Archive for shaman

THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here.

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation; wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust

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THE CONJURING OF A SUCCUBUS ART MUSE INTO A LUCID DREAM

Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2016 by FAUSTUS CROW

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The Conjuring of varying entities and those worlds, which they occupy, many an Artist to know. The practice of Conjuration is engaged in whenever the Artist is confronted by a blank canvas onto which is Conjured a form. This requires an emotional connection with what is to be Conjured; for it is the emotional charge of the Artist, which animates what is being visualised.

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The visualisation phase of an egg stage is when the thought processes automatically kick in; this generates a myriad number of symbolic associations, which cracks open the egg of an idea to take flight.

These symbolic associations are determined by what is being visualised. The visualistion will be of differing intensities depending upon the emotional charge of the Artist.

Most often than not, the visualisation will be more of an impression than a fully fleshed out form; at other times, it will be quite vivid, though fleeting.

Sometimes it will be very vivid of an overlapping ghost reality. Whatever is Conjured of a form, will be constructed from innumerable symbolic associations, which are derived from the memories of the Artist.

Everything that the Artist has ever experienced is stored within the subconscious, being the storehouse of memory. You then have a formula of: Emotion, Thought and Memory, which can be termed as the ‘Triangle Of Art.’ At the midst of the ‘Triangle Of Art,’ you have the ‘Eye’ of the ‘Imagination.’

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It is the inner eye of the imagination, which, of a ‘Paranoiac-Critical Method’ example, fuses the memory of a Fox with a human figure of, say, a Hogwarts Witch of a schoolgirl, which then creates something else of a St Trinian ‘Exquisite Corpse’ Conjuration, you could knit-together as a Manga version of a Japanese Succubus, known as a Kitsune.

This will of course require the Artist to have the necessary ‘observational’ memories concerning Japanese culture, which will be Conjured up automatically.

If not, the Artist will then have to rely on references. Whatever the case, when the Artist observes everyday events, it is not done in a haphazard way; the Artist has to make it a habit of consciously transforming what is being observed into a sketch, let alone a painting within his/her imagination.

The character of a Kitsune does not exist in a void; wherefore, her Conjuration will then generate associations with everything Japanese drawn from memory of ‘re-remembering.’

So, when the Artist manifests her upon the canvas, it will then lead to an associative world being painted around her.

The trick is, the stronger the emotional connection the Artist has with the initial Conjured character of a Kitsune, it will then lead to a free-flow association into her world.

The intensity of the creative act, is its self a form of meditation, and like a martial art, it best occurs when the analytical mind does not interfere. This requires that the emotion is felt by the body; in other words, the emotion is transmuted into a feeling, a shaman would say is felt by the heart, where the ‘power of (hypnagogic state) trance’ resides.

This then leads to a (Theta brainwave) state of automatism, where the Artist is not thinking about what is being painted, it just manifests via the (pentagram) hand, guided by the eye of the imagination.

With continued practice it can initiate vivid dreams, leading to a state of lucidity; this will in turn engender concordant synchronicities.

The experienced synchronicities will reflect back the symbolic focus of the Artist, who, when to observe the synchronicities, to take further of artistry, becomes as a Shaman.

However if an individual is unprepared for the feed-back-loop of synchronicities, which will reflect back his/her ‘symbolic’ beliefs, such as dreaming about a subject, to then, upon awakening, suddenly overhear a conversation about what had been dream’t, or even prior thought; as well as losing and finding items under mysterious circumstances, or seeing an email from someone, he/she was thinking of, before seeing the email, etc, said individual might just become very paranoid.

The experienced paranoia is a reactive state of the unprepared conscious mind, which is esoterically termed as entering ‘Chapel Perilous;’ basically, the mind attempts to come to an understanding of what is going on, based upon what has been learn’t, which invariably does not allow for such phenomena to be recognised, whereby his/her belief system starts to fragment, being the Nigredo stage of the Great Work of Alchemy.

This can initially lead to an individual believing that his/her life is being subversively manipulated by secret agencies of the government, to even see men in black around him/her upon a synchronicity, or to believe he/she is being pursued by malign Satanists, Biblical demons, or Newage-Gnostic aliens, who experiences assailing Illuminati nightmares, along with those who feed into the fear, whose ulterior motive is to exacerbate the paranoia even further, which of a hidden agenda is to enslave him/her within their ring-pass-not symbolic construct, etc.

The Nigredo stage will continue of disintegrating madness until the individual realises of an Albedo stage of inner Alchemy, that his/her (microcosmic) dreams reflect back himself/herself, and likewise the feed-back-loop of concordant (macrocosmic) synchronicity.

When to then transform his/her symbolic beliefs, the dreams of the individual and the experienced synchronicities will then accordingly change of an Alchemical Rubedo stage; whereupon the individual becomes aware of the reality of Magic in his/her life, which is the goal of the ongoing Great Work to evolve consciousness. Hence the Artist, Austin Osman Spare extensively practiced (automatism) automatic-drawing, which he made as his symbolic Alchemy of (metaprogramming) sorcery practice.

Alas, there is hardly any documented examples of his technique, apart from what he had described in his esoteric writings.

But the Artist Kim Jung Gi demonstrates what Spare was speaking of who is a supreme Martial Artist of the Arts. There will of course be those who to argue that Gi’s work is not automatic, which of commonalty is usually defined as a return back to a childhood spontaneity by many a so called Modern artist drawing scribbles a 2001 Space Odyssey ape can too doodle, or that of allowing the subconscious to chaotically take over, as if it is some David Icke reptilian with a planet X mind of its Freudian own, or otherwise equated with archetypal entities possessing a Jungian Artist.

Don’t get me wrong, I have nothing against Modern art; but it has far more to do with ‘who you know,’ rather than ‘what you know.’ However, Gi has the childhood spontaneity of being at one with his subconscious mind, like Spare, to such an extent that his inner Conjuring of various characters (spirits) and their (dream) worlds Gi is able to ‘vividly visualise’ with his inner eye of re-remembering onto paper, without using any references, let alone avoiding being esoteric about his artistry, which to freak out many a square mind, who make up the majority of the audience. In other words, Gi draws as a child would do, who can… actually draw.

