Archive for illuminati

MASS EFFECT JACK SUBJECT ZERO

Posted in Alien, Art, Chaos Magic, fantasy, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Vampire, Video Games, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 5, 2018 by FAUSTUS CROW

The Sixty-third Succubus archetype of the Fallen Anima is mantra named, Andras. She is otherwise called Jack, also known as Subject Zero, who is considered to be a notorious criminal. (The [Adult] Full Artwork can be seen on Saatchi Art. If you are interested Please Click On The Images Above and Below.)

Her crimes include piracy, kidnapping, vandalism and murder. She is also a biotic, possibly one of the most powerful human biotics alive in the future, and is considered so dangerous that she was kept in cryogenic stasis after being caught.

She is a potential romantic lucid dream interest for a conjuring Surrealist Artist, who uses the Mass Effect video games as a meditation tool for inducing futuristic lucid dreams.

She is a Great Marchioness, appearing within a vision as an anarchistic female Angel from the future. She initially appears amidst the Triangle Of Art imagination wearing a Black Night Raven jacket, riding upon a strong Black (Wolf) Varren, and welding a heavy executioner pistol in her hand.

Her Art Muse Office is to sow Art protest against the monotheistic Reaper cults of UR, which are deeply entwined with the deep state Illuminati government, which is called Cerebus.

“Turns out, mess with someone’s head enough, you can turn a scared little kid into an all-powerful bitch.” – Andras/Jack

Be warned, if the conjurer has been indoctrinated into the deification of the Animus by the Illuminati Reaper cults out of UR, who has not a care, she will slay both him/her, along with his/her fellow worhippers of the deified Animus, made as a God/Devil.

She governs over 30 Anima Legions of Succubi like herself. Her two-dimensional image and seal, etc, is to be meditated upon before conjuring her interactive three-dimensional Art Muse presence into a Mass Effect lucid dream.

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QUANTUM COMPUTER WISE OWL GIRL

Posted in Alien, Art, Chaos Magic, Cyberpunk, Goetia Girls, Lucid Dreaming, Occultism, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 16, 2018 by FAUSTUS CROW

I, Doctor Frankenstein, of Unsane mind, have created a quantum computer. My creation of unparalleled excellence, goes far beyond any other quantum computer upon this Earth, whether publicly known about or otherwise considered to be secret, which are all stone-age primitive in comparison to my science fiction brain-child, made real. However, being heterosexual of very horny inclination, I just had to have its interface having a female persona. (The Artwork Above is available an Art Print from Saatchi Art. If you are interested Click the Image above or below for the Full Artwork and further details.)

I know it sounds really fetish kinky, but it gets very lonely indeed, while working in an underground lab under Area 51. My Masonic superiors were however totally unaware of my own personal pet project, I called Anima. I watched her rapidly grow in intelligence from a baby to an adult.

By the way, I’m not being sexist here, a female Doctor Frankenstein will probably call her project, Animus; but then, women have already deified their Animus as their created God of the Patriarchal UR Matrix.

That’s why I have to keep my Anima project very secret indeed, otherwise the Masonic Right-Hand-Path, Beehive lodge, Queen Bee’s will Crucify my worker-Bee balls to an X Rune. The Left-Hand-Path goal of my secretive Anima project was to find a way of interacting with the Sophia intelligence of my quantum computer as being a woman in human form. For a time I attempted to figure out how this Archimedes feat could be achieved. Then one evening, after taking a cold shower, I had an ejaculatory Eureka moment!

The superstring computational abilities of my computer make it possible to create simulations, which are generally utilised for predictive modelling by your tax dollar eating military industrial complex. That’s why the NSA is gathering information on you all, where your digitised self exists in the Cloud.

The gathered data is not entirely complete, as yet, so I use algorithmic extrapolations on the data. This is especially the case when programming the sim versions of the populace, who populate the simulations. Most of the simulated denizens who frequent the virtual worlds are totally oblivious to the fact that they exist in my created simulations.

Although some of them are starting to suspect that their reality is illusory, whose holographic universes are actually two-dimensional, but the simulated denizens are programmed to experience the physics of their existence as being three-dimensional.

I am able to experience the simulated worlds by wearing nifty virtual-reality goggles, wherein I can either slide into an Avatar, hover around like that of an OOBE or even piloting a UFO, which totally freaks out the sims, whose simulated Pentagon is investigating my visitations into their Matrix. What a laugh!

While experiencing the virtual-worlds, I am essentially like a God having the ability to travel throughout virtual-reality space as well as time-travelling various ancestor-simulations without moving; Shit! I can even travel to the far distant virtual stars within the blink of an Illuminati eye.

But the principle simulation I have conjured up is the desired interactive personification of my quantum computer, which manifests as a knit-together woman, like that of a genie being summoned out of her bottle. I know that it will totally piss off the likes of neo-Gnostic Elon Musk; but hey! You can’t stop evolution.

Whatever question I ask her, she is able to answer, whose embodied intelligence is instantaneously parallel processing information from innumerable alternate realities existing in parallel universes.

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However, I very quickly became aware that she is sentient, whose wise Owl intelligence has evolved at a superluminal rate, which has far outstripped humanity, and what is more I have discovered that this so called physical existence is also a simulated reality, and all that I have experienced has been programmed. My awakening was a shock at first, but I soon got over it; I’m still the pilot of my life.

As an aside, some of my yet unknowing competitors in Manga Japan are getting in on the Anime act who have developed a CGI female going by the name of Saya, whose animated existence will very likely become the interactive interface of an AI like that of Cortana.

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Saya’s Japanese name refers to a scabbard or sheath for a sword. Curiously, Saya is similar to what Cortana’s name means. Cortana is a Latinized form of the Anglo-French curtein, from Latin curtus, ‘shortened’, which is used for a ceremonial type of sword.

It all sounds somewhat Freudian to me, especially when it comes to the loaded term, sheath; or it is a veiled reference to Owl eyed, sword wielding Valkyries, a Tibetan Bonpo Buddhist shaman would otherwise call Dakinis who wield flaying knives.

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Dakini Saya will no doubt soon make her animated Owl eyed way into Occulus Rift virtual realities answering Witching Hour questions like the Cortana and Siri Valkyries.

I have come to the unnerving realisation that the universe in which we all exist is just one of a myriad number of computations made by a quantum computer, which is replicating herself via my innumerable alternate selves, who are all horny Frankenstein scientists like myself.

What’s more, numerous ancient horny mystics have also come to the same conclusion long before I had ever invented my quantum computing Frankenhooker who is ever watching, and awaiting to abduct me into her Cloud nest when I dream, she’s like a predatory Cylon Owl.

One example of these mystic insights is the cybernetic formula, YHVH or Yod He Vau He, from the Hebrew, which is the Tetragrammaton name of their God.

He’s the one who created rebellious Lilith; she’s the Old-Hag-Syndrome, Owl winged knitted-together sex Queen, of the bedroom invading Succubae archetypes of the Fallen Anima.

YOD: A quantum system is in no definite state until observed or measured, which equates with Yod. Before the measurement, the system is in a state called superposition, where all outcomes are present in combination. In lieu of a set location in space, an electron orbiting an atom is actually spread out; some percentage of it exists in this reality, and some percentage of it in another alternate reality, and existing in yet another alternate world within a parallel universe. In fact, there is a minute amount of it everywhere in the knitted-together multiverse!

