Archive for pyramid

LEGION WORLD KILLER

Posted in Art, Chaos Magic, Comics, fantasy, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 10, 2019 by FAUSTUS CROW

The King In Yellow, having yellow eyes, Robert W. Chambers, to know as his Shadow King, who peruses ‘Aubrey’ Beardsley’s Yellow Book; while H.P Lovecraft dreamt of Leng, which of a rough land, the Iberian’s call ‘Plaza.’

The King In Yellow, Shadow King, the Elf, Alberic be, whose name means, Fair Ruler Of The Little People, the Animus fixated Christian’s later knew as their Devil.

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Though a disenchanted convent schoolgirl Witch-Nun called Christina, may rip off her habit, and Tantric dance before Alberic, to otherwise call him ‘Aubrey.’

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But then, the name of ‘Aubrey’ is originally derived from ‘Alberic.’

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The King In Yellow, Shadow King, Marlowe’s and Goethe’s, Faust to conjure up as an Alberic, to name, Mephistopheles, whose planetary correspondence is Mercury of Yellow eyed colour.

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The King In Yellow, Shadow King, Faust, to have conjured him as his monster, Mephistopheles. But why? Many would usually answer, “because he is barking mad!”

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But the truth be, that The King In Yellow of a Shadow King and that of its dualistic counterpart of a God, is a viral-meme parasite, which of an UR ziggurat egregore rides the brains of many an indoctrinated male.

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The question is, will he ever see the dark truth of its ongoing brainwash down the generations?

The King In Yellow unto Shadow King be an archetype of the deified Animus, made as a God and Devil, which resides within the psyches of all protesting females, whose Queen Bee Beehive of a Pyramid psyche points at Star Trek Orion.

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The King In Yellow, Shadow King, many would consider to be a male hunter of the Orion constellation, whose criminal syndicate of toxic males is commonly believed to be enslaving dominated women down the Fifty Shades Of Grey ages. Women are said by Hollywood relationship gurus, to come from meek and mild Green sphere Venus, who would not harm a Martian fly.

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But such is an illusory facade, the deeper symbolism actually reveals the Animus projection of huntress woman, whom makes a man as an unknowing hive-mind slave, who be her worker-Bee.

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She hates to love, loves to hate, the Alpha male beast; she, as a Babalon ever seeks to Bene Gesserit tame, and when Beta tamed, she looks to another Alpha male beast to ride.

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The King In Yellow, Shadow King, of a deified Animus made as a God and Devil, blinds the man from seeing his Anima, which has been castigated out of the symbolic equation as the Fallen.

But should he desire to seer her, to thence conjure amidst his Triangle Of At imagination, he is then enabled to free himself from the parasitical viral-meme chains of the deified Animus.

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His thoughts, then to mutate beyond the religious/political cultural-construct of the deified Animus and its symbolic Matrix.

The alchemists called the fifth element the Anima-Mundi, meaning World Soul, Carl Jung to have termed as the Anima, who be the quintessence of erotic desire, as well as being the symbolic interface with the collective unconscious dream.

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The Hindu knows the Anima as Shakti, who manifests as a sexy dark haired girl, sitting astride the lap of a lord of Yoga, whom to dance as Shiva. As the ancient Hindu adage goes, “A God is not a God, without his Shakti.” 

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A lord of Yoga knows how to mutate his consciousness into other arenas of perception, by assuming the Avatar guises, of alternate-selves within quantum computing lucid dreams; whence his shaman name is Legion.

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A Tibetan Buddhist terms the alternate-selves as being male role-model raging Buddhas, and each raging Buddha is copulating with a female aspect of Shakti, called Dakinis, whom empower the raging Buddhas.

The Dakinis can be conjured within lucid dreams as (Succubi) Succubae, when to consciously impregnate the (phase) hypnagogic hymen veil of Nigredo trance.

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Alas, the monotheistic paradigm of the deified Animus made as a God and Devil, has cast the Anima and all her Succubae Great Old Ones into the pit of a politically incorrect Hell as being Entartete Kunst sexist. The war upon the Anima, which resides the male psyche continues!

The King In Yellow, Shadow King, of the three deified Animus big-business cults, would be overthrown, along with all their neuro-marketing monotheistic works to fall, across the globe, when its illusion is killed by the World Killer.

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Such to occur when the mutated Shiva consciousness of a Faustian Legion, conjures up his fallen Anima as a sexy lost girl ‘Aubrey,’ who has a wicked sense of humour, to mantra name, Mephistophina.

