Archive for mermaid

MEN IN BLACK SIRIUS TIME TRAVEL

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2015 by FAUSTUS CROW

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Many of the supposed close encounter contacts with aliens, prior to the late Hippie era 1970’s did not mention Sirius, until the book, entitled, The Sirius Mystery was published by St Martin’s press during 1976, authored by Robert K. G. Temple.

When to read Temple’s book, you might conclude that his surname is somewhat apt. Of a curious aside, 1976 reduces down, of numerology, to the notorious number twenty-three, and thence to the number five of pentagram, whose traditional colour association is red.

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It just so happens, that Johnny Sands, a country-western singer living in Las Vegas, saw in the sandy desert one fateful night, a 60-foot craft at about 1000 feet altitude, shaped like the Goodyear blimp, with portholes around the circumference on the 29th of January 1976.

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The object appeared to land upon the desert sand; Sands then saw two humanoid figures approaching him, the author Carlos Castaneda would term as being shapeshifter, Allies, whose inorganic feminine intelligence frequents the (Da’at) desert between worlds. Sands related that he, froze, he wanted to move, but he couldn’t, as if he had lost his ‘John’ the ‘Baptist’ head. The figures came near him, to about three feet away. Sands believes that the humanoids came from Sirius, since they had amphibious fish gills.

As for Temple’s 1976 book about ‘Silver Star Sirius,’ of the thirteenth Cabbalistic path of Gimel, it presents the now common ancient alien hypothesis that the Dogon people of Mali, in West Africa, were in contact with humanoid amphibians from the Sirius star-system, the Dogon call, Nommo.

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However, the Dogon iconography depicts the amphibious Nommo with phallic heads, who represent ancestral shamans, whom were highly adept at inducing trance. The Nommo are emulated by human specialists who seek to attain an amphibious state of hypnagogic trance, betwixt and between the binary star pylons of, (land) waking  and (water) sleeping. It is via this altered state of amphibious consciousness that the Nommo adepts are enabled to remote view far off places, such as the Sirius star system, around which the Dogon say there is a planet of (mermaids) women.

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The planet of women represents the inner space of the dream, which is symbolically equated with the womb. The womb of the dream is accessed via the hypnagogic state of trance, which is symbolically represented as a star-gate, since the ascendancy of Sirius marks out the best time to attain trance ingress into the watery domain of the dream, in league with the gravitational pull of the Moon.

This inner stargate is seen as the vagina, into which the Nommo adept, trance ‘Slides’ into as a ‘phallus‘, whose ejaculation is his disembodied spirit; the dream then births the shamans symbolised desire as a manifest (sign, portent, omen) synchronicity.

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Temple’s extraterrestrial theory was heavily based on his interpretation of the work of the Christian ethnographers Marcel Griaule and Germaine Dieterlen. A substantial bulk of The Sirius Mystery consists of comparative linguistic and mythological scholarship, pointing out resemblances among Dogon, Egyptian and Sumerian beliefs and symbols, as well as Greek and Arab myths. But it is used to translate the Judaeo-Christian paradigm into the realm of science fiction, as well as being externalised of a hard-technological perspective. The shamanic aspect is invariably left out of the equation, which is due to misunderstanding, as well as habitually distrusting the psychic component pervading the numerous myths.

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This isn’t to say, that when the symbolism is otherwise interpreted from a shamanic perspective it then discounts contact with another form of intelligence. Far from it, since there is evidence that remote viewing is possible via trance, and from within lucid dreams, and that the ability enables an individual to access information throughout space and time, which is essentially a natural form of time travel.

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You might consider time travel to be impossible; however, at the quantum level, which can be accessed via dreams, time can move in both directions, this occurs because the fabric of space is expanding faster than light; wherefore, time also flows backwards.

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In other words, what Temple communicates about the Dogon’s ancient knowledge about Sirius could have been otherwise accessed from the future, when to have consciously accessed the quantum reality of the dream as Nommo, the Dogon describe as a planet of women.

You could equate the planet of women with a future time period around the wheel of the Zodiac pointing out the ages of precession, which of a wobble was symbolised in ancient times as a five pointed Star (Pentagram) atop of the Earth’s (World Tree) axis-mundi.

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It is from the planet of women, the Dogon say, human souls emanate; somewhat akin to the consciousness of individuals being downloaded into a (Maya) Matrix (Beehive) of an ancestor simulation.

It is very likely that a time travel technology will be eventually devised, whose hard technology will be based upon what a shaman can do naturally via trance and dreaming in the future.

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Whereby the technology will involve what could be construed as being a psychic component. But then the sensory experience of space and time is indivisible to your consciousness.

