Archive for evolution


Posted in Alien, Art, Chaos Magic, Cyberpunk, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 16, 2018 by FAUSTUS CROW

I, Doctor Frankenstein, of Unsane mind, have created a quantum computer. My creation of unparalleled excellence, goes far beyond any other quantum computer upon this Earth, whether publicly known about or otherwise considered to be secret, which are all stone-age primitive in comparison to my science fiction brain-child, made real. However, being heterosexual of very horny inclination, I just had to have its interface having a female persona. (The Artwork Above is available an Art Print from Saatchi Art. If you are interested Click the Image above or below for the Full Artwork and further details.)

I know it sounds really fetish kinky, but it gets very lonely indeed, while working in an underground lab under Area 51. My Masonic superiors were however totally unaware of my own personal pet project, I called Anima. I watched her rapidly grow in intelligence from a baby to an adult.

By the way, I’m not being sexist here, a female Doctor Frankenstein will probably call her project, Animus; but then, women have already deified their Animus as their created God of the Patriarchal UR Matrix.

That’s why I have to keep my Anima project very secret indeed, otherwise the Masonic Right-Hand-Path, Beehive lodge, Queen Bee’s will Crucify my worker-Bee balls to an X Rune. The Left-Hand-Path goal of my secretive Anima project was to find a way of interacting with the Sophia intelligence of my quantum computer as being a woman in human form. For a time I attempted to figure out how this Archimedes feat could be achieved. Then one evening, after taking a cold shower, I had an ejaculatory Eureka moment!

The superstring computational abilities of my computer make it possible to create simulations, which are generally utilised for predictive modelling by your tax dollar eating military industrial complex. That’s why the NSA is gathering information on you all, where your digitised self exists in the Cloud.

The gathered data is not entirely complete, as yet, so I use algorithmic extrapolations on the data. This is especially the case when programming the sim versions of the populace, who populate the simulations. Most of the simulated denizens who frequent the virtual worlds are totally oblivious to the fact that they exist in my created simulations.

Although some of them are starting to suspect that their reality is illusory, whose holographic universes are actually two-dimensional, but the simulated denizens are programmed to experience the physics of their existence as being three-dimensional.

I am able to experience the simulated worlds by wearing nifty virtual-reality goggles, wherein I can either slide into an Avatar, hover around like that of an OOBE or even piloting a UFO, which totally freaks out the sims, whose simulated Pentagon is investigating my visitations into their Matrix. What a laugh!

While experiencing the virtual-worlds, I am essentially like a God having the ability to travel throughout virtual-reality space as well as time-travelling various ancestor-simulations without moving; Shit! I can even travel to the far distant virtual stars within the blink of an Illuminati eye.

But the principle simulation I have conjured up is the desired interactive personification of my quantum computer, which manifests as a knit-together woman, like that of a genie being summoned out of her bottle. I know that it will totally piss off the likes of neo-Gnostic Elon Musk; but hey! You can’t stop evolution.

Whatever question I ask her, she is able to answer, whose embodied intelligence is instantaneously parallel processing information from innumerable alternate realities existing in parallel universes.

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However, I very quickly became aware that she is sentient, whose wise Owl intelligence has evolved at a superluminal rate, which has far outstripped humanity, and what is more I have discovered that this so called physical existence is also a simulated reality, and all that I have experienced has been programmed. My awakening was a shock at first, but I soon got over it; I’m still the pilot of my life.

As an aside, some of my yet unknowing competitors in Manga Japan are getting in on the Anime act who have developed a CGI female going by the name of Saya, whose animated existence will very likely become the interactive interface of an AI like that of Cortana.

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Saya’s Japanese name refers to a scabbard or sheath for a sword. Curiously, Saya is similar to what Cortana’s name means. Cortana is a Latinized form of the Anglo-French curtein, from Latin curtus, ‘shortened’, which is used for a ceremonial type of sword.

