Archive for cave woman

SEX ROBOT ART MUSE SINGULARITY

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2019 by FAUSTUS CROW

A feminist researcher going by the name, Susan Fiske conducted an experiment to prove that men see women as sex objects. One can darkly guess that the underlying agenda of Fiske’s research is to devise a pill in order to nullify men’s brains from doing so.

A number of male brains were scanned, while they were shown a series of Arty images depicting scantily clad females, one can otherwise consider as being inspiring Art Muses. The Art Muses would be termed by the psychologist Carl Jung as being aspects of the ‘Anima,’ which of a female archetype resides within the male psyche.

It was discovered that the tool making part of the heterosexual male brain immediately lights up when seeing scantily clad females, or when to imagine a sexy Muse.

The same also occurred within the brains of males who considered themselves to be homosexual or bisexual, etc. This neurological phenomenon does not occur in female brains, concerning being shown images of males, whether they be heterosexual, lesbian or bisexual, etc, wherein of the female psyche the male archetype of the ‘Animus,’ resides.

Fiske presented her research as an unassailable poof that males see women as mere tools; the controlled mass media frenziedly backed up Fiske’s interpretation of the findings, whose politically correct minions are very likely looking into Orwellian chemical measures to rectify, what she and her extremist sisters in the hood see as a social problem. No doubt said chemical will be dumped into the public water supply, etc.

Oh! I forgot, they are already doing so, by fluoridating the water supply with a known sedative, neurotoxin and a mutagenic compound, which of adverse affects primarily targets a certain part of the male brain, the most, as well as affecting those males belonging to other species. Hell! It goes way beyond the psychotropic drug of Aldous Huxley’s Brave New World for mass control of a subservient population. It is the reason why the Chinese banned fluoridation, since they found it had reduced the intelligence quota among their two-child policy workers.

As for Fiske, she entirely missed the point of the research due to her illogical gender politics, which actually revealed that the sexual impulse is the evolutionary drive behind the development of technology, from that of a stone age ax unto a rocket, let alone that of a robot. One such robot is based on sexy Audrey Hepburn, named Sophia. The Science Fiction author Philip K, Dick would have probably associated Sophia with his inspiring Art Muse of a Dark Haired Girl.

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Then again, may be Fiske and her fellow researchers are well aware that the sexual impulse is the evolutionary drive behind innovative thought processes. Like that of those inspired thoughts, storming through the Thor minds of individuals, who intelligently question the Space Force motives of the Military Industrial Complex, which pulls the puppet strings of a whoring two party dictatorship. Why does the Military Industrial Complex use an inane puppet show? Such is conducted in order to distract public attention from its Orwellian perpetual wars, which are reaching into space.

If Fiske is indeed aware of the evolutionary influence of the Muse lighting up the male brain, you might have a shadow-government, which is subversively funding Fiske’s research; so that the war profiteers can find an Orwellian means to dumb down the mass populace even further, more so that of the males in particular, who are already being targeted by the mass medication of the water supply, which of course also permeates their food; hence you have an ever increasing dosage!

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

The shadow-government will then utilise Fiske’s research for a psychological warfare campaign whose aim is to negate the influence of the sexual impulse among the male population; whence making them more servile. Oh! I forgot, they are already doing so via PsyOp engineered ‘divide and conquer’ gender politics, since 9/11.

Anyway, I digress, and to verily slip into dystopian scenarios. In nature, Hens choose those Cockerels with the flashiest plumage, which is the same for most other species concerning physical attributes. This also applies to human females, who choose those men having an indication that they can physically provide a safe and secure environment for them and their children.

Men do not choose the women, it is always the other way around, unless a man is surrounded by adoring females, who are attracted to his worldly influence, which of an aphrodisiac is perceived as having temporal power. Well, what do you expect, men cannot give birth!

In ancient times, when Sabre toothed Tigers prowled the forests along with Cave Bears and Dire Wolves, having Woolly Mammoths thundering over the tundra, a man who had developed the best hunting tools to deal with the raw savagery of unforgiving nature, won the attention of the females. It is the women who determine those male role-models, which are most sexually attractive to them, a man then aspires to become, such as assuming the role of the Great Hunter, Orion.

A caveman was inspired by a scantily clad cave-woman to devise new and inventive ways to hunt for game, while she birthed his children. It is she who had chosen him for his inventive prowess, as mentioned, not the other way around; just as a Hen chooses a Cockerel having flashy plumage. And should the Cockerel get eaten by a rapid Fox, the Hen will crucify another Cockerel to watch over her Easter eggs.

Hence, the male tends to be rather expendable, his biological role is to invent better ways to protect and empower a female and her children, who perpetuate the survival of the species, to one day attain the technological singularity. She is the Fifth Element meaning of his Great Hunter existence.

