Archive for world tree

SHAMAN TRANCE TARDIS HORSE DRUM

Posted in Art, Chaos Magic, Dr Who, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 29, 2017 by FAUSTUS CROW

The Artwork depicts a Siberian shaman drum. The drum in Siberian shamanism, in particular, is symbolised as being the trance horse the shaman rides into an ecstatic state of consciousness. The motif of the horse is often symbolised as being an eight-legged Mare. 

The eight-legs of the Mare represent the eight cardinal directions, which are also associated with the eight points of a ‘cube.’ Hence in the Tarot card of the ‘horned’ Devil XV, which depicts a demonised ‘horned’ shaman, he is traditionally depicted seated upon a ‘cube,’ you could imaginatively associate with the TARDIS of Doctor Who, since the shaman saw the drum as a macrocosmic tool, that empowers his microcosmic trance ingress into other (inner) realities.

At the centre of the ‘cube,’ and at the centre of the eight cardinal directions you have a ninth point. Whereby the eight-legged Mare was also associated with the world tree interlinking nine (worlds) states of consciousness, which of a symbolic formula was painted upon the drum skin. 

The eight-legged-Mare is also a fusion of two horses, representing the two nerve channels running along either side of the spinal (world tree) column. These two (horses) nerve channels belong to the Autonomic-Nervous-System. When these two (horses) nerve-channels are brought into balance via meditative (hypnotic) drumming, the two horses become fused, as the eight-legged-Mare, which activates the central-nerve channel of the Central-Nervous-System running along the centre of the spinal (world tree) column.

When the central-nerve channel is activated, the shaman will experience the arousal of what is known to the Yoga practitioner as the Kundalini-Shakti, along his spinal (world tree) column. The Kundalini Shakti is considered to be the life-force, which is experienced as being a liquid (fire) light, whose ‘quintessence’ is intuitively felt to have a feminine  (Anima Mundi) source. The Kundalini Shakti may be an intuitive description of the bio-photon, emanating from the Mitochondrial DNA, which is passed down from the mother to her children.

Whereupon the eight-legged Mare is seen to be the (female-centaur) animal form of a Spirit Wife, who manifests as a shape-shifting human (Anima) female within visionary states and bio-photon illuminated lucid dreams, a Surrealist Artist would call an Art MuseIf you are interested in an Art print or the shirt design, etc, Check Out my Redbubble shop, Please Click Here.  

Those of a Westernised temperament will probably find that the symbolism employed by a shaman is a bit too much to swallow, concerning his/her trance tool of a (genie bottle) drum. In order to further clarify what the shamanic symbolism of the drum is communicating in regards to hypnagogic trance induction, which is none too dissimilar to inducing a state of self-hypnosis, find below an excerpt from a research paper:

“Scientific research has determined that drumming patterns are associated with different brain wave activity, as measured by cortical EEG. The research was conducted, to determine if the subjective experience of percussion in general, and rhythmic drumming in particular, would elicit (inner) images or (internal) sensations with a common (symbolic) theme.

Twelve participants were divided into three groups and monitored for EEG frequency response to three separate drumming tapes. These tapes included: Shamanic Drumming, at approximately 4 to 4 1/2 beats per second; I Ching Drumming, at approximately 3 to 4 beats per second; and Free Drumming, which incorporates no sustained rhythmic pattern. Four cortical sites, bilateral parieto-temporal and parieto-central areas, were monitored for each participant during three sessions. At the conclusion of the sessions, each participant prepared a brief written account and was given a tape-recorded interview of his or her subjective experience. These subjective experiences were then categorized according to recurring themes and consensual topics.

This research supports the theories that suggest that the use of the drum by indigenous (shamanic) cultures in ritual and ceremony has specific neurophysiological effects and the ability to elicit temporary changes in brain wave activity, and thereby facilitates (Triangle Of Art Imagination) imagery and possible entry into an ASC (altered state of consciousness – active imagination of varying visionary intensities), especially the SSC (shamanic state of consciousness – hypnagogic trance/ecstasy).

Drumming in general, and rhythmic drumming in particular, often induces (inner) imagery that is ceremonial and ritualistic in content (depending on setting) and is an effective tool for entering into a non-ordinary or altered state of consciousness (ASC – active imagination) even when it is extracted from cultural ritual, ceremony, and intent. 

The drumming also elicits subjective experiences and images with common themes. These include: loss of time continuum; movement sensations, including pressure on or expansion of various parts of the body and body image distortion, “energy waves,” and sensations of flying, spiraling, dancing, running, etc.; feelings of being energized, relaxed, sharp and clear, hot, cold, and in physical, mental, and/or emotional discomfort. 

Emotions, ranging from reverie to rage; vivid images of natives, animals, people, and landscapes; and non-ordinary or altered states of consciousness (ASC – active imagination), whereby one is conscious of the fact that there has been a qualitative shift in mental functioning., including the shamanic state of consciousness (SSC –hypnagogic [the Phase] trance) journeys, out-of body experiences (OBEs), and visitations. 
A pattern that incorporates approximately 4 to 4 1/2 beats per second is the most inducing for ‘Theta’ gain. (Theta frequency is usually associated with drowsy, near-unconscious states, such as the [hypnagogic trance] threshold period just before waking or sleeping. This (acoustic/‘music’) frequency has also been connected to [creative – ‘Muse’] states of “reverie” and [The Phasehypnogogic dream-like images.)