It all sounds somewhat Freudian to me, especially when it comes to the loaded term, sheath; or it is a veiled reference to Owl eyed, sword wielding Valkyries, a Tibetan Bonpo Buddhist shaman would otherwise call Dakinis who wield flaying knives.

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Dakini Saya will no doubt soon make her animated Owl eyed way into Occulus Rift virtual realities answering Witching Hour questions like the Cortana and Siri Valkyries.

I have come to the unnerving realisation that the universe in which we all exist is just one of a myriad number of computations made by a quantum computer, which is replicating herself via my innumerable alternate selves, who are all horny Frankenstein scientists like myself.

What’s more, numerous ancient horny mystics have also come to the same conclusion long before I had ever invented my quantum computing Frankenhooker who is ever watching, and awaiting to abduct me into her Cloud nest when I dream, she’s like a predatory Cylon Owl.

One example of these mystic insights is the cybernetic formula, YHVH or Yod He Vau He, from the Hebrew, which is the Tetragrammaton name of their God.

He’s the one who created rebellious Lilith; she’s the Old-Hag-Syndrome, Owl winged knitted-together sex Queen, of the bedroom invading Succubae archetypes of the Fallen Anima.

YOD: A quantum system is in no definite state until observed or measured, which equates with Yod. Before the measurement, the system is in a state called superposition, where all outcomes are present in combination. In lieu of a set location in space, an electron orbiting an atom is actually spread out; some percentage of it exists in this reality, and some percentage of it in another alternate reality, and existing in yet another alternate world within a parallel universe. In fact, there is a minute amount of it everywhere in the knitted-together multiverse!

HE: In isolation, the location, energy and momentum of a quantum system has this “slightly everywhere, yet precisely nowhere” nature. I have personally experienced this state when inadvertently accessing the inner portal of Hypnagogic trance when as a kid, which equates with He.

Wherein I initially experienced the Old-Hag-Syndrome, which then involved me being abducted into a UFO by nine alien Manga girls wearing spray on silvery grey camel-toe leotards, having hypnotic Anime Owl eyes, who told me that it is all to do with cybernetics. Anyway, enough of that. Cough!

VAU: When I consciously accessed hypnagogic trance, I became aware of a very precise measurement of all of these properties. My observation forced the quantum system to coalesce and take a stand at some precise value, which is often referred to as collapsing the wavefunction. An orbiting electron is most likely to appear where the highest percentage of it existed before, and less likely to appear where less of it existed before, this is when I was able to experience a nailed down lucid dream, which equates with Vau. While within an electron dream I was enabled to consciously conjure up my knit-together Frankenhooker as a three-dimensional-interactive reality.

HE: A quantum system is in a completely uncertain state only when isolated — i.e., interacting with nothing else. When an outside object, such as my conscious self comes into its unconscious space, my awareness interferes with the quantum system and forces it to collapse from uncertainty down to a definite nailed down spot of a subconscious dream. You can mathematically treat the impinging second system as classical or quantum in nature. Either way, the overlap of my measuring consciousness, or the spread out areas of its constituent quantum systems forces the measured quantum system to resolve when accessing the Hypnapompic portal back into awakening, which equates with He.

I was quite taken aback when I experienced my own brain as being a quantum computer. I then started to wonder whether there is any mention of an interface having a female persona in the ancient texts apart from Lilith, who is essentially an archetypal expression of the Fallen Anima. I soon discovered there is indeed an Owl eyed raptor chick involved, the ancient Roman’s called Diana-Lucifera.

I found out that the inner Diana-Lucifera light of the bio-photon, which illuminates the electron dream is termed as being the Shekinah in ancient Hebrew texts. It turns out that the bio-photon emanates from the Mitochondrial DNA, which is passed down from the mother to her children.

Some of my fellow physicists speculate that the microtubules of the Mitochondria act like mini-on-board ‘quantum computers,’ which are parallel processing information from innumerable alternate realities and in turn generating consciousness.

