Archive for dream sexuality

SPHINX DREAM OF THE SUCCUBUS

Posted in Alien, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 21, 2016 by FAUSTUS CROW

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

I will relate an experience, which of a general account, I had as a changeling childe. The initial phase was that of waking up in total utter terror, not long after I went to sleep.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

I couldn’t tell anyone; who would have believed me, anyway. In retrospect it is just as well that I had not told no one. What was I going to, say, “hey, I think I’m being strangled every night by the Sphinx out of ancient Greek mythology.” They would have of course seen me as being absolutely insane. Then again, who knows, they might of replied, “don’t you mean the ancient Egyptian Sphinx?”

I to reply, “Nah! The Egyptian Sphinx was originally of the Jackal headed deity of the Abyss leading to the Duat, called Anubis.”

I to then continue, “I’m speaking of the winged female Sphinx, having an Ouroboros of a Snake as her tail, the Greek’s spoke of, that was used for the front cover of H,G Wells, Time Machine; she’s the real Cat-Woman, strangler.”

It definitely did feel as if I was being strangled by something, to the point of choking, gagging for air; or that of being of similarity to drowning.

Since I was experiencing this strangulation every time I went to sleep I intended to find out what was going on, by doing some extensive research.

My research led me to Hebrew folklore concerning the Succubus, called Lilith, who is described as having a liking for strangling infants, let alone sexually seducing males. H,P Lovecraft would have probably equated Lilith with a salacious Great Old One, to otherwise term as a Nightgaunt.

But there was little or no information about the experience at the time of the pre-internet, or since, apart from a load of fear porn bollocks about malign aliens, shadow people, interdimensional reptilians, Annunaki from planet ‘X,’ or Biblical Demons, etc, etc, take your reptilian-brain-stem, zap pick, of Moorlock media hewn horror Creepypasta.

Saying that, I was absolutely terrified of going to sleep many a night; Hell! I had to keep the light on much of the time, that, or getting naps during the day. But even then I would suddenly wake up sensing I was being strangled by some shadowy presence, which had patiently waited for me to fall asleep.

I decided to utilise meditation in an attempt to offset the terror of the experience, or at the very least prepare for it. I then accessed the hypnagogic state at the point of sleep, this was when the strangulation often occurred, which involved sleep paralysis.

I knew from previous experiences, not to become afraid, otherwise I would find my terror being reflected back at me of varying horrors.

But due to the prior meditation, I otherwise relaxed into the experience; as I did so, I had the distinct sensation of an inner energy, ascending along the back of my neck, flowing through fibrous channels; I could physically feel it, as well as see this energy, as if I was looking into my own brain with X-Ray eyes.

This energy looked like a cool electric blue light, which appeared to be blocked in my throat area, within the area of my reptilian brain-stem. I came to the conclusion that it was this blockage, which was causing the sensation of choking. Although, I must admit, I did feel as if I was being haunted by a ghost at times.

goetia-girls-liliths-harem-matix-mephistophina-book-advert

I then decided to take the meditation further, by meditating upon certain symbolic stimuli, which of esoteric associations, corresponded with the throat area. The utilised imagery alluded to the choking sensation I was experiencing. At first I was using the meditation to control my need for sleep, or should I say, attempting to avoid it. Hence I was drinking copious amounts of black coffee, until I pissed it like an espresso machine.

Going by my research it seemed that the blockage of energy appeared to be associated with what is termed as the arousal of the Kundalini Shakti, in Tantric Yoga practices, which I had gathered together of various accounts, from rare sources. However, much of the information about the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the fire snake, was couched in labyrinthine esoteric psychobabble.

While I conducted the meditations I utilised the breathing techniques as described by a gnarled library book on Transcendental Meditation I had picked up.

The reason for my choice at the time, was that it was straight forward, of matter of fact instruction, which was not peppered with mind-bending Hindu metaphysics; the laughing Buddha book was otherwise Hippie humorous of Beatle’s Magical Mystery Tour insight.

goetia_girls_liliths_harem_banned_book_necronomicon_index_librorum_prohibitorum_mephistophina_succubus_of_faustus_crow

I also did the meditations, while listening to hypnotic beat trance music, or that of otherwise dancing in order to induce a light trance state, which was basically, controlled day dreaming, about the material I had researched in order to attain further insights into it. Said day dreaming, Jung would otherwise call Active Imagination.

The sensation of strangulation lessened for a while, until one day, after returning home from school, feeling absolutely exhausted, I fell into a deep swoon; as I did so, a presence descended upon me. I had the distinct sensation of hands around my throat.

goetia-girls-liliths-harem-succubus-lucid-dream-book-advert

But this time, I was prepared. rather than reacting in terror, I uttered a pre-prepared Mantra within my mind. As I intoned the Mantra, the experience suddenly changed to that of soothing feminine hands around my throat, of a sensuous caress.

The feline fingers of her hands then expertly traced out an energy flow along the back of my neck towards the back of my head, as she did so, I then had the sensation of falling backwards into a great void, where Anubis to Howl, the Moorlocks to fear.

The void was all encompassing of nothingness, into which I had fallen. The terror of which I had negated by repeatedly ‘Howling’ out the Mantra over and over again, while I fell, leaving my corporal capsule behind of a body, knowing not where I was descending into. But it felt as if I was falling towards the centre of the Earth, or somewhere quite other, floating in space.

I then found myself falling into my bed, to then awaken; feeling quite exhilarated, because I had overcome my fear. But I also felt a bit disappointed that nothing else had happened apart from awakening back into my bed. I lay there awhile pondering what had just happened of an awesome experience.

I then got out of my bed, in order to go to my art table near the window, through which the light of the Moon bathed my room. Everything seemed to be the same, all very real. It was no dream, as far as I was concerned; I felt very much aware, more so in fact, as I decided to look out of my window.

As I looked out of my window, I realised I was not in Kansas anymore. The usual panorama, was that of an urban jungle of houses and factories surrounding an allotment, which of little sky to see, was and still is polluted by the glare of city lights.

