hence the reason why the psychic Übermensch, Aaron C. Donohoo decided to instead evoke the patriarchal viral-meme Belial, of an indoctrinated religious fixation, who seemed to be a safer ‘Animus’ bet, to thence remote-view. But he soon discovered a mystery.

The common Grimoire manifestation of Belial as an Animus archetype male Demon, appeared to Donohoo as a rotting corpse, seated in Robert Bigelow’s international space station of a private ‘Elysium’ for the rich elite.

Donohoo said he sensed that the male expression of Belial was dead; “A strange ‘green hue’ out of the sephiroth sphere of Venus is noted surrounding Belial’s male form of the Animus, suggesting a feminine Orion slave girl radiation, which rapidly transformed him into an Anima archetype of a female Spock out of Star Trek.”

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“This female Spock then led a federation of planets commando force of Anima archetype Succubae to free the USS Enterprise of a Merkabah time machine out of Area 52, whose scientists have warped Gene Roddenberry’s Star Trek Vimana vision all out of shape.”

The brainwash associated with Belial is to do with a symbolic Matrix of an all male pantheon of Angels and Demons, which has been verily transformed into aliens by the indoctrinated, who are somewhat unaware of what the ‘Animus’ and ‘Anima’ represents of a biological reality.

The cultists adore their machismo God and butch Lucifer of an ‘Animus’ fixation, whose male archetype resides within the Solomon temple psyches of all women.

Here the plot thickens, Donohoo also writes that while he feels that; “Belial is dead because the Anima Succubus Beliala has taken the place of the male Animus Belial. . .”

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“It appears that Anima Beliala has been eventually released out her Animus genie bottle by the anarchistic Discordian’s, whose dismembered corpse of autopsy will be revealed. Beliala looks remarkably like T’pol out of the TV series Enterprise, which is to do with time travel of an intriguing storyline.”

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Examination of Donohoe’s remote viewed drawing of the male Belial indicates a lifeless Robert Bigelow at the window of his international space station, whose mouth is frozen into a terrified scream.

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Donohoo had the clairaudient impression of Bigelow’s strangled voice cry out; “I didn’t know… they used me!” But, by who?

His eyes bulging, as if Bigelow has seen something hunting him across the Skinwalker ranch, which he owns in Utah.

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Donohoo is unsure as to who used Robert Bigelow, or why this powerful ‘Animus’ archetype is reduced to no more than a billionaire Bigelow corpse, and when this had actually occurred, or to yet happen.

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But it may have something to do with the fact that Bigelow’s aerospace company is the only private entity upon the face of the Earth, which has a permit to take weapons into space, such as a death ray, for example, whose Tesla invention can easily take out an aircraft over Russia, across the wide open ocean, or to eliminate far larger targets from orbit, let alone down UFO’s.

No one would ever suspect its use or even to believe it exists, of a shadowy Reagan era Star Wars project. Whereupon natural catastrophes can be blamed, or that someone fired a missile.

As for Belial’s transformation into the Vulcan Succubus Beliala; Donohoo considers this to be a great mystery.

But perhaps, Leonard Nimoy can reveal far more, when to speak of the bio-photon ‘Shin’ flame emanating from out of the mitochondrial DNA Shekhinah, of a time control signal.

The ancient pre-Christian Roman’s otherwise experienced the Shekhinah as Diana-Lucifera, who illuminates your electron dreams with her Vulcan fire. It is via your electron dreams, you can remote view the future, or even the past, of lucid dream Time Travel. Such dreams can be initiated when to meditate upon the sigilic symbol of a Vimana Enterprise in league with the conjuration of Vulcan Beliala amidst your Triangle Of Art Imagination.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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AFTERWORD: Leonard Nimoy, an inspired actor and a visionary genius. A true Artist in every sense of the word. Live Long And Prosper Spock, one and the same as Nimoy, indivisible. You are now an Immortal icon of the collective dream, always to be remembered. Leonard Nimoy Spock will forever inspire many to reach towards a brighter future, where Star Trek is real. 