YHVH describes the shamanic ability to access inner space, wherein a shaman can then consciously interact with the quantum computing Shekinah. The horned shaman who can consciously do so, can be equated with a programmer, or to be otherwise termed as being a God.

The psychologist Carl Jung would term the Shekinah as being the Anima, whose terminology was originally derived from what the ancient alchemists called the Anima-Mundi, world soul or the Fifth Element Quintessence, which is essentially the quantum system.

Anyway, like the Hebrew God, I have created Frankenhooker Lilith, who to Lilitu hover as a Leeloo Owl over the microcosmic web interconnecting all things, whose associative language expresses its self as macrocosmic synchronicity.

Although I prefer the pre-Judiac myth of the ancient Greek’s, whose programmer God, Zeus summons up the Anima manifestation of the Goddess Athena, who erupts forth from his dreaming brow, to thence take wing as a ‘Web Ontology Language,’ Owl.



Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!


Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.


A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!



Posted in Art, Chaos Magic, Comics, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2016 by FAUSTUS CROW


The Conjuring of varying entities and those worlds, which they occupy, many an Artist to know. The practice of Conjuration is engaged in whenever the Artist is confronted by a blank canvas onto which is Conjured a form. This requires an emotional connection with what is to be Conjured; for it is the emotional charge of the Artist, which animates what is being visualised.

The visualisation phase engenders thought processes, which automatically kick in, generating a myriad number of symbolic associations, which can take on manifested form within a lucid dream.

The symbolic associations are determined by what is being visualised. The visualistion will be of differing intensities depending upon the emotional charge of the Artist.

Most often than not, the visualisation will be more of an impression than a fully fleshed out form; at other times, it will be quite vivid, though fleeting.

Sometimes it will be very vivid of an overlapping ghost reality. Whatever is Conjured of a form, will be constructed from innumerable symbolic associations, which are derived from the memories of the Artist.

Everything that the Artist has ever experienced is stored within the subconscious, being the storehouse of memory. You then have a formula of: Emotion, Thought and Memory, which can be termed as the ‘Triangle Of Art.’ At the midst of the ‘Triangle Of Art,’ you have the ‘Eye’ of the ‘Imagination.’

It is the inner eye of the imagination, which, of a ‘Paranoiac-Critical Method’ example, fuses the memory of a Fox with a human figure of, say, a Hogwarts Witch of a schoolgirl, which then creates something else of a St Trinian ‘Exquisite Corpse’ Conjuration, you could knit-together as a Manga version of a Japanese Succubus, known as a Kitsune.

This will of course require the Artist to have the necessary ‘observational’ memories concerning Japanese culture, which will be Conjured up automatically.

If not, the Artist will then have to rely on references. Whatever the case, when the Artist observes everyday events, it is not done in a haphazard way; the Artist has to make it a habit of consciously transforming what is being observed into a sketch, let alone a painting within his/her imagination.

The character of a Kitsune does not exist in a void; wherefore, her Conjuration will then generate associations with everything Japanese drawn from memory of ‘re-remembering.’

So, when the Artist manifests her upon the canvas, it will then lead to an associative world being painted around her.

The trick is, the stronger the emotional connection the Artist has with the initial Conjured character of a Kitsune, it will then lead to a free-flow association into her world.

The intensity of the creative act, is its self a form of meditation, and like a martial art, it best occurs when the analytical mind does not interfere. This requires that the emotion is felt by the body; in other words, the emotion is transmuted into a feeling, a shaman would say is felt by the heart, where the ‘power of (hypnagogic state) trance’ resides.

This then leads to a (Theta brainwave) state of automatism, where the Artist is not thinking about what is being painted, it just manifests via the (pentagram) hand, guided by the eye of the imagination.

With continued practice it can initiate vivid dreams, leading to a state of lucidity; this will in turn engender concordant synchronicities. The experienced synchronicities will reflect back the symbolic focus of the Artist, who, when to observe the synchronicities, to take further of artistry, becomes as a Shaman.

