Archive for horror

THE MUMMY RETURNS

Posted in Art, Chaos Magic, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Poltergeist, Psychology, Science Fiction, Sex Magic, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 13, 2017 by FAUSTUS CROW

RED ICE: I am your stand in host on Red Ice TV. We are very honoured by having the talented actor, Tom Cruise here, in our humble studio, who has taken time out, from his very busy schedule to tell us about his role in the re-imagined Mummy film. Let’s start by asking… (Tom Cruise quickly interjects.)

TOM CRUISE: Look, I have to cut to the chase here. I haven’t got much time. I need to warn the public; I can’t hold back any longer; a female Mummy is far more real than anything you can ever imagine.

RED ICE: What? I thought all Mummies are female, my very real Mummy was most definitely female, until she had a Hollywood sex change, now I call her my big Daddy…

TOM CRUISE: No, no, no! You know what I mean, I mean reanimated Egyptian Mummies; the bandaged up types, clambering out of a crumbling Beehive of a pyramid; they’re for real… (Cruise stands up from his seat and does a staggered zombie impression as Mummy Boris Karloff.)

RED ICE: You’re kidding me! You’ll be saying that Boris Karloff is a Imhotep Freemason, next, who’s plastered ghost is still around, haunting the Illuminati Beehive lodges of Hollywood’s Masonic studios?

TOM CRUISE: No, no, no! Far worse than Karloff; a Queen Bee Mummy will knock Karloff’s worker Bee Mummy into Oblivion; she’ll go far beyond Marjorie Cameron, who hunted down Jack Parsons upon a Babalon synchronicity. She’s a femme fatale Succubus… She’ll get into your pyramidal three tiered brain, driving you Left-Hand-Path creatively mad with her dark salacious nature.

RED ICE: Are you for real? An ancient Queen Bee Mummy is actually around, walking amongst us?

TOM CRUISE: Yes! She’s a disembodied Thetan, who has total control over the worker Bee’s, Alex Kurtzman and Jon Spaihts. what’s more, as a disembodied Queen Bee Thetan, she took possession of Sofia Boutella.

RED ICE: Sofia Boutella is possessed by a disembodied Thetan? What do you mean by a Thetan, exactly? Can you explain to our Muggle audience what a Thetan is?

TOM CRUISE: Well, I can’t go into the Thetan stuff. You have to a be a Scientologist to be privy to that kind of… Clear… information. All I can say, is that a Thetan is like a spirit.

RED ICE: Is a Thetan spirit associated with the Theta brainwave, which is involved with hypnagogic trance and Artistic creativity?

TOM CRUISE: Yes! Yes! It is a chaotic brainwave state, we Scientologists have to control at a collective level in order to brainwash brains, to then convert their jellies into a hypnotised hive-mind, just as the Catholic church of Rome’s BORG empire has likewise done so, let alone Islam and that of their original appropriated BORG source, Judaism. As Philip K. Dick once said, “The Empire Never Ended!” So, when in Rome, do as the Roman’s do… Cults are financially lucrative, which is especially the case when a cult becomes a big-business religion, paying no taxes… Shit! The money just rolls in. That’s why the public water supply has been eugenically fluoridated with a known neurotoxin and a mutagenic compound, in order to calcify the DMT producing pineal-glands of the unwashed fleecy minded populace, to never question their monotheistic triangle of an Illuminati trinity… Damn it! I’ve let slip there…

TOM CRUISE: Forget what I jut said. Look, I can’t reveal anymore, otherwise I’ll be castrated by L. Ron Hubbard’s Men In Black minions, dressed like dog-collared priests… But there’s something far, far worse than them… I haven’t the time; I’m being hunted by the Great Old Ones. This is between you, me, and your very select audience, you understand… Kurtzman told me in private, that he and Spaihts decided to use the Surrealist technique of Automatism, which involved the utilisation of a Ouija board.

RED ICE: What type of Ouija board did Kurtzman and Spaihts use, there are so many different designs?

TOM CRUISE: The Ouija board was specially designed by the same individual who wrote and illustrated a Grimore, both of them used to conjure up a Succubus as their inspiring Art Muse. It was the Muse who inspired their artistic ideas for their movie, to win over the studio’s lodge, big bucks.

RED ICE: What Playgirl Grimoire are you talking about here, are you speaking about, something like, H.P. Lovecraft’s Necronomicon?

TOM CRUISE: Sort of; but it’s the real Necronomicon, since no one had ever depicted what this Grimoire covers, listing Playboy Goetia Girls. It was written and illustrated by some mad sorcerer artist, named Mardun, who is also known as Faustus Crow; he is the Artist who designed their Ouija board.

RED ICE: Mardun… Faustus Crow… never heard of him… Tell us more about this Succubus Art Muse…

TOM CRUISE: The Succubus, Kurtzman and Spaihts conjured up is called Uvall, who is said to be an ancient Egyptian Art Muse, Crow illustrated as a Mummy. Uvall started to make the planchette go crazy around the Ouija board, channelling the script for the entire movie, who also communicated that another name she is known by is… Ahmanet.

RED ICE: So you’re telling us that Kurtzman and Spaihts conjured up a Succubus called Uvall, which channelled the entire movie script as well as taking possession of Sofia as Ahmanet?

TOM CRUISE: Yes! The Succubus transformed Sofia into a wild eyed Performance Artist. She became like an ecstatic Shaman High Priestess Of The Silver Star; she would spontaneously go into an orgasmic Sirius trance on set, saying she was the incarnate ‘Anima’ made as Babalon flesh, let alone singing perverse erotic hymns about Faustus Crow all of the time; it scared the living shit out of me, let alone everyone else. When she sang her salacious praises to Crow, she would make various objects fly all around, such as cameras flying like winged eyes, the camera crew’s bus, weighing as much as a pyramid block, flew like Harry Potter’s car; she even levitated camels, which trotted the air like Santa’s reindeer out of London zoo; it was like Spielberg’s, Poltergeist, but for real.

RED ICE: Sorry, but I think, all of this sounds absolutely crazy. Are you taking any psychiatric medication?

TOM CRUISE: I hate psychiatrists, and I’m not mad; I’m deadly serious. Kurtzman also informed me that the other film directors and writers are using Crow’s Grimoire in the same way for their own horror films, let alone science fiction movies.

RED ICE: Hang on! What? The other directors, writers are using Crow’s Grimoire, in order to conjure up Succubus Art Muses, around his Ouija boards, for their movie scripts as well? That’s, just plain nuts! It sounds like a David Icke reptilian conspiracy to me.

