Archive for hypnagogic trance

THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here.

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation; wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust

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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

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But as per usual, the female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up butch incubi, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the feminine principle of the ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Juliette Greco in the title role of Belphégor.

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your… third eye!

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes.

The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man.

In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit. 

The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

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OUT OF BODY LUCID DREAMS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 1, 2016 by FAUSTUS CROW

The driving force behind much of my art and writing is the number of ongoing personal experiences I have had concerning the Out Of Body phenomenon and lucid dreaming, which of inner experiences also correlate with the observation of concordant synchronistic phenomena, along with what can be construed as being paranormal events.

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I have the tendency to utilise the technical term hypnagogic trance when to speak of attaining conscious ingress into the dream. The hypnagogic state is not a mysterious occult force; hypnotherapists seek to induce hypnagogic trance in their patients, which is an altered state of consciousness, shamanic practitioners are highly adept at inducing in their own selves of auto-hypnosis.

A number of artists throughout the ages have also engaged in inducing hypnagogic trance, whether knowingly or unknowingly, of varying degrees of intensity when creating works of art, since the nigh meditative creative process can induce a theta brainwave in the artist, which is associated with the inducement of hypnagogic trance.

TAROT: HIGH PRIESTESS II: How To (Hypnagogic) Hypnotise All, Via ‘False Flag’ Shock Hypnosis.If you are interested, Please Check out the Succubus Art Book Grimoire: Click Here.

Hypnagogic trance can also be induced via shock hypnosis at the collective level, should there be a mass focus upon a shocking occurrence, which can be prior orchestrated of a subversively engineered false flag event, let alone being able to engineer an associated End-Of-Days mass-media focus on 2012.

When to inadvertently access hypnagogic trance at the point of sleep, it sometimes involves the experience of sleep paralysis as well as the Old Hag Syndrome, or otherwise called, the Bedroom Invader experience.

The Old Hag Syndrome of an assailing nightmare can be otherwise transformed into a Night-Mare Succubus to ride, as your Mind-Doll Dakini, whence she to carry you, without moving, Out Of Body, wherever you desire to go, throughout space and time within a lucid dream.

Whatever is experienced when accessing hypnagogic trance will be determined by what you take in with you of an inner narrative of beliefs, which is often subliminally influenced by your culture. An analogy is somewhat akin to your beliefs determining what you tune into of a TV program, which you will then enter into as a fully interactive lucid dream. The dream reflects back your inner narrative; wherefore if you transform the narrative, you can reprogram your dreams.

Numerous others have also experienced this phenomena throughout the ages, such as the author and researcher Michael Raduga, who otherwise brands the hypnagogic state as being what he calls, The Phase. Raduga has come to the realisation that the hypnagogic state has been hijacked by various religions; most notably by the trinity of Abrahamic faiths, whose shared symbolic dialogue determines the narrative of the inner experience for many across the globe, which can be further manipulated via orchestrated false flag events.

Raguga has also noted that the religious narrative has been transmuted into the viral-meme arena of science fiction, where machismo Angels and butch Demons have been transformed into Aliens, which is essentially a continuation of the religious programming.

In other words, whoever controls the symbolic narrative can thereby determine the programming of many minds; this would be subversively engineered in order to sustain the established religious structure, which is very much entwined with the present New World Order centralist politics of society; wherefore, those who control the narrative will not want the masses questioning it. The primary means of negating the questioning masses is to make them fear the inner reality of their own minds; hence the war on drugs for example.

The question is, how far would the controllers go in sustaining their symbolic Matrix, wherein many a mind is being subversively programmed and thereby imprisoned, without ever realising it?

Well, you would need to look into a possible physiological factor involving dreaming in order to determine how far the controllers would go, such as looking at the pineal gland for example, which is otherwise known as the third eye by ancient mystics.

The scientist Rick Strassman MD has determined that the pineal gland is inextricably entwined with dreaming and other associated altered states of perception, which may be due to the pineal gland alchemically producing the schedule 1 drug, N,N-Dimethyltryptamine (DMT or N,N-DMT)  within its one time vestigial eye of an amphibian ancestor.