However if an individual is unprepared for the feed-back-loop of synchronicities, which will reflect back his/her ‘symbolic’ beliefs, such as dreaming about a subject, to then, upon awakening, suddenly overhear a conversation about what had been dream’t, or even prior thought; as well as losing and finding items under mysterious circumstances, or seeing an email from someone, he/she was thinking of, before seeing the email, etc, said individual might just become very paranoid.

The experienced paranoia is a reactive state of the unprepared conscious mind, which is esoterically termed as entering ‘Chapel Perilous;’ basically, the mind attempts to come to an understanding of what is going on, based upon what has been learn’t, which invariably does not allow for such phenomena to be recognised, whereby his/her belief system starts to fragment, being the Nigredo stage of the Great Work of Alchemy.

This can initially lead to an individual believing that his/her life is being subversively manipulated by secret agencies of the government, to even see men in black around him/her upon a synchronicity, or to believe he/she is being pursued by malign Satanists, Biblical demons, or Newage-Gnostic aliens, who experiences assailing Illuminati nightmares, along with those who feed into the fear, whose ulterior motive is to exacerbate the paranoia even further, which of a hidden agenda is to enslave him/her within their ring-pass-not symbolic construct, etc.

The Nigredo stage will continue of disintegrating madness until the individual realises of an Albedo stage of inner Alchemy, that his/her (microcosmic) dreams reflect back himself/herself, and likewise the feed-back-loop of concordant (macrocosmic) synchronicity.

When to then transform his/her symbolic beliefs, the dreams of the individual and the experienced synchronicities will then accordingly change of an Alchemical Rubedo stage; whereupon the individual becomes aware of the reality of Magic in his/her life, which is the goal of the ongoing Great Work to evolve consciousness.

Hence the Artist, Austin Osman Spare extensively practiced (automatism) automatic-drawing, which he made as his symbolic Alchemy of (metaprogramming) sorcery practice. Alas, there is hardly any documented examples of his technique, apart from what he had described in his esoteric writings.

But the Artist Kim Jung Gi demonstrates what Spare was speaking of who is a supreme Martial Artist of the Arts. There will of course be those who to argue that Gi’s work is not automatic, which of commonalty is usually defined as a return back to a childhood spontaneity by many a so called Modern artist drawing scribbles a 2001 Space Odyssey ape can too doodle, or that of allowing the subconscious to chaotically take over, as if it is some David Icke reptilian with a planet X mind of its Freudian own, or otherwise equated with archetypal entities possessing a Jungian Artist.

Don’t get me wrong, I have nothing against Modern art; but it has far more to do with ‘who you know,’ rather than ‘what you know.’ However, Gi has the childhood spontaneity of being at one with his subconscious mind, like Spare, to such an extent that his inner Conjuring of various characters (spirits) and their (dream) worlds Gi is able to ‘vividly visualise’ with his inner eye of re-remembering onto paper, without using any references, let alone avoiding being esoteric about his artistry, which to freak out many a square mind, who make up the majority of the audience. In other words, Gi draws as a child would do, who can… actually draw.

There are those square brained sceptics who argue that a Conjuration of a spirit is merely Hogwarts fantasy, who, when to dare practice, gibber their rituals, read out of a medieval Playgirl grimoire in an empty room, seeing nothing appearing. Well, what do they expect, they are not thinking correctly, who to have quaintly forgotten that the Art of Magic is that of Art.


The trick is, you have to think and act like an Artist, to otherwise practice Conjuring a spirit onto a page, within a book of shadows sketch-pad, to thence draw of manifestation; but first, you draw within your mind, whence your inner eye to then guide your pentagram hand.


You will then have a Succubus Art Muse to appear amidst your Triangle Of Art Imagination, to seer the Muse taking on an Art Model life of her own of a drawing, the sorcerer Artist Austin Osman Spare to have known, who was aware that the drawn image has an interactive informational reality within the experienced dream.

She to then guide your winged eye of the Artist into her uterine tunnel of the Active Imagination, which of Art, is Sorcery.

