Archive for Sirius

THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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BELPHEGOR: THE MYSTERY OF THE LOUVRE PYRAMID

Posted in Art, Chaos Magic, Comics, Film, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 23, 2016 by FAUSTUS CROW

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Belphegor is one of the few Grimoire entities who is said to appear as a young girl. She is known as being a daemon of discoveries and of ingenious inventions who also bestows wealth.

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But as per usual, the female manifestation is seen to be but a ruse in the patriarchal Playgirl Grimoires of an ‘Animus’ fixation.

Whereupon Belphegor is commonly listed as being a butch male entity, who is disparagingly depicted as ‘bearded’ demon seated upon a lavatory.

Said demon is commonly classified as being once worshipped by the Moabites as Baalphegor on Mount Phegor where there be no spicy girls in sight.

Whereby the classic Grimoire image of constructed political propaganda has been engineered as a cultural slur, which can of course be easily reversed of an anti-viral meme, to look like, say, Kate Moss.

Although if you had done so during Aleister Crowley’s era, who to have otherwise conjured up butch incubi, while at Boleskine House, you would most assuredly be considered to be far more wicked than Crowley ever was. Hence Crowley never went that far beyond a Ring-Pass-Not!

Some of the ‘Animus’ fixated Rabbis even claim that Belphegor must be worshipped, when frequenting your bathroom, with offerings, being the residue of your digestive waste; failing that, accidentally, on purpose, cutting yourself, while shaving off your ‘beard’ over a chalice of a sink, to then watch your blood dribbling down the drain of an offering.

If you believe this to be true, then you have been well and truly shafted up your Abrahamic anal tract! So, on wards and upwards of a Néo Belphégor anti-viral meme.

Let’s get this straight, it was never a case of worshipping crap; it has far more to do with thinking clearly via self-analysis in order to rid your mind of ‘crappy’ thoughts, which is engaged in so as to attain a creative state of a brainstorming Theta brainwave, to kick-start your ‘quantum computing’ brain to tune into alternate possibilities.

Although admittedly, on many an occasion you might just find yourself to Archimedes cry “Eureka” after dumping a base-Chakra battleship, rather than to do so, when sojourning in your floatation tank of a Kings sarcophagus, brimming over with murky soap bubbles, all looking like dodecahedron universes.

But, the obvious allusion to a technique is usually overlooked, which of a self-perpetuated tunnel-vision has led many a brainwashed ‘Animus’ fixated priest of Rome to conclude that Belphegor is the deity of Pet (Fart) or ‘Crepitus,’ while writhing Witch Nuns to believe that he is their Praipus wielding an ever erect blade.

Collin de Plancy mentioned in his 1863 Playgirl Grimoire, Dictionnaire Infernal, that Selden, who is cited by Bainier had reported that human victims were offered up to Belphegor, and that his priests partake of their blood; what a Hammer Horror laugh. Its just a load of Biblical Death-Metal crap, inspiring many a Hollywood Creepypasta movie!

Plancy also mentions that Wierus wrote that Belphegor always has an open mouth, attributing it to the name Phegor, which according to Leloyer means ‘crevice’ or ‘split,’ referring to when he was worshipped in caves wherein people threw offerings to his statue, through an air hole.

No! It has far more to do with an inner gateway of a crevice/split, which refers to hypnagogic trance ingress of your (Air element) mind into the cavernous womb dream, a paleolithic Artist to have known, when he to have attained trance within the Lascaux caves.

The utilised symbolism of a crevice/split has an association with the vagina, which the ‘bearded’ practitioner accesses of an inner trance gate, when to introvert his sexual impulse into the dream by prior focusing upon Belphegor as a girl.

In other words, the symbolism alludes to Tantric dream Yoga, which is not seen due to the sexual impulse being entirely castigated out of the spiritual equation along with the feminine principle of the ‘Anima.’

The female focus of a two-dimensional image is utilised in order to cohere the thoughts of the practitioner like a laser beam, which is further empowered by the introversion of the sexual impulse; this then negates any crappy thoughts from arising.

The goal of the exercise is to attain conscious ingress into a lucid dream, wherein Belphegor can be conjured as an interactive three-dimensional reality.

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Even though the ‘Anima’ has been cut out of the spiritual equation by the worshippers of the deified ‘Animus’ made as a God, Belphegor has over time become very much a French Succubus, which is due in the main to the popularity of a 1927 crime novel, entitled: Belphégor, whose English title is, The Mystery of the Louvre.

The novel was authored by French writer Arthur Bernède, which is about a female ‘phantom’ haunting the cavernous Musée du Louvre of many a painted cave wall.

However, the phantom is in actuality a gymnastic ballerina, masked as a Cat burglar, who is trying to steal its Necronomicon treasures.

Belphégor was simultaneously adapted as a movie serial starring René Navarre as Chantecoq, Bernède’s fictional detective, and the actress Elmire Vautier as the villainous Belphégor.

Bernède’s novel inspired several other adaptations, including an eponymous 1965 French television series starring Juliette Greco in the title role of Belphégor.

 The TV series was duly followed by a 1965 daily comic strip sequel; it was not until later that you had the 2001 Belphegor film starring Sophie Marceau.

Although this time around, the Belphegor comic strip became a 2001 French-Canadian animated television series, which transformed Belphegor into a male, rather than the original female character, it is a darn shame.

It appears that the creators of the very stylish animated series missed the ‘Anima’ point; but then they were more than likely pandering to an ‘Animus’ fixated audience who later became far more enamoured with the likes of the Da Vinci Code.

Whatever the case, Belphegor  has become immortalised in France, of a mass-mind focus, spinning her sensual Tulpa.

She was even featured for a time in DC’s New Earth comics as one of the Global Guardians, whose base of operations is based in a United Nations-financed headquarters building called the Dome, which just so happens is located in the Artists capital of Paris.

You could otherwise see the Dome as the Musée du Louvre, when to ascend the dream escalator unto Belphegor’s seventh planetary sphere of her heavenly delights, which only a Parisian girl can bestow.

Hence, she can be conjured amidst the Triangle Of Art imagination as an inspiring Art Muse, who as a Parisian Art Student will reveal the very real masked mystery of the Musée du Louvre.

She might just lead you through her Yoni stargate, into the cavernous temple precincts of the Musée du Louvre, to Remote-View its uterine galleries, within a lucid dream.

