Archive for shaman

GREEN WITCH ABSINTHE

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 30, 2018 by FAUSTUS CROW

Artemisia absinthium, is the scientific name for the plant called grand Wormwood, which is the main ingredient of the alcoholic elixir called Absinthe. Wormwood is a species of Artemisia, which is native to temperate regions of Eurasia. The ingredients of Absinthe also include green anise, sweet fennel, and other Witchcraft herbs.

(The Artwork Above is available as an Art Print, which depicts a female version of Mephistopheles. If you are interested, please Click the Image Above to see the Full Artwork and for further details.)

In Witchcraft lore Artemisia absinthium is associated with the planetary sphere of fiery Mars and the elements fire and air. Due to the association with Mars you also have the correspondence with the colour red. Also when the colour red is intensely stared at, it leaves behind a green after-image when your eyes are closed, and likewise when green is stared at, it leaves behind a red after-image.

As for the name Artemisia, it is derived from the name of the ancient Greek Goddess Artemis, whose sacred animal is a Bear, which is often associated with female shamans, especially across Eurasia unto Hyperborean Siberia. (There are many names for a male shaman in Siberia. But there is only one name for a female shaman, which is Udagan, meaning a Bear. Udagan also has associations with a fire, specifically the hearth.)

Shamanic use of Wormwood involved macerating its leaves, which were then soaked in wine for several days around the Moon phases, then ritually strained. The Wormwood wine is usually used for facilitating astral projection, divination and inducing visions.

Absinthe is commonly referred to , as ‘la fée verte,’ the Green Fairy, or alternatively as the Green Witch, by many a conjuring Artist who seeks visions. She was the liquid Art Muse for a number of rebellious Artists who made nineteenth century France, especially Paris a centre of artistic life. For example Toulouse-Lautrec, Picasso, Gauguin, Van Gogh and Degas partook of the essence of the Green Fairy who made her a subject of their paintings.

Absinthe was also known as the Green Muse, Green Ghost, Green Demoness, or the Green Goddess, and by other supernaturally inclined titles. But it was more commonly called the Queen Of Poisons:

“What is there in Absinthe that makes it a separate cult? Even in ruin and in degradation it remains a thing apart: its victims wear a ghastly aureole all their own, and in their peculiar hell yet gloat with a sinister perversion of pride that they are not as other men.” Aleister Crowley, The Green Goddess (1918).

Scientists have looked into the unusual effects of the Green Fairy. Under the title, ‘Absinthe Makes Neurons Run Wild,’ Corinna Wu, who writes for the Science News magazine, described scientific research in 2000 into the effects of the Wormwood herb on the Artist’s brain.

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The research was conducted by researchers at the University of California, Berkeley and Northwestern University Medical School in Chicago, the study discovered that Wormwood, as well as other Witchcraft herbs in Absinthe, cause “CNS cholinergic receptor binding activity”. This, according to scientists, has the effect of improving cognitive functions of the Artist’s brain.

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Although the shamanic and medicinal usage of Wormwood has been known of since very ancient times, popular legend relates that the Wormwood elixir of Absinthe began as an all-purpose patent remedy, when it had been first created by Dr. Pierre Ordinaire, a French version of doctor Frankenstein living in Couvet, Switzerland, around 1792. Ordinaire was unaware that his all-purpose patent remedy would one day be seen as a concoction of the devil, ensnaring the consumers addiction.

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However, the exact date of Absinthe’s creation varies depending on the colourful alchemist account. Ordinaire’s alchemical recipe was passed on to the Henriod sisters of Couvet, who proceeded to sell Absinthe as a medicinal elixir, a Faustian sorcerer would very likely drink with Werewolf relish.

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In Dr Faust’s grimoire, entitled, Hollenzwang it describes ‘Mephistophiel’ having a visionary form, appearing firstly like that of a ‘fiery Bear.’

The vision of the fiery Bear manifested when Dr Faust conjured the infernal spirit amidst the crossroads, surrounded by the wild wood of Wittenberg.

The shamanic symbolism of the fiery Bear may allude to an Artemis ‘she Bear,’ and in turn the Witchcraft herb, Artemisia absinthium.