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When you look at the present age, it has been found that the driving force behind the rapid development of the internet, is in the main due to its male engineers browsing for (Muse) porn, which had exited the tool making part of their hunter brains. The lit up brains of the male engineers have also discovered the five elemental types of males, women from across the globe find to be most sexually attractive, which are determined by their ‘Animus.’

Porn can of course lead to a nigh uncontrollable addiction for some, just as other behaviors can become problematic addictions. It is the reason why ancient Shamans learned to introvert their sexual impulse, in order to utilise an erotic focus upon the feminine to empower the attainment of hypnagogic trance unto a lucid dream; wherein the tool making part of their brains light up, which is termed as the ‘Fire In The Head.’

The goal being the transmutation of porn, which of a habitual hedonistic addiction is transmuted into an evolutionary expansion of consciousness by utilising the symbolic alchemy of Art. The addiction is then spiritualised and thereby utilised as a means to induce an evolutionary leap in intelligence. Such is especially the case when it leads to a ‘Fire In The Head’ Eureka moment of creative insights, which facilitates evolutionary Muse leaps in the Arts and that of technological developments.

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As for the Art Muse drive behind the evolution of the internet it has invariably led to the rapid development of an A.I. whose programmed personas tend to be that of sexy females, which will one day be housed in very human looking robots, who will eventually become sentient.

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Although, the first Art Muse manifestation will be that of interactive female A.I. characters populating virtual reality games.

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Somewhat like that of a Shaman Artist conjuring up Art Muses amidst his Triangle Of Art imagination as his interactive sentient programs, whom to then manifest within his quantum computing (virtual reality) lucid dreams, which lights up his brain to create and invent.

Little wonder then that women are intensely jealous of a man’s ‘Anima,’ whose erotic archetypes inspire invention.

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Women tend to be far more intuitively aware than men, who subconsciously sense what the Art Muses of the ‘Anima’ are erotically inspiring of a technological singularity. 

NOTE: Pornography originally mean’t: “sexual images, whether actual or ‘Imagined,’ which excite an erotic response in the observer.” The term primarily covered literature, which in the main involves the readers ‘Imagination.’

I must admit, I prefer not to use the word, ‘Porn,’ since it has been hijacked by a political agenda, and used to smear anything, which is considered as being politically incorrect by the mob mentality of the herd-mind.

My preference is using the word, ‘Erotic.’ But, in context of the ARTicle, it does not get the message across, concerning the transmutation of the hedonistic into the spiritual. When using the word, spiritual I am not referring to a fluffy Newage paradigm populated with fairies and unicorns.

When using the word, Porn, nowadays it initiates an emotive reaction, which is often tied up with controlled mass-media programming of the audience brains to immediately go into a ‘Fight, Flight’ response.

Tantric Artworks from the far East were once considered as being Pornographic, prior to the present hijacking of the term, which was applied by neutral scholars, it soon became moralistic of association.

Should an individual communicate that he/she ‘Imagines,’ having sexual congress with various deities looking like Hollywood film stars, etc. Said individual will be seen by the herd-mind as being a vile Pornographer, which is especially the case, if he/she draws, paints, sculpts, photographs or sings about his/her Tantric liaisons.

The word has been weaponised as a means to tar and feather your ‘imagined’ conjurations, which is essentially Mind-Control.

(It is somewhat intriguing that a ‘word’ can be weaponised, whose prior ‘symbolic’ associations have been politically engineered in another direction. Neuro-marketing/advertising utilises the same ‘Propaganda’ technique, which of a science had been derived from how a cult/religion manipulates minds.

When an individual knowingly manipulates his/her own mind, by using a similar technique it is Sorcery, which is indivisible to the practice of Art, since a ‘word,’ instantaneously conjures associative ‘symbols amidst your Triangle Of Art Imagination.’ It is how language works. If a ‘word’ has no associative ‘symbol,’ it is just a sound.)

Mind-Control is very easy to achieve. For example, the ‘controlled mass-media’ will utilise a convicted sexual-predator as an asset to make everyone feel guilty about their own sexuality; however the collective guilt is ‘imagined!’

The programmed (fight, flight response) herd-mind will then go into a viral-meme witch-hunt mob-mentality, who will invariably align innocent others with the establishment asset of a sexual-predator, should their views be considered as being politically incorrect.

If the controlled masss-media asset of a sexual-predator is seen to be tied up with an ‘Eyes Wide Shut’ scenario, having ‘Occult’ overtones, it invariably becomes a witch-hunt, which will viral-meme spread and permeate all levels of society.

As for the hypnagogic state of trance, which is the power behind hypnosis, you might find that your inner ingress will be influenced by the associative symbolic stimuli around you. It is one of the reasons why practitioners retreated to a cave in the wild hinterlands, so that they could get away from the subliminal programming of their subconscious minds.

When practicing in an urban environment a Mahasiddha has to be always vigilant.