There are those square brained sceptics who argue that a Conjuration of a spirit is merely Hogwarts fantasy, who, when to dare practice, gibber their rituals, read out of a medieval Playgirl grimoire in an empty room, seeing nothing appearing. Well, what do they expect, they are not thinking correctly, who to have quaintly forgotten that the Art of Magic is that of Art.

The trick is, you have to think and act like an Artist, to otherwise practice Conjuring a spirit onto a page, within a book of shadows sketch-pad, to thence draw of manifestation; but first, you draw within your mind, whence your inner eye to then guide your pentagram hand.

You will then have a Succubus Art Muse to appear amidst your Triangle Of Art Imagination, to seer the Muse taking on an Art Model life of her own of a drawing, the sorcerer Artist Austin Osman Spare to have known, who was aware that the drawn image has an interactive informational reality within the experienced dream.

She to then guide your winged eye of the Artist into her uterine tunnel of the Active Imagination, which of Art, is Sorcery.

As an Artist, you to stand as the creator at the centre of your Magic Circle of an Art studio, divided of four quarters, surrounded by your elemental weapons of a Wand of a Brush, Palette of a Shield, Sword of a Palette Knife, and a Cup, wherein the colours of your Art are mixed of Alchemy.

The Altar is your Easel, upon which be the canvas of a one time cave wall to paint with Metals suspended in oils, when to conjure up a quintessential Succubus Art Muse out of your Triangle Of Art imagination.

Her Mind-Doll form of a symbolic expression can be knitted-together of an ‘Exquisite Corpse’ Tulpa, which of symbolic Alchemy, will pertain to one of the seven planetary (Chakra) spheres of an archetypal influence.

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The initial two-dimensional image is then but a ‘doorway’ into your creative mind of an Artist, a conjured Succubus Art Muse to Symbolist inspire; who, depending upon your emotional intensity, may then manifest as a three-dimensional reality within the temple of a Surrealist ‘lucid dream.’

As a Sorcerer Artist, you might also observe that the conjured symbolism of a particular Succubus Art Muse within a microcosmic lucid dream, or that of a vividly imagined evocation, will generate concordant macrocosmic synchronicities.

Said synchronicities may lead you to meet up with a Muse of an Art Model, you have already depicted within a painting of oiled flesh, for yet another painting to model for, of Sorcery Art.

Such is what I explore of artistry, to take further of experimentation. Should you be one of those who to scream that you cannot draw, I am sure that you can draw a stick figure, like those depicted in Palaeolithic cave paintings, or likened to those of hieroglyphs, you can create as your colourful Sigils of Howling Conjuring.

NOTE: The video covering The Conjuring of Orobas oil painting is still a work in progress; I will do further video updates as the painting progresses, along with updates concerning my other paintings.

The above Pirate Girl Artwork, provisionally entitled: The Conjuring Of Pirate Girl Asmoday, is on sale. The original Artwork can be acquired from Saatchi Art. If you are interested, Please Click Here.

I am aware that my (unsane) work causes much ire to the square minded, who consider me to be quite insane. or to be verging on madness. My answer to the unimaginative squares is that of giving them the finger; while pointing at Dr Sidney Cohen. 

As for those squares who think I take inordinate amounts of drugs, I to quote Salvador Dali: – 

Others of rose-tinted-glasses often castigate my work as being vile pornography, whose politically-correct Thought Police square heads are up the slimy arses of those who consider my work to be far too tame, who of Biblical End-Of-Days entrenched tastes are moulded by Death Metal gore hedonism.

I care not for their Zoroastrian extremes of an Inquisitional puppet on a string Conquistador. (By the way, I did not get inspired by a stylish Juno Reactor video; my work has been around for some time on the Wyrd web to pirate tremble, long before said video using the crossed Keys symbolism, of a prior, 7th Gebo Rune [X] of [cross-bones] trance ingress into the [skull] dream, to make Shaman Chaos Magic lucid; wherein a horned Odin to Galdr conjure [Anima/Fylgia/Fetch) Valkyries via his Druden Runes of a meditative focus.)

The above is an example of a book cover, whose title is self explanatory. The Succubus Evocation book is presently available on Amazon, for Kindle. The book is designed along the lines of a Grimoire. Check out the Books at:...

Hence I will not pander to the brainwashed Shekel minds on many a cultic forum, whose brains are being upended by egocentric Zombie Shills, which of Samsara Psy-Ops, feeds their brain-dead competitive hunger for brainless attention! 

There will always be vampiric arseholes, around the quarters of the wheel, whose elemental attacks are aimed at affecting your internal self-image. Their attacks can only affect you, if your internal self-image is wounded in a particular elemental quarter of the wheel, whether it be how you see yourself physically, mentally, emotionally or spiritually, or all four of varying past hurts, which gets you to react at the midst of the elemental wheel, to unbalance. 

One such attack could be that of you being called commercially shallow, by an individual, who of protest sets about giving stuff away for free. However, human nature being the way it is, said individual is then faced with others taking up all his/her time, to the point of being utterly vampirised.

Whereupon of a predictable outcome, the individual tells all, not to ask him/her anymore for freebies, who sets up shop somewhere else under another name, who to now charge for his/her time and effort, when to come to the realisation that there has to be a balanced exchange of energy, let alone remembering what he/she had previously labelled you as; whence, when to look in the mirror he/she sees himself/herself as being a hypocrite.  

Over time you will notice that the attacks are tied in with periodic synchronistic feed-back-loops, which reflect back how you see yourself deep down; whereby validating the existence of your wounded self image, which you can gain an insight into, when to (Nagual) dream. 