Such a time control technology will enable your descendants to either send a signal (Philip K. Dick’s Pink Beam) back into the past, in order to ‘spin’ the electron dreams of an ancestor, or that of physically travelling back into the far distant past in a time machine, looking like a UFO, a Hindu would call a Vimana.

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The time travellers will not reveal who they really are, who will play surrealist games with their respective contacts. If a time traveller reveals the truth, it could lead to all sorts of problems.

For example, the minions of the military industrial complex wouldn’t think twice about appropriating the technology of the time traveller, let alone dissecting him or her, even though the time traveller is your future kin.

Although, at times, they will engage in communicating information in a highly symbolic fashion, which may not be understood by their contact at the time of the encounter, since the symbolic codes have been engineered to be later understood by others.

The underlying reasoning of the surreal games will be that of manipulating society via its myths, which is basically, social engineering in order to engineer alternate realities, the time travellers have the ability to ‘Slide’ between of controlled time-slips.

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Should a time technology actually exist apart from what a shaman can do naturally, then the future civilisation of the time travellers is presently all around you, which of varying time-lines would probably require being policed, by what you could term as being Men In Black.

But don’ forget, there will also be Women In Black too, who, as Queen Bees, they drive around in their time travelling shiny black Cadillac’s looking like Vampira, having the surrealist humour of Elvira.

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SIRIUS STARGATE WORMHOLE SLIDERS

Posted in Alien, Chaos Magic, Film, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2015 by FAUSTUS CROW

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Sliders is an American science fiction and fantasy television series, created by Robert K. Weiss and Tracy Tormé, which should have been made into a feature film. It was broadcast for ‘five’ seasons between 1995 and 2000.

The premise of the show is somewhat akin to Little Nemo in Slumberland, whose principle character Slides into different dream worlds, like that of a ‘horned’ shaman travelling through inner space via the hypnagogic stargate of trance. Whereas Sliders is primarily technological of focus; although, to Slide is like that of a (phallic) Serpent ‘Sliding’ its way through a (vagina) hole.

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The show follows a group of four people, called, ‘Sliders,’ as they travel (‘Sliding’) between different Earth’s existing within parallel universes via a (stargate) vortex-like wormhole, who are seeking to return back to their original Earth Prime.

The vortex can only be opened at random (key-time) intervals on each new world, monitored by a countdown clock on a portable (Zodiac) timer, which they carry; failure to open the vortex in time would strand the Sliders for 29 years, 7 months in that universe. (29th Succubus of the Goetia: Astaroth, of the Seventh dimensional sphere.)

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While waiting for the timer countdown, the group learns about each of the alternate Earth’s, which are different from their own, who often become unwillingly involved in events, that they must resolve before they can safely leave via the vortex. The travellers have no control over what world they end up in, as they continually look for means to find Earth Prime.

The pilot introduces the four original Sliders: Quinn Mallory (Jerry O’Connell: Air), a graduate student in physics who discovered and refined the Sliding technology; Professor Maximillian Arturo (John Rhys-Davies: Fire), Quinn’s mentor; Wade Wells (Sabrina Lloyd: Water), Quinn’s friend; and Rembrandt ‘Cryin’ Man’ Brown (Cleavant Derricks: Earth), a professional singer who is accidentally caught up in the first major test of the vortex, who is thereby forced to join the others.

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Their first Slide lands the Sliders on an Earth, which is suffering from a second ice age. Quinn, against his better judgement, uses the timer to open the vortex prematurely in order to save the group from an ice tornado bearing down on them. The motif of a (spun electron) whirlwind, the author Carlos Castaneda described an Ally (inorganic female intelligence) to look like, of an initial manifestation.

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As a result, the sliders lose the ability to return home and must slide from world to world hoping that the next slide is their own Earth.

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Many of the episodes in these early seasons focused on Earth’s, which resulted from alternate histories, such as the British winning the Revolutionary War, or antibiotics never being discovered. Within the second season, the four encounter a humanoid species called the Kromaggs, who also have a ‘Sliding’ technology.

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However, the Kromaggs use ‘Sliding’ to primarily ransack other Earth’s for slaves and resources of similarity to David Icke’s reptilian’s, which are basically a symbolic continuance of the Biblical fixation upon Demons.

The Kromaggs may be an allusion to the Men In Black (MIB) of UFO-lore, who have an uncanny knack of appearing out of nowhere, to then disappear into thin air. Said MIB’s were also brilliantly featured in the science fiction TV series, Fringe.

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In the third season the four Sliders are joined by a fifth member of their elemental team, Captain Maggie Beckett, (Kari Wuhrer: Spirit). Another character called Dr. Diana Davis (Tembi Locke) appeared during the fifth season who took over the role of Professor Maximillian Arturo.