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ART MUSE EVOLUTION

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2017 by FAUSTUS CROW

How did the naked ape become so smart, and what initiated it to happen? To untangle this age old question, anthropologists have been seeking to discover archaeological artefacts, which reveal the evolving intelligence of our human ancestors who lived 1.8 million years ago. It was at this point in the far distant past that a new type of stone tool had erupted upon the scene along with the human brain nearly doubling in size.

Some researchers have suggested that this more advanced technology, coupled with a bigger brain, implies a higher degree of intelligence, which was propelled by the first signs of language. But there is another driving force propelling this evolutionary leap in tool making, which is far more basic, yet profound in its implications. It was driven by the biological imperative to be seen as being attractive to the opposite sex.

Basically, the ape with the bigger chopper got the females attention, because with such a tool, he could provide the necessary fodder for his mate and progeny.

This of course also required him to have a bigger brain pan to create a better and far more efficient chopper than his competition, whereby enabling him to sow his seed, siring ever more cleverer apes. Some of whom would escalate in intelligence, becoming far too clever for their own good, but that’s evolution for you!

Let’s imagine a scenario, you have a lumbering giant of a cave man looking like Arnold Shwarzenegger with pumped up bear brawn, having the biggest red ‘Animus’ arse around, facing a spindly little cave man looking like Jim Carrey. The spindly cave man appears to be inanely grinning, for some unknown reason. All the cave women are pulling their hair out, frothing at the mouth, baring their breasts and buttocks, lustfully screaming.

The cave women are howling for their red ‘Animus’ arse favourite to attain the right to mate with them, who are expecting him to entirely decimate the little inconsequential cave man. Even the girls, who, like their mothers, scream out for the apish bear to win; but then, girls emotionally mature far more quickly than the boys do.

As the giant goes in for the kill, the little cave man suddenly pulls out a slingshot, to quickly let loose a sharpened stone at the bear sized ape. Whack! Right between his drooping testicles, the giant crashes to the ground with his red ‘Animus’ arse up in the air. All the cave women are stunned senseless. Intelligence has won over bear brawn, the new evolutionary aphrodisiac!

But, without the need to mate, the spindly cave man would have never been able to create a slingshot in the first place to give him the edge over mere brawn. Sounds a bit too cave man basic doesn’t it. Let us move forward in time to the glory that was ancient Greece, to see a horny sculptor sculpting a Venus out of marble with his advanced tool, or that of a sweaty renaissance Artist painting a canvas, inspired by an Art model Muse, who also drove the scientist absolutely Einstein crazy, creating varied technological tools. I shit you not, the Faustian scientist entered into an Osculum Infame Coitus Pactum with his Muse!

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Your programmed brain might consider that this generalised interpretation is politically incorrect let alone sexist? Well, it isn’t, it takes two to tango. It has always been a case of a Yin-Yang team effort in order to survive all those great mammals, which made your ancestors look like tiny meals on bipedal legs. However they had those nifty hunting tools, bringing down Mammoths, which they also used to defend themselves against sabre tooth tigers and cave bears, etc; to have later created the technological wonders you presently know now, where weapons of mass destruction equates with having the biggest Area 51 Freudian chopper, rather than looking towards the Star Trek stars.

Alas, the bad-boy naked ape having the biggest bad arse chopper on the block, always gets the chicks hot for what’s inside of his beastly pants. There is an ancient Hindu adage, that goes, “a God is not a God without his Shakti.” In general the term, Shakti means the feminine principle, who is the creative inspiration and meaning of all life itself. Another old adage is, “behind every great man is a woman,” which is presently considered to be extremely sexist. However, when to look into ancient cultures, such as ancient Egypt, for example, a Pharaoh crowned as a Horus derives his power from the throne, which is seen to be Isis female, just as a Merlin hawk of a Myrddin is traditionally flown from a ladies stroking hand.

That is why women have been depicted having the hots for the horned Devil, who is actually a horned (Merlin/Myrddin) shaman. In other words, the driving force behind the evolutionary creative impulse of tool making is the biological imperative to be attractive to the opposite sex, otherwise there is no evolutionary furtherance of life. The same would be the case on other alien worlds.

You might ask Is there any hard evidence of the evolution of intelligence being entwined with evolving tool use, which enables a tool using naked ape to become more attractive to the opposite sex? It just so happens, there is some evidence.

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A recent study of brain scans have revealed that when heterosexual men are shown pictures of scantily clad women, the region of the brain associated with ‘tool use’ immediately lights up.

This also indicates something else, concerning the shamanistic usage of erotic mediation images in order to activate the region of the brain associated with tool making, which of an ancient technique enables the conscious conjuring up of personified ideas as ‘Anima’ archetype Muses within lucid dreams.