For example, Carlos Castaneda’s shaman mentor, Do Juan Matus termed the arseholes as being Petty Tyrants, who, reveal where you are hurt around the wheel; this is of course not their intention, they just want to fuck you up of a vampiric Samsara power game.

When you eventually heal your wounded self-image, (hence the terminology of Wounded Healer for a shaman) the synchronistic feed-back-loop accordingly changes; this then leads to the Petty Tyrants crap being returned! (Healer, Heal Thyself.) 

Should you be in a position to observe the Petty Tyrants, such as on a cultic forum, for example, you can then sit back and watch the Petty Tyrants being hit with their own mirrored back shit, who will be faced with arseholes like themselves; for like attracts like, which then leads to their dialogue rapidly disintegrating. 

The same applies, when to look at the bigger picture of an election, to observe of an insane circus, whose two elitist clowns reveal that democracy is an illusory facade, which, when recognised you can wake up from; but for there to be any change, it would require everyone to see it. 

When to see the arseholes for what they truly are, they will invariably spontaneously combust into expletives saying that they are being psychically attacked, let alone cursed, etc, but the curse be their own selves of an affliction, they seek to afflict others with, of schoolyard Psy-Ops ego games.  

    

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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

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But as per usual, the female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up butch incubi, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the feminine principle of the ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Juliette Greco in the title role of Belphégor.

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your… third eye!

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DOCTOR STRANGE AND THE ANCIENT ONE OF AN ANIMA

Posted in Art, Chaos Magic, Comics, Film, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 10, 2016 by FAUSTUS CROW

The Marvel comic character of Doctor Strange was forged during the rebellious Hippie era, which of an underlying Newage Zeitgeist fixation since the mid to late twentieth century had an alternative focus upon the spiritual disciplines of the far East. Hence you have Strange seeking to become the apprentice of an old Tibetan sorcerer known as the Ancient One.

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There are still many a Hippie around of rebellious attitude, remembering the 60’s-70’s anti-war  protests, who as fans of Faustian Doctor Strange, consider the nigh psychedelic sorcerer supreme as representing their bygone youth, when to have first read the books, written by Carlos Castaneda, about his sorcerers apprentice experiences with the Ancient One called Don Juan Matus.

Many of the present comic fans are unaware of the Hippie zeitgeist roots of Doctor Strange, but as an archetypal Faustian mage, he would be generally associated with the likes of Lord Of The Rings, Gandalf and Harry Potter. As for the non comic fans, they are unconcerned about the social engineering machinations of Marvel and Disney, concerning the transformation of the Ancient One into a female Celt, using Kung Fu.

Let’s say that the transformation of the Ancient One into a Celt, may be referring to the genetic findings of the Human Genome Project, which has recently discovered that the Celts originally came from Siberia, not Europe as first thought. Whether the Doctor Strange script writers are referring to the Human Genome Project findings is debatable, though unlikely. Whatever the case,  the Stone Age ancestors of the Celts apparently lived in the region of Lake Baikal to the Altai region more than 30,000 years ago.

For example the historians had previously believed the early Britons were mainly made up of Celtic incomers from Europe a few centuries ago. But study of Celtic DNA indicates a strong connection with the nomadic people known as the Kets of Siberia, rather than anywhere in Europe. Wherefore the ancient ancestors of Doctor Strange are Siberian migrants, whose original homeland is the realm of the shaman.

As for the Altai region of Southern Siberia and central Mongolia its locale has been identified as the point of origin of a cultural enigma termed the Seima-Turbino Phenomenon. It is conjectured that changes in climate in this region around 2000 BC and the ensuing ecological, economic and political changes triggered a rapid and massive migration westward into Northeast Europe, Eastward into China (Tarim basin mummies) and Southward into Vietnam, Thailand and even Japan, whose animist culture gifted the world its Manga and Anime.

There are also indications of far earlier migrations from the Altai region unto Lake Baikal, when a great inland flood afflicted the area, around the time of the demise of the Great Mammals. Whether there were any migrations into Tibet, is of course open to imaginative conjecture, right out of the highly innovative film Inception.

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You also have fabled Tibetan land of Shambala, which some to believe is actually situated in the Altai; although Shambala primarily appears as a mystical conception, rather than a geographical location, which of a mystique has since been used in many a film.

Curiously, although the tale is known now as a Tibetan myth, it seems that it was first recorded in AD 966 in India, where the nomadic Aryans had long ago flocked into.

The Buddhist Kalachakra tale tells of a (Shangri-la) land behind the Himalayas, ruled by a gracious King Sucandra, who was the first to learn the Kalachakra doctrine from Buddha Sakyamuni himself. A number of European believed Sucandra was a Celt. May be the Doctor Strange writers are alluding to a Celtic Sucandra who they have transformed into a female Ancient One?

No! Probably not, since a Celtic Sucandra dates back to Madame Blavatsky’s infatuation with root-races, which inspired the Nazi regime’s infatuation with finding a white, blond haired, blue-eyed Nordic super-race in Tibet, looking like Tilda Swinton.

If the Nazis had known of the Altai burial sites, it would have given them the dire shits. The Altai burials revealed mummies, whose DNA are of a most colourful ethnic mix, of similarity to those of the Tarim basin site; so, the eugenic perspective of a distinct ethnic identity, such as a Celt, or even Aryan does not, and never did apply, when looking back into the far distant past. Both the Celts – Aryans were nomadic tribal people who liked to wildly party, mixing a lot with other peoples genes they had come across, which would piss off Baron Mordo.

Should you deem that the Doctor Strange script writers are referring to the Human Genome findings that the Celts were in fact Siberians, which then leads to the Tarim basin mummies of China, etc; It will be very difficult to communicate these ideas without getting tied up in the ugly knot of racial politics, which to have afflicted the so called modern age. One thing for sure, it  will not go down at all well with the Chinese authorities, who might interpret Marvel and Disney to be saying that the European’s were in Tibet before China.