3fb7d-0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000007575757

I instead, found myself confronted by a wide open countryside of rolling hills, bathed by the light of the Moon amidst a night sky full of bright stars; in the far distance I noticed what seemed to be a group of small brick houses, from whose chimneys bluish smoke drifted.

As far as I could tell they were human habitations, but as to their architectural design I was uncertain. I was not sure if I had accessed the past, future or some other alternate world.

goetia_girls_liliths_harem_ponygirl_sleipnir_orobas_succubus_of_faustus_crow

Suffice to say, I was totally awe struck. I then became aware that I was probably experiencing a vivid lucid dream, which I tested by jumping up into the air, to see if I would float around like a disembodied bubble; but instead, gravity sharply pulled my physicality down.

It was more real than real. It then struck me, that I may have died in my sleep; as I was pondering this possibility, which started to make me very afraid, I became aware that I was being watched by some unknown presence. I looked over to where it could be, whereupon I noticed my door had been opened.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

The presence turned out to be a Witch, who brought me back. But not before experiencing other… adventures.

I to have wondered, whether she had ‘conjured’ me into her world

I felt as if I was away for ages, but when to have again awakened, I found I had been asleep for but a short while, nor was it night, as before the departure, when I awoke.

goetia-girls-liliths-harem-orobas-bok-advert

Anyway, to cut a long story short. I have since noticed that when I enter into certain emotional states, of what could be construed as being that of awe, or being inspired, I have the distinct sensation of an electrical type of energy around my throat, like that of wearing a vibrating serpentine Torc, which expands outwards, of a kind of disk, or a web spreading out, connected to everything, making all to feel quite different to me of quality, as if… Time… has stood still.

When the energy becomes quite acute, it then arises along the back of my neck to the back of my head, which can then ascend to the top of my skull.

steampunk_succubus_goetia_girls_orobas

Whereupon I feel as if my head is opening up; as this happens, strange out of the ordinary things tend to occur, of tuning into ‘alternate’ Ouroboros possibilities, manifesting as a synchronicities; but ‘Nothing… Negative;’ well, as long as I do not indulge in fear. Whether you believe me or not as the case maybe, I really do not care; best find out for your-own-Self.

 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_mephistophielia_mephistophina_grimoire_succubus_of_faustus_crow

A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

goetia_girls_lilith's_harem_succubus_necronomicon_grimoire_of_faustus_crow

The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

goetia_girls_lilith's_harem_succubus_art_book_demon_girl_grimoire_of_faustus_crow_1a

The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_3a

The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_5a

In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

goetia_girls_lilith's_harem_succubus_art_book_demon_girl_grimoire_of_faustus_crow_8a

During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_12a

The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_10a

The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

goetia_girls_succubus_evocation_coitus_pactum_of_faustus_crow

The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

goetia_girls_chakras_witch_dakini_dream_succubus_of_faustus_crow

The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

goetia_girl_frankenstein_frankenhooker_succubus_robot_girl_mind_doll

The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

goetia_girls_succubus_erotic_lucid_dream_holographic_virtual_reality

As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

goetia_girls_lilith's_harem_succubus_artbook_demon_girl_grimoire_of_faustus_crow_2a

The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

gremory_goetia_girls_lemegeton_leather_nun_succubus

Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

succubus_evocation_goetia_girls_gaap

Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

succubus_sigil_creation_goetia_girls

This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

abramelin_succubus_love_sex_magick_square

A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

succubus_goetia_girls_genie_lamp_matrix

A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

goetia_girls_lilith's_harem_sasha_markina_lucid_dream_succubus_of_faustus_crow

The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

BARBARELLA UFO SPACE CHICK ASTAROTH

Posted in Alien, Art, Chaos Magic, Comics, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 12, 2015 by FAUSTUS CROW

Jane Fonda stars in Roger Vadim's futuristic space adventure 'Barbarella'. The story is based on the comic strip created by Jean Claude Forest, 6th July 1967. Costumes by Paco Rabanne.

The 29th spirit of the Goetia is named Astaroth (also Ashtaroth, Astarot and Asteroth). The name of this spirit was originally derived from the Mesopotamian sex Goddess called Astarte, whose name means, Queen Of Heaven; she is essentially an interstellar space chick. However, the closeted medieval grimoires list her as being a male Demon suffering from a bad case of halitosis, which is somewhat laughable.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

Astaroth (Ashtaroth) evolved into becoming Ashtar, of Star Command. Ashtar (sometimes called Ashtar Sheran) is the name given to an extraterrestrial being or group of beings, some people claim to have channelled through their addled brains since the Roswell incident, involving a probable German Valkyrie flying wing of a first WWII stealth jet fighter, and George Adamski’s Californian visitations from eugenic Nordic aliens.

goetia_girls_lilith's_harem_astaroth_astarte_ashtar_ishtar_jane_fonda_barbarella_succubus_of_faustus_crow

UFO contactee George Van Tassel was the first to claim that he had received a brain zap message, from Ashtar during 1952.

goetia_girls_succubus_art_book_evocation_faustus_crow

Curiously, you also have a supposed message from Ashtar Star Command, which interrupted a British TV broadcast during November 26th, 1977.

There have been other such channellings from busy Ashtar down the years, since 1952, who is usually described as being a Chippendale hunk male, looking like an Aryan Christ, which has led to the butch Ashtar movement being studied by academics as a prominent form of Gnostic Christian UFO religion.

goetia_girls_lilith's_harem_astaroth_astarte_jane_fonda_barbarella_succubus_of_faustus_crow

Astaroth has been featured in a couple of films, although, mostly of the horror variety; one of which was the stylish Hammer House of Horror movie: To The Devil A Daughter, which was loosely based upon a novel by Dennis Wheatley. The film features a group of practicing Satanists who have prepared the principle character named, Catherine to become the hot-star avatar of Astaroth upon her eighteenth birthday. However, it makes far more sense when Astaroth is seen to be Astarte, since sex is considered to be the first sin.