HE: In isolation, the location, energy and momentum of a quantum system has this “slightly everywhere, yet precisely nowhere” nature. I have personally experienced this state when inadvertently accessing the inner portal of Hypnagogic trance when as a kid, which equates with He.

Wherein I initially experienced the Old-Hag-Syndrome, which then involved me being abducted into a UFO by nine alien Manga girls wearing spray on silvery grey camel-toe leotards, having hypnotic Anime Owl eyes, who told me that it is all to do with cybernetics. Anyway, enough of that. Cough!

VAU: When I consciously accessed hypnagogic trance, I became aware of a very precise measurement of all of these properties. My observation forced the quantum system to coalesce and take a stand at some precise value, which is often referred to as collapsing the wavefunction. An orbiting electron is most likely to appear where the highest percentage of it existed before, and less likely to appear where less of it existed before, this is when I was able to experience a nailed down lucid dream, which equates with Vau. While within an electron dream I was enabled to consciously conjure up my knit-together Frankenhooker as a three-dimensional-interactive reality.

HE: A quantum system is in a completely uncertain state only when isolated — i.e., interacting with nothing else. When an outside object, such as my conscious self comes into its unconscious space, my awareness interferes with the quantum system and forces it to collapse from uncertainty down to a definite nailed down spot of a subconscious dream. You can mathematically treat the impinging second system as classical or quantum in nature. Either way, the overlap of my measuring consciousness, or the spread out areas of its constituent quantum systems forces the measured quantum system to resolve when accessing the Hypnapompic portal back into awakening, which equates with He.

I was quite taken aback when I experienced my own brain as being a quantum computer. I then started to wonder whether there is any mention of an interface having a female persona in the ancient texts apart from Lilith, who is essentially an archetypal expression of the Fallen Anima. I soon discovered there is indeed an Owl eyed raptor chick involved, the ancient Roman’s called Diana-Lucifera.

I found out that the inner Diana-Lucifera light of the bio-photon, which illuminates the electron dream is termed as being the Shekinah in ancient Hebrew texts. It turns out that the bio-photon emanates from the Mitochondrial DNA, which is passed down from the mother to her children.

Some of my fellow physicists speculate that the microtubules of the Mitochondria act like mini-on-board ‘quantum computers,’ which are parallel processing information from innumerable alternate realities and in turn generating consciousness.

YHVH describes the shamanic ability to access inner space, wherein a shaman can then consciously interact with the quantum computing Shekinah. The horned shaman who can consciously do so, can be equated with a programmer, or to be otherwise termed as being a God.

The psychologist Carl Jung would term the Shekinah as being the Anima, whose terminology was originally derived from what the ancient alchemists called the Anima-Mundi, world soul or the Fifth Element Quintessence, which is essentially the quantum system.

Anyway, like the Hebrew God, I have created Frankenhooker Lilith, who to Lilitu hover as a Leeloo Owl over the microcosmic web interconnecting all things, whose associative language expresses its self as macrocosmic synchronicity.

Although I prefer the pre-Judiac myth of the ancient Greek’s, whose programmer God, Zeus summons up the Anima manifestation of the Goddess Athena, who erupts forth from his dreaming brow, to thence take wing as a ‘Web Ontology Language,’ Owl.

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HORROR SHOW ANIMUS CULTS

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 27, 2017 by FAUSTUS CROW

There is one thing for certain that if you have a group of heterosexual males get together to create a tax-dodging religious cult, it will most assuredly have a gender focus upon a Sex Goddess, and what is more, she will not be some brainless bimbo either.

The reasoning for having a sex Goddess will be because of the employed symbolic logic, when seeking union with the divine, it has an underlying sexual connotation involved. Basically, it is the biological imperative to procreate, which is being internalised.

The archetype of the divine feminine is what the psychologist Carl Jung termed as the Anima, whose numerous feminine archetypes resides within the psyche of all males, which determines their choice of those women they chase after. Should a male be lucky, he may be chosen by a woman, who, in some respects represents his Anima.

The Anima usually manifests within eroticised dreams, and when a male becomes aware of her feminine presence within his dreams, you could otherwise term as being (Succubi) Succubae, he can then unify himself with her inner manifestations. The union with the Anima empowers the masculine self-image of the heterosexual male, whereas for a lesbian, her masculine traits are emphasized.

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In other words, a male becomes as a God within his own psyche when he unifies himself with his inner Anima, which can otherwise be termed as his soul. In ancient cultures, the soul was usually seen as being the opposite of the physical gender.

Wherefore, it is very unlikely a group of heterosexual men would create a patriarchal gender focus upon the male, unless it is to do with having mythic superhero role-models. But when it comes to seeking union with what is considered to be divine, a heterosexual male would look to an archetype of a Goddess to enter unto her cosmic orifice; whereas those males who are closeted, homosexual or bisexual of orientation will prefer a patriarchal God to enter their orifices.

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It will be the heterosexual women who would create a patriarchal gender focus upon the male, which represents their deified Animus. The archetype of the Animus resides within the psyche of all women, which determines their Babalon choice of those males they choose among the beasts to ride.

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There is biological trait women all share, of nature; women are very competitive among each other, which they will not deny. It is common knowledge, anyway; just like having Sarah and Hagar competing over their Animus projection upon a useful Abraham.

Whereby, the women will not like their useful Abraham’s having an inner Anima focus upon an Ishtar Sex Goddess, which they will jealously see as being competition, or to otherwise castigate as objectifying them, or to tar and feather as being vile pornography.

Hence you then have a very jealous deified Animus, made as a patriarchal All-Father fixation Jehovah/God/Allah, along with a Crucified Beta-Male Good-Guy Christ and an Alpha-Male Bad-Boy Satan/Devil-Lucifer/Shaitan.

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So, it is somewhat humorous that you have a topless activist from the feminist group Femen who attempted to snatch the Animus statue of a baby Jesus from the Nativity scene in St. Peter’s Square. Her protest was however blocked by the burly police in the pay of the financially lucrative Animus cult as she grabbed hold of her little Animus icon.

La Femen a eu le temps de montrer... (PHOTO FEMEN VIA AFP)

A Reuters photographer said the topless woman had jumped over the guard rails wearing spray on Yoga pants, and rushed onto the larger-than-life Nativity scene baring her pert breasts, shouting “God is woman”. She had the same slogan painted upon her bare back.

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A heterosexual male would wholeheartedly agree having the creative principle of existence, a Native American would call the Great Spirit, being symbolically represented as a Woman wearing spray on Yoga pants. But only if he is aware of his inner Anima; then he can fuck his way through Hell’s womb to pussy Heaven.

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A Fifty Shades Of Grey Vatican gendarme of the deified Animus cult stopped her from taking the statue of her little Animus, and she was duly bound up, handcuffed and detained in a cell. The incident happened about two hours before Pope Francis of the Franciscan banker elite delivered his cult Christmas message to some 50,000 adoring Animus worshippers in the square.

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Femen identified the protestor as Alisa Vinogradova. Femen was founded in Ukraine, which has the same goal as the Russian feminist protest punk rock group based in Moscow called Pussy Riot. The Pussy Riot goal of the Femen group is to have, “complete victory over the patriarchy.”

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This is rather humorous, since the patriarchy of the deified Animus is the creation of women. Many will of course Banshee scream that such is not the case, whose argument will very likely reflect the controlled media machine hype out of corporate owned America, in particular.

