SUCCUBUS SPIRIT WIVES OF THE YAKUT SHAMAN

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Like many of the indigenous peoples of Siberia, the Yakuts practiced shamanism, who originally lived around the Olkhon and the region of Lake Baikal.

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But during the 13th century they migrated to the basins of the Middle Lena, the Aldan and Vilyuy rivers under the pressure of the rising Mongols, where they mixed with other Northern indigenous peoples of Russia, such as the Evens and Evenks.

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By the 1820’s almost all the Yakuts had been forcefully converted to the Abrahamic faith of the Russian Orthodox church, although they rebelled against this onslaught in order to retain their ancestral-self-identity.

However, during the late 1920’s through the late 1930’s, the Yakut people were systematically persecuted, when Joseph Stalin launched his collectivization campaign. Hunger and malnutrition resulting from the period of persecution resulted in a decline in the Yakut total population from 240,500 in 1926 to 236,700 in 1959.

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By 1972, the population began to recover. The Yakuts presently form a large plurality of the total population within the vast Sakha Republic.

The Sakha Republic is one of the ten autonomous Turkic Republics within the Russian Federation. Even though the Yakut have suffered much under the yolk of Christianity, let alone fighting off Islam to then be hit by the Soviet regime, they still practice their ancestral legacy of shamanism; whereas the Abrahamic invaders of their land have entirely forgotten their own ancestral-self-identity.

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The Yakut shamans know of Succubae who are considered to be spirit wives. They are usually seen to be the spirits of deceased women who become Succubae.

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Although, some of the Succubae are constructed as thought-forms, of similarity to the Tibetan sorcery technique of the Tulpa.

During the 70’s an experiment was conducted by a group of Canadian parapsychologists who utilised the shamanic technique of creating a Tulpa. The experimenters successfully created a ghost, which generated poltergeist phenomena.

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The Canadian experiment was later repeated by a group of Australian parapsychologists based in Sydney, who created a Tulpa of a girl, they named Skippy Cartman, which also generated observable poltergeist phenomena.

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A shaman does likewise, who artistically creates spirit wives for specific poltergeist tasks. It is from these spirit wives the shaman derives much of his shamanic abilities, who are collectively called Abassi.

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Other spellings of the term Abassi are: Abaaht, Abasy, Abaasy or Abassy. When the Abassi sexually interact with a shaman within his lucid dreams, he knows he will soon be called upon to heal a patient.

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The Abassi maidens are seen to reside in an otherworldly domain called Mᾱnarikta Challan, the heaven of the spirits of ecstasy. (Shternberg 1935, p.246ff)

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However, there are darker accounts of the Abassi, which are very likely entwined with cultural sexual taboos. According to other Yakut informants, the Abassi are alleged to be the spirits of long-time deceased women who dwell near graves, or in deserted places, or to otherwise travel around as predatory Witches invading the dreams of the living.

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In these accounts the Abassi inhabit the underworld rather than a heavenly abode.

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The shamanic perspective of heaven and the underworld alludes to shifts of consciousness, which the Abassi enable a shaman to experience.

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Heaven refers to a shift of consciousness above the (cerebrum) head, where the shaman will sense he is flying up into, and through, a vaginal star barrelled tunnel into another planetary (parallel universe) sphere.

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As for the underworld, it refers to a shift of consciousness to the (cerebellum) back of the head, where the shaman experiences falling backwards into a great void before attaining ingress into the (alternate Earth’s/eternal-reccurrence) ancestral spirit world. Basically, the Abassi enable (hypnagogic) trance ingress into both (brain) domains.

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The Yakut generally have two types of shamans, the black shamans, who interact with the Abassi, are called, Abassy-oïuna, and the white shamans, whose practitioners are called Aïy-oïuna, do not engage themselves with Abassi.

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The ‘black shaman’ among the Yakut bares no comparison whatsoever to the Western counterpart of an Abrahamic Satan worshiping black magician, since shamanism is not a dogmatic religion, it is a system of techniques, which enable consciousness expansion.

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The black shaman helps people no less than the white shaman does, who occupies a higher position among the Yakut than the white shamans.

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The black shaman is very much akin to the blacksmith; hence the numerous references to iron concerning the Abassi, who are associated with an inner (light) fire, illuminating his ‘Triangle’ Of Art Imagination.

The difference between the black shamans and the white shamans is more to do with their roles in society.