TOM CRUISE: Uvall, I…I… mean, Ahmenet; NO! I mean, Sofia; she’s possessed by the raptor SOPHIA, get it!? She is intending to awaken all the hot blooded Beasts to their Fallen ‘Anima,’ by using those hypnotically erotic dance moves of hers. You do know what that means don’t you?

RED ICE: No! I don’t; Fallen ‘Anima,’ what’s that?

TOM CRUISE: Can’t go into the Jungian details, apart from saying that it means an end of the Illuminati deification of the ‘Animus,’ made as our three faced God out of Ur, whose gender fixated rule since the Zodiac age of Aries to that of Pisces is about to be usurped by the Succubus Great Old Ones of the fallen ‘Anima.’ The seventh seal of a Chakra has been opened, by the conjuration of Uvall, who will usher in the new Aeon of Star Trek Aquarius.

RED ICE: Let’s get this straight; you’re saying that the conspiring directors and writers in Hollywood are conjuring up the Great Old Ones of the fallen ‘Anima,’ who are all Succubi, to bring about the age of Aquarius, just like the Hippies attempted to do during the Vietnam war era?

TOM CRUISE: Yes! Something like that, but the Hippies were still enamoured with our deified ‘Animus’ made as a God, so, we were able to control them. However, this zeitgeist time around, we have a far bigger problem, which hearkens back to something, very ancient, yet it is also of a far flung future shamanistic orientation…. I would like to point out that Crow uses the older term, Succubae, by the way… Not only the directors and writers are part of this, but also the producers, Artists, and even the actors and actresses; they are all secretly conjuring, which enables them to induce lucid dream interactions with Crow’s Art Muses. The films will all share the same cinematic Hyper-Sigil universe…

TOM CRUISE: Just like Marvel’s and Disney’s elemental superhero franchise of the spandex wearing ‘Animus,’ whose neuro-marketing empire will be toppled by the return of the classic film-land monsters out of the collective unconscious. It has all been initiated by the conjuration of Uvall as Ahmenet, who equates with the Tarot card of the High Priestess.

RED ICE: Hmmmm! I’m sure that Madonna will know that the High Priestess is associated with the ‘Ninth’ Yesod sphere of the Moon in the Cabbala, whose Tarot card is ascribed to the thirteenth path, which crosses over the ‘Eleventh’ hidden sphere of Da’at.

TOM CRUISE: Yes! I know all that Reticular-Activation-System, Nine-Eleven stuff. It is via the Aquarian stargate pylons of Queen Bee Sofia, who is now Crow’s High Priestess, that Hollywood will soon be transformed into Horror-Wood under the blue Kachina star of Sirius.

RED ICE: (smirks) Are you conjuring out of Crow’s Grimoire as well? I must say that Sofia’s pylons are most ravishing.

TOM CRUISE: (moralistic anger) NO! You know what my Minority Report leaning is of ‘Animus’ worship; I am not into this vile ‘Anima’ pornography. It’s all mad, utterly insane; that is why I am warning you about what is going on behind the creative scenes, where Crow’s sorcery of Art is being practiced. (Cruise’s mobile starts to ring; he looks wide eyed at the received text, an expression of War Of The Worlds abject terror crosses his face.)

RED ICE: Are you okay, you look as if someone has just stepped upon your eternally recurring Edge Of Tomorrow grave?

TOM CRUISE: Uvall, I…I… mean, Ahmenet, she’s found me out! No! Her name is Babalon, No! No! No! She can’t be Babalon… I mean Sophia, damn it! damn it… it’s Sofia… damn it, sounds all Greek to me… it’s all the same bloody archetypal raptor. She knows where I am; I’m not safe here. This interview has ended… I have to go, NOW! Before Crow’s dark haired Babalon Working Queen Bee Mummy finds me. (A Heyoka Crow is heard cawing in the Avadhuta distance.)

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MONSTER MUNSTER FAMILY

Posted in Art, Chaos Magic, CREATIVE WRITING, Film, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Surrealism, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 8, 2015 by FAUSTUS CROW

Marilyn Monroe is back from the dead as a salacious Succubus, whose iconic status has been listed within a shadowy Playboy ‘grimoire’ of nightly ‘Anima’ conjuration.

Marilyn is now a Munster of Horror-Wood séance, who entices little boys away from their superhero grimoires.

But then, such Playgirl tomes listing all male entities of the sweaty ‘Animus’ were originally designed for the Witches to ride orgasmic, as well as for those of other Monkish orientations to be upended by.

The horror archetypes of a Holy-Wood family who haunt the collective psyche, have taken the ghost of Marilyn Monroe under their Munster Bat wing. Marilyn is an unquiet spirit who desires justice, since she was assassinated!

Many have conjectured that Marilyn did not commit suicide, and that her demise was more to do with president Kennedy’s intimate involvement with her, or that he had drunkenly told her far too much about the goings on in Cuba, or to have revealed criminal connections and even to tell about Roswell incident aliens piloting Nazi flying wings; hence she had to be silenced.

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But, Marilyn, to Munster reveal it had far more to do with her turning off the water supply in her hacienda, who was going to tell all at a press conference about why she did so. Alas, she did not make it; for she was assassinated by the ‘Fluoride’ Mafia, who are intimately involved with the fascist military industrial complex.

Well, what do you expect, the fluoridation chemicals are not natural; they are hydrofluorosilicic acid, sodium fluorosilicate, and sodium fluoride, which are known neurotoxins and mutagenic compounds. Unlike the fluoride compounds found in toothpaste or supplements, which you usually spit out, the intake of the water fluoridation chemicals are not of pharmaceutical grade quality.

And where do you think all these contaminated chemicals come from? They are derived from the wastage of making nuclear bombs as well as from the fertilizer industry; most of these poisonous chemicals have since been imported into the USA from China, which is then dumped into their public water supply. The Chinese don’t want it; water fluoridation is banned in Communist China, since the mass medication of their populace has been found to negate their intelligence.

Marilyn has now assumed the name of the twenty-sixth Succubus called Bunea, since her Holy-Wood family are wealthier than the Egyptian pharaohs, whose production costs for many a propaganda film can run a small Orwellian mind control country for a year.

Marilyn is no Mary-Lynn virgin Madonna, who is true to her undead nature as a dark ‘Star’ Succubus. She is always attempting to get Eddie to unleash his real self, every birthday, when to sing to him, “Happy Birthday Mister President.”

Eddie often to say that Marilyn has the Siren voice of the Goddess Isis; Alas, Eddie wants to be normal, like all the other herd mind naked apes, who be in the graveyard.

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But Marliyn knows how to tear through all the 666 layers of his emotional armouring, when he is offered his favourite Carbon based life-form Dog food.