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You can imaginatively gather that one of Quinn Mallory’s heroes is probably the physicist John Archibald Wheeler, who no doubt influenced Mallory’s research. Back in the 1950’s, Wheeler held a passionate belief that, “everything is geometry,” and one particularly intriguing idea he called, charge without charge.

“There are no pointlike electric charges,” Wheeler proclaimed; rather, “electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth. If you were small enough, you could dive inside the electron and emerge from a positron far away.”

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When you become lucid within a dream, your consciousness is small enough to ‘Slide’ into and through a mini-wormhole, Wheeler says is actually an electron, which can be in many places simultaneously throughout space and time.

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Sounds crazy doesn’t it, but ancient shamans have been aware that you can access other alternate Earth’s via conscious dreaming, which of an ability has been communicated in their art, down the ages, across the globe.

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The shamans use the common motif of a spiral, which describes the inner stargate, whose portal can be consciously accessed when to achieve hypnagogic trance. Hallucinogenic mushrooms are often depicted alongside the spiral, which were used to facilitate trance ingress. One of the key-times under the star clock, when trance ingress is easier to achieve is during the Dog Days, marked out by Sirius.

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In ancient Egypt, the Dog Days indicated the flooding of the Nile due to the gravitational pull of the Moon, which also has an effect upon your dream states. It is a distinct possibility that a pyramid was used as a ritualistic dream incubator, wherein a Pharaoh shaman would lay bound up within a sarcophagus of a proto-flotation tank in order to travel through time, from inside a lucid dream.

The Dogon tribe of South Africa as well as the Bushmen of the Kalahari, were also aware that trance ingress (winged Eye) into the (womb) dream is easier to achieve during the Dog Days, whose shamanic adepts of trance were symbolised as Fish-men, called Nommo, who were able to attain an amphibious state of consciousness.

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These human adepts of shamanic trance were also symbolically represented as various amphibious creatures, such as Frogs and Toads, along with reptiles, whereby you have the motif of the Dragon as well as the (‘Sliding’) Serpent.

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The amphibious state of consciousness is basically hypnagogic trance, where you experience being between waking (land) and sleeping (water) simultaneously, which is symbolically represented by the two intersecting circles of the Vesica Pisces, resulting in an (X Point) almond shape at the centre. The almond shape represents the vagina, as well as a (phallic) Fish.

The hypnagogic state of trance (symbolised as a Horse by Mongolian shamans, the ancient Greek’s represented as Pegasus) is experienced before you access conscious dreaming, via which you can then gain ingress into an inner stargate, represented by the spiral.

What you to dream of, you have no need to apologise to the politically correct thought police, should you engage yourself in Tantric dream Yoga, which of sexual symbolism, the inner stargate is represented as the vagina, whose uterine star barrelled (wormhole) tunnel leads to an alternate reality of a womb world. Wherefore, the motif of the (‘Sliding’) Serpent has phallic associations. Hence the Nommo of the Dogon are often depicted as being phallic headed.

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As for the encountered denizens of the watery womb domain of the amniotic electron dream, they were often seen to be female, wherefore you have the motif of the Mermaid.

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Many of the ancient spiral depictions of the inner stargate also depict ‘horned’ shamans standing next to them; they are not depictions of neo-Gnostic Newage aliens, wearing spacesuits, having antennae, let alone being Abrahamic horned devils. One such horned shaman is depicted at Mohenjo-daro, who is seen to be a proto-depiction of the Hindu deity called, Shiva. A similar horned shaman can also be found on the European Gundestrup cauldron, who is termed as being the Celtic deity called Cernunnos.

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It just so happens that there is a statue of Shiva, which can be found at (Cern-unnos) CERN, whose (magic circle) Hadron Collider may one day lead to the eventuality of the scientists developing a Quinn Mallory, ‘Slider’ technology, which will no doubt be based upon an understanding of what horned shamans can do via their ‘spun’ (spiral) electron dreams.

It isn’t too surprising that Shiva, who is the Lord of Yoga, is to be found at CERN, since many a physicist have been inspired by the multi-dimensional philosophies of ancient India, whose investigations into the nature of consciousness and reality was a precursor to science.

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Though highly symbolic, the philosophies of ancient India foresaw many of the present findings of the scientists; wherefore, you find Shiva of a shaman Cernunnos at CERN, which doesn’t have anything to do with Devil worship, Satanism, Luciferianism or the Illuminati, whose indoctrinated minions, along with their fear porn mongers share a common fixation upon Abrahamic symbolism, which is so bloody obvious. Shiva is at CERN, because, India is one of the oldest cultures in the world.