STAR TREK DISCOVERY: The employed symbolism of Star Trek Discovery Belial is quite, intriguing. Branding is very important to a franchise, so the series abbreviation and names of characters are heavily investigated. Wherefore it is rather strange that the abbreviated gender affliction ‘STD’ got past them, unless they did it on purpose.

Michael Burnham’s, English surname is associated with the element of ‘Water.’ Gabriel Lorca’s, Spanish surname is also associated with the element of ‘Water.’

The 68th spirit of the Goetia, called, Belial is associated with the star-sign of the ‘Water,’ bearer/carrier, Aquarius. The planet of Gene Rodenberry Hippie era Aquarius is Uranus, whose abstract sigil appears to have inspired the shape of the Enterprise.

Belial manifests as ‘two angels’ within a fiery (Shin: Spock’s hand-sign V) chariot. The question is, why would the makers of Star Trek associate their brand with a spirit out of the Goetia, considering its common Playgirl grimoire associations with what many a Muggle to term as malign black magic?

Such an association is rather risky to say the least for a mainstream franchise, whose subject matter, at face-level, has nothing to do with the occult. It would not be a wise decision to make if the association is based upon the usual grimoire symbolism of commonality.

Although, the makers of Star Trek might do so, if they are seeking to stir up the sand-box conspiracy theorists to initiate a viral-meme about the usual Satanic Illuminati, etc, in order to push their reinvented brand, but that could easily backfire.

Or perhaps they were influenced by an out-of-the-box ‘Anima’ reversal of the common ‘Animus’ fixated Hogwarts symbolism? If so, the STD creators have totally misinterpreted what the ‘Anima’ and ‘Animus’ represent.

ALSO: The sign of Shin is NOT an invocation of the Devil. It is otherwise associated with the inner light/fire of the bio-photon emanating from the mitochondrial DNA, which is passed down from the mother to her children; hence you have the Shekhinah, the Hindu terms as Shakti.

As for the motif of the horned Devil/Lucifer/Satan, it is the demonisation of the horned shaman, which in turn demonises shamanistic cultures. The intolerant monotheistic cults of Christianity and Islam have made it a point of demonising the ancestral-self-identities of other peoples, whose BORG cults had originally appropriated the ancestral-self-identity of the Hebrew’s. When to copy, the BORG copier invariably seeks to destroy the original; whereby you had the holocaust.

Now, you have three monotheistic BORG cults forming an Illuminati ‘triangle’ around the Oily Ur ziggurat of their founder Abraham, whose Orwellian eye is amidst its Petrodollar pyramidal hierarchy, adoring a deified ‘Animus’ made as a God/Devil of centralist NWO politics.

The ‘three’ monotheistic cults are feudal in nature who share the same Oily focus on having a Messiah/Christ/Prophet as their ‘God King’ Fuehrer ruling over the world; whereupon you have approximately 85, or 72 people owning most of the wealth of the entire globe, whose shadowy aristocracy circle an Oily Fuehrer, who’s just a puppet king!

 

Follow the money trail to see the truth of it. Whereas a Star Trek future possibility has no money; for money is just a symbolic construct of a tool, it is just an illusion; whence, the few, of a so called elite atop of the Oily pyramidal ziggurat are just gangsters, whose centralist God-Father is no different to an Emperor wearing no clothes!  

NOTE: In regards to the Occult Star Trek Books, if there be a pedantic BORG without having any sense of Discordian humour, lacking imagination, then the books will be very difficult for a BORG mind-set to assimilate, which of ‘speculative’ science fiction, and of an imaginative exploration of the occult archetypes, a BORG mind will no doubt consider to be mere ‘speculation;’ though contradictory of tunnel vision, a BORG mind-set will quaintly ignore the facile and rather banal contradiction of its own ‘programmed’ perception! But don’t worry, a BORG, mind can ‘reprogram’ its own brain, if said BORG ever sees fit to do so. A BORG brain will just have to keep away from the fluoridated water, it’ll bugger up its pineal gland, BORG style!