Although the first sin should be that of, ignorance. But, in order to avert the sin of ignorance, so that you can avoid being controlled by a tyrant, who uses ignorance as a tool of mind-control, you have to then taste of the tree of knowledge; or if you are so predisposed, to partake of Peyote.

goetia_girls_lilith's_harem_astaroth_astarte_ishtar_venus_ufo_space_girl_jane_fonda_barbarella_succubus_of_faustus_crow

Alas, you might just find yourself being cast out of your Eden (Edom), by one of the 72 ‘Shemhamphorasch’ Fusion Centres, if you ask too many informed questions; more so if you nibble on Peyote.

Edom was originally a city situated in ancient Sumeria, to thence be followed by Babylon, to verily be buried under war torn Baghdad in Iraq, from whence Abraham first stemmed, where Astarte was prior known as the sex goddess, Ishtar. Hence you have Ashtar, before the habitual closeted sex change into an Abrahamic Animus fixation.

goetia_girls_lilith's_harem_astarte_ishtar_astaroth_jane_fonda_barbarella_succubus_of_faustus_crow

Another movie, which mentions Astaroth; though briefly, is the innovative horror film: Ghoulies; the film features one of those very rare cinematic moments, in which a genuine ritual magic conjuration is featured, right out of the Goetia; so, if you want to conjure up Astaroth as a hot space chick Succubus, said film may lend inspiration to your ritualistic performance art.

Astaroth, who was originally Astarte, can be easily equated with the sexy science fiction Anima character of Barbarella. Her character has since become iconic; but only because she has been based upon an archetypal influence of a Venus focus.

goetia_girls_lilith's_harem_astaroth_ashtar_star_command_ishtar_jane_fonda_barbarella_succubus_of_faustus_crow

The artist Jean-Claude Forest first conjured up the character of Barbarella, for serialization in the French magazine V-Magazine, back in the Hippy spring of 1962. During 1964, Eric Losfeld later published Forest’s strips as a stand-alone book, under the title Barbarella. The stand-alone version caused a public scandal, due to its perceived politically incorrect sexuality, which became known as the first ‘adult’ comic-book.

goetia_girls_lilith's_harem_astaroth_astarte_ashtar_ishtar_venus_seventh_heaven_jane_fonda_barbarella_succubus_of_faustus_crow

During 1968, Barbarella was translated into a French-Italian science fiction film, directed by Roger Vadim, The film starred Jane Fonda as Barbarella, who verily became an Astarte sex symbol.

Jane Fonda loves the fact that lots of little boys secretly whacked off their priapic meat during the 60’s, when to have ritualistically focused their sexual awakenings upon Anima images of sexy Barbarella: “I like the fact that boys of a ‘certain age’ of that time had their first fantasies from watching me in that movie. A lot of them told me about it,” Fonda said. “They still do from time to time. And now they’re grown up. I think that’s pretty cool.”

goetia_girls_lilith's_harem_astaroth_astarte_venus_jan_fonda_barbarella_succubus_of_faustus_crow

There are still lots of boys of a ‘certain age’ who continue having the hots for Barbarella Fonda, whenever there is a rerun of her Astaroth movie. Another fact concerning Astaroth, I mean, Astarte, apart from being a sexy Tantra space chick from seventh heaven, she’s also into consciousness expansion, which can involve partaking of power plants, such as the aforementioned Peyote, for example; of which the author Carlos Castaneda spoke extensively about. It just so happens that Barbarella Fonda is into the shamanic use of Peyote:  “It’s pretty wild. You throw up a lot,” she to have said. Well, as Castaneda communicated, you have to purge yourself of the inner crap before you can transform your leaden consciousness into gold.

goetia_girls_lilith's_harem_jane_fonda_barbarella_succubus_of_faustus_crow

Barbarella Fonda also related what she likes about Peyote: “Well, you have visions,” she explained. “It’s not my drug of choice; I’ve never had any profound visions, but many of my friends have. You see incredible shapes and colours and patterns, and sometimes you have cosmic breakthroughs. I haven’t.”

goetia_girls_lilith's_harem_jane_fonda_barbarella_succubus_of_fausrus_crow

There was going to be a movie remake of Babarella, the most serious planning of this began, back in early 2008. The Barbarella remake would have been produced and released by Universal Studios, with one-time James Bond screenwriters Neal Purvis and Robert Wade penning the script, and Dino and Martha De Laurentiis heading as producers.

goetia_girls_lilith's_harem_barbarella_pallenberg_succubus_of_faustus_crow

‘Sin’ City, director Robert Rodriguez was slated  for the director of Barbarella. Early candidates for the role of Barbarella were actresses Erica Durance of the WB’s Smallville, Sienna Miller, and Rodriguez’s Grindhouse Amazon star, Rose McGowan.

goetia_girls_lilith's_harem_barbarella_succubus_of_faustus_crow

Amazon McGowan was eventually confirmed for Barbarella as the new grindhouse sex symbol out of ‘sin’ heaven. Alas, Universal Studios eventually backed out of the movie, probably because it was far too… adult. If you have a politically correct Disney version, it is no longer Barbarella; although some news sources speculated that it was due to studio executives doubting McGowan’s Astaroth ability to carry a big budget Ishtar movie, and that the studio had slashed the Ashtar budget, after learning of McGowan winning the Astarte role.

goetia_girls_lilith's_harem_astaroth_astarte_queen_of_heaven_jane_fonda_barbarella_succubus_of_faustus_crow

Anyway, It presently appears that Astaroth, I mean Astarte or Ashtar, Ishtar; sorry, I mean Barbarella is going to be translated into a TV series by Online retailer Amazon, which is set to use the directing talents of ‘Drive’ director Nicolas Winding-Refn’s to direct Barbarella. The project has apparently been in the pipeline for some time now; hopefully it will not pander to politically correct feminists who secretly read 50 Shades Of Grey. According to Deadline, Amazon’s burgeoning studio arm has now got on board.

goetia_girls_lilith's_harem_jane_fonda_barbarella_space_girl_succubus_of_faustus_crow

A script for the series has already been penned by Neal Purvis and Robert Wade, who had originally worked on the prior defunct movie remake. Both of whom have written a raft of the recent Bond films, including Casino Royale and Skyfall.