NOTE: FX and Marvel Television announced in October 2015 a new collaboration to create a television series, which is loosely based in name only upon the X-Men character (David Haller) Legion. The comic character of David Haller is in turn loosely based upon Harry Haller from Hermann Hesse’s surrealist Jungian novel, Steppenwolf. 

Noah Hawley was signed on to write and direct the pilot for FX’s Legion who wanted to show David Haller as an “unreliable narrator”, including mixing 1960’s psychedelic design with modern-day elements, and filming the pop-surrealist series through the principle character’s distorted view of reality. The eight-episode first season of Legion first aired from February to March 2017, which received critical acclaim.

Lenore “Lenny” Busker (portrayed by Aubrey Christina Plaza) is David Haller’s friend with a history of drug and alcohol abuse. The name of Lenore is the short form of Eleanor. This was the name of the departed lover of the narrator in Edgar Allan Poe’s 1845 Corvid poem ‘The Raven.’

As for Busker, it is a common term for a person who performs music or stand-up comedy entertainment in the street or another public place for monetary donations. Eleanor is derived from Alienor, a Provençal form of the Greek Helenē, which is derived from the element ēlē, meaning, light, torch, and bright.

Aubrey is an English given name. The name is a Norman French derivation of the Germanic given name Alberic, which consists of the elements, Alb, Alf “Alf” and ric, “power”, with the meaning of “Fair Ruler of the Little People”.

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The Germanic, Alb is generally agreed to be cognate with the Etruscan Alp (also a name for a Succubus) and Latin Albus, which means white. It is also a name given to a vestment worn by a priest. You also have Icelandic álpt. These all come from an Indo-European base albh-, which are connected with the idea of light, torch, bright, and whiteness.

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The (Aubrey) Elves were originally seen to be female entities dressed in white, who are made out of (Eleanor) light as well as being associated with singing strange (Busker) melodies, while creating faerie-circles on (Plaza) rough ground, with their Tantric dancing.

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Their erotic dance would shock a Christina Nun, although she might just join in, should Christina be a Witch, having a wicked sense of humour.

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Plaza was cast in February 2016. Busker was originally written for a middle aged male, until Hawley met Plaza and rethought the character. Plaza insisted that the character’s dialogue wouldn’t be rewritten for her, instead, she decided to to play the character as both male and female. You could otherwise determine that she is playing the part of the Fallen ‘Anima.’

This led to Busker “making crass remarks about women and muttering vintage phrases”. Plaza’s inspired performance, which she described as kind of “unisex, androgynous”, was inspired by the Aleister Crowley fan, David Bowie. Although Bowie lean’t more towards feminising the Animus projection of his adoring female audience.

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While preparing for her E-Lenore role, Aubrey decided that her Busker hands would be covered with small sigilic henna tattoos.

The henna tattoos had to be ritualistically applied every day before filming her Performance Art magic, when to Catwalk as an Elf across the Plaza.

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PYRAMID GENIE POWER

Posted in archaeology, Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 4, 2018 by FAUSTUS CROW

A theoretical research team from ITMO University in Saint Petersburg, Russia, and the Laser Zentrum in Hannover, Germany, applied theoretical physics methods to investigate how the Great Pyramid of Giza responded at certain times, under the star-clock, to electromagnetic radiation, which includes radio waves, microwaves and infrared, visible light, ultraviolet light, X-rays and… ‘Gamma Rays/Waves.’

(The Artwork Above of a Genie [Gamma-Wave Geni-us] is available as an Art Print from Saatchi Art. if you are interested Click Here or the Image Above or by clicking on the associated Images below to see the Full Artwork and for further details.)

The research team specifically wanted to see how radio waves with a proportional wavelength, or resonant length, to the pyramid would interact with the structure. The research team discovered that the Great Pyramid of Giza can channel electromagnetic energy within its internal chambers as well as below its base.

Great pyramid of Giza Journal of Applied Physics

Andrey Evlyukhin, an author of the study from ITMO said: “We wanted to find out what peculiarities of electromagnetic energy distributions can be obtained in the pyramid and environment under the condition of its strong interaction with electromagnetic waves. It was very interesting to apply the theoretical methods and approaches used in optics for investigation of light scattering by nanoparticles, to study the electromagnetic properties of the Great Pyramid—one of the most intriguing objects in history. We expected that the investigation of the pyramid’s properties could provide us with new and important information which will be useful in nano-optics for the design of nanoparticles with required optical properties.”

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Although the physicists are avoiding saying that the pyramid may predate the ancient Egyptian’s, who may have been aware, or not aware, of the design qualities of the pyramid. The results, which were published in the Journal of Applied Physics, could enable scientists to create new nanoparticles, – particles between 1 and 100 nanometers in size, which could be used, for example, to develop highly efficient solar cells or tiny sensors. Evlyukhin related: “Such nanoparticles can be used as a building blocks for construction of different optical devices for management of light energy at nanoscale.”

The researchers also said in the paper: “Applications of modern physical methods and approaches for investigations of pyramids’ properties are important and productive. It could allow us to make new discoveries or get new information motivating new interests in the pyramids.”

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The new information the physicists have discovered, may point at a possibility that the pyramid, which is concentrating certain frequencies of electromagnetic waves or radiation, might affect brain function.

For example, transcranial magnetic stimulation (TMS) is a technique, which is used to induce a short-term interruption of normal activity in a relatively restricted area of the brain by rapidly changing a ‘strong magnetic field’ near the area of interest.

Clinically, TMS may be helpful in alleviating certain symptoms, including those of depression. However, the technique can be taken much further in order to induce lucid dreams, wherein dream characters can be summoned up out of the subconscious and consciously interacted with, like that of spirits being conjured out of a grimoire.

According to a study published online in Nature Neuroscience researchers have discovered when applying an electrical current to the brain, it can induce, lucid dreaming. For those who do not know what a lucid dream is, a lucid dream is when a dreamer becomes aware that he/she is dreaming, who can also gain control his/her dream of say, a genie being conjured out of her spectral pyramid.

The spectral pyramid might be the ghostly influence of a physical pyramid the dreamer is sleeping within or next to. Sounds absolutely barmy doesn’t it, but it has been found that the shape of a pyramid has a strange affect upon various objects, more so, water, and as you will probably know, you are mostly made up of water, which is very much the case concerning your excited brain.

As for the scientific findings, they are the first to show that inducing brain waves of a specific frequency produces lucid dreaming. Funnily enough, the Faustian scientists who conducted the study were led by the psychologist Ursula Voss of  J.W. Goethe University in Frankfurt, Germany.

The researchers built on lab studies, which involved research volunteers in the REM (rapid-eye movement) stage of sleep. When a dreamer experienced a lucid dream, he/she then reported his/her dream upon awakening. Electroencephalograms revealed that lucid dreams were shown to have a creative connection with electrical activity called ‘Gamma Waves.’

These brain-waves are associated with executive functions such as higher-order thinking, as well as an awareness of one’s own mental state. But they are almost unheard of during REM sleep.

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Voss and her Faustian colleagues, started to question, if Gamma Waves occur naturally during lucid dreaming, what would occur if they induced a current with the same frequency as Gamma Waves in dreaming brains?

When the researchers did so, by attaching electrodes upon the scalp, which is a technique called transcranial alternating current stimulation (TACS), the 27 volunteers began to report that they became consciously aware within their dreams. The volunteers were also enabled to consciously control their dream scenarios. They also felt as if their dream self was that of a third party who they were merely observing, as if their conscious awareness was hovering around like a disembodied (OOBE) floating eye.

It is thereby distinctly possible that the concentration of certain frequencies of electromagnetic waves, which is being concentrated by the design of the Great Pyramid of Giza can affect brain function, and in turn inducing lucid dreams.

Individuals who have experienced precognition or retrocognition tend to experience this phenomenon when attaining a lucid dream, which also includes the ability to remote-view far off locations. There will of course be those who consider these experiences to be crazy, who have never experienced a lucid dream, let alone remembering their dreams, which they commonly believe as being nothing more than a mental miasma, and of little interest.

In ancient cultures the domain of dreams was considered to be the spirit realm, wherein genies (Gods/Goddesses, Ancestors/Spirits, etc. Basically, other forms of intelligence.) could be conjured from differing worlds in order to access specific information, finding artistic inspiration, discovering new inventions, being healed from various maladies as well as accessing abilities.

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An analogy would be like that of programs (genies) being summoned up within a virtual reality being created by a quantum computer, which is making calculations upon a spin of an electron.

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The quantum computer is the brain, while the virtual reality is the dream, and your dreams are made up of electrons. There are no pointlike electric charges, the physicist John Wheeler proclaimed; rather, electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth.

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When attaining a lucid dream, your consciousness could slide inside the electron and emerge from a positron far away, such as finding your consciousness travelling into the far distant past or future, remote viewing the present, sliding into many an alternate Earth or visiting a planet orbiting Sirius.

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Wherefore a culture, which discovers a way for an individual to consciously access the spirit realm of the electron dream, which is the underlying reality behind the physical, would go to great lengths to further evolve the ability.