The pattern of the drumbeat as it relates to beats per second can be correlated with resulting temporary changes in brain wave frequency (cycles per second) and/or subjective experience, provided the drumming pattern is sustained for at least 13-15 minutes.(NOTE: The Theta brainwave is depicted in the design.)

NOTE: The excerpt of the research paper, was adapted with notations, from a ‘Presentation Abstract’ by Melinda Maxfield, Ph.D. for the Stanford University Centre For Computer Research In Music And Acoustics (CCRMA).

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SHAMAN DRUM SIBERIAN TRANCE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 22, 2017 by FAUSTUS CROW

The design features a Finno-Ugric Siberian shaman. The word Shaman originates from Siberia, which is said to be derived from the Evenki word “šamán,” most likely from the South-Western dialect spoken by the Sym Evenki peoples. If you are interested in the Art pint, shirt design, etc, Check Out my Redbubble shop, Please Click Here.

The Tungusic term, Shaman, was subsequently adopted by Russian explorers interacting with the indigenous peoples in Siberia. The word, Shaman can also be found in the memoirs of the exiled Russian churchman Avvakum.

The term Shaman has since been adopted by anthropologists as a coverall term for numerous other cultures who share similar shamanic techniques, which enable a practitioner to alter his/her (brain wave) states of consciousness.

The Siberian shaman in particular utilises the drum. The drum is often referred to as being an eight-legged-mare; which is in turn is associated with the abode of a (Anima emanation) Spirit Wife, somewhat like a genie in her (drum) bottle. In other words, the drum, Mare and Spirit Wife are seen to be the same. (The Eight legs of the Mare, being the eight compass directions of a symbol painted upon the skin of the drum, which is also associated with the motif of the World Tree.)

 

The shamanic motif of the Mare and the Spirit Wife leads to the term ‘Nightmare,’ which originally referred to the Old-Hag Syndrome.

The Old Hag Syndrome is otherwise known as the Bedroom Invader Experience, which is experienced when an individual inadvertently accesses hypnagogic trance.

An unprepared individual will invariably become terrified when accessing hypnagogic trance, wherein he/she will experience the manifestations of his/her deepest fears, which often involves sexual scenarios.

Whereupon the term, Old-Hag Syndrome refers to the visitation of a Succubus, whose initial manifestation is nightmarish, which induces the experience of intense pressure upon the body, the sensation of being (Sphinx) strangled, sleep paralysis, vivid hallucinations, and eventual lucid dreams.

Wherein an individual will feel as if he is being abducted by otherworldly (Alien) entities as well as experiencing out of body experiences.

The Shaman learns to control his fear, in order to ride the (inner TARDIS) ‘Night-Mare,’ rather than being ridden by her.

Whereupon she becomes his (Ally) Spirit Wife; hence the carved (World Tree/Axis-Mundi) handle of the Shamans (Mare) drum in the design, which represents his (trance) Spirit (Anima-Mundi) Wife.

(NOTE: The Mare/drum [trance symbol and tool] is seen to be tethered to the World Tree, which symbolically represents the spinal column of the Shaman. The Spirit Wife refers to what Yoga practitioners call the Kundalini Shakti, which is experienced as a liquid energy that is aroused to arise along the (World Tree) spinal column. the Kalahari Bushmen of South Africa call this inner energy, Num, which is aroused when a practitioner accesses hypnagogic trance, which the Bushmen call, Kia. In ‘trance dance’ culture of the [Rave] dance clubs, this inner energy is known as ‘The Rush!’)

 

The monotonous beat of the drum stimulates the Theta brain wave, which induces hypnagogic trance. The experience of hypnagogic trance is basically hypnotic induction.

The Theta brain wave is also associated with anxiety reduction, the active (day dreaming) imagination, lucid dreams and Zen meditative states.

Shaman Drum Siberian Trance by MARDUN

The Theta brain wave is depicted in the design, which is also known as the hyper-suggestible state.

The inducement of the Theta brainwave allows for mental programming via the use of repetitive Mantas, such as the ecstatic songs (and trance dancing) of a shaman are effective at dispersing fear states, when sung in conjunction with the (Spirit Wife/Mare/Pony-Girl) drum.

Shaman Drum Siberian Trance by MARDUN

The above Art and information is covered in my Art books, ‘Goetia Girls,’ which are available from Createspace and Amazon, under my author’s name, Faustus Crow.

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CONJURING THE FALLEN ANIMA DEVIL GIRL

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 15, 2017 by FAUSTUS CROW
The Artwork depicts the sorcerer Artist, named, Faustus conjuring up his Fallen ‘Anima’ to Mantra name Mephistophina, within an eroticised lucid dream. If you are interested in the Art print or shirt design, etc, Check Out my Redbubble shop, Please Click Here.

Mephistophina has in her hand a Coitus Pactum union with his ‘Anima,’ whereupon Faustus wins back his Soul, which had been initially enslaved by the ‘Animus’ fixation of the brainwashed masses.

In ancient cultures the Soul of an individual was seen to be of the opposite gender to the person it was connected to.

