Archive for entartete kunst

DEVIL GIRLS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2017 by FAUSTUS CROW

Love Is like War, War Is likened to Love, the bedroom, the Tantric battleground, evolving the Yin, Yang union into a far deeper entwined level of Tao perception.

So too with the inner archetypes of the ‘Anima’ and the ‘Animus.’ However, the Witches have the emotional edge. The Witches have their preponderance of patriarchal PlayGirl grimoires, which to list the numerous archetypes of their deified Fifty Shades Of Grey ‘Animus,’ made as a God/Devil, Angels and Demons.

The Incubus archetypes of the deified ‘Animus’ the Withes to ‘Spirit Chain’ dominate within their Moon lit Love-craftian tentacle psyches of a Solomon’s temple.

Whereas the Warlocks have their Fallen ‘Anima,’ whose archetypes have been entirely castigated out of the symbolic equation.

Wherefore, a very real Necronomicon would list the banned and censored archetypes of the Fallen ‘Anima,’ who be the Succubus Great Old Ones.

Well, for there to be a deeper Tantric union between a Witch and a Warlock, there has to be an ‘equal’ balance between the patriarchal Hogwarts PlayGirl grimoires of the deified ‘Animus’ and a Necronomicon PlayBoy grimoire of the Fallen ‘Anima.’

So, should a feminist Witch, looking like Emma Watson, become patriarchal panicked by a Goat horned Pan, who to Sorcerer conjure (Succubae) Succubi, he can verily reply; “I am conjuring the Succubus archetypes of the Fallen ‘Anima,’ so as to understand thy Babalon, psyche. Just as thee to conjure the listed beasts, that thee to ride, out of thy numerous Hogwarts tomes of thine deified ‘Animus,’ to thence ‘Spirit Chain’ bind the anthropomorphic Incubi of thine infernal subconscious, to thy darkest desires. Thee does desire ‘equality,’ as do I. So Mote It Be!”

She will of course turn a deaf ear, to castigate the Horny Sorcerer as being a vile pornographer, which to drive many a Beta-Male Mage to pander ‘Flee’ from a Banshee Nightmare; but, the horny Sorcerer to otherwise ‘Fight,’ standing his Tantric ground like a rutting Alpha-Male Stag, who overturns the endogenous DMT visionary tables within the politically-correct Witches temple.

This is Entartete Kunst achieved when the Sorcerer to ritualistically Howl out his barbarous ‘fighting’ incantations of ceremonial defiance, leading thence to his raging lungs pumping out endogenous DMT ecstasy, which to then scourge force the Succubus archetypes of the Fallen ‘Anima’ to arise amidst his Triangle Of Art imagination, so as to then ‘Spirit Chain’ bondage bind them to his whiplash Horny will.

The Witch will then call the Horny Sorcerer a loathsome bestial Beast, but he does not give in, otherwise she will verily crucify his Yang eye to blind; for it is the Great Beast that the Yin Witch secretly desires to seek as a Babalon. But she is not to be the one riding him, who then becomes as his ridden shaman ‘Mare’ of the ‘Night’ Sabbat, whose multiple orgasms will warp the very fabric of Tao space-time to evolve.

What goes around the Ouroboros of Zodiac ages, comes around; the Fallen ‘Anima’ and her Succubus Great Old Ones are returning, who as ‘Devil Girls,’ they inspire the crystalline skulls of lucid dreaming Sorcerer Artists as their Night-Mare Art Muses. But, the ‘Devil Girls’ have to be forcibly summoned of an active-imagination conjuring, betwixt the lung pumping DMT pylons of a ‘Flight, Fight’ response.

NOTE: The word, Devil was originally derived from the Sanskrit word, Devī, which means ‘Goddess;’ who in Hindu iconography is often depicted riding a fiery Tiger, or to appear as one before assuming human form; hence you have, Devi-l, whereby having, ‘Devil Girls.’

As for the initiation of the ‘Fight, Flight’ response within a conjurer it can be artificially engineered, for example Shamans, ritualistically set up a Séance in order to induce this state, the same technique can be found in ritual magic.