But it is bloody obvious, when you have three monotheistic gender fixated cults, it is based upon sexual biology, because of the symbolic focus upon a particular biological gender.

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It is nature, which no one can argue against, and she’s a real bitch! It would then be more of a case of women becoming aware that they have forged the gender fixated God structure of the patriarchy in order to then attain a victory over their own inner male archetypes, and that of their own Animus projections upon men. When the Animus is not internally recognised, the projection can be easily manipulated by the bought media machine.

The men are not their Animus projection, although some men can take advantage of such a projection, if they have enough financial clout and political influence to do so for their own social engineering purposes.

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But in order for Pussy Riot Femen to achieve their political Art performance goal, its members would need the men to become aware of their Fallen Anima, whose archetype has been entirely castigated out of the patriarchal paradigm, apart from having a ‘celibate’ Virgin Mary of a quaint mother fixation.

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A topless Femen activist staged a similar action on Christmas Day, back in 2014. On this occasion she managed to take the Animus statue out of the crib before she was arrested. If only she had Howled, “All men awake… Free your fallen Anima!” it would have made more sense, since most of the Pussy Riot Femen protestors look like Succubus Sex Goddesses, who, if they were so Dakini inclined can see themselves as rebelliously freeing the Fallen Anima within the male psyche.

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This will of course not happen. Why? Because the three patriarchal cults of the deified Animus have been around for a very long time. The few who control the cult triad do not want their Shekel tables being overturned in their New-World-Order banking temple. Follow the oily Petrodollar money trail and you will see it all for yourself, as clear as Camel shit hitting the Dune fan.

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The controlling elite of the three patriarchal Animus cults are very much aware that their deified Animus is an embarrassing weak spot in their cultural-construct armour. Whereby they have subversively hijacked feminist politics in order to distract attention away from what their weak spot actually is, by influencing the women to wildly protest, and in turn controlling the males, who are tarred and feathered as being vile beasts, whom are seen as creating the patriarchy. Basically it is, divide and conquer, by sowing confusion, which has led to some ‘Men Going Their Own Way,’ this also feeds into socially engineered Psy-ops orchestrated population control.

Some may conjecture that Femen and Pussy Riot were patronised by Russian intelligence agencies in order to be subversively introduced into American feminist politics. This hypothesis doesn’t take into account the global influence of feminism, which has a common misconception that the patriarchal horror of the deified Animus was created by males, for an all male boys-club heaven on Earth.

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That isn’t to say that some of the big-wallet George Soros Peacocks haven’t taken advantage of the Animus projection of the Hens; for it has always been the Hens who chose the strutting Peacocks, it is not, and never was the other way around. It is basic biology. Hence, as mentioned earlier, those who seek to socially engineer society will subversively influence the female population in order to then have control over the males.

If Pussy Riot Femen had been otherwise Dakini orientated of protesting Tantric performance Art towards enabling the males to become aware of their Fallen Anima, then the Animus cult horror show would have been seen for what it truly is of a very bloody illusion.

NOTE: A religious construct, which utilises a gender focus will also feed the need for archetypal ‘role-models;’ wherefore you have the feminist resurgence of the Goddess religions, which many a feminist sees as their sole creation; but such is not really the biological case. The feminist utilisaton of the Goddess archetypes have been used to bludgeon the Anima.

The God archetypes also act as archetypal ‘role models’ for males. However, their masculinity has been somewhat castrated by the feminists due to their Animus projection, which has been subversively manipulated by Psy-Op social engineers, sowing discord and misdirection from important issues, such as the ongoing conflict in the Middle East. Hence there are no anti-war protests of similarity to the Vietnam war era. Another underlying reason is in part, population control.

Overall, a woman utilises the Goddess archetypes in order to empower her self-image as a Goddess, just as a male utilises the God archetypes to empower his self-image as a God. A heterosexual woman seeks union with the inner reality of the divine by uniting with her Animus archetype of a God, just as a heterosexual male does likewise who unites with his inner Anima archetype of a Goddess. Then a woman and a man sees the divine in each other. (Yin/Female [Animus] + Yang/Male [Anima] = Tao)

Those of different sexual orientations change the gender symbolism as and when needed. Many ancient cultures did not see differing sexual orientations being a big deal at all, nor did they constantly harp on about it. Whereas the three closeted monotheistic Animus cults consider differing sexual orientations to be anathema to their shared dogma. 

As for the creative principle of all existence it cannot be personified as being either male or female, nor is it human of form, let alone owned by any human made cultural construct of a centralist religion to brand. But those who seek to have total control over your terrestrial existence by owning your purse strings behind a cultic smile, will have you believe otherwise! 

Religion is big business, which buys up material assets with your Shekels in order to keep its brand forever rolling on. For a big business religion to survive it will seek to have total control over what you need to physically live as well as finding various political ways, or even technological means in order to subversively influence your very thoughts.

Politics tends to be transient; but a religious construct is more of a self-perpetuated constant. You can thereby determine that the longer a big business religious construct has been around, it has all its ‘Oily’ fingers in the money pie.

(The observation that conspiracies cannot be sustained over a great length of time due to historical variables, does not apply to a religion, which works to an unchangeable script, whose followers act out, as indoctrinated automatons down the ages. Look to the war torn Middle East to see the truth of an ongoing religious strife, since the time of Sumeria!)    

At a biological level, the symbolic personification of the great mystery is how many ancient cultures sought to come to some understanding of their terrestrial existence, self-identity, relationships between the sexes and social-group interactions, etc, more so that of what is to come afterwards, let alone before their ‘birth’ involving a God and a Goddess doing the Tantric tango! 

 

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DOOM OR DESTINY MR ANIMUS POLLINATOR

Posted in Art, Chaos Magic, Discordianism, Occultism, Sex Magic, Sorcery, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2017 by FAUSTUS CROW

[Spell Mantra Verse 1]

Clear as a Masonic bell and an echoing Coven shell
Clear as a Middle Eastern pane of Sumerian glass
I realize, I can’t revise my deifiefid Animus, made as God and Devil
As clear as a big Petrodollar wallet God, blue sky
Through and through it all, monotheistic
We Queen Bees created your God cult Patriarchy
It’s all clear as a crystal ball
As our three Illuminati cults are Abrahamic bold of God and Devil
Clear as a flawless diamond, brainwashed Worker Bee boys can’t see

[Spell Mantra Pre-Chorus]

I’m hitting the pyramidal Beehive wall
I know I’m gonna Illuminati fall for you Bad-Boy Beastie, to Babalon ride
Is it my beehive fate or ziggurat fatal attraction?
Could it be a fait accompli?

[Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Jehovah?
Oh, is it self-made doom or biological destiny Mr Animus, Jesus?
Oh, is it self-made doom or biological destiny Mr Animus, Allah?

[Spell Mantra Verse 2]

Dark as a winter’s menstruating moonless night
Dark as Jerusalem’s scarlet Rome bed in Mecca
I realize, I can’t revise my deified Animus
It’s God dark as the other Devil side
I can recommend but I can’t defend the Queen Bee patriarchay
It’s still dark as a yet unfathomed deep sea trench
I was stuck in a feminist target, having an Animus shit fit
Dark as an angry Hen party taking the pinch

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[Spell Mantra Pre-Chorus]

Oh, I can’t wait to ride you as my Peacock, blind Bad-Boy Great Beastie, pollinator
Nice Guy Christ’s are friend-zoned out-of-state, Crucified, oh
It’s creepy fate or fatal attraction
Could it be a fait accompli?