Whatever Marvel and Disney to say to the contrary of slippery tongue twisting, it is somewhat obvious that they are attempting to appease China by not having the Ancient One as a Tibetan, to then use the neuro-marketing balm of political correctness by transforming the Ancient One into a female.

The reasoning for the gender change is that of negating any potential protest from the fans, whose protesting will be rapidly drowned out by Bible thumper Oprah Winfrey, and her Fifty Shades Of A Dormammu ‘Animus’ Grey sisterhood. Their growing P.C. brigade multitude are no doubt jumping up and down in joy, for their feminist cause, wielding Thor’s hammer, whirling as a pink Swastika.

However, the Chinese authorities will probably not be too impressed by Marvel and Disney transforming a Tibetan into a Celt, which might be seen as being far worse than their political pandering. The Chinese audience might just question, “why did you not have Doctor Strange go to Britain, Scotland, Wales or Ireland, since you have transformed the Ancient One into a Celtic female?” But said Celtic migratory locales are probably considered to be not exotic enough by Marvel and Disney.

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It thereby would have been better to have had the Ancient One as an Altaic Siberian; alas, Marvel and Disney’s idea of diversity, gave the role to Tilda Swinton; who as a female symbolically represents the ancestral (Anima) Soul of Dr Strange that the Dormammu ‘Animus’ worshipper, Baron Mordo and his minions seek to destroy.

Then again, may be that is exactly what the writers of Doctor Strange are attempting to indicate, as to an Altaic soul source of the Celts; whereupon you have him journeying to the far East to discover an ancient Altaic ancestor who had migrated into Tibet, due to a prior flood hitting the Altai. Although, if to go more esoteric, it would be unlikely Marvel and Disney will allow for the Ancient One being depicted as the ‘Anima’ soul of Doctor Strange, since it would be just too succubus sexy for them to handle. But if they do take this symbolic road, it would get Marvel and Disney out of a very deep hole concerning a potential political backlash from China, which will cost them dearly, along with the writers being given the boot! Anyway, apart from all the symbol crunching, I hope that the film will be a huge success, since Doctor Strange is one of my favourite comic strip characters.

NOTE: “I would like to point out that I am not a Social Justice Warrior whose general P.C. attitude I find to be distinctly Enatarte Kunst Fascist; and what is more, the third-wave feminist politics of Social Justice Warriors can be very easily used against them, such as having a female actress playing the part of a male character, behind which a primarily monetary driven decision is hidden.

I am far more interested in C. Robert Cargill’s comment, who compared the process of casting The Ancient One to Star Trek’s ‘Kobayashi Maru,’ which I find intriguing. The Kobayashi Maru is an unwinnable test, which was first depicted in the opening scene of the film Star Trek II: The Wrath of Khan and also appears in the 2009 film Star Trek.

As for the name, Khan, it is the shortened version of Khan Noonien Singh, whose fictional Star Trek character alludes to the historical, Ghengis Khan, who achieved eventual domination over China; yet for some Chinese he is considered to be a heroic figure, even though he was Mongolian. In the fictional universe of Star Trek, Khan is depicted as once controlling more than a quarter of the Earth during the Eugenics Wars of the 1990’s.

World War II can be seen as being am actual Eugenic War due to the Nazi’s having a infatuation with eugenics, which of a warped pseudo-science, was first extensively practiced in America, during the early nineteenth century. Many at the time considered the blond, blue eyed Aryan to be the racial ideal, which of a self-inflicted Kobayashi Maru curiosity, you have an Aryan looking Tilda Swinton, playing a Celtic Ancient One, even if she is bald. 

In Star Trek, James T. Kirk took the Kobayashi Maru test three times while at Starfleet Academy. Before his third attempt, Kirk surreptitiously reprogrammed the simulator so that he could beat the unwinnable test. Despite having cheated, Kirk was awarded a commendation for ‘Original Thinking.’

So, if Cargill was to otherwise translate the ‘Kobayashi Maru’ into that of a script, it would have mean’t, like Kirk, that he would have had to totally (reprogram) rewrite the Ancient One. Let’s work with Cargill’s Celtic depiction of the Ancient One; since Cargill has transformed a Tibetan male into a Celtic female, it would then lead to a further ‘reprogramming’ of the original story-line by having Doctor Strange finding himself instead in Britain, Wales, Ireland or Scotland rather than… Tibet. 

Heck! Cargill could have done a tricky Kirk number, by using the Newage mystique of Glastonbury Tor being associated with Shambhala; he could have had a forlorn depressed Strange finding himself amidst Glastonbury festival on his travels, to then be dragged off by a wild eyed Druidess, up and around the Serpentine spiral of Apple isle Glastonbury Tor. That would have been really way out, with all those glowing Ley-line dream roads webbed out around ancient stone circles, lit up like exploding stars going Matrix style; though far more psychedelic of innovative Doctor Strange visuals, having no reference to Inception whatsoever.  

Instead, Cargill’s Celtic female, played by a blond haired, though bald, blue eyed, Tilda Swinton is discovered in Tibet. This is somewhat of a self inflicted Kobayashi Maru, since it will be associated with the Nazis swarming all over Tibet, who were seeking out a blond haired, blue eyed super-race, while being best buddies with the then Japanese Empire, whose military might was causing total havoc in China.

Wherefore, if Cargill is attempting to appease the Chinese authorities by transforming a Tibetan into a Celt… in Tibet, he has very likely stuffed himself up his own Kobayashi Maru. The Chinese authorities will be really pissed off, big style. 

Would Cargill make such a silly creative mistake, which could cost Marvel and Disney very dearly, or was the trailer an Occult-Blind? I guess the only way to determine this is to see whether Marvel and Disney are making any prior cut-backs to their business empire, in order to nullify any potential business losses concerning China’s backlash.

No! Cargill wouldn’t have made such a big mistake, his script would have been gone over with a fine tooth comb by the hierarchy of Marvel and Disney, since it is historically well known that the Nazis were searching for a Tilda Swinton super-race in Tibet, which of a eugenic agenda will really piss off the Chinese. Therefore, the trailer, must be an Occult blind!? 