Another example is having a bunch of kids gathered around an Ouija board late at night, which is eerily illuminated by candle light. The kids appear to be taking the piss; but deep down they are afraid, who would far prefer to be elsewhere. Strange creaks and scratching sounds are heard as the wind howls outside, the planchette then starts to zip around the Ouija board of its own accord. The kids want to ‘Flee,’ but they stick their ground.

One of the kids starts to asks questions, demanding specific answers, who demonstrates the ‘Fight’ response. You can thereby gather that their heavy breathing is engendering the pumping of endogenous DMT within their frail frames, who will then experience visions and later that of haunted dreams.

The ‘Flight, Fight’ response also occurs when meeting someone you desire to be hooked up with. Deep down you will initially fear being rejected, to be made a fool of in front of everybody, fearing your heart and very soul being ripped apart. You want to ‘Flee,’ but you stick your ground, to otherwise ‘Fight,’ you then approach the individual you desire, by asking her/him to go with you on a date.

The emotional intensity of this common experience can potentially lead to your neural-net being imprinted, which to then stir vivid dreams. This too can be artificially engineered when combined with a ritualistic conjuration via which you can conjure up a grimoire archetype.

Heterosexual Witches have their deified ‘Animus’ whose PlayGirl grimoire archetypes represent their desires, which are forcibly summoned; the force of which engenders the ‘Flight, Fight’ response. This technique can also be applied by a Heterosexual Sorcerer when he conjures the Succubus archetypes of his Fallen ‘Anima,’ who also requires being forcibly summoned.

(Those of other sexual orientations will reverse the symbolism as required.) 

The summoner does not allow for the summoned archetypes of the ‘Animus’ and ‘Anima’ to take control, nor are they worshipped, otherwise the summoner will become enslaved by her/his conjuration. The worship of the gender archetypes tends to be conducted by those having a dogmatic religious sensibility, which has nothing to do with the fluid practice of magic/art.

An externalised analogy would be that of worshipping a partner upon whom you have unknowingly projected your ‘Animus’ or ‘Anima,’ at, which leads to all sorts of problems; likewise when you allow for the ‘Animus’ or ‘Anima’ to have control over your psyche.  The summoner is always the one in control.

In other words, an Artist does not wait around until his Muse decides to appear of an inspiring vision, to then manifest within a lucid dream, nor does he beg her fickle presence to appear as a worshipper would do, to then feel forlorn, when she does not turf up of an Artist’s block.

The Artist as a Sorcerer, ‘Spirit-Chain’ forces a chosen Muse to visualise appear as a (fiery) vision, unto a (bio-photon) dream, which of a (endogenous DMT) technique imaginatively employs the (Howl, which in Greek, is Goetia, as in howling, raging and ecstatic) ‘Flight, Fight’ response, whereby he takes control over the archetypal Succubus manifestations of his Fallen ‘Anima.’       

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AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints.

Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration.

Snow continued, “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery.

Because of the subject matter of the art, many researchers had proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art.

 

“Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, “how did they get here?”

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious (buzz-word) femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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CRAZY HORSE ART VISIONS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 21, 2017 by FAUSTUS CROW

Should the Oglala Lakota warrior and visionary mystic, whose name is Tȟašúŋke Witkó (‘His-Horse-Is-Crazy’ or ‘His-Horse-Is-Spirited’) generally known as Crazy Horse (ca. 1840 – 1877), had foreseen that his name was to be later adopted by Le Crazy Horse Saloon, or Le Crazy Horse de Paris, his Black and White pinto Mare named Inyan, may have become even crazier.

Then again, perhaps that is why Crazy Horse’s Surrealist Night-Mare was Chaos Magic Art Muse crazy.

Crazy Horse is a Parisian cabaret known for its artistic stage shows, performed by nude female dancers, a Tibetan Bonpo Tantric Buddhist would equate with Dakinis, who to dance around the four elemental quarters of their medicine wheel, which is curiously similar to the native American medicine wheel.

Crazy Horse also features a diverse range of magical acts and esoteric variety ‘turns’ between each Tantric show.