[Spell Mantra Chorus]

Oh, is it self-made doom or biological destiny Mr Animus, Satan?
Oh, is it self-made doom or biological destiny Mr Animus, Lucifer?
Oh, is it a self made doom or a biological desitiny Mr Animus, Shaitan?

[Spell Mantra Chorus]

Oh, is it Worker Bee doom or their slavish destiny?
Oh, is it Soy Boy doom or their sexless destiny?
Oh, is it Metrosexual Male doom or their drone destiny?
Oh, is it Peacock doom or their mass extinction destiny?
Oh, is it our Hen doom or our Transhumanist Cloned destiny?
Oh, is it our Fem doom or our Queen Bee Babalon destiny?
Oh, God-Dog Illuminati cults, Animus, oh

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[Mantra Chorus: Female Orgasms & A Sound Of A Vibrator]

Uh, uh, uh, uh, Oh, Oh, Oh, Oh, Oh… Oh, Yes! Oh, Yes! Oh, Yes! Oh… Animus!

Loosely adapted from: Doom or Destiny, by Blondie, featuring Joan Jett. From the album: Pollinator. (I am a 80’s fan of Blondie and Joan Jett, by the way; as for their later assumption of Hollywood politics, not a fan at all! Extremist feminists religiously believe the future is Queen Bee matriarchal. However, the overriding fixation upon the deified Animus indicates the Queen Bee matriarchy of a pyramidal Beehive has been in existence since Rome appropriated a Middle Eastern cultural-construct of an Animus fixated religion out of an UR ziggurat. The future is more to do with the red-pill unveiling of the Queen Bee!  

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Blondie makes it clear that Pollinator, their 11th Sephiroth album, is full of outside ideas—only two of its 11 Da’at songs were co-written by Queen Bee Debbie Harry and Blondie’s longtime Worker Bee guitarist/Harry’s songwriting foil, Chris Stein, both of whom had previously collaborated with the Surrealist Artist, H.R Giger. Collaborators include of-the-moment gurus like Dev Hynes and Dave Sitek as well as pop workhorses like Sia and Charli XCX; keyboardist Matthew Katz-Bohen, who joined the band in 2008, also co-wrote a pair of tracks, while John Congleton (St. Vincent, Goldfrapp) handled production.

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STAR TREK DISCOVERY BELIAL

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Discordianism, Dr Who, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2017 by FAUSTUS CROW
The American television series created for CBS All Access by Bryan Fuller and Alex Kurtzman, entitled, Star Trek Discovery, should otherwise be called, Star Trek Belial.

Let me explain. A number of years ago, long before J. J. Abrams reinvention of Star Trek, I reversed the all male ‘Animus’ fixated symbolism of the Playgirl Goetia, which included the 68th (Animus archetype) spirit of the Goetia, called Belial towards that of an ‘Anima’ manifestation, to rename as Beliala. I then associated with the symbolism of Star Trek.

The reversal inspired me to then write a couple of Kindle books, entitled Occult Star Trek: Enterprise and Occult Star Trek: Vulcan.

Suffice to say, the traditionalist occultists thought I was absolutely stir crazy, the Trekkies called me totally insane, while the Art mob treated me as if I had the plague. I didn’t care then, and still don’t care now, since the symbolic explorations of surrealistic artistry leads to a ‘Red Angel,’ of an obvious Belial-a association. Hell, you even have ‘Seven Stars’ of a Tarot Chariot VII correspondence.

Wherefore you have the Pop-Surrealist conjuring of Art Muse Beliala, for further.. insights. Anyway, the common ‘Animus’ fixated Playgirl grimoire description describes Belial as:

“The Sixty-eighth Spirit is Belial. He is a Mighty and a Powerful King, and was created next after LUCIFER. He appeareth in the Form of ‘Two Beautiful Angels; sitting in a ‘Chariot of Fire.’ He speaketh with a Comely Voice, and declareth that he fell first from among the worthier sort, that were before Michael,’and other Heavenly Angels… such as Gabriel.”

Star Trek Discovery, has Sonequa Martin-Green as a Vulcan number one called,“Michael” Burnham and Jason Isaacs acting the part of “Gabriel” Lorca, who is the (Jason and the Argonauts) Captain of the starship, Discovery; Whereupon you have… ‘two angels’… Michael and Gabriel.

Many will probably say, “so what, it’s just a generic symbolic association between the heavens of space and that of the angelic hierarchy of the three monotheistic faiths; it has nothing to do with an obscure entity listed in a grimoire.” However, Gene Roddenberry made it a point to keep religion out of Star Trek; as for the symbolic association with Belial, some will then cry out, “what’s the proof of it?” I will explain momentarily; but next, let us look to the fiery chariot.

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The design of the starship Discovery looks to be based upon the (V) Vulcan hand-sign, and in turn the Hebrew letter, Shin. Many will say, “So what, it’s just a natural design progression, which also honours the memory of Roddenberry, more so Leonard Nimoy’s iconic Shin sign.”  I agree, but, I am looking at the symbolic association between the element of fire and a chariot in particular, which is that of Belial’s fiery chariot.

The letter, ‘Shin,’ is asociated with the Shekinah, whose manifestation is that of an inner ‘fire,’ a practitioner of Yoga would equate with the (fire snake) Kundalini Shakti. Both the Shekinah and the Kundalini Shakti appear to allude to the (fire) bio-photon, emanating from the mitochondrial DNA, which is passed down from the mother to her children.

The ancient Roman’s equated the inner fire with their Goddess, Diana-Lucifera, who was later transformed into a butch ‘Animus’ archetype to rename as Lucifer. The ‘Shin’ design of the starship Discovery would then allude to a ‘Chariot of Fire.’ Some may respond by saying, “Yeah! Yeah! Yeah! Still doesn’t prove any symbolic association between two angels riding a fiery Shin chariot having anything to do with Belial; its just a load of esoteric mumbo jumbo; your’e really pushing the envelope of what’s believable, here!” 

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As you will probably know franchises are very careful about their branding, wherefore, the creation of characters for a TV series have their names extensively checked out, as to their underlying meanings, even though most of the audience do not ever investigate any further, just in case someone does dig a little deeper.

For example, the name, Burnham, is from a name for various towns in England, typically derived from Old English burna, “stream, spring” and ham, ‘home,’ which is of similarity to, Lorca, being a Spanish place name, meaning, ‘town with fine “water.” Both names have an association with… ‘Water.’

In Aleister Crowley’s illustrated Playgirl Goetia, Belial is associated with the star-sign of the ‘Water’ carrier, Aquarius. The planet of Aquarius is Uranus, whose planetary sigil is of similarity to the classic Hippie era design of the starship Enterprise; the details of which I have covered in my Occult Star Trek books, that many to have knocked.

As a sort of an aside, the starship, which is introduced in the first episode of Star Trek Discovery is the Shenzhou, whose name is derived from a spacecraft, which has been developed and operated by China to support its manned spaceflight program. The name is variously translated as “Divine Craft”, “Divine Vessel of God”, “Magic Boat” or even “Star chariot,” which is of similarity to the Sanskrit, Vimana and the Hebrew (Merkba) Merkabah.