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Well, what do you expect, Sirius Eddie is very Serious about his Anubis Dog food; he is such a frisky Beast. As Aleister Crowley once said, “is a Serious GOD to live in a Sirius DOG!” That is why Marilyn absolutely adores her little DOG GOD Beast of a pharaoh president.

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Marilyn is very much aware of her undead Witch diet; well, she has to be, since she is a Tantric contortionist; wherefore, in order to have the highest Succubus skill set, she has to keep her Kama Sutra body vamp trim.

Whereas Eddie is into eating sausages, ham, bacon and other processed Dog food, of which his veterinarian Muslim nurse, who just so happens is a halal vampire, says, is putting his immortality at risk, going by a study of half a million flesh eating zombies across the old world of Europe, and elsewhere.

The cannibal study concluded, that diets, which are high in processed meats were linked to cardiovascular disease, cancer and early deaths. So, Marilyn is attempting to change Eddie’s diet by following what the British Heart Foundation has suggested, by offering Eddie leaner cuts of fresh meat.

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Marilyn doesn’t mind becoming a doggy dinner, she’s a ghost girl after all, she’ll cum back every time. As for the brainwashed population of fleshy muggles, it’s a case of population control; hence their noxious processed food and poisoned water; for the herd has to be controlled.

Eddie’s parents are avid readers of child rearing manual, Baby and Child Care, authored by Benjamin McLane Spock, whose message to virgin Mary mothers is that, “you know more than you think you do.” Wherefore, Eddie gets all his educational Twilight needs met.

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However Norman Vincent Peale, a popular Hell fire religious preacher, who supported the slaughter of the Vietnam War absolutely hated pointy eared Spock, calling him, the Devil.

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During the late 1960’s, Peale criticized the anti-Vietnam War movement and the perceived laxity of the Star Trek era, who placed the entire blame upon Dr. Spock’s books, claiming that “the U.S. was paying the price of two generations that followed the Dr. Spock baby plan of instant gratification of needs.”

In the 1960’s and 1970’s, further blame was placed upon Pan eared Spock for the devilish disorderliness of rebellious young people, who had the gall to question the fascist military industrial complex, many of whose Beatnik parents had been Howling Hippie Goth devotees of Baby and Child Care.

Vice President Spiro Agnew also blamed Spock for “permissiveness”. These allegations were enthusiastically embraced by the right-wing Christian neo-conservatives, whose Judaic establishment still views the rebellious youth of pagan Pan with nigh Sharia law disapproval, referring to them as “the Dr Spock generation.”

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Eddie’s Veterinarian Witch Doctor absolutely adores his beastly canine nature. But she is very worried about his continued survival, who is attempting to get the muggles to understand that Wolves are a significant part of nature.

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When these intelligent creatures are killed by fearful muggles, such as by brainless Sarah Palin, then they are one step closer to extinction. Like many another animal species, Wolves are on the verge of becoming totally extinct during this present mass extinction event, which most muggles are totally unaware of.

Protecting the natural environment of the Wolves is also very important; one example being the wilds of Alaska; alas it is being targeted by the Oil spillage companies.

As the untamed wilderness areas rapidly become concrete jungles, due to the encroachment of the muggle blight, the Wolves have less to cover for food and shelter, whereby they are less likely to survive as a Twilight species.

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VAMPIRES, WALKING DEAD ZOMBIES AND GHOULS OF HORROR SHOCK X-FILES

Posted in Alien, Cosplay, Cyberpunk, Dystopian, Film, Goth Girls, Horror, Occultism, Science Fiction, Steampunk, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 30, 2015 by FAUSTUS CROW

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Aristocratic Vampires do not like rotting Zombies at all, whereas lowly Ghouls are the underworld minions of Vampires. As for Werewolves, their low-tech, back to nature Hippie ways, really pisses off the Gothic Vampires big time. The infernal pop-occulture interactions of these creatures of the night leads to many an intriguing tale to tell of a developing modern mythology. Their terrifying popularity of dark cultural conjurations is very likely a subconscious reaction to ever changing world events, as well as consciously coming to terms with rapidly developing technologies.

Another aspect of this modern mythology, which otherwise expresses its self via the genre of science fiction, concerns extraterrestrial alien Greys or ultraterrestrial reptilians and their hybrid creations along with men in black, who are seen to have bases under the Earth, or at its hellish core. These mythic viral-meme themes appear to be referring to futuristic technologies, such as the development of an artificial intelligence and genetic research, in one form or another, which many distrust; wherefore being subconsciously translated into mythologies involving demonic entities or aliens.

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For example, the recent scientific revelations about transfusions of youthful blood revitalising old blood, which in turn improves brain function and other physical abilities afflicted by aging, conjures up associations with the Vampire.

You would be hard pressed to believe that the scientific discoveries are only recent, since the ancient Vampire sums up the findings. You can then imaginatively conjecture of mythic conspiracy theorising that this technology has been around for a long time, and that an elite few, who have the financial means to do so, have utilised the blood science of the Vampire for themselves behind closed doors.

The elite are commonly seen to be a shadow government, who of a modern mythological theme have been translated into the Illuminati, whose myth has been interwoven into the Vampire mystique as well as science fiction aliens and their UFO’s.

The elite few, who are otherwise classified as being Vampires, would have to hide their blood science away amidst underground laboratories, as well as to weave an intelligence veil of a Masquerade around themselves. They would do so, since they see the rest of humanity as being dumb Zombies who far outnumber their Vampire elite.

When to be hypnotised by a Zombie flick, while eating copious amounts of popcorn and takeaway Pizza, you will note that a huge gathering of Zombies, are virtually unstoppable, unless you divide and conquer them or of a last resort nuking their undead hordes to thereby reduce their rotting population. Hence the Vampire elite have taken measures against the Zombies, such as dosing up their water supply and food source with hydrofluorosilicic acid, sodium fluorosilicate, and sodium fluoride, which are known neurotoxin and mutagenic compounds in order to systematically dumb them down.

This has been done because the Vampires greatly fear the Zombies becoming aware of their existence who have also looked into using biological warfare against the Zombies, should things really get out of hand of mass civil unrest.

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Another more passive measure, which the Vampires have used is that of subversive psychological warfare, this involves brainwashing many of the Zombies to believe in exotic cargo-cult belief systems, such as believing in demonic reptilians emanating from planet ‘X’ of a 1950’s science fiction movie scenario.

Those Zombies who sincerely believe in the engineered myths, are duly considered as being scum of the Earth conspiracy theory nutters by the other Zombies. Whereupon, the few Zombies who do get far too close to the truth are also tarnished with the same scum of the Earth nutter brush; this is quite handy, since the Vampire elite can also hide their high tech singularity behind the wrought UFO myth of a Masquerade.