Its visionary owners have helped to create related shows in other power place cities around the dodecahedron globe , followed by unrelated businesses, which to have used the name of Crazy Horse as well.

The Crazy Horse of Art central Paris occupies former wine cellars (12 in all of Zodiac number, which have been knocked together) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French “George Cinq”).

Suffice to say it is situated at a power place of historical importance, which isn’t too far away, as the Crow flies, from the Belphégor pyramid of the Musee du Louvre.

Should the Crow to fly a little further along the Yoni Rose line, you will duly find the rubedo door of the grand Art lodge of the Les Humanoïdes Associés, which is a French publishing house specialising in comics and graphic novels.

The Art lodge was founded in December 1974 by the sorcerer Artists, Mœbius Giraud, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their highly influential grimoire, Métal Hurlant, which quickly expanded to include a variety of erotic orientated science fiction work. Métal Hurlant in English means, Howling Metal. By the way, the Greek term, ‘Goetia’ means, Howling, as in to Howl out barbarous mantras, just as Allen Ginsberg Howled out his performance Art, Howl poem.

Métal Hurlant was considered to be not only rebellious, but also revolutionary of the ninth Art Muse comic book artform at the time, chiefly due to its adult focus on the sci-fi genre, which was an Entartete Kunst rebellion against the spandex superhero media empire of America.

The Entartete Kunst grimoire inspired many generations of authors and filmmakers, such as Ridley Scott for his film Blade Runner.

Not too long after Métal Hurlant’s debut, the American’s created their own Howling grimoire version of Métal Hurlant, which was renamed, Heavy Metal, whose Art lodge is based in the H.P Lovecraft landscape of Easthampton, Massachusetts.

However, top-shelf Heavy Metal has since become a politically correct thought police morass of lower shelf Disney/Marvel fare, whose present editor is the superhero industry giant, Grant Morrison. Gone are the days, when Heavy Metal had the Entartete Kunst Métal Hurlant edge.

It isn’t too hard to imagine the original rebellious Métal Hurlant Artists frequenting the Crazy Horse, which had been opened by Alain Bernardin along the Yoni Rose Line in 1951. Bernardin personally ran the Crazy Horse for decades until his death by suicide in 1994.

The Crazy Horse Tantric Dakinis may have been deliberately chosen to be indistinguishable upon the medicine wheel stage, in height, breast size and Palaeolithic Venus figurine shape in the past.

But now they have a more diverse group of Goetia Girls, all of whom are gymnastic of Dakini form and very Necronomicon skilled in their grimoire Muse Art.

Along with its Dakinis, the Crazy Horse has also been a popular coven venue for many other Performance Artists, including Avadhuta magicians, Heyoka jugglers, and Yogic mimes.

Bernardin, like a sorcerer, explained that he loved magic because it corresponded with his ‘mystical vision’:

“Magic is a dream. There is no show that is more dreamlike than a magic show. And what we do with the girls is magic, too, because they aren’t as beautiful as you see them onstage. It’s the magic of lights and costumes. These are my dreams and fascinations that I put onstage.”

Under new shareholders, and new management from 2005, Crazy Horse started to feature prestigious Artists Performance Art stripping, for a limited number of Tantric shows, including Dita Von Teese, Carmen Electra, Aria Cascaval, Arielle Dombasle or Pamela Anderson.

The new management also hired Philippe Decouflé as choreographer; Kelly Brook became a Métal hurlant Crazy Horse Dakini in the fall of 2012.

Perhaps Bernardin was originally seeking to spiritualise the symbolism of various fetish costumes worn by his ‘Anima’ Mares of the Night, who as Dakini Art Muses would inspire Tantric lucid dreams, wherein they are ridden as shaman Crazy Horses into other Métal hurlant realities.

Whether such was the actual case of symbolic Alchemy, is of course debatable. But a ridden Crazy Horse Art Muse, knows no Night-Mare visionary limits, who as a Coyote spirit girl knows how to Tantric dance around the Dakini dream wheel.