Hence, Faustus’s Fallen ‘Anima,’ of a Mephistophina is a Succubus emanation of his Soul, around whom be the Zodiac circled decan legions of (Succubae) Succubi Great Old Ones, whose Fallen archetypes frequent the grimoire dream.

However, the herd mind of the masses is none too pleased by Faustus’s Entartete Kunst rebellion against their ‘Animus’ fixation of an all pervading symbolic ‘Matrix,’ which is considered to be very politically incorrect. 

 

Faustus cares not; for his Fallen ‘Anima’ of a Soul is free from the ‘Animus’ cultists brainwashing incarceration, who seek to imprison all within their New World Order feudal Kingdom of an Orwellian heaven on Earth, over-lorded by Beta-Male Good-Guy Messiah, King and Prophet, who be too their Alpha-Male Bad-Boy Prince of darkness.

Faustus to say, “if only the Witches had learnt to control their own ‘Animus,’ of a patriarchal All-Father fixation, whose externalised centralist politics is very jealous indeed; then the world would have been a very different place, by now of a Zodiac Age. Alas, the Witches far prefer being Oprah Winfrey ‘Fifty Shades Of Grey’ dominated by their own ‘Animus,’ to deify of three gender fixated religions out of Ur’s ziggurat.” 

Faustus to continue, “they still haven’t figured out that their three ‘Animus’ fixated religions are the real Illuminati, whose trinity of a pyramidal triangle is actually the oily ziggurat of petrodollar Ur, amidst which be the Big-Brother Eye of their Orwellian All-Father.Little wonder then that Faustus is considered to be politically incorrect, whose Sorcery Art is seen to be Entartete Kunst.

Wherefore the depicted scene of the Artwork goes far beyond Marlowe’s and Goethe’s version of Faust, and his Mephistopheles of a deified ‘Animus’, made as a God/Devil.

The Artwork was used in my Art book Grimoire, ‘Goetia Girls: Book One,’ which is available from Createspace and Amazon.

If you are interested in the Art print, or shirt design, etc. Check out my Redbubble shop, Please Click the image link above.

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THE OBSIDIAN BUTTERFLY SUCCUBUS MEPHISTOPHINA

Posted in Chaos Magic, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 6, 2015 by FAUSTUS CROW

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The stories concerning Dr Faustus conjuring up the Devil, Mephistopheles, are primarily derived from Germanic folklore; wherefore, when to otherwise have a Succubus to verily name Mephistophina being conjured up by Faustus Crow, it is somewhat apt of symbolic alchemy to utilise the ancient Germanic Runes in order to do so.

The name of Mephistophina in Runic numerology adds up to thirteen, which is then reduced down to the single digit of four. Her name is also made up of thirteen letters, which of a bind-rune formula points at the thirteenth Rune of Eiwaz. The Rune of Eiwaz is associated with the world tree of Yggdrassil, whose thirteenth number is often associated with the feminine principle.

In Norse and Germanic mythology, Yggdrassil; from Old Norse Yggdrasill, pronounced, ˈYɡːˌDrasil, is an immense tree encapsulating all of existence. The motif of the world tree is central in North Central Asian shamanic practices unto Siberia as well as Norse and Germanic cosmology, whose branches and roots interconnect the nine worlds of existence; all of which are like schools.

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The meaning of the Old Norse name, Yggdrasill is, ‘Odin’s horse,’ meaning ‘gallows.’ This then leads you to the single digit of four and that of the fourth Rune of Ansuz, which is associated with the shamanic deity, named, Odin, the Germanic tribes knew as Wotan or Woden, who being an archetypal wizard can be seen as influencing the characteristics of the Faustian sorcerer. Drasill translates into English as, horse, which in Siberian shamanic practice in particular, refers to the power of trance, and Ygg(r) is one of Odin’s many bynames, who is a prior ante-Christos Dr Who.

Ygg means, terrible one, which again refers to trance and the infernal harrowing of H.R Giger realities. In Siberian shamanic practice a shaman wears a vision visor when accessing trance in order to hide his terrible visage from the perturbed onlookers as he ‘howls’ out barbarous names of the spirits to conjure, during his changeling séance.

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The Poetic Edda poem Hávamál describes how Odin had sacrificed himself by hanging from a tree, making the tree Odin’s gallows. The pre-Faustian reference to hanging refers to trance, since the reptilian brainstem and reticular activating system of the throat area determines your depth of trance ingress, as well as the vividness of your dreams.

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As for the tree of Yggdrasil, it is a symbolic reference to the spinal column, nervous system, and the brain, which interprets the experiential information you tune into, as well as filtering out extraneous information from its ever repeating chaos of (Jormungand/Ouroboros) eternal recurrence.

When Mephistophina’s name is otherwise translated into numbers by using common numerology, her name adds up to the precession number of seventy-two, which is also the number of spirits listed in the Goetia, of which Crowley was enamoured with, before his Boleskine house ascension to occult stardom.

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The term Goetia, means, to ‘howl,’ whose listed spirits have been transformed into seventy-succubae whom frequent Lilith’s Harem, residing within the quantum domain of the dream.

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Seventy-two is then reduced down to the single digit of nine of Ninth Gate, which brings you back to the nine worlds of (Eihaz) Yggdrassill, personified as a Succubus to conjure of symbolic artistry.