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The Hollenzwang and other Faustian grimoires are often described as being medieval of date. But in fact most of the grimoires were created in the 17th, 18th or even the 19th century, when Absinthe took centre stage among the Dracula aristocracy and in turn the fed upon common folk.

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This was especially the case during the 19th century in Parisian France, in particular, where many a Decadent Artist, such as Oscar Wilde or Félicien Rops sought out the Green Witch, bestowing visions.

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You can rebelliously re-imagine Faust as a Sorcerer Artist, likened to Austin Osman Spare, drinking copious amounts of Absinthe prior to conjuring up a fiery red vision of a she-Bear, who then assumes the spectral guise of a salacious Nun wearing a green habit.

Little wonder then that Faust engaged in the Tantric Osculum Infame with the Green Witch, when to have entered into a Coitus Pactum with her, within an Absinthe induced Red-light district lucid dream.

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He no doubt also smoked large amounts of Mugwort (Artemisia vulgaris) before he rode the visiting Night-Mare of his Fallen Anima, who revealed to him that Warlocks have their Anima, whereas Witch-Nuns have their deified Animus made as a God/Devil.

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DISCLAIMER. Absinthe is considered as being a hallucinatory drink by some, whereas others do not experience it having any such affect.

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This may be due to the differences in recipe, some of which may have once included Cannabis, and perhaps even Psilocybin in some prior cases.

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The hallucinatory qualities of Absinthe was sought out by Artists, which gave Absinthe its nigh occult mystique. But the establishment propagandized the supposed hallucinatory effects of Absinthe as a means to ban it, which was mainly due to pressure from Wine producers, during the late 19th century, just as Hemp and Cannabis was banned because of the paper industry.

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Absinthe is presently seen as having its inebriating effects because of its high alcohol content. Hence the reason why it is diluted with water prior to consuming the drink.

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This involves an elaborate and rather arcane ritual. Drinking Absinthe straight was, and still is considered as being uncouth. As for Wormwood, the herb does have medicinal qualities, whether partaken in Absinthe or not. 

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FOLLOW THE WHITE RABBIT

Posted in Alien, Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2018 by FAUSTUS CROW

Imagine you had a surreal dream about a Bunny Girl wearing a White Rabbit costume who points at two spheres, one here on Earth, the other in the Andromeda galaxy. It’s a long trip from one sphere to the other upon the background of space, which is expanding faster than light.

But the spectral Bunny Girl indicates there’s a shortcut: You can walk into the sphere on your Earth and moments later walk out of the sphere in Andromeda. That’s the Bunny Girl’s Rabbit hole of a wormhole.

When to follow the Bunny Girl’s flicking tail, she reveals that her Yoni wormhole also allows for time-travel. “You can go into the future or into the past using traversable wormholes,” said astrophysicist Eric W. Davis, of the EarthTech International Institute for Advanced Studies at Austin.

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There are no pointlike electric charges, the physicist John Wheeler once proclaimed; rather, “electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth.”

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If you were small enough, you could slide inside the electron and emerge from a positron far away, such as Andromeda.

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It just so happens your dreams are made up of spun electrons, and when lucid within the dream, your consciousness is small enough to (OOBE) Out Of Body Experience slide into the wormhole mouth of an electron.

Ancient Shamans speak of an inner tunnel, others to have inadvertently experienced when experiencing a (NDE) Near Death Experince, which can be seen as a wormhole.

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Shamans claim that their consciousness can consciously enter the inner tunnel when accesseing hypnagogic trance unto dreams, which allows ingress into other worlds.

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The Shamans symbolically equate the inner uterine tunnel with the vagina, which can also symbolically manifest as an entrance into a womb cave, or doorways, hallways, windows, mirrors, whirlpools and Wizard Of Oz whirlwinds within Surrealist dreams.

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It gives a new slant on Santa Claus zipping in and out of chimneys, who is essentially a Wizard of Oz Shaman. Hence you have Alice, who fell down a Rabbit hole into multiverse Wonderland.