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The black shamans tend to be very much like neuro-scientists, who specifically deal with the inner realms via their microcosmic dream interactions with the Werewolf Abassi maidens flying as seven Cranes.

Whereas the white shamans are the priests, whose priestly role involves conducting traditional ceremonies, which requires a sense of macrocosmic purity.

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Because the white shamans conduct ritual gatherings and ceremonies for the tribe, it is seen to be unseemly for a black shaman to do so, due to his rather chaotic sexual interactions with the Abassi.

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The concept of the Abassi is so ingrained into Sakha thought that the verb абааһы көр- (to see Abaasi) is the everyday term for, ‘to hate’ or ‘to dislike.’

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This is due to the fact that the Abassi are seen to be sexually perverse ghost girls who are said to have teeth of iron, and like vampires they thrive upon the taste of blood.

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But it isn’t red blood we are talking about here, its (wet dream) white blood, semen. Hence the normal folk greatly fear the sexually perverse Abassi, whereas black shamans cohabit with them of Tantric dream (blacksmith) alchemy.

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What the black shaman to communicate, is that the Abassi, are likened to (planetary) metal (shield/seal) mirrors.

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As spirits of the ‘mirroring’ dream, they will reflect back, what the horned shaman has to face about himself, of self hate and disliking his shadow side, in order to (blacksmith-dismember and rebuild: solve et coagula) transform, via his interaction with the Abassi, whose fire forges his iron will.

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There are descriptions of the Abassi travelling around in predatory packs of seven, which alludes to the seven (metals) planetary spheres of the (endocrine system) Chakras, as described in many a medieval grimoire, such as the Goetia, for example.

The Abassi are sometimes described as being ‘one-eyed one-armed, one-legged’ monstrous warrior Witches mounted on ‘two-headed, eight-legged, two-tailed dragons as steeds.’

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Or to otherwise manifest as dragon like creatures with a large tail of similarity to the Hindu Nagas, which would no doubt freak out a David Icke devotee.

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The reptilian motif of the Abassi refers to the reptilian brainstem, which governs over your depth of (hypnagogic) trance and dream states. The experience of (hypnagogic) trance is termed as the little death.

It is via the dream that a shaman can access the future and the past, like that of a two faced head, looking in opposite directions. Whereby the Abassi rides a two headed, two tailed dragon, likened to a time-machine.

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The Abassi enables the shaman to travel over the dream web interconnecting all things, throughout space and time. Wherefore, the steed of the Abassi has eight legs like a spider; for they are one and the same, who are the Night-Mares the shaman to ride.

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The Abassi are more akin to the Hindu version of the Succubae, called Dakinis who also have reptilian motifs associated with them, which refers to the Dakinis inducing the arousal of the Kundalini Shakti (fire snake) along a shamans (world tree/nervous system) spinal column.

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This will lead you to understanding why the Abassi are described as being one-eyed, one-armed and one-legged like a ‘column,’ who personify the world tree, the Yakut call, Aal Luuk Mas .

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In the Olonkho, which is a heroic epic tale of the Yakuts, and one of the oldest epic arts of the Turkic peoples, the Abassi are ugly and horrible man-eating beings, which alludes to the Abassi initiating a shamanic illness in prospective shamans, whose consciousness the Abassi then alchemically transmute into evolving.

The chief shaman of the Abassi is Alyp Khara Aat Mogoidoon, who is described as being a (past, present and future) three-headed, six-armed and six-legged giant with a blacksmith body made of iron. Alyp Khara Aat Mogoidoon can e seen to look lke a raging Tibetan Buddha, seated, enthroned amidst a hexagram, which of a symbol, represents sexual union. The hexagram (sexagram) is utilised to conjure up the warrior maiden Abassi, whose elemental weapons have been forged by Alyp Khara Aat Mogoidoon.

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(You also have the Circadian rhythm [six-armed, six-legged = 12] Zodiac [Kalachakra] and its 36 Decans to go 72 of number.)

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The erotic arousal of the Kundalini Shakti is experienced as a liquid (fire) light, which, as mentioned, ascends the spinal column; more specifically that of along the back of the neck, which of an experience is termed as the ‘rush’ in modern trance dance culture.

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This liquid light, illuminates your electron dreams, which refers to the bio-photon emanating from amidst the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children.