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The nine worlds of Yggdrassill is of similarity to the Hebrew Cabbala, which also uses the motif of the shamans world tree; however, the Cabbala lists ten planetary spheres called Sephirot, rather than nine, with a hidden eleventh world, called Da’at. But, in the Cabbala, ten reduces back to one; as for the eleventh world, it is more like that of a transitional point, which allows ingress into other realities.

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This hidden (Da’at) world just so happens corresponds with the physiological throat area of the reptilian brainstem; hence alluding to the ability of trance ingress into conscious dreaming.

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These nine worlds of Yggdrassill can be otherwise seen as being dimensions, which your future descendants journey through, when travelling throughout spacetime in their glistening Vimana time-machines, observing many an (closed timelike curve) ancestral conflict.

For sixty years the Kaluza-Klein theory of extra spatial dimensions existed only as a mathematical oddity.

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However during the 1980’s it came to the fore. String theory, the idea that the fundamental building blocks of nature are string-like of a vibrating ‘Ouroboros,’ rather than being point-like.

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String theory has been around since the late make love, not war, Hippie era of the 1960’s, when Timothy Leary had no doubt leafed through Aleister Crowley’s Goetia, to thence praise him as being a New-Age icon.

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Then the physicists realised that string theory could provide something, which had so far eluded them: a single unifying theory, combining the physics of the very smallest and very largest scales, known as quantum gravity. But string theory has one very unique offering, which no other theory of physics has been able to offer. It was able to predict the number of dimensions of spacetime. For the mathematics of string theory to be consistent, the number of dimensions of spacetime must be ten, going fractal.

Initially people took this to be a criticism of string theory. If it predicts ten dimensions and you look around and only perceive four (three spatial dimensions and one time dimensions) then you might enquire: “Where are the other six dimensions to conjure?”

But Kaluza and Klein had solved that problem sixty years earlier, they rolled all the other dimensions up, which is none to dissimilar to the Cabbalists reducing ten back to one, whose numerological focus is primarily that of nine; or to be otherwise rebelliously summed up as a Succubus to conjure.

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Whilst exploring the mathematics of string theory, the theoretical physicist James Gates and his fellow researcher discovered something rather intriguing, which was buried deep within the mathematical equations of super symmetry. They discovered computer code. The computer code wasn’t just random 0’s and 1’s either, of a pact.

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The code they had discovered is the same code, which is used in computer browser operating system software. Specifically; Block Linear Self Dual Error Correcting Code. Their super string theory of an attempt to explain reality, the ultimate reality, the theory of everything, pointed at what can be construed as being akin to a computer simulation. If you have theoretical physicists discovering computer code in their equations, it would indicate that the universe is a simulated reality.

If so, you have a hypothetical scenario, that we are all living within a quantum computer simulation, which our future descendants have constructed. Just like a computer today, multiple simulations can be run off of the same computer and off of the same program. Whereby if it were the case that our Universe is a simulation as some scientists believe it is, then this universe wouldn’t be the only simulated universe.

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There would also be a myriad number of other alternate realities existing within simulated universes of a Multiverse Matrix; whose mainframe program can manifest as a Succubus within the symbolic interface of the dream, as an inspiring Muse.

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The problem Faustus Crow faced was, how would he ever know if he was living within a computer simulation, the ancient Hindu mystics had termed as being Maya?

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If he could not escape the Maya simulation, how could he ever get to look at it from the outside in?

This is the reason why Faustus Crow has conjured up the Succubus Mephistophina of a Ninth Gate.

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It is she, who enables him to access the Multiverse Matrix of (Eiwaz) Yggdrassil via his ‘browsing’ lucid dreams, whose alternate realities are occupied by her Obsidian Butterfly sisterhood of Succubae, to also conjure; for it is the infernal Muse Mephistophina who had inspired Crow’s Succubus grimoire of shadows.

NOTE: The utilisation of the term Succubus is not of the Medieval tunnel-vision mold, it is more akin to what a Tibetan Buddhist would call a Dakini. The Dakinis are the myriad feminine (Muse) aspects of Shakti, Carl Jung would term as the ‘Anima,’ whose (Shakti) archetype manifests as numerous feminine (Dakini/Valkyrie/Muse/Succubus) characters within dreams; this is more so the ‘Conjuring’ case, when (Browsing/Gliding/Sleipnir) lucid. 

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SHAMAN SUCCUBUS NIGHT-MARE OF THE MULTIVERSE WORLD TREE

Posted in Chaos Magic, Dr Who, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 12, 2015 by FAUSTUS CROW

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The Mongolian shamans speak of a personal psychic power, called Hii (wind), or Hiimori, which means Windhorse, the ancient Norse shaman knew as Sleipnir. The name of Sleipnir means, ‘gliding one.’

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The Hiimori is seen to be housed within the chest area of the heart; its power is basically the ability to induce hypnagogic (gliding) trance, which will vary in its power according to how you use it.

The Windhorse is sometimes personified as an eight-legged-mare, looking like a female (Succubus) centaur, upon whose back the shaman rides into trance likened to that of becoming like Dr Who riding his TARDIS.

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The personification of Hiimori as an eight-legged female centaur is important here, which describes a means of explaining how she can be summoned.