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Being a Zombie can be quite monotonous, whose existence is none too dissimilar to that of a programmed automaton. Its programming stems from its religious indoctrination or via the relentless engineered media.

The Zombie goes through the motions of similarity to that of a servile serf who is chained to the tomb banks who secretly aspires to become a Vampire driving a Dragula. But, you have to be born a Vampire; for they are of the elite, who are a continuance of the aristocracy.

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The religious orientation of the Vampire elite is monotheist of theocratic centralism, which ties in with their New World Order politics lorded over by their jealous deity, behind whose smiley face is that of a fascist.

The fascist politics of the Vampire elite has always been feudal who utilise politicians as their puppets via whom they weave the Masquerade of Democracy or otherwise that of Communism, by which they then divide and conquer the Zombie masses.

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The elite few greatly fear their eventual demise, who, likened to Vampires have indulged themselves in financing the blood science of immortality engineering and other associated medical disciplines; much of which is being conducted in secret, by the enslaved Zombie scientists within their underworld labs. This is easy to accomplish, since the Zombies, whether they be scientists, or of the military, along with the police can be hypnotised by money, and thereby easily controlled, hence controlling all the other Zombies.

Whereby, should a Van Helsing Zombie and a Scully Witch X-File researcher team desire to find out if a Vampire Masquerade actually exists beyond the veil of subconsciously wrought myths, they would have to follow the money trail into the infernal depths. Although the Zombie X-File team would have to use a Witch-crafty route in order to avoid detection by the 72 Shemhamphorasch Fusion Centres of the Vampire elite. But where to start on this terror trail? The first bloody rung on the ladder of investigation would be the Ghoul trade in human body parts.

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The financial world wide crisis, which was engineered by the Illuminati Nazi criminals of Wall Street led to Europe experiencing a sparked increase in the trade of human organs, as Zombie families scrambled to put food on the table, whom the Vampire elite utilise for spare body parts. It sounds like something right of a science fiction horror flick; but its all crash and burn real.

The undead X-File team would note that the Ghoul black market for human organs, traditionally based in India, China, Brazil and the Philippines, is spreading to crisis-hit Western countries like Greece, Italy, Spain and poor Balkan nations, like Serbia.

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Vulnerable and impoverished Zombies are trying to sell their kidneys, bone marrow, lungs, corneas and of course their blood, which is spurred on by the internet. The Ghoul traffickers use the internet body part donors to fill the glut of a global shortfall for organ transplantation. This is made worse by criminal Ghoul gangs getting in on the act, who prey on war victims for body parts or otherwise preying on homeless Zombies, who mysteriously disappear off the streets.

The creeper X-File researchers will discover that the Ghoul trade has expanded into the US where, there have been numerous cases of poor undocumented Zombie immigrants selling their kidneys via websites such as Craigslist to get by: “Thanks to the global financial crisis organ trafficking is a growth industry,” said Jonathan Ratel, a European Union prosecutor. “Organized criminal groups are preying upon the vulnerable on both sides of the supply chain, people suffering from chronic poverty, and desperate and wealthy patients who will do anything to survive,” he said.

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The Vampire elite and those who have the monetary wealth will do anything to stave off death; whereupon you can easily fathom that a hierarchal Vampire Masquerade actually exists.

But the terror of such a dystopian realisation is too much for many a Zombie to consciously handle, whereby the horrific reality is otherwise subconsciously translated into a modern mythology of shadowy night creatures, which symbolically ‘mask’ underlying truths.

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But it isn’t too dark within the underworld, there is light at the end of the infernal tunnel, which of a singularity flame is to do with the rapid development of technologies, where the mythology of Cyberpunk reigns, whose coldness of cybernetic computer science has been humanised via the Darwinian symbolism of Steampunk; it is essentially a subconsciously wrought fusion of mythic genres, which is a way for the conscious mind to deal with the coming Future Shock.

It will soon be possible to have cybernetic implants, along with creating engineered (GDF11) Tru: Blood on an industrial scale as well as having 3D printed organs, which will enable many to far extend their lifespans, of science fiction becoming fact. However, it will take time for this to occur of a Vampire technology becoming widely available to the Zombie masses. But it will still cost… money, which, like blood, you will need a lot of it, to pay for an extension of your life to become a nigh immortal Vampire.

As for the present, the old ways of the Vampire are still a reality; so, if you should ever meet up with a seductive Hungarian woman in a Goth club looking like Vampira, who says her name is Elizabeth Báthory de Ecsed, claiming she is a Countess, you had better watch out for her ‘syringe.’ This is especially the case if you are a woman, unless of course, you desire to become her drained Blood Doll; if so, charge her lots of money for the sucking, you will need it for the coming Future Shock singularity.

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DR FAUSTUS CROW FRANKENSTEIN SORCERER

Posted in Alien, Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2014 by FAUSTUS CROW

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Faustus Crow’s initial conjurations of various Frankenhooker Mind Doll Succubae Tulpas amidst his Triangle Of Art Imagination, will often assume, surreal Goetia Girl forms.

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Such can be quite inspiring of surrealist exploration. But the Great Work of this symbolic alchemy, is that of creating knitted together archetypes of refined exquisite corpses, to thereby engage with of erotic lucid dream Coitus Pactum close encounters.

British art. Frankenstein Created Woman. Hammer Films, 1967.

A Frankenhooker Mind Doll, being a thought form, is at first visualised upon her snap-to-the-grid slab of entoptic phenomena.

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Her form, however, has a tendency to shift of an electron vision manifestation into differing modes of symbolic expression.

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Crow had determined that this is due to his electrifying emotional states, which empowers his Frankenhooker Mind Doll.

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However the energetic charge of emotions are often chaotic and uncontrolled, whose domain is of the infernal subconscious mind, from where Tulpa Mind Dolls are evoked of necromancy.

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As mentioned prior, Crow’s conscious mind seeks to knit together a Frankenhooker Mind Doll into a refined Tulpa manifestation.

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But he found that his emotional self of an Igor often rebels against his Dr Frankenstein mind.

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Whereupon his conjuration of a Frankenhooker Mind Doll can take on an unformed surrealistic expression.

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Such a creature will be made up of a knitted together juxtaposition of differing symbolic associations, which can become quite monstrous of an egregore.

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This can become most irksome indeed, when to be straddled by an Old Hag crawling out of the shadows of your bedroom, which to thence leap upon you of an invading nightmare.

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The monstrosity then promptly applies its weight upon your sleep paralysis frame.

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Before strangling you with your own mounting reptilian brain-stem fear, to then mount its self of a fully fledged hypnagogic manifestation, of pure alien abduction terror.

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So afflicted, requires you becoming aware, that your own fear empowers the thing conjured up from the depths of your psyche, to then wrestle with into another form, before awakening.