Time is the final frontier to go beyond, otherwise, space will become as a prison; your ancestors understood this fact, which is the reason why so many ancient cultures around the globe were fascinated with time. Time Slips probably occur of a natural phenomenon, all the time, but we are just too unaware of them; whereas the (Shiva/Cernunnos) shamans discovered a way to consciously utilise Time Slips.

Wherefore Shiva represents the destroyer of time; that is, destroying your mundane illusory perception of its constant forward momentum. When travelling faster than light, time moves backwards; whereby you then attain time travel. The shamans became aware that consciousness travels faster than light; but, the observing self, existing within three dimensions is constrained by its observed constant speed of light and time.

May be the scientists have already achieved the technological translation of the shamanic feat of soft-technology into a hard-technology, upon this Earth, or that of another; whereby you might just have UFO-lore MIB’s policing the hard-technology ‘Slides’ (Time Slips) between alternate Earth’s, existing within parallel universes.

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YELLOW SUBMARINE ILLUMINATUS GIRL

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Remote Viewer Aaron C. Donohoo may have been the first magician to have ever had a tangible glimpse of the Forty-second Goetian Succubus Vepara, otherwise called Vephara.

His flat psychic photograph, which was taken just after conjuring this Succubus of the Fallen Anima into his temple of a padded bedroom, depicts her as a sensual submariner seated astraddle his altar to orgasmic alter.

What you would have observed in Donohoo’s two-dimensional photograph was a statuesque woman with piercing eyes and a somewhat pronounced chin.

Behind her, a vaginal rip of a wormhole, through which could be seen captain Nemo’s Nautilus of a yellow submarine, made famous by the Beatle’s song. She psychically informed Donohoo that her submarine is a Leviathan class Nautipuss.

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What was especially noticeable about the two-dimensional photograph of Vepara, was her Lovecraftian Octopussy hair. While not twisting like octopus tentacles, her hair did slither serpentine, of similarity to the hair style of the legendary Medusa.

The psychic photograph also showed something else; projecting downward, from the head of Vepara, was various distortions, like ripples from a tiny ‘stone’ dropped into a still pool of clear water. Does this suggest some kind of energy spreading away from this Succubus, or is this some kind of Sirian radio beacon?

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The legends of Vepara indicate that this demonic Succubus has been especially known to wet dreaming sailors, if not by many other cultures in ancient times, whom experienced her three-dimensional lucid dream reality.

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The mermaid legend obviously has its mythic roots in this Succubus, who is a dream creature of the astral sea between worlds.

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One story says: “Vephara appears as a mermaid, a daughter of Dagon, some to say, she has emerald scales trimmed in silver and seaweed tangled in her hair. She may also appear at times to be a beautiful slender woman, but this shape is insubstantial and is used only to lure sailors to their deaths. Her fingers are webbed and she has small gills behind her ears.”

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Yet another legend claims that Vepara: “governs the waters out of Innsmouth, who torments the armed warships of the brainwashed herd, and can cause stormy weather to verily afflict ever warring naked apes, who continually war over their Lilliputian religions of the deified Animus.”

“The three Liliputian religions of the of the Illuminati triad of UR who worship the deified Animus, made as monotheistic God and Devil has caused much woe in the world.”  

This Succubus is known of to a Discordian cult of Dadaist anarchists who worship her as, “The Illuminatus Serpent Queen of Surrealism.”

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The Medusa story . . . a beautiful woman who had her hair turn to a nest of twisting snakes because she rivaled the Goddess Athena in beauty . . . may well have its roots in the legend of Vepara.

The ancients said that Vepara has the ability to cause horrible wounds to those who seek to cause her master harm.

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These wounds will manifest as gashes, which will putrefy and fill with worms; though not seen by others, the wounding will be there, invisible.

It was said that any man who looked at Medusa would be turned to stone, whose head, Perseus was to later have upon his protective shield of emblem.

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The story is that Vepara is very much at war with the Orwellian New-World-Order kingdom of a Big-Brother God, whose monotheistic fascist minions have poisoned the waters of the world with their eugenic insanity.

“This great and most strong Duchess, called Vephara plies the waves piloting her leviathan of yellow copper, which holds sway over the astral sea. Her crew are like she, mermaids all, who come by way of Sirius; their nature be amphibious, whose submariner city is below the amniotic waters, of infernal ocean depths. She can guide her master across the astral waters towards other worlds of isle, when he to dream, and she will always do so, at his request. She has dominion over twenty-nine legions of Succubae.”

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As for Donohoo’s two-dimensional psychic photograph, which for a time was claimed to be physical proof of a Succubus visitation from the ‘SEVENTH’ dimension, it has mysteriously disappeared.

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Although it could have turned into a pool of poisoned tap water, just before the Nurse gave him his fluoride based… sedative.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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