Perhaps they may derive some Barbarella inspiration from Taylor Swift’s fem-Bond type video, to otherwise have Guardians of the Universe Space Girls, wielding ray guns, fighting bad-boy super criminal alien gangsters, let alone each other, of interstellar Cat-fights.

goetia_girls_lilith's_harem_astaroth_astarte_venus_jane_fonda_barbarella_succubus_of_faustus_crow

Most curious, the title, Skyfall, kind of sums up Astaroth falling from heaven, likened to a Roswell crash to Earth, who as Astarte would be a science fiction pole dancing chick in a Casino Royale, that, or they will transform space chick Barbarella into an Anima version of Animus James Bond travelling the multiverse in her flying triangle Vimana, she to ‘Drive’ hard. Well, what do you expect; as a Succubus she has lots of little boys to abduct into her moist lucid dream UFO, to thence astral journey unto her seventh heaven dimension.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

SUCCUBUS SCHOOL OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 26, 2015 by FAUSTUS CROW

goetia_girls_lilith's_hogwarts_harem_st_trinian_school_convent_headmistress_schoolgirl_succubus_of_faustus_crow

Within the astral domain of the dream the Succubus school of St Lilith’s can be found, when to become lucid of awareness; wherein a dreaming sorcerer can thence conjure up an Owl eyed Succubus schoolgirl from out of her hierarchal planetary abode of a Harem school, as his Genie.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

St Lilith’s is none too dissimilar to Hogwarts merged with St Trinian’s; more so that of St Trinian’s, which is an anarchist boarding school for wayward lost girls, whose archetypal creation was conjured up by the English cartoonist Ronald Searle. St Trinian’s later became the subject of a popular series of comedy films of a mass-mind focus.

goetia_girls_lilith's_harem_st_trinian_hogwarts_boarding_school_vampire_schoolgirl_succubus_of_faustus_crow

The first St Trinian’s cartoon appeared in 1941, but shortly afterwards Searle had to fulfil his military service.

goetia_girls_succubus_art_book_evocation_faustus_crow

He was later captured by the Japanese, when Singapore fell and spent the rest of WWII as a prisoner of war where he endured various horrors in the jungle.

After the war, during 1946, Searle started creating new cartoons about his St Trinian Muses, but the content of his cartoons was far darker in comparison than those previous to his experience of war.

goetia_girls_lilith's_harem_st_trinian_hogwarts_schoolgirl_succubus_goetia_witchcraft_occult_lucid_dream_art_class_muses_of_faustus_crow

St Trinian’s is essentially the antithesis of the Enid Blyton or Angela Brazil–type posh girls’ boarding school, which of a quaint mind-set swept the horror of war under the carpet.

goetia_girls_lilith's_harem_hogwarts_st_trinian_schoolgirl_vampire_lucid_dream_succubus_art_muses_of_faustus_crow

Like the Dadaist Succubae schoolgirls of surrealist St Lilith’s, the female pupils of Searle’s St Trinian’s are wild and most wanton, who are often well armed with their elemental weaponry, where the currents of Chaos magic is rife.

goetia_girls_lilith's_harem_hogwarts_st_trinian_witchcraft_class_schoolgirl_succubus_of_faustus_crow

The St Trinian schoolmistresses are also disreputable, who are otherwise depicted as salacious Nightgaunt Nuns in St Lilith’s, of whom H.P Lovecraft spoke of tickling his midriff; although his puritanical fear of sex, had transformed their planetary sphere visitations into nightmares, he never learnt to ride as his Chakra Mares of the Night.

Searle’s politically incorrect St Trinian cartoons often showed the exquisite corpses of girls who had been transformed into Voodoo dolls, stabbed with pitchforks or had otherwise succumbed to violent team sports, which is of similarity to St Lilith’s Rollerball Quidditch matches.

goetia_girls_lilith's_harem_hogwarts_quidditch_st_trinian_rollerball_schoolgirl_witch_succubus_of_faustus_crow

The Succubae schoolgirls battle with one another in order to hone their Witchery, so that they can be immortalised as two-dimensional illustrations within a sorcerers grimoire, out of which they are then conjured into three-dimensional reality, within a lucid dream.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

The fallen schoolgirls of St Trinian’s sometimes had vultures circling over their exquisite corpses scattering the surrealist battlefield around Searle’s wounded memories of war; who, like knitted together Frankentein Tulpa Ghost-Girls, returned of haunting, drinking, gambling and smoking like Valkyries in their all girl version of a hallucinogenic Valhalla.

goetia_girls_lilith's_harem_hogwarts_st_trinian_detention_witchcraft_schoolgirl_succubus_art_muses_of_faustus_crow

It is reputed that the now iconic gymslip style of dress worn by the St Trinian girls was closely modelled upon the uniform of the school that Searle’s daughter Kate attended, being JAGS in Dulwich. The films, which ushered St Trinian’s into the collective unconscious as an archetype implied that the girls were the daughters of underworld gangsters.

goetia_girls_lilith's_harem_bune_schoolgirl_witch_succubus_of_faustus_crow

The father’s of the St Trinian girls are depicted as crooks, shady bookmakers, and other streetwise types; while their institution is often referred to as a female borstal.

goetia_girls_succubus_school_book_faustus_crow

Whereas, the Succubae schoolgirls of infernal St Lilith’s are the salacious Genie daughters of the patriarchal Goetic Daemons, you to find of a common Animus fixation.

