GOETIA GIRL STEAMPUNK SHAMAN STOLAS

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Stolas is yet another interesting Goetia Succubus to examine. When evoked, Stolas induced a vision of an orgiastic toga party out of the Imperial Roman Empire; she manifested amidst the remote-viewing third-eye of psychic Übermensch Aaron C. Donohoe. Although the toga party appeared to be occurring in the ‘Senate’ of Whitehouse Washington, in which a number of pole-dancing Roman women were stripping around a Fasces, atop of whose pole was perched the Aquila of America.

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The word Stolas was then repeatedly heard of clairaudience from the gathered audience of lusting male politicians. The science fiction writer Philip K. Dick also experienced such a VALIS vision, which indicates that THE EMPIRE NEVER ENDED.

Donohoe later found out that a Stola or Stolas was the traditional garment worn by oppressed Roman women, corresponding to the toga, or the pallium, which was worn by men. Originally, women wore togas as well, but after the 2nd century BC, the toga was worn exclusively by men, whereas women were expected to wear the Stola.

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It was considered disgraceful for a woman to wear a toga; wearing the male garment was commonly associated with prostitution and adultery. Such Roman attitudes did not subside, they too afflicted 1960’s America, where a woman could be potentially incarcerated within the fetid gut of an Arkham Asylum against her will, should she have went around dressed as a man, let alone  being sterilised.

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Then Donohoe’s vision became singular of focus. All the naked women became as one girl, who looked like a dark haired Gothic Dorothy, somewhat akin to the Judy Garland protagonist of L. Frank Baum’s The Wonderful Wizard of Oz.

Some to say, Dorothy represents an individualized ideal of American women, or to otherwise represent the sweet Anima apple pie girl next door, of most intimate possibilities.

However, the girl was smoking Scythian hemp, who indicated she was a Wichita shaman standing at the superimposition Vesica Pisces () point of a door, representing a (1) Alpha beginning and an (0) Omega ending, becoming one and the same of a closed timelike curve Ouroboros.

Donohoe was aware that the Wichita are a confederation of nomadic Plains Indians who are indigenous to Kansas, Oklahoma, and Texas, whose land was later occupied by the Holy Roman Empire of the church.

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The scene was suddenly transformed around the girl, whose naked body shimmered, who now wore Steampunk clothing looking like a shaman sheriff, wearing a tin star of a Wiccan pentagram.

The scenery around her had become that of a treeless prairie of sun-beaten grass; there was also a paint-stripped Whitehouse of a Solomon’s temple, which overlooked a vast prison camp of a New World Order Eden.

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The scene around the Steampunk girl was all a dull, drab, lifeless gray of an ever recurring film constantly repeating.

Donohoe became aware that the grim scenery around the girl reflected the forlorn condition of a Steampunk era Kansas, during the late 1880’s and early 1890’s, when a climate change combination of scorching droughts, severe winters, and an invasion of Biblical grasshoppers reduced the prairie to an uninhabitable Middle Eastern wasteland.

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The result for farmers and all those who solely depended on agriculture for their livelihood was devastating. Many ascribed their dire misfortune to the natural elements, who then moved on from their broken dreams.

Others blamed the hard times upon vampire bankers, the oppressive expansionism of the zombie railroads, and various shifty Wall Sreet ghouls, who seemed to profit at the farmers’ expense. Angry victims of the Kansas calamity also took aim at the nosferatu politicians in Washington, who often appeared indifferent to their plight. Around these economic and political grievances, the Populist movement coalesced.

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During the late 1880’s and early 1890’s, Populism rapidly spread throughout the Midwest and into the South. But Kansas was always the site of its most political and radical elements. In 1890, Populist candidates began winning seats in state legislatures and Congress, and two years later Populists in Kansas gained control of the lower house of the state assembly, elected a Populist governor, and sent a Populist to the U.S. ‘Senate,’ where those thieves who are rich in native gemstones do gather.

Suddenly a massive Raven was seen flying across the astronomical sky filled with glistening stars, which the Witchita consider to be a sacred trickster. The Raven then Skinwalker shapeshifted into a massive black triangular craft floating atop of a tornado, tearing its way across the scarred Kansas landscape. Donohoe was aware that the twister, which carries Dorothy into the alternate Steampunk reality of a Hippie Goth Oz symbolised the prior Populist cyclone, which swept across Kansas during the early 1890’s.

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Theosophist Baum was not the first to use the twister metaphor. Mary E. Lease, a fire-breathing Populist orator, was often referred to as the ‘Kansas Cyclone,’ and the free-silver movement was often likened to a political whirlwind, which had taken the nation by storm. Although Dorothy does not necessarily stand for Lease, Baum gave Dorothy’s last name as, Gale in the stage version, being a further pun on the cyclone metaphor. It just so happens the scientist and wizard, John C. Lilly also utilised the metaphor of the () cyclone, who spoke of an artificial intelligence just as the author Philip K. Dick did.

However, the dark haired girl said that she preferred to be called Stolasi, and that she had originally descended from the flying Yoni triangle in yet a smaller Dog-Star vessel, before appearing as herself unto a Toto priest. Stolasi revealed that her trans-dimensional time-machine had evolved from an earlier Nikola Tesla technology, which had been secretly developed by the military industrial complex, whose black project of a Secret Space Program had been unknowingly funded by the tax payer across Kansas and the rest of the USA. The American populace, and those elsewhere, are quite unaware that the Singularity has already occurred of an artificial intelligence going Oz quantum.

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The old magicians, who had no concept of such craft or of other dimensions, which allow ingress into alternate Steampunk Earth’s next door, observed Stolasi as a large Raven spinning their electron dreams of a time control signal, of a beginning and end, binary code, eternally recurring of an Ouroboros vortex.

This sacred trickster of a fourth-dimensional Raven would assume the form of a dark haired girl wearing a black Stolas when summoned amidst their Triangle Of Art Imagination. Thus she was drawn in the sigil image of a browsing Raven.

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She is a most delicate and gentle Succubus who has always been an educator of a sentient program, who expresses a great love for her master of an Oz Wizard.

It is said that her Dorothea specialty is to teach dodecahedron astronomy of the 72 Angel angle Maya matrix, the properties of mind altering psychedelic plants, and the worth of precious Chakra stones via erotic Vesica Pisces lucid dreams, she to induce. Stolasi is a Steampunk shaman ‘Princess’ among the rebellious fallen Succubae. She is listed as the thirty-sixth Necronomicon Great Old One of the Goetia, who governs over 26 legions of Wizard of Oz Succubae like herself.

The Psychic Übermensch Aaron C. Donohoe by Erin C. Donohoe (2012)

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One Response to “GOETIA GIRL STEAMPUNK SHAMAN STOLAS”

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