This is the reason why ancient shamanic adepts of hypnagogic trance inducement were symbolically represented as being amphibious creatures such as toads or as reptiles of varying kinds, as well as fish.

It just so happens that the mass fluoridation of the water supply with the known neurotoxins and mutagenic compounds, fluorosilicic acid, sodium fluorosilicate, and sodium fluoride specifically targets the pineal gland.

Whereby you then have a number of neurological disorders afflicting the industrialised nations, who practice fluoridation since the end of WWII.

Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality. They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

The fluoridation chemicals calcifies the pineal gland over time, whereby leaving it inoperable; hence potentially cutting you off from experiencing what Raduga brands as The Phase.

You could thereby conjecture that the ruling elite are attempting to transform the mass populace into easily programmed robots who will not question the symbolic Matrix, which imprisons their minds. If you consider such conjecture to be just a crazy conspiracy theory, you are still left with the unavoidable fact that a criminal mistake has been made!

NOTE: Michael Raduga and Rick Strassman MD have their own symbolic narratives, which influences their research into the nature of consciousness. On one side of the coin, you have the Russian entrepreneur, Michael Raduga, who takes a Newage approach to his investigation of The Phase phenomena; he utilises the scientific method as much as possible, which is of similarity to much of the prior Soviet psychotronic research; his particular symbolic narrative is summed up by his scientific sounding brand term, The Phase. 

On the other side of the coin you have the American scientist, Rick Strassman MD, whose symbolic narrative is heavily influenced by Judaism in particular, and in turn the Bible, who is on a personal quest in order to determine what the Biblical prophets had tuned into of an inner reality, which is very popular among a number of Judaeo-Christian American’s; his brand term is the religious sounding, The Spirit Molecule. 

As mentioned prior, your own personal narrative determines what you internally access, which can be subversively influenced by your surrounding culture; hence, whoever controls the collective narrative of your culture on either side of the coin can thereby influence the mass population’s perception of reality; this is very much the case when brand terms are aligned with already established archetypal influences. 

In order to determine who is promoting a symbolic narrative at a collective level, you follow the associated strands of an underlying money trail to find those who own and run the mass-media show, which is somewhat self-evident when looking into the media machine of America. 

For example, Rick Strassman MD is part of a bigger narrative web of associative correspondences, which hearkens back to the psychedelic hippie era, of a more cohered form, whose orientation is nigh Gnostic of a symbolic paradigm. 

The evocative branding of an altered state of abstract consciousness, whether it be The Phase or Spirit Molecule, is that of an art form. The form the symbolic narrative takes on either side of the coin of an open-ended or closed system is determined by the creative potential of humanity, which is essentially that of art. 

The practice of art is indivisible to the practice of magic, they are one and the same. So, if you do not want to be programmed by subliminal influences, or to otherwise transform them of symbolic alchemy, you need to become aware of the inner Artist within you; for it was the shamanic practitioner of trance who was the first Artist, who knows how to lucid dream. 

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ALIEN MUTANT SHAMAN ARTIST

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 28, 2016 by FAUSTUS CROW

Cern to Cernunnos, some to call Lucifuge Rofocale, others to know as Siva of a one time horned Shaman, who was the first Artist, the culture bringer.

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The ancient Sumerian’s and Babylonian’s called their shamanic culture bringers Anunnaki, the Dogon of South Africa otherwise call Nommo.

These shamanic culture bringers were highly versed in amphibious trance ingress into the amniotic realms of the watery dream.

Wherefore they were symbolised as being fish headed amphibians or as reptiles of varying kinds, such as, toads, serpents or as dragons.

“Take me, I am the drug; take me, I am hallucinogenic”
― Salvador Dalí

Alas, many have become totally disconnected from the inner realms of the surrealist dream, a shaman artist to know.

Hence, they to otherwise speak of extraterrestrial aliens being the bringers of culture or to otherwise subvert it, like their Biblical Angels and Demons.

“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life”
― Salvador Dalí

If such be the case, then the Artist is the alien, who as a horned shaman knows how to mutate consciousness.