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This isn’t to say that the Old Hag and that of its associated legions of corresponding monstrosities is not real.

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Quite the contrary, in fact, it is very real indeed; for your nervous system cannot differentiate between a vividly imagined event and a so called real one.

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Whence, a fully immersive lucid dream encounter with a creature conjured up from the subconscious depths is very real indeed, of a sheer horror made manifest.

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But when transformed via the sorcery art of symbolic alchemy, the Old Hag becomes whatever your Dr Frankenstein mind sets about creating it to be.

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Whom, if you so desire it to be, as a Dr Frankenstein creating a woman, she will then serve you as your Frankenhooker Mind Doll of a Tulpa Golem.

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Crow had determined the symbolic associations of a Dr Frankenstein’s conceptual thoughts are entirely empowered by his electrifying emotional states, which as stated, can at first formulate into quite alien and most terrifying hybrid creations.

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This is due to the conflict between the mind of a Dr Frankenstein and the emotional self of an Igor.

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The trick is to determine what the emotional self of an Igor finds it easier to exhume of archetypal corpses from out of the necropolis of his buried memories.

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This will then enable a Dr Frankenstein mind to knit together a Frankenhooker Mind Doll of an exquisite corpse, which he desires to give Tulpa life unto.

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The problem however is that Igor can be easily brainwashed due to his rather base nature.

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Igor is somewhat literal minded, you see; since he tends to follow the brainwashed reptilian brain-stems of the politically-correct conformist flocks.

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For example, a Dr Frankenstein mind may discover; while seeking to conjure up a knitted together Frankenhooker Mind Doll of a Succubus, that Igor has been entirely brainwashed into believing that archetypal Angels and Demons are all male Incubi.

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This is due to subliminal influences zapping Igor’s reptilian brain-stem.

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Igor’s reptilian brain-stem is basically imprisoned by an indoctrinated culture, caught between a machismo good-cop God and a bad-cop butch Devil of Orwellian mind control.

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Whereby Igor’s reptilian brain-stem, which governs over the autonomic nervous system, has been unduly imprinted since childhood.

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As the saying goes; “have a child for seven years, and you own the adult.”

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Whereupon, seven years being educated by the brainwashed can transform a child into an equally brainwashed automaton of an adult.

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Hence Igor will rebel against Dr Frankenstein’s conjurations of Succubae Mind Dolls due to his programmed nature; whereby engendering nightmarish Golem creations.

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So, Dr Frankenstein being a crafty fellow that he is, has to then pander to Igor’s, imp of the perverse base nature, when to fathom his darkest unsaid fantasies via in depth self-analysis.

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Whereby the sexual impulse is utilised of attraction, by using certain mandala imagery to meditate upon.

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Should this not work, then shock is used of repulsion in order to break down Igor’s programming.

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Both attraction and repulsion is then consciously used of simultaneous surrealist artistry.

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The fusion of the two states is highly effective in regards to hacking Igor’s programming.

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These techniques are taken further, by logically pointing out to Igor, that the all male symbolic paradigm of an encompassing mythic matrix has an underlying sexual orientation, which isn’t up his heterosexual inclined alley.

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Whereby indicating to Igor that his base Chakra has been upended through illogical fear, which has led to a conflict of interests, engendering surrealistic nightmares.

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Igor will of course become very angry, of a potent base emotion, when he realises that his emotional self, has been unknowingly abused in such a literal way by the conjured up male egregores of cultic priests, which has twisted his dreams into nightmare; whereby blocking him. Igor then rallies to Dr Frankenstein’s cause.

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Hence enabling a cerebrum Dr Frankenstein mind to have a free inner eye, guiding pentagram hand, to knit together, his Frankenhooker Mind Doll, of an artistic rebellion against the patriarchal brainwash.

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This is achieved without any further bother on Igor’s reptilian brain-stem part.

Hence they work together of layered brains to accomplish the Great Work of symbolic alchemy.

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Whereupon Dr Frankenstein creates many a knitted together Frankenhooker Mind Doll within his Tulpa lab of the imagination to thereby frequent his séance lucid dreams of an inner Harem.

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Whence to Coitus Pactum ride their Pony-Girl Night-Mare ethereal flesh, of exquisite corpse ectoplasm.

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GOLEM GIRL DOLL OF HANS BELLMER

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by FAUSTUS CROW

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The Golem of Jewish folklore, is an animated anthropomorphic creature like that of a Dr Frankenstein’s creature.

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A Golem is usually described as being magically created entirely from inanimate matter, you could easily equate with a robot. The earliest stories of Golems date to early Judaism.

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These early tales of Golems are found in the Talmud (Tractate Sanhedrin 38b), where Adam was initially created as a Golem when his dust had been, ‘kneaded into a shapeless husk.’ Like Adam his first wife Lilith was also created as a Golem.

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All Golems are created from mud. This mud is otherwise called the prima materia by the alchemists, which alludes to a symbolic code; but more on this later.

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The most well known story of a Golem introduces us to Judah Loew ben Bezalel, who is a late 16th century rabbi of Prague.

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He is also known as the Maharal, whom reportedly created a Golem to defend the Prague ghetto against anti-Semitic attacks and bloody pogroms meted out by the irate Christian’s.

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Depending on what version of this Golem story you come across, the Jews in Prague were facing expulsion from the ghetto or being exterminated under the tyranny of the then Holy Roman Emperor Rudolf II, who was later copied by the right-wing Christian Nazi’s.

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You could see Maharal as being a previous incarnation of the German artist Hans Bellmer (March 13, 1902 – February 23, 1975) who is best known for the life-sized pubescent female Golems, which he created as his Frankenhooker Mind-Dolls made manifest of Golem sculptures during the mid-1930s.

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Bellmer created his girlish three-dimensional Golems, which he photographed in erotic poses in order to show his repudiation of Fascism and the Nazi aesthetic it propagated; he was certainly out to shock!

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Bellmer’s Golems were purposefully created in order to disturb the politically-correct right-wing-Christian sensibilities at the time, when they were published at his own expense back in 1934.

Bellmer’s work still causes a stir, more so now, but for different reasons, when taken out of context of an Entartete Kunst concentration camp by the politically-correct mind-set of the Gestapo. Other works appeared in the Surrealist journal “Le Minotaure”, ensuring Bellmer’s importance among the Exquisite Corpses of the Parisian Surrealists.

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Historians of art and photography also consider Bellmer to be a Surrealist photographer. Perhaps Maharal was a proto-Surrealist or that of a mind shock Dr Frankenstein?