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Whereupon, the liquid (fire) light is intuitively experienced by the Yakut shaman as being the menstrual blood of the Abassi, which is considered to be poisonous.

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The reason why the liquid (fire) light is considered to be poisonous is because it induces shamanic (hypnagogic) trance, which is seen to be the little death.

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The ghost girl Abassi serve Arson-Doulai, the ruler of the dead, who also swallows (shift to the back of the head) people’s souls and gives the living (eternal-recurrence) diseases.

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Whereby the Abassi spirit (shaman doctor) nurses can heal said diseases, who as warrior maidens fight against malign influences.

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This is the reason why the black shaman, though feared, is sought out by those who are in distress. The black shaman is considered to be a powerful healer, which enables his high standing in Yakut society.

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The predatory Abassi are said to be appeased by ejaculatory blood sacrifices. However this is not literal, it otherwise refers to the Abassi requiring ’emotionally charged sexual rites’ for their Tantric conjuration.

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This involves the introversion of the sexual impulse via intense erotic visualisations and meditation, which empowers lucid dream contacts with the Abassi.

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Wherefore the black shaman attains ‘mastery’ over the inner ‘fire.’

In the Southern Siberian Altaic language of the Altay, you will find the name of Odqan, which means fire king. It is from Odqan, the name of the shamanic deity of the Norse is derived, who is called Odin, the Saxon’s knew as Woden.

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The black shaman Odin had his Abassi too, who are called Valkyries, the Saxon’s knew as Waelkyries.

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As you can see, the European’s also practiced shamanism, who had strong ties with the Siberian peoples long ago. But then, shamanism is universal.

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8 Responses to “SUCCUBUS SPIRIT WIVES OF THE YAKUT SHAMAN”

  1. Hello, I would love to know if the photos here are from Yakut-Sakha fashion designers? and if the model(s) are ethnic Sakha as well?

    • FAUSTUS CROW Says:

      I don’t think the designers are primarily of Yakut-Sakha descent, nor the models; the fashion designers were primarily influenced by native Siberian dress, which of course includes those of Sakha to update into the modern.

      What fashion I found concerning Sakha was very conservative; although, this isn’t to say that a Yakut-Sakha fashion designer will take it artistically further in future. A similar set up can also be found concerning Native American fashion design, which is a fusion of differing native influences. However, the artistic styles of the Hopi and Pueblo tends to predominate, most especially that of the Navajo.

      There appears to be a similar situation occurring with little known Siberian fashion, which is a fusion of differing native influences, including those of the ancient Scythian, present Mongolian, Chinese and even Korean, as well as the Japanese. But then, they all share a similarity of cultural roots, which winds back into the far distant past, spreading out to include those of the Turkic and Hungarian, whose ancestral dress sense are all very similar of the North Central Asian steppe peoples unto Siberia.

      I suspect that the fashion designers of the Siberian wear are attempting to indicate that there is an ancient cross-cultural influence, linking many native peoples of Siberia, which also goes across the Bering Straits; wherefore you also have a similarity with Native American fashion as well.

      Perhaps over time, should some inspired fashion designers take the Siberian style further, there will be a few distinctive styles of a native Siberian cultural influence taking central stage, just as you find with the Native American Navajo; maybe it will be that of the Yakut-Sakha?

      Such will be determined by inspired fashion designers, who will be primarily looking for a distinctive native artistic expression, which captures the public imagination, as being quintessentially Siberian.

      I don’t think any fashion designer has discovered that quintessential native Siberian style yet, since Siberia has only become open to the world after the fall of the Soviet; it is still a vast unexplored area. Hence Siberia is an artistic goldmine for a fashion designer, who is looking for a brand. But in the looking, the fashion designers will probably miss the obvious of a Shaman staring at them of a coming Zeitgeist.

      • Hi, I was wondering if you have the references for the original source where you found the photos of the above shoot? I’m really interested in using these photos, but need something to reference.
        Thanks

      • FAUSTUS CROW Says:

        The photos were derived from various sources, such as Tumblr, for example.

        My emphasis of a search being the ethnic costumes of Siberia, though updated of fashion.

        There isn’t much focus on Siberian fashion. Siberian (Yakut/Sakha) costume designs are few and far between. What originals I found, I compared them to the updated versions.

        I also looked for the actual sources of the utilised photos, without much success. However I had determined that they are mostly derived from ‘Vogue’ photo shoots.