As for (Tȟašúŋke Witkó) Crazy Horse he was very likely Coyote wise to the fact that the European invaders weak spot is their insane belief in a jealous God, which of an ancestral-self-identity had been appropriated from another people, Carl Jung would term as an ‘Animus’ fixation.

Whereby Crazy Horse’s Heyoka ghost would Coyote conjure the Fallen ‘Anima’ and her (Succubae) Succubi Dakini emanations of an artistic rebellion, around the dodecahedron globe, who might just relate via a Ouija board, “the wand of a virile paint brush is mightier than the castrated gun.”

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CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect. 

 

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print, or shirt design, etc. Check out my Redbubble shop, Please Click the image link above.

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TRIANGLE OF ART CONJURATION

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2017 by FAUSTUS CROW

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If Faust was a present day Artist, he might just utilise a Pintrest photo for his Sorcery Art, which has verily become a collective Hyper-Sigil focus for many a shopping Witch.

(The painting is presently being sold on Saatchi Art, if you are interested, Please Click Here.)

Faust will probably howl out in his Magic Circle Art studio, while standing in front of his erect easel of an altar to alter, “I do conjure thee, Mephistophina into my creative trinity, of charged Emotion, associative Thought and correspondences of Memory, amidst whose triadic configuration is the Eye of the Imagination, that be my ‘Triangle Of Art.”

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Faust to further howl, “By this neuro-marketing photo of Succubus Street Style Black Loubies, found on Witch heaven, Wachabuy, I will bind thy feminine quintessence of the ‘Anima,’ to my lowbrow artistry. This photo I will transmute of symbolic alchemy into planetary sphere coloured oils; for I know thy reptilian-brainstem desire to wear such cloven hooves of a Pop-Surrealist trigger-symbol.”

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He to ecstatically rage, while painting, “Now, thee to Catwalk strut your mandala stuff upon my canvas, so as to hypnotise the arisen Beast within me. I to rip aside thy hypnagogic hymen veil of seven rainbow Chakra planetary sphere seals, to open unto thine Yoni stargate of Surrealist visions to impregnate.” 

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Faust to also say, “Later, when to sleep, my spermatazoic seed of consciousness will slide betwixt thy sheathed Nigredo nylon pylons into thine High Priestess womb, to dream lucid, so as to browser ride thee, Horned Shaman style, as my Night-Mare of an inspiring Art Muse.” 

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But Faust to no doubt wonder as to how the Hell she can walk in her painted Loubies, as an animated archetype of a knitted-together exquisite corpse, without tripping over her visualised tail. Then, of an active imagination vision, the Babalon Mind-Doll Tulpa takes on manifested form within Faust’s imagination, wherein he to seer Mephistophina clicking her Loubies together of Dorothy Red heels, like a Kung Fu poise ballerina.

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Though two dimensional of painted meditation image, Mephistophina takes on three-dimensional interactive flesh within a lucid dream at the South of the Medicine Wheel, which is the first gate of watery Rubedo dreaming, where unto rebellious Red Tribe Datura Dakini chicks be.

She to thence dream reveal of a Coitus Pactum seduction, whose silken voice is comprised of all the coven voices of the Witches across the inter-Wyrd-Dream-Web unto Northern conceptualisation.

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Faust heard her to Sophia say: “This is thy last chance Faust. After this, there is no turning back. If thee to take the Sodium Fluoride Blue path—the dream Yoga story ends, thee to wake up in thy bed and believe whatever thee want to Maya Matrix believe.” 

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She then said, “If thee to take me forcibly by my Dakini heels, gripping my Red arches, to penetrate my sopping wet Ninth gate—thee to stay within my electron dream Wonderland, which be illuminated by the bio-photon fire of Diana-Lucifera, and then I will show thee how deep my hungry rabbit worm-hole goes, when spinning me orgasmic as a star barrelled vaginal tunnel.”

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Mephistophina to have continued. “Remember! All I’m salaciously offering is the pineal gland DMT spice of my Tantric Melange. Nothing more, at the moment. But later, we’ll see what others of my Succubi sisters thee to penetrate of planetary sphere Yoni gates, whose hymen seals to UFO spin open by thy charged impregnations.” 