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Let’s say, both, fused into one singular character of a sorcerer who as a pre-Freudian psychologist knew how to create a viral-meme of a Golem; since, sorcery is art, art is sorcery, which are indivisible of practice; for both practices deal with the manipulation of symbolism, which stirs the subconscious mind of the collective dream.

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Going by the subconscious symbolism of the Golem myth, in order to protect his Jewish community against the racial hatred of the church of Rome, Maharal, like a prior Hans Bellmer, created a most disturbing Golem out of clay, which, it is said, he had derived from the banks of the Vltava river. Maharal didn’t choose the Vltava river just because it was quaintly nearby.

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The Vltava river has a symbolic importance. It turns out that the Vltava river is the longest river in the Czech Republic, running ‘North’ from its ‘source’ near the ‘German border’ in Šumava through Český Krumlov, České Budějovice, and Prague, merging with the Elbe at Mělník.

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Both the Czech name Vltava and the German name Moldau are believed to originate from the old Germanic words wilt ahwa, meaning, wild/strong water. So, the wild/strong waters of the (ley-line) Vltava is rather symbolically apt to utilise for Maharal’s Hans Bellmer doll of a Golem; and what is more, Maharal’s Golem was probably female, which he had secretly created as his Exquisite Corpse of a Frankenhooker in his hidden away loft of a ritual-magic art studio.

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According to legend of the geographic locale in question, a ‘princess called Libuše,’ who was the sovereign of the Czech tribe, married a humble ploughman by the name of Přemysl whom founded the dynasty carrying the same name. “Aha!” A Crow-ley Maharal to say, “what better ‘spirit,’ evoked. To capture into molded clay. Most disturbing, yes, indeed… this, lovely Libuše out of subconscious necropolis to recall, of Hans Bellmer Golem doll girl portayal, whom to thence haunt the Christian… neighbourhood.”

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The legendary princess made many prophecies as a prophetess from her castle Libusin, which was located in central Bohemia, whose land later inspired many a Bohemian artist, such as Hans Bellmer, who would have no doubt sculpted the princess in the likeness of his female cousin to put into his Exquisite Corpse suitcase.

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In one of Libuše’s prophecies, it is said, that she predicted the glory of Prague: “I see a vast city, whose glory will touch the stars! I see a place in the middle of a forest where a steep cliff rises above the Vltava River. There is a man, who is chiselling the threshold (prah) for the house. A castle named Prague (Praha) will be built there. Just as the princes and the dukes stoop in front of a threshold, they will bow to the castle and to the city around it. It will be honoured, favoured with great repute, and praise will be bestowed upon it by the entire world.” Prague has indeed captured the collective focus of many a mind.

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It looks as if Maharal was utilising the locale of the Vltava river because of its mythic importance to the Czech Christian’s, in order to empower his (wild/strong) construct of a Golem, via which he could then ‘remote view’ their malign intentions.

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His Golem, being probably female, would also afflict the shocked Christian’s with strangling nightmares as a bedroom invading Lilith, or to otherwise seduce away from their racialist blood lust by reminding them of their own ancestral self identity, which isn’t and never was Hebrew; for It be rather curious, that the converted Christian European’s and Muslim Arab’s make forever war over the ownership of a Hebrew self identity, personified as a cultural deity, which to a European pagan or Arab, whom still remembers their own ancestral self identity, to rationally observe, of logic, to be utter, insanity.

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The Golem was then brought into existence through arcane rituals and Hebrew incantations. This involves in depth meditation and intense visualisations upon certain symbolic stimuli to thence implant into the subconscious mind, and in turn enabling lucid dreaming.

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The Golem myth however mentions that it was given the (mantra) name of Josef, but more likely that of Yossele. The name Yossele is derived from the Hebrew for Josef, being yōsēf (may he add, God shall add). Wherefore many a mind would commonly point out that Maharal’s Golem was male, without looking any deeper into the matter, whom be blinded by an occult blind, following the blinded.

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The masculine name is borne in the Bible by a favourite son of Jacob and Rachel (GEN. 30), by the husband of the Virgin Mary and foster father of Jesus (MATT. 1).

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You also have Joseph of Arimathea, a rich Jew and secret follower of Jesus, who helped take Jesus’ body from the (solar) cross to prepare it for burial, whom supposedly took the Holy Grail (a female symbol, referring to the womb) to Glastonbury tor (surrounded by a one time inland sea) in Wiltshire, England (JOHN 19).

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It would initially appear of an occult blind that Maharal was creating a Golem of the father of Jesus in order to turn against the Christian’s of a symbolic reversal. However, Maharal’s Golem was very likely that of an alternate magical persona he had assumed of a Yossele Avatar via trance ingress, whereby enabling him to access the dreaming mind of the so called ‘Holy’ Roman Emperor Rudolf II, to thereby torment as Jesus’s father.

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This was further empowered by a conjured up female (Succubus) water sprite (Mary: Star Of The ‘Sea’) of the Vltava river, given form as a clay doll meditation focus.

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It just so happens that the Vltava river has a female association concerning a statue found in Prague, although sculpted in 1916 by the commissioned artist J. V. Pekárek.

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The sculpture is somewhat influenced by pre-Christian Slavic beliefs about female water spirits, of which Maharal was very likely aware, whose pagan existence of ancestral memory terrified the Christian cultists.

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The statue is known as the ‘Charming Stone Girl,’ which is an allegory of the Vltava river. It is one of the most popular statues in Prague historic centre, which has a prominent location.

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The sculpture is situated in the ‘Northern’ end of Dětský ostrov, literally Children’s Island, which is an island on the Vltava river. It lies in the Smíchov district of the city.

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The stone girl of a (Golem) Vltava, is close to the lock chamber standing atop of an 8 metre high pedestal; while her statue is 2.8 m tall, you then have 10.8, which in numerology reduces down to 9 of a Cabbalistic focus upon the 9th sephira of Yesod. Under her (mitochondrial DNA bio-photon) Shekhinah form are plastics depicting four tributaries.

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There is a girl with a (Yod/emotional charge) fish, who is called Sázava, a girl with a (Hey/hypnagogic ingress) bouquet named Lužnice.

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Another girl washing (Vau/nailing a lucid dream) gold is Otava, and finally, a girl with (Hey/hypnapompic egress) cog wheel (symbol of mills and iron mills, also of circular time) is Berounka. The statue is perfectly visible from the Bridge of ‘Legions’ (Most Legií) or from Janácek Waterfront (Janáckovo nábreží).

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Dětský ostrov is mentioned in texts as early as 1355. Until the 18th century, it was called Maltézský Island, after the owner of the Maltese monastery Panny Marie pod řetězem (Church Of Our [Mary/Star Of The Sea] Lady) in the Lesser Quarter.