Belphegor will at first indicate that she has an association with ancient Egypt, whose culture the French are enamoured with, whereupon you have the Louvre… Pyramid.

Whereby, Belphegor’s sigil/seal is derived from the blueprint of the Musée du Louvre, of a one time fortress becoming a palace, which appears to be based upon the Edfu temple of ancient Egypt’s Isis child of a… Horus.

Upon what the Louvre was originally built, is of course debatable; but it was very likely a pagan site, of a possible ancient temple.

You also have many a Neolithic Ley line pointing at its locale, which was no doubt symbolically aligned with a… Hawk.

Said Hawk was not just any raptor, but that of a Hawk specifically flown from a (Belphegor) lady’s hand, known as a… Merlin… who as Belphegor’s Druid, knows about her Ouroboros Stargate, ringed by Gaulish standing stones, under the star clock of Zodiac ages.

When to see Merlin, you will then find that unmasked Belphegor alludes to Morgana la Fay, of (Da’at) Avalon isle (Lin/Din/Dun) hill/Tor/Cosmic-Mountain/Pyramid, at the centre of (Mer/Myr/Mar) menstrual blood (scarlet – Isis/Mary) waters, who to watch over a (Horus/Merlin) ‘Bearded’ Druid.

The ancient Gauls considered Britain to be a school of (Shaman) Druids, who had caused no end of bother to the Roman’s, before they then decided to invade Britain.

The mystery of the Louvre (Lin/Din/Dun) pyramid amidst (Mer/Myr/Mar-y) waters is thereby revealed of a pre-Christian understanding, which has nothing to do with the Da Vinci Code.

But why the Musée du Louvre? Well, besides being an ancient power place, it is now the most visited Art museum in the world, which to hearken back to a painted womb cave from where the first Shaman (Druid) was born as an Artist, who knows how to ‘program’ his ‘virtual reality’ lucid dreams via symbolic stimuli.

The Artist to know that Art is Sorcery, Sorcery is Art; both are indivisible of shamanic practice, of which Belphegor to inspire as an Art Muse; that is why most Artists are by nature, thinking outside of the box, crazy.

Belphegor symbolically represents the hypnagogic (phase) trance (Rose/Yoni/crevice) into the (grail/chalice) womb dream of astral waters, the Shamans bloody consciousness to enter.

The Shamans consciousness is likened to a blade penetrating the (Isis/Belphegor/Morgana la Fay) dream, wherein he then to ‘Out Of Body Experience,’ fly over the ever recurring Ouroboros of all existence, as a Remote-Viewing winged (Horus) eye, of a Time Travelling… Merlin.

NOTE: In the practice of Alchemy, you have the Prima Materia, which is essentially detritus. Some Alchemists saw this to be quite literal; whereupon their labs did reek of their boiled down urine and excrement. It just so happens, that your ‘body’ shits gold and other metals, but only in very small trace amounts.  

The body was symbolically represented as the cosmic mountain, which is interpenetrated by the tree of worlds, representing your spinal column. The cosmic mountain is otherwise symbolised as a… Pyramid. 

However, as to the Prima Materia, it refers to something else, which equates with the heavy metal of lead and that of a Torc, encircled of an Ouroboros around the throat area of the (Da’at) reptilian brain-stem. 

The leaden Torc represents the eternally recurring events of existence, which in regards to an unobserved life leads to repeating situations, a Hindu would term as being Karma. The practice of Yoga and that of Alchemy is to transmute the Karmic repeat into something else; whereupon you have the employed symbolism of lead being transmuted into gold. 

The process of transmutation requires that the practitioner becomes adept at inducing hypnagogic trance in order to thence attain conscious ingress into the dream. The reptilian brain-stem governs over the depth of your dreams and trance states; hence you have the serpentine symbolism of a lead Torc being transmuted into gold. 

When conscious ingress into the dream is attained of a ‘little death,’ the practitioner will start to become more aware of the Karmic repeats of his/her life; this leads to a sensation that certain key events have happened before, which is summed up by the ‘French’ term of déjà vu. 

The ‘Edge Of Tomorrow’ experience of déjà vu is often tied up with the observation of synchronicities, which have a symbolic correlation with scenarios prior encountered in dreams. As the practitioner becomes more aware of the repeat of leaden Karma, his/her Torc can be potentially transmuted into a golden understanding that the repeat can be changed; this then leads to what a Hindu terms as Dharma. 

Basically, shit can be changed into gold; but only when you start to déjà vu remember the repeating shit! 

Those who do not to remember, are just repeating their ‘programmed’ shit, having no free-will of their own; for everything has been fixed of a leaden Ouroboros Torc around their throats. 

An analogy being, those who as yet do not remember are nothing more than being programmed simulations existing within a simulated reality a Hindu mystic would term as being Maya. 

In ancient times, a lead Torc was worn by those who were considered to be slaves to their fate until they attained the (Belphegor/Morgana la Fay) Avalon (Da’at) ‘Knowledge’ that their leaden existence can be transmuted into gold. 

Whereby, Merlin wears a golden Torc, who is very much aware of the shit; such as knowing that in the New-World-Order of an Orwellian Eden, ignorance is bliss; whereas the (Da’at) Avalon ‘Knowledge’ is considered to be a sin!  

That is why the shits fluoridate your water supply in order to calcify your… third eye!

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THE CONJURING 2 OF VALAK

Posted in Art, Chaos Magic, Demon, Demonology, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2016 by FAUSTUS CROW

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Valak is otherwise called Valu, Ualac, Valax, Valic or Volac in the classical Grimoires, who is usually described manifesting as a little naked boy, having angel wings riding a two headed Dragon.

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The classical image of Valak is based upon the ancient Greek deity called Hermes, the Roman’s named as Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires.

Valak is also described as being the 62nd spirit of the Goetia, and a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. As for the (two headed Dragon) Caduceus, it symbolically refers to what a practitioner of Yoga terms as the arousal of the (fire snake) Kundalini Shakti; hence Valak’s association with snakes, which is otherwise, mundanely interpreted as the remote viewing discovery of enemies.

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The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, mentioning a couple of female spirits out of “72;” but they are described as being primarily male, who have assumed female form, which is indicative of a symbolic brainwash.