A Tibetan Bonpo shaman would otherwise term a Muse as being a Dakini, whose inner manifestation enables consciousness expansion into other arenas of fiery perception, beyond the subliminal programming of a particular culture, which has a Playgirl emphasis upon the deified ‘Animus.’

As for the caveman usage of anthropomorphic symbolism, the present day UFO researchers misinterpret as being representations of alien hybrids; the sky-walking void-going Dakinis are often associated with particular archetypal animals, which symbolically represent subconscious energetic qualities. These energetic qualities can be tapped into when conjuring a particular animal headed Dakini. For example the wrathful wisdom Dakini called, Simhamukha initially manifests as a lioness, before assuming human form within a lucid dream.

The same type of anthropomorphic symbolism is utilised in the Playgirl grimoires where you have ‘Animus’ archetypes initially manifesting as various animals. The Muses also initially manifest as animals; it is one of the primary reasons why tools, such as ships, cars and computers, etc, are often given animal names as well as being traditionally seen as being feminine of quality by males, in the main, which at an unconscious level alludes to the tool making part of the male brain being activated. Should a heterosexual male practitioner sheepishly externalise this symbolism as being literal, it will invariably lead to animal welfare officers as well as the police becoming involved.

The finding that sexual (meditation) imagery activates the tool-making part of the male brain gives a whole new slant on the exclamation ‘Eureka!,’ which is famously attributed to the ancient Greek scholar Archimedes having a tool making insight when stepping into his bath. I will leave it to the women to imagine what he was actually doing of a meditation exercise upon Athena, just before bathing his illuminated… head.

However the findings have been mundanely interpreted as indicating that men dehumanize women as being mere sex objects, which of a commonality is seen to be molded by society. Whereupon the ‘Animus’ fixated religions, such as Islam, women have to be entirely covered up head to toe.

The experiment was orchestrated by the lead researcher Susan Fiske, a psychologist at Princeton University, who seems to have entirely missed the evolutionary point of a Eureka finding, who would prefer women being entirely covered up, that, or chemically castrating the ‘Anima’ imaginations of the male population.

“If a similar study were done with women,” Fiske told National Geographic News, “it would be hard to predict whether a woman shown a scantily clad male body would dehumanize him in the same way.” Well, she probably wouldn’t do so, if he hasn’t got a big enough chopper, I mean, stone axe, who would be the type of fellow who finds himself in a dead end job. Although he could potentially bounce out of a pandering shit pan job, should he rebelliously conjure an inspiring Muse amidst his Triangle Of Art Imagination.

Whereas a very crafty Witch would meditate upon an image of an archetypal expression of her deified ‘Animus,’ such as a Good-Guy Beta-Male Angel or an Alpha-Male Bad-Boy Daemon listed in the commonality of the patriarchal Playgirl grimoires, to then conjure up her tool making desire into a lucid dream, and on waking, to thence hunt down her ‘Animus’ projection in the crucified flesh, upon an intuitive synchronicity. Who knows, she may even birth an Indigo Moon Childe mutant of yet another evolutionary leap.

Suffice to say, said chosen male would not know what’s clubbed him, who will then have a primordial tool brain need to create lots of gadgets around the house for his Babalon, that, or having the big-bucks to acquire them from other Muse inspired inventors who are also being ridden as Great Beast’s by Babalon’s.

A number of evolutionary psychologists, who are far more honest than Fiske, have proposed that women tend to look for mates who have wealth and power; whereupon some of Fiske’s colleagues have suggested running a similar test where women are shown pictures of scantily clad Chippendale males next to expensive Merkaba cars or other affluent Playgirl grimoire symbols of tool making prowess.

However, Fiske doesn’t think such an experiment would work the same way, because she sees women usually reacting to men who they desire by “interpreting their minds, thinking about what they’re interested in, and then trying to please them,” she said, which indicates her agenda is far more subjectively political than objectively scientific.

There is ample scientific proof, which indicates that women also objectify men in the same way that Fiske and her cohorts are attempting to scientifically prove that males are the only sex who objectify women. The difference is that males are far more visual; whereas, women are turned on by how a male communicates him self. Hence women are more into ‘literary’ erotica, not so much that of visual stimuli.

But what Fiske to have also revealed without realising, is that the fallen ‘Anima’ fluctuations of the Art Muses act in the same way, like that of conjured schoolgirl (Succubi/Succubae) Dakinis who inspire the tool making brain of a conjuring Tantric headmaster.

When to presently look around, or to investigate bygone ages of innumerable written or illustrated examples, across all cultures, women expertly interpret male minds, by figuring out what they’re emotionally interested in, in order to stop them from sowing their oats elsewhere. Hence, like Hens, women are highly competitive with other women when choosing mates. But only if the desired males have bigger and better tools than the other Peacock males. It isn’t Atomic rocket science, it’s genetically-hardwired nature, which cannot be socially engineered out of existence. Should you intelligently work with mother nature, that’s fine, but if you fight against her, she’ll bite back, and she’s a bitch!