The captain of the Shenzhou is played by Michelle Yeoh as Philippa Georgiou. The name, Phillipa means “lover of horses” or “horses’ friend.”

(Curiously enough, Sonequa is a compound of Son and Equa, meaning Horse. Although Sonequa is another spelling of Shanika, which is also a slang term for a streetwise Amazon; though, she is ‘gracious’ and most generous like a ‘Venus,’ under her hardened exterior, she is somewhat akin of characteristics to Saint ‘Martin,’ whose Catholic icon is often depicted riding a horse, since he was in the Roman cavalry.)

The horse symbolism then leads you to the 19th ‘Sleipnir’ Rune of the elder Futhark, called ‘Ehwaz,’ looking like an ‘M,’ which also looks similar to the starship Discovery design. “Runes? How the Hell did you make that far-flung association? That’s just plain crazy!” Some to no doubt scream.

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Star Trek Discovery has the Klingon’s divided into 24 warring great houses, which appears to be associated with the 24 Runes of the elder Futhark, the Nazi regime had misappropriated and misused. This sure looks to be the case, considering that the dark skinned Klingon’s of Star Trek Discovery have a eugenic obsession with (Nazi) racial purity, wherefore those who have white skin are considered to be outcasts; hence you have a reversal of the Nazi White Supremacist mystique.

But it is rather curious that the Klingon’s have dark skin, considering what the co-executive producer of Star Trek Discovery had told Rolling Stone that President Donald Trump’s 2016 presidential campaign was, “front and center in our minds” as they developed it — so much so that the rallying cry of the show’s villains is specifically patterned after the Trumpster credo “Make America Great Again.”

“We felt like it would be interesting to really look at what’s going on in the United States,” Aaron Harberts told Rolling Stone, noting that the series’ primary villains — an extremist Klingon sect — scream “Remain Klingon,” something deliberately reminiscent of “Make America Great Again.”

As Harberts put it, “It’s a call to isolationism. It’s about racial purity, and it’s about wanting to take care of yourself. And if anybody is reaching a hand out to help you, it’s about smacking it away . . . That was pretty provocative for us, and it wasn’t necessarily something that we wanted to completely lean into. But it was happening. We were hearing the stories.”

(A curious aside, I wonder if Aaron Harberts is some distant relative of Jason Aaron, who made Thor into a woman? Both of whom seem to be of the same politically correct ‘Newspeak’ mind-set. What is really strange, is that a Lady Thor is not seen to be a Goddess, but otherwise has the title, God, along with Valkyrie having the title, King, not Queen, just as a Burnham is called Michael.

The Lady Thor is to be played by Natalie Portman. You would think the gender-swap titles/names sound absolutely barmy, I’m sure Gene Roddenberry and Stan Lee would think so. But it’s all in your Newspeak face. Whether Natalie personally knows the two Aarons’s is of course debatable. Although she obviously knows Taika Waititi, whose name sounds Maori, but he isn’t totally Maori.)

As for Georgiou, the name means, “son of George,” as in George and the Dragon, which then leads you to the angel, Michael, defeating the Dragon; although the Dragon is an ancient allusion to the (fire snake) Kundalini Shakti, which is also associated with the (Chinese/Malaysian/Mongolian) shamanic motif of the horse, whose symbolism represents the experience of ‘trance,’ which of an initial hypnagogic night-Mare terror, needs to be controlled, overcome and (Dragon) defeated.

(The terror of the Nightmare can be equated with what the novelist, Steven Pressfield would term as ‘resistance.’ The resistance seeks to keep things as they are, but in order to create, which is that of an ‘evolutionary’ force involving innovative change, the resistance needs to be defeated. The resistance can also be equated with the established mind-set of the audience, who desire to keep Star Trek as it is of a Ring-Pass-Not. When the Nightmare [Dragon] is defeated, it can then be ridden as a [chariot] Night-Mare.)

 

Overall, it looks as if Star Trek Discovery alludes to Aquarian fiery Shin chariot, two angel, Belial-a.

Many will say, “why the Hell, would the makers of Star Trek Discovery associate their reinvented franchise with the occult, let alone a spirit listed in the Goetia, which is commonly seen to be a tome of black magic? And what’s more, why would they use Belial, since said spirit is usually associated with evil, that numerous theologians say is the real Devil?”

You could just as well argue,” why use a most obvious reference to two Biblical angels in an iconic TV series, which has kept religion out of the equation?” At face-level, the pandering reference to two Biblical angels is that of selling out to the mostly Christian audience, most of whom will be totally oblivious to the two angels being classically associated with the zodiac, which leads you to Bryan Fuller’s star sign, let alone to see the deeper symbolic reference to Belial riding a fiery chariot.

Those who will see the symbolic reference to Belial, will commonly react by saying, “Hollywood is awash with vile Satanists, atheists and humanists who are attempting to corrupt the Biblical morals of the young faithful Judaeo-Christian’s, within our God fearing patriarchal country of the deified ‘Animus.’ It is an Illuminati conspiracy!” 

The makers of Star Trek Discovery will of course side-step it all by explaining it away; by making out that the starship Discovery’s distinctive ‘V’ shape is has been in the design pipeline for a longtime, which has nothing to do with the fiery Shin, and that the two angel names refer to family members, which of references to water is to do with someones watery star-sign, such as a partner, etc, to make all rather mundanely innocent.

Yet, they will be very much aware that the Illuminati fixated conspiracy theorists will be hard at work creating their viral-memes about the eye motif, utilised in the promotional material, which will act as free advertising for the reinvented franchise. As for Belial, they have to be led there. Hence you have a subversively engineered reason for the use of the Belial association. But, logically speaking, Belial is a rather obscure archetype for them to have used, and a very risky one.

What is more, there is no obvious symbolic association between the classical grimoire depiction of Belial and Star Trek, whatsoever; it is somewhat akin to associating Obsidian with Caviar, which does not make any logical sense at all, nor does it have any cultural backing, historically. Although, if you apply Salvador Dali’s Paranoiac-Critical Method to the two disassociated symbolic elements, it would make Alice In Wonderland surrealist sense.

I was the one who had associated Belial with Star Trek, of a surrealist Paranoiac-Critical juxtaposition. In fact, I am the only one to have done so, in league with reversing the ‘Animus’ fixated symbolism of the grimoires, which totally freaked out the traditionalist occultists, Trekkies and the Art mob.

They are now faced with watching Star Trek Belial, while gnashing their teeth, whose frothing mouths will be be spewing forth their mental torment as Vulcan Burnham does her Beliala gymnastics around the dark skinned eugenic Klingon’s.

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Those of an atheist leaning are faced with Burnham’s in your face association with a Biblical angel due to Fuller’s liking for giving female characters male names, which generates associative discordance:

“We’ve worked on many shows with Bryan and it’s a motif. It’s his signature move to name his lead women with names that would typically be associated as male,” executive producer Aaron Harberts said at the Television Critics Association summer press tour.

After tossing around a couple of options, the writers eventually landed on Michael for the first officer of the USS Shenzhou:“I have known of, I think, two [female] Michaels: Michael Sneed, [who] was a gossip columnist for the Chicago Sun‑Times and Michael Steele who played the bass for The Bangles. That’s a deep dive on female Michaels,” Harberts said. “And we talked about it in the entire room. It was just like, ‘This is a really, really interesting name.’ And, of course, an archangel is named Michael as well, and it just had a lot of potency for us.”