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Whereupon I have rebelliously ‘Conjured’ up Valak as a ‘Schoolgirl’ Succubus of Entartete Kunst artistry. At the end of the day, the practice of art is indivisible to sorcery; both the Artist and Sorcerer ‘Conjures.’ In fact as you are reading this, you are subconsciously ‘Conjuring’ symbolic associations with the words you consciously read, just as you do so when you speak.

This subconscious associative process of ‘Conjuring’ is what the science of neuro-marketing seeks to influence, via the manipulation of emotionally charged symbolic stimuli. The science of neuro-marketing is nothing new; its science is based upon what religions have been doing throughout human history.

For example, in ancient Rome, you had an ‘Anima’ expression of a Goddess called Diana-Lucifera. The Goddess Diana-Lucifera was later transformed into a male entity, to name, Lucifer by the Christian’s as their horny Devil of a machismo Satan, whose symbolic focus is that of an all male pantheon of an ‘Animus’ fixation.

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As for ‘Conjuring’ Valak as a schoolgirl, many of you might think that this is just plain crazy, let alone kinky, whether you be of a Biblical mindset, a traditional occultist or a skeptic. But it is no crazier than the classical symbolism of a demonic Cherub haunting the closeted Vatican, or that of ‘Conjuring’ up Valak as a transgender Nun.

The reasoning behind the schoolgirl motif is because I am employing symbolic logic; Valak originally refers to a little boy of a Hermes, whose feminine name is Hermione.

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This then leads you by association to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning.

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This being one of the reasons why Valak was conjured in the first place, who revealed hidden treasures within you concerning activating the junk DNA of the (Caduceus) double-helix, as well as referring to remote-viewing hidden treasures across the globe, or to otherwise ‘seer’ the Kundalini (serpent) energy (aura) signatures of others.

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However, as for Valak’s serpentine association, it would lead to the house of Slytherin. The employed Hogwarts symbolism sounds hilarious doesn’t it.

Let’s say its a case of Discordian humour, which a Heyoka would contrary-wise utilise as an Avadhuta. But it is not scary enough for those who enjoy indulging themselves in fear; but then I am not into living in fear; are you?.

Basically, the artistic ‘Conjuration’ of Valak as a Hogwarts Schoolgirl Succubus is to negate the all male brainwash, which of a gender focused paradigm is facilitated further by inducing a state of fear.

You could argue that the symbolic transformation of Valak into a Nun, as featured in the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan, is also a rebellious reversal.

Not quite; Wan’s version of Valak is a transgender Nun in the film. I don’t think Wan is into rebelling against the ‘Animus’ fixated paradigm of the real life demonologists, Ed and Lorraine Warren.

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Although, perhaps Wan is rebelling, since the character actress Bonnie Aarons, who is also a mercurial writer, plays the part of Valak. May be Wan is attempting to create a viral-meme Tulpa ghost Nun.

Anyway, both Ed and Lorraine Warren were devoutly religious, whose characters are featured in both The Conjuring movies, which cater to a mostly religious audience, who, at one time, long ago, got their ‘Salem’ entertainment out of torturing, burning, drowning, stoning and hanging Witches.

As mentioned prior, the classical Grimoire of the Goetia, lists a few female spirits; but they are depicted as being essentially male entities in disguise. This perpetuates the all male paradigm of a religious foundation, as described in all the Grimoires. In other words, you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.

The Conjuring 2 film was written by Carey Hayes, Chad Hayes, David Leslie Johnson as well as Wan, in which Valak is depicted in the common Grimoire style. Apart from the Valak’s transgender manifestation out of the classical Grimoires, why did Wan have Valak manifesting as a Nun, instead of as a little naked Cherub, you may perhaps ask?

Well, if Wan and his colleagues are using occult symbolism, it could be a symbolic reference to the 13th path of the Cabbala, which is ascribed the Tarot card: The ‘High Priestess’ Of The Silver (Sirius) Star II; hence corresponding with a Nun, whose 13th path interpenetrates the sephira of (Sirius) Da’at, numbered “11.”

The term, Nun is also that of a Hebrew letter, which is associated with a ‘fish.’ The Hebrew letter of Nun was originally derived from the prior name of the ancient Egyptian primordial sea called Nun, which was seen to be feminine.

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The Hebrew letter, Nun and that of a corresponding Cabbalistic 24th path is ascribed the Tarot card of Death XIII, which is primarily associated with hypnagogic (fish) trance ingress into the (Nun/sea) dream. In ancient times the domain of dreams was seen to be the (watery – amphibious) realm of the dead; whereupon the dreamer, as a disembodied (fish – Dogon/Nommo – Sumerian/Anunnaki) spirit was considered to be also one of the dead.

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Overall, the film is just a Hollywood perpetuation of the already established symbolic brainwash, using the age old, nigh archetypal image of a demonic Nun, haunting an American Horror Story Asylum.

If you are searching for real horror, look into the ongoing brainwash of the masses via subversively engineered symbolic stimuli.

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But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; that would be just plain silly. I enjoy a good horror film myself; The Conjuring 2 looks cool. It perhaps would have made more symbolic sense of an ‘Animus’ fixation if Valak was depicted as a demonic little boy, looking like an innocent Christ babe tormenting a girl, via a haunting ghost of an old man, whose disturbing disposition is that of a dirty old Goat.

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But most of these horror films, if not all, are just feeding into the already established symbolic Matrix, which is self-perpetuated.

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You certainly wouldn’t have Valak depicted as an Entartete Kunst schoolgirl, that’s just far too edgy for Hollywood to handle; whereas a transgender Nun of gender politics is more acceptable, for the politically-correct palette of an androgynous celibacy.

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The audience have been trained to buy into a ‘brand’ of a story over the generations; whereupon, a film maker seeking to make money within a competitive market, will obviously pander to the audiences ‘programmed’ needs of an indoctrinated continuance.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams, wherein the archetypes can be ‘Conjured.’

For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation, which can then manifest as a three-dimensional interactive reality within a lucid dream.

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However, when it comes to mind-control, a symbol can be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the associative ‘Conjuration;’ this in turn perpetuates the already established brainwash.

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But when you realise that the all male pantheon of angels and demons dancing around a (old man) God and a Devil is that of an ‘Animus’ fixation… Possessing… your mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into a Lovecraftian Hell, long ago, along with all her legions of Succubae Great Old Ones, cast beyond the language (angel) angles of the established symbolic Matrix, over-watched by a deified ‘Animus,’ made as a God.

Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire of a Necronomicon.

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NOTE: As for the Conjuring 2 haunting ghost of an ‘Animus,’ fluctuation emanating from the girl’s reptilian-brain-stem (throat/back-of-the-neck) sphere of (11) Da’at and that of a 13th path Tarot card Nun, you have the name of the “72” year old Bill Wilkins, the name of Bill is derived from the Germanic name Willahelm, which is composed of the elements wil ‘will, desire’ and helm ‘helmet, protection.’

Of an aside of sorts, it just so happens you have a Saint William of Gellone, who was an 8th-century cousin of Charlemagne who became a monk. The name was common among the Norman’s, and it became extremely popular in England after William the Conqueror was recognized as the first Norman king of England. Whereupon the name Bill symbolically alludes to a King, hence a helm/crown. 

In regards to the name of Wilkins it is a well-known surname of German and English origins. The surname originated from the name ‘Will’, shortened for ‘William’, having the diminutive suffix ‘-kin’, meaning ‘kin of Will.’ 

The name of the girl, Janet, in the film, is a feminine form of John, as in John the Baptist’s head or skull, which by association you have a… helmet. 

The real life Janet who had experienced the Enfield Poltergeist haunting during the late 70’s in London, related years later to reporters that she didn’t think the ghost was evil, something you’d never know from the Hollywood Creepypasta of The Conjuring 2 film. 

But, Hell! The real event is not scary enough; much of the supposed psychic manifestations was seen by some researchers to be a Hoax, concocted by Janet, who, over the years updated her tale for the horror fans. 

Although Janet appears to have been quite adept at inducing (back of the neck/Da’at) ‘trance,’ whose family had experienced a number of ensuing psychic manifestations. However, when Janet’s story went public, it got blown out of Exorcist proportion. What is more, there was NO mention whatsoever of  a demonic Nun called Valak. The demon Nun is a Creepypasta creation of Hollywood horror fare, going viral like Creepypasta Slender-Man, although, you do have Gremory as depicted in the shirt design. (Click the image for more information.) 

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In pre-Christian times, the haunting ghost would be seen as a manifestation of the girl’s Fylgja by the one time Norse ancestors of the Norman’s, which was considered to be a contra-sexual following spirit, such as Faustus Crow’s Succubus named, Mephistophina as depicted in the watercolour painting below. (Click the image for more information.) 

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The psychologist Carl Jung would term Janet’s Fylgja as being her masculine ‘Animus,’ whereas for a male it would be the feminine ‘Anima.’ Both the ‘Animus’ and ‘Anima’ are symbolic interfaces with the collective unconscious dream, which of an analogy is like the internet.

Western Occultism has transformed the Fylgja into its primarily male Holy Guardian Angel, otherwise known as the HGA, which is contacted when a practitioner crosses over the abyss of Da’at, leading thence to the top-most sephira of Kether, being the… head/crown/helmet. 

The abyss symbolically represents hypnagogic trance, which is otherwise termed as the ‘phase’ by others. The initial manifestation of the HGA can be terrifying when accessing hypnagogic trance, since it will reflect back the fears of the practitioner, which need to be healed and thereby transmuted; while doing so, various psychic phenomena may be experienced, such as that of the poltergeist phenomena in rare cases. But usually a mounting number of synchronicities are observed, which makes the practitioner realise that reality is like that of a dream, a Hindu mystic would term as being Maya.

The practitioner will soon discover that the synchronicities are reflecting back his/her beliefs; hence, if the practitioners beliefs are fearful of nature, he/she will then feel that his/her life is becoming like that of a haunted nightmare. Should the practitioner heal himself/herself of his/her fear, this will then lead to an arousal of the Kundalini Shakti (fire snake) along the (reptilian-brain-stem/back-of-the-neck) 13th path.

The Kundalini emanates from the female source of Shakti, you can associate with the mitochondrial DNA, which is passed down from the mother to her children. The mitochondria determines the energy output of the cell, from whose DNA emanates the bio-photon, which illuminates your electron dreams. Hence you have the feminine symbolism of the Nun, which of a prior age was that of the Priestess, Witch and female Shaman, who were considered adepts of hypnagogic (phase) trance. As mentioned earlier, when experiencing trance you may experience a prior sensation of an energy rush along the (Da’at) ‘back-of- the-neck,’ it then hits the back of the (Qoph) head; should it continue in its course, the energy then arcs its way towards the top of your (Kether) head.  

In other words, the film character of Janet has the psychic potential to become a female Shaman. But, due to the symbolic Matrix of fear, Janet will never attain her psychic potential, and likewise for many another; because the established symbolic Matrix of an indoctrinated religious brainwash will not allow for anyone to expand their consciousness beyond its mind-controlled Ring-Pass-Not Matrix! 

So, if you want to otherwise indulge yourself in fear, go right ahead, if that be your ‘Muggle’ choice, to not taste of the Da’at Apple. However, keep in mind that the subversively engineered orchestration of fear via the media, by those who seek to sustain the symbolic Matrix, upon which their illusory power exists, will invariably blind you to your dreams, to never become lucid. Wherefore only the singular of eye are as ‘Hogwart’ Shamans in the New-World-Order Eden of the blinded. 

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FAUSTUS CROW, SORCERER OF OZ

Posted in Art, Chaos Magic, CREATIVE WRITING, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 8, 2016 by FAUSTUS CROW

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Mephistophina enthroned betwixt the pylons of sleeping and waking as the Sirius Star Girl Guide into Lilith’s Harem of the dream, where unto Faustus Crow to trance slide serpentine, when to have penetrated Mephistophina’s Ninth Gate of a moist, dimension.

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Crow to have utilised one of his paintings as a trance gate into dreaming, by assuming the Avatar guise of an alternate self, to become of a horned shaman mask.

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The dream slid into, of an alternate reality, being that of a steampunk world of Oz, where the sorcerer artist Austin Osman Spare had escaped to Salem, with others of arcane kindred, who were fleeing being persecuted by the fascist forces of the Holy Inquisition.

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After varying surreal adventures of harrowing, it came to pass that Crow was crowned the sorcerer of OZ; it was now just a question of how to return back to a world left behind of waking.

