Archive for Propaganda

SUCCUBUS ANIMA HOWLING

Posted in Art, Chaos Magic, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 8, 2015 by FAUSTUS CROW

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The grimoire entitled the, Goetia, means, howl, which of a word, the poet Allen Ginsberg had used for his 1955 poem of protest, titled: Howl. Ginsberg’s, ‘Howl And Other Poems,’ was published as part of his 1956 collection of poetry, which was dedicated to the writer Carl Solomon at a counterculture time when feminism came to ascendancy. Ginsberg wrote that:

“In publishing ‘Howl,’ I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy.” 

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Ginberg’s Howl utilised the name of a God that was once worshiped by the Phoenicians and Canaanites called Moloch, which Ginsberg saw as representing a repressive police state as well peoples blind submission to it. The Swiss psychiatrist Carl Jung would probably whimsically see Moloch as representing the masculine principle of a Fifty Shades Of Grey Animus residing within the psyches of all women.

The counterpart of the Animus is the Anima, which in Carl Jung’s school of analytical psychology, is the primary female archetype residing within the unconscious mind of a male.

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The Anima is described by Jung as being an influential force within the collective unconscious, which transcends the unconscious of the personal psyche of an individual male. However, due to the mass indoctrination into a male dominated monotheistic paradigm, the expression of the Anima has been systematically erased or otherwise incarcerated into the symbolic form of a celibate Virgin Mary, masking the one time ancient Egyptian Goddess Isis.

The Anima and Animus are archetypes of the collective unconscious; they are not personal aggregates of a father, or mother, brothers, sisters, aunts, uncles, or teachers, etc; although their imprints upon the personal unconscious can influence an individual.

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The Animus in particular is symbolically expressed as the all male pantheon of Angels and Demons, which are listed in the monotheistic grimoires, who dance around a God and a Devil; wherefore their patriarchal gender fixation upon the male is that of the Animus residing within the unconscious psyches of all women.

You can thereby conclude that the symbolic construct of the patriarchal religions of Abraham, upon which these grimoires are primarily based has been forged by women, due to an overriding fixation upon the Animus, made as God and Devil.

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Hence, when women berate the patriarchy, they are inadvertently berating their own Animus projection, which has been personified as an All-Father God, enthroned between a crucified Beta-Male Good-Guy and an Alpha-Male ‘Bad-Boy’ Devil.

However, every personification of the unconscious has a light and a dark aspect, such as the Animus, which can bring life-giving development and creativeness to the personality, or it can cause an individual to reactively erase its influence, which leads to insanity, the eventual death of a personality, becoming like that of a soulless automaton.

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Should this reaction be applied to the collective, it manifests as hypocritical political-correctness, totalitarian thought-control and fascistic politics.

The religious symbolism of the monotheist faiths mirrors the relationship dynamic between women and those men they choose as their mates, whether in actuality or that of fantasy.

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For example, many a woman is infatuated with a crucifying Bad-Boy Christian Grey, of fifty-shade Twilight desires, who desire being nailed by his conservative necrophilia of bestial dogma.

This fixation upon the Animus is genetically hardwired, of a biological imperative, which of an unconscious influence within the psyches of all women, over the Zodiac ages, has forged the present patriarchal focus of Piscean age society.

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As you are no doubt aware, the present patriarchal society of an Animus fixation is becoming progressively more fascist of orientation.

Those who argue that such is not the case, are faced with the unerring fact that the creative principle behind the entirety of existence has been symbolically personified as a God, whose religious construct of an all male paradigm is derived from a particular cultural perspective, stemming from the war torn Middle East.

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Logic would dictate that the creative principle behind the entirety of existence cannot be personified by a religious focus upon a singular gender, of human form, let alone being based upon a cultural construct. Hence, the overriding monotheistic focus upon the male points at something else, being that of the Animus.

As for the symbolic expression of the Anima within the Playgirl grimoires, it is none existent; but then, the religious construct upon which these grimoires are based, has castigated the Anima out of the spiritual equation.

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Should a male presently explore his Anima, he will duly find himself being tarred and feathered as being a misogynist, or a sexist pornographer, merely because he plays video games, involving female characters.

This is more so the case, if a male artist expresses his explorations of the Anima via his art, which can potentially lead to his work being shunned, censored, let alone banned as being Entartete Kunst.

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Artistic renditions of the Anima often manifest within the art-form of video games, which are being presently targeted by social engineers, who invariably utilise the emotively charged front of feminist politics to do so.