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Subsequently it was named after members of Prague’s Jewish community who owned the land, such as Hykyšův, Funkovský, and Židovský of a trinity.

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Each year on All Souls’ Day (November 2), members of the association ‘Vltavan’ place a wreath at Vltava’s statue as a memorial to those who have drowned in the river, which of Slavic myth is very much tied up with discarnate females who have become Rusalka, whom live under water, whose aquatic domain symbolises the amniotic (grail/cauldron/back of the head) womb dream.

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It is also said that the Yossele Golem could make itself invisible and summon spirits around a séance table to turn, conjured up of necromancy, from out of the watery dream realm of the dead.

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Now, this is rather intriguing; if Yossele specifically refers to the Golem, then it sounds more like a thought-form, of similarity to what the Tibetan Buddhist’s call a Tulpa, which are conjured up as constructed Goetia spirits with varying functions, whose thought-form constructs can also materially manifest.

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But as mentioned prior, Yossele could actually be Maharal’s remote viewing Avatar, but it would require being empowered by a feminine source, just as an Adam needs a (Priestess Of The Silver Star) Lilith.

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Whereupon Vltava of a fifth element amidst four elemental tributaries was translated into a Golem construct of a Succubus to penetrate via trance, which enabled Maharal to remote view the (Tau-field/Morphogenetic-field/collective dream) spirit of a place.

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Some of the tales, concerning Golems, such as those of Chełm and Prague, as well as in Polish tales, and of a version covered by Brothers Grimm, involves the Golem being inscribed with Hebrew letters.

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These letters spell out the word Emet, ‘truth’ in Hebrew, which is written on the Golem’s forehead.

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The Golem could then be deactivated, when needed, by removing the Aleph in Emet, thus changing the inscription from a ‘truth’ to a ‘death,’ Met, meaning ‘dead.’

But, of course, the idea lives on as a viral-meme, when the idea takes up residence within the brains of individuals; this being more to the point concerning the creation of a haunting Golem, like a neuro-advertising tune, that you can’t get out of your head. Whereupon, the more shocking the idea, the more likely it will take on a mythic (Tulpa) life of its own.

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Other versions of the Golem tale relate that after conjuring an entity into a clay receptacle of a meditation focus, it could be brought to life by placing a magical formula, known as a Shem into its mouth, which could be later immobilized by pulling out the Shem. This technique was also utilised by the ancient Egyptian’s by the way.

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The immobilisation of a Golem could also be brought about by reversing the creative formula. Rabbi Jacob ben Shalom, who arrived at Barcelona from Germany in 1325, to have remarked: “the law of destruction is the reversal of the law of creation.”

Basically, after the thought construct of a (Tulpa) Golem is encountered within a lucid dream it can then be fixated into material form, such as a ‘stone girl’ upon which the sorcerer focuses upon, like that of a Voodoo doll; wherefore you have the motif of a Genie in a lamp/bottle.

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This process of a (Tulpa) Golem creation can be reversed of dispersal, when to return back to the source. Or to otherwise transform a symbolic stimulus into another form of expression, by reversing its meaning.

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The spirit repository of a statue is often broken so that it cannot be used by others, as well as its viral-meme influence being dispelled; likened to that of the sacred swastika of the Hindu’s, to break apart, by transforming it into a hated Nazi icon.

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Back in 1625 Joseph Delmedigo relates that: “many legends of this sort are current, particularly in Germany.”

These German folktales invariably led to Mary Shelley creating her Germanic Golem of a Fankenstein, whom may have come across the earliest known written account of how to create a Golem, which can be found in Sodei Razayya by Eleazar ben Judah of Worms (1165–1230).

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The myth of the Olympia mechanical doll of a Golem, and Shelley’s Frankenstein has very much influenced the artificial intelligence movement.

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Now, let us look at the Hebrew word for ‘truth,’ being Emet, which contains the first: Al-ef, middle: Nun, and the last letter of the Hebrew alphabet: Tav, indicating that the ultimate ‘truth’ is associated with, birth/beginning, your present life/existence and death/end.

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Basically, Emet is associated with the process of ‘time,’ in particular, of an ‘abstract,’ which is inextricably linked to ‘space,’ as in space-time. However, ‘time’ is usually perceived to be linear by our nervous-systems, which Albert Einstein to have stressed is an illusion.

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Time is actually happening simultaneously, because it is looped, since space is a sphere. What you then have is a sphere of time, which in two dimensions is described by an abstract circle, the ancients symbolised as a snake eating its own tail, called an Ouroboros encircling an egg representing space.

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The Ouroboros is also depicted as a Lemniscate, or that of a Moebius strip, which indicates that your existence endlessly repeats of Eternal Recurrence.

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In the Tarot, Al-ef/Aleph is the Fool: 0, Nun is Death: 13 and Tav/Tau is the World/Universe: 21. Al-ef (Fool) of a ‘0’ is your return (birth) back to a recurring cycle.

But you have forgotten what you have already experienced many times; hence that of a clean slate, driven, on automatic. Like that of a body, without a head.

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The problem, is that you will end up repeating everything, like that of a pre-programmed (Golem) automaton, until you remember certain key memories, which will be initially experienced as déjà vu, and as precognitions. These trigger memories tend to be associated with emotionally charged sexual encounters; whence you have the motif of soul-mates.

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But it will not be a case of remembering past-lives or seeing into the future, such a perspective is (foolishly) linear of a ‘fence;’ it will be more of a case that you are remembering the endless Ouroboros cycles of Eternal Recurrence; yet your initial realisation of this, will be that of an abstraction.

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When you start to remember, to slowly conceptualise, your conscious mind will often not be able to handle the full impact of its experiential reality.

Whereupon you either quickly forget, or your subconscious mind otherwise transforms your awakening into symbolic conceptualisations, which is most often interpreted as being past lives or as precognitions.

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An analogy would be that a programmed (Golem) robot starts to become sentient; but only when it remembers of Knowledge, otherwise it stays as a blissfully ignorant programmed (Golem) robot in its repetitive Eden.

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The middle letter of Nun (Death) equates with the head of the snake eating its own tail, where you are both alive and dead simultaneously, as indicated by Schröedinger’s cat experiment.

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This can be personally experienced when you achieve (split screen) hypnagogic trance, where you are between (Land/Life) waking and (Water/Death) sleeping, wherefore the letter Nun means, ‘fish,’ describing (Mud/prima materia) an ‘amphibious’ state of consciousness. The hypnagogic (Mud) state is analogous to a (Golem) robot being able to hack into its own (Land) programming via the virtual reality of its (Watery) electron dreams.