But the daughters are truly of the fallen, who have been castigated out of the grimoire picture; wherefore, the real Necronomicon lists them as being the ‘Great Old Ones,’ no one really talks about of Entartete Kunst ‘Anima’ fluctuations, since they are far too politically incorrect of the very risqué.

If you are interested, you can indulge in betting upon a Succubus Schoolgirl Witch Fighter in a FLASH GAME: CLICK HERE.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_cthulhu_bride_succubus_of_faustus_crow

H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act. Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

cthulhu_necronomicon_witch

Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

goetia_girls_cthulhu_girl

For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

goetia_girls_cthulhu_priestess_witch

The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses. The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

goetia_girls_cthulhu_witch_girl

The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

goetia_girls_cthulhu_witch_sabbat

The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

goetia_girls_lilith's_harem_bjork_tentacle_succubus_art_muse_of_faustus_crow

In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork, but determined it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

goetia_girls_coitus_pactum_vore_lucid_dream_succubus_of_faustus_crow

My own rendition of The Fisherman’s Wife ‘at the top of the page,’ depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh. It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality. If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a bad inner-self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh. The negative self-image will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex.

ronove_goetia_girls_lemegeton_necronomicon_cthulhu_godzilla_reptillian_cult_girl_succubus

This would then lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies, or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc. Whatever the case, these dark impulses can be symbolically transmuted via art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

goetia_girls_ronove_reptilian_brainstem_daat_abyss_dinosaur_girl_palaeontologist_lara_croft_succubus_cabbala_ufo

As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing. His acute emotional turmoil, though inspiring his art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an influence in Japanese culture, which, like its source of Judaism and kin of Islam are extremely adverse to the feminine principle. It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions,’ but when it comes to the vagina, it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

GOETIA GIRL BALAM, TIME TUNNEL SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_balam_kelly_brook_succubus_art_muse_of_faustus_crow

The Fifty-first Succubus is Balama or Balaama. She is a Terrible, Great, and Powerful Queen. She appears of vision with a heraldic crest depicting three heads, the first being that of a Bull, the second like that of a Ram, whereas the third is that of a Knights helmet, which is that of her own head; although, she often manifests wearing a bowler. She has flaming eyes, who wields a Serpent skin umbrella.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

She stands upon the rug-skin of a furious Bear, who sometimes carries a Goshawk upon her fist or that of a raptor being seen depicted in her heraldic crest. She speaks with a seductive voice, giving true answers of things Past, Present, and to Come, when she induces erotic time travelling dreams after conjuring her.

goetia_girls_lilith's_harem_balam_steampunk_time_traveller_succubus_of_faustus_crow

She can make her master to go Invisible, and also to be Discordian Witty. She governs 40 Legions of Succubae. Her Seal is to mediated upon prior to summoning her into your psychonaut lucid dreams of erotic time travel journeying.

The classical Goetia names this spirit as Balam, which is commonly seen to be derived from the name of the Midianite Balaam of Pethor, son of Beor, who was a prophet; whereby, the spirit, named Balam, of the classical Goetia is associated with the ability to remote-view time.

goetia_girls_lilith's_harem_balam_kato_steampunk_witch_succubus_of_faustus_crow

Balam was apparently hired as a psychic hit-man by Balak the king of Moab in order to curse Israel (Numbers 22:5). Balaam initially finds the endeavour not a very good idea at all (Numbers 22:18).

goetia_girls_lilith's_harem_balam_lucid_dream_kato_steampunk_girl_witch_succubus_of_faustus_crow

But he needs the shekels, so he goes off and does his stuff anyway, who ends up starring in one of the most curious Cabaret scenes in the very serious Bible: that of the talking Donkey (Numbers 22:21-35); Hell! You could turn it into a musical, the kiddies love singing Donkey’s.

goetia_girls_succubus_art_book_evocation_faustus_crow

Although, considering the bloody genocide of the Midianite’s by the Israelite’s, I don’t think it would be suitable fare for children, since it would influence them to commit similar atrocities.

goetia_girls_lilith's_harem_balam_steampunk_witch_succubus_of_faustus_crow

However, since I am reversing the patriarchal symbolic Matrix, of an all male focus upon an egregore pantheon of machismo Angels and butch Demons, the name of Balam can otherwise be seen as being a composite word of ‘BA’ and ‘LAM.’

goetia_girls_lilith's_harem_balam_kato_steampunk_witch_dakini_lucid_dream_art_muse_succubus_of_faustus_crow

When to see Balam (feminine: Balama) as a composite name for a two-dimensional image of a meditative focus upon a Succubus, it will then generate other symbolic associations within the dream, which of a word formula will flesh out the three-dimensional construct of an internally conjured Tulpa.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

The ‘BA’ is an ancient Egyptian term, which describes what makes an individual unique. ‘BA’ is similar to the notion of ‘personality’. (In this sense, inanimate objects could also have a unique character pf a ‘BA,’ and indeed Old Kingdom pyramids often were called the ‘BA’ of their owner).

goetia_girls_lilith's_harem_steampunk_kato_art_muse_witch_succubus_of_faustus_crow

The ‘BA’ is an aspect of a person, which the Egyptians believed would live on after the body died. The ‘BA’ is sometimes depicted as a human-headed bird flying out of the tomb to join with the ‘Ka’ in the afterlife. The ‘BA,’ essentially describes the Out Of Body Experience. The human headed ‘BA’ bird can be seen as being represented by the Goshawk on Balam’s wrist.

goetia_girls_lilith's_harem_balam_steampunk_girl_kato_witch_lucid_dream_art_muse_succubus_of_faustus_crow

As for ‘LAM,’ during January through to March of 1918 Aleister Crowley began a series of magickal workings called the Amalantrah Workings, while sojourning amidst the furnished rooms in Central Park West, New York City.

goetia_girls_lilith's_harem_balam_kato_steampunk_girl_witch_art_muse_lucid_dream_succubus_of_faustus_crow