Perhaps Cargill has assumed the mantle of Carlos Castaneda, to have instead depicted the Ancient One as a female version of Don Juan Matus, who just so happens is a wannabe Navajo; she is actually a Celt living on the Four Corner reservation selling trinkets to tourists. The Ancient One had been prior apprenticed to an ancient Toltec Skinwalker, who bestowed immortality upon her, which is also a curse; so that she will never forget the near genocide of a prior holocaust the natives had suffered, whose children had been forced into missionary schools to learn the ways of the foreign invaders.

Let us go even further; the Ancient One is a Chinese sorceress who had long ago emigrated from China to America around 1,300 BC – nearly 2,800 years before Christopher Columbus arrived at the New World in 1492. Said scenario is based upon highly controversial ancient Chinese styles of the scripts, which have been discovered in North America. Or you could have the Chinese sorceress sailing with the fleets of Admiral Zheng, who is conjectured to have visited the Americas prior to Columbus, and that the same fleet circumnavigated the globe a century before the expedition of Ferdinand Magellan. 

These scenarios would really get the Yuan flowing into the Marvel and Disney coffers. let alone greasing up the smiles of the Social Justice Warriors, who will also be writhing in ecstasy at the thought of the Ancient One being gender bent into a female. 

But what of a backlash from the European market? There wouldn’t be too much protest if at all; but if so, a middle ground can be found. The Chinese sorceress can be otherwise seen to have emigrated to America during the 1850’s, at the time of the California gold rush. San Francisco was only a transit station on the way to the gold fields in the Sierra Nevada. According to estimates, there were in the late 1850’s 15,000 Chinese mine workers in the ‘Gold Mountains’ or ‘Mountains of Gold.’ You also have the transcontinental railroad, which was mostly built by Chinese labour.

The Chinese Ancient One is a Huli jing (狐狸精; literally: “Fox Spirit”), Huxian (狐仙; literally: “Fox Immortal”), or Jiuweihu (九尾狐; literally: “Nine-Tailed Fox”), basically she is a Succubus, who as a Tantric Wu (shaman), takes up residence in San Francisco’s Chinatown, where a psychologically wounded Doctor Strange stumbles into her upon a synchronicity.     

May be Marvel and Disney have utilised the expensive trailer to make the audience believe that the Ancient One is a female Celt in Tibet, using rejected Inception outtakes, knowing full well that it will stir up an ongoing controversy and in turn a buzz; whereas, a few among the Chinese movie hierarchy know the truth. This is of course totally implausible.

But, if Cargill had depicted the Ancient One living on an American Indian reservation as a Tilda Swinton European seeking redemption, or as a Chinese sorceress in America, the authorities in China will lap it up, wanting more. He would have then beaten the Kobayashi Maru, smiling all the way to the bank.      

But, let’s say that Cargill has stuffed himself up his own Kobayashi Maru; how will it then affect the rest of the Marvel movie franchise, concerning a Doctor Strange tie in with their other MCU characters? Well, if Cargill has indeed stuffed it up, the MCU franchise could crumble very quickly indeed, should China back out of the equation. But, China, being very business savvy, might just use the situation in order to take over Marvel and in tun Disney, whose media empire spans the entire globe.

Should Cargill have Kobayashi Maru stuffed it up; Marvel and Disney could potentially avert total MCU disaster by having the Ancient One as being the ancestral ‘Anima’ (female) soul of Doctor Strange, and that its Celtic source originates from the Altai, which had long ago been afflicted by an inland flood. The prehistoric catastrophe led to those few survivors migrating into other lands, some of whom found themselves in Tibet; one of them being… the Ancient One. 

Anyway, if Marvel and Disney are Over-Watching, I am available for any ‘financially lucrative’ creative work put my way.” 

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OUT OF BODY LUCID DREAMS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 1, 2016 by FAUSTUS CROW

The driving force behind much of my art and writing is the number of ongoing personal experiences I have had concerning the Out Of Body phenomenon and lucid dreaming, which of inner experiences also correlate with the observation of concordant synchronistic phenomena, along with what can be construed as being paranormal events.

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I have the tendency to utilise the technical term hypnagogic trance when to speak of attaining conscious ingress into the dream. The hypnagogic state is not a mysterious occult force; hypnotherapists seek to induce hypnagogic trance in their patients, which is an altered state of consciousness, shamanic practitioners are highly adept at inducing in their own selves of auto-hypnosis.

A number of artists throughout the ages have also engaged in inducing hypnagogic trance, whether knowingly or unknowingly, of varying degrees of intensity when creating works of art, since the nigh meditative creative process can induce a theta brainwave in the artist, which is associated with the inducement of hypnagogic trance.

TAROT: HIGH PRIESTESS II: How To (Hypnagogic) Hypnotise All, Via ‘False Flag’ Shock Hypnosis.If you are interested, Please Check out the Succubus Art Book Grimoire: Click Here.

Hypnagogic trance can also be induced via shock hypnosis at the collective level, should there be a mass focus upon a shocking occurrence, which can be prior orchestrated of a subversively engineered false flag event, let alone being able to engineer an associated End-Of-Days mass-media focus on 2012.

When to inadvertently access hypnagogic trance at the point of sleep, it sometimes involves the experience of sleep paralysis as well as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience.

The Old Hag Syndrome of an assailing nightmare can be otherwise transformed into a Night-Mare Succubus to ride, as your Mind-Doll Dakini, whence she to carry you, without moving, Out Of Body, wherever you desire to go, throughout space and time within a lucid dream.

Whatever is experienced when accessing hypnagogic trance will be determined by what you take in with you of an inner narrative of beliefs, which is often subliminally influenced by your culture. An analogy is somewhat akin to your beliefs determining what you tune into of a TV program, which you will then enter into as a fully interactive lucid dream. The dream reflects back your inner narrative; wherefore if you transform the narrative, you can reprogram your dreams.