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Then again, is he dead, yet alive, simultaneous, like Schrodinger’s Cat, or to actually want to return from the Multiverse realm of dream worlds governed over by the Night-Mare Succubae, which be Lilith’s Harem.

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Though, when to eventually return upon a dream slide; Kwisatz Haderach slider Crow to find that Londinium is no longer his born to Kansas anymore, but that of an alternate London; it being just one of a myriad number of copies, occupying innumerable parallel universes, within which there be other versions of Crow to slide into.

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Little wonder then that Crow went Ninth Gate mad, who to question, “which me, is the real me? They are all as numerous as uncountable grains of sand, outnumbering the spiraling stars.”

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Mephistophina to answer, “they are all aspects of your Tulku self, and you, being an aspect of them, dreaming each other into reality, which be all as Maya. It being the very nature of consciousness. As for grains of sand, I am as the astral desert between the oasis worlds, illuminated by the fallen bio-photon star of Diana-Lucifera; my dearest Faustus.”

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MEPHISTOPHINA GOTHIC SUCCUBUS

Posted in Chaos Magic, Demon, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2016 by FAUSTUS CROW

Curious it be that sign of Venus, woman, crowned Luna of horns, becomes as Mercury, which of a Wodensdaeg planetary sphere is sacred to a Wednesday Addams, the Spanish to know as Merlina.

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Hence Faustus Crow conjures up the Alchemical Mercurius of an ‘Anima’-Mundi High Priestess as A dark haired Goth Girl from Da’at Sirius to name, Mephistophina.

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The technique, in general, being, the name, Mephistophina is intoned of Mantra at the Da’at point of Hypnagogic ‘X’ Rune-‘Crossbones’ ingress into conscious dreaming, which equates with Choronzon.

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Wherein the Bedroom Invading Old Hag Syndrome sometimes occurs, when to inadvertently access Hypnagogic trance, of an ensuing sleep paralysis, which to protect you from sleep-walking out of the 13th floor window.

The intoned Mantra of Mestohistophina transmutes the Old Hag Syndrome of reflected back Shadow People fears, into that of an otherwise erotic manifestation, which then leads to a Coitus Pactum lucid dream.

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It is within the lucid dream of an illuminated ‘Skull,’ that Mephistophina manifests as the Mercurial Holy Guardian Angel; though fallen; for the ‘Anima’ has Been entirely castigated out of the spiritual equation.

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Anyway, she sure beats Choronzon, let alone Aiwass.

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But such will be dependent upon your ‘Wicked’ sexual orientation, concerning your ‘Beastly’ focus upon the fallen ‘Anima,’ of a rebellion; or that of adoring the commonality of the Vatican’s deified ‘Animus’ of a God and Devil, to otherwise name Aiwass and Choronzon.

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DNA DRAGON DINOSAUR GIRL VIRTUAL REALITY LUCID DREAMS

Posted in Alien, Art, Chaos Magic, Cosplay, Dinosaur, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 9, 2016 by FAUSTUS CROW

Should you conjure up the twenty-seventh Succubus out of her genie lamp of the British Natural History Museum, who be called Ronovea, to thence appear amidst your Triangle Of Art Imagination; she will duly manifest within your ensuing virtual reality lucid dreams, looking like Lara Croft, riding a dinosaur. You will soon discover she is a time travelling Marchioness and a Great Countess; and there be under her command 19 ultra-terrestrial Legions of salacious Succubae.

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One of Ronovea’s many Muse specialities besides that of inspiring an interest in palaeontology, is to guide you into looking at language, not just any language, but that of a primary language, of symbolic information, buried deep within you, of a fossil code.

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Ronovea will first reveal that all the stars, planets and galaxies make up just 4 percent of the universe. The other 96 percent is apparently made of stuff astronomers cannot see, detect or even comprehend; may be they call it junk space in secret; well, actually the scientists call this unknown 96 percent dark energy and dark matter, perhaps they should otherwise term it as being… information… that’s if they see the universe as being a (hologram) simulation.

It just so happens that 97 percent of your DNA is also considered junk, perhaps they should call it dark energy and dark matter; but such terminology is that of the purely cosmological, so it is otherwise termed as Introns; whereas only about 3 percent of the DNA actually codes for amino acids, which in turn makes proteins, and eventually creating, little reptilian David Icke raptors, I mean… children… you know, those squidgy, naked ape, things, who like eating ‘indigo’ jelly babies, imported from ‘eugenic’ California.

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For a time, the Introns had no known use or function! But, after a time an unusual thing occurred,  a bunch of Molecular Biologists, Cryptoanalysists, Linguists and Physicists got together without fighting each other in local bars, who have duly found strange hints of a hidden language in this so- called (space) junk DNA.

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Ronovea will also tell of Simon Shepherd, who, likened to Simon Magus, sheperd’s his students in cryptography, although in this present age, such an occult art is used for ‘computer’ security. Shepherd lectures at the University of Bradford in the United Kingdom who took an alternative approach to the DNA.

Like Commander Shepherd out of the Mass Effect video game, Shepherd, looked upon the junk DNA, as a secret ‘dark-space’ code to be broken, somewhat like those pesky WWII Reaper codes used by the eugenic Nazis, which required being broken prior to the big-gun invasion of Normandy.

After analysing the code of the DNA, Shepherd found that one probable function of the dark space Introns, is that they are some sort of ‘error correction’ code, of similarity to those used by computers.

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The error correction code is a big gun fix for the occasional mistakes, which occurs as the DNA replicates itself. It has since been discovered that the Introns are also switches for (programs) genes.

The next big breakthrough came when the medical doctors, physicists and the linguists decided to not beat each other up within their Masonic Beehive lodges, but instead work together as a coven around their worker-Bee focus.

They soon discovered even more evidence that there was a sort-of symbolic ‘picture’ language buried within the Introns.

According to the linguists, all human languages obey Zipf’s Law. It is a really strange occult law, but it is not too hard to understand. You start off by acquiring a grimoire. Then, you count the number of times each word appears in your rebellious tome. You might find that the number one most popular word is “The,” which appears 2,000 times, followed by the second most popular word “A,” which appears 1,800 times, and so on. Right down at the bottom of the list, you have the least popular word, which might be “God” of an Animus fixation, which appears just once; well, in my ‘Anima’ grimoire anyway.