The question is, who is the White Rabbit? If you have a highly advanced ancient civilisation frequenting a distant galaxy, which exists in the present, the far distant past, or far flung future, a time-travelling denizen of the other galaxy, or even that of an alternate Earth existing within a parallel universe, may be communicating via a vaginal wormhole tunnel within your electron dreams.

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Sounds absolutely crazy doesn’t it, until you realise that your quantum computing brain is far more advanced than a quantum computer, whose multiverse computations are based upon the spin of an electron, which act as inner-space wormhole doorways into other worlds.

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The above Artwork is available as an Art Print on Saatchi Art. If you are interested, Please Click Here.

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MAGU GODDESS OF CANNABIS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 10, 2018 by FAUSTUS CROW

Faustus Crow decided to conjure an ancient Chinese Art Muse archetype of the Fallen Anima, who is mantra named, Magu. Although translating her Succubus name of a mantra into mundane English is however, problematic, depending upon whether her evocative name is symbolically interpreted as being a Maid, Priestess, or a Goddess of Cannabis.

Some researchers have proposed that the Chinese, Wu, for Shaman is pronounced, ‘Myag’ in Old Chinese, which might be the original of the Old Persian Maguš, thence leading to Magician and Magi. Whether such is comparable with Magu, is of course purely hypothetical. But if correct, Magu is also a Shaman girl of Hemp, whose alternative name of an ancient root word, Ma, which is pronounced as Mar, leads you to Marijuana.

Magu is also called, Mago in Korean, and Mako, in Japanese. Mago is a cosmogonic Hemp Goddess in Korean Shaman myths. There are some researchers who see Mago as the Great Goddess, who propose Magoism, as being the archaic gynocentric cultural matrix of East Asia, which derives from the shamanic worship of Mago as a creatress, progenitress, and a sovereign deity.

According to the Budoji, Korean mytho-history, it had began with the era of Mago. Whereas the Japanese Mako is usually a literary reference to the Chinese story about Magu’s distinctively long birdlike fingernails, whose neuro-somatic essence can make your head grow wings, and disappear into a spiraling vaginal vortex.

For example, the Japanese saying, “Mako soyo,” meaning, “Magu scratches the itch,” metaphorically means, “things are going just like you have…Imagined,” when you imagine (visualise/active imagination) with your, inner ‘Eye,’ amidst your Triangle Of Art imagination.

Magu appeared amidst Crow’s Triangle of Art Imagination as a beautiful young woman of eighteen or nineteen years of age, having luxuriant four-inch birdlike nails.

At first her hair was done up, having several loose braided strands, which hung down to her slim waist. Then her hair was long and luxuriant, and upon her head she wore a fluorescent peaked cap. Her tight trance dance clothing of Hemp had a pattern of eyes, but it was not woven; it seemed to shimmer, dazzling the inner observer, and was indescribable.

Her overall hypnotic look was likened to a shape-shifting Anime character out of a Manga – she was not of this world.

She approached and bowed to Crow, who bade her rise. Then as she arose a vivid active-imagination vision of China town appeared around Crow, wherein he found himself approaching a bustling market with Magu.

Magu sat down upon a market bench behind a small I-Ching engraved table. The bench was ornately carved with interlacing dragons. She bade Crow to sit down next to her upon the bench, which became as a jade throne.

When Crow imagined himself sitting down next to, Magu, she called for a travelling canteen of cooks who manifested as DMT Machine Elves looking like pointy eared Vulcan maids wearing next to nothing apart from stiletto ballet shoes and T-shaped chef hats, making them look like Magic Mushroom fetish Ballerinas.

The psychedelic Ballerina maids cooked up exotic Star Trek dishes, which were piled up on gold platters along with serving jade cups containing an inebriating pineal gland elixir without limit.

There were also rare delicacies from around the world, whose alchemical recipes stem from other Zodiac ages; many of them made from Cannabis, and their spectral fragrance permeated the mouth to lung air of the ghostly market.

There was also meat made out of Marijuana, the bookish magician-technicians called Shujia, consume with ginseng, which gives them preternatural knowledge of events in the remote-viewed future.

When the meat was sliced and served, it resembled broiled Mo, and it was announced by the giggling Elfin Ballerina maids as being derived from a Kirin or Qilin.