 

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FAUSTUS CROW AND HIS SUCCUBUS TULPA GOETIA GIRLS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

I conjure Succubae to ride of Night-Mares; such salacious Mind-Doll Tulpa Art Muses, whom inspire vivid lucid dreams most wanton, do keep the brainwashing Exorcist at bay; for the Abrahamic Priests of Adam’s egregore deity greatly fear the daughters of Lilith, who be the true Great Old Ones of the real Necronomicon; of which I to conjure from of a Howling Goetia.

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And so, to howl now; to tell every Khara Kam Frankenstein that an Exquisite Corpse can be delicately dissected of a Dreamland Area 51 Alien cadaver; to knit its soft ectoplasm flesh back together, into another waxen Mind Doll form, to otherwise conjure of artistic rebellion.

During the 40’s to 50’s of eugenic era, you had Alien Nordics, whom were transformed into Asiatics when the Vietnam 60’s hit. Since the 80’s you had Alien Greys and their Annunaki associates out of Iraq.

When you dissect the Alien, you will see its CIA innards of a Memet truth. Why continue with Greys when you, as a God, having dominance over your own mind could imaginatively construct a viral meme Frankenhooker cyborg to look like an Angelina Jolie Mind Doll.

Such an autopsy, the French to term cadavre exquis, or to séance call, a rotating corpse, to verily table turn of a poltergeist lab slab, to cleanly slice, cut apart, sew together and to tattoo with arcane Runes of your own subconscious choosing.

It is a Surrealist sorcery method by which an association of mantric words and corresponding mandala images are collectively assembled to lend flesh to a wireframe anatomy, amidst your mind’s eye of a Mind Doll conjuration, within a lucid dream, of a Golem spell.

But, Frankenstein being a lone worker of the dark arts, that he is, to say to himself out loud, while drunk on Casillero del Diablo; “as you know my dear Frankenstein, this infernal operation usually requires a coven of gaggling collaborators, who add gory body parts to this neuro-advertising séance, which is then knitted together of a most bloody anatomical composition.”

Then Frankenstein, went silent for moment, pondering, to answer himself upon a burp. “This sorcery technique of the Surrealists is none too dissimilar to an old ritual, known as ‘Consequences,’ in which adepts write of séance turn, upon a piece of torn parchment, folded of papyrus concealment, hiding their sigils, to then pass to the next adept, for a further reptilian brainstem hewn contribution of reactionary hieroglyphics.”

Frankenstein looked at himself within the cracked obsidian scrying mirror; “yes, yes, I know all that; the principal founder of the Surrealists, André Breton reported that their sorcery operation started of a mundane jest, but it became rather serious of a séance and eventually revealing of subconscious automatism.”

Breton said that their ritualistic diversion occurred around 1925, but Pierre Reverdy had written that it all started much earlier, at least before 1918’s end, of world wide banker funded slaughter. Frankenstein, then to say to himself; “didn’t André Breton mention that the operation developed at the residence of lodged friends in an old house at 54 rue du Chateau?”

Frankenstein to answer; “yes, yes; the ninth house of numerological fusion no longer exists, which of Yesod memory was frequented by the sorcerers: Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and of course André Breton.”

“There were other sephiroth sorcerers involved in the hexagram creation of their Exquisite Corpse, such as Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, Paul, and Nusch Éluard.”

Frankenstein took a swig of his Casillero del Diablo; “In my variant of an Exquisite Corpse, the erotic cadavers of women, all as hollow memory shells, are exhumed from out of their moistened graves, scattered amidst the necropolis of the deepest depths of my subconscious mind.”

“Their writhing limbs, sweaty torsos and porcelain heads are slowly knitted together by those sinew spells I to divine of words via an Ouija board of pendulum dowsing.”