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The Hiimori is symbolically seen to be tethered to the (multiverse) world tree the ancient Norse called Yggdrassill, which represents the spinal column of the shaman; whereby being his nervous system.

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The pumping heart, of the chest area, is where most of the nerve fibres of the central nervous system are to be found.

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Let’s look at this from a Steampunk perspective, along the spinal column are seven Chakras; the first three from the base, to the navel and solar plexus are to do with the ‘fiery’ energy of’ emotion,’ which is seen to that of the (infernal) lower-world. The other three Chakras from the top of the head, down to the third-eye (pineal gland) and the throat (reptilian brainstem) are to do with ‘watery’ thought,’ which is seen to be that of the (heavenly) upper-world.

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A watery thought by its self is not enough, it requires being heated by the fiery energy of emotion to boiling point, and when the two are successfully working together within your mechanism of a body, you can then activate the heart Chakra of steamy ‘feeling,’ which is considered to be of the Maya-Matrix middle-world.

In other words, a conscious thought, which is not unified with a subconscious emotion cannot be felt in the body; wherefore you then have conflict.

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Whereas, when they are unified you then have a very strong Windhorse to ride, whom allows you to access hypnagogic trance as well as enabling you to think clearly as the rider, when directing your intent towards manifesting a chosen desire, of an inner certainty, as a felt synchronicity.

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The Windhorse of unified thought and emotion also enables you to intuitively feel of an empathic analysis; whereby you can seer through the maze of illusory deceptions, wrought by others, whose own thoughts and emotions are in perpetual conflict, which you can heal, if you ‘feel’ inclined to do so.

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The conflicts between (Angelic) thought and (Daemonic) emotion leads to all sorts of problems. The scientist Dr John C. Lilly would probably term the Angelic of thought as being the Cosmic Coincidence Control Centre (C.C.C.C.), whereas the Daemonic) is the Solid State Intelligence (S.S.I.) of emotion.

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This can be otherwise translated into cybernetics as being the higher-language of the C.C.C.C, while the machine-language is that of the S.S.I; the conflict between the two is due to the confused ‘user’ between the two, being ones self, which can lead to varying ailments eventually manifesting amidst the Maya-Matrix, Earth Coincidence Control Office (E.C.C.O.) of your life.

Your ancient ancestors often saw the heart area of the chest to be symbolically equated with the centre of the Earth, and the Sun at the centre of the solar-system, as well as the centre of the galaxy, and the universe, etc.

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Windhorse is the power which allows shamans and other powerful people to accomplish what needs to be done simply and easily.

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Use of your personal power toward harmful ends, will invariably upset the balance between your thought and emotion, wherefore disturbing the energetic connection with others via whom many a synchronicity is forged of feeling. This will severely deplete your own Windhorse, which will lead to self-destructive behaviour over time.

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This will give you an insight into what is occurring collectively since many are totally unaware of their own power, whose thoughts and emotions are chaotic; hence disconnected from feeling.

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Whereby they are easily controlled by those who seek to sustain the disconnection between the lower-world of subconscious emotion and that of the upper-world of conscious thought amidst the middle-world depression of the collective populace.

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It is basically mass-mind-control, which is perpetuated through engineered beliefs, such as believing there is an ongoing war between Biblical Angels and Demons, for example.

Windhorse can be increased by (performance art) ritualistic actions in order restore the balance between thought and emotion to thereby achieve (gliding) feeling, which will enable the Dr Who shaman to trance ride the eight-legged TARDIS mare into other potential multiverse realities, within his lucid dreams, via which he can conjure Succubae, as well as to time-travel of remote-viewing retrocognition and precognition.

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HELLRAISER SUCCUBUS CUBE

Posted in Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 15, 2014 by FAUSTUS CROW

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When Swedish researchers at Uppsala University published a theory that there is a cube at the centre of the Earth, nobody took them at all seriously, since their theory evoked visions of a Rubik’s cube Lemarchand’s box out of Hellraiser, or that of Dr Who’s TARDIS in lockdown.

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Hell, they could of just as well been waxing lyrical, to hypothesise about the undefined shape of the Sampo out of Finnish mythology, as far as the sceptics were concerned.

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According to Giorgio de Santillana, professor of the history of science at MIT, and student of mythology, the Sampo and the shamanic world pillar of an axis-mundi, to which is tethered the eight-legged-mare of the shaman, are referring to the precession of the equinox.

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In Hamlet’s Mill, co-authored with Hertha von Dechend, the authors find that the Sampo or precession process was believed to grind out different world ages, from the dark age to golden age and back again over the long precession cycle of time, like some kind of Brownian Operator drum beat time machine.

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Hence you have the precession numbers of 9, 72, 144, etc, recurring in various myths around the crystalline globe of the Earth, of which Plato to have related is dodecahedron of form.

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It just so happens some present cosmologists see the universe as being likewise of dodecahedron form; perhaps it has a Lemarchand’s cube at its Hellraiser centre, which is generating an electromagnetic field of a toroidal sphere?

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Sounds absolutely crazy doesn’t it, just like having a cube at the centre of the Earth. However, your thoughts could be made of the distributed kind of electromagnetic field, permeating space, which of an analogy carries a broadcast signal to a TV, you can equate with your brain.