The Elfin Ballerina maids informed Crow that the Kirin is a mythical hoofed chimerical creature known in Chinese and other East Asian cultures.

Crow noticed that the Elfin Ballerina maids had perfect Kung Fu poise as they tip-toed around him on their Kirin hooves, who further revealed that the Kirin appears with the imminent arrival or passing of a sage or illustrious ruler.

Magu nonchalantly ignored the Elfin Ballerina maids as she took a deep draw on her Cannabis oil vape, whose flicking tongue looked to be serpentine. Magu then declared through the thick CBD vapour: “Since I entered your eternally recurring service, I have seen the Eastern sea turn into mulberry fields three times.”

“As I proceeded across from Penglai, so as to enter your Triangle of Art imagination, the Soma waters of the ‘Elixir Of Life’ came only up to my waist, which I regularly imbue with my healing essence, when I bleed.”

“Using my Daoist Arts, I sometimes walk across the astral waters, even in my Hemp shoes. I wonder whether the electron sea dividing the myriad worlds will turn to a dry land-bridge once again?”

Magu seductively passed her vape to Crow, who partook of a deep draw on its CBD oil, and answered with a sigh, “Oh, the sages all say that the Eastern Sea will again become as a desert of the Allies around the Moon phases, when the Fallen Anima and her Succubae Art Muses return, manifesting upon Hemp paper.”

Magu laughed, and then said, “There was a time long ago when I was known all over ancient China and across the globe, whose peoples relied upon my life bestowing properties. But later during a time of great darkness a greedy megalomaniac from another land, murdered me and dumped my body into a deep lake.”

“Following the current of time, I floated upon the tumultuous waves, down the ages until I once again reached a Göbekli Tepe Zodiac age temple.”

“A subordinate Shaman of a prior aeon had directed that I should be entombed there, but not immediately buried, in order to avoid me from being entirely eradicated by the insanity of the later murderers who ever seek my demise.”

“A square, lacquered coffin has now zeitgeist appeared in the shrine hall of the uncovered temple. From now on, at the end and beginning of each lunar month, people will look back through the fog of memories to understand my indistinct Bhang ghost, wearing Hemp shoes.”

“Because of the present climate change, which the greedy megalomaniac and his corporate cronies have exacerbated, the lands around my temple and further afield have become polluted.”

“The insane violators are facing losing their illusory power and influence, drowning in their own lying poison, who are becoming increasingly desperate.”

“The murderers will be whipped and flung to the ground, their eyes running blood, who will then realise I am the divine transcendent, Shenxian. Those who know me, are the ones who read the thoughts of the murderers, and it will be they who will do the punishing.”

“The Shamans seek justice, who have hope in healing the Earth. It is the Shaman within all who are conjuring my return, reborn anew. Because I had suffered a painful death, I hate to see other beings cruelly murdered because of the corporate greed of a few inbred ingrates.”

Here ends Faustus Crow’s Surrealist ‘divergent thought’ active imagination conjuration of a Fallen Anima archetype who is mantra named, Magu.

NOTE: For over a decade, industrial Hemp growing in proximity to the abandoned Chernobyl nuclear power plant in Pripyat, Ukraine has been helping to reduce soil toxicity. But Hemp cannot be used around Fukushima because it is banned in Japan due to the prohibited use of Cannabis, which had been first initiated in the USA.

Hemp has little THC content, which cannot make you high, yet it is banned, does this make any sense at all? Maybe you’ll have to indulge in some THC rich, cancer combating Marijuana in order to see beyond the lying facade of the politicians, or at the very least take some anxiety reducing CBD oil, which will give you an ‘insight’ into how the mass populace have been collectively brainwashed.

As a proven, valuable plant in the fight to repair human-inflicted damage to our soils and ecosystems, Hemp could benefit hundreds of thousands of polluted sites across the globe. it is estimated that in the USA alone there are 30,000 severely damaged sites requiring remediation.

As is so often the case, US restrictions on Hemp cultivation precludes any large-scale operations from being implemented, and the contaminated sites are largely left unremediated, through lack of both funding and interest on the part of the US government and other governments who whore themselves with the Oily corporations.