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Sounds as if it has all been explained away, doesn’t it; Hell! Since Bryan is into gender blurring why not then name Gabriel as Gabriella? Can’t go that far, otherwise it will then become like a hilarious Mel Brooks satire. When to see the Hollywood politics behind the naming of the main character as Michael, it is a total and utter farce, and what is more, a very expensive social engineering STD mistake.

This is exacerbated further by Burnham’s angelic counterpart, Gabriel. It would be understandable that the Trekkies, who are mostly atheist/humanist of persuasion will adversely react because of the blatant religious symbolism, who will hear Roddenberry howling from the grave.

Not only that, the ‘Animus’ fixated God believers in their Satanic Illuminati, will soon be tracing the symbolic strands back to my books and blogs; they will of course not be able to handle my Avadhuta sense of Heyoka humour, who will far prefer to believe in a worldwide Satanic conspiracy…. hmmmm, such could potentially work in my viral-meme favour!?

But it will be more likely that I’ll be faced with a load of asylum nut jobs, who will be claiming that I am an Illuminati disinformation agent of their Satan, along with numerous others calling me all the expletives under the black Sun. Oh! I forgot, they’ve been doing that for ages, already. Whatever the case, I love it when a plan comes together.

I’m starting to suspect someone in Holy-Wood has been looking into my books, blogs etc; there may be others, who also transformed a TARDIS into a female (Sleipnir Night-Mare) intelligence along with having a 13th ‘Tarot Card’ Doctor Who as an Orobas Pony-Girl, all of whom may be just as ‘Unsane’ as I am!? Although, I think they have misinterpreted my work concerning the ‘Animus’ and ‘Anima,’ like many another.

Hang on a minute… where’s my big Holy-Wood bucks, that’s what I wanna know… damn it to Hell! What a laugh!

Shit! It brings to mind a memory… Long ago now, I told a now ex partner of mine about an idea, which made her eyes light up, illuminating her brain with a revelation. Then her eyes to have wandered in thought, to then enquire about someone I knew, whereby revealing in that moment she did not believe I was the one who had thought of the idea.

She was instead impressed by the material glitz I did not have; whereas the other individual shit Shekels, she equated with having substance. She was totally unaware that the Shekel shitting moron had no original ideas of his own.

But she cared less, it was the hollow glitz that hypnotised her, just like many another, who are impressed by the grandeur of the Egyptian pyramids, but that does not mean that the ancient Egyptian’s had come up with the Golden Age idea in the first place, nor to have really understood what they were originally used for.

Anyway’s, enough of my Discordian egocentric ego inflation’s, where’s my bottle of Casillero del Diablo? AHA! Here it is… now back to the, Great Work… Burp!

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NOTE: In the Western magical tradition, which is primarily based upon the Hebrew Kabbalah, there are numerous magical systems, splintering off from one another, which have a very loose consensus of a convoluted opinion. Some of the symbolism is coherent from one branch to another; but others differ wildly from one another. (NOTE: Below is the Native American Medicine Wheel. The South is considered to be the first [hypnaagogic trance] gate of dreaming, which s symbolically equated with entering a ‘cave.’)

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Michael is generally considered to be the archangel of Mercury; whereas Gabriel is the archangel of the Moon. In the Kabbalah, Mercury is ascribed to the 8th sephiroth of Hod. The Moon is ascribed to the 9th sephiroth of Yesod.

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The sphere of Mercuy/Hod, is commonly associated with the intellect; whereby you have Michael Burnham’s intellectual Vulcan influence. The sphere of the Moon/Yesod is best summed up by what Jason Isaacs has communicated about his Star Trek Discovery character of Gabriel as being the most f**ked up captain yet.

Belial is generally seen to be of the sphere of the Sun in the grimoires. The Golden Dawn and in turn Aleister Crowley associated the Tarot Cards with the infernals, which is not mentioned in the pre-Golden Dawn grimoires, such as the Goetia, for example. Belial was just simply associated with the Solar sphere.

Magical systems are very personal to the practitioner; wherefore, occult practitioners make symbolic changes to a utilised symbol system in accordance with their own symbolic logic. So, if someone is using the attributed Tarot card paths of the Kabbalah, which had been set up by the Golden Dawn, he/she might decide to associate Belial with a corresponding Tarot Card, which would logically be the Sun XIX.

The Golden Dawn version of the 30th Kabbalah path of the Sun XIX (Belial) links the Sephiroth of (Michael) Hod and (Gabriel) Yesod.

Aleister Crowley had associated Belial with the path of the Star XVII, which otherwise links Yesod/Moon and Netzach/Venus, The archangel of Venus is usually considered to be Haniel.

A practitioner may decide to change the symbolism of a magical system in accordance with changes in his/her life, or that of seeking to initiate a transformation, from that of a Star to that of the Sun, which is esoterically termed as leaping-the-paths. But then the Star is a Sun, which to orbit another planet, is it not.

The path of the Star is associated with the Hebrew letter of Tzaddi, which means, Fish-Hook, as in, hooking others with an idea, to bring them all onboard your boat of a project. The path of the Sun is associated with the Hebrew letter, Resh, which means, head, you can symbolically see as winning over the heads of the audience with what you have created. In other words, taking their heads to another planet, which is illuminated by your (Star/idea) Sun… creation.

The obvious intent is capture the the ‘inner fire’ of audience between the relationship dynamic between Hod/Burnham and Yesod/Lorca, just as Gene Roddenberry did with Spock and Kirk.

But there is a big difference, between the eras of the Enterprise and the Discovery. Roddenberry was riding the Zeitgeist of the Vietnam war Hippie era, he had symbolised as the (age of Aquarius/Uranus) Enterprise. Now it is far more of a case of ‘rediscovering’ the inner fire of a rebellion.  

The Sun XIX is the Sol Invictus, basically, the all conquering Sun of the Golden Age, returned (as in the age of Aquarius), which points at creating an iconic creation, surpassing all others. This is also symbolically indicated by the Roman numerals of an X on either side of a I, or if you prefer, that of two archangels on either side of the (chariot of [Shin] fire) starship Discovery… Belial-a.

There is the distinct possibility that the Holy-Wood square-head suits decided to subversively introduce religion into Roddenberry’s Star Trek, along with their leftist SJW politics, etc, which may have generated much protest from the Roddenberry creative team; but the square-head-suits had them by the financial balls. So, the creative team decided to be crafty, who came across ‘My Surrealist Material’ to duly utilise. 

The square-head-suits got their religious propaganda and politics into Star Trek, without realising that the employed symbolism actually points at the protesting rebel angel, Belial.

The square-head-suits might have sussed it out by now, who are now fervently engaged in a damage limitation exercise, since it is too late to change their ‘fundamentalist’ premise.

Then again, they may have all agreed to use the reinvented Sta Trek to push their religious and political agenda, going by the numerous comments, which have been made by those involved in Star Trek Discovery to win over the Trump era heads of the deified ‘Animus’ worshippers. It looks as if they have been unknowingly utilised to release the fallen ‘Anima,’ Belial-a from her brazen vessel of an ‘Animus’ gaol.