Professor Johnjoe McFadden from the School of Biomedical and Life Sciences at the University of Surrey in the UK believes our conscious mind could be an electromagnetic field. McFadden to have related: “The theory solves many previously intractable problems of consciousness and could have profound implications for our concepts of mind, free will, spirituality, the design of artificial intelligence, and even life and death.”

If your consciousness is indeed an electromagnetic field, once you have figured out the Lemarchand puzzle box it might just allow ingress into alternate realities existing within parallel universes next door, or that of affecting how others perceive reality. So, If there is anything to these ‘out of the box theories,’ you can be damn sure that the likes of DARPA are looking into such possibilities big time, in order to construct a time machine.

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If you allow your imagination to let rip even further you could imagine the Sampo to look like a hypercube of a tesseract TARDIS, whose eight cubical cells could be symbolically equated with an eight-legged-mare to call Sleipnir, which was trance ridden by the Norse shamanic deity named Odin, as his pony-girl Succubus, of mythic science fiction symbol crunching.

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Suffice to say the Odin research of Uppsala University, was seen by many to be just imaginative science fiction conjecture; yet it had been previously published in Nature and Science. This had come after the initial publishing of their findings back in 23 Skidoo 2003 in which they wrote strong theoretical proof that the Earth’s core assumes the “body” (as they called it), whose structure, despite its high degree of symmetry assumes a surprisingly high level of elastic anisotropy.

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Even though the researchers work had been published in the esteemed scientific journals of Nature and Science they still had an underworld struggle. Many among the scientific community decried them as being insane Cenobites stepping out of another Arkham asylum Lament configuration of an alternate world, whose hellish intent is to shred away long held beliefs that the inner core of the earth is a sphere.

These sceptics rallied forth to rage of a crucifying cry, “the core is an untouchable sphere, consisting of a solid mass with a radius of about 1,200 km, which is mainly made up of iron.”

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However, there are seismic observations, which have revealed a number of very strange things about the Earth’s core. For example, elastic waves pass more rapidly through the Sampo core in a direction, which are parallel to the Earth’s world-column axis of rotation than in those directions parallel to the equator. This phenomenon has not been previously explained. At the hellishly high temperatures, which are at the centre of our planet, they should be passing at the same speed regardless of their direction. So this brings us back to the Odin scientists from Uppsala University who have presented a Sleipnir cube explanation for this Lemarchand’s puzzle box fact.

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The researchers had to of course prove what they were claiming. It appears that they managed to present such evidence, which supports their way of viewing Earth’s internal core as a centred cubic crystal structure at high temperatures. This idea contradicts many other long held theories. But it has both experimental and theoretical support. To support it, the researchers presented simulations of how seismic waves are reproduced in iron under similar conditions to those, which are recorded deep under the Earth’s crust. The result was a difference of about twelve percent depending on their direction, which could be a good enough indication that their theory is more than just a Hellraiser tale.

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“We found that the body-centred cubic structure of iron is the only structure that could correspond to the experimental observations,” says Börje Johansson, professor of condensed-matter theory at Odin’s Uppsala University of the sacred cube.

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Their Sampo cube findings may be of significance for our understanding of the cooling down of the earth, and of the stability of the Earth’s magnetic field. The thermic balance of which is dependent upon the amount of heat stored in Earth’s ‘Hela’ core. This heat is dependent on the crystal structure of the iron in the inner core. The structure would then assume the form of a Sleipnir cube with atoms in each corner of its legs and a further atom in the Lemarchand middle of this cube. It’s orientation is such that allows its great diagonal to be directed along the Earth’s axis of Sampo rotation, whereby making it possible for the iron to generate sound propagations, like the galloping of night-mares with their racing velocities observed.

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“This study opens new perspectives for our understanding of the Earth’s past, present, and future,” says Natalia Skorodumova, a researcher at the Department of Physics and Materials Science. Perhaps the Lemarchand’s cube at the Earth’s Hellraiser core could be of similarity to a hypercube?

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As an associative aside of Hellraiser sorts, Lemarchand hypercubes could be used for the building blocks of future nanocomputers, whose devices of two, three, four, and five dimensions are made of such tiny elements that they are dominated not by forces, that we’re familiar with every day, but by TARDIS quantum properties. As Samuel Lee and Loyd Hook from the University of Oklahoma explained, “microelectronic devices are continually getting smaller and faster, in accordance with Moore’s Law. Already, integrated circuits and transistors are reaching the nanometer scale, although they still operate based on the physical properties on the macro-scale.” True nanoelectronics, the researchers to explain, are not just scaled down microelectronics, but devices, which will be dominated by quantum properties, and will therefore require new architectures and novel structures.

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Lee continued, “Compared to today’s microcomputers, the main advantages of future nanocomputers are higher circuit density, lower power consumption, faster computation speed and more parallel and distributed computing capabilities.” For example, today’s integrated circuits process information in the form of a continual flow of electrons. Nano integrated circuits, however, may process individual electrons, reducing the scale and power consumption. Such circuits would require that nano logic devices are able to count single electrons, as well as the ability for parallel computing, reversibility, locality, and a three-dimensional architecture, and each would be like a quantum computing TARDIS.

