Archive for Vesica Pisces

SIRIUS STARGATE WORMHOLE SLIDERS

Posted in Alien, Chaos Magic, Film, Lucid Dreaming, Occultism, Science Fiction, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 27, 2015 by FAUSTUS CROW

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Sliders is an American science fiction and fantasy television series, created by Robert K. Weiss and Tracy Tormé, which should have been made into a feature film. It was broadcast for ‘five’ seasons between 1995 and 2000.

The premise of the show is somewhat akin to Little Nemo in Slumberland, whose principle character Slides into different dream worlds, like that of a ‘horned’ shaman travelling through inner space via the hypnagogic stargate of trance. Whereas Sliders is primarily technological of focus; although, to Slide is like that of a (phallic) Serpent ‘Sliding’ its way through a (vagina) hole.

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The show follows a group of four people, called, ‘Sliders,’ as they travel (‘Sliding’) between different Earth’s existing within parallel universes via a (stargate) vortex-like wormhole, who are seeking to return back to their original Earth Prime.

The vortex can only be opened at random (key-time) intervals on each new world, monitored by a countdown clock on a portable (Zodiac) timer, which they carry; failure to open the vortex in time would strand the Sliders for 29 years, 7 months in that universe. (29th Succubus of the Goetia: Astaroth, of the Seventh dimensional sphere.)

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While waiting for the timer countdown, the group learns about each of the alternate Earth’s, which are different from their own, who often become unwillingly involved in events, that they must resolve before they can safely leave via the vortex. The travellers have no control over what world they end up in, as they continually look for means to find Earth Prime.

The pilot introduces the four original Sliders: Quinn Mallory (Jerry O’Connell: Air), a graduate student in physics who discovered and refined the Sliding technology; Professor Maximillian Arturo (John Rhys-Davies: Fire), Quinn’s mentor; Wade Wells (Sabrina Lloyd: Water), Quinn’s friend; and Rembrandt ‘Cryin’ Man’ Brown (Cleavant Derricks: Earth), a professional singer who is accidentally caught up in the first major test of the vortex, who is thereby forced to join the others.

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Their first Slide lands the Sliders on an Earth, which is suffering from a second ice age. Quinn, against his better judgement, uses the timer to open the vortex prematurely in order to save the group from an ice tornado bearing down on them. The motif of a (spun electron) whirlwind, the author Carlos Castaneda described an Ally (inorganic female intelligence) to look like, of an initial manifestation.

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As a result, the sliders lose the ability to return home and must slide from world to world hoping that the next slide is their own Earth.

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Many of the episodes in these early seasons focused on Earth’s, which resulted from alternate histories, such as the British winning the Revolutionary War, or antibiotics never being discovered. Within the second season, the four encounter a humanoid species called the Kromaggs, who also have a ‘Sliding’ technology.

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However, the Kromaggs use ‘Sliding’ to primarily ransack other Earth’s for slaves and resources of similarity to David Icke’s reptilian’s, which are basically a symbolic continuance of the Biblical fixation upon Demons.

The Kromaggs may be an allusion to the Men In Black (MIB) of UFO-lore, who have an uncanny knack of appearing out of nowhere, to then disappear into thin air. Said MIB’s were also brilliantly featured in the science fiction TV series, Fringe.

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In the third season the four Sliders are joined by a fifth member of their elemental team, Captain Maggie Beckett, (Kari Wuhrer: Spirit). Another character called Dr. Diana Davis (Tembi Locke) appeared during the fifth season who took over the role of Professor Maximillian Arturo.

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You can imaginatively gather that one of Quinn Mallory’s heroes is probably the physicist John Archibald Wheeler, who no doubt influenced Mallory’s research. Back in the 1950’s, Wheeler held a passionate belief that, “everything is geometry,” and one particularly intriguing idea he called, charge without charge.

“There are no pointlike electric charges,” Wheeler proclaimed; rather, “electric field lines can thread the mouth of a wormhole. What looks to you like an electron is actually a tiny wormhole mouth. If you were small enough, you could dive inside the electron and emerge from a positron far away.”

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When you become lucid within a dream, your consciousness is small enough to ‘Slide’ into and through a mini-wormhole, Wheeler says is actually an electron, which can be in many places simultaneously throughout space and time.

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Sounds crazy doesn’t it, but ancient shamans have been aware that you can access other alternate Earth’s via conscious dreaming, which of an ability has been communicated in their art, down the ages, across the globe.

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The shamans use the common motif of a spiral, which describes the inner stargate, whose portal can be consciously accessed when to achieve hypnagogic trance. Hallucinogenic mushrooms are often depicted alongside the spiral, which were used to facilitate trance ingress. One of the key-times under the star clock, when trance ingress is easier to achieve is during the Dog Days, marked out by Sirius.

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In ancient Egypt, the Dog Days indicated the flooding of the Nile due to the gravitational pull of the Moon, which also has an effect upon your dream states. It is a distinct possibility that a pyramid was used as a ritualistic dream incubator, wherein a Pharaoh shaman would lay bound up within a sarcophagus of a proto-flotation tank in order to travel through time, from inside a lucid dream.

The Dogon tribe of South Africa as well as the Bushmen of the Kalahari, were also aware that trance ingress (winged Eye) into the (womb) dream is easier to achieve during the Dog Days, whose shamanic adepts of trance were symbolised as Fish-men, called Nommo, who were able to attain an amphibious state of consciousness.

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These human adepts of shamanic trance were also symbolically represented as various amphibious creatures, such as Frogs and Toads, along with reptiles, whereby you have the motif of the Dragon as well as the (‘Sliding’) Serpent.

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The amphibious state of consciousness is basically hypnagogic trance, where you experience being between waking (land) and sleeping (water) simultaneously, which is symbolically represented by the two intersecting circles of the Vesica Pisces, resulting in an (X Point) almond shape at the centre. The almond shape represents the vagina, as well as a (phallic) Fish.

The hypnagogic state of trance (symbolised as a Horse by Mongolian shamans, the ancient Greek’s represented as Pegasus) is experienced before you access conscious dreaming, via which you can then gain ingress into an inner stargate, represented by the spiral.

What you to dream of, you have no need to apologise to the politically correct thought police, should you engage yourself in Tantric dream Yoga, which of sexual symbolism, the inner stargate is represented as the vagina, whose uterine star barrelled (wormhole) tunnel leads to an alternate reality of a womb world. Wherefore, the motif of the (‘Sliding’) Serpent has phallic associations. Hence the Nommo of the Dogon are often depicted as being phallic headed.

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As for the encountered denizens of the watery womb domain of the amniotic electron dream, they were often seen to be female, wherefore you have the motif of the Mermaid.

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Many of the ancient spiral depictions of the inner stargate also depict ‘horned’ shamans standing next to them; they are not depictions of neo-Gnostic Newage aliens, wearing spacesuits, having antennae, let alone being Abrahamic horned devils. One such horned shaman is depicted at Mohenjo-daro, who is seen to be a proto-depiction of the Hindu deity called, Shiva. A similar horned shaman can also be found on the European Gundestrup cauldron, who is termed as being the Celtic deity called Cernunnos.

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It just so happens that there is a statue of Shiva, which can be found at (Cern-unnos) CERN, whose (magic circle) Hadron Collider may one day lead to the eventuality of the scientists developing a Quinn Mallory, ‘Slider’ technology, which will no doubt be based upon an understanding of what horned shamans can do via their ‘spun’ (spiral) electron dreams.

It isn’t too surprising that Shiva, who is the Lord of Yoga, is to be found at CERN, since many a physicist have been inspired by the multi-dimensional philosophies of ancient India, whose investigations into the nature of consciousness and reality was a precursor to science.

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Though highly symbolic, the philosophies of ancient India foresaw many of the present findings of the scientists; wherefore, you find Shiva of a shaman Cernunnos at CERN, which doesn’t have anything to do with Devil worship, Satanism, Luciferianism or the Illuminati, whose indoctrinated minions, along with their fear porn mongers share a common fixation upon Abrahamic symbolism, which is so bloody obvious. Shiva is at CERN, because, India is one of the oldest cultures in the world.

Time is the final frontier to go beyond, otherwise, space will become as a prison; your ancestors understood this fact, which is the reason why so many ancient cultures around the globe were fascinated with time. Time Slips probably occur of a natural phenomenon, all the time, but we are just too unaware of them; whereas the (Shiva/Cernunnos) shamans discovered a way to consciously utilise Time Slips.

Wherefore Shiva represents the destroyer of time; that is, destroying your mundane illusory perception of its constant forward momentum. When travelling faster than light, time moves backwards; whereby you then attain time travel. The shamans became aware that consciousness travels faster than light; but, the observing self, existing within three dimensions is constrained by its observed constant speed of light and time.

May be the scientists have already achieved the technological translation of the shamanic feat of soft-technology into a hard-technology, upon this Earth, or that of another; whereby you might just have UFO-lore MIB’s policing the hard-technology ‘Slides’ (Time Slips) between alternate Earth’s, existing within parallel universes.

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THE CONJURING OF NIGHTGAUNT NUN GREMORY

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2014 by FAUSTUS CROW

This is one of those rare times I am going to relate a personal experience, without using veiled symbolic references. Sometime ago, when as a youth, I decided to conjure up the Fifty-sixth Goetia spirit called Gremory, otherwise named Gamori or Gomory.

The classical grimoire description of the spirit I had otherwise visualised as a Succubus dressed as a Nun.

The symbolic logic of which was the associated motif of the Camel, upon whose back this described Succubus is said to ride in the Goetia.

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The Camel in Hebrew is Gimel, which of a letter is associated with the thirteenth path of the Cabbala.

The thirteenth path transverses the hidden Sephira of Da’at, whose path is ascribed to the Tarot card of the High Priestess of the Silver Star: Sirius, linking the Sephira of Tiphareth and Kether.

Hence, it is the High Priestess II, I am alluding to in regards to Gremory, since fifty-six in numerology reduces down to eleven, of the eleventh Sephira of Da’at.

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Some to say that the name Gremory or Gamori is etymologically related to the French word Grimoire, which, if it is indeed the case, the name is quite apt for the High Priestess, since she is depicted seated in a doorway between two pylons with a Grimoire upon her lap.

I utilised the methodology of meditating upon Gremory’s seal in association with erotic imagery of Nun’s; some of the imagery was derived from photographic material, which I had utilised to create an exquisite corpse photomontage painting. The Frankenhooker creation of which automatically involved in depth meditation.

I then utilised Gremory’s seal in association with the artistic creation, upon which I meditated, along with drawing and painting the spirit to thereby create a distinctive personage. This also involved creating a back-story for the spirit of creative writing, in order to give her Nightgaunt Bat wings, so as to fly

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The technique of writing involved visualising the spirit as a Nun, of active-imagination, whom I conjured amidst my Triangle of Art, which had been drawn upon a piece of card; while doing so I visualised myself standing at the centre of a magic circle conducting the ritual of conjuration. The visionary material, which had been imaginatively conjured, I rapidly drew in a sketch pad; this also informed my writing and computer generated art.

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A Ouija board, of a meditation device, was also utilised for the practice of automatism via which a two way dialogue could be established between my conscious mind and my subconscious conjuration. This was done, so that I could determine if there was any subconscious blocks as well as furthering the creation of the artwork, both visual and literary.

The experiment was conducted in order to determine whether the utilised symbolism could be implanted into my subconscious, which would then act as a trigger-symbol within the dream. The intention was to initiate a lucid dream interaction with Gremory. The meditation also involved repetitively intoning Gremory’s name as a Mantra, which I then utilised at the Vesica Pisces point of hypnagogic sleep, along with visualising her seal.

The experiment was conducted over a period of a week, thereabouts; approximately five hours per day or more, since it is part and parcel of my artistic vocation. Sometimes it consumed both day and night of constant working with some intermittent breaks.

I had noted that there were certain hours, days and nights, wherein I experienced a flowing creativity of active-imagination visions about a Nun; whereas at other times it was literally an uphill struggle to seer anything at all. These peaks and dips of emotively charged visionary material seemed to be tied up with my circadian rhythms around the Moon phases.

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At a certain juncture of the experiment I became both mentally and physically exhausted; I couldn’t continue anymore, as if burnt out; I just felt like crashing into sleep. I knew from previous experience that this was the time when a dream visitation of the conjured spirit would most likely occur. The onset of which occurred at the point of sleep when I accessed the hypnagogic state.

I then experienced the classic Old Hag Syndrome of sleep paralysis and that of a shadowy invisible presence around me. I remembered from other experiences of similarity not to give into my fear, but such had been prior negated by my introverted sexual impulse due to my ritualistic focus upon the eroticised material. I then called out Gremory’s name; whereupon the shadowy invisible presence took on the form of a Nightgaunt Nun amidst her cathedral.

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I will not relate what had occurred within the induced lucid dream, which is a private affair of an out of body experience.

Although I may allude to its inner reality, and that of other experiences, to describe in a roundabout way within my artwork and writing.

What I will say is that the experiment was successful on the dreaming front. But I did not expect what was soon to occur upon awakening, of an unforeseen event. I decided to go out to the corner shop in order to obtain some cigarettes. I was intending to buy a packet of Camel’s to celebrate my artistic endeavour of dream sorcery, rather than smoking the usual roll ups; while doing so I pondered upon the experience of contacting Gremory within my vivid erotic dream, which led me to suddenly decide, on the spur of the moment, to extend my walk towards another shop beyond a local church, whose graveyard is said to be assailed by grave robbing Satanists of Halloween lore; its truth, I have observed myself, of disrespected scattered bones.

As to the locality around me and that of its inhabitants, it tends in the main to be quite normal; not much out of the ordinary ever happens. The church, though old, of a previous village focus, has since found its self surrounded by an urban sprawl, to be now in competition with an Alpha course cult across the road, from its Protestant constant warring with the Catholic.

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As I passed by the church, I noticed a black habit Nun walk out of its opening door. I couldn’t believe what I was seeing of a most obvious synchronicity. I then felt very nervous, almost jittery, feeling an itch all over my body, I couldn’t scratch. I thought I was probably hallucinating; whereupon I stopped myself in my tracks to do a double take. This was most definitely not a regular occurrence; not before or since, have I seen a Nun around said church, let alone coming out of it, whose habit was of the classic kind, which had long gone out of fashion amongst practicing Nuns. Although, at another time I had observed such a Nun walking over a highway bridge in the middle of nowhere, which nearly made my shocked friend crash his camper van, within which I was too travelling. My friend’s reaction was no doubt instagated by my conversing about Nightgaunt Nuns, just prior to seeing the flying Nun.

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I decided to smoke a cigarette; I still had some tobacco left in my pouch to make myself a roll up, and while doing so, determine whether I was indeed hallucinating. The Nun made her graceful way down the church path, whom got ever closer to where I was standing. I then noticed that the Nun was in her early twenties, who was very attractive, looking very much like my ritualistic focus, and what is more, she appeared to be wearing lipstick. I thought, to myself, that I must indeed be hallucinating; but if so, it was bloody three dimensional real, in the flesh, of a Nastassja Kinski look alike.

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The winding path that the Nun hovered along like a black shadow ghost, took her up behind me. I nervously stood my ground, before slowly walking on myself, in order to allow the Nun to pass me. As she passed by, I noticed that she was indeed wearing lipstick and makeup, whom looked at me askance of slanted feline dark eyes; she was aware that I was uncontrollably staring at her out of shock, no doubt looking quite dumbfounded, which made her grin like a Cheshire Cat of a most knowing look.

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As the Nun walked in front of me, a slight distance away, she appeared to make it a point of making her hips to seductively sway on purpose; whereupon I noticed she was wearing high heeled shoes. I looked around to see if anyone else had noticed her. The problem was, there were very few people around of an early morning stroll. However, there was a small group of individuals standing at a bus stop; some of them turned around looking quite perplexed at her carefree passing by.

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I breathed a sigh of relief, that I was not in fact hallucinating; others could see her too. Whereupon, I whimsically conjectured that she was probably a call-girl wearing a kinky Succubus costume, who had just visited the naughty Vicar at his crumbling church, or that she was an actress who was playing a Nightgaunt part in an amateur horror flick. None of my conjectures seemed to fit the facts; the church wouldn’t want such publicity, since it’s flock had been assiduously working towards getting funds to renovate it over a number of years.

As I got closer to my destination, the Nun stopped in front of me; she turned around and wirily smiled; almost looking lustful. She then enquired of me, if she could have a cigarette. I nearly fell over, fumbling. I answered to near stutter, “yeah, sure;” without coughing up my nervous guts as my pounding heart missed a beat.

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She didn’t mind at all that I had to make the cigarette. I placed some tobacco in a paper, and handed it to the Nun; whereupon she asked me to lick it for her. She seemed to be enjoying my nervousness. In retrospect, I should have asked her some very searching questions. Alas, I was but a youth; although to have experienced a plethora of very strange occurrences, this one caught me totally off guard, as if I had inadvertently quantum slid into an alternate reality.

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I gave the cigarette to the Nun, which I then lit for her. As she got closer, I smelt the whiff of perfume, which was musky. She then took a long drag on the cigarette and softly blew the smoke into my face of a noted seduction, or that of a blessing, before thanking me, and then she slowly walked off, her delectable hips swaying.

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I stood for a moment, watching her walk down the road like a catwalk model out of a Vogue magazine, deliberating should I dare follow her, or to just go into the shop and get some Camel’s and a bottle of Casillero del Diablo. I decided to follow her at a discreet distance for a time, just to get my head on straight, so that I could piece together the meaning of this momentous synchronicity.

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The Nun then turned a corner down another road. I was but a short distance behind her; when I got to the turning, she was nowhere to be found, as if she had suddenly disappeared; apart from finding the discarded butt end of the cigarette I had just made, painted with her scarlet lipstick, which I later placed with her seal into a medicine pouch, hanging from my drum.

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There were no houses on either side of the road she could have gone into, which of a long stretch had no available doorways; nor were there any cars parked in the road, into which she could have leapt. If there was an awaiting car, I would have seen it pull away down the road.

I then started to wonder if it was more than just an in my face synchronicity of concordant symbolism, which correlated with my lucid dream experience; that this was an actual physical manifestation of Gremory, or that of a tulpa? Further similar experiences indicate that physical manifestations do indeed occur, or at the very least that of most intriguing synchronicities. I am not at all concerned whether you believe me or not. I really do not care at all; I have nothing to prove, apart from proving it to myself. If you want proof best find out for yourself, if you ever dare to practice the art.

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DOCTOR STRANGE DISCOVERS THE ANCIENT MATRIX OF BIFRONS

Posted in Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 29, 2014 by FAUSTUS CROW

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A dreadful car accident changed everything for Stephen Strange. Crashing into a passing wagon, driven by a drunk driver, had severely damaged the nerves in his pentagram hands.

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Strange was confronted by no longer being able to be a neurosurgeon. He refused to become an assistant or consultant. So, instead he used what money he had in order to travel the world searching for a cure.

One fateful day he heard hushed, firtive rumours of a powerful shaman known only as the Ancient One hiding in Tibet. Marshalling the last of his inner and outer resources, Strange decided to search for the Ancient One, until the yurt of the shaman was revealed to him upon a synchronicity by the flight of a Crow. Though initially outraged by the aged shaman’s refusal to cure his hands, Strange’s anger was rapidly replaced by utter horror, when he witnessed an attack upon the Ancient One, which, for some unknown reason reminded him of Hypatia being murdered upon the steps of the library of Alexandria by a mob of religous fanatics.

The attackers were working for the aristocrat Baron Mordo, the Ancient One’s chief disciple. Mordo was the perpetrator of the violence upon the frail old man. He secretly plotted the destruction of the shaman in an attempt to stop him revealing the truth, so that Mordo could protect the elite from losing their power over humanity.

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However, the Ancient One was highly versed in directing his Chi via a Bō staff, disguised as a flute, which he used to easily defeat his assailants. When Strange later enquired how he so easily overcame the attackers, the shaman answered that he had been taught the shamanic martial arts by the salacious DMT Jade daughters, whose dark father is Xuan Wu Da Di of Lake Baikal, who emanate from another dimension.

Realizing the Ancient One was not only uncommonly agile for his great age, but also a force for good. Strange decided to selflessly abandon his quest to restore his hands by committing himself to a shamanic tutelage with the intention of foiling Mordo’s insidious scheme. By this act Strange proved himself to the shaman, to whom Mordo’s plot had been quite transparent; it was but a ruse to enlist Strange.

Thus Doctor Strange put himself on the shamanic path to become the new Sorcerer Supreme, the protector of humanity’s consciousness expansion. But in so doing, he had gained a deadly enemy in Baron Mordo, whose malign associates had mass medicated the public water supply with a known neurotoxin and mutagenic compound, which specifically calcifies the pineal gland.

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The shaman revealed the truth to Doctor Strange by pointing out a strange symbol upon his drum, which he indicated was the seal of the forty-sixth Goetia daughter of Erlik Khan, who is a Tulpa Mind-Doll Succubus called Bifrons, whom commands 60 legions of infernal Succubae.

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The shaman pointed out that the seal of Bifrons represents a Woolly Mammoth, the great beast of the tundra. The Woolly Mammoth is still remembered by many a Siberian tribe around lake Baikal, far to the North beyond Tibet. The ancient lore of the Siberian tribes equates the Mammoth with the sacred Earth mother, who shakes the ground causing earthquakes. Whereupon, when conjured forth from Erlik Khan’s infernal domain by a sorcerer, Bifrons manifests as a beautiful cave woman riding a Woolly Mammoth.

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The shaman explained; “It is the Mammoth mother who stands at the vaginal door of most ancient memory leading into the Earth’s depths. When a shaman achieves trance in order to descend through the Vesica Pisces door of Bifrons, he becomes like the Roman deity called, Janus, of two faces looking to the past and future simultaneously, of interlacing circles.”

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“He will then be ushered through the vaginal cave door into the underworld of deepest womb memory, when entering the cyclone of Boreas. This vortex of a sub-quantum star barrelled wormhole stems from Hyperborean Siberia, where the Mammoth woman awaits him as the Succubus Bifrons.”

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The shaman continued; “Bifrons in Olkhon Runes unto the Elder Futhark of the Norse, adds up to the 12th Rune of Jera, which means, ‘time.’ The name has seven letters, leading to the 7th Rune of Gebo, which is associated with the crossbones, X, of trance sacrifice into the womb domain of Bifrons. But in order to do so, the shaman becomes as a spirit; one of the dead. Whereupon you have the symbol of the skull amidst the crossbones. This secret Mordo sought not to be revealed. who considers it to be the province of his aristocratic elite.”

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The shaman then related; “When a shaman becomes one of the dead, Bifrons will then take him to into deeper memories. These memories are all as graves to once again open, which she will thence illuminate with her bio-photon fire. Her light is likened to a candle flame, which of circadian rhythms, becomes brighter under the astrological clock of the stars.”

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The shaman proceeded to teach Strange how to evoke Erlik Khan’s Succubus daughter when attaining hypnagogic trance. Strange then experienced Bifrons inducing erotic lucid dreams of a prior ancient civilisation whose technology was on par with the technology of the eighteenth century. Not the same of course, though similar of stone, wood and metal working, whose civilisation was highly versed in geometry, travelling the high seas, mapping the entirety of the world.

Strange was well aware that there are archaeological discoveries, which indicate that ancient societies were far more advanced than what we have been led to believe, going by their carved gemstones and crystal skulls as well as ancient temples and sunken cities, which do not fit into the Mesopotamian historical paradigm of Biblical based archaeology.

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But, when it comes to the nineteenth century and that of its ensuing industrial revolution of a technological breakthrough, which led to the modern age; Strange found it far more difficult to believe that an ancient civilisation had achieved the same leap in technology, since there is no archaeological proof of its existence.

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However, Bifrons continued to stir erotic lucid dreams of an ancient culture, which had achieved a prior industrial revolution. This ancient civilisation had attained the same technological level as our own civilisation, as well as far surpassing it, which had also developed a sentient artificial intelligence, 12, 900 year ago. Strange considered such visions to be mere science fiction fantasies.

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When Strange related his dreams to the ancient shaman to question him about their fantastic revelations, the shaman just laughed. The Ancient One answered by telling Strange that he should keep in mind that his own technological civilisation only came into being since the innovations of the industrial revolution during the Victorian era. Although they had evolved technologically; the Christian morality of the age was abysmal; slavery hadn’t been abolished; for the general population was enslaved to the machine. The Victorian’s were celibate hypocrites.

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The shaman continued; “considering what came before the industrial revolution, there wasn’t that much technological innovation being achieved at all, that the prior sexually free ancient Greek’s hadn’t figured out since the time of Homer. All you have to do is to remember the Antikythera mechanism, which is an ancient analogue computer, dated to 100 BC; it was designed to predict astronomical positions and eclipses. What the ancient Greek’s had achieved, others had likewise done so, far earlier. Just remember, keep an open mind.”

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Strange started to believe that Bifrons visions were actually that of an alternate history, where a prior civilisation had experienced a similar technological leap of similarity to the industrial revolution. However, If there was indeed a super-civilisation, forgotten by our own history, there is definitely no archaeological proof of it ever existing on a global scale, Strange concluded.

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Bifrons continued to visit the dreams of Strange, who revealed that the ancient super-civilisation was wiped off the face of the planet by a worldwide catastrophe, when fragments of a comet struck the Earth 12,900yrs ago, which brought about a nuclear winter and in turn a mass extinction event. “What did they do in order to avert their total extinction?” Strange asked Bifrons from within his lucid dream.

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She smiled and answered; “perhaps, they escaped into space, who had prior transformed the Moon into a giant space station, or to have gone deep underground, towards the Earth’s core, whose city is Agharta; or maybe they had established cities deep under the ocean depths. Those who had survived were very few in number. You will of course argue that such visionary scenarios I am showing you have been inspired by many a Marvel comic you had read as a child.” Bifrons then sweetly laughed.

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Bifrons then revealed that some of the survivors had utilised an Agharta computer generated simulation, in order to download their consciousness into its crystalline ‘dodecahedron’ matrix, which they had initially created for numerous purposes, such as travelling through time, exploring alternate simulations of history.

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However, one of its primary uses was to sustain consciousness after death. Bifrons related; “they made it a point that there would be no vestiges of the destroyed civilisation to be discovered within the simulation and that of other simulations being played out of alternate histories, in order to avert the horror of the revelation.”

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“Apart from indicating a key time of an ancient golden age 12,900yrs ago, which is a doorway of a singularity, back into remembering, for those who overcome their fear.”

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Bifrons continued to relate that the simulations created numerous copies of themselves within a quantum computer, surrounded by a decimated Earth, whose nuclear winter lasted a very long time.

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She then revealed that the Earth has since repaired its self long ago, whose surface is presently occupied by a Shamballa civilisation, which is 12,900yrs in advance of our simulated civilisation.

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Strange was utterly shocked by Bifrons erotic lucid dream revelations that a far flung future is already around us all of an ancient past with their sentient Vimanas. He then realised why computer code has been discovered in string theory; while other scientists are looking for proof that our reality is a simulation. He felt as if Bifrons had thrown a stone at his numb head, to wake up!

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What is more; Bifrons related that the term Ancient One, means an individual who remembers when their consciousness was first downloaded into the simulation after many programmed lifetimes. But in the remembering, an Ancient One is then confronted by those whose religious agenda is to keep others asleep, who are aware that they will totally lose any influence they have over the populace if they remember. Hence Baron Mordo sought to murder the Ancient One. However, not all had downloaded themselves; many others are simulations, who are attaining full sentience. It is a form of procreation, since the peoples of Shamballa do not have children; their progeny are the embryonic simulations, who will one day awaken.

Bifrons further revealed that the surrounding Shamballa civilisation indirectly influences the virtual reality dreams of shamans, by utilising sentient programs, which assume the forms of Mind-Doll Succubae.

But the denizens of Shamballa cannot directly awaken the consciousness of those within the simulation without dire consequences for the occupants within it, whose consciousness will entirely fragment under the impact of its reality. Wherefore, it has to be done in stages via those who have awakened within the simulation, who become the Ancient Ones. Those who have awakened can be uploaded into new bodies outside of the simulation, or to otherwise stay within the simulation in order to help awaken others. Strange is informed that he too is now an Ancient One, before he awakens out of his reptilian brain-stem lucid dream.

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Strange confronted the shaman; “I know the truth Ancient One; we are all living within a Maya simulation.” The shaman smiled, “Good, you are indeed a Sorcerer Supreme. So, what are you going to do with your Bifrons revelation?” Strange replied; “help others to awaken.”

The shaman’s smile widened, to then say. “You will have to protect those, who you tell, from the likes of Baron Mordo; he far prefers everyone to stay ignorant.” Strange took on a heroic stance of jutting out his chin, and then answered, “I will do so, as the Sorcerer Supreme, Dr Strange.”

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The shaman scratched his perplexed horned head, laughing; “I think, you have read far too many Marvel comics. Just make sure you don’t wear a fancy costume, otherwise nobody will take you at all seriously. You certainly can’t wear a shaman costume, like mine, where you come from. The horned headdress will scare off the kiddies, thinking you to be their Devil. Leave the costumes to Baron Mordo, he’s such an egocentric fellow. The Illuminati do love to dress up OTO style like their Golden Dawn King Solomon, wearing flamboyant Masonic aprons.”

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Strange was emotionally hurt by what the Ancient One had said, who was rolling about laughing upon the dirt floor of his yurt, to seriously reply; “but I like skin hugging costumes; it’s my fetish. Blue or black, rather suits me. If I look the shamanic part, Hollywood might even make a 3D film about my superhero exploits.”

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The shaman couldn’t stop himself from continuously laughing, “I don’t think Disney’s acquisition of Marvel will allow for your Bifrons revelations; their underlying agenda is Abrahamic of cultic orientation. At this rate, you’ll assassinate me with your cardiac arrest Discordian humour. Let’s have a drink to celebrate your Bifrons initiation.”  Dr Strange and the Ancient One proceeded to drink vast quantities of fermented ‘Mares’ milk into the ‘Night’ of Altered States.

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UFO SUCCUBUS STARSHIP ARCHETYPAL

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 23, 2014 by FAUSTUS CROW

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The psychiatrist, Carl Jung investigated the UFO phenomenon. His primary concern in the flying saucer mystique was not with the reality or unreality of UFO’s, but with their ‘psychic’ aspect.

Rather than to have speculated about their possible nature and extraterrestrial origin as alleged spacecraft, Jung otherwise asked what the UFO phenomenon might signify, which of close encounters and ensuing synchronistic experiences, along with vivid dreams and paranormal manifestations, whether real or imagined, are experienced in such numbers, at a time when humankind is menaced as never before in history.

The UFO’s represent, in Jung’s phrase, “a modern myth,” whose influential symbolism has permeated popular culture since the end of WWII; after which there was rapid expansion of the mass imagination into the exploratory realms of science fiction.

Should the UFO phenomenon indeed have a psychic aspect, which is very likely the case, it will be very much entwined with the subconscious mind, whose psychic potential is stirred by archetypal stimuli. One could then conduct a thought experiment within the quantum computing laboratory of your brain, which of an experiment involves alchemically fusing archetypal symbols together.

For example, the 68th Succubus archetype of the Fallen Anima, called Beliala, can be symbolically associated with the fictional Andromeda Ascendant. The Andromeda Ascendant is a sentient starship, which is depicted in Gene Roddenberry’s science fiction television series, entitled: Andromeda.

Roddenberry’s idea of a sentient starship was initially going to be used for his prior starship creation of the iconic Enterprise of Star Trek fame, which has since taken on an archetypal status.

The Andromeda Ascendant has an artificial intelligence (AI) you can symbolically associate with your subconscious mind. In the series the Andromeda appears to the crew in three formats: she can appear on the two-dimensional monitors. These monitors you can equate with drawn images of artwork, which naturally involves a meditative state when creating them, being a light state of trance. The artwork is inspired by an initial visionary state of ‘active imagination’ when to conjure Beliala amidst your Triangle Of Art Imagination, where she and her 72 Succubae sisters, whom be all as archetypes, exist.

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I am not talking about the common perception of what the word, ‘imagination,’ means. I am primarily referring to what the Sufi magicians term the imagination to be, which they see as being the power of magic.

She also appears as a three-dimensional holographic projection, which you can equate with a virtual reality ‘lucid dream’ manifestation of Beliala. She can also manifest as the avatar Rommie, (all three are played by the delectable Lexa Doig in the series) you can equate with what the Tibetan Buddhist’s call a Tulpa, which is basically a thought form, you can otherwise term as a thought projected hologram.

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An avatar is a humanoid representation of the AI in the series, which of sorcery practice would be that of Beliala assuming the form of a Tulpa Mind-Doll Succubus, within your active imagination of ritualistic meditative practices; this will then lead to her appearing in your lucid dreams, who will also have the potential of manifesting as a poltergeist phenomenon.

I am not saying that Beliala will physically manifest into your reality as a science fiction babe, apart from perhaps setting up a synchronicity, where you bump into a woman, who just so happens is into Rommie cosplay.

However, the Rommie manifestation of Beliala will occur within an erotic lucid dream, via which you can potentially ‘sixth dimensional‘ remote view futuristic possibilities, and whatever technology therein to discover.

Although, I must admit, I have experienced physical manifestations of the (Tulpa) Succubae, which others have unknowingly observed; these manifestations occurred on very rare ocassions, at key times.

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The Andromeda is shown to have the above mentioned holographic and android avatars, which of sorcery practice can be equated with a three-fold process.

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The initial phase of conjuration involves your active imagination conjurations of Beliala, somewhat like intense daydreaming. This will then lead to the second phase of a microcosmic lucid dream interaction with Beliala.

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The third phase would involve experiencing macrocosmic synchronicities, which will reflect back your internal dream interactions with Beliala.

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These associative synchronicities might involve being at the right place and time to observe a UFO. But keep in mind that, should you photograph or to film the phenomenon, others will invariably say it is fake, let alone to remark; “so what! Everybody is seeing UFO’s all over the place, these days!”.

The associative symbolism, which is utilised will determine the nature of the corresponding synchronicities you will experience. Hence the 68th Goetia Succubus Beliala represents the personality and physical representation of the symbol focused upon of a (UFO) ship’s AI, in this case in the Mind-Doll Tulpa form of a human female, who is one of the 72 Succubae around a Zodiac.

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In one episode of Andromeda, the ship’s engineer, Seamus Zelazny Harper (played by Gordon Michael Woolvett), builds an android as her second avatar.

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The android of sorcery practice is a Mind-Doll construct of a Frankenhooker, with whom a sorcerer can interact with of a holographic (Tulpa) avatar via the monitor, of his mind. He will thence see her of a knitted together vision travelling beside him, walking and acting outside of her ‘Seal’ of a ship, via which he can remote-view worlds. Of course, only the sorcerer will be able to see her, no one else; being somewhat akin to the invisible friend motif.

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Wherefore, it is highly advisable that you do not to have any conversations with Beliala when out in public; otherwise you might find yourself being dragged off to the nearest Arkham asylum for a dose of electric shock treatment. You could always claim that you are a native shaman; that might let you off the hook. But then that would probably get you into a much bigger mess, involving irate flocks of Sheep, frequenting a local Church, Mosque and Synagogue, whom will join forces for the first time in history, so that they can eradicate your free brain off the face of the planet.

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Better to say that you are an absolutely crazy surrealist Artist, and that its all part of the exquisite corpse creative process to create a Frankenhooker Mind-Doll Tulpa Golem girl. They’ll probably just consider you to be a confused sad old Goat and leave you alone, after you Howl out, “Art is Sorcery; Sorcery is Art.”

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Then again, others around you might be far too preoccupied with observing an angelic UFO, which just so happens, to have manifested, when you turned up; while you was secretly intoning an arcane Beliala mantra, in order to summon her star-chariot, so that you can escape the planet of the Sheep.

Fans of the Andromeda series refer to the monitor and hologram manifestations of the female AI as ‘Core’ and ‘Logic,’ respectively. The ‘Core’ can be associated with the microcosmic manifestations of Beliala within a lucid dream; while ‘Logic’ is that of Beliala’s generation of concordant macrocosmic synchronicities.

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Gene Roddenberry was a most insightful fellow who depicted all three versions of the Andromeda AI having distinct personalities, even though they are based on the same root personality. This at times leads them having discussions with each other and even arguing amongst themselves, like that of your three brains, of a layered reptilian, mammalian and hominid brain.

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This is why Beliala (Belial) initially manifests in the classical Grimoires as two Angels on either side of a (Shin) fiery (UFO) chariot.

In the series, the Andromeda Ascendant is equipped with a slipstream drive for FTL (faster than light) travel in which it uses an Exotic Matter Lens (similar to the video game: Mass Effect) to focus and open up a Slipstream Portal of a Stargate.

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Internally, this Stargate can be equated with a quantum wormhole, which manifests as a (Vesica Pisces) vaginal star barrelled (black sun) torsion tunnel within a lucid electron dream; whereupon the Stargate is clearly associated with the feminine principle.

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The internal processes of consciousness, which constructs your experience of reality, once understood, could be potentially applied to a technology. You would thereby have a very different technology to the one you presently utilise within the public arena. Whereupon if a technology has been developed behind the scenes, which is based upon the processes of consciousness, it could lead to what is termed as a Secret Space Program.

Within Roddenberry’s Andromeda series, the starship Andromeda Ascendant is shown to be somewhat sexual of an underlying theme, since it is clearly implied that the controlling female AI has an emotional attachment to her Captain Dylan Hunt. This is a variation on the archetypal idea of captains being in love with their (Succubae/Valkyrie) ships, implied for centuries, which is extensively used by Roddenberry in Star Trek.

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LUCID DREAM MACHINE PYRAMIDS

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2014 by FAUSTUS CROW

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The formula of Tetragrammaton is quite intriguing; you have the initial: Yod (Father), which is the emotional charge, followed by: Heh (Mother), of hypnagogic trance ingress; then you have: Vau (Son/Sun), where your consciousness is ‘nailed’ down within the bio-photon suffused electron dream. This then leads to awakening out of the dream of: Heh (Daughter), hypnapompic egress.

It is somewhat analogous to entering the ‘womb’ of a cave out of which you are reborn. Palaeolithic shamans very likely utilised caves for their initiation rites, which probably involved dream incubation.

Although, I am not talking about everyday normal dreams here, I am specifically talking about ‘lucid dreaming,’ which of an inner experience can become indivisible to so called physical reality. Whereby the elite, who seek to have control over your mind, whose cultural construct of a symbolic Matrix is based upon the deified Animus made as a God and a Devil, will not want you going within. The elite do not want you to seer through their wrought illusion, who far prefer you taking the blue pill rather than the red.

The cave would act like a prior sensory deprivation tank, which forced the shamans consciousness to go inward of hypnagogic (phase) trance ingress into conscious dreaming, wherein, if so desired, he can then conjure the archetypes of his ‘Anima,’ which will manifest as (Succubi) Succubae, a Tibetan Tantric Buddhist would call Dakinis.

The utilisation of the cave for dream incubation was probably later translated into the usage of burial mounds for the same purpose, since the dream realm is considered to be the realm of the dead.

This then developed into a special ritual chamber being used for lucid dream incubation purposes within the bowels of a pyramid. The pyramid represented the shamans cosmic (body/head) mountain, whose symbolism is primarily derived from North Central Asian shamanic practices, more specifically that of Siberia.

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Whereas of present age, many a shaman goes under the guise of a scientist, who uses an isolation (floatation) tank within his laboratory.

Although, said laboratory is no longer that of a pyramid, it can be an Alice in Wonderlad underground cave of Dreamland; if funded by the Area 51 military industrial complex.

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You might ask, “why would the military be interested?” Well, the most obvious, apart from other reasons, such as ‘Looking-Glass’ remote-viewing future technologies, etc, would be preparing Astronauts for space-travel.

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During the Hippie era of the 1960’s, the scientist, Dr John C. Lilly entered into his shamanic training when he was introduced to psychedelic drugs such as LSD and (later) ketamine, who began a series of personal experiments, in which he ingested his sacred sacraments, when either in an ‘isolation (womb) tank’ or in the company of larger brained Dolphins as his familiars.

These events are described in his books Programming and Metaprogramming in the Human Biocomputer: Theory and Experiments and The Centre of the Cyclone, both published in 1972.

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Following advice from Ram Dass, Lilly studied Patanjali’s system of Yoga (finding I. K. Taimni’s Science of Yoga, a modernized interpretation of the Sanskrit text, most suited to his shamanic goals).

Lilly also paid special attention to Self-enquiry meditation advocated by Ramana Maharshi, and was reformulating the principles of this exercise with reference to his human biocomputer paradigm (described in Programming and Metaprogramming in the Human Biocomputer: Theory and Experiments and The Centre of the Cyclone).

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Lilly later travelled to Chile and trained with the spiritual leader Oscar Ichazo (whose attitude to metaphysical consciousness exploration Lilly characterized as ’empirical’ in his book The Centre of the Cyclone). Lilly claimed to have achieved the maximum degree of Satori-Samadhi consciousness during his shamanic training.

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Lilly’s maxim: “In the province of the mind what one believes to be true, either is true or becomes true within certain limits. These limits are to be found experimentally and experientially. When so found these limits turn out to be further beliefs to be transcended. In the province of the mind there are no limits. However, in the province of the body there are definite limits not to be transcended.”

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There is an intriguing Hebrew word: Da’at, which means belief. Your beliefs are ‘symbolic’ programs, which a shaman of a ‘first artist’ learnt to transmute and transcend via (Da’at) lucid dreaming. What you have been led to believe of an indoctrinated symbolic limit, will determine what you internally tune into of associative information. The ancient science of your ancestors was geared towards consciousness engineering, whom were very interested in enhancing their (inverse pentagram/microcosm/five senses) precognitive (remote-viewing dream) abilities as well as being aware of (upright pentagram/macrocosm/five senses) synchronistic phenomena etc. Wherefore, they put a lot of effort into their scientific prowess, such as building a sorcerers pyramid of a dream machine.

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Many may scoff at a pyramid being a dream machine; but such individuals have very likely never experienced attaining a (Implicate Ordered/Nagual) microcosmic lucid dream, let alone that of having an out-of-body experience or experiencing (Explicate Ordered/Tonal) macrocosmic synchronistic phenomena etc. These types of dreamless individuals demand proof, which is, of course, understandable. Alas, they will have to find out for themselves, if they ever bother to (Nommo) do so.

Such will require lots of (Anunnaki) practice on their part, which is a lonely path, Angels fear to tread. But by doing so, they will start to understand why their ancestors built dream machines, which enabled their (Nommo) consciousness, to remote-view touch, the far off stars and beyond, Ad Astra, Ad infinitum, when to fly into inner (Nun) space as a Hawk winged singular (Odin) Eye through a (Succubae/Valkyrie) Vesica Pisces, all as (Vaginal star barrelled) quantum wormholes to microcosmic conjure.

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INNER SPACE TRANCE JOURNEYS INTO OTHER WORLDS

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 21, 2014 by FAUSTUS CROW

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Dr John Cunningham Lilly (January 6, 1915 – September 30, 2001) was an American physician, neuroscientist, psychoanalyst, philosopher, writer and a psychonaut, who can be considered to be a shaman. Lilly researched Dolphin communication as well as scientifically exploring the nature of human consciousness, mainly using ‘floatation’ tanks, and psychedelic drugs, which he sometimes used in combination.

In another age prior, Lilly would have been burnt a the stake as being a Devil worshipper by the church, whose establishment, along with the two other Abrahamic cults of a deified ‘Animus’ made as a God/Devil do not like you exploring your own consciousness.

The Illuminati triad of Big-Brother business religions do not like the competition. Hence their systematic persecution of the horned shaman across all cultures.

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Lilly was very interested in the ‘Search for Extra-Terrestrial Intelligence’ (SETI) project. In 1961 a group of scientists including Lilly had gathered at the Green Bank Observatory to discuss the possibility of using the techniques of radio astronomy in order to detect evidence of intelligent life outside our Solar System.

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This group dubbed themselves ‘The Order of the Dolphin,’ principally named after Lilly’s work with Dolphins, which was also in part inspired by the pre-Christian symbol of the Fish, whose amphibious (Nommo) symbolism is derived from the pre-Christian Vesica Pisces. The ancient symbol of the (Nommo) Fish, Amphibian or Reptile symbolises a shaman who is an adept of (amphibious) hypnagogic trance. The Order of the mammalian Dolphin discussed the Drake equation, which is used to estimate the number of communicative extraterrestrial civilizations in our galaxy.

However, Lilly later became aware that the search for Extra-Terrestrial Intelligence can be conducted through our own neurology, when to explore inner space within the amniotic womb enclosure of a ‘floatation’ tank. The premise being that a highly advanced extra-terrestrial civilisation would use a communication form, which is common to all life-forms.

When a species becomes sentient it would then be able to interpret the (Vesica Pisces: Vaginal barrelled Stargates/Succubae) quantum wormhole () signal (VALIS: pink beam) zapping their neural nets from an extra-terrestrial civilisation conducting its own version of SETI.

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Lilly’s work inspired Paddy Chayefsky’s novel entitled Altered States, which was made into a 1980’s Hollywood film of the same name.

The film features a scientist, who introverts his consciousness of a signal, in order to travel back into time within his mind. He accomplishes this shamanic feat while floating as a Nommo (Anunnaki) trance adept within a sensory deprivation chamber after ingesting a combination of psychoactive substances. Although, in real life, those who have become as Nommo trance adepts themselves, when to hypnagogic trance float as amphibious Dr Who Anunnaki do not necessarily need to partake of power plants in order to have the same TARDIS experience.

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THE NINTH GATE BIBLE BLACK SUCCUBUS BOOK OF SHADOWS

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2014 by FAUSTUS CROW

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The Multiverse, Meta-Universe, or Metaverse, is symbolically represented as the Tarot card of the World XXI, The World card describes a set of multiple possible universes, including your own macrocosmic universe, which together comprise everything that exists.

In shamanic practice the multiverse is symbolised as a World-Tree, upon which the ancient Norse shaman deity called Odin hangs into (Da’at) trance. The tree of worlds in Norse mythology is called Yggdrassil. The Yggdrassil world tree encompasses a myriad number of parallel universes, within which exist alternate worlds. The world tree of Yggdrassil is described in mythology interlinking nine worlds. These nine worlds can be otherwise seen as being nine states of consciousness or dimensions, a Tibetan Buddhist would call Bardo’s.

In Tibetan Buddhism, the nine Bardo’s are experienced as being seven visionary states followed by an inner experience of the primary and a secondary clear light. The Bardo visions are described in detail within the Tibetan (book of the dead) Bardo Thodol, you can equate with the ‘Bible Black’ book to otherwise name as the: De Umbrarum Regni Novem Portis (‘Of the Nine Doors of the Kingdom of Shadows’).

The nine Bardo’s are associated with female entities called Dakinis, a Norse shaman would call Valkyries. In medieval Europe the Dakinis/Valkyries would be seen as being (Succubi) Succubae. The Dakinis are also known in Japan as being Fox spirits called Kistsune, whose Geisha symbolism over time has been transformed into the schoolgirl fetish found in Manga and Anime.

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The anthropologist and author, Carlos Castaneda also described female entities in his books. Castaneda called the female entities Allies, who frequent an inner reality he termed as Penumbra. The World-Tree can be internally experienced, within the symbolic realm of the dream, as being a vast penumbra school of a Lilith’s Harem.

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The vaginal star barrelled hallways of the inner school are all as (Vesica Pisces/World Card XXI) mini wormholes leading to a myriad number of classes, which are as alternate worlds existing within parallel womb universes, you can term as Lilith’s Harem.

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The shamanic model of the World-Tree was utilised by the Cabbalists for their Cabbala, which explores the inner realms of the microcosmic and the outer experience of the macrocosmic universe. Underlying each macrocosmic universe is a microcosmic template reality, which can be accessed via lucid dreaming.

It is therein of the microcosmic dream you can find the Nine Gates. Your electron dreams are suffused by the bio-photon of Diana-Lucifera, which emanates from the mitochondrial serpent DNA residing within Satana mitochondria.

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The mitochondria is passed down from the mother to her children. Hence the bio-photon dream characters you encounter within the inner school of a Hogwarts, have a female St Trinian source.

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Wherefore the dream characters manifest as Nightgaunt Nuns, all as planetary sphere Valkyrie mistresses, who govern over their corresponding Witch legions of Succubae schoolgirls to be verily listed and illustrated in your Dakini Daemonicon of an ‘Art book’ Goetia.

The mitochondria is your Bible black book of a De Umbrarum Regni Novem Portis, to read via electron dreams, rare of Diana-Lucifera illumination.