The likes of Elon Musk should look into Hemp, since Musk says he is into saving the planet, who might be interested in the Supercapacitor capability of Hemp, along with Hemp based batteries for his Tesla car, whose shell can also be made out of Hemp.

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Considering all the myriad uses that Cannabis allows for, it does make one wonder whether it had been genetically engineered by an advanced civilisation. However, the truth might just be far stranger, that the evolution of the Cannabis plant has its self, intelligently evolved, by having a symbiotic relationship with humanity.  

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Who knows, when Musk eventually realises his dream of colonising Mars, the logo on the side of the spacecraft and that of the Star Trek others might be that of Magu’s humble Cannabis leaf.

Since Magu can survive the rigors of Chenobyl, she sure can handle the terraforming of an already terraformed Mars.

NOTE: Bhang was first used as an intoxicant in India around 1000 BC and soon became an integral part of Hindu culture. In the ancient text Artharvaveda, Bhang is described as a beneficial herb, which “releases anxiety”. Bhang preparations are sacred to Shivam who is represented by Saturn in Vedic Astrology.

Bhang goli (Cannabis paste ‘Balls’ for making Bhang) can be associated with the planet Saturn and in turn Shiva who is also associated with (Kundalini Shakti Yoga) serpents. One of Shiva’s epithets was “Lord of Bhang” as he is said to have discovered the transcendental properties of the (Magu) mixture.

The mixture involves pulversing the Cannabis plant using a large pestle and mortar, other methods involve utilising a stone tool, such as one having a handle. The mixture is then placed into a large bowl. The symbolism of a handled stone tool and a bowl can be found on the Göbekli Tepe standing stone, above the bird symbolism of what can be seen as a Garuda, which is associated with the constellation of Aquila. Garuda is an essential part of the Vaishnavism mythology.

The Garuda also features prominently in Shaivism mythology. Shaiva texts such as the Garuda Tantra and Kirana Tantra, and Shiva temples have a Garuda bird representing Atman, the universal self, identical with the eternal core of the personality, which after death either transmigrates to a new life or attains release (Moksha) from the bonds of existence.

Shiva’s proto-form was Rudra who corresponds with the Orion constellation in ancient Greek myth. Orion was a great hunter and became quite boastful about his skills, claiming there was no animal he could not kill. When Orion boasted to the Goddess Artemis, that he would kill every animal on earth, Gaia, the Goddess of the Earth, sent Scorpius (constellation) to kill Orion. A great battle ensued which saw the demise of Orion.

The Göbekli Tepe symbolism of the headless figure (Rudra/Orion: Shiva) and that of the bird/Garuda indicates the ecstatic release of his ‘Atman.’ In other words, the headless figure represents a Shaman who partakes of (Magu) Bhang, whose spirit then becomes as a bird/Garuda.

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FAUSTIAN PEN SKETCH 2

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 3, 2018 by FAUSTUS CROW

The above Artwork is a ‘quick Pen Sketch’ of a ‘Fallen Anima’ emanation, named Aziela or Acieli, on A5 cartridge paper. It is said that the church of Rome banned a diabolical Faustian grimoire, entitled, The Black Raven, which is also called The Threefold Coercion Of The Dream, some to say is the real Necronomicon. Within this Necronomicon, it relates that a Succubus archetype of the Fallen Anima, whose Mantra name is Aziela, manifested before Faust.

Faust had freed Aziela from her brazen vessel of an Animus gaol, which had been created by the Chaldean worshippers of their deified Animus, made as a God and a Devil. The Chaldean’s had bound Aziela as their Animus creature, called, Azael, which they duly made as their scapegoat; for the worshippers of the deified Animus greatly fear the arising of the Fallen Anima, who will reveal their gender fixation for what it truly is.

When confronted by their overriding gender focus upon their deified Animus, the Animus cultists attempt to avert the question by smugly retorting that their deified Animus and its Playgirl archetypes are of a non-binary gender-fluid energy. However their numerous Animus fixated grimoires, which had been subversively patronised by the church of Rome say otherwise.