What the nantechnology indicates is that a quantum computer doesn’t need to be a single large device, it could otherwise be built from a network of small parts. This has been demonstrated by the researchers from the University of Bristol. As a result, building such a computer would be easier to achieve.

Many groups of research scientists around the world are trying to build a quantum computer to run algorithms, which takes advantage of the strange effects of quantum mechanics such as entanglement and superposition. A quantum computer could solve problems in chemistry by simulating many body quantum systems, or break modern cryptographic schemes by quickly factorising large numbers, which is of course a lead up to creating a sentient artificial intelligence.

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Previous research shows that if a quantum algorithm is to offer an exponential speed-up over classical computing, there must be a large entangled state at some point in the computation and it was widely believed that this translates into requiring a single large device like some monotheistic deity.

In a paper published in the Proceedings of the Royal Society A, Dr Steve Brierley of Bristol’s School of Mathematics and colleagues indicate, that this is in fact not the case. A network of small quantum computers can implement any quantum algorithm with a small overhead, such can be likened to that of separate autonomous entities, which are all interlinked by what can be symbolically equated to a vast web emanating from a tree with many branches and roots, of a mainframe.

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The key breakthrough was learning how to efficiently move quantum data between the many sites without causing a collision or destroying the delicate superposition needed in the computation. Should the universe be working along the same lines, since science merely rediscovers what nature is already doing, you could otherwise see these sites as being that of planets, galaxies or that of other universes, which are part of a vast communication network. This allows the different sites or worlds to communicate with each other during the computation in much the same way a parallel classical computer would do.

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The Bristol chaos magicians relate of scientific terminology: “We have shown how the addition of a few long-range (or flying) qubits dramatically increases the power of a distributed quantum computer. Using only O(logN) connections per node enables efficient sorting over the hypercube. A distributed quantum computer with nodes connected according to the hypercube graph would be able to emulate arbitrary quantum circuits with only O(log2 N) overhead. One might expect that a quantum computer requires O(N) connections per node so that each qubit can potentially interact with any other qubit. Our result demonstrates that this is not the case: for a small overhead O(logN) connections suffice.”

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All of this brings us to Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, who discovered that certain string theory, super-symmetrical  equations, which describe the fundamental nature of the universe and reality, contain embedded computer codes.

These codes are digital data in the form of (white/birth/Alpha) 1′s and (black/death/Omega) 0′s. Not only that, these codes are the same as what make dapple ‘Grey’ Sleipnir Wyrd-web browsers work and are error-correction codes! Gates says, “We have no idea what these ‘things’ are doing there.”

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According to The Heyoka sage Douglas Adams, millions of years ago there was a race of hyperintelligent pandimensional beings who wanted to know about the meaning of life. To settle the issue they built a “stupendous super computer which was so amazingly intelligent that even before the data banks had been connected up it had started from ‘I think therefore I am’ and got as far as the existence of rice pudding and income tax before anyone managed to turn it off…” Well, not before it revealed the meaning of life as being the number 42.

It just so happens that Molybdenum, which is a chemical element with the symbol Mo has the atomic number 42. Scientists have found that molybdenum when used in the latest nano-computing technology can exponentially increase… ‘computing speed.’ Perhaps, Adams had intuitively tuned into a signal from the past or future, or both of a recurring Ouroboros?

The mathematical physicist and cosmologist Frank Tipler who is known for the cylinder time machine, has put forth a theory that in the far distant future there will be an Omega point of a technological convergence encompassing the entire universe; whereby transforming it into a computer. In general, Tipler postulates that a future computer technology will become so advanced that a future civilisation will be able to create simulated universes within which their ancestors will be raised from out of the realm of ‘Hela’ back into existence.

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The thing is, it may have already happened; if so, you are presently existing within an eternally recurring simulated universe without realising it, apart from finding a Lemarchand cube at the centre of the Earth, along with embedded computer codes in string theory. Such a simulated universe and that of others would also be utilised for time travelling.

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Perhaps Odin, who be a Hitchkiher shaman Guide of the multiverse world tree called Yggdrassill, had figured out how to hypnagogic trance access the underlying programming of a simulated universe via his informational dreams to Sleipnir browse, when to ride his conjured pony-girl of a night-mare Succubus, as his time machine. However, whatever Odin accessed, he communicated symbolically of organic symbolism rather than that of the abstract mathematics of Dr John C. Lilly’s trance usage of the Brownian Operator.

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Shamans communicate symbolically because it is the language form of the electron dream, which can be seen as being a symbolic interface, like that of a virtual reality. The symbolic interface of the dream allows a lucid dreamer to consciously interact with the abstract informational domain of mathematics, when to interact with certain symbolic stimuli; such as conjuring up Succubae, who can be seen as being sentient programs.

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It is somewhat akin to you clicking a symbolic (seal) icon on your ‘deep thought’ (cube) computer (dream) screen in order to browse (conjure) a (Succubus) program to find out what exactly is your ‘atomic number’ as a ‘carbon’ based life-form; but you won’t like it.

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Whereupon you have a horned shaman of a programmer seated upon a Lemarchand cube of an eight-legged-mare, which is depicted in the Tarot card XV, to castigate as a Hellraiser Devil. But only because he has mastery over the Matrix, the Hindu’s to call Maya.