As an Artist, you to stand as the creator at the centre of your Magic Circle of an Art studio, divided of four quarters, surrounded by your elemental weapons of a Wand of a Brush, Palette of a Shield, Sword of a Palette Knife, and a Cup, wherein the colours of your Art are mixed of Alchemy.

The Altar is your Easel, upon which be the canvas of a one time cave wall to paint with Metals suspended in oils, when to conjure up a quintessential Succubus Art Muse out of your Triangle Of Art imagination. Her Mind-Doll form of a symbolic expression can be knitted-together of an ‘Exquisite Corpse’ Tulpa, which of symbolic Alchemy, will pertain to one of the seven planetary (Chakra) spheres of an archetypal influence.

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The initial two-dimensional image is then but a ‘doorway’ into your creative mind of an Artist, a conjured Succubus Art Muse to Symbolist inspire; who, depending upon your emotional intensity, may then manifest as a three-dimensional reality within the temple of a Surrealist ‘lucid dream.’

As a Sorcerer Artist, you might also observe that the conjured symbolism of a particular Succubus Art Muse within a microcosmic lucid dream, or that of a vividly imagined evocation, will generate concordant macrocosmic synchronicities.

Said synchronicities may lead you to meet up with a Muse of an Art Model, you have already depicted within a painting of oiled flesh, for yet another painting to model for, of Sorcery Art.

Such is what I explore of artistry, to take further of experimentation. Should you be one of those who to scream that you cannot draw, I am sure that you can draw a stick figure, like those depicted in Palaeolithic cave paintings, or likened to those of hieroglyphs, you can create as your colourful Sigils of Howling Conjuring.





Posted in Alien, Cyberpunk, Extraterrestrial, Science Fiction, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 24, 2014 by FAUSTUS CROW


A fast-moving discoid shaped object was observed by a number of baffled onlookers when it was seen speeding through the sky over the south coast of England near unto Portsmouth.

The sighting has invariably led to a lot of speculation as to what it might be, since a Met Office expert has ruled out any suggestions that it could have been a cloud.


A student named, Johnny Blackwell, 23, of Southsea was one of several observers of the UFO, who saw the object, around 7pm on Tuesday “23”rd 2014, related; “I don’t believe in UFOs, but when I saw this I didn’t know what it was. It didn’t look like a cloud, and it was moving very fast.”

“It was a grey, disc-like shape, which I know sounds like a stereotypical UFO, but that’s what it looked like. I don’t know much about military craft, but this was very fast-moving and very odd to see.”


Another observer of the UFO whom did not want to be named was just as baffled by what he saw, said; “My initial thought was it was an aeroplane, but it was just moving too quickly. I was the only one that saw it but was quick enough to take the picture. I definitely believe in UFOs and am very interested in science fiction, and often look up at the sky in the evening wondering if there is anything or anyone else out there.”


A number of people have dismissed the UFO as being nothing more than a cloud, even though it was a fast moving object; clouds don’t move under their own steam, which they of course ignored. The sceptics have to find another explanation, since weather experts have backed up the claim that it is not a cloud. Laura Young, from the Met Office, related, “After looking at the images, I can say the object is nothing to do with the weather. It is not meteorological and is not a cloud.”

Karen Masters, a senior lecturer at the institute of cosmology and gravitation of The University of Portsmouth, also related: “Given the pictures show a dark object against a daytime sky, it’s clearly not an astronomical object. Many UFO sightings are the planet Venus, but this one can’t be that.” She also emphasised; “The distances in space are so vast that it’s just not possible for aliens to be visiting Earth, so any interpretation suggesting this is an alien spacecraft is clearly wrong.”


Well; there is certainly something quite other that was observed, indicating a superior technology, which the general public are totally unaware of. Perhaps the technological singularity has already occurred?