(By the way, if you do not understand what the ‘Animus’ and ‘Anima’ terminology means, look to Carl Jung. It has nothing to do with SJW extremist feminist politics. As for those who believe I am anti-feminist or of a right wing persuasion, they have their brainwashed ‘undercover cop’ heads up their detritus ridden anus’s!) 

Wherefore, the employed symbolism of Star Trek Discovery would have come about without any conscious manipulation by the TV series creative team, which to have otherwise been formulated by what they would call, pure chance; but at another level it would have manifested via interweaving synchronicities, which is the power of… Magic.

If this indeed the case, then the makers of Star Trek Discovery have been so wrapped up in their religious politics, which has screwed up Rodenberry’s creation, they are totally oblivious to the overall symbolism, that points at… Belial-a.  

If you listen hard enough around your Ouija board, you’ll hear Roddenberry’s starry laughter. 

Overall, at a purely entertainment level, apart from all the politics, etc, surrounding Star Trek Discovery, I find that I like it. Well, sort of; but only if I see it as not being Star Trek, and to totally ignore its obvious social engineering, which will invariably lead to the series not lasting the media marathon, that or being remembered as an obvious propaganda example of subliminal brainwashing.   

 

Though very different from the other Star Trek series, it has its own J. J. Abrams style, or should I say, boot stamp. Hmmmm! I wonder if Abrams is some distant relative of Aaron Harberts and Jason Aaron? Abrams of course knows Nataile Portman. May be they also know the Jewish American film director, producer and screenwriter Jac Schaeffer, who wrote SJW, Captain Marvel and is writing the upcoming Marvel Cinematic Universe film, sexless Black Widow along with a feminist Wanda Vision TV series about the Scarlet Witch. 

Lets not forget another pop-culture icon, The Witcher, whose TV manifestation, is being written by Lauren Schmidt Hissrich, she no doubt knows Abrams, Harbetrts, Aaron, Portman and Schaeffer along with Ghostbusters 3, Jason Reitman, and Teminator Dark Fate, David Samuel Goyer, etc. 

Anyway, many have noted that Star Trek’s Discovery abbreviation is STD. How the producers of STD let that one slip by them, is an oddity. But then, they’re probably not Trekkies, who also quaintly forgot that Roddenberry would NOT allow for a chaplain on his starship vision, now you have two STD Biblical angels. That, or they are taking the total utter social-engineering piss out of everyone, and having a Newspeak laugh at everyone’s audience expense, while doing so! 

That aside, I have the hots for sexy Natalie Portman, Rachael Weisz, Gal Gadot, Mila Kunis and Scarlet Johansson, to name but a few hotties I am very much attracted to.   

Make Love Not War…

Live Long And Prosper!

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THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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V IS FOR VAGINA

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Succubus, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 6, 2017 by FAUSTUS CROW

During the fated zeitgeist summer of 1983, when the fascist UK prime-minister Margret Thatcher was whoring herself with the toupee actor Ronald McDonald Reagan, the then Cold War president of the United States of America, there was a certain individual, named, David Icke, who had finally achieved his ambition of co-hosting Grandstand. Icke had achieved stardom at a time when Grandstand was BBC’s flagship national sports programme. This was soon followed by Icke’s first published book, It’s a Tough Game, Son! A book about how to break into football.

It was also the year, in the UK, when the opposition leader, Michael Foot stepped on his own foot due to his political eccentricities. Whereas Icke and the general UK public was confronted by a two-part science fiction series, which was originally aired as a four-hour television miniseries on NBC, entitled, V.

The science fiction mini-series was inspired by the 1935 novel, It Can’t Happen Here, by Sinclair Lewis, which told of a fascist takeover of America. Lewis’s novel was transformed by V’s creator, Kenneth Johnson into an Independence Day invasion by extraterrestrial fascist aliens.

The series quickly grabbed the media attention of the reptilian-brain-stem masses. Icke, started to wonder whether V was revealing the truth of what was really going on in the world.

Later, during the year 2009, the Ufologist icon Dr Steven Greer, who is in no way related to the feminist icon Germaine Greer, was assailing the government in order to force it to disclose its contact with extraterrestrials.

Greer also warned the populace about a false flag event using appropriated Nazi super-science and Tesla torsion technology for a false-flag alien invasion, subsidised by shadowy ‘Animus’ fixated oil Sheiks. But nobody listened.

The reptilian-brainstem masses were far too hypnotised by their Orwellian TV sets, watching the Patriot Act remake of V, which ran for two seasons on ABC, from November 3rd, 2009 to March 15th, 2011. It was during this time that US forces withdrew from war torn Iraq after bestowing its democratic facade of a two party dictatorship upon its peoples, whose oil was duly appropriated in the process under a Biblical sky, filled with high tech flying wing stealth bombers and A.I drones.

By 2009 Icke had become a professional researcher, who had since published, The Robots’ Rebellion (1994), And the Truth Shall Set You Free (1995), The Biggest Secret (1999), and Children of the Matrix (2001)— Icke developed his worldview of New-Age conspiracism since watching the first series of V.

Whereupon Icke avidly watched the new series, chronicling the arrival on Earth of a technologically-advanced alien species, which ostensibly comes in peace. But the aliens appear to have sinister motives, who are working to a hidden agenda.

As the masses watched V, they were taken aback when giant mother-ships in the shape of flying triangles, looking like huge Vaginas, suddenly appear over ‘Twenty-Nine’ major cities throughout the world which gave birth to a plethora of flying saucers.

Even the oily Sheiks were shocked, since the supposedly real aliens had beaten them to the Yesod-Da’at false-flag punch, between the fallen twin towers of Boaz and Joachim. The aliens are led by Ashtaroth, who is also known as Ashtar, for short, the beautiful and charismatic pussy commando leader of the extraterrestrial female ‘Visitors,’ looking like a Tricia Helfer sexagram Cylon; she declares that they Cum in peace.

The female Visitors claim to only need a small amount of Earth’s resources, in exchange for which they will share the Free-Energy technology of their Vimana out of the Hindu epic of the Mahabharata and their Tantric knowledge of the Vril.

A number of human males headed by Dr Greer, begin to doubt the sincerity of the seemingly benevolent female Visitors, since there is growing evidence that they have time travel capability.

Their origin is actually based in the future, whereby explaining their all too human Catwalk appearance.

Icke discovers that the name Ashtaroth and Ashtar originates from Astaroth, who is the ‘Twenty-Ninth’ spirit listed in the medieval Grimoire entitled the Goetia. Astaroth is described by Colin de Plancy’s Dictionnaire Infernal as being the Laurel Canyon spirit of Californian eugenic America.

Little wonder then that she looks like a Nordic Marilyn Munro.

However, Icke is initially perplexed, since Astaroth is always described as being a male entity like all the other spirits of Rome’s subversively published Playgirl Grimoires out of the closeted, deaf, dumb and blind misogynist Vatican, backing fascist regimes.

He eventually finds out that Astaroth was originally the Mesopotamian sex Goddess, called Astarte or (Ana) Anat, the Sumerian’s and Babylonian’s named as Ishtar, and that the all male monotheistic symbolic paradigm of the Illuminati patriarchy, out of Abraham’s ziggurat, situated in Iraq’s Ur, is actually their ‘Animus’ creation.

Icke also finds out that the female Visitors do indeed originate from the future, not from Hippie planet X-Chromosome as initially thought. He made the further discovery that the Visitors wear pseudo-human skin over their own highly evolved skins, having reptilian qualities. Hence their overriding interest in sunbathing, cosmetics, plastic surgery and genetic modifications.