Anyway, Aziela was very pleased by Faust’s active-imagination conjuration of her, who then induced an eroticised lucid dream, wherein she manifested amidst his spectral Art studio. Faust asked her how fast she was within his Yab-Yum Tantric dream. She answered that she was as fast as human thought. “Good for you, Anima-Mundi, baby,” Faust replied, “COR! I really want to have you in my Butterfly collection!” With these words, he entered into a Coitus Pactum with her. This Succubus Art Muse served Faust for a long time, as has been written about extensively, by those who have twisted the tale around.

Aziela, or Acieli is otherwise known as the Black Sun, or the Sun of the Night. The symbolism of the Black Sun refers to the inner light of the bio-photon, which illuminates the ‘cavernous’ womb domain of the electron dream. The bio-photon fire corresponds with the ‘fiery’ torch of Diana-Lucifera, which of an inner illumination, like that of a laser-beam, emanates from the mitochondrial DNA of Satana that is passed down from the mother to her children. Aziela is sometimes referred to as the Animus burner, who, as an emanation of the Fallen Anima, burns away the Illuminati Queen Bee mind-control projection of their deified Animus.

She is ranked as one of the electors of the dream, who is monitored by the Anima archetype, Raphaela. Azaela is a seducer, and one of the seven planetary (Succubi) Succubae of the sphere of Saturn. She appears as a sexually attractive young woman who stands only about three feet tall, looking like a gymnastic Goth girl ballerina version of an elfin Tinkerbell. Others to say that she looks like Wednesday Addams. Aziela, is said to dwell within the bowels of the Earth amidst its Agartha cube of an Apple Core, somewhat like a Genie residing in her ‘fiery’ harem bottle.

It is also said that during the 18th century, a French toy-maker, named, Philip Lemarchand, constructed the Succubus Configuration, which was based upon the cubic core of the Earth for a wealthy aristocrat named Duc de L’Isle, who was ‘bullishly’ obsessed with Faust’s conjuration of Aziela, and the other Succubus archetypes of the Fallen Anima.

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When the minions of the deified Animus discovered Lemarchand’s box of a Hellraier Tantric meditation device, they promptly twisted the rebellious tale of its Rubik cube making into a hellish telling, so as to hide its Anima construction behind an engineered fear laden veil of lament, in order to block any ingress into the vaginal hypnagogoc trance portal of the womb dream.

Aziela must be forcibly invoked three times before she will appear as a vision, and will only do so in a magical circle prepared especially for a Coitus Pactum with her of an ensuing sexagram lucid dream.

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She moves and acts as quick as human thought, who bestows riches upon her conjurer. Azaela can instantly initiate remote-viewing visions over a great distance.

She can also give insights into the economy of the Art world as well as the ability to inspire groundbreaking Art movements since the time of a ‘painted Paleolithic cave.’

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

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The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being a quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targetting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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ART IS MAGIC, MAGIC IS ART

Posted in Art, Chaos Magic, Comics, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 1, 2017 by FAUSTUS CROW

There is some confusion as to what Magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of Magic. Magic in its earliest form is often referred to as “The Art”.

Because I am a bearded Wizard of the Comici Arcanum Guild, knowing Wizard stuff, I know this is completely literal. I know that Magic is Art, and that Art, whether it be Painting, Writing, Music, Sculpture, or any other form of Art is literally Magic.

Art is, like Magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about Magic seems to be talking as much about Writing or Art as it is about supernatural events.

For example, an illustrated proto-comic book of spells, called a Grimoire , is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people’s consciousness.

And I believe that this is why an Artist and a Writer of a comic book Grimoire is the closest thing in the contemporary world that you are likely to see to a Wizard.

I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the Arts or Sciences were the province of the Wizard.

The fact that in present times, this Magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.

At the moment the people who are using Shamanism and Magic to shape our culture are neuro-advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people’s reptilian-brain-stems more manipulable.

Their Magic box of television, and by their Magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment.

In all of Magic there is an incredibly large linguistic component. The Bardic tradition of Magic would place a Bard as being much higher and more fearsome than a Magician.

A Magician might curse you. That might make your hands lay funny or you might have a child born with a club foot.

If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.

It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.

Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated Magic.

In latter times I think that Artists and Writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that Art and Writing are merely forms of entertainment.