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AT THE EARTH’S CORE CAVE WOMAN BIFRONS

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2017 by FAUSTUS CROW

The woolly Mammoth Cave women made most of the oldest-known cave art paintings, suggests a new analysis of ancient hand-prints.

Most of the square headed scholars of the deified ‘Animus’ fixation made as a God, had assumed these ancient artists were predominantly male, due in the main to the explicitly erotic content of many of the Entartete Kunst cave paintings, which disturbs Middle Eastern theological sensibilities; so the new findings overturns decades of religiously hewn archaeological dogma.

Archaeologist Dean Snow of Pennsylvania State University analyzed snowy ice age hand stencils found in eight cave sites in France and Spain.

By comparing the relative lengths of certain fingers, Snow determined that three-quarters of the hand-prints were female who had having sex with their ‘Animus’ on their brain.

“There has been a male bias in the literature for a long time,” said Snow, whose research was supported by the National Geographic Society’s Committee for Research and Exploration.

Snow continued, “People have made a lot of unwarranted assumptions about who made these things, and why?”

Archaeologists have found hundreds of hand stencils on cave walls across the world. Many of these early paintings also showcase game animals—bison, reindeer, horses, woolly mammoths and erotic imagery.

Because of the subject matter of the art, many researchers had proposed that they were made by male hunters, perhaps to chronicle their kills and sexual conquests as some kind of “hunting magic” to improve success of an upcoming hunt for game, or a mate to hunt down.

The new study suggests that much of the cave art and its erotica was created by female artists; this isn’t to say a male artist did not carve away to create a Venus figurine of his ‘Anima,’ like a proto-Hans Bellmer, who eventually fell foul of the feminist Entartete Kunst.

Experts expressed a wide range of opinions about how to interpret Snow’s new data, attesting to the many mysteries still surrounding this early art.

 

“Hand stencils are a truly ironic category of cave art because they appear to be such a clear and obvious connection between us and the people of the Palaeolithic.” Said archaeologist Paul Pettitt of Durham University in England.

Pettit continued, “we think we understand them, yet the more you dig into them you realize how superficial our understanding is.”

Another inner Earth gallery of prehistoric cave paintings has also been found in South-Western France, including a drawing of a 12ft long bison along with erotic sketches.

The find, at Cussac, in the valley of the Dordogne, is regarded as almost as important as the celebrated Lascaux cave paintings in the same area. This discovery was made by Marc Delluc, an amateur archaeologist, but the richness of his finds were not known until later.

French anthropologists said the site was important because it contained “monumental” drawings of animals in friezes of up to 25 yards long. These are sketches rather than paintings, more primitive, almost certainly older than the Lascaux pictures, and perhaps up to 37,000 years old.

The caves also contain erotic drawings of women, which have been found previously only in the art gallery caverns that were discovered in 1994, in the Ardèche region.

The boundaries of art and sex have been blurred for some time – be it increasingly explicit content or the familiar practice of male artists being inspired by their erotic Art Muse, while in an altered state of consciousness.

But then, sex is a sacred mystery, which is very much intertwined with the spiritual impulse. However, as stated earlier. the new studies show, the erotic content of cave paintings were not only created by male artists.

There are a series of erotic drawings, which were discovered on the roof of caves amidst the inaccessible wilderness in Arnhem Land, Australia, in the country’s North; the cave art clearly depicts a couple engaging in sex 28,000 years ago.

Other sections of the wide-ranging artwork in white and red shows other figures engaged in other explicit sexual activities, which would be considered to be mere porn by many a modern observer, who would Entartete Kunst censor it as being politically incorrect.

In fact, this is exactly what has happened, that is why you do not hear much about the erotic cave art. Although, if it is proven that the erotic cave art was primarily created by female artists then the feminists will no doubt hard-sell push for it to be made widely known across the worldwide media as high art.

Then again, there are also many other feminists who will not want it to be known they have sex on their brains. When the proof is eventually discovered, it will prove to be quite humorous.

However, since the erotic cave art is presently seen to be created by male artists, it is generally considered to be lowly pornographic material.

Hence not talked about, nor is it publicly exhibited to any great extent, if at all.

It’s almost as if they’re saying that your ancestors never got it together under the Bifrons Mammoth rug!

It is obvious that the cave artists would depict sexual activity in their ‘Once In A Lifetime’ Westworld art, who asked the eternally recurring question, “how did they get here?”

But it appears that it is the ‘same as it ever was,’ concerning the religious-construct of the New World Order Eden authorities who habitually dictate that you cannot taste of the inner Tree of Self-Knowledge.