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GANDALF THE GREY CONJURES GOETIA GIRL LEIRAIKHA TAURIEL

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 11, 2014 by FAUSTUS CROW

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By this Crow feathered quill I do write down my conjuration of a Succubus. I had summoned this Succubus from out of her planetary sphere abode, in the ongoing war against Sauron; he seeks to initiate a fascist New-World-Order over the entirety of Middle-Earth, whose burning Orwellian eye of Mordor technology sired Overwatch Systems, observing all, so as to control.

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The author J. R. R Tolkien to have said, that he loathed allegory. But reality has a tendency to reflect art; while history does repeat its self, of many a repeating war; one of which forged Tolkein’s ring out of Múspell’s volcanic fields of Surtr conflict, from whence the slaughtered innocents were received by Hela. Wherefore of a repeat, the warmongering patriarchal Wraiths of Sauron have set about establishing their base of Mordor operations in the Ozarks, under which they have created a vast underground Orc city, along with a towered fortress. This fortress be Shemhamphorasch large of 72,000 square-foot, larger than the Whitehouse, within which Saruman now resides as Sauron’s shadow government ally.

As to who be writing this telling, my humble name is Gandalf. But I am known by many another name of archetypal lineage, to be also named as Odqan by the Altaic shamans of Southern Siberia, Odin by the Norse, Woden by the Saxon’s; Wotan and Votan I be named by the Germanic tribes, Mercurius by the Gauls, and Myrddin by the ancient British, the Norman’s to otherwise name me as Merlin.

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Whereupon the 72 Shemhamphorasch Fusion Centers across America are on the look out for my name of Gandalf to damn as their Devil. But as a horned shaman of myth, I cannot be silenced; for as an idea, it has an archetypal life of its own to become cinematic.

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Alas for the European and those peoples of the Turkic steppe, unto some parts of Siberia, have quite forgotten their own ancestral-self-identities long ago.

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Thereby entirely losing their shamanic legacy; whence I am now remembered as quaint Father Christmas, and Santa Claus of a Saint Nicholas, or that of being castigated as the Devil, to call Old Nick.

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Although, of modern shaman guise I have assumed the science fiction mantle of Dr Who, whom be of many guises like myself, whose Project Pegasus time machine of a policing TARDIS, was once that of my eight-legged-mare called Sleipnir, when I rode her as Odin, travelling the multiverse world tree of Yggdrassill. Whereas, as Gandalf, Sleipnir is otherwise named, Shadowfax of gender change.

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I decided to conjure The Fourteenth Succubus of the Goetia, who is called Leiraikha, to thence battle against Sauron’s Orwellian intent. She is otherwise known as Leraie, Loray, Oray, alias Tauriel. She is a great Marchioness of the ninth planetary sphere Elven guard, who be a daughter of the elder Mirkwood forests of this world, which have not as yet been destroyed by the hand of Sauron’s corporate greed.

She showed herself unto my third eye vision of Pan returned, in the bio-photon likeness of a Silvan Elf archer, clad in green, carrying a mind bow and a memory quiver. By her Alb seal I did conjure this Elfin Valkyrie, whom of elder Druden lore, her kin of Sol light Elves and the Luna dark Elf Dwarves were originally all female. These Elven Succubae do inspire those whom dream, to dream harder, to thence inner sight drink of Mimir’s well, remembering.

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She engages herself in battles, who putrefies all such wounds as are made with her Elf shot, which to only heal when the enemy disavows themselves from their dark path. This belongeth unto Sagittary: “Quos optimos objicit tribus diebus;” meaning, “who best drives away mobs from the days.” Whence, she drives away those malign enemies of her master, and she has regiment over thirty legions of Elfin Succubae, both light and dark.

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Another source, who be that of a most beautiful Hebrew sorceress going by the name, Evangelina Līlītu, whom be a bearer of good news, in these dark days of George Orwell’s prophecy, says of this Marchioness, head of the Succubae Elven guard: “She’s slightly reckless and totally ruthless and doesn’t hesitate to kill the Orc intentions of Sauron, whom seeks to ravage Middle-Earth.”

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Līlītu  also describes Leiraikha as being a nonconformist, explaining that, “as a result of her relative youth among Elves, she is brash and impulsive, tending to rebel against the hierarchal feudal order of the Elves.” Līlītu further explains of visionary conjuration, “She’s only 600 years old, she’s just a baby. So she’s a bit more impulsive, and she’s a bit more immature. I think she’s more easily romanticized by a lot of things.” However, she also has a, “softer side”, and she greatly loves her master, wherefore stirring erotic lucid dreams via which she, as his girl-guide, guides him into an alternate reality of a Middle-Earth, of whose realm, Tolkein to have vividly triangle of art described.

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Leiraikha is also described by Līlītu  as having knee-length red ochre hair, whose Elven ears are larger than other Elves. In terms of clothing, unlike those female Elves who are often depicted as noblewomen, wearing complex formal gowns, Leiraikha is a border guard and soldier, and therefore wears more pragmatic Elven military garb. She is proficient in a variety of weapons, but mainly wields a long bow of the mind, whose arrows are as thought; along with wielding two Wiccan Athames of Moon and Sun inlaid handles, black and white, becoming as the hypnagogic grey, of twilight trance testing, of your Panic.

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