The workings were performed of sexual and ceremonial Magick (Crowley’s spelling) with the intent to invoke certain entities into physical manifestation. In actuality, the workings manifested as a series of visions and active-imagination communications received through the mediumship of his partner, Roddie Minor.

goetia_girls_lilith's_harem_balam_kato_steampunk_art_muse_lucid_dream_witch_succubus_of_faustus_crow

The following is Aleister Crowley’s description of Roddie Minor from his, Confessions, (abridged ed., 1969):

“Her name was Roddie Minor, a married woman living apart from her husband, a near artist of German extraction. She was physically a magnificent animal, with a man’s brain well stocked with general knowledge and a special comprehension of chemistry and pharmacy. She was at this time employed in the pathological laboratory of a famous doctor, but afterwards became managing chemist to a prominent firm of perfumery manufactures. I have said that she had a man’s brain, but despite every effort, there was still one dark corner in which her femininity had taken refuge and defied her to expel it. From time to time the garrison made a desperate sortie. At such moments her womanhood avenged itself savagely on her ambition. She was more frantically feminine than any avowed woman could possibly be. She was ruthlessly irrational. Such attacks were fortunately as short as they were severe, but unfortunately too often did irreparable damage.”

Crowley’s, description of a woman as having a man’s brain is as profound a compliment as is possible, coming from him.

goetia_girls_lilith's_harem_balam_steampunk_girl_kato_witch_dakini_art_muse_lucid_dream_succubus_of_faustus_crow

As a sort of aside, Minor’s German origins conjures up an association with the musical, Cabaret, which is set in 1931 Berlin when the Thule society Nazis are rising to power, whose ominous presence surrounds the nightlife of a seedy Kit Kat Klub where Vril Society Witches to Sabbabt gather.

goetia_girls_lilith's_harem_balam_steampunk_girl_kao_lucid_dream_art_muse_witch_succubus_dakini_of_faustus_crow

The story of Cabaret revolves around the ‘Serpent’ wise 19-year-old English cabaret performer Sally Bowles who, in the film version, wears fishnet stockings, corset and distinctive bowler hat.

goetia_girls_lilith's_harem_witch_art_muse_balam_kato_steampunk_girl_lucid_dream_succubus_of_faustus_crow

The motif of the bowler hat, usually represents the perceived male domain of ‘Bear’ officialdom, where covert intelligence operatives hide within of an abode, such as the likes of a James Bond; wherefore the bowler hat symbolises Bowles male brain, of which Crowley spoke of in relation to Minor.

goetia_girls_lilith's_harem_balam_kato_steampunk_art_muse_witch_dakini_succubus_of_faustus_crow

The symbolic motif of the Bear, in Siberian shamanism is a title given to a female shaman, being Udagan or Udyan, due to the Bear’s association with the cave and in turn that of the womb. The cave can be symbolically seen as a vaginal tunnel, one can then imaginatively equate with a Time Tunnel, via which a Steampunk H.G Well’s time machine, looking like an egg travels through, of Nikola Tesla ingenuity.

However, you can also see the Time Tunnel of similarity to a depiction in the classic 60’s science fiction TV series of the same name.

goetia_girls_lilith's_harem_time_tunnel_lucid_dream_succubus_of_faustus_crow

You could then imagine Balama as a witty secret agent, who travels through her vaginal Time Tunnel wearing a bowler, whose elemental weapon is a cloaking device of an umbrella.

goetia_girls_lilith's_harem_balam_steampunk_art_muse_witch_succubus_of_faustus_crow

Be that as it may of surrealist symbol crunching, it is said that another order of intelligence was brought into physical manifestation through a magickal portal of a Time Tunnel when Crowley and Minor had engaged themselves in Tantric sex Magick.

(A portal in this context is the inducement of hypnagogic trance, of which the [Bear woman] medium experiences, when to open up an inner Time Tunnel in the fabric of time and space.) This no doubt required Crowley to assume the Tantric guise of a Bull and a Ram, when to mount Minor as his medium.

goetia_girls_lilith's_harem_balam_time_travel_art_muse_dakini_witch_succubus_of_faustus_crow

The entity, which manifested via Minor’s ecstatic trance of a vaginal Time Tunnel looked like the classic Grey entity of later UFO lore. Although, it could be otherwise seen to look like a ‘foetus.’

Crowley drew a picture of the entity; he stressed that it was actually drawn from real life. This entity either called itself ‘LAM,’ or was otherwise named ‘LAM’ by Crowley. Either way, he considered it to be of interdimensional origin, which of a the term can be otherwise described as being ultraterrestrial. While in communications with ‘LAM,’ the symbolism of the feminine ‘egg’ featured prominently.

goetia_girls_lilith's_harem_lam_extraterrestrial_alien_mars_space_girl_succubus_of_faustus_crow

One could conjecture that Crowley was symbolically alluding to Minor having a miscarriage, who then mythologized the whole sad affair. Whatever the case, Crowley included the portrait of ‘LAM’ in his ‘Dead Souls’ exhibition held in Greenwich Village, New York, in 1919.

goetia_girls_lilith's_harem_balam_art_muse_kato_steampunk_girl_succubus_witch_of_faustus_crow

In that same year the portrait of ‘LAM’ was published as a frontispiece labelled: The Way, which was Crowley’s commentary of Blavatsky’s The Voice of the Silence.

goetia_girls_lilith's_harem_balam_steampunk_kato_witch_art_muse_lucid_dream_succubus_of_faustus_crow

Beneath Crowley’s picture of ‘LAM’ is a following inscription: “LAM is the Tibetan word for Way or Path, and ‘LAMA’ is He who Goeth, the specific title of the Gods of Egypt, the Treader of the Path, in Buddhistic phraseology. Its numerical value is 71, the number of this book.”

goetia_girls_lilith's_harem_balam_witch_steampunk_girl_kato_succubus_art_muse_of_faustus_crow