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You then set up two columns of numbers. One column will be the order of popularity of the words, running from “1” for “The”, and “2” for “A”, right down to “1,000” for “God”. The other column counts how many times each word has appeared, starting off with 2,000 appearances of “The”, then 1,800 appearances of “A”, down to one appearance of “God”.

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If you then plot on the right kind of graph paper, the order of popularity of the words, against the number of times each word appears you will get a straight line. What is very strange, is that this straight line appears for every human language, whether it is English or Egyptian, Eskimo, Chinese or ancient languages! However the DNA is just one continuous ladder of innumerable rungs, which is not neatly broken up into individual key-words like in a mind hack grimoire.

So the scientists looked at a very long bit of DNA, who then created artificial words by breaking up the DNA into “words,” each 3 rungs long. And then they tried it again for “words” 4 rungs long, 5 rungs long, and so on up to 8 rungs long. The scientists then eagerly analysed their words, and to the great surprise of their gathered coven, they got the same sort of Zipf Law/straight-line-graph for the human DNA, which is mostly dark space Introns, as they did for the human languages! They duly discovered Pandora’s pithos.

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There seems to be some sort of language buried in the so-called junk DNA, which appears to correlate with dark energy and dark matter of the universe; as the occult adage, goes: “So Above, So Below!”

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So now, as Elon Musk looks unto Mass Effect Mars, from where, some to say, the serpentine DNA, had first stemmed, riding the back of a Martian meteorite, the scientists are presently awaiting their coming Transhumanist Singularity.

Perhaps there was an ancient Star Wars, from whence a rebellious fallen star, fell to Earth, giving rise to the Great Old Ones, who be our most ancient ancestors, stirring dreams of invention. Their Muse influence over great stretches of time led to an invariable understanding of the 3 percent of the DNA, which makes amino acids, proteins and Tetrachromat Raptor Chick aliens! Oops! I mean… humans.

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And the remaining 97 percent; appears to be that of a buried language, which of encoded information can be accessed via the symbolic interface of a lucid dream, when to conjure an associated ultra-terrestrial Succubus, such as Ronovea. But don’t tell anyone what you are up to with your own brain, otherwise they’ll think you are absolutely crazy, or high on mind altering drugs.

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The establishment doesn’t like you accessing altered states of consciousness. If you’re not too careful, they’ll forcefully medicate your DMT producing pineal gland in order to calcify your ‘amphibian’ third eye. Hang on! They’ve already done that, by fluoridating your water supply with mutagenic compounds and neuro-toxins… crafty buggers! Shit! They even get you to give fluoridated water to the kiddies! They’re the type of ‘eugenic’ Nazi X-File creeps, who repetitively repeat their… mistake… Ronovea would like to feed them to her raptor!

Anyway, as you consciously access hypnagogic trance at the point of sleep you might very dimly perceive the conjured Succubus Muse of your lucid dream riding a giant reptilian creature, which is reposing sluggishly at the lowermost depths of the back of your (Qoph) brain, where of a (Da’at) reptilian-brain-stem, it meets the top of your spinal column.

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You might vaguely see Ronovea in what seems to be at first gloomy, dark depths. Then she will project a vivid visual scene in front of you, into which you can enter of a three-dimensional interactive reality, like that of a ‘hologram.’

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First Ronovea will show you the planet Earth as it was eons ago, before there was any life on it, over which the Moon is writ large, far larger of sphere, than it is today, to also seer Mars on fire, far away, with a five pointed star of Sirius twinkling. That’s if you can take your eyes off Ronovea, who will attempt to seduce you.

You will see an ocean, barren land, and a bright blue sky, which of a locale is now Siberia, of oldest fossil record revealed by palaeontologist Trilobites.

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Then legions of black specks will drop from the sky to then land in front of you upon the barren landscape. You might see that the specks are actually large, shiny, black creatures with ‘stubby Pterodactyl-like wings and huge whale-like bodies.’ Their heads will not be visible to you at first of memories.

Each of these creatures will be ridden by a most wanton Succubus as they flop down, utterly exhausted from their long trip, resting for eons.

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Ronovea will then explain to you of ‘symbolic language’ that they were fleeing from something out in space, as well as throughout time.

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They had come to the young planet Earth to escape a catastrophe, to later awaken the dreamer to dream of them, and in the remembering, to stop a repeat of a… mistake.

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Ronovea will then show you how they had created all life upon the planet in order to take up residence within the multitudinous carbon-based life forms, wherein their Mitochondrial DNA bio-photon intelligence spins your electron dreams.

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Before you, the magnificence of plant and animal creation and speciation, hundreds of millions of years of activity will take place on a scale and with a vividness impossible to describe.

You will discover that the Dragon-like creatures are thus ‘inside of all forms of life,’ including humanity.

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Ronovea will reveal they are the true Great Old Ones of a real Necronomicon, listing the Playboy mitochondrial DNA mistresses of humanity and the entire planet. That is why they are not listed in any Playgirl grimoire, which has been subversively patronised by Rome’s Church of an ‘Animus’ fixation. We humans are but the receptacles for this otherworldly intelligence; for they are within your DNA, which is very much entwined of serpentine double-helix coils around Space-Time.

NOTE: The symbolic motif of the inner Dragon, is in part based, upon the experience of the anthropologist Michael Harner, when he partook of Ayahuasca during 1961, while living with the Conibo of the Amazon.

As to his own Christian name, of an obvious Biblical ‘association,’ it goes without saying, that it had subconsciously influenced his visionary state. But then he had been brought up within a primarily Judaeo-Christian culture, whose media machine is geared towards propagating religious propaganda.

The Conibo themselves were not entirely free of the same influence due to the legions of American Missionaries, who paved the way for their logger patrons, followed by slash and burn McDonald cattle ranchers. Wherefore you have cultural contamination besides that of European viruses afflicting the natives.

When in an altered state of consciousness, whether it be that of being induced by a hallucinogen or otherwise that of lucid dreaming, your ‘language’ form of (Key-Word) symbolic conjurations, will determine what type of information you (Browse) access.

Although Harner had an intensely vivid experience, what he had accessed of visionary (symbolic) information was determined by his learnt language. In other ‘words’ your language of an ‘associative’ symbolic Matrix can imprison your mind.   