Numerous others have also experienced this phenomena throughout the ages, such as the author and researcher Michael Raduga, who otherwise brands the hypnagogic state as being what he calls, The Phase. Raduga has come to the realisation that the hypnagogic state has been hijacked by various religions; most notably by the trinity of Abrahamic faiths, whose shared symbolic dialogue determines the narrative of the inner experience for many across the globe, which can be further manipulated via orchestrated false flag events.

Raguga has also noted that the religious narrative has been transmuted into the viral-meme arena of science fiction, where machismo Angels and butch Demons have been transformed into Aliens, which is essentially a continuation of the religious programming.

In other words, whoever controls the symbolic narrative can thereby determine the programming of many minds; this would be subversively engineered in order to sustain the established religious structure, which is very much entwined with the present New World Order centralist politics of society; wherefore, those who control the narrative will not want the masses questioning it. The primary means of negating the questioning masses is to make them fear the inner reality of their own minds; hence the war on drugs for example.

The question is, how far would the controllers go in sustaining their symbolic Matrix, wherein many a mind is being subversively programmed and thereby imprisoned, without ever realising it?

Well, you would need to look into a possible physiological factor involving dreaming in order to determine how far the controllers would go, such as looking at the pineal gland for example, which is otherwise known as the third eye by ancient mystics.

The scientist Rick Strassman MD has determined that the pineal gland is inextricably entwined with dreaming and other associated altered states of perception, which may be due to the pineal gland alchemically producing the schedule 1 drug, N,N-Dimethyltryptamine (DMT or N,N-DMT)  within its one time vestigial eye of an amphibian ancestor.

This is the reason why ancient shamanic adepts of hypnagogic trance inducement were symbolically represented as being amphibious creatures such as toads or as reptiles of varying kinds, as well as fish.

It just so happens that the mass fluoridation of the water supply with the known neurotoxins and mutagenic compounds, fluorosilicic acid, sodium fluorosilicate, and sodium fluoride specifically targets the pineal gland.

Whereby you then have a number of neurological disorders afflicting the industrialised nations, who practice fluoridation since the end of WWII.

Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality. They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

The fluoridation chemicals calcifies the pineal gland over time, whereby leaving it inoperable; hence potentially cutting you off from experiencing what Raduga brands as The Phase.

You could thereby conjecture that the ruling elite are attempting to transform the mass populace into easily programmed robots who will not question the symbolic Matrix, which imprisons their minds. If you consider such conjecture to be just a crazy conspiracy theory, you are still left with the unavoidable fact that a criminal mistake has been made!

NOTE: Michael Raduga and Rick Strassman MD have their own symbolic narratives, which influences their research into the nature of consciousness. On one side of the coin, you have the Russian entrepreneur, Michael Raduga, who takes a Newage approach to his investigation of The Phase phenomena; he utilises the scientific method as much as possible, which is of similarity to much of the prior Soviet psychotronic research; his particular symbolic narrative is summed up by his scientific sounding brand term, The Phase. 

On the other side of the coin you have the American scientist, Rick Strassman MD, whose symbolic narrative is heavily influenced by Judaism in particular, and in turn the Bible, who is on a personal quest in order to determine what the Biblical prophets had tuned into of an inner reality, which is very popular among a number of Judaeo-Christian American’s; his brand term is the religious sounding, The Spirit Molecule. 

As mentioned prior, your own personal narrative determines what you internally access, which can be subversively influenced by your surrounding culture; hence, whoever controls the collective narrative of your culture on either side of the coin can thereby influence the mass population’s perception of reality; this is very much the case when brand terms are aligned with already established archetypal influences. 

In order to determine who is promoting a symbolic narrative at a collective level, you follow the associated strands of an underlying money trail to find those who own and run the mass-media show, which is somewhat self-evident when looking into the media machine of America. 

For example, Rick Strassman MD is part of a bigger narrative web of associative correspondences, which hearkens back to the psychedelic hippie era, of a more cohered form, whose orientation is nigh Gnostic of a symbolic paradigm. 

The evocative branding of an altered state of abstract consciousness, whether it be The Phase or Spirit Molecule, is that of an art form. The form the symbolic narrative takes on either side of the coin of an open-ended or closed system is determined by the creative potential of humanity, which is essentially that of art. 

The practice of art is indivisible to the practice of magic, they are one and the same. So, if you do not want to be programmed by subliminal influences, or to otherwise transform them of symbolic alchemy, you need to become aware of the inner Artist within you; for it was the shamanic practitioner of trance who was the first Artist, who knows how to lucid dream. 

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SORCERY ART COOL WORLD LUCID DREAMING

Posted in Art, Chaos Magic, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 18, 2016 by FAUSTUS CROW

Visualising a mind-doll to sculpt of consummate thought form amidst the triangle of Art Imagination, to thence conjure, of manifest painting, is an act of sorcery.

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This is more so the case when the imagined Artist’s model indulges in an Active Imagination intercourse of an internal dialogue, with her conjurer, who as a Muse, inspires the Artist as his created ghost.

Should this sound far too strange, it is because you have not, as yet realised your potential as being, an Artist, perhaps such is never to be your arena of exploration. You will find that most Artists create imaginary characters, and other imagined creations of varying degrees of visionary intensity in order to manifest them of artistry; it is essentially what magic is about. Those who say otherwise are just followers of the Artists creations who indulge in religion.

The Artists imagination is unfettered, like that of a child looking upon the world for the first time, which of Art manifests as bright incandescent colours, nigh abstract of non consceptualised form; some believe this to be the unsullied source, unblemished by the morass of life experiences, being the first language of a symbolic perception.

But it isn’t; though that of the foundation stone, it is not the temple. The problem however, is that the foundation stone of the first language is forgotten as the temple of further conceptualisations is built over time.

Whereupon, the temple becomes that of a fixed tunnel reality of a mundane perception, which afflicts many an adult and society in general who feel as if they are in a Plato’s cave of a drab prison.