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Faust, said to him-SELF,“Whoa! Is a quantum computing God to live in a Dog! I’ think not; though a Dog does have a Buddha nature. I’m going to be a Halluci-Nation world-walker Slider flying eye, winged as a Don Juan Dr Who Crow.”

Then, Faust to think out aloud, muttering, “she, or should I say they, whose ‘Fallen Anima’ names are legion, all as grimoire Allies, sound just like the ‘serious’ multiverse Silver Stargate High Priestesses of the Chaos Unitarian Nuns Templar, who are all very Blue Star Kachina ‘Sirius’ sensuous!”

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Faust to then return back to waking from the microcosmic West of Kachina star lucid dreaming. He awoke in the macrocosmic East, where lady Maya to dance Heyoka synchronicity around his Art studio, encircled by an Ouroboros of a Magic Circle Medicine Wheel.

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Whether an alternate Earth character of a Faust completes his parallel universe painting of Tarot card XXI, who is to say; for in his mad Orwellian world, oily Donald Trump is married to oilier Hilary Clinton who of a two party political dictatorship whore themselves to oil companies, riding roughshod over the natives, desiring forever war, mass sacrifices to their deified ‘Animus’ made as a petrodollar God. Hence an alternate Earth Faust rebels by conjuring up his ‘Anima’ as Mephistophina.

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The ensuing political madness will invariably stir up rebellious mass civil unrest across Faust’s alternate Earth, that’s if the Muggles ever unite, rather than being misdirected by inane media-machine gossip, to otherwise Halluci-Nation seer that the two whoring politicians are the muppet puppets of oil companies, who are out to Entartete Kunst censor the questioning ‘internet’ voice of the collective.

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For example, the Muggles will come to a greater understanding when to look into the devastating wars afflicting Iraq, Libya and Syria, etc, unto a Dakota pipeline, whose oily gangster owners use extremist feminist politics, racial friction, terrorism and an ‘Animus’ fixated religion as mind-control tools.

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As for myself, on this Earth, I proceeded to complete the A3 size Oil Painting on Canvas, which measures 29.7 x 42.0cm, 11.69 x 16.53 inches.

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Provisionally entitled: ‘Triangle Of Art Conjuration.’ The painting as mentioned is being sold on Saatchi Art, Please Click Here for further information. 

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NOTE: In Hebrew, Da’at means ‘belief, such as religious beliefs, which are moulded by a culture via varying artistic expressions. For example, the establishment of the monotheistic cult ‘brands’ alternate symbol systems, which are seen to be questioning its cultural construct of an Animus’ fixated religion as being evil, whence alternate symbolic paradigms are charged with a negative emotion.

This negative ‘branding’ of alternate symbol systems is engineered to zap your Reptilian-Brain-Stem, which in turn influences your subconscious mind by using the potent emotional state of fear. This negative ‘branding’ was also utilised by the Nazi regime, which castigated those Art forms that were anathema to its right-wing religious-politics as being the Entartete Kunst

Whereupon the symbolic paradigms of other peoples, which have been nigh erased by the ‘three’ monotheistic cults out of Ur, are ‘branded’ as being mere detritus, peels, shells or husks. These husks in Hebrew are known as the Qliphoth/Qlippoth/Qelippot or Kelipot, which can be otherwise termed as being Entartete Kunst; for the same methodology is being employed. 

The lore concerning Solomon binding the demons of the Qliphoth to build his temple, actually points at enslaved peoples building the temple, not demons. The names of the various demons were the one time deities of those enslaved peoples who built Solomon’s temple.

The demonised deities symbolically represent the ancestral -self-identities and cultural constructs of other peoples, which have been consumed by the monotheistic trinity of cults and their centralist politics of empire building.

So, should you ‘believe’ the religious propaganda of the ‘Animus;’ fixated monotheists concerning Lilith, for example, who is deemed to be one of the Qliphoth, you have been duly indoctrinated into a continuing brainwash through fear. However, the brainwash can be negated by remembering, when to Triangle Of Art Conjure, that Lilith symbolically represents the ‘Fallen Anima.’   