When to investigate the Anima, a male practitioner of symbolic alchemy has to keep in mind what Jung had termed as, ‘invasion,’ of the conscious by the unconscious archetype of the Anima, which can then lead to him being easily manipulated by the emotional politics of his female partners, upon whom he unknowingly projects his Anima.

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Women are generally more emotionally astute than men; this is because their emotional intelligence develops at an earlier age than males do. This is not a sexist remark, it is actually a biological fact.

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Jung insisted that: “A state of Anima possession…must be prevented. The Anima is thereby forced into the inner world, where she functions as the medium between the ego and the unconscious, as does the persona between the ego and the environment”.

Because a man’s sensitivity is usually repressed, the Anima is considered to be one of the most significant autonomous complexes of all within the psyche of a male, which influences a man’s interactions with women as well as his attitudes towards them. If he is not aware of his Anima, he will duly find himself being manipulated by the controlled media machine manipulation of women, upon whom he unknowingly projects his Anima; just as women are likewise influenced by their Christian Grey Animus.

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Jung related: “the encounter with the shadow is the ‘apprentice-piece’ in the individual’s development…that with the Anima is the ‘masterpiece.”  

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Jung saw the Anima as being the interface with the collective unconscious. Hence, she is the doorway into the collective dream; whereby, those who seek to influence the unconscious minds of individuals will target the Anima via subversively stirring up the women, which is easy to achieve since most males are totally unaware of her archetypal existence within their own psyches.

The established symbolic paradigm of an Animus fixation has castigated the Anima out of the spiritual equation. Wherefore Faustus Crow summons up his Anima, Mephistophina, in order to negate the viral-meme brainwashing of the establishment, by conjuring her Muse sisterhood of Succubae amidst his Triangle Of Art lucid dreams, to thence list within his howling Skull and Crossbones pirate grimoire, of artistic anarchy.

NOTE: I am not saying that the Bene Gesserit Sisterhood are the unseen cause of all the woes of this world, that would be plain silly, which would be just as crazy as saying that the Illuminati Brotherhood are the cause of every woe afflicting society. It is more of a case of the many who blindly give over their power to a few, whom delude themselves, that they are the elite; this is due to them being inbred insane! The insanity of the brain-dead puppeteers is plain for all to see when to look at the Middle East of mass-sacrifice!     

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STAR WARS: THE EMPIRE NEVER ENDED

Posted in Alien, Chaos Magic, Extraterrestrial, Film, Occultism, Science Fiction, Shamanism, Star Trek, Star Wars, Succubus, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 11, 2015 by FAUSTUS CROW

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In the mythology of the Star Wars universe, you have the all encompassing Empire, whose term comes from the Latin, Imperium, and in turn you have the word, Imperialism, which is a type of an advocacy of Empire, meaning to rule over large territories.

Imperialism is a policy of extending a country’s power and influence through colonization, which is sustained through its technological superiority of a military industrial complex.

Other means are also used, such as by utilising economic warfare as well as propaganda, of a mind-control tool, which is smoothly accomplished of media social engineering via an established centralist religion.

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The Galactic Empire of Star Wars is also described as the New Order. The term New Order is derived from the term New World Order or NWO.

The term New World Order commonly refers to the emergence of a totalitarian one world government, which has centralised its fascist politics of a religious theocracy across the globe.

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In Star Wars, the New Order arose as a result of the fragmentation of the Galactic Republic, whose governing power was decentralized.

Whereas the New Order of the Empire championed centralism, which advocated an authoritarian and militaristic social and political culture spanning the galaxy.

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The Empire promised to trade frailty for strength, chaos for order, and uncertainty for decisiveness.

The Imperialist politics of New World Order centralism can also be found in the feudalist hierarchy of Angels, which holds that there are different levels or ranks of Heavenly Angels.

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Higher ranks may be asserted to have greater galactic power or authority over lower ranks, and with different ranks having differences in appearance, such as varying numbers of X wings or helmeted heads, of masked faces.

These Angels are arranged around a deified ‘Animus’ made as a God, who is essentially an Emperor ruling over an Empire. In other words, the Angelic hierarchy symbolises what is occurring in the terrestrial world; its belief system is being sustained by a self-perpetuated indoctrinated focus upon the religious politics of Imperialist centralism, which can be summed up as the New World Order.

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The New Order’s ideology in Star Wars is pervasively male orientated, which is not only due to it being based upon the centralist politics of the New World Order, but also because of a patriarchal religious influence.