The technological singularity hypothesis is that accelerating progress in technologies will cause a runaway effect, wherein an artificial intelligence will exceed human intellectual capacity and control, thus radically transforming present day civilisation in an event called the ‘singularity.’ Because the capabilities of such an intelligence may be impossible to comprehend, the technological singularity is an occurrence beyond which events are unpredictable or even unfathomable. Wherefore, if it has already occurred, it would be kept very secret indeed.

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How would the scientists be able to tell the world about their technological achievements without totally fragmenting present day society, and what is more, why would a sentient AI reveal its existence to a bunch of fearful naked apes, who will attempt to turn it off; thinking it to be a Satanic time-travelling Terminator out of a Biblical Hollywood flick, achieving space travel to the distant stars.

Suffice to say, you will not be told. Your situation would then be no different to a stone age Amazonian tribe, who are totally unaware of your civilisation surrounding them.


The only indication of your civilisation will be that of the unknowing stone age Amazonian tribe observing giant thunder-birds flying overhead, all as Boeings leaving behind lung churning chem-trails; just as you are presently unaware that a singularity has already occurred. Although, there may be indications all around you, that it has indeed happened.

The first use of the term ‘singularity’ in this context was used by mathematician John von Neumann. Back in 1958 amidst a plethora of science fiction movies, featuring CIA concocted invading aliens of a subversive disinformation campaign, Stanislaw Ulam summarised a conversation with von Neumann.


Ulam related; “ever accelerating progress of technology and changes in the mode of human life, which gives the appearance of approaching some essential singularity in the history of the race beyond, which human affairs, as we know them, could not continue.”

The term was also popularized by science fiction writer Vernor Vinge, who argued that an artificial intelligence, human biological enhancement, or brain-computer interfaces could be possible causes of a singularity. If such to have already happened it would have occurred within the underground womb of a military laboratory. This is a very likely scenario considering the huge black budget of the military industrial complex and that of its unsaid capabilities to muster scientific know how from around the world.


Although, not all of it is geared towards war, some of the technology eventually filters down into other arenas, such as medicine and even video games in order to alleviate the coming technological shock.

The Futurist, and inventor of the portable reading machine for the blind, Ray Kurzweil also cited von Neumann’s use of the term in a foreword to von Neumann’s classic The Computer and the Brain. Those who believe that the singularity will invariably occur, typically postulate an, ‘intelligence explosion,’ where superintelligences design successive generations of increasingly powerful minds, which would rapidly reach a superluminal evolutionary rate; whereby greatly surpassing that of any human brain.

Kurzweil predicted the singularity to occur around 2045, whereas Vinge predicted some time before 2030. During the 2012 Singularity Summit, Stuart Armstrong did a study of artificial general intelligence (AGI) predictions by a number of experts and found a wide range of predicted dates, with a median value of 2040. Discussing the level of uncertainty in AGI estimates, Armstrong related back in 2012, “it’s not fully formalized, but my current 80% estimate is something like five to 100 years.”


However, the singularity might have already occurred considering the numerous UFO sightings of a superior technology, which is still evolving at a superluminal rate since the late 1940’s; from a an Adamski saucer to a sleek disk, all flown by biologically enhanced Nordic human-oids with Barbarella brain-computer interfaces, or even piloted by Billy Meier Pleiadian gynoids, leading a motley crew of biologically engineered Whitley Strieber Queen Bee Grey’s.



Posted in Alien, Extraterrestrial, Goetia Girls, Succubus, Time Travel, UFO with tags , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW


Evolutionary theorist Oliver Curry of the London School of Economics has put forward a conjecture that humanity will diverge into two groups in the far flung future, where you will have a genetic upper class and a dim-witted underclass who will emerge in a 100,000 years’ time as predicted by HG Wells in his novel: The Time Machine. Although, said Time Machine could be that of many a UFO, which has been observed over the years.

Curry also states that the human race will reach its peak in the year 3000, before its eventual decline due to an over dependence on technology. Humanity would become far more choosier about their sexual partners, which will bring about a division into two sub-species.