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BABALON WITCH BRIDE OF CTHULHU ANIMUS

Posted in Art, Chaos Magic, CREATIVE WRITING, Film, Goetia Girls, Horror, Occultism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2015 by FAUSTUS CROW

“What Dragon of cement and aluminium bashed open their skulls and ate up their brains and imagination?

Cthulhu! Solitude! Filth! Ugliness! Ashcans and unobtainable oily dollars! Abandoned children screaming under the stairways! Boys sobbing in monstrous armies! Old men weeping in the lonely parks! 

Cthulhu! Cthulhu! Nightmare Babalon, of Cthulhu! Cthulhu the loveless! Mental Cthulhu! Cthulhu the deified ANIMUS judger of men! 

Cthulhu the incomprehensible prison! Cthulhu the crossbone soulless jailhouse and Congress of sorrows! Cthulhu whose buildings are judgement! Cthulhu the vast stone of WAR! Cthulhu the stunned governments!  

Cthulhu whose Babalon mind is pure machinery! Cthulhu whose Babalon blood is running money! Cthulhu whose phallic tentacles are ten armies! Cthulhu whose patriarchal breast is a cannibal dynamo! Cthulhu whose controlled media mouth is a smoking tomb! 

Cthulhu whose eyes are a thousand blind windows! Cthulhu whose skyscrapers stand in the long migrant streets like endless Jehovahs! Cthulhu whose factories dream and choke in the fog! Cthulhu whose smokestacks and antennae crown the cities! 

Cthulhu whose Babalon love is endless OIL and stone! Cthulhu whose Babalon soul is electricity and petrodollar banks! Cthulhu whose poverty is the specter of Babalon genius! Cthulhu whose Feminist fate is a cloud of sexless hydrogen! Cthulhu whose ANIMUS name, is within the Babalon Mind! 

Cthulhu, against whom I rebel! Cthulhu, against whom I rebelliously dream of Succubae angels! ANIMA crazy against Cthulhu! Pussy-eater against Cthulhu!

Lacklove and manless in third-wave Feminist, Cthulhu ANIMUS! 

Cthulhu who programmed our souls early! Cthulhu in whom I am a consciousness without a body! Cthulhu who frightened me out of my natural ecstasy! Cthulhu whom I abandon! Wake up in the ANIMA, against Cthulhu! Light streaming out of the sky! 

Cthulhu! Cthulhu! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible madhouses! crucified granite pricks! monstrous bombs! 

They broke their backs, lifting their deified ANIMUS Cthulhu to a New World Order Heaven! Pavements, trees, radios, tons! lifting the city to Holy-wood Heaven which exists and is everywhere about us! 

Visions! Omens! Hallucinations! Miracles! Ecstacies! gone down the American river! 

Dreams! Adorations! Illuminations! ANIMUS Religions! The Seventh Seal ANIMA unsealed reveals a whole boatload of sensitive bullshit! 

Breakthroughs! over the Babalon river, menstrual red! flips and crucifixions! gone down the bloody flood! Highs! Epiphanies! Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time! Forgotten! 

Real holy laughter in the Euphrates! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the twin tower roof! to solitude! waving! carrying flowers! Down to the BABYLON river! into the migrant street!” 

BABALON WITCH BRIDE OF CTHULHU ANIMUS

Freely adapted in part, from part II of the poem, entitled: Howl! By Allen Ginsberg  (1926-1997) Ginsberg once called his protest poem, “an emotional time bomb, which would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified.” 

Howl was originally banned for its Entartete Kunst obscenity; customs officials seized 520 copies of the poem on March 25th, 1957, being imported from the printer in London.

On June 3rd Shig Murao, a ‘Dark City’ bookstore manager, was arrested and jailed after an Orwellian sting operation for selling Howl and Other Poems to an undercover San Francisco police officer. City Lights Publisher Lawrence Ferlinghetti was subsequently arrested for publishing the book. At the obscenity trial, nine literary experts testified on the poem’s behalf. Supported by the American Civil Liberties Union, Ferlinghetti won the case when California State Superior Court Judge Clayton Horn decided that the poem was of “redeeming social importance.”