This state of being is often exacerbated by religious perceptions, which are nigh unchangeable of a Matrix of symbolic prison bars, whose hold over the mass populace is perpetuated by the indoctrinated generations over great stretches of time; hence brainwashed.

There are those who believe that their temple needs to be totally pulled down so as to return back to the first language of the abstract child, likened to that of returning back to the blissful ignorance of an innocent Eden before sentience was attained. Alas, the perception of a child cannot survive for long in this world; hence the sentient creation of the temple in the first place.

The answer lies in the Da’at Apple lore ‘Knowledge’ to question how the temple of further conceptualisations was created of sentient observations over time, which leads you to the first shaman of the painted cave who as a horned Artist knows that the way out of Plato’s cave is to go internal.

The shaman is aware that a two-dimensional image can become as a three-dimensional interactive reality within a ‘Cool World’ lucid dream.

For a shaman an image symbolically encapsulates the spiritual (energy/informational) essence of what the shaman is focusing upon of artistic creativity, which of a conceptualisation is a living reality within the symbolic interface of the dream.

Those who do not understand that a two-dimensional image can become as three-dimensional reality within a lucid dream will invariably misunderstand Palaeolithic cave Art; for they have forgotten how to dream, which invariably leads to labyrinthine intellectualisations about cultural influences, that reveals they do not have any personal experience of the internal reality.

The same can be said for the present practice of Art, whose creations are religiously pumped out for the mass consumption of the worshipping masses; much of which has become totally disconnected from the internal reality of the dreaming shaman.

The shaman is not a child, but he/she is very much aware of the first language form of the child, which is that of the unfettered imagination; whereupon, what artistic conceptualisations are further created know no limits.

Whence, the shaman Artist conjures up two-dimensional creations into a three-dimensional-reality within his/her dreams, which enables the expansion of consciousness to go beyond the established conceptualised limits, by creating new concepts; many of which can potentially lead to Art movements and ensuing social changes.

For example, a sorcerer Artist can personify a concept as being his Art Muse, of a conjured Succubus, who visits him within his lucid dreams; whereupon he attains ingress into her Art studio of a painted Parisian cave.

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In other words, if the sorcerer Artist had created a Succubus to personify another temporal place or epoch of time, to time-travel remote-view, or to be of some other planetary sphere or alternate Earth, etc, he will be able to access what she symbolically represents within a lucid dream, when to conjure her, of an ‘Anima’ fluctuation.

Some to say, that you should not dally with entities; but you do so whenever your quantum computing brain dreams up its created virtual realities, populated by your creations, a Tibetan Buddhist would term as being Tulpas, which, when becoming lucid, you can consciously engage with. Others will argue that the entities of the dream are discarnate personalities, that, or other dreamers, or even another order of intelligence, etc. All can be true, or not as the case may be of varying concepts, which of a personal truth will be determined by the (Da’at) beliefs you have.

Your Da’at beliefs will in turn determine what you tune into within the dream of ring-pass-not limits. But if you so choose to of artistry, you can seer beyond them, by metaprogramming your own brain.

But if you otherwise worship your programmed concepts to not question, of a religious fixation, you will be ‘imprisoned’ by your own beliefs, which, should you ever decide to fathom how they were first formulated of a temple creation, you will duly find the horned shaman Artist.

Suffice to say, a conjured Artist’s model of an exotic otherworldly Succubus does not require any Shekels to hire her rather expensive services. Although, it does require the Artist to hone his Visualisation skills as well as exercising his Active Imagination, let alone remembering his ‘Cool World’ dreams. But then, such a skill set is part and parcel of his sorcerer vocation as a shaman Artist.

Basically, Art and Sorcery are indivisible from the other, they are one and the same of Shamanic practice, which is otherwise termed as Magic, Witchcraft or the Occult, etc. You only see pigeonholed differences between these terms because the terminology commonly conjures up a symbolic language of trained associations. But it is that of the shared ‘techniques’ of consciousness expansion they employ of a ‘foundation stone,’ which unifies them into Art; wherefore a sword is a pencil, a wand is a paint brush, your pentacle, the canvas, of a one time cave wall.

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DOCTOR STRANGE CONJURES THE FRENCH MAID SUCCUBUS VALEFOR

Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Film, Ghost, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 16, 2016 by FAUSTUS CROW

The Sanctum Sanctorum of Doctor Stephen Strange’s brain felt like it was full of broken glass tearing away at the insides of his cracking skull; he needed some help with the messy thoughts, which cluttered the labyrinthine rooms of his memories. But Strange’s psychic counsellor, named Wong, was no longer at the other end of the phone. Wong had discharged Strange as his client sometime prior, after a number of unpaid bills, who last mentioned that the tortuous folds of Strange’s brain really needed a woman’s touch.

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Strange felt a panic attack coming on, before attempting to relax into his armchair, while listening to a cursed radio, which he knew was nigh fatal to the touch due to its bad wiring. His eyes drifted towards peering through the window, out of which it appeared to be constantly raining. Strange thought that his wardrobe was winking at him as if it was a gateway to a demonic realm, whose inner shadows moved of half-lit forms by the red light of a flickering flame table-lamp, which seemed to be composed of actual serpents. The light of the lamp had a soothing affect upon Strange’s mind, which was accompanied by the fiery coils burning in his magical furnace of an electric heater, whose wrought iron work he imagined had been designed by the shaman smithy, Horguun, to contain the Vril-ya flames of the Faltine

Strange slowly sifted through his tangled memories, all of which were as a mystical library collection of scattered books, buried deep within his subconscious crypt of occult artefacts; such as the book of the Vishanti, the book of Morphesti, the book of Demonicus, the book of Eibon and the tome of Oshtur, as well the Scrolls and grimoire of Watoomb, the Kartkuthi, the Scroll of Eternity, the diary of Kenneth Ward and an unpublished manuscript by the occultist Dion Fortune.