        Some of the photos appear to have originally been used in a Korean version of Vogue, another being a Vogue photo shoot about Mongolia, as well as Northern China, all of which alluded to Siberia.

  2. FAUSTUS CROW Says:

    This is an answer to Gunbuster. The Yakut and other indigenous Siberian peoples, when encountering the gun toting European’s suffered the same fate as the Native American’s who were duly used for the selfish lusts of the invaders; whereupon the indigenous Siberian people’s had their land stolen along with them being forcibly converted into the appropriated religion of the European’s; wherefore many of the indigenous Siberian’s lost not only their ancestral land, but also lost their own ancestral-self-identity in the process.

    For example: during the 1620’s Russia began to move into Yakut territory, who annexed it along with imposing a fur tax; this managed to suppress several Yakut rebellions between 1634 and 1642. Russian brutality in the collection of the pelt tax (yasak) sparked a rebellion among the Yakuts and also Tungusic-speaking tribes along the River Lena during 1642.

    The Voivode, Peter Golovin, leader of the Russian forces, duly responded with a reign of terror: native settlements were torched and hundreds of people were tortured and killed. The Yakut population alone has been estimated to have fallen by 70 percent between 1642 and 1682; but then the Christian European’s had the guns to commit genocide.

    The reign of terror didn’t end, it continued when the Communists came to power, who, like the prior Christian’s put it around that the native Siberian shamans were using people for their own selfish lusts of a continuing Witch hunt, which led to further genocide among the indigenous Siberian population.

    The reasoning behind the European’s gunning for the shamans was because the shamans were attempting to keep alive their own ancestral-self-identity against the European’s, let alone combating Islamic influences. The European’s had long ago forgotten their own ancestral-self-identity, when they themselves had been forcibly converted by the selfish lusts of the Roman priests, whose cult had appropriated the ancestral-self-identity of the Hebrew’s, which later led to the holocaust.

    However, the indigenous Siberian peoples fared a bit better than their Native American counterparts who ended up being forcibly relocated to reservations; whereas the indigenous Siberian’s were protected by their unforgiving land, amidst which they had learnt to live alongside with; while many of the European’s couldn’t handle the harshness of the tundra.

    But this has since changed when oil was discovered under the Siberian tundra, which like a Woolly Mammoth dwarfs those in the Middle East of a mere puddle; wherefore the selfish lusts of those who have the guns, are once again gunning for the indigenous Siberian’s who are likewise being gunned after by the descendants of the Pilgrims. Said Thanksgiving day Pilgrims sought to build a new Jerusalem in America, upon the bones of the indigenous population, of a prior holocaust; the insanity of it all, be due to their selfish lusts.

  3. FAUSTUS CROW Says:

    This is an answer to an individual who has been Trolling various Forums; one of which is the Visionary Shaman Forum, who claims to be a Black Shaman. Most ‘Real’ Shamans do not claim, nor do they openly promote themselves to be Shamans; nor do they go around threatening others with their inane pseudo philosophies sired out of a Medieval Witchfinder psyche.

    Kindly take your Biblical mind-set to the Middle East along with your brainwashed brain in tow.

    If you are so intent on Trolling of a reptilian brainstem addiction in order to validate your, self professed Black Shaman existence, then do something useful; go and Troll, ISIL forums; although, the radicals out there will soon trace your I.P Address, and then you will have your desired conflict to the Death in your own Branded backyard!

    Whereas the members of other forums, such as the Visionary Shaman forum, will just Black-List your Troll I.P Address; that, or report your bullying attitude to the authorities!

    As for your, self wrought term, Pornofication, the same was applied to Tantra and Tibetan Buddhism, when a bunch of ‘Closeted’ arseholes were faced with erotic iconography depicting Dakinis, back in the 40’s, whose ancestors no doubt enjoyed burning Witches at the stake after raping them.

    Said arseholes ascribed to a Cultic doctrine, which nearly destroyed the ancestral-self-identity of the Siberian’s; however they fared far better than the Native American’s, whose ancestral-self-identity was raped by the Nazi mind set you promote; wherefore you are duly haunted by the Karmic horrors of genocide!

  4. FAUSTUS CROW Says:

    This is an answer for Nordsol.

    I am not too sure what video you are enquiring about. If you are referring to the gifs featuring a female shaman, they are derived from: ‘The Udagan’s dream,’ a music video by Saydyko Fedorova, which can be found on Youtube.

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