The greater obscenity is war; nothing has changed; Ginsberg to have foreseen the present insanity. The case was widely publicized. (Articles appeared in both Time and Life magazines.) An account of the trial was published by Ferlinghetti’s lead defense attorney Jake Ehrlich in a book called Howl of the Censor. The 2010 film Howl depicts the events of the trial. James Franco stars as the young Allen Ginsberg and Andrew Rogers portrays Ferlinghetti. It just so happens, the term: Goetia, means, Howl!

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PUSSY POWER VERSUS THE REPTILIAN AGENDA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 2, 2014 by FAUSTUS CROW

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The British writer David Icke opened up a very rusty can of writhing Serpents, when he inadvertently revealed that it is all too easy brainwashing people.

Although those who seek to convert others to their Abrahamic Borg religions got there long before him.

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For example, if you can get people to believe in 5- to 12-foot (1.5–3.7 m) tall, Demonic blood-drinking, shape-shifting reptilian humanoids from the Alpha Draconis star system, who are presently hiding within their Hellish underground bases at the Earth’s core, you can get them to believe in anything. Then again, there are many who already believe in an infernal Biblical Hell populated by Demonic reptilians.

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A poll of American’s in 2013 by Public Policy Polling showed that 4% of registered voters (+/- 2.8%) believed in David Icke’s ideas. These people sincerely believe that it is in fact scaly Demonic reptilians, who are the Satanic force behind a worldwide Anti-Christ conspiracy, who are working against the meek and mild religious flocks of herd-mind humanity, to bring about their Biblical End Of Days depopulation program.

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Icke contends that most of the world’s incestuous aristocratic leaders of a Hellish hierarchy are related to these Demonic reptilians, including George W. Bush of the United States, and Queen Elizabeth II of the United Kingdom who apparently loves eating green coloured jelly babies.

Not too sure about the Queen eating suckling babes; but, it goes without saying that burning Bush loves to eat real Ronald McDonald plump babies.

Basically, Icke’s reptilian agenda is reminiscent of a medieval Witch hunt, which of Inquisitional persecutions, numerous individuals were burnt at the stake, merely because they were accused of being in league with Demonic reptilians who emanate from their Biblical viral-meme Hell.

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It just so happens, that these Abrahamic accusations were levelled against those of a Pagan orientation.

Many pagan peoples across the globe consider the serpent as being sacred, which represented the life force, as well as being very much entwined with the feminine principle.

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Anyway, if there were any actual reptilians, they would probably point out to a Dr Who that they are all female vegetarians, while humans love eating baby turtle soup.

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Icke’s Biblical conspiracy theories now have religious supporters in 47 countries and he has given evangelical lectures to Alpha course crowds of up to 6,000 people.

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American writer Vicki Santillano included the reptilian agenda in her list of the 10 most popular conspiracy theories, describing it as the ‘wackiest theory’ she had ever encountered.

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But are Icke’s beliefs any wackier than believing in an all male pantheon of eugenic Nordic Angels and reptilian Demons lorded over by a deified ‘Animus’ made as a jealous machismo God in the Overwatch heavens, and a butch Devil living it up in a military industrial complex Hell?

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As you will probably notice, Icke’s beliefs are none too different to what has already been established of religious dogma, which has driven the indoctrinated masses to blindly set up their New World Order kingdom of an Orwellian Big-Brother ‘Animus’ God.

For example, you had Sir Francis Bacon of a prior cultist, who claimed that the New Kingdom on Earth, which for him was Virginia USA, exemplified the Kingdom of Heaven, lorded over by his crucified saviour.

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Bacon was more explicit in a speech to Parliament when he called for the establishment of Solomon’s Temple in the new colonies. This of course required the eradication of the native population along with burning Witches and homosexuals. Why persecute, torture and burn Witches and homosexuals, what’s the insane point of it?

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It is probably due to a psychological condition, which afflicts a closeted mind-set; although in this murderous case it has been perpetuated by legions of brainwashed automatons who blindly act out what is written in their so called holy books.