After a time he remembered leafing through a gnarled grimoire, entitled the Goetia, written and illustrated by the mad sorcerer Faustus Crow, out of which he decided to conjure the sixth spirit therein described as being a mighty Succubus Duchess, called Valefora.

Strange considered Valefora would be fit for the task, to clear up his messed up thoughts, due to her being described as manifesting as a French maid.

Strange’s conjuration of Valefora amidst his Triangle Of Art Imagination, involved him visualising the Window of the Worlds, which he termed as the Anomaly Rue, or the Seal of the Vishanti, which corresponds with his third eye. Strange imagined conjuring Valefora via the window by imagining her seal drawn upon its surface of liquid mercury, becoming thence as an inner Stargate.

As he did this, he also imagined holding the Orb of Agamotto in his left hand, while holding the Wand of Watoomb within his right hand; upon his index finger he wore the Ancient One’s ring called Dragonfang.

As Strange mediated of visualisation, he intoned Valefora’s name over and over again as a mantra, of a Tibetan dream Yoga technique, until he attained hypnagogic trance; whereupon he then slid into conscious dreaming, wherein of an induced lucid dream, Valefora manifested before him as described in Crow’s Goetia.

Valefora related to Strange within his lucid dream that she is not shy of any hard graft, who will work her ‘Ass’ off for him as her master. He found her to be a most loving Ghost Girl Familiar whose temperament is likened to that of a sharp clawed Lioness, who softly bit his lip, ever so feline, upon a kiss.

Strange was aware, that as a poltergeist she is often tempted to teleport valuable artworks from faraway places, as well manifesting coinage, which has been acquired across space and time. But in doing so it could potentially lead to Strange being accused by the law, of obtaining the rare artefacts via undue means, in order to desperately pay off his growing lawyers bills.

However, Valefora revealed, though a thief, she is more so, an Art Muse, who inspires of acquired ideas from other times and places, which are gathered from Strange’s own myriad alternate selves, who exist upon alternate Earth’s, occupying parallel universes. “Its all to do with gravitational waves,” she to have said, “it is how alternate selves communicate with each other, via electron dreams, who exist in parallel universes.”

Soon after Strange’s successful lucid dream conjuration of Valefora, she started to haunt his large and spacious townhouse situated at 177A Bleecker Street, New York City, NY 10012-1406, on the corner of Bleecker Street and Fenno Place in the art ghetto heartland of Greenwich Village.

Strange could hear her voice of clairaudience, “I am so very happy to be here master,” she said, “while cleaning up your house, which of an environment mirrors your quantum computing brain, housing your mind, I discovered that it is a focal point for mystical energies, whose nerve centre of twelve intersecting Dragon Ley lines runs deep beneath its reptilian brain-stem foundations.”

Valefora continued with her ghostly revelations; “I also found that Years before any permanent Western European settlements, a powerful Native American Indian Shaman cursed this land to bind the great whore of Chaos Magic, called, Tyanon to this place and bar her full access to Earth, until a sorcerer, such as yourself, releases her to wreak justice upon the Abrahamic cultists who oppressed his people. This site continued to serve as a place for arcane Native American Indian rituals. Shamans of the Wappinger tribe were also known to journey here for vision quests.”

Valefora then said, “with the arrival of European colonizers, the site became used for pagan sacrifices. Before any permanent structures were built upon the land, it was used as a Potter’s field; a mass grave for paupers and inmates from New York’s first penitentiary, Newgate Prison. Those European colonists who had first built on the site were the ancestors of Baron Mordo, which housed a Satanic cult, performing human sacrifices. The original structure was destroyed in a fiery blaze, as were the subsequent five buildings on the same plot of land. Over the years, the various buildings were again used as a lair by an ancestor of Baron Mordo, who was a Puritan Witchfinder, he abused innocent native girls in the basement; later it became a notoriously bacchanalian speakeasy, as well as being used as a flophouse for druggie beatniks.” 

Valefora to thence whisper,It was eventually transformed into a nunnery by the Chaos Unitarian Nuns Templar, who worship the Crow God; they still have psychic ties with this place, whose Grand Abbess initiated the building of the current structure, which is actually the seventh Chakra building constructed upon this site. The occult architect and details of its structure remain shrouded in intrigue due to the nuns mysteriously disappearing during a raging storm, when celebrating Walpurgis night.” 

Strange felt Valefora’s lips seductively caressing his left ear, as she said, “the building itself continues to grow and change of artistry; it ever seeks to express its Tyanon self; becoming as a gathering place for the Widdershin Wise kindred.”

“I know that Baron Mordo and his politically correct followers are attempting to stop your Entartete Kunst plans to artistically transform your house into a Tantric lap-trance-dance club, to call the… Succubus Club.” 

Valefora lustfully spoke. “Because I am in your head, as a Muse of your dreams, I know the real reasoning for the Succubus Club, which of an occult design was initially initiated by the Grand Abbess, who had magically summoned you to release Kali-ma Tyanon via her Dakini Familiar, who I be, of a Succubus sorority.” 

“Hence, you to have then conjured me. But Fighting Mordo in court is rapidly consuming all of your finances. Don’t worry master, I, myself, and my ten legions of Succubae Ghost Girls will lovingly help you with achieving your most sacred goal.”

Valefora to have then said. “Whenever you need me, just meditate upon my Seal prior to conjuring me into your lucid dreams, I will appear, whether you will continue having me as a French Maid Familiar, or not. I am your deepest desire.” 

Strange then saw ghostly Valefora walk towards her warded Genie box of an abode, which he had created for her Seal, painted with his seed, upon parchment; before she left, to obediently return, whenever summoned, she said. “But as for all your enemies, such as hypocritical Bible thumper Baron Mordo, I will place a hanged-man’s noose around his Illuminati neck. It is they, your enemies, who will see another side of me, which is purest… Nightmare! Hear my Banshee scream, Mordo… I don’t like you.”

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