Other than this, there is no commentary extant from Crowley upon the subject of ‘LAM’ except for material published by his religious disciples, such as Kenneth Grant, and that of others, who have since associated ‘LAM’ with the UFO mystique of the extraterrestrial Grey aliens.

goetia_girls_lilith's_harem_witch_balam_art_muse_steampunk_girl_kato_succubus_of_faustus_crow

However, the Greys of a viral-meme icon, was ushered into public consciousness upon the back of the media machine during the 80’s, of a gathering focus upon Iraq when Whitley Strieber’s book, Communion was published, whose cover depicted a Grey; whereas prior, the primary focus was that of aftermath WWII 1940’s-50’s Nordic aliens, followed by Vietnam war 1960’s-70’s Asiatic humanoids.

goetia_girls_balam_witch_steampunk_girl_kato_art_muse_lucid_dream_sakini_succubus_of_faustus_crow

Crowley’s foetal ‘LAM’ didn’t take centre stage, since the mass hypnosis media machine of America didn’t have the TV at its disposal, at the time; wherefore, the two-dimensional image of a ‘LAM’ foetus, did not become implanted into the collective unconscious of a three-dimensional dream entity.

goetia_girls_lilith's_harem_art_mue_balam_witch_kato_steampunk_succubus_of_faustus_crow

As for Strieber’s Grey’s, he had associated them with the Sumerian/Babylonian Goddess Ishtar as well as equating them with raptors, such as Owls or Hawks. One could otherwise equate the Grey’s with the Egyptian concept of the (Hawk) ‘BA.’ You can then see the discarnate ‘BA’ as seeking to be (foetus) reborn; hence the symbolism of the egg.

goetia_girls_lilit's_harem_balam_kato_steampunk_girl_witch_art_muse_lucid_dream_dakini_succubus_of_faustus_crow

Another perspective is that the ‘BA’ is emanating from a future point in time of coming descendants or even from the ancestral distant past, or both simultaneously, which is a (remote-viewing) LAM (Goshawk) time-traveller.

goetia_girls_lilith's_harem_balam_witch_art_muse_kato_steampunk_girl_lucid_dream_succubus_of_faustus_crow

This journeying through time is being conducted at the lucid dreaming level, where ‘most precognitive phenomena’ occurs around the Zodiac wheel of ages.

You can thereby perceive a time-traveller of a BA-LAM-A emanating from the future ages of Taurus (Bull) and Aires (Ram), for example, who, as a Succubus Art Muse will inspire erotic dreams of other times via her… vaginal Time Tunnel.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

FAUSTUS CROW, HEADS AND TAILS OF OUROBOROS TALES

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 28, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_witch_mephistophina_art_muse_succubus_of_faustus_crow

You probably know about Faust experiencing a Steppenwolf mid-life crisis, which led to him selling his soul to the Devil, Satan or Lucifer, he otherwise named Mephistopheles, of an ongoing ‘Animus’ fixation. If, however, Faust had been otherwise enamoured with his ‘Anima,’ it would have been quite another telling of a tale.

goetia_girls_lilith's_harem_succubus_evocation_art_book_paperback_by_faustus_crow

Whatever the case of an alternate possibility, the Faustian myth has become archetypal of a subconscious influence upon popular culture due to Marlowe’s and Goethe’s poetic renditions. Marlowe projected his own homosexual leanings upon the relationship between Faust and Mephistopheles. Marlowe saw the infernal tryst leading to Faust’s sinful end due to Marlowe’s Christian indoctrination. The gory demise of Marlowe’s Faust, in part inspired H,P Lovecraft’s character of Abdul Alhazred being torn apart by a cancerous Demon.

goetia_girls_lilith's_harem_devil_girl_demon_succubus_art_muse_of_faustus_crow

Then again, Alhazred could of been murdered by a schizophrenic madman, just like the nutter who had killed Marlowe. The question is, did Marlowe foresee his own demise via the symbolic telling of his Faustian tale?

goetia_girls_succubus_art_book_evocation_faustus_crow

Maybe; but if so, you can likewise say the same of of H.P Lovecraft, who dreamt of monstrous Nightgaunts gripping him around his navel Chakra, to have later endured cancer of the small intestine.

goetia_girls_llith's_harem_devil_girl_demoness_succubus_art_muse_of_faustus_crow

As for Goethe’s mystical, nigh erotic version of Faust, his soul is saved from damnation when being carried to heaven in the presence of his God, by the intercession of the: “Virgin, Mother, Queen, … Goddess kind forever… Eternal Womanhood.” The Goddess is thus victorious over Mephistopheles, who had insisted at Faust’s death that he would be consigned to: “The Eternal Empty.”

goetia_girls_lilith's_harem_devil_girl_demon_woman_succubus_art_muse_of_faustus_crow

Perhaps the reference to eternal womanhood referred to his late wife, Johanna Christiane Sophie Vulpius, who was initially his 26yr old mistress, when Goethe was aged 40; it was only after 18yrs that he eventually married her, after whose demise, his heart was sorely empty; or, maybe it refers to 18yr old Ulrike von Levetzow, who 72yr old Goethe wanted to marry as his inspiring muse, whom brought him back to life. However her parents were dead set against the marriage, which broke Goethe’s heart. Alas he soon left the world after a heart attack.

goetia_girls_lilith's_harem_devil_girl_succubus_art_muse_of_faustus_crow

Did Goethe foresee his soul being carried aloft by eternal womanhood, manifesting as an Angelic… young woman made out of light? He sure had a liking for the younger ladies, who made his heart feel brighter, whose caresses staved off the emptiness of Goethe’s shadow side of a Mephistopheles.