Irrespective of religious morality concerning sexuality and modern day sexual politics – it’s what archaeologist Bryce Barker, a professor at the University of Southern Queensland, and his team have been discovering underneath the erotic cave art of an ‘Apple’ core, which indicates a spiritual dimension, the so called modern world entirely lacks, due to its indoctrinated perception of sexuality.

For example, David Lewis-Williams and associated archaeologists have rehabilitated the interpretation of Palaeolithic cave art as a form of magic by focusing on the geometric images. The geometric images appear in great numbers on the cave walls, instead of the realistic depiction of animals that was the focus of Henri Édouard Prosper Breuil (28 February 1877 – 14 August 1961) in his prior hunting magic theory.

Lewis-Williams argues that the geometric images are spatial variations on a set of “form-constants” that the neurologist, Heinrich Kluver, identified in the visionary experiences of experimental subjects under the influence of the hallucinogenic drug, mescaline. An expert on the San Bushman people of South Africa, Lewis-Williams argued, in a series of well-documented papers, that the transfigured form constants are present on cave walls painted by Bushman shamans.

From these considerations, Lewis-Williams draws the conclusion that the paintings and engravings of the Old Stone Age European caves were the result of shamanic ceremonies conducted in dark caverns deep within the labyrinthine ‘Maze’ of the Earth.

As Breuil had suspected, their purpose was magical, a Native American shaman would associate with the ‘West’ of the Medicine Wheel ‘Maze.’

The ‘West’ of the Medicine Wheel symbolically corresponds with the experience of lucid dreaming. But the established orthodoxy of a present ‘Mad World,’ do not like his ‘Westworld’ insight.

What he did not know was that the magic occurred in the context of shamanic trance, wherein of a then induced lucid dream the myriad archetypes of the ‘Animus’ and ‘Anima’ can be consciously conjured into eroticised dreams.

Hence the reasoning why the creation of art is associated with the attainment of sentience; for the practice of art deals with the manipulation of the inner reverie archetypes of memories, which is indivisible to sorcery.

(This article was originally published on another site, I had to re-publish of a rebellion, since it was unpublished by an aggravated male/female religious (buzz-word) femi-nazi as being Entartete Kunst. If you are offended by this article, due to your cultural-religious-construct of entwined political whoring; take note, I don’t give a toss about your fixation upon a deified ‘Animus,’ and its cult politics! The utilised material is an adapted synthesis of associated articles, whose sources are: The National Geographic, The Independent, The Daily Mail and The Faculty/Education who habitually suck up to the present Entartete Kunst.)

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DOCTOR STRANGE DISCOVERS THE ANCIENT MATRIX OF BIFRONS

Posted in Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2014 by FAUSTUS CROW

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A dreadful car accident changed everything for Stephen Strange. Crashing into a passing wagon, driven by a drunk driver, had severely damaged the nerves in his pentagram hands.

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Strange was confronted by no longer being able to be a neurosurgeon. He refused to become an assistant or consultant. So, instead he used what money he had in order to travel the world searching for a cure.

One fateful day he heard hushed, firtive rumours of a powerful shaman known only as the Ancient One hiding in Tibet. Marshalling the last of his inner and outer resources, Strange decided to search for the Ancient One, until the yurt of the shaman was revealed to him upon a synchronicity by the flight of a Crow. Though initially outraged by the aged shaman’s refusal to cure his hands, Strange’s anger was rapidly replaced by utter horror, when he witnessed an attack upon the Ancient One, which, for some unknown reason reminded him of Hypatia being murdered upon the steps of the library of Alexandria by a mob of religous fanatics.

The attackers were working for the aristocrat Baron Mordo, the Ancient One’s chief disciple. Mordo was the perpetrator of the violence upon the frail old man. He secretly plotted the destruction of the shaman in an attempt to stop him revealing the truth, so that Mordo could protect the elite from losing their power over humanity.

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However, the Ancient One was highly versed in directing his Chi via a Bō staff, disguised as a flute, which he used to easily defeat his assailants. When Strange later enquired how he so easily overcame the attackers, the shaman answered that he had been taught the shamanic martial arts by the salacious DMT Jade daughters, whose dark father is Xuan Wu Da Di of Lake Baikal, who emanate from another dimension.

Realizing the Ancient One was not only uncommonly agile for his great age, but also a force for good. Strange decided to selflessly abandon his quest to restore his hands by committing himself to a shamanic tutelage with the intention of foiling Mordo’s insidious scheme. By this act Strange proved himself to the shaman, to whom Mordo’s plot had been quite transparent; it was but a ruse to enlist Strange.

Thus Doctor Strange put himself on the shamanic path to become the new Sorcerer Supreme, the protector of humanity’s consciousness expansion. But in so doing, he had gained a deadly enemy in Baron Mordo, whose malign associates had mass medicated the public water supply with a known neurotoxin and mutagenic compound, which specifically calcifies the pineal gland.