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Tav (World), it is here that you realise that your experiential reality is an illusion, which can be otherwise termed as being a ‘simulated reality,’ the Hindu’s call (Mother/Vesica Pisces/Vagina) Maya. An analogy would be that of an artificial intelligence (Golem) existing in a video game reality becoming aware of the (Emet) ‘truth’ of its simulated existence.

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When you become aware of your simulated existence at ‘Tav,’ you also become aware that you can create (Tulpa/Golem) simulations when to access the (amphibious) hypnagogic (Mud) state out of which (Tulpa) thought-forms (Golems) can be created. These (Tulpa) thought-forms (Golems) can manifest into material existence over time.

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The initial embryonic existence of a Golem is within your amniotic (Watery) electron dreams, which after being (Land) programmed, is then activated via (Mud) hypnagogic (amphibious) trance. The Golem then starts to become more substantial, inducing pre-programmed (microcosmic) lucid dreams, which are illuminated by the bio-photon emanating from amidst your mitochondrial DNA.

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This leads to concordant (macrocosmic) synchronistic feed-back-loops as well as instigating poltergeist phenomena and even physically manifesting at certain key-times as a ghost. Wherefore a Maharal can create a (Golem/Tulpa) ghost girl to (Skinwalker) haunt the (Tau/Morphogenetic field) locale of his antagonists, whose physical spirit repository would be that of ‘Charming Stone Girl.’ Like that of a ‘Wild/Strong’ Rusalka genie, being conjured out of a bottle as an Entartete Kunst Wilt-Ahwa Valkyrie, furiously riding an Ouroboros cycle of a cog wheel gold bicycle, holding onto a bouquet basket of fish. As mentioned prior, shocking ideas (Bellmer’s Doll/Golem) take on a Tulpa life of their own, which to thence spin the electron dreams of the collective, because they are empowered by the (prima materia) emotional charge of the shocked audience.

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WEDNESDAY ADDAMS GOETIA GIRL FURCAS

Posted in Addams Family, Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

Wednesday Addams

Furcasa/ Forrasa/ Forcasa is the fiftieth Succubus of the Goetia. She is a Knight and high President controlling 20 legions of most salacious Succubae like herself.

She appears as an Emo, “child of woe; she is wan and delicate…sensitive and on the quiet side, she loves the picnics and outings to the underground caverns…a solemn child, prim in dress and, on the whole, pretty lost…secretive and imaginative, poetic, seems underprivileged and given to occasional tantrums…has six toes on one foot…” as described by Charles Addams who evoked Furcasa amidst his Triangle Of Art Imagination as his inspiring Art Muse, to otherwise name her as Wednesday Friday Addams.

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She is sometimes seen to be riding a rocking horse as well as carrying a sharp knife. She teaches the virtues of herbs and precious stones, logic, aesthetics, chiromancy, pyromancy, and rhetoric.

She can make her master invisible, ingenious, and articulate. She can also find lost things and discover treasures. Beware, she has a wicked sense of Discordian humour.

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Wednesday is derived from the German Wodensdaeg, which means Woden’s day. Woden is the Germanic name of a Shaman God of death and magic, who is otherwise known as Odin by the ancient Norse. Woden is of similarity to the ancient Greek God called Hermes, the Roman’s called Mercury.

In Spain, Wednesday Addams is called Merlina, being the feminine name of the (Shaman) Magician Merlin.

Woden’s feminine counterpart was called Frigg or Freyja, from whose name Friday is derived. Freyja in particular is the Goddess of ‘sexual love’ and ‘Witchcraft,’ who is of similarity to the ancient Greek Aphrodite, the Roman’s called Venus. As for the name Frigg, it gave rise to the slang term for female masturbation.

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In other words, the name of Wednesday Friday Addams refers to Death (Saturn), Magic/Witchcraft and Sexual Love. Charles Addams, was a well read fellow, as well as being an astute symbolist, and of course a surrealist. He was no doubt aware of the symbolism he utilised; whereas most others did not, since they never looked any deeper into the matter.

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Wherefore, you can deduce that Addams had a dark sense of humour, which is somewhat obvious. Basically Addams was making a social comment throughout his work, at a time when World War 2 raged, in which he served, followed by the Korean conflict and the Vietnam war of most bloody slaughter.

It was during the Vietnam war, that the Addams Family was televised; while Hippies chanted,  ‘make love, not war.’ Hence, you have Addams relating that Wednesday Addams number is ‘Six,’ which is associated with Sex and the Six-pointed star of the Sexagram.

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MONSTER X FILES

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Occultism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The 1960’s sitcom, The Munsters, utilised the iconic Monsters of Hollywood for its social satire, which became very popular. The original pilot episode was done in colour; but thereafter was shown in black and white, in order to give it a certain ambience, which was lacking in the pilot; also, the principle female character, called Phoebe was replaced with Lily. This was due to not only Phoebe looking somewhat like Morticia Addams, but also, she was far too Vampira sexy for a 60’s sitcom. The character Eddie, was also toned down, who was originally depicted as a psychopathic kid.

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There have been remakes of The Munsters, one of which of recent fare was Mockingbird Lane; but it lacked a certain something. This may be due to the fact that it as directed at the children’s market, which of point of fact, the original Munsters was not targeted at. When The Munsters was first shown, which, just so happened was in competition with The Addams Family, both of these shows were directed at a more adult market during the 60’s.

At the time, when The Munsters was first shown, horror imagery in children’s comics was banned; any references to Vampires, Werewolves, Zombies or Ghosts etc, had been censored, which nearly wiped out the American comics industry. This however led to the ascendency of the caped Superhero comic, which filled the vacuum.

You could still find horror shows on TV; but they were shown late at night, for the gathered adults. It was not until later that The Munsters and the Addams Family became the favourites of the children’s market, when these sitcoms eventually found an earlier showing time.

The present Monster X Files reinterpretation of The Munsters is primarily directed at the adult market, whose strange audience remember their childhood days watching The Munsters, which has been fused with conspiracy theories. Said conspiracy theories are not so much theory, but horrific fact, in certain cases of an on going reality; whereby, the likes of Hollywood would never explore such horrors, because they are far too close for comfort.

What type of conspiracies would The Munsters investigate? Well, the Murder of Marilyn Munroe Munster comes to mind, along with the Assassination of JFK, the Roswell Crash, Nazi UFO’s, Nikola Tesla, Time Travel, Aliens, Free Energy Suppression etc;  but of course, in this universe The Munsters are for the kiddies, in no way, would Hollywood explore these Monster X File themes; whereas in an alternate universe, where you find the likes of Horrorwood, The Munsters reveals the dark side of humanity, which is exorcised through the medium of Discordian humour:

CLICK, the below Preview Book Pages, for the Book: ‘Monster X Files;’ Available on Kindle.

Monster X Files 1

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