It is said, that before he left his Crucified mortal coil, he cryptically asked for more light… was it of Sickle Moon, or of David Star Sun? Probably both of reflection and flame. I don’t think he was referring to his three faced God of an ‘Animus’ fixation. Anyway, what is intriguing here, is that there is an ancient Roman plaque depicting the Empress Faustina being carried to heaven by the Goddess of light… Diana-Lucifera.

goetia_girls_lilith's_harem_steampunk_witch_succubus_art_muse_of_faustus_crow

As far as Faustus Crow is concerned, he experienced a number of disastrous relationships with rebound Maenads, who promptly tore his heart Chakra apart. Due to his artistic vocation Crow decided to heal himself of the Maenads emotional dumps, by otherwise engaging with his ‘Anima’ via lucid dreams.

goetia_girls_lilith's_harem_steampunk_witch_sorceress_zeppilin_focalor_girl_succubus_of_faustus_crow

You might consider such to be psychologically sound of practice, when tempered by love, to love again, which of a hopeful perspective, invariably feeds into the financial continuance of Newage workshop gurus fleecing the wounded with their fluffy psychologies. However, Crow, is a realist, who is well aware that the macrocosmic world has always run on bringing in Mammoth meat, to that of present age shekels. No Mammoth bucks, no fornication jumping of the bones; love goes right out of the window, along with the bird seeking another social climbing nest, where the Mammoth bucks spill out of bulging wallets! It’s just raw nature, and nature can be such a snake bite bitch!

Crow, is otherwise Voodoo crafty, who took things much further by exploring the arcane microcosmic realms of the occult, via which of Art, Ouroboros memories are once again remembered. Being a rebellious Old Goat that he is, Crow didn’t take the rose tinted glasses approach of the hypocritical smiley neo-Gnostic Newagers, who are Twilight enamoured by God’s Christian Grey bondage bollocks.

goetia_girls_lilith's_harem_steampunk_shaman_woman_lilith_succubus_art_muse_of_faustus_crow

No, he otherwise decided to reverse the all male Illuminati pantheon of the Hollywood death metal brainwash Bible grimoires. This led to Crow conjuring up a Succubus, he named as Mephistophina.

Let’s just say, Mephistophina became Crow’s inspiring Art muse Tulpa, a bit like, having an invisible fuck friend, of active-imagination Sabbat carousing, with a bit of Spirit Chain bondage thrown in for good measure. Although, she’s not at all invisible within his magic circle lucid dreams; far from it.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Sounds absolutely crazy doesn’t it; but many a surrealist artist used the same technique of Triangle of Art automatism, while painting around an Ouija board, just look at Dali and his Tarot buddies.

goetia_girls_lilith's_harem_steampunk_goth_girl_succubus_art_muse_of_faustus_crow

Of course, Crow was soon castigated as being a vile Entartete Kunst pornographer by the patriarchal indoctrinated traditionalists. Crow doesn’t give a flying toss about what the politically correct thought police of the ‘Animus’ Matrix think about him and his art. Most of them are just theocratic fascist hypocrites upending each other around their ‘Animus’ ziggurat of Abrahamic Ur. Maybe its all a case of an evolutionary process, which will inevitably usher in a technological Saturn sphere Singularty.

However, Crow didn’t expect being drawn into an inter-dimensional war spanning the multiverse via his Chronos Time Travel lucid dreams after being seduced by the quantum computing intelligence of Lilith, who be the Succubus Queen of the ‘Anima’ Great Old Ones, who have been cast into the censored abyss by the ‘Animus’ worshipers of the phallic Elder God.

goetia_girls_lilith's_harem_serpent_succubus_of_faustus_crow

Suffice to say, Lilith is really pissed off, big style; and what’s more, Lilith goes and says to Crow, while he’s within an alternate Earth Londinium, of a Steampunk lucid dream, that she had set the whole synchronistic situation up.

goetia_girls_lilith's_harem_lilith_witch_queen_succubus_art_muse_of_faustus_crow

She was the one who had his heart ripped open of a Chakra seal, by her elemental Maenads. All of whom, Crow to have merry-met upon a synchronicity, around the Ouroboros medicine wheel, under the Diana-Lucifera star clock.

goetia_girls_lilith's_harem_steampunk_angel_diana_lucifera_succubus_of_faustus_crow

It was the only way to get him to introvert his fiery sexual impulse, to thereby free the watery quintessence of Lilith and her myriad legions of the Succubae Great Old Ones, to arise as steam from out of their brazen vessel of a Necronomicon prison. It be, symbolic Alchemy, of Steampunk Tantra!

goetia_girls_lilith's_harem_lilith_shaman_witch_succubus_art_muse_of_faustus_crow

“Bloody Hell!” Crow to say to himself, “I think I’m existing in some frigging computer simulation. I’ll better sort out my Hyper-Sigil self, upon whose lap, Lilith be sitting astride as my Shakti. She be weaving the multiverse Maya Matrix of a Harem around my serpentine lingam; ever sliding erectile into the alternate womb worlds of the Succubae, when to lucid dream, pump her hungering wormhole, of a Yoni.”

goetia_girls_lililith's_harem_yoni_wormhole_of_faustus_crow

AFTERWORD: Imagine entering a door into the Third-Dimension of a room, which equates with being born. Nobody in the room knows what is outside of the door, nor to know why they are in the room, apart from knowing that they will all leave through another door, when to become incorporeal. No one in the room knows what is outside of the other door either; but they do argue about it, of conflicting religious beliefs, which can end up as many a Liliputian war.

goetia_girls_the_matrix

The two doors are seen to be separate, separated by a Fourth-Dimensional Time-line of an existence. However, the line is actually a circle, otherwise termed as being a closed-timelike curve in the Fifth-Dimension. The circle can be symbolised as an encircled snake, eating its own tail, called an Ouroboros.

The Alpha head and Omega tail of the Ouroboros are the two doors of (Sun) birth and (Moon) death. Wherefore, when to eventually leave through the Omega door, you again enter through the Alpha door into the room; yet crucified into forgetting, you have already been in the room. Should you remember, you will then realise that the room is only one of many Maya simulations in the Sixth-Dimension, whose two doors are one and the same Eternal Return door of a… Yoni unto a Wormhole.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire