Archive for spirit evocation

THE DEVIL GIRL OF DOCTOR FAUST

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2016 by FAUSTUS CROW

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The above watercolour painting is provisionally entitled: Mephistophina. The artwork is A4 in size, which was initially drawn in Derwent and Caran Da’che watercolour pencils on 300g/m Aquafine watercolour paper, then painted, involving some burnishing.

The original Artwork is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

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The artwork depicts a female version of Mephistopheles, who is commonly considered to be a name of a male spirit in the Faustian legend, who in return for his assistance, Faust signs away his soul as depicted in Marlowe’s and Goethe’s grandiose Church plays. The origin of the conception and name of Mephistopheles has been the subject of much learned debate among numerous scholars down the ages, whose all male pantheon of a deified ‘Animus.’ has entirely negated the feminine principle of the ‘Anima,’ yet none to really question, why?

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As of per usual commonality in the numerous Playgirl Grimoires frequenting many a Hogwarts bookshop, you will find in Dr Faust’s Höllenzwang that (Mephistopheles) Mephistophiel is considered to be one of the seven great phallic princes of hell, who is seen standing under the planet Jupiter. The regent of the planet Jupiter is called Zadkiel, an enthroned machismo angel of the deified ‘Animus,’ made as an all-father-fixation God, named Jehovah.

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The artwork is loosely based upon an illustration of Mephistopheles, as found in the Grimoire, entitled the, Threefold Coercion of Hell; also called, Cabalae nigrae, or the Magia naturalis et innaturalis as well as the Black Raven, which is said to have been authored by Doktor Johannes Faust.

The Grimoire illustration is listed as being plate 10 in the Threefold Coercion Of Hell, which depicts the first appearance of Mephistopheles, manifesting as a ‘fiery Bear.’ He then later manifests of fairer appearance as a little man with a black cape, having a bald head like a monk, who could be seen as a Bonpo Tibetan Buddhist practitioner of Tantric dream Yoga, since its ancient practice would most definitely piss off the worshippers of the deified ‘Animus,’ made as a Jehovah/God/Allah – Devil/Lucifer/Shaitan.

However, if Faust was truly a rebel, of a ‘heterosexual’ orientation, he would have no doubt noted, just like the psychologist Carl Jung, that the all male pantheon of a patriarchal ‘Animus’ fixation has castigated the feminine principle of the ‘Anima’ out of the spiritual equation.

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Wherefore, as a rebel, he would seek out to conjure what has been cast into the abyss, whence to discover a real Necronomicon.

Hence, Faust would reverse the polarity, by conjuring up a Succubus ‘Anima’ fluctuation to name Mephistophina, who would then be in Faust’s mind one of the rebel Succubae of the seven planets, you could equate with the seven Chakras of Yoga practice.

To Faust himself, being a somnambulist and medium, Mephistophina has a real existence; she would be the personification of the transcendental  ‘Anima’ subject of Faust, an experience familiar in dreams, and more especially in the visions of Siberian shamans. Many of the Siberian shamans practice Nigredo trance and Albedo (fiery) lucid (cave) dreaming, via which they engage themselves with the ‘fiery’ Bear (female shaman) spirit, named Udagan, who Rubedo rebirths them back into the world, renewed.

Mephistophina would thus be a familiar spirit, akin to the Udagan of the Siberian shaman, who is of similarity to the inspiring ‘daemon’ of Socrates; and being an Entartete Kunst archetype, censored by ‘closeted’ theologians, Mephistophina would also represent a rebellion against the all male, Right-Hand-Path paradigm of a deified ‘Animus,’ made as a God.

It is suggested, then, in the light of modern research into lucid dreaming, that Mephistophina, though being a two-dimensional Grimoire image of a meditative aid, becomes as a three-dimensional interactive reality within a (sexagram/sixth-sense) ‘Coitus Pactum’ lucid dream; whereby the ‘Osculum infame,’ takes on a whole different meaning. The Osculum infame is the name of a supposed ritual greeting upon meeting with the Devil. The name means The Shameful Kiss, or The Kiss of Shame since it involved kissing the anus and genitalia of the (Mephistopheles) Devil.

A heterosexual male mage kissing the butt end of the’Animus’ archetype of a Mephistopheles, would find the Osculum infame, to be a very shameful act indeed, unless his sexual preference is otherwise of orientation. Not too sure about how heterosexual Witches feel about kissing the behind of their ‘Animus.’ Although it is said that 47% of women read superhero Grimoire comics, which feature chiselled chinned, sculpted males, wearing colourful skin tight leotards, revealing their tight Baboon butts. Apparently women, like tight Baboon butt males… a lot, ever since we were all apes. As for their Sapphic sisters they would be none too pleased, who would far prefer Mephistophina presenting up her arse.

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As for bisexual Aleister Crowley mages and their Babalon kin, they have no need to rebel against the all male paradigm of the deified ‘Animus;’ it suits them just fine.

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Mephistophina would then be Faust’s familiar, who is simply an aspect of his ‘Anima,’ manifesting in various guises, as a (Udagan) Bear, as an Elfin girl, as a Nun, as an invisible poltergeist presence ringing a bell, thrice; but always recognizable as the same familiar, who is his ‘Anima’ fluctuation of a Succubus, a Tibetan Buddhist would otherwise term as being a Dakini, who is a fluctuation of Shakti.

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Mephistophina is depicted partly dressed as a noblewoman, all in ‘Rubedo’ red, with an astral flight feather in her hat. The tattoo on her left shoulder is a Native American ‘heart-line’ Bear claw, referring to the power of hypnagogic (Nigredo) trance, which in shamanistic practice is experienced as residing in the (heart) chest area, where most of the nerve fibres of the Central-Nervous-System are to be found. The skull and crossbones on Mephistophina’s stockings, also refers to hypnagogic (Nigredo) trance.

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The crossbones is associated with the seventh Rune of Gebo, looking like an ‘X,’ whose symbolism refers to self-sacrifice into hypnagogic (Nigredo) trance as well as the introversion of the sexual impulse. The Gebo Rune has its equivalent Hebrew letter, being Gimel of the Cabbalistic 13th path interpenetrating Da’at, and Tarot card of the High Priestess Of The Silver (Sirius) Star, a Siberian shaman would equate with Udagan. In other words, the sexual impulse is introverted by prior meditating upon (High Priestess) Udagan, in order to overcome the terror of hypnagogic (Nigredo) trance ingress into conscious Coitus Pactum dreaming.

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The Gebo Rune equates with the English, G, which is utilised in Freemasonry. The ‘X’ also equates with the Latin numeral for (Occult blind) 10. The experience of hypnagogic (Nigredo) trance is otherwise termed as the ‘little death,’ whereupon you have the motif of the skull. As for the sigils, they have been adapted of symbolic alchemy for Mephistophina. Though hinted at, Mephistophina also has a little cape of remote viewing red silk swept behind her and a long pointed Chöd sword on her right side; for she be Left-Path-Handed.

Scene IV: The Art Studio (Faustus & Mephistophina)

Mephistophina: Ah, now, you please me greatly, indeed.

I hope we’ll get along together:

To drive away the gloomy weather, from around thy heart,

As you to seer, I’m dressed like young nobility,

In a scarlet gold-trimmed coat,

In a little silk-lined cloak,

A cockerel feather in my hat,

With a long, pointed sword,

And I advise you, at that,

To do as I do, in a word:

So that, footloose, fancy free,

You can experience Life, with me.

Slightly adapted from Johann Wolfgang von Goethe’s, Faust 

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NOTE: Some would classify my work as being Occult Pornography of adolescent fantasies, merely because I have reversed the symbolism of an all male symbolic paradigm of the deified ‘Animus,’ towards that of the female, of ‘Anima.’ But if so, they would be entirely missing the symbolic point.

The all male gender focus upon the deified ‘Animus’ has an underlying sexuality behind it’s symbolic influence upon all levels of culture; hence, it can also be construed as being Pornographic. When you have a biological gender focus, it will invariably involve sexuality; it is nature, which cannot be denied! However, the underlying sexual orientation is generally not seen, due to the sexual impulse being castigated out of the symbolic equation along with the ‘Anima.’

Most of the religiously hewn patriarchal grimoires are primarily populated by male archetypes of the ‘Animus,’ which frequent the heterosexual female psyche; whereupon said patriarchal grimoires are the PlayGirl stroke Bibles of conjuring Witch Nuns dancing orgiastic around their God and Devil, Angels and Demons, whose mantric spells often utilise the terminology of King, Lord, Master or Prince, etc. Some of the conjuring Witches are no doubt bisexual.

As for those Mages who conjure up the archetypes of the ‘Animus’ out of the patriarchal PlayGirl grimoires they may be sexually predisposed to do so of preference, such as Aleister Crowley for example, who was bisexual of leanings, writing erotic poems about Satan, etc. At least Crowley was honest about his androgynous bisexuality, many of the closeted bigots at the time considered to be… Wicked!

If, however, you be a heterosexual Mage, bisexual or a lesbian Witch, who decides to conjure up the ‘Fallen Anima’ and her archetypal (Succubi) Succubae Legions, you will soon find yourself being castigated as being a vile Pornographer peddling adolescent fantasies by the Politically Correct Thought Police; this is more so the case if you are a heterosexual Mage, to be duly seen as being… Wicked!

A heterosexual male who conjures up male archetypes amidst his Triangle Of Art Imagination is doing so in order understand aspects of his own masculinity. In other words, the conjured male archetypes are not external entities, they are otherwise ‘role-models,’ and in turn alternate guises of himself, which can be assumed within lucid dreams, of similarity to an actor acting as a character on stage.

Each of the alternate-guises are empowered by a feminine counterpart, you can term as a Succubus, who as an external entity, is an aspect of the Fallen ‘Anima.’ Whereupon heterosexual Faustus Crow rebelliously conjures up Mephistophina out of his PlayBoy grimoire.

Whereas the classical Faustian myth points at another sexual orientation, Christopher Marlowe to have had a preference for, which he communicated via his Judaeo-Christian Faust kissing the backside of Mephistopheles. Savvy!    

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GOETIA GOTH GIRL ALICE SAMIGINA OF UNDERBED WONDERLAND

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Poltergeist, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 28, 2016 by FAUSTUS CROW

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The above Artwork is A4 in size, drawn in pen-brush and ink pen, on heavyweight cartridge paper. which was then coloured, using Derwent and Prismalo Caran D’ache watercolour pencils. The Artwork was then Painted. The watercolour painting is provisionally entitled: The Conjuring Of Wyrd Alice Samigina.

The original Artwork of Samigina is presently on Sale, on Saatchi Art. If you are interested, Please Click Here. 

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The Artwork depicts an alternative version of Samigina, otherwise called Gamigin who is listed as being the fourth spirit in the Grmoire, entitled the Goetia.

“The Fourth Succubus of the Goetia is Samigina, a Great Marchioness. She initially appears in the form of a My Little Pony Princess Luna, amidst the Triangle Of Art Imagination, likened to a rocking horse or that of a latex clad Girl on all fours looking like a fetish hobbyhorse.” 

“And then appearing as a Gothic Alice In Under-Land, she to change herself into at the request of her Mad Hatter of an Ansuz Rune Art master.” 

“She speaks with a seductive voice, having Cheshire Cat feline wiles, loving spilt cream of an offering. As a Vajrayogini She rules over 30 Legions of Succubae Lost Girls, the writer, Alan Moore and the artist Melinda Gebbie to know all about of Tantric archetypes, who populate the informational realms of the collective dream, as knit-together Tulpa programs.” 

“She teaches all Arts as an Art Muse, who to guide her master through her Yoni looking glass of an inner wormhole into surrealist wonderlands of the dream. And she gives account of those Artists who broke through Ring-Pass-Not sexual Taboos, such as Hans Bellmer, Balthus, Stu Mead, Mark Ryden, Trevor Brown and Milo Manara, etc, whose artistry is considered to be Entartete Kunst sinful; though enticing many a quantum computing brain into a Luna Art gallery, which to also exhibit Ninth Art underground comics of symbolic alchemies, stirring virtual reality dreams.” 

“And her abstract Manga Seal of the multiverse world tree of an Artist’s easel, to which she be tethered and bound, is to be meditated upon, before the Sorcerer Artist conjures her ‘Anima’ fluctuation into his Surrealist dreams, wherein he becomes as her Anime Invocator, etc; though, two-dimensional of meditative image, she manifests as a three-dimensional interactive reality within a Cool World lucid dream.” 

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GENIE GIRL REBEL

Posted in Art, Chaos Magic, CREATIVE WRITING, Demonology, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

The Ninth Succubus of the Grimoire, entitled the Goetia, is called, Paimona. She is a Great Witch Queen, and very obedient unto DIANA-LUCIFERA. She sometimes appears as a woman sitting upon a Dromedary, with a Crown most glorious upon her head.

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There goes before her also a host of Succubae, who be female Genies, with loud trumpets and well sounding cymbals, and all other sorts of musical instruments, which cause a stir of protest music.

She has a most seductive voice, and seduces at her first coming, and her hypnotic speech is such that the Sorcerer cannot well understand, unless he can compel her to explain; for what he has been told by the (Angelic) establishment is but a lie.

This Succubus can teach all Arts and Sciences, and other secret things to relate concerning the elite few who control all. She will reveal that your perception of reality is being managed for the benefit of the elite few atop of their ziggurat of skulls, and why they do so; and to reveal how they control your mind via the controlled media, and where it is all going; or any other thing you may desire to know.

She gives Dignity, and confirms the same. She binds or makes any of the elite few subject unto the Sorcerer, by revealing who they are, if he so desires it. But alas, most Sorcerers are in egocentric role playing game conflict with one another, rather than fighting against the insanity of the elite few.

She gives good Succubae Familiars, and such Muses can teach all Arts; for the practice of Art is indivisible to the artistry of Sorcery; they are one and the same of shamanic practice.

She is to be observed towards the West, due to the fact that she has migrated, because of all the insane religious wars, and slaughter over the petrodollar, which afflicts her original homeland.

She is of the Order of Dominations who has under her 200 Legions of Succubae Genies, and part of them are of the Order of Angels, and the other part of Potentates. Now if you call upon this Succubus, Paimona alone, you must make her some ejaculatory offering; and there will attend upon her two Witch Queens called LABALA and ABALI who are most salacious twin sisters, and also other Succubae who be of the Order of Potentates in their host of 25 Legions.

And those Succubae Genies which be subject unto them are not always with them unless the Sorcerer do compel them. Her Character is depicted amidst her bottle, which must be prior meditated upon, before conjuring her within your lucid dreams, etc.

NOTE: The classical grimoires, which primarily list an all male pantheon of fallen Angels, depicted them as being part of an aristocratic hierarchy, who ‘symbolically’ represented the ‘Rebellious Anti-Thesis’ of the ruling (Angelic) aristocratic elite. You could see the Daemonic hierarchy of the grimoires as being an artistic form of prior Protest against the (Angelic) establishment. This tradition has carried over into David Icke’s Reptilian Agenda, although, its surrealistic theory is seen as being a literal conspiracy by Icke and his followers, just as many believe that humanity is in thrall to Biblical Demons spewing out of their Middle Eastern Hell hole; however, they are all too human, who make out that they are more than what they are!     

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LARA CROFT TIME TRAVEL DINOSAUR GIRL

Posted in Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Dinosaur, Film, Goetia Girls, Lucid Dreaming, Occultism, Paleontology, Psychology, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 25, 2015 by FAUSTUS CROW

The twenty-seven year old professor in palaeontology, whose name is Ronovea, became rather notorious when she was featured in the Playboy Grimoire entitled the Goetia. Ronovea decided to become a whistleblower, who revealed that the British Natural History museum has a Stargate in its infernal basement.

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Her revelations did not go down at all well with the shadowy curators of the museum, whose secretive agenda is to influence the past so that they can control the present, whereby owning the future.

The shadowy curator’s were further aggravated, since Ronovea allowed some photographs of her self to be published, which depicted her raunchily riding a raptor, during one of her time-travelling escapades back into the prehistoric past.

Ronovea is often equated with the iconic video game character, Lara Croft by many a male paleontologist, whose erotic ‘Anima’ manifestation inspires their scientific endeavours; for she knows of their deepest reptilian brain-stem desires.

For example, John R. ‘Jack’ Horner, born June 15, 1946, has a signed art print of Ronovea riding Godzilla, which he has placed above his altar of fossils in his office.

Horner is an American paleontologist who discovered the first clear evidence that some dinosaurs cared for their young. Horner is one of the best-known paleontologists in the United States.

In addition to his many paleontological discoveries, Horner has served as the technical advisor for all of the Jurassic Park films, and even served as partial inspiration for one of the lead characters, Dr. Alan Grant. Horner had studied at the University of Montana and was awarded an Doctorate in Science honoris causa.

Horner related, “Ronovea is like a Goddess to me, she is my inspiring muse of the Great Old Ones. Like the Hindu, Shakti, her sacred colours are that of red and white, along with black, which too equates with blue, like the colours of the Union Jack, which incorporates the X Rune crossbones of trance and that of the solar cross of consciousness. She is an aristocrat, who is a Marchioness, although my fellow Masons call her the Countess.”  

“What! You’re a Freemason?” The interviewer enquired; Horner deftly sidestepped the inquisitive question as he poured himself a glass of Jack Daniels, who then said, “she doesn’t like the title, Countess; though she takes it all in good humour. Ronovea is more than just a time-travelling palaeontologist, she is also a Witch, who has taught me how to time-travel within my lucid dreams into the far distant past of prehistory, via which I can contact my reptilian ancestors.”

The interviewer observed Horner putting a fossilised insect, incarcerated within a small piece of amber into his glass; “that is how I make so many amazing discoveries in my field; but then we are all imprisoned within amber time. The ability of lucid dreaming is where you awaken the ‘sixth’ sense. The dinosaurs weren’t wiped out, they live on, within us all. Ronovea pointed out to me that a remnant of our dinosaur kin, is our reptilian brain-stems, which is very much involved in language; for much of the neural processes concerning our use of language is subconsciously automatic, over which your reptilian brain-stem has governance.”

Horner eventually answered the interviewers initial question after gulping down his drink, without swallowing the amber; “yes, I am a Mason of the X Rune raptor crossbones. We are taught that whenever a word is spoken or read, it instantaneously ‘conjures’ up an associative ‘web’ of corresponding symbols within your subconscious mind, of which you have been taught to associate with the sound of a word. Wherefore, when to speak, read or write, you are conjuring up spirits, which are all as ‘nailed down’ symbols, to make manifest, amidst your Triangle Of Art Imagination, without even realising it.”

Horner continued. “Hence we are all practicing Ritual Magic everyday; more so at night, when to conjure up associative symbols within our dreams of Sorcery. Although, my poster of Ronovea, is just a two-dimensional image at a conscious level; she can become as a subconscious interactive three-dimensional reality, within my virtual reality lucid dreams, as an inspiring Succubus. That is why I play Tomb Raider, of a symbolic meditation tool, concerning Ronovea, which greatly facilitates my lucid dream conjurations of her.”

Horner further related. “You may find it all rather odd, but the utilisation of iconic symbolism, is very much what the science of neuro-advertising is geared towards understanding.”

Horner then said, “Ronovea is at war with the those who misuse neuro-advertising, whose intention is to subversively influence your reptilian brain-stem for political ends; it’s basically mind control. This is achieved via the manipulation of an established symbolic language form, which is invariably religious of nature.”

“Can you also tell our audience about what Ronovea revealed about a Stargate,” the interviewer asked. Horner was silent for a moment, before answering,the Stargate, exists within you; it is the ability to travel through time, within your lucid dreams, of an inner museum, which intersects all periods of time and that of other worlds.”

“So, the Stargate is not a hard-technology; it otherwise symbolises a psychic ability.” The interviewer to question, which made Horner slyly smile. Horner answered; “it is both. If you have an ability, which science will one day understand, to thereby translate into a hard technology; then you also have a physical Stargate.”

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WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his patriarchal Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

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Well, what do you expect, that’s what third-wave feminist Witches do, since they have so many patriarchal Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

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When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of an ‘Animus’ God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms, who do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big Vatican bank account wallet, and an ever hungering Morticia Vampire, with expensive tastes.

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STAR WARS JEDI WITCH

Posted in Alien, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Discordianism, Extraterrestrial, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Surrealism, Tulpa Creation, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

The eleventh Succubus of the Goetia, called Gusioni often manifests with, a space craft hovering over her like a UFO. She, like the others of her kind, does not come from this world. Gusioni is of an extraterrestrial species called, Twi’lek, sometimes referred to disparagingly as ‘Tail-heads’, who are an omnivorous humanoid species originating from the planet Ryloth.

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Gusioni will inform the conjuring sorcerer that she fell to Earth long ago when she was fleeing Emperor Jehovah’s tyranny. At the time Gusioni was fighting alongside princess Diana-Lucifera whose Rebel Alliance of fallen Angels rebelled against the stormtrooper Angels of the Galactic Empire.

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Holy-wood history to relate that the rebel Angels had fallen from the heavens when the theocratic Imperial forces were attempting to build a Death Star, which is now orbiting Saturn as a Moon called Iapetus.

Gusioni also communicates that the slave trade had been an everyday part of desert life on Ryloth for millennia and persisted long after its contact with the Republic sometime in 10,000 BBY.

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Immigrant dancing girls were especially prized, and as migrant Twi’lek communities were established throughout the Republic and elsewhere, they found numerous eager markets.

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The Twi’lek slave girls were often sold by ‘contract,’ as a feeble way of evading antislavery laws; some of whom attempted to escape their vile fate by entering the grunt crunching military.

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“What! The legions of Imperial stormtroopers had Twi’lek females fighting in their ranks… no way! They’re all blokes!” You might just cry out of a vented spleen to near erupt out of your ruptured anus.

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Well, what do you know. All of this occurred long, long ago, when the Earth was still frequented by dinosaurs. You may even smugly argue, “how did they get they’re helmets on, then, with those cranial appendages flopping all over the place?” 

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You’ll be amazed at the technological know how of the Empire’s heavily financed military industrial complex.

Female Twi’lek consorts and companions soon became a status symbol among the wealthy and the decadent elite throughout the Galactic Republic, and eventually the Galactic Empire. The secretive slave trade remained profitable all throughout Ryloth’s history. Although the early slavers were Twi’leks, over the years many crime lords migrated to Ryloth for a piece of the action, who were often subversively protected by Imperial tie fighter squadrons, when the Empire initiated numerous proxy wars.

The continual conflicts of an Orwellian forever war invariably created mass migrations of varying races who sought refuge on the developed planets. Wherefore, Twi’lek females of all professions eventually became a common, even ubiquitous, sight all over the galaxy, as Jedi (Djed) Witches, familiar servants, psychic bodyguards, telekinetic majordomos and Succubus sex slaves. Their near-human appearance made them less a target of anti-alien prejudice than other races during the Imperial era of the Empire.

The conjuring sorcerer will soon discover, in order to force Gusioni to do whatever is asked of her, she has to be threatened with being eaten by a Rancor, which is a large carnivorous reptomammal, native to the planet of Dathomir. The Rancor has a perverse addiction for Twi’lek slave girls since their sweet flesh is very rich in (DMT) Dimethyltryptamine, which just so happens is also a drug of preference for many a leather clad Tie fighter pilot.

Should Gusioni become a Spirit-Chain vore meal of a Rancor, she is then rapidly replaced by another Twi’lek version of Gusioni, to seer via your third eye, who is less rebellious against her master; that’s if your pineal gland hasn’t been calcified by sodium fluoride, which has been eugenically dumped into your drinking water by the Empire.

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NIGHT-MARE SUCCUBUS TIME TRAVEL DREAMS

Posted in Art, Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 6, 2015 by FAUSTUS CROW

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I utilised the Succubus conjurations as a means to explore potential abilities, which can be construed as being psychic. When as a youth, I decided to conjure up a Succubus in order to induce the psychic ability of precognition and retrocognition.

The employed technique required implanting the focused upon symbolism of the Succubus into the infernal depths of my subconscious mind. The implanted symbolism would then become as a trigger within the dream. The trigger-symbol enabled lucidity to be attained, when it was recognised within the dream.

The initial erotic focus upon the Succubus involved introverting the sexual impulse so that its emotional energy of a charge empowered the spin of an electron dream. This was achieved when creating artwork depicting the Succubus, which was also meditative of practice. When creating the focused upon two-dimensional imagery I also utilised a name of the Succubus as a Mantra, which I repetitively intoned of a Spell, while I worked upon the images of meditation.

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The imagery of the Succubus was that a knit-together Frankenstein construct, of a symbolic formula. This involved a fusion of symbols from popular culture and mythology, symbolising my desire to attain the remote viewing ability of precognition and retrocognition, within a lucid dream, which is essentially a form of time travel.

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My experiment at the time was to access retrocognitive information pertaining to a particular geographic locale in the far distant past.

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The creation of the focused upon imagery eventually led to a number of dreams, within which I noticed the implanted symbolism of the Succubus was starting to formulate of a three-dimensional inner reality. The initial dreams tended to be highly erotic of nature.

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This then led to the experience of the Old Hag Syndrome, of sleep paralysis, as well as that of a formless Bedroom Invader presence entering the room, which is an initial phase of hypnagogic trance ingress into conscious dreaming. When experiencing the Old Hag Syndrome, I called out the Mantra name of the Succubus as well as visualising her (Sigil) seal.

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I then experienced having an out of body experience, to then find myself consciously entering into the dream. I observed my still sleeping body upon the bed and that I was standing in my room, looking out of my window, though, at a distance from its slider portal of a kind of inner time tunnel.

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What I could see of a scene outside of the window was not of the usual urban environment. What I saw looked to be a desert terrain over which loomed tortured orange clouds. I thought at first that I had successfully accessed the desired time period, until I smelt an overwhelming scent of death and decay when getting closer to the window of a portal.

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I decided to look out of the window of a portal to see where I actually was. It was at this point I realised that the scene was of a scarred WWI battlefield, somewhere in Europe, possibly France. I then noticed what appeared to be a rather bedraggled German soldier wearing a gas mask, looking up at me, who had a flame thrower.

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I had the distinct sensation that he was observing me, as if I was some kind of ghost, hovering in the fetid air above him, as some kind of winged eye of an orb. I felt that the soldier was severely traumatised by his horrific circumstances, as well as being shocked by what he was seeing.

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From my vantage point, the German soldier was standing in the approximate area at the end of my garden. I then awoke from the dream, feeling somewhat drained due to the vivid intensity of the dreaming experience, since I was also accessing aspects of his life and other associated information. Of course, I couldn’t prove any of it to myself; whereupon my perspective was that the dream was primarily symbolic of nature, rather than proving that time travel from within a lucid dream was possible.

I then proceeded to write down the details of the time travelling dream experiment, which I felt was unsuccessful, though interesting, since it was a most vivid lucid dream.

About three hours later, I heard my parents excitedly calling me. At the time, they were doing a spot of gardening. Suffice to say, my parents were totally unaware that their young son was conjuring up Night-Mare Succubae to ride out of a grimoire.

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I went to see what my parents wanted of me, to find them at the end of the garden where I had previously seen the German soldier in the dream. My parents then presented me with a rusty WWI German helmet they had discovered at the very spot where the German soldier had stood. At that moment I felt like I was a Slider Dr Who, whose loving assistants are Succubae.

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It appeared that a previous tenant, who was no doubt a British soldier had acquired the German helmet as a trophy, which he later used as a garish flower pot; that, or he was a Hippy artist who had obtained the helmet from his grandfather to place, Make Love, Not War, flowers in its cavity during the Vietnam conflict.

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Whatever the case, said helmet was eventually buried, to thence be rediscovered under intriguing circumstances, at a time, when I rode a Succubus as my TARDIS.

Although I had not accessed the desired time period within the induced lucid dream, I had otherwise seen a possible past event concerning WWI, as well as experiencing an associated precognition of Slider browsing, which may have been due to some of the symbolism I was creatively using at the time, of a meditative focus.

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The experience led to a science fiction conjecture that it could be possible to access the electron dreams of an individual in the past to thereby impart spun information to, of a technological nature, which could potentially lead to engineering an alternate reality. Such may be a possibillity when to consider the vivid dreams of Nikola Tesla, wherein of which he had derived many a futuristic invention beyond his then present time-frame.

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After this experiment I decided to utilise the same technique to see an event three days ahead in time, which was successful.

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I still have the German WWI helmet in my possession, as a reminder that precognition within an engineered lucid dream is indeed possible. Hence, for me, time travel is a reality; wherefore my interest in the subject.

When science eventually finds a technological means to replicate what can be achieved from within a lucid dream, you will then have a time travel technology.

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But then again, the scientists may have already achieved this feat behind closed doors. Whether you believe me, or not, as the case maybe, I do not care at all. If you want proof, best find out for your own self.

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