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As for Bacon, he was making a clear reference to King Solomon’s Temple in a New Jer-USA-lem America, which reveals for all to see, what is still going on of an actual ongoing conspiracy.

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Bacon stated that the founding of the colonies in Virginia in 1606, was a spiritual act as well as a political one, at a time when the last vestiges of the European ancestral-self-identity was being eradicated of genocide by the Holy Inquisition.

(One of the primary reasons why the Holy Inquisition persecuted Witches is because the ancestral-self-identity of the European’s was traditionally passed down the female line, which was especially the case in Northern Europe.)

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Why the Hell was Bacon ranting on about a New Jer-USA-lem, for Heaven’s sake, he wasn’t even Hebrew.

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Oh, I forgot, he was entirely brainwashed, like so many others who have appropriated the ancestral-self-identity of the Hebrew’s, hook line and sinker, of continuance, along with copycat Islam.

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Why did they copy a Middle Eastern ‘Animus’ fixated cult? Simply put, it is because Constantine’s Rome sought to have control over the Middle East by using religion of a brainwashing tool, in order to convert the peoples of the empire to become its unpaid crusading legionaries, which was then copied by its cult competitor, Islam.

When cultic copycats copy, they invariably resent the original cult to the point of wanting to eradicate it, which of a holocaust domino effect, the copied cult then seeks to survive the copycats by subversively getting the copiers to fight against each other, so it can then eventually take over.

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Well, what do you expect; if you was being copied by others, who then resent your existence, your reptilian brain-stem survival instinct would quickly kick into gear.

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The problem is, the copied invariably becomes as murderously insane as the copiers who all suffer from a superiority complex.

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You then have mass insanity; no need for having extraterrestrial/interdimensional reptilians, that’s just symbolic misdirection, which further perpetuates the religious insanity!

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It is easy to brainwash the reptilian brain-stems of people; more so when it has been systematically achieved for over 2000yrs of mind numbing religious propaganda by three cults out of UR.

Conspiracy Theory with Jesse Ventura S02E04 Police State from Ill Axion on Vimeo.

Whereupon you are now surrounded by a symbolic matrix of 72 Shemhamphorasch fusion centres, which imprisons your reptilian brain-stem.

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Icke is just perpetuating what is already there of an indoctrinated religious belief, propagated by ‘Three’ big-business cults from out of Abraham’s UR in war torn Iraq, upon which the establishment of your society is based.

The only reason why your society has been moulded by the Abrahamic cults is due to Constantine’s Roman empire. Hence the author Philip K. Dick said, “THE EMPIRE NEVER ENDED!”

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This in its self is a, in your face conspiracy, which is that of a secret hidden in plain sight. If you are looking for someone to blame, look to Flavius Valerius Aurelius Constantinus Augustus. Just remember he was all too human, who had absolute authority over the Roman empire and its legions of crusading monks.

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But when having absolute power, it absolutely corrupts. Icke merely fused the already indoctrinated religious beliefs of the UR ‘Trinity’ with the pseudo cargo cult beliefs in extraterrestrial/interdimensional aliens of an Annunaki viral-meme.

It is just an updated neuro-advertising version of a continued religious brainwash out of Sumerian UR, whose Illuminati ziggurat is on the back of every oily petrodollar. In other words, the real Illuminati are the Three ‘Animus’ fixated cults of UR!

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So, if you want to free your reptilian brain-stem from the reptilian agenda of an ‘Animus’ fixated symbolic paradigm, which incarcerates your subconscious mind, conjure up the symbolic reversal of Anima ‘Pussy riot Power,’ by evoking a sexy Silurian Succubus into your infernal lucid dreams tonight.

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This practice of artistic sorcery will enable you to keep the ever warring Abrahamic Rabbis, Priests and Mullahs at bay, from upending your fluoridated brain.

But be warned, if you do so of a surrealist rebellion, you will be verily castigated as being a vile and most bestial Entartete Kunst pornographer by the politically-correct mind-set of the NWO reptilian agenda Gestapo!

PUSSY POWER VERSUS THE REPTILIAN AGENDA!

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