This is achived by introverting consciousness of inverse trance pentagram five-senses into other arenas of otherworldly perception.

But by doing so, the shaman Artist often becomes as a rebel, who rebels against the symbolic paradigm of a cultural Ring-Pass-Not.

“Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision.”
― Salvador Dalí

This is more so the case when a rebellious Artist rebels against the ‘Animus’ fixation of a culture, who stands at the centre of the ‘Magic Circle’ of an Art studio.

To thence conjure the Succubae Great Old Ones as his ‘Anima’ Art Muses from other dimensions amidst his ‘Triangle Of Art’ imagination.

The Artist to thence enter into a sexagram Coitus Pactum with the super-symmetry Succubus intelligence, within ‘quantum’ dreams made sixth-sense lucid of awareness.

“The only difference between me and a madman is I’m not mad.”
― Salvador Dalí

You might just ask are the Succubae actually alien entities, which the rebel Artist to dally with as his psychedelic Art Muses, who inspire his quantum dreams? Only the Artist, within you, to truly know, who like Salvador Dali would say:

“I don’t do drugs, I am drugs!”

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HORNED SHAMAN ARTIST LUCIFUGE ROFOCALE

Posted in Art, Chaos Magic, Demon, Devil, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2016 by FAUSTUS CROW

Lucifuge Rofocale, whose name in Latin is Lucifugus Rofocalus is considered to be a horny demon who, by order of Lucifer, is in charge of Hell’s government as described in The Grand Grimoire, which specifically deals with black magic. Varying editions of the Grand Grimoire have differing dates of publication 1521, 1522 or 1421. But it was very likely authored in the early 19th century by a writer named Antonio Venitiana del Rabina who had supposedly gathered the material from the original writings of King Solomon.

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The Grand Grimoire , contains instructions, which are purported to summon Lucifer or Lucifuge Rofocale, for the sole purpose of forming a pact with the Devil. Rabina’s book is otherwise called The Red Dragon, which is also known as Le Veritable Dragon Rouge (The True Red Dragon) by a number of Voodoo practitioners in Haiti. It is claimed the listed demons of the Grand Grimoire were placed under King Solomon’s throne by his devil in order in order to tempt him, which sounds definitely Freudian to me.

However Lucifer was originally the ancient Roman Goddess, Diana-Lucifera. As for Lucifuge Rofocale, he is usually depicted as being a horned man with a goat head who is of similarity to the ancient Greek God called Pan, the Hindu’s called Siva, the Celt’s to name as Cernunnos, which of a primordial image alludes to the horned shaman of an archetypal magician, the Abrahamic faiths to have later demonised.

The name of Lucifuge Rofocale is comprised of Lucifugus, which comes from two Latin words: lux, being light; genitive lucis, and fugio, which means to flee, such is usually interpreted to mean he who flees the light. Although, it may otherwise be an occult blind, which alludes to Archimedes, who is a renowned mathematician and scientist; although during classical antiquity the term scientist was not used; a scientist shared the same eye as the philosopher and the Artist.

It is said that Archimedes used a large mirror like that of a blazing eye reflecting the sun, or that of a number of angled hexagonal mirrors as a heat weapon against the Romans, who attempted to flee Archimedes solar ray, while invading Syracuse in 212 BC. The scientific discoveries of Archimedes were later considered to be a demonic scourge of the Holy Roman empire’s Orwellian use of Eden ignorance, to control the masses, via their ‘Animus’ fixated symbolic paradigm.

Wherefore Archimedes was demonised as being a knowledgeable Lucifuge Rofocale who had been set to fleeing from the New World Order Eden of theocratic blind faith and ensuing religious persecution. The name of Rofocal also appears to be an anagram of Focalor, which is a name of an important demon who is listed as being the forty-first spirit in the Goetia, whose listed traits allude to the Roman rape of Syracuse by sea.