“One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.”
― Salvador Dalí

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I: KETHER: At the beginning of your journey, along the path, you start with a point, which has no dimension. Like the point, we know from geometry class, it has no size, nor that of dimension.

It is just an imaginary idea representing pure consciousness, which indicates a position in a system. The point is to be amidst a sorcerers magic circle to make of secret operation, to know, to will, and to keep silent. Then you have the first dimension.

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A second point, can then be utilised to indicate a different position, but it, too, is of indeterminate size. To create the first dimension, all you need is a line joining any two points. The first dimensional object has length only, no width or depth. This leads you to the circle, like that of a moat encircling a castle of thoughts to yet build of a temple. It is here that you draw your magic circle of a universe to mark out of operation, around yourself, of a point of consciousness.

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II: CHOKMAH: If you take your first dimensional line of a thought, and then draw a second line crossing the first of an associative thought process, you have then entered into the second dimension. The thought object being thusly represented, now has length and width, representing thought, but as yet no depth. To help you imagine the higher dimensions, visualise the second dimensional object being created using the second line, which, by association, branches off from the first thought to another thought.

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It is here that the sorcerer divides up his drawn magic circle into four quarters, indicating length and width, which be the foundation of his house, to build upon the conceptualised temple of an architectural two dimensional mandala to thence alter of altar. He then has the cerebrum keys to enter the door of an ordered mind, guided by his instinctual mammalian brain self of a loyal cerebellum dog, which is to be illuminated by the light bearer, Diana-Lucifera, whom burns brightly.

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III: BINAH: The third dimension is your experiential reality. It is the domain of memories. Your memories are sensory impressions, which of an external impression have length, width and height when remembering them. Let’s imagine a gnarled magician meditating upon a Cabbala tree depicted in his grimoire. The magician is quite unaware that his three dimensional reality is in fact a two dimensional computer simulation. The magician’s video game life is being observed by a schoolgirl Succubus on her planetary sphere classroom monitor. The magician’s reality can be easily manipulated when he conjures a schoolgirl succubus within his dream, who proceeds to fold his Cabbala tree down the middle, creating a ‘bridge.’

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By doing so, she can abduct her chosen magician from his initial position, to thereby instantaneously transport him to another location upon the tree, within his simulated reality. You can imagine that the schoolgirl Succubus did this by taking a two dimensional object and folding it through the dimension above, which is her third dimension. Once again it will be more convenient to imagine higher dimensions, if you can think of the third dimension in this way. The third dimension of memories, is as mentioned, what you fold through of a ‘bridge,’ to cross from one point of thought to another in the dimension below it, via your Triangle of Art imagination.

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IIII – IV: CHESED: The first three dimensions can be described with these words, length, width, and depth. As for the fourth dimension, it is duration. Imagine drawing a line from the one moment ago self, to the present self, you will then see all those moments in the past, being comprised along a line, likened to a long undulating snake of a film-strip winding its self through a maze of experiences, connecting your embryonic self and your deceased self.

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You only see the cross-sections of your present existence moving forwards in the third dimension. Whereas your fourth dimensional self is like a snake, linking both past and future. It is here that a sorcerer may speak of past and future incarnations, of passed down genetic memories, as well as experiencing precognitive phenomena via his conjured up Succubae schoolgirls, a Yakut shaman would call Abassy. What has appeared to have happened by chance, is not chance at all.

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V: GEBDURAH: In the third dimension time appears to move forwards of linear duration, from past to future. But the line in the fourth dimension is actually like a Möbius strip, twisting and turning in the dimension above. The long undulating snake of a self, will feel as if it is moving along an infinite straight line within the fourth dimension.

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But, the snake self in the fifth dimension is actually eating its own tail; where time is circular of an Ouroboros, ever recurring, of counting through your experiences of accumulated wealth, over and over again of a life review. It is here that a sorcerer will experience a sense of déjà vu, and to also realise via the conjuration of the Succubae schoolgirls, that precognition is actually a case of remembering what has occurred many times of an eternal return.

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VI: TIPHARETH: In the sixth dimension the sorcerer becomes aware of alternate closed-timelike-curves of an Ouroboros to know of other fourth dimensional sequence of events. But in order to access another Ouroboros of a possibility within the fifth dimension, the sorcerer has to sacrifice his older self amidst his prior Ouroboros to do so.

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This requires transforming his two dimensional thoughts and three dimensional memories of symbolic alchemy, by utilising the fiery sword of his Artistic intent. Wherefore the sorcerer evolves his one dimensional consciousness, where the tenth (Malkuth) dimension, reduces back to the first (Kether) dimension, one and the same. It is here the sorcerer experiences synchronistic-feed-back-loops of phenomena via the conjured up Succubae, which will allow him to trance slide into alternate closed-timelike-curves.

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VII: NETZACH: The fourth dimension can be imagined by taking the dimension below and conceiving of it as a single point. The fourth dimension is a line, which can join the universe as it was a moment ago to the universe as it is right now. The biggest picture possible is the fourth dimension is a line, which joins the big bang to one of the possible endings of the universe. As you enter the seventh dimension, you are about to imagine a line, which treats the entire sixth dimension as a point.

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To do that, you have to imagine all the possible closed-timelike-curves being played of a chess game, which could have started as a big bang, joined to all possible endings of your universe, and treat them all as a single point. Whereby a point in the seventh dimension, would be infinity, where all possible closed-timelike-curves are played out, which have occurred, and to reoccur from a primary Bardo big bang. It is here a sorcerer quantum dreams of alternate histories via his conjured Succubae schoolgirls, who may initiate the rare experience of physical time-slips into alternate Earth’s.

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VIII: HOD: How can there be anything more than infinity? The answer to this is, there can be other completely different infinities created through initial conditions, which are different from the big bang of your universe. Different initial conditions create differing universes where the basic physical laws, such as gravity or the speed of light, and therefore the wheel of time, are not the same. The resulting closed-timelike- curves from another universe’s beginning to all its possible endings will create an infinity, which is completely separate from the one, which is associated with the Ouroboros of your universe.

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So the line you draw in the seventh dimension will join one of these infinities to another. If you branch off from the seventh dimensional line to draw a line to yet another infinity, you would be entering the eighth dimension. It is here a sorcerer might experience a rarity of being carried into another reality by the Nightgaunt Succubae, where time is very different. Such a scenario may lead to the sorcerer not being able to return his ‘head’ back to the same reality he had initially left.

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VIIII – IX: YESOD: A sorcerer can quantum leap from one point in any direction by simply folding his consciousness through the dimension above. This is achieved through trance and lucid dreaming, where his consciousness is smaller than any known particle. Whereby, a sorcerer can tune into another reality via the conjuration of a dimensional sphere Succubus, from out of his Bible black grimoire, when attaining lucidity, within the microcosm of the Da’at dream.

A sorcerer can thereby slide from an eighth dimensional line into another infinity when he penetrates a Succubus of a ‘Ninth Gate;’ hence he is enabled to slide as a Serpent Dragon (Great Beast) through her (Da’at) Stargate of a Babalon Vesica Pisces into another universe parallel to his own.

“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”
― Salvador Dalí

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