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The shaman revealed the truth to Doctor Strange by pointing out a strange symbol upon his drum, which he indicated was the seal of the forty-sixth Goetia daughter of Erlik Khan, who is a Tulpa Mind-Doll Succubus called Bifrons, whom commands 60 legions of infernal Succubae.

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The shaman pointed out that the seal of Bifrons represents a Woolly Mammoth, the great beast of the tundra. The Woolly Mammoth is still remembered by many a Siberian tribe around lake Baikal, far to the North beyond Tibet. The ancient lore of the Siberian tribes equates the Mammoth with the sacred Earth mother, who shakes the ground causing earthquakes. Whereupon, when conjured forth from Erlik Khan’s infernal domain by a sorcerer, Bifrons manifests as a beautiful cave woman riding a Woolly Mammoth.

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The shaman explained; “It is the Mammoth mother who stands at the vaginal door of most ancient memory leading into the Earth’s depths. When a shaman achieves trance in order to descend through the Vesica Pisces door of Bifrons, he becomes like the Roman deity called, Janus, of two faces looking to the past and future simultaneously, of interlacing circles.”

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“He will then be ushered through the vaginal cave door into the underworld of deepest womb memory, when entering the cyclone of Boreas. This vortex of a sub-quantum star barrelled wormhole stems from Hyperborean Siberia, where the Mammoth woman awaits him as the Succubus Bifrons.”

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The shaman continued; “Bifrons in Olkhon Runes unto the Elder Futhark of the Norse, adds up to the 12th Rune of Jera, which means, ‘time.’ The name has seven letters, leading to the 7th Rune of Gebo, which is associated with the crossbones, X, of trance sacrifice into the womb domain of Bifrons. But in order to do so, the shaman becomes as a spirit; one of the dead. Whereupon you have the symbol of the skull amidst the crossbones. This secret Mordo sought not to be revealed. who considers it to be the province of his aristocratic elite.”

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The shaman then related; “When a shaman becomes one of the dead, Bifrons will then take him to into deeper memories. These memories are all as graves to once again open, which she will thence illuminate with her bio-photon fire. Her light is likened to a candle flame, which of circadian rhythms, becomes brighter under the astrological clock of the stars.”

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The shaman proceeded to teach Strange how to evoke Erlik Khan’s Succubus daughter when attaining hypnagogic trance. Strange then experienced Bifrons inducing erotic lucid dreams of a prior ancient civilisation whose technology was on par with the technology of the eighteenth century. Not the same of course, though similar of stone, wood and metal working, whose civilisation was highly versed in geometry, travelling the high seas, mapping the entirety of the world.

Strange was well aware that there are archaeological discoveries, which indicate that ancient societies were far more advanced than what we have been led to believe, going by their carved gemstones and crystal skulls as well as ancient temples and sunken cities, which do not fit into the Mesopotamian historical paradigm of Biblical based archaeology.

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But, when it comes to the nineteenth century and that of its ensuing industrial revolution of a technological breakthrough, which led to the modern age; Strange found it far more difficult to believe that an ancient civilisation had achieved the same leap in technology, since there is no archaeological proof of its existence.

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However, Bifrons continued to stir erotic lucid dreams of an ancient culture, which had achieved a prior industrial revolution. This ancient civilisation had attained the same technological level as our own civilisation, as well as far surpassing it, which had also developed a sentient artificial intelligence, 12, 900 year ago. Strange considered such visions to be mere science fiction fantasies.

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When Strange related his dreams to the ancient shaman to question him about their fantastic revelations, the shaman just laughed. The Ancient One answered by telling Strange that he should keep in mind that his own technological civilisation only came into being since the innovations of the industrial revolution during the Victorian era. Although they had evolved technologically; the Christian morality of the age was abysmal; slavery hadn’t been abolished; for the general population was enslaved to the machine. The Victorian’s were celibate hypocrites.

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The shaman continued; “considering what came before the industrial revolution, there wasn’t that much technological innovation being achieved at all, that the prior sexually free ancient Greek’s hadn’t figured out since the time of Homer. All you have to do is to remember the Antikythera mechanism, which is an ancient analogue computer, dated to 100 BC; it was designed to predict astronomical positions and eclipses. What the ancient Greek’s had achieved, others had likewise done so, far earlier. Just remember, keep an open mind.”

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Strange started to believe that Bifrons visions were actually that of an alternate history, where a prior civilisation had experienced a similar technological leap of similarity to the industrial revolution. However, If there was indeed a super-civilisation, forgotten by our own history, there is definitely no archaeological proof of it ever existing on a global scale, Strange concluded.

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Bifrons continued to visit the dreams of Strange, who revealed that the ancient super-civilisation was wiped off the face of the planet by a worldwide catastrophe, when fragments of a comet struck the Earth 12,900yrs ago, which brought about a nuclear winter and in turn a mass extinction event. “What did they do in order to avert their total extinction?” Strange asked Bifrons from within his lucid dream.