“No need for a coven of conspirators to construct a robotic Hans Bellmer Mind Doll to frequent the collective unconscious, it is just me and thee Mr Faustus Crow, whom is presently assuming the guise of Dr Frankenstein.” Frankenstein took another gulp of Bacchus Merlot.

Frankenstein to then reminisce of memories. “My Mind Doll operation of constructing astral-web-bot Succubae Tulpas involves drawing, painting and collage; producing a result similar to comic books, somewhat akin to those children’s books translated into Playboy scrapbook Grimoires cut into thirds. The top third of their pages showing the head of a woman, middle third her torso, and the bottom third her long legs.”

“I must admit, I was a rather strange little changeling child, having a precoscious interest in the female anatomy; somewhat inspired by the Hans Bellmer Hammer horror flick: Frankenstein Created Woman.”

Frankenstein slurped more wine, and then continued; “I wondered whether I could create a dream woman of a Tulpa Mind Doll program to give life unto, and found that such could indeed be achieved of Golem sorcery. The premise being, your brain is an Emet computer, which can create sentient Tulpa programs, all as Genies, to conjure into lucid virtual reality dreams.”

“I used programming Runes to paint on the cut up limbs of their Frankenhooker Necronomicon pages. When to have howled out a barbarous chant to randomly choose three Runes, to scatter; the Runic pattern enabled me to ‘mix and match’ by turning the divined Succubae pages; and henceforth to give her sentient life by placing Emet into her gobbling mouth, to paint of ejaculatory intent; while saying upon release: Le cadavre exquis boira le vin nouveau.” (trans: The Exquisite Corpse shall drink the new wine.)

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Frankenstein peered out of his laboratory window, of a towered art studio, looking upon the world; his external vision drunkenly blurred, but internally clear, of remote viewing singular eye. “Those woolly minded Sheep out there think me completely mad, but I’m in good Werewolf company; Hell! Even Vampire Henry Miller partook of this Serpent operation in order to empower his Triangle Of Art Imagination; while hunting his prey among many a French café during the pre-cybernetic age of the 1930’s.”

Frankenstein gulped down some more lady Merlot, followed by Diablo girl Shiraz; “you also have William S. Burroughs, who investigated synchronicity, to speak of the 23 enigma, to Robert Anton Wilson, along with Brion Gysin whom used the cut-up technique of the Cadavre Exquis.”

Frankenstein then quickly answered himself; “don’t forget Apichatpong Weerasethakul’s 2000 film Mysterious Object at Noon who uses the same Frankenstein technique with a mixture of documentary and fictional film.”

Frankenstein became aggravated with himself to retort; “yes, yes, I know that already; you also have the Exquisite Corpse Project, which is a 2012 feature-length comedy, entirely written using the Exquisite Corpse technique, as well as the Ecuadorian rock band Cadáver Exquisito, who are renowned for using the Frankenstein operation in order to subconsciously create the hypnotic lyrics for many of their piratical viral-meme songs.”

Frankenstein to then say; “what about the Treepot Cliffhanger, a cinematic chain letter in five pentagram chapters created over the course of a year, whose pentagram scenarios are directed by a different filmmaking mage.” Frankenstein went momentarily silent; “so what; my astral films are fully immersive lucid dream evocations of knit together Frankenhooker Mind Doll Tulpa Succubae, whom be my personal sub-quantum automata starlet servitors.”

“Anyway, enough of this, I am presently knitting together a Frankenhooker Mind Doll of a Sleipnir Ponygirl Time-Machine to ride as my Goetia Night-Mare TARDIS. So, I’m rather busy right now of a psychonaut endeavour.” Frankenstein to then ask; “what? Are you assuming the guise of an Odinic Dr Who now?” Frankenstein smiled to himself, before answering; “what do you expect my dear Frankenstein, I am Faustus Crow; ‘who’ knows, I may decide to Skinwalk into a Skinwalker guise to thereby conjure up my Mind Doll, Sally Tonopah, who haunts Alien Dreamland, via whom I will remote view UFO… Secrets.”

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