Rofocal is intimately connected to the very nature of Lucifuge due to the association with Lucifera, who as a onetime pagan Goddess was seen to be the light bearer, whom illuminated the realm of dreams. This inner illumination of the dream refers to the bio-photon emanation, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The reference to the feminine source of the inner light is in part alluded to in some left-hand path belief systems, in which the demon Lucifuge is said to be the left-hand path ruler of the Satariel, which is the third sephiroth named, Binah. The sephiroth of Binah corresponds with the planetary sphere of Saturn, which is associated with teaching and learning, as to be found in a school; more so that of an all girls convent school, since Binah is associated with the feminine principle, which can be summed up as being the ‘Anima,’ whose energetic fluctuations are the Night-Mare Succubae.

This brings us back to the horned shaman of a Lucifuge Rofocale, who as the first Artist is versed in hypnagogic trance. You can envisage Lucifuge Rofocale as a shaman Artist who conjures Succubae to manifest amidst his Triangle Of Art imagination as his Surrealist Art Muses prior to attaining conscious trance access into the illuminated (bio-photon) domain of the dream.

Wherein Lucifuge Rofocale can penetrate the vaginal Stargates of the conjured Succubae, who will guide him into their illuminated virtual womb realities, within lucid dreams of quantum brain artistry.

Wherefore, an Entartete Kunst Playboy Necronomicon, which to list the fallen ‘Anima’ fluctuations of the Succubae Great Old Ones, will illuminate your Lucifuge Rofocale crystalline skull, illuminatus style, whose bio-photon light will make the ‘Animus’ fixation of the Holy Roman empire to flee your Archimedes eye.

But, if you are otherwise Solomon predisposed, you can summon up the ‘Animus’ fluctuations of the machismo Angels and butch Demons to tempt your enthroned backside, which of ‘Animus’ hordes frequent the psyches of Witches, who to conjure from their classical Playgirl grimoires of patriarchal commonality. These Playgirl tomes of the ‘Animus’ are of Vatican preponderance, such as Rabina’s Grand Grimoire for example; whereas a Playboy Necronomicon of the ‘Anima’ was castigated into the pit.

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FRANKENSTEIN CREATED TULPA WOMAN

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2016 by FAUSTUS CROW

From out of the infernal depths of the subconscious necropolis, disparate exquisite corpses are exhumed of archetypal ‘Anima’ desires, which are then knit-together upon the canvas lab slab of creative meditation, to hence paint of artistic conjuration.

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The canvas skin of the two-dimensional knit-together Frankenhooker is verily tattooed with sigils of desire. The Frankenstein sorcerer to mediate upon these sigils, while manifesting the visualised knit-together Succubus of planetary layers of oiled skin, imbued with metallic colour, to sculpt into a sublime form with his erect wand of a brush stroke.

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At the hypnagogic point of sleep, the Frankenstein sorcerer introverts his five senses of inverse pentagram, while visualising his sigilised Frankenhooker.

The Frankenhooker Succubus is thence conjured into three-dimensional Tulpa life within a lucid dream, when to electrify her with a Vajra lightning bolt of a barbarous name to call out, of an emotionally charged Necronomicon mantra.

Sorcery and Art are one and the same of practice. An Artist does not worship his knit-together creations, which be that of a religious sentimentality, even when they come to life within a sixth-sense lucid dream; for if the artist does so, he will surely lose himself to his obsessively fueled Mind Doll, just as he would do when engaged with a flesh and blood woman of an ‘Anima’ projection.

This will invariably lead to a rather odd psychological conundrum arising concerning jealousy issues, which in reverse would be understandable, if your beloved to thence dally with others.

If the Artist becomes enamoured with a singular Mind Doll creation, becoming thence as his only tunnel reality, he is no longer practicing Art, nor Sorcery, but that of religion; since there be many another ‘Anima’ fluctuation to knit-together of conjured Frankenhooker artistry, to visualise amidst the Triangle Of ‘Art’ Imagination.

The same is true concerning the creature of a deified ‘Animus’ made as a jealous God-Devil, by many a Mary Shelley, around which three ‘Borg’ faiths seek to convert everyone to their patriarchal tunnel reality populated with machismo Angels and butch Demons, all as knit-together Incubi, which to be illustrated in numerous Playgirl Grimoires of commonality.

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