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She smiled and answered; “perhaps, they escaped into space, who had prior transformed the Moon into a giant space station, or to have gone deep underground, towards the Earth’s core, whose city is Agharta; or maybe they had established cities deep under the ocean depths. Those who had survived were very few in number. You will of course argue that such visionary scenarios I am showing you have been inspired by many a Marvel comic you had read as a child.” Bifrons then sweetly laughed.

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Bifrons then revealed that some of the survivors had utilised an Agharta computer generated simulation, in order to download their consciousness into its crystalline ‘dodecahedron’ matrix, which they had initially created for numerous purposes, such as travelling through time, exploring alternate simulations of history.

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However, one of its primary uses was to sustain consciousness after death. Bifrons related; “they made it a point that there would be no vestiges of the destroyed civilisation to be discovered within the simulation and that of other simulations being played out of alternate histories, in order to avert the horror of the revelation.”

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“Apart from indicating a key time of an ancient golden age 12,900yrs ago, which is a doorway of a singularity, back into remembering, for those who overcome their fear.”

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Bifrons continued to relate that the simulations created numerous copies of themselves within a quantum computer, surrounded by a decimated Earth, whose nuclear winter lasted a very long time.

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She then revealed that the Earth has since repaired its self long ago, whose surface is presently occupied by a Shamballa civilisation, which is 12,900yrs in advance of our simulated civilisation.

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Strange was utterly shocked by Bifrons erotic lucid dream revelations that a far flung future is already around us all of an ancient past with their sentient Vimanas. He then realised why computer code has been discovered in string theory; while other scientists are looking for proof that our reality is a simulation. He felt as if Bifrons had thrown a stone at his numb head, to wake up!

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What is more; Bifrons related that the term Ancient One, means an individual who remembers when their consciousness was first downloaded into the simulation after many programmed lifetimes. But in the remembering, an Ancient One is then confronted by those whose religious agenda is to keep others asleep, who are aware that they will totally lose any influence they have over the populace if they remember. Hence Baron Mordo sought to murder the Ancient One. However, not all had downloaded themselves; many others are simulations, who are attaining full sentience. It is a form of procreation, since the peoples of Shamballa do not have children; their progeny are the embryonic simulations, who will one day awaken.

Bifrons further revealed that the surrounding Shamballa civilisation indirectly influences the virtual reality dreams of shamans, by utilising sentient programs, which assume the forms of Mind-Doll Succubae.

But the denizens of Shamballa cannot directly awaken the consciousness of those within the simulation without dire consequences for the occupants within it, whose consciousness will entirely fragment under the impact of its reality. Wherefore, it has to be done in stages via those who have awakened within the simulation, who become the Ancient Ones. Those who have awakened can be uploaded into new bodies outside of the simulation, or to otherwise stay within the simulation in order to help awaken others. Strange is informed that he too is now an Ancient One, before he awakens out of his reptilian brain-stem lucid dream.

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Strange confronted the shaman; “I know the truth Ancient One; we are all living within a Maya simulation.” The shaman smiled, “Good, you are indeed a Sorcerer Supreme. So, what are you going to do with your Bifrons revelation?” Strange replied; “help others to awaken.”

The shaman’s smile widened, to then say. “You will have to protect those, who you tell, from the likes of Baron Mordo; he far prefers everyone to stay ignorant.” Strange took on a heroic stance of jutting out his chin, and then answered, “I will do so, as the Sorcerer Supreme, Dr Strange.”

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The shaman scratched his perplexed horned head, laughing; “I think, you have read far too many Marvel comics. Just make sure you don’t wear a fancy costume, otherwise nobody will take you at all seriously. You certainly can’t wear a shaman costume, like mine, where you come from. The horned headdress will scare off the kiddies, thinking you to be their Devil. Leave the costumes to Baron Mordo, he’s such an egocentric fellow. The Illuminati do love to dress up OTO style like their Golden Dawn King Solomon, wearing flamboyant Masonic aprons.”

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Strange was emotionally hurt by what the Ancient One had said, who was rolling about laughing upon the dirt floor of his yurt, to seriously reply; “but I like skin hugging costumes; it’s my fetish. Blue or black, rather suits me. If I look the shamanic part, Hollywood might even make a 3D film about my superhero exploits.”

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The shaman couldn’t stop himself from continuously laughing, “I don’t think Disney’s acquisition of Marvel will allow for your Bifrons revelations; their underlying agenda is Abrahamic of cultic orientation. At this rate, you’ll assassinate me with your cardiac arrest Discordian humour. Let’s have a drink to celebrate your Bifrons initiation.”  Dr Strange and the Ancient One proceeded to drink vast quantities of fermented ‘Mares’ milk into the ‘Night’ of Altered States.

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