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In other words, the technology of the ancients was very likely geared towards exploring the nature of consciousness, which is very much tied up with the experience of time, and space, present scientists are starting to see as being an illusion akin to a computer simulation, of similarity to what the ancient Hindu mystics call Maya.

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This isn’t to say that the Giza Pyramid is not some kind of physical machine, various researchers have conjectured as being a free-energy device like Nikola Tesla had rediscovered. It can be both and more, Tesla’s Gamma Wave brain was very much aware of.

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The ancient Gamma Wave brain perspective would not have seen a dualistic division between physical matter and what is termed as being spirit, which is essentially energy, information and consciousness.

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NOTES: A Science Fiction Scenario: A civilisation, which has evolved along different lines due to falling into a mass Beta-brainwave perception after an ancient catastrophe will not be able to fathom the Gamma-Wave thought processes behind the building of a pyramid and that of other ancient sites.

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Also, the now common Beta-brainwave perception and that of its civilisation will consider a Gamma-brainwave perception to be very dangerous to its established dualistic cultural-constructs of a monotheistic religion and its politics as well as endangering the mass-consumerism of its materialistic technologies, etc.

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Whereby you can gather that the Beta-brainwave establishment will take measures, to make sure that the Gamma-Wave perception does not return, such as by utilising an electromagnetic means to affect the brainwaves of the masses via 5G, for example. 

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NOTES: The discovery that the Giza Pyramid can concentrate electromagnetic energy will lead to the development of highly efficient solar cells and tiny sensors. As prior mentioned, Evlyukhin related: “Such nanoparticles can be used as a building blocks for construction of different optical devices for management of light energy at nanoscale.” Since this is the case, then the Giza Pyramid, which once had a smooth limestone covering, made it akin to a huge ‘Solar Cell,’ and what is more, the Pyramid acted like a specially placed ‘Sensor’, whose creators knew the dimensions of the Earth, wherein the operator floated within the Kings sarcophagus of a floatation tank.

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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark Art side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain Tarot key-times around the Zodiac.

VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found. Also, the lungs pump out endogenous DMT, which activates the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

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CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

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VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

Umineko no Koro ni - Belphegor by okutabi

VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

Asmodeus - Umineko no Naku Koro ni.

CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

Mammon - The Seven Stakes of Purgatory by Miihelmina

CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

Mammon - The Seven Stakes of Purgatory by Miihelmina

VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand, which was at the time the BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son!, about how to break into male dominated football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities; whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

During the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a mock alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities; hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a one time Visitor sleeper-agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

The Disappearing Male ~ Biphenyl A (BPA) ~ Where Have All The BOYS Gone? from DianeDi on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

The female Visitors use time travel to abduct unsuspecting males from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of Beta-male university students by utilising extremist feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an anti-war Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Hippie era, the New-Age scene was very much entwined with music and the Arts, at whose heart of an alternative world-view was that of an anti-war protest, which brought down a government.

The government did not want a repeat of the same zeitgeist scenario, wherefore, the New-Age scene had to be controlled; hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main methodologies of control that was used, was that of utilising the indoctrinated religious sentimentalities of the New-Age mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The New-Age mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating BBC broadcast; whence you have a return of the 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a God Emperor of oily Dune.  

  

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CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print, Check Out my Gallery on Saatchi Art, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses. (The original A4 size watercolour painting of Mephistophina, shown below is available to buy from Saatchi Art. For further details, Please Click Here.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect.  

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Amazon.

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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young Velvet Buzzsaw girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

But as per usual, the Velvet Buzzsaw female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a (water convenience) lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy Velvet Buzzsaw girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Velvet Buzzsaw Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up the butch Incubi archetypes of the deified ‘Animus,’ made as a God and Devil, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a patriarchal Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral Velvet Buzzsaw meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous Velvet Buzzsaw womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the Velvet Buzzsaw vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a Velvet Buzzsaw girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the Velvet Buzzsaw feminine principle of the Fallen ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a Velvet Buzzsaw French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a Velvet Buzzsaw female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Velvet Buzzsaw Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the Velvet Buzzsaw actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Velvet Buzzsaw, Juliette Greco in the title role of Belphégor.

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 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Velvet Buzzsaw, Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original Velvet Buzzsaw female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Velvet Buzzsaw Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly Velvet Buzzsaw delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Velvet Buzzsaw Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Velvet Buzzsaw Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus Hawk/Falcon.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

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Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Don/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Velvet Buzzsaw Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Rhodora/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your DMT producing pineal gland… third eye!

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