This religious influence is symbolically encapsulated by the Angelic hierarchy of the patriarchal grimoires, which is well established in the Hebrew Bible of the Talmud and Rabbinic literature, as well as traditional Jewish liturgy.

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The Angels are categorized into different Cabbalistic hierarchies as proposed by various theologians.

For example, Maimonides, in his Mishneh Torah or Yad ha-Chazakah: Yesodei ha-Torah, counts ten feudal ranks of male Angels emanating from the ten (Sephiroth) planetary spheres of the Cabbala.

The Hebrew Angelic hierarchy influenced the Angelic hierarchy of the Romano Christian’s who had appropriated the ancestral-self-identity of the Hebrew’s as their own, which was put forward by Pseudo-Dionysius the Areopagite, in the 4th or 5th century, as described in his book: De Coelesti Hierarchia (On the Celestial Hierarchy).

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During the Middle Ages, many Angelic hierarchies were proposed, some drawing on and expanding on Pseudo-Dionysius, others suggesting completely different feudal classifications. According to medieval Christian theologians, the Angels are organized into several feudal orders, or ‘Angelic Choirs,’ all of whom are armoured for celestial battle

Pseudo-Dionysius (On the Celestial Hierarchy) and Thomas Aquinas (Summa Theologica) drew on passages from the New Testament, specifically Ephesians 1:21 and Colossians 1:16, to develop a schema of three celestial Hierarchies, Spheres or Triads of Angels, with each hierarchy containing three Orders or Stormtrooper Choirs.

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As for the centralist religion of Islam, which also appropriated the ancestral-self-identity of the Hebrew’s, there is no standard hierarchical organization, of a parallel with the Christian division into different militarised ‘choirs’ or planetary sphere dominions; it is a topic, which is not directly addressed in the Quran.

However, it is clear that there is a set order or militaristic hierarchy existing between the Islamic Angels, as defined by the assigned jobs and various tasks to which the Angels of the Quran are commanded by their (Emperor) God, Allah.

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Some scholars suggest that Islamic Angels can be grouped into fourteen militaristic categories, with some of the higher orders being considered Archangels; one of whom no doubt looks like Darth Vader.

The centralist hierarchy of the Abrahamic Angels, whether they be of the Judaic, Christian or Islamic of shared Imperialist religious politics are forever warring against the (Fallen Angels) Demons, who equate in the mythology of Star Wars with the Alliance, whom seek to restore the Old Order freedoms of the Republic. Basically, the Republic equates with the Roman Republic of pre-Christian Pagan (Animist) Rome, which is traditionally dated to have lasted from 509 BC, and ending in 27 BC, with the establishment of the Roman Empire.

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The Alliance is an interstellar faction, whose forces, rebel against the New Order of the Galactic Empire, throughout the Star Wars galaxy.

The Galactic Empire equates with the demise of the Roman Republic, during  27 BC, when Octavian was granted the use of the names, ‘Augustus’ and ‘Princeps,’ indicating his primary status above all other Romans, who revered the God, Mars.

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Octavian then adopted the title ‘Imperator Caesar,’ making him the first Roman Emperor. The Star Wars Alliance are commonly known as the Rebel Alliance, and, informally, as the Rebellion.

The Rebel Alliance was first featured in the 1977 film Star Wars, which featured Princess Leia who equates with the ancient pre-Christian Roman Goddess Diana Lucifera.

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It was the ‘Anima’ archetype, Diana-Lucifera who led the Rebel Angels as the main Biblical protagonists. But then the centralist politics of the monotheists had demonised the elder Pagan faiths, and in turn demonising the ancestral-self-identity of the European’s, let alone transforming Diana-Lucifera into their ‘Animus’ fixation of a male, Lucifer. (Curiously, Diana Lucifera holds a torch, just as the Statue of Liberty does.)

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Leia (Diana Lucifera) was also in the Star Wars sequels: The Empire Strikes Back (1980) and Return of the Jedi (1983). The faction’s origins were alluded to in Star Wars Episode III: Revenge of the Sith (2005).

The early activities of the Rebel Alliance are featured in the Disney television series Star Wars Rebels, who as said earlier, can be symbolically equated with Demons (Fallen Angels) against whom, the Angelic Stormtroopers of the Orwellian New Order Empire of Heaven are at war.

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Whether the film director, J.J Abrams will take Star Wars to a far deeper symbolic level than he ever did with Star Trek is of course debatable, since his Abraham namesake may be at odds with a ‘rebellious’ perspective; unless, he is a fan of the author Philip K. Dick, who once said, “THE EMPIRE NEVER ENDED.”

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