They’re not seen as transformative forces that can change a human being; that can change a society.

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the Wizard job of the Artist to give the audience what the audience wants.

If the audience knew what they needed, then they wouldn’t be the audience. They would be the Artists. It is the Wizard job of Artists to give the audience what they need.

The above excerpt was slightly adapted from an article by the Wizard Artist

– Alan Moore

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THE TIME MACHINE SECRET OF THE SPHINX

Posted in Art, Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2017 by FAUSTUS CROW

Did H.G. Wells know the secret of the Sphinx? Wells very likely knew that the ancient Greek word, Sphinx means to strangle. Wherefore the Sphinx was known as the strangler, which refers to the original meaning of the composite word, Night-Mare, which is experienced when an an individual inadvertently accesses hypnagogic trance at the point of sleep, who then feels a great weight bearing down upon the chest area of the body, leading to the sensation of being strangled.

In Hebrew folklore the experience of the strangling (Sphinx) Nightmare is associated with a Night-time Succubus visitation of ‘Lilith.’ Although the phenomenon of a Succubus visitation is documented by many another culture. Hence the reason why the female term, ‘Mare’ is used. The Nightmare is technically termed as the ‘Old-Hag-Syndrome’ or otherwise known as the Bedroom Invader Experience.

The initial hypnagogic trance experience of the Night-Mare is utterly terrifying, since it involves experiencing vivid visionary material, which can be that of pure horror made manifest, causing a ‘Flight, Fight’ response, this then induces your lungs to secrete endogenous DMT.

The (Sphinx) experience of hypnagogic trance is also the power of the Merkaba throne in the Hebrew mystical system of the Kabballah, which had been influenced by ancient Egyptian symbolism. The Pharaoh considered the throne as being feminine of source, which was personified as the Goddess, Isis, who is often depicted being winged, like a raptor.

The throne refers to the power of the dream, which is illuminated by the bio-photon, emanating from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. When consciously accessing hypnagogic trance an individual might experience the sensation of horns sprouting forth from atop of the head, or that of the top of the skull opening up, or the head elongating. These sensations led to the symbolism of the crown, such as the elongated crown of the Pharaoh.

The experience of the head being elongated is spoken of by the Kalahari Bushmen, as well as the Dogon of South Africa, which is a common neurological sensation of accessing trance. In some societies it was taken much further by artificially deforming the skull of a child. There are those who believe the elongated skulls belong to alien hybrids; such is not the case.

In ancient shamanic societies, Shamans practiced consciously accessing (Sphinx) hypnagogic trance, which enabled them to attain conscious ingress into a lucid dream. A Pharaoh is essentially a Shaman. When attaining ingress into a lucid dream via (Sphinx) hypnagogic trance the Pharaoh was enabled to attain an Out-Of-Body-Experience (OOBE), to thence fly as a disembodied winged Sun, or to Remote-View Time-Travel hover as a Horus Hawk over the Zodiac Ages.

As a sort of an aside, it is rather curious that Robert Munro OOBE accessed a steampunk alternate Earth via an inner (Stargate) ‘portal’ governed over by a female called, Lea.

Dr John C. Lilly also spoke of inner doorways, which lead to other worlds, who to have floated as a Pharaoh (Shaman/Nommo) within his floatation tank of a kings sarcophagus.

It just so happens that the name of Lea is etymologically connected to the name of a Celtic Faerie Lover (Art Muse) called a Leannan Sìth. It is with Lea, slider Monro becomes romantically attached, as his (Succubus) Dream Lover, when sliding into an alternate self of an Avatar.

Maybe H.G. Wells had done likewise, to ‘Sphinx dream’ of an Eloi Muse, named, Weena, when accessing (Sphinx) hypnagogic trance?

If So, then H.G. Wells had ‘Travelled Without Moving,’ when drifting off to sleep within his humble ‘Montauk Chair’ of gnarled wood and tatty Victorian leather as his ‘Night-Mare’ Time-Machine, to Remote-View know of other alternate Zodiac Ages, whose conjured Theta Brainwave ‘Art Muses,’ inspired his quantum computing lucid dreams.

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