As for the 3 percent of what you physically experience of 4 percent of the universe, it may have been programmed by the 97 percent of the DNA, which of a hidden (symbolic) code, might correlate with the 96 percent of the undetected universe. If such is the case, then the key to the 96 percent of the undetected universe lies within the 97 percent of the DNA.

That is if the universe is a (Maya) simulation? Should your experiential reality be a (Maya) simulation, then what James Gates has discovered relates to how dreaming operates of ‘Browsing,’ via which a shaman can consciously access the 97 percent of the DNA.

Lucid dreaming and altered states of consciousness would then be an integral part of evolution. It might be possible that an adept shamanic practitioner can ‘consciously’ engage with the Introns as (programs) Spirits within the ‘symbolic’ interface of the dream; hence being able to commune with his/her own switches.

(The alien abduction scenario, could be an inadvertent access into a vivid lucid dream, wherein a shamanic dismemberment might be experienced, this is otherwise translated into a medical operation, which of dream symbolism may be referring to DNA self-replication and that of a mutation occurring.)   

Going by a number of personal experiences I would say, that it is indeed possible, such as conjuring Ronovea into a lucid dream, for example.    

Whether there is a dark space correlate for the DNA switches, which determines the formations of galaxies, stars, planets and moons, etc, let alone programming your experience of space and time, is of course debatable. But if you are existing within a (Maya) simulation, it could be a possibility that you can hack your own (language/code) programming.  

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MORGANA LE FAY HIGH PRIESTESS OF DA’AT AVALON

Posted in Art, Chaos Magic, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2016 by FAUSTUS CROW

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As Babalon Hermione entered the spiralling tower of her all girl’s Goetia convent school of Succubae; she mumbled to herself, “I feel like an out of place Alice in Under-land within this infernal Cabbalistic hierarchy of planetary classroom spheres. Maybe that is why I keep on getting into so much trouble in Da’at Avalon. I just don’t fit in anywhere,” she said to herself.

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Hermione knew that the Grand Abbess Morgana le Fay awaited her forlorn arrival for detention upon the ’13th Floor’ of Gimel-Ot; her fumbling hands attempted to balance a half eaten Avalon Apple behind her back, in the hope that she could bribe Morgana to go easy on her backside.

But in her nervousness Hermione dropped its sweating mass. She watched the Apple corpse out of the corner of her blinking eye, as it rolled its erratic way across the cold chess-board floor, of cracked granite blocks.

Morgana is not at all impressed, as she silently observes Hermione’s tripping entrance, who, sadistically smiles. She looks like a Raven, eclipsed by shadow, as she stands behind an ancient oak desk, whose legs are carved into raging Tibetan Buddha’s, which are hungrily eyeing up Hermione as a potential vore meal.

“It has come to my attention… my dear… that you are using your Spell sung words… to weave… dissonance… among my other Succubae students.”  

Hermione noticed that Morgana artfully uses spaces between her words, which to cut through the silence, like a sacrificial Athame. “All of my other eight Olympic sphere sisters, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten, and even Thiton have reported that you have been a very naughty little princess in their Sephirot classes. At this rate, how will you ever be able to find a sorcerer to service you with his erect wand… you do know that you will not survive without its ejaculated emotive ‘charge’ to ‘spin’ your electron dream presence, don’t you.” 

“Yes, I know Mistress… I am studying very hard, those arts, which will lead me to the creamy wand to suck off and to ride as my broomstick, just like my sisterly Witch Nuns,” Hermione replied. “so you say, my dear.” answered Morgana, “however, it is patently obvious that you are not trying hard enough, which has been further exacerbated by you… disturbing your Genie sisters… Tantric studies.” Hermione also becomes aware that Morgana’s Athame of a forged mind, always thinks, before speaking, of pondered breaks, prior to uttered words; though subtle, it lends to her speech, an impact on every word Spell spoken, which of conjuring quality, is almost like the arising silky tone of a wise serpent’s inevitable bite.

“But.. but, Mistress…” Hermione to mumble, while staring at her nimble left foot of scraped shiny shoe, scraping the checker board floor, as if attempting to dig a very deep wormhole, so as to fall into. “I did not intend to, affect the perceptions of the other Succubae students… I was just telling it the way… it is… Mistress.” 

Morgana goes silent, her sea green eyes pierced into Hermione’s very soul; then, Morgana snarls. “Telling it… the way… it is,” Morgana to repeat her words, scornfully. “Pray tell, me… little Ghost Girl… what this, way it is… is… of a Spell?”

“I am afflicted… Mistress… with an affliction, which afflicts me.” Hermione to near tearfully answer, in the hope that a tear drop upon reddened cheek will soften Morgana’s sharp beak.

“Afflicted…” Morgana to shake her ruffled horned head of a black pitch crown, to then question, “Afflicted with what?” 

“I am afflicted with…social anxiety disorder… and… clinical depression… Mistress; I can’t help it, Mistress.” Hermione to answer, while looking down at the granite floor, avoiding Morgana’s piercing green eyes.

There was a long silence before Morgana to snarl; “I would never of guessed it… nor to have even fathomed it as a sorceress… until you attempted to hypnotise me… let us not forget, all the other… Succubae students of my Da’at Apple lore Goetia school… who you have, duly hypnotised with your Spell of ‘belief’… before they even got to know you…. Now my dear, they all see you as having an affliction, which empowers your internal… ‘Self Image’… as being the afflicted.”

Hermione did not know where to look as she continued digging at the floor with her shiny shoe tip. “But… but… that’s what the Muggle doctors said… that I’m afflicted with… Mistress.”

“MUGGLES.” Morgana to howl, as she claws the round Zodiac tabletop with her Queen Bee talons. “Don’t you realise, that if the Muggles had their way.. they would pigeonhole us all, as being raving loons… suffering from varying mundane mental conditions… castigating us into their Holy-wood brick walled Masonic asylums of controlled mediocrity.”

Hermione looks down at the floor. “But… but, Mistress… I, I feel…so, Strange… ever since I left my mortal coil, finding myself here, in Avalon as a Goetia Ghost Girl. I just don’t seem fit into your Beehive; I can’t communicate what I really feel into my… Spells… it’s so, so confusing. I didn’t mean to hypnotise the other Succubae students, to see me as the afflicted; but, that’s what I was told, when I was alive… by the… Muggles. 