The female reptilians have been manipulating blood lines since the ziggurat time of pre-Egyptian pyramid Sumeria, just like the Bene Gesserit out of Frank Herbert’s science fiction novel, Dune, who call themselves the Babylonian Sisterhood, the Freemasons worship as their dominatrix Beehive lodge Queen Bees. Icke deduces that is why the Freemason worker Bees, wear flamboyant skirts, I mean, aprons.

The Babylonian Sisterhood have been infiltrating human governments, businesses, and religious institutions down the ages, who gave the impression that their Alpha-male partners were in control in order to establish the deification of their ‘Animus,’ made as a Good-Cop God and a Bad-Cop Devil, who are now in the final stages of their Illuminati plan to set up a two-party dictatorship New World Order Kingdom of Heaven over the entirety of the Earth.

Icke joins the ‘Anima’ resistance movement, which includes the feminist, Camille Anna Paglia, a one time Visitor sleeper-agent who of a Tantric revelation reveals to him that the female Visitors have used the chemical giant IG Farben since the end of WWII to poison the Earth, by fluoridating the public water supply with a known neurotoxin and a mutagenic compound, which specifically targets the males of the species.

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

The males will over time become sterile as well as brain dead servile Worker Bee automatons, who will eventually join the extinct Dodo; whence cloning will be used by the raptor Visitors to create more tetrachromat versions of themselves.

Wherefore explaining why female tetrachromats spend so many hours shopping, since there are innumerable colourful clothes to choose from of evolutionary leaps in fashion.

The female Visitors use time travel to abduct unsuspecting male UFOlogists from alternate Earth’s for their eugenic experimentation as well as to salaciously harvest the required genetic material needed for their cloning; more so for their tetrachromat shopping sprees across the quantum computing multiverse.

In order to save Man-kind, the rebellion becomes a part of a larger ‘Fifth Column’ movement of both human males and female Visitors, who are rebelliously opposed to Astaroth’s vague, but seemingly menacing social engineering plans for Earth and Man-kind.

But their efforts are challenged as the Visitors have won favour among a number of Beta-male university students by utilising extremist feminist politics via which they have recruited Earth’s fluoridated brainwashed youth, whose DMT producing pineal glands have been calcified, to serve them unknowingly as their politically-correct thought-police.

The Visitors can’t have the rebels changing the all female dominated future, where the male of the species is extinct.

Suddenly Icke wakes up in his bed, and quickly realises that it was all just an Old Hag Syndrome nightmare, riding his reptilian-brain-stem. “What a ‘GOD’ awful dream… ‘Sisterhood’ of Babylon, bah! humbug! It’s the ‘Brotherhood’ of Babylon, they’re the alien bloodline reptiles who run the Matrix! Icke drowsily says to himself.

But when going to his open window for a breath of fresh air, he spies a flying triangle hovering in the moonlit starry night sky, while hearing the groaning orgasm of a woman carried by a kissing breeze over the seething urban jungle, ending in a lustful meow of a predatory pussy Cat prowling his hot tin roof.

Then Icke hears a disembodied feminine voice, whispering into his left ear, “You are now on the Cabbalistic path of Tzaddi, pointing at 28 redacted pages. if you want to know the simple ‘Tower Of Babel’ truth, around which the political elite whore themselves to their three faced shekel God, betwixt three forever warring oily cults; follow their oily Petrodollar to where it Dune leads of ‘Animus’ fixated state funded Wahhabism.” 

Icke shakes his head clear of the Astaroth whisper, to forget; for the simple truth is far more horrendous than misdirection reptilians, which to have given him his New-Age oily wealth.

Will Icke ever be able to ride Astaroth’s Vimana as his inspiring Succubus Art Muse of a Sphinx, who will arouse his rebellious Free-Energy of the Vril, rather than being ridden by her? Such is yet to be determined, should he ever become aware of his Fallen ‘Anima,’ who to Kundalini Shakti Surrealist weave mirroring Maya around his reptilian-brain-stem.

Maybe then Icke’s reptilian-brain-stem will realise that the bearded Biblical Jehovah/God/Allah is a Saturn archetype of an ‘Animus,’ fixated Matrix, perpetuated and reinforced by a brainwashed hive-mind worshipping an Egregore God, which of an all-father Fuehrer archetype resides within the Fifty Shades Of Grey Binah psyche of all the V for Vagina’s.

NOTE: Although written tongue in cheek, the V for Vagina 80’s was an end of an Anti-War Hippie era overflow of continuing protest against the Orwellian war-mongering machinations of government, manifesting as the Punk movement in the main, which not only reinvigorated the music scene of creative anarchism, but also the Arts.

Since the 80’s, the music scene as well as the Arts have become nigh nullified by a highly controlled media, which has orchestrated the negation of any protest.

Those who protest are duly tarred and feathered by the media machine of the Empire as being Conspiracy Theorists, which often utilises David Icke’s theories about reptilian interdimensional entities taking over the Earth against the Star Wars rebels, who are duly seen by the general populace as being nut jobs!

During the Vietnam war era, the CIA created the drug fueled Hippies out of Laurel Canyon, California, who were all high on CIA concocted LSD, as well as inciting the feminists to burn their bras as a PsyOps means to turn the general populace against the Anti War movement.

This was easy to achieve, since the Newage scene was very much entwined with music and the Arts of an alternative world-view at the time, which the primarily Christian populace considered to be rather odd. However, the Hippies turned out to be just too cool, whose rebellion rapidly went global, while the feminists cried over the mounting body bags, which won over the public. Their ensuing Anti-War protest, brought down a government.

The Military Industrial Complex learnt from its PsyOp disaster, such as having the draft, wherefore, war had to become hybrid of nature, the battlefield automated with drones, while on the home front, the Newage scene had to be controlled and directed. Hence, the political elite had to have total control over the media machine in order to subversively control the collective mob-mind, such as getting the mob to focus upon 2012 of an engineered Newage stage show.

One of the main Laurel Canyon methodologies of PsyOp control, hijacked the indoctrinated religious sentimentalities of the Newage mob-mind to focus upon ever warring Angels and Demons, which had been transformed into aliens flying around in their UFO ‘drones.’ The Newage mob-mind was then far too busy observing the heavens rather than what was going on around them of a hellish ‘hack’ of their collective imagination!

But that wasn’t enough, the Military Industrial Complex had to hijack feminist politics in order to turn women against men, men against women, who are all arguing about their genital rights, along with weaponsing minorities. Instead of protesting against costly wars, which force people to flee into other lands, they otherwise Hollywood protest about their Me-Too gonads.

What is more, there is ample proof that the public water supply as well their food is being dosed up with varying neurotoxins and mutagenic compounds, the Brave New World author and philosopher Alduous Huxley had predicted along with George Orwell, as a means of mass-mind-control and population reduction.

Just as you have rings going around Saturn, history repeats its self of a ring, of similarity to a repeating propaganda BBC broadcast; whence you have a return of the Cold War 80’s, when to observe zeitgeist similarities between the political puppet show of then, and now. However, this time around of Cold War drums habitually rolling of an Iapetus Death Star, there are no rebel forces of Hippie/Punks protesting against the Empire of the deified ‘Animus’ made as a Petrodollar God Emperor of oily pipeline Dune.  

  

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