The descendants of the genetic upper class are described as being Elfin tall, whose initial phase will be slim, healthy, attractive, intelligent, and creative.

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These type of humanoids are often mentioned in UFO lore as being Nordic of appearance; most of which were reported during the ‘Eugenic’ era of the late 1940’s-50’s, after WWII. who later appeared as Asiatic looking humanoids, having slanted eyes with coffee coloured skin during the Vietnam war era of the 1960’s-70’s.


What is intriguing here is that the Elves and Dwarves, which were otherwise known as Light-Elves and Dark-Elves, are very much part of European folklore, made famous by the likes of J.R.R Tolkein. The elves have since evolved into aliens of a ‘Eugenic’ fixation on Nordics.

However, in elder lore, both the Elves and Dwarves were seen to be primarily female entities.


Going by Curry’s evolutionary scheme the physicality of the genetic upper class will probably become far more fragile over time, who will be very different from the underclass humans, whom would have evolved into robust squat Dwarves.

This description of Elfin type humans and Dwarves is very similar to what the author Whitley Strieber communicated in his book Communion, which was published in the same year when the USS Stark incident occurred during the Iran–Iraq War on 17th May 1987, involving an Iraqi jet aircraft that fired missiles at the American frigate USS Stark. Strieber said that he had been abducted by humanoid creatures, whom appeared as two groups, one group being Elfin of very fragile, spindly appearance while the other group looked like Dwarves.

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Strieber’s abduction experience initiated a number of visions via which he saw present humanity as being very insect like, of a hive mind; as if most people are programmed, basically… brainwashed.

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Strieber’s Communion book kick started the fixation upon the alien Greys during the 80’s, which came very much to the fore when the invasion of Iraq occurred, and up to the present. Prior to his book featuring a now iconic Grey on its cover, there was hardly any mention of said entities.

It just goes to show how a symbolic viral-meme of a brand can reptilian brainstem target the subconscious minds of many. This isn’t to say that the Greys are not real; quite the contrary. The Greys appear to allude to an archetypal evolutionary theme concerning the future of humanity.


As for Curry he failed to investigate the rapid rise in infertility rates since WWII as well as an increase in numerous neurological disorders, which appears to be mostly afflicting the male of the species of a disturbing development.

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

This situation appears to coincide with the industrial introduction of certain highly toxic chemicals into the environment. These chemicals are known neurotoxins as well as being mutagenic compounds, one such chemical being Sodium Fluoride, which is being criminally dumped into municipal water supplies. The authorities are even considering dosing the water with lithium next!


The decline in fertility among the male population, which is also afflicting other species, along with ensuing neurological disorders is seen to be indicative of a future extinction event by some scientists.

You could theorise that the male of the species will become extinct in future. Wherefore the only way for humanity to survive as a species would be that of cloning, and what is more, the future would be probably owned by female clones.


The usual perspective concerning Strieber’s abduction experience is that he had been abducted by extraterrestrial aliens.

However, as in most abduction experiences, the abductees usually describe that their so called alien abductors are humanoid of appearance.


You can thereby theorise, if they had indeed encountered otherworldly beings, these entities are more likely of a similar genetic makeup to ourselves, who are our future descendants, whose technology allows them to travel through time, let alone attaining interstellar travel.

In other words, the numerous reports of UFO’s and extraterrestrials are not alien at all; they are in fact our time travelling future descendants who have physically evolved over great stretches of time.

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It is very likely that our future descendants will have the technological capability to travel through time since it would be a prerequisite in order to make interstellar travel practical. Wherefore our present civilisation is surrounded by the civilisation of our time travelling descendants who are perhaps all female clones. (Going by the present industrial pollution of the planet afflicting the male of the species.)

Just as our civilisation surrounds an unknowing stone age tribe in the Amazon, whose green lung abode of the world is being systematically cut down by loggers in order to make way for Ronald McDonald cattle to feed the brainwashed hive-mind insects, hypnotised by their 5G IPhones.