Morgana places her left hand over her face, in an attempt to steady raging thoughts; “Alas, my dear… in your once mortal attempts to no longer feel like an outcast among the mundane Muggles… around whose brain dead mob, you felt.. so, very… Strange… you had inadvertently allowed yourself to be influenced by the inane Muggle priests… in order to feel that you belonged to one of their pigeonholed, Ring-Pass-Not’s… but, without realising it… you have since hypnotised your fellow Succubae, who, as you are very much aware, are all of the… Strange.” 

Hermione decided to brave the situation, by craftily disengaging Morgana’s inquisitional dagger eyes away from her battered soul, to elsewhere stare, by quizzically enquiring, “Is Faustus Crow of the Strange too, Mistress?” Morgana, nearly trips over a raging Buddha leg of her table. “What? Why are you speaking of… Crow?”

“I’ve noticed his Tantric graffiti all over the cracked walls of your Silver Star school; especially in the Witches dormitories; I’m, just trying to understand what, Strange, actually is of a quantifiable example… Mistress.” Hermione to ask, half smiling to herself, as she observed Morgana’s face blushing Rubedo red; she appears to be experiencing an involuntary Nigredo orgasm, which ripples through her taken aback, autonomic-nervous system, of dark ecstasies. Morgana then graspingly takes hold of her heavy black Yew chair of carved Anubis hand rests, to slip into its steadying depths, remembering the Albedo Dog days of Sirius, when Crow penetrated her moist honey isle.

Morgana then slowly looks away from Hermione, as she answers; “Crow is the strangest of the Strange, who rages against the establishment of the Conquistador. His nature, is rebellious. of Zodiac sign.”

Morgana continued, “Crow does not care at all, what the Muggles think of him… even when as a Changeling Childe, he had consistently played truant from their temporal schooling… nor is he unduly concerned about what the Muggles to now say, about his Heyoka antics of artistic sorcery. Hence, Crow is an Avadhuta outcast in their world… who, I might add, has been pigeonholed by many a brainwashed Muggle priest of their Animus deity, as being quite mad, let alone being utterly insane… or far worse.”

Hermione, noticed that Morgana was stroking herself with a Crow feather, while licking her lips with a long serpentine tongue, “there are even a number of brain-dead unimaginative Muggles who believe Crow, is possessed by demonic entities.” 

“Is that what being Strange, means… do I have to become an outcast, too… Mistress?” Hermione to worriedly enquire.

Morgana goes silent before answering; “I must say… there are differing Runic degrees of the Strange, my dear. What Masonic level of the Strange you choose to be… will be determined by your own inner truth as a… Succubus Witch… to not fear, expressing who you truly are of Genie nature, and in so doing, learning about yourself, in the process…. rather than attempting to be what the Muggles considered as being, acceptably normal, which made you fall asleep as a sleeping beauty; or to be otherwise labelled as being upon their rung of a Jacobs ladder, so that you could have been fitted into their Holy-wood TV land… of dull eyed, shiny herd-mind cliques.” 

“In your constant attempts to be what the Muggles said you were of an illusory label, you ended up ‘believing’ in their curse, which led to you taking your own life… didn’t it not. Now you are here, within my Lilitû school of Avalon, where you have to learn to dispel their brand upon your branded soul, so that you can awaken.” Then there was silence, as Morgana gathered herself up from her chair, as an inky black shadow, who steadily moved of calculated steps towards an iron maiden, within whose opened guts of blood rust metal, Hermione noticed Morgana’s collection of canes, which made her bite her lip near red raw.

“Damn it, damn it, damn it” Hermione to have howled out within her St Trinian mind; I forgot to put on a pair of Slytherin briefs, this twilight, of punishing onslaught, betwixt and between the crucifying pylons of Moon and Sun… Oh! By the name of the Goddess, save me!”  

Morgana becomes aware of Hermione’s under-dressed dilemma, “the Goddess will not save you my little night-mare whore,” she then questions her iron maiden; “What am I going to do with such a difficult student? Perhaps I will use the biggest, longest and thickest of girth cane I have, of most ancient usage, whose tarnished grey wood has been laid upon many a pert behind of fifty shades, of red.”  

Then, as if shot by a Vajra bolt of inspiration from out of the blue penumbra of the Moon; Morgana decided to place her grey cane of a biting tooth, back into the maiden’s guts, who to otherwise pick up a gnarled grimoire from a dusty shelf. “I know, what to do with you, of educational punishment, you can deliver this tome to… Faustus Crow.” 

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Morgana hands Hermione a book, which is, entitled Lilith’s Harem, she to notice has been authored by Crow. Hermione cannot help herself of feline curiosity to open the book up to the first page, which has been personally signed and inscribed to Crow, by a Witch, whose name she instantly recognises.

Hermione to uncontrollably scream; “By the Goddess, it has been signed by J.K . Rowling, herself, of living gold dust… Mistress!” 

Morgana to impatiently snap; “Yes, yes; don’t get your Witch’s knickers in a twist; Rowling is too of the… Strange; her writing style is not too different to yours of artistic expression… for you to go far beyond of a Ring-Pass-Not… if you desire it so, as an inspiring Muse of the Gunas. You might even be able to open up the seven Dwarven smithy Chakra seals along Crow’s tree, should you ever awaken… my little serpentine, Kundalini Shakti Mercurius, to thence gift him your sweet Mercurial Apple of a Philosophers Stone third eye. That aside, don’t tell anyone about Crow’s autographed tome… it is a secret; wherein you will find my alternate name.”

Hermione stands before Morgana, grinning like a Cheshire cat, to then ask; “where, do I find Crow?”

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Morgana answered; “You can find Crow within the enfolding shadows of the Goat Head Inn; he is usually by himself… quite alone, as he manifests visions within a black book, who is quite partial to Lady Killer Rum, which is of deepest red; likened to menstrual blood, of Rubedo colour… such be his alchemical poison; although, he has a preference for Cider, who to have drunk deeply of my bald, smooth grail… many a delicious time.” 

Hermione to gibber, as a horrifying realisation hits her; “Oh! By the blessed Goddess… Mistress; but… but… the Goat Head Inn… is along the Tarot path… of the…” 

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Morgana cuts in, “Yes indeed, my dear, you will have to service Crow as his most loving Goetia Girl Succubus within his dreams; catering to his every whim; just as every bat winged Goetia Nun does so, who worship him as their Lord